Urban Jungles Hidden Kingdoms


Urban Jungles

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Transcript


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Our planet is home to millions of different animals.

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The big and the powerful capture our attention.

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But there is another story to tell.

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Beneath our feet are hidden, almost magical worlds...

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..teeming with extraordinary little creatures.

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ELEPHANT TRUMPETS

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The world looks very different to them.

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A falling acorn...

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..becomes a meteor.

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A tiny trickle,

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a tsunami.

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And every enemy...

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is a giant.

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Now, using the latest technology,

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we can recreate the world from their perspective.

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In this episode,

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we enter the secret worlds of two urban jungles -

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the chaos and commotion of Rio...

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..and the futuristic metropolis that is Tokyo.

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These are dramatic tales of life inside the Hidden Kingdoms.

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BIRDS CHIRP

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HIGH-PITCHED WHISTLING

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Tiny marmoset monkeys,

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small enough to sit in the palm of your hand.

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They're a close-knit family,

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at home in the tree tops of the forest.

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But this is no ordinary forest.

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CAR ALARM BLARES

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DISTANT SHOUTING

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Rio de Janeiro.

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This vast city

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crammed with over six million people

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is eating into the jungle.

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But some jungle creatures

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are standing their ground.

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The only way to survive

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is by making the most of what humans can offer.

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For a gang of marmosets,

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finding food in the city

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means leaving the safety of the trees.

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It's a journey fraught with danger.

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HIGH-PITCHED WHISTLING

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One young male is bold enough to lead the way.

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To marmosets,

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these power cables are like tree branches...

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..if a little more slippery.

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Surveying the streets below, they can spot any opportunity for a meal.

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HORN BLARES

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The streets of Rio

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are strewn with discarded litter.

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BACKGROUND CHATTER

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CAR HORN TOOTS

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CAT MEOWS

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CAT PURRS

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But they are also patrolled by cats and dogs.

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CAT PURRS

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CAT MEOWS

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To survive, the marmosets must work as a team.

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CAT MEOWS

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HIGH-PITCHED WHISTLING

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Look-outs sound the alarm.

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Young marmosets are more inquisitive than the adults.

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INDISTINCT CHATTER

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The city is so noisy,

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it's hard to hear the others calling time to move on.

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SIRENS WAIL AND HORNS BLARE

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MARMOSETS SQUEAK

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The link to the rest of the family has been severed.

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He has no choice but to take to the streets.

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ALARM BLARES HORNS BEEP

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How can this young marmoset survive

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without the protection of his family?

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HIGH-PITCHED WHISTLING

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On the other side of the planet...

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..Tokyo.

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With well over 30 million people,

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there's barely room for any green space.

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This concrete jungle

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is one of the most inhospitable places on earth

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for wild animals.

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But there is one out tonight,

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an armour-plated mini monster...

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..a rhinoceros beetle.

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Removed from the forest, he's now a captive...

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..and a gladiator.

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-BELL RINGS

-Introduced to another male,

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all he needs to do

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is what comes naturally to him...

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..fight.

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The winner is the one who throws the other on his back.

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CHEERING AND APPLAUSE

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He wins.

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BEETLE CHIRRUPS

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Beetles usually eat high-energy tree sap.

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Here, some fruit will have to do.

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Then he's back in the ring.

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For their size,

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rhinoceros beetles are the strongest creature on Earth -

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able to lift over 100 times their own body weight.

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Males with longer horns are more likely to win

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and this male's horn is as big as they get.

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But even he's not invincible.

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Nonstop fighting is exhausting.

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CROWD GROANS

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MAN SHOUTS

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No longer a hero,

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he's just an unwanted bug.

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Now the only hope for survival

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is to find an oasis amongst the concrete.

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CROWD SHOUT

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Back in Rio,

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the young marmoset is searching for his lost family.

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HORN BLASTS

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Down at street level,

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he is far from alone.

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A cane toad -

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quite at home in the gutter...

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..and poisonous to the touch.

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RATTLING

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The warning rattle of a snake...

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HIGH-PITCHED WHISTLING

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..mimicked by a burrowing owl to keep intruders away.

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Burrowing owls have adapted well to city life...

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..and even enjoy a trip to the beach.

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Rotten food isn't on the menu,

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but collecting it is all part of a plan.

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Just one more trip is needed.

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This time, to visit the local agouti.

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Agouti usually live in the forest,

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but these have come to feast on scraps left by the residents.

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CAR HORN TOOTS

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It looks like the owl has hit the jackpot, too.

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A crowd this size would never occur in the forest

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but here, food is abundant.

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The agouti barely notice one more mouth to feed.

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Cats, on the other hand, miss nothing.

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-MEOWING

-The city owl is too quick for a cat.

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Back at the burrow,

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it's time to put the plan into action.

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-WHISTLING

-It's not long

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before visitors are attracted to the smell.

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He's been setting a trap all along.

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Burrowing owls live on a diet of bugs.

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In the wild, owls use animal dung as bait,

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but this one has adapted brilliantly to city life

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and can now enjoy its own home delivery service.

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Life is not proving quite so easy for the marmoset.

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Without the rest of the gang to help him,

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the youngster is very hungry...

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..and very alone.

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In Tokyo, the rhinoceros beetle is not just alone,

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but still miles from any oasis.

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He does have one trick up his sleeve, though...

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..a huge pair of wings...

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..and the strength to perform a vertical take-off.

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He may have escaped the back streets,

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but flying around Tokyo's skyscrapers

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is a precarious business.

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He isn't alone.

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The sky is filled with other nocturnal bugs.

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Insects normally navigate by the light of the moon.

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Tokyo's lightscape plays havoc with their map reading.

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Light radiates in all directions...

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..and the confused bugs are lured closer and closer...

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..right into the path of a predator.

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RADAR PULSES

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The glaring lights don't distract bats.

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They see with sound.

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Listening to the echoes from its high-pitched calls

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allows the bat to form a detailed picture

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of the world around it.

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A large, clumsy rhinoceros beetle

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might seem a tempting target.

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One way to avoid capture is to drop out of the sky.

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That's one thing a heavy beetle can do well.

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Bats aren't the only animals up here feasting on the glut of bugs.

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BUZZING

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It's warmer in the busy city than in the surrounding countryside,

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so very attractive to cold-blooded geckos.

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The extra heat speeds up the lizard's metabolism,

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allowing it to strike with lightning speed.

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In the forests,

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geckos hunt on the trunks of tall trees,

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so a Tokyo skyscraper is home from home.

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Gecko feet can normally stick to anything.

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Unfortunately, the tall buildings and the warm city air

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can create a problem never found in the forest.

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The swirling currents of air

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form millions of mini tornadoes.

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There's too much turbulence, even for a gecko.

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When its grip fails, a gecko can glide to safety.

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But he's landed on someone else's patch.

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The hungry rhinoceros beetle has gate-crashed too...

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..all in the sight of the deadliest man-eater in Tokyo.

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In Rio's labyrinthine streets,

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there are endless places for animals to hide.

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A leafcutter ant has left the security of its family

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to scout for food.

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CAR DRIVES PAST

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Ants use their antennae to detect food.

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This is fuel for the colony.

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Within minutes, fellow workers are by her side,

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having followed a trail of chemicals

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that she has deliberately left behind her.

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The ants must work fast.

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Down here, exhaust fumes can create a thick toxic smog.

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Now they must take the long road home,

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back to the rest of the colony.

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As the first worker ants

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reach the safety of the underground colony,

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city life is about to come crashing in on their world.

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Washed away from the colony,

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any chance of finding the way back seems impossible.

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But there's help to guide them.

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Despite the flood, the chemical trail is still strong.

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A single gram of it would be powerful enough

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to create a trail around the entire globe.

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Such extraordinary communication and teamwork enables leafcutter ants

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to overcome whatever the city throws at them.

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The only way marmosets can keep in touch is by calling.

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For a moment, the young male thinks his calls are being returned.

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SQUEAKING

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But the noises of the city can be deceptive.

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It's not the call of his family, but the sound of a truck braking.

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Down on the streets, there are trucks everywhere.

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SQUEAKING AND RATTLING

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HORN BLASTS

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Back in Tokyo, the beetle has landed in the lair of a man-eater.

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This praying mantis is trying to attract a mate.

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The breeze will carry her scent to the city beyond.

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Out on the town, a male is quickly hooked.

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But he's aware of this lady's reputation.

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He has to exercise a bit of caution.

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This city breeze will work in his favour,

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distracting her from his approach.

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He's lucky. Most males don't even make it this far.

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Success.

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But the lady wants more...

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His head.

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It may look gruesome,

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but the extra protein that the female gets from eating him

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will actually improve the chance of his young surviving.

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A bamboo house plant provides a mantis with all she needs,

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but it's not enough for a rhinoceros beetle.

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He needs tree sap.

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The scent is on the air, but it's drawing him deeper into the city.

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Saved by his armour.

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A jumping spider -

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no bigger than a grain of rice.

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Up on a traffic light, the spider is looking for a meal.

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These spiders don't make webs. Instead, they hunt.

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Using his silk safety line, the spider gets within range.

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It locks eight eyes on the target, focuses, jumps...

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..and misses.

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In the forest, jumping spiders rarely miss their target.

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And they certainly don't miss it again...

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..and again...

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..and again.

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In red light, the spider can't judge distance properly.

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But when the light turns green,

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everything snaps back into focus.

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This time, the aim is perfect.

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Unfortunately, in a city with this much traffic,

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it's only a matter of time before the lights turn red again.

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Caught in the rush, the rhinoceros beetle hasn't the energy to fly.

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Any chance of finding sanctuary seems impossible.

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Night in Rio.

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Marmosets normally retreat to the treetops

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and huddle together for warmth and security.

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This young marmoset isn't so lucky.

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Under the cover of darkness, unsavoury characters appear.

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SQUAWKING

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SQUEAKING

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Rats are the ultimate city winners -

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opportunists that can adapt to any environment

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and consume almost anything they find.

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The city offers a tarantula

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countless places to make a burrow.

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DRAMATIC MUSIC

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MUSIC BUILDS

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Night also brings out the city's most ruthless hunter.

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Silent and supple, with superb night vision,

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cats are the kings of Rio's back streets.

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And a marmoset's worst enemy.

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CAT MEOWS

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Even a cat can't match the agility

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of a marmoset that's learnt to live on the high wires of Rio.

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CATS YOWL

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At last, dawn is near, bringing relative safety to the marmoset.

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But in Tokyo, dawn brings a beetle's nemesis.

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BIRDS CAW LOUDLY

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The skyscrapers echo with their calls.

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In the forest, beetles bury themselves in the ground

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to sit out the perils of the day.

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THUD

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A crow.

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THUDDING

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For the beetle, it's like facing a Tyrannosaurus Rex.

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With every step, the beetle tests the ground,

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looking for somewhere to hide.

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Crows are one of the world's most intelligent animals.

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They always rise to a challenge, especially where food is concerned.

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To a beetle, these wrappers are the closest thing

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to burying itself in fallen leaves.

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THUDDING

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A crow's beak can crack a beetle's armour like an egg.

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The beetle makes a break for it.

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With size comes strength -

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he can force his way between the heavy sacks.

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CROW CAWS

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CROW CAWS LOUDLY

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Safe for a moment,

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the beetle catches the scent of trees on the warm air.

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At last they're close.

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It's a temple - a sanctuary for humanity in the heart of the city.

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At last, trees flowing with delicious sap.

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The garden has attracted other beetles.

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A female.

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He's not the only male to be interested.

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At last, there's everything to fight for.

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He has lost before.

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This will be the battle of his life.

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He searches for some extra grip, then makes his move.

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For the beetle, life has just got a whole lot better.

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Back in a world he knows,

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he can now spend the rest of his short life

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surrounded by everything he needs.

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Outside this oasis in the unforgiving world of Tokyo,

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only the most resilient and most adaptable can survive.

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Dawn in Rio.

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It's now nearly a day

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since the young marmoset was separated from his family.

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Suddenly he hears them,

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far over on the other side of the road.

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The only way to them is to cross the wire

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and he's seen how dangerous that can be.

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But the alternative is the danger of life alone.

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At last, he's back.

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For any social animal, the only way to survive

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is with the support and protection of friends and family.

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Only a few animals have the skills

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to meet the challenges of city life.

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But for those who can, there are great rewards.

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With over half the world's population now living in cities,

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animals and humans are forced to live side by side.

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Wherever you are, you're never far

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from the tiny heroes of the Hidden Kingdoms.

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Marmosets are the miniature stars of Rio.

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Mastering life on the electric cables is key to their survival.

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To show the marmoset's high-wire perspective

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required a whole range of filming techniques.

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But before filming could even start, we had to find the monkeys.

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Cameraman Mark Payne-Gill and director Gavin Maxwell

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have filmed monkeys in the jungle countless times.

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Filming monkeys in the urban jungle is a whole new challenge.

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This is good down here, lots of trees and wires.

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This way. There, over there. There.

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The traffic, the people and the buildings

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make keeping up with the marmosets surprisingly difficult.

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It's a bit daunting to start with,

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all the motorbikes and all the people and all the noise.

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-I think they are up here.

-Up that alley way, that way.

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Argh, this is so frustrating. They are always one step ahead of me.

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The monkeys always have the advantage of their aerial runways,

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leaving Gavin and Mark trailing behind.

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Marmosets are so agile. There's nothing in their way, really,

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whereas I've got to navigate all these streets,

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go round corners and I can lose them very quickly.

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And then, of course, they can go back that way.

0:51:110:51:13

To try to beat the traffic, they head up to higher ground

0:51:140:51:18

and a better vantage point.

0:51:180:51:19

Just when they think they've found the answer...

0:51:240:51:27

DOG BARKS

0:51:270:51:29

HIGH-PITCHED WHISTLING

0:51:290:51:32

RADIO PLAYS FROM CAR

0:51:320:51:35

So it's not going that well.

0:51:420:51:44

It's probably one of the hardest places

0:51:480:51:51

I've ever come to film monkeys

0:51:510:51:52

in all the years that I've been filming them in jungles, in their natural habitat.

0:51:520:51:56

After three days racing round the hectic city,

0:51:560:52:00

they still don't have a single decent shot of a marmoset.

0:52:000:52:04

To increase their chances of finding a settled troop,

0:52:060:52:09

the two decide to split up.

0:52:090:52:12

I think I can hear one down here.

0:52:130:52:15

'Mark, I've got some up here.

0:52:150:52:16

-'There are about four of them up on the hill now.'

-I'm on my way.

0:52:160:52:19

'Come on, quick, quick.'

0:52:190:52:21

Gavin has found an area

0:52:290:52:31

where a family of marmosets come together to socialise.

0:52:310:52:35

They're doing some really cool stuff.

0:52:350:52:37

Finding them is one thing,

0:52:380:52:40

but now the crew need to encourage the group to stay around

0:52:400:52:43

as long as possible.

0:52:430:52:45

It will take time to get the monkeys used to their presence.

0:52:450:52:47

We're trying to mimic their calls and make a very high-pitched call.

0:52:470:52:51

So I'm going to go... Sss!

0:52:510:52:54

Sss!

0:52:540:52:55

That sounds nothing like them.

0:52:550:52:58

A proper recording might do better.

0:52:590:53:02

We're on Led Zeppelin at the moment. Hang on.

0:53:070:53:10

I'm sure they like heavy metal, but not today.

0:53:100:53:12

There we go, there we go. Listen to that.

0:53:120:53:14

RECORDING PLAYS OF MARMOSET SQUEAKS

0:53:140:53:18

It certainly seems to help and over the next few days,

0:53:190:53:22

the group start to ignore the cameras

0:53:220:53:24

and the crew get some key shots.

0:53:240:53:26

It means we can get some really nice behaviour of them

0:53:260:53:30

just doing what they do normally.

0:53:300:53:32

Now it's time to get closer

0:53:320:53:34

to see what life on the wires looks like

0:53:340:53:36

from the marmosets' own perspective.

0:53:360:53:39

We're just slowly, slowly building their trust.

0:53:410:53:44

They want to get the camera as near as possible.

0:53:490:53:53

But those are high-voltage cables

0:53:560:53:58

and there are enough reminders that the wires are live.

0:53:580:54:02

If we can get the marmosets running along the wires here,

0:54:080:54:11

literally we'll be looking eye to eye to them.

0:54:110:54:13

He's really using his tail then,

0:54:250:54:26

to keep himself balanced when he's running quickly like that.

0:54:260:54:29

From this unique viewpoint,

0:54:350:54:38

the acrobatic skills of the marmosets come sharply into focus.

0:54:380:54:41

How on earth does it do that? He's up on a wobbly wire

0:54:410:54:44

and he leaps over another marmoset and lands on the wire again.

0:54:440:54:48

That's incredible.

0:54:480:54:49

They leap from wire to wire

0:54:530:54:55

and for a moment they're just in midair.

0:54:550:54:57

I think that looks really dangerous.

0:54:570:54:58

Eventually the crew reach the limits

0:54:580:55:01

of how much more they can safely achieve here.

0:55:010:55:04

They will need to move to a more controlled environment

0:55:060:55:09

to film their stars in any greater detail.

0:55:090:55:12

Leaving the glamour of Rio behind them,

0:55:150:55:19

they head to a small shed... in Cumbria.

0:55:190:55:23

Here, in a wildlife sanctuary, lives a troop of marmosets -

0:55:230:55:28

the high-wire stunt doubles for the next phase of the filming.

0:55:280:55:32

First the marmosets' home needs to be transformed

0:55:350:55:38

into a special effects studio.

0:55:380:55:41

Using a blue screen will allow them

0:55:420:55:44

to superimpose images of Rio in the background.

0:55:440:55:48

For the marmosets themselves,

0:55:480:55:50

there's a state-of-the-art slow-motion camera.

0:55:500:55:54

We're going to use this to show how agile they are

0:55:540:55:57

and how they can actually grip on to the wire

0:55:570:55:59

and what's going on as they're moving at such high speed.

0:55:590:56:03

Once the studio is set up, it doesn't take long

0:56:030:56:06

for the curious marmosets to take an interest.

0:56:060:56:09

Unfortunately, it's an interest in our cameras rather than the wire.

0:56:130:56:18

Oi, get off my lens.

0:56:220:56:24

They're everywhere except on the wire.

0:56:250:56:28

The wire is over there.

0:56:280:56:30

Here we go.

0:56:310:56:33

It's not long before these intelligent monkeys

0:56:330:56:35

are exploring the wires...

0:56:350:56:37

..and it's all captured in super-slow motion.

0:56:410:56:46

OK, well, that's very, very promising.

0:56:460:56:48

Rolling.

0:56:480:56:50

Now it's time to replicate the acrobatic leaps

0:56:570:57:01

made by their cousins in Rio.

0:57:010:57:02

Yeah, I guess it's exaggerated by the wide-angle lens as well.

0:57:020:57:06

One at a time, they're queuing up.

0:57:060:57:08

But will our stunt doubles show the same level of skills?

0:57:080:57:13

-Oh, wow.

-Oh, that's lovely!

-Wow, that's nice.

0:57:130:57:15

It's like he's floating in the air in that one.

0:57:150:57:18

-Very pleased. Hello. Hello.

-Oop!

-He's pleased as well.

0:57:200:57:24

Well, final shot of the sequence.

0:57:240:57:26

What I want is a big close-up.

0:57:260:57:29

It's one small leap for a marmoset...

0:57:310:57:34

and one extraordinary shot.

0:57:340:57:38

Hey! Brilliant.

0:57:380:57:41

The Cumbrian marmosets are just as agile as their Brazilian relatives.

0:57:410:57:47

Throughout the whole series,

0:57:550:57:58

the combination of wild filming and special effects

0:57:580:58:01

has enabled us to recreate

0:58:010:58:03

the extraordinary lives of the heroes in the Hidden Kingdoms.

0:58:030:58:08

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