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There are over half a million people | 0:00:04 | 0:00:06 | |
in Britain who experience the world very differently to the rest of us. | 0:00:06 | 0:00:11 | |
These are people with autism. | 0:00:11 | 0:00:14 | |
A puzzling condition which, 70 years after it was first given a name, | 0:00:15 | 0:00:20 | |
we still know very little about. | 0:00:20 | 0:00:22 | |
My name is Uta Frith. | 0:00:24 | 0:00:26 | |
I'm a psychologist and I've spent my career | 0:00:26 | 0:00:29 | |
trying to unravel the mysteries of the autistic mind. | 0:00:29 | 0:00:33 | |
By spending time with many different people on the autistic spectrum, | 0:00:33 | 0:00:38 | |
I want to show you what a complex condition it is. | 0:00:38 | 0:00:40 | |
I want you to join me as I reveal | 0:00:40 | 0:00:43 | |
what I've discovered about these amazing people. | 0:00:43 | 0:00:46 | |
23rd of May. CHILDREN SHOUT OUT | 0:00:46 | 0:00:49 | |
16th of August 2001. | 0:00:49 | 0:00:51 | |
It was a Thursday. | 0:00:51 | 0:00:53 | |
Kenny, how do you do it? | 0:00:53 | 0:00:55 | |
How is it possible to have this extraordinary ability? | 0:00:55 | 0:00:58 | |
And how do people with autism cope with relationships? | 0:00:58 | 0:01:02 | |
I don't know. Why are we together? You tell me. | 0:01:02 | 0:01:04 | |
You're my...required amount of social contact. | 0:01:04 | 0:01:08 | |
SHE CHUCKLES | 0:01:08 | 0:01:09 | |
These fascinating people that I've met over the years | 0:01:09 | 0:01:13 | |
have shown me that another kind of reality exists, | 0:01:13 | 0:01:17 | |
that is full of immense challenges, mysteries... | 0:01:17 | 0:01:21 | |
but also joy. | 0:01:21 | 0:01:23 | |
Mum always wears blue because of the dolphin thing. | 0:01:23 | 0:01:25 | |
-He thinks I'm a dolphin! Why? -You've got the dolphin smile. | 0:01:25 | 0:01:28 | |
-It's the smile! -And you love fish, like dolphins. -I do love fish. | 0:01:28 | 0:01:31 | |
You like us to throw you sea bass when you're in bed. | 0:01:31 | 0:01:33 | |
I want to show you that by understanding their world, | 0:01:33 | 0:01:38 | |
we can learn more about OUR world. | 0:01:38 | 0:01:41 | |
In my quest to understand the autistic mind, | 0:01:55 | 0:01:58 | |
I've spent a lifetime conducting rigorous experiments. | 0:01:58 | 0:02:02 | |
OK, let's have a look. | 0:02:03 | 0:02:04 | |
By comparing people with autism to the rest of us, | 0:02:04 | 0:02:07 | |
we can start to see what autism really is. | 0:02:07 | 0:02:11 | |
My fascination with autism began 50 years ago | 0:02:13 | 0:02:16 | |
when I met some autistic children, | 0:02:16 | 0:02:18 | |
while I was training to be a clinical psychologist. | 0:02:18 | 0:02:21 | |
I was immediately fascinated of the paradox of how these beautiful, | 0:02:23 | 0:02:27 | |
bright-eyed children could be so detached from the world. | 0:02:27 | 0:02:30 | |
When I asked a question, an autistic child would repeat it | 0:02:30 | 0:02:34 | |
and not answer it. And I couldn't engage them in a conversation. | 0:02:34 | 0:02:38 | |
And I couldn't engage them with toys, either. | 0:02:38 | 0:02:42 | |
An autistic child might rapidly complete a jigsaw puzzle | 0:02:42 | 0:02:46 | |
but show absolutely no interest in a game of teddy bears' picnic. | 0:02:46 | 0:02:51 | |
I passionately wanted to find out what was going on here. | 0:02:51 | 0:02:54 | |
Back in the 1960s, | 0:02:57 | 0:02:59 | |
these children were being given the new diagnosis of autism. | 0:02:59 | 0:03:03 | |
"Autos" in Greek means "self" | 0:03:03 | 0:03:06 | |
and refers to their apparent self absorption. | 0:03:06 | 0:03:09 | |
Autism takes on many forms | 0:03:09 | 0:03:12 | |
and exists on a wide spectrum, from mild to severe. | 0:03:12 | 0:03:15 | |
It was, and still is, | 0:03:16 | 0:03:18 | |
characterised by the difficulty these children have | 0:03:18 | 0:03:21 | |
communicating and interacting with others | 0:03:21 | 0:03:24 | |
and by and their tendency to have very narrow interests | 0:03:24 | 0:03:27 | |
and to repeat activities over and over again. | 0:03:27 | 0:03:31 | |
What's this, Joe? What's... | 0:03:34 | 0:03:37 | |
One of these children was Joe Allison. | 0:03:37 | 0:03:40 | |
-'And this? -Bowl. | 0:03:40 | 0:03:42 | |
'Bowl. And this? | 0:03:42 | 0:03:44 | |
-'Box. -Box. And this?' | 0:03:44 | 0:03:46 | |
-Who is that? -Yes. | 0:03:48 | 0:03:50 | |
-It's... -Joe Allison. | 0:03:50 | 0:03:53 | |
It's Joe Allison learning to talk. | 0:03:53 | 0:03:55 | |
Yes. | 0:03:55 | 0:03:56 | |
-'What's this, Joe? -Money. -Money. | 0:03:56 | 0:04:00 | |
-'What's this, Joe? -Money. -Yes, money.' | 0:04:00 | 0:04:03 | |
Joe is now 57 | 0:04:03 | 0:04:05 | |
and this is the first time I've seen him since he was a young boy. | 0:04:05 | 0:04:09 | |
-Do you remember her, Joe? -Yes. -She was very kind. | 0:04:12 | 0:04:16 | |
What is this, Joe? | 0:04:16 | 0:04:17 | |
HE MUTTERS What is it? | 0:04:18 | 0:04:20 | |
-Ba-ma. -A barrow. -A bu-bbow. | 0:04:20 | 0:04:24 | |
Back then, we thought that | 0:04:28 | 0:04:30 | |
if only we could teach these children to speak, | 0:04:30 | 0:04:34 | |
then everything would be OK and the autism would go away. | 0:04:34 | 0:04:37 | |
'Joe understood about the Christmas story, | 0:04:39 | 0:04:42 | |
'about Father Christmas and Christmas dinner. | 0:04:42 | 0:04:45 | |
'And it's the first time we've been able to have a tree | 0:04:45 | 0:04:48 | |
'and none of the ornaments have been broken.' | 0:04:48 | 0:04:50 | |
-And who's this? -Mum. | 0:04:50 | 0:04:52 | |
-Is it Mum? -Yes. | 0:04:52 | 0:04:55 | |
-'So now you have some hope for Joe? -I certainly do. | 0:04:55 | 0:04:58 | |
'I don't know how far he will go but one feels if he's gone this far, | 0:04:58 | 0:05:01 | |
'why shouldn't he go a great deal further?' | 0:05:01 | 0:05:03 | |
-That's nice, isn't it? -Yes. | 0:05:03 | 0:05:05 | |
'But 50 years on, | 0:05:08 | 0:05:10 | |
'we now know that autism is a lifelong brain abnormality. | 0:05:10 | 0:05:14 | |
'Half of those affected have significant learning disabilities | 0:05:17 | 0:05:22 | |
'and well over 80% are unable to live independently.' | 0:05:22 | 0:05:26 | |
When I tell people what I do, the first thing they ask about | 0:05:37 | 0:05:42 | |
are the autistic individuals known as savants, | 0:05:42 | 0:05:45 | |
who have remarkable gifts. | 0:05:45 | 0:05:47 | |
Many people with autism have talents | 0:05:47 | 0:05:50 | |
that appear to be at odds with the rest of their abilities. | 0:05:50 | 0:05:53 | |
And occasionally, these skills can be quite extraordinary. | 0:05:57 | 0:06:01 | |
Start with the easy one... | 0:06:01 | 0:06:03 | |
and work your way down through these operations | 0:06:03 | 0:06:05 | |
to get your answer at the bottom. | 0:06:05 | 0:06:07 | |
This is 15-year-old Kenny Mpanga, | 0:06:09 | 0:06:12 | |
who was diagnosed with autism when he was eight. | 0:06:12 | 0:06:16 | |
Unlike many other autistic children, | 0:06:16 | 0:06:18 | |
Kenny is able to attend a mainstream secondary school, | 0:06:18 | 0:06:21 | |
with a specialist autism unit. | 0:06:21 | 0:06:23 | |
Would anybody else be able to have a go using that method now, | 0:06:23 | 0:06:26 | |
Kenny's method, for doing this? 24 squared. | 0:06:26 | 0:06:29 | |
Watch what he did again. | 0:06:29 | 0:06:31 | |
Kenny has a gift for mental arithmetic... | 0:06:31 | 0:06:34 | |
How many could multiply 9 by 36 in your head, though? | 0:06:34 | 0:06:36 | |
..and constantly amazes his classmates. | 0:06:36 | 0:06:39 | |
-Kenny, you're too smart! -HE CHUCKLES | 0:06:39 | 0:06:42 | |
You are actually too smart! You got all of them correct. | 0:06:42 | 0:06:44 | |
-Why are you in this set? -Why? He's so smart! Seriously, how, how? | 0:06:44 | 0:06:50 | |
-What do you do? -It's a secret? | 0:06:50 | 0:06:52 | |
It's an African thing! | 0:06:52 | 0:06:54 | |
THEY CHUCKLE | 0:06:54 | 0:06:56 | |
And Kenny has one very unusual talent. | 0:07:01 | 0:07:05 | |
-22nd of February. -Oh, that was a Thursday. | 0:07:05 | 0:07:07 | |
-23rd of May. -It was a Wednesday. | 0:07:07 | 0:07:10 | |
16th of August 2001. | 0:07:10 | 0:07:13 | |
It was a Thursday. | 0:07:13 | 0:07:14 | |
He's a calendrical calculator... | 0:07:14 | 0:07:17 | |
That was a Saturday. | 0:07:17 | 0:07:19 | |
..which means you can give him a date in the past or future | 0:07:19 | 0:07:24 | |
and he'll tell you which day of the week it falls on. | 0:07:24 | 0:07:27 | |
Thursday. | 0:07:27 | 0:07:29 | |
-..1936. -Er, that was a Tuesday. | 0:07:29 | 0:07:32 | |
Kenny's of huge interest to psychologists, | 0:07:34 | 0:07:37 | |
who want to know how he has acquired this remarkable skill | 0:07:37 | 0:07:41 | |
despite his language difficulties. | 0:07:41 | 0:07:43 | |
He and his mum Harriet have come to | 0:07:44 | 0:07:47 | |
the Institute of Education in London, so that he can be assessed. | 0:07:47 | 0:07:51 | |
Then in 1878... | 0:07:51 | 0:07:54 | |
Professor Richard Cowan studies calendrical calculators, like Kenny. | 0:07:54 | 0:07:59 | |
-1889, it was a Wednesday. -Yeah. | 0:07:59 | 0:08:02 | |
March the 14th 1985. | 0:08:02 | 0:08:05 | |
-I would say that was a Thursday. -Absolutely right. | 0:08:06 | 0:08:10 | |
And how about April the 22nd 1977? | 0:08:10 | 0:08:15 | |
That was a...Friday. | 0:08:15 | 0:08:17 | |
Absolutely right again. | 0:08:17 | 0:08:18 | |
-And the 6th of July 1987? -That was a Monday. | 0:08:18 | 0:08:23 | |
Brilliant, yeah. | 0:08:23 | 0:08:25 | |
I mean, it's remarkable, isn't it? | 0:08:25 | 0:08:27 | |
So you're very... It's almost like you're taking no time at all! | 0:08:27 | 0:08:31 | |
I mean, do you see anything in your head? | 0:08:33 | 0:08:36 | |
-I mean, do you have a mental image of the calendar or...? -No, I don't. | 0:08:36 | 0:08:40 | |
-So it's just... You hear the date and you know the answer? -Yeah. | 0:08:40 | 0:08:45 | |
It does blow you away sometimes, you know, | 0:08:45 | 0:08:48 | |
the way he just knocks those off. | 0:08:48 | 0:08:50 | |
But it can be quite an amusing party trick when, er, | 0:08:50 | 0:08:54 | |
he tells people these things and they all go, "What, what, what?!" | 0:08:54 | 0:08:58 | |
It is quite amusing but, er, yes, it does keep him busy. | 0:08:58 | 0:09:01 | |
It's good to have a hobby. | 0:09:01 | 0:09:02 | |
How did you go about working out the dates in the future? | 0:09:02 | 0:09:07 | |
It all started when I was about seven or eight. | 0:09:07 | 0:09:11 | |
I didn't look in any diaries or calendars. OK. | 0:09:11 | 0:09:15 | |
I just, er... | 0:09:15 | 0:09:17 | |
I think I just remembered that, er... | 0:09:17 | 0:09:19 | |
Certain dates being a certain day | 0:09:21 | 0:09:25 | |
and remembering that and, er, | 0:09:25 | 0:09:29 | |
knowing that, er, every... | 0:09:29 | 0:09:32 | |
Every year a day goes forward, apart from leap years. | 0:09:32 | 0:09:36 | |
OK, so that's the "one year, one day" rule. | 0:09:36 | 0:09:40 | |
That's when I also found out that, er, | 0:09:40 | 0:09:42 | |
in one century every 28 years are the same. | 0:09:42 | 0:09:47 | |
OK, so within a century every 28 years repeat. | 0:09:47 | 0:09:51 | |
What's remarkable is that Kenny has identified complex patterns in the calendar, | 0:09:51 | 0:09:56 | |
including the irregularities caused by leap years. | 0:09:56 | 0:10:00 | |
And he works the answers out in a second. | 0:10:01 | 0:10:04 | |
The 20th of December in 1994. | 0:10:04 | 0:10:08 | |
-That was a Tuesday. -Yep. | 0:10:08 | 0:10:11 | |
And the 3rd of August in 1980? | 0:10:11 | 0:10:14 | |
-Er, that was a Sunday. -Yes, again. | 0:10:14 | 0:10:17 | |
Kenny's excellent memory and his desire to practise obsessively | 0:10:17 | 0:10:21 | |
are two features of the autistic mind. | 0:10:21 | 0:10:24 | |
But his skill goes far beyond just memory and practice. | 0:10:24 | 0:10:28 | |
He's able to spot patterns and he's devised his own system | 0:10:28 | 0:10:32 | |
for coming up with the correct answers to date problems. | 0:10:32 | 0:10:37 | |
This is very creative. | 0:10:37 | 0:10:39 | |
Only about 10% of people with autism are as gifted as Kenny, | 0:10:44 | 0:10:48 | |
but as many as a third have unexpected abilities - | 0:10:48 | 0:10:52 | |
like perfect musical pitch | 0:10:52 | 0:10:55 | |
and being able to recite from memory. | 0:10:55 | 0:10:57 | |
Well done. | 0:11:01 | 0:11:02 | |
So what does Kenny think about his autism? | 0:11:02 | 0:11:05 | |
I see things in a different way than my other peers do and, er... | 0:11:05 | 0:11:10 | |
And sometimes they think I'm, sort of, weird, the way I, er... | 0:11:13 | 0:11:18 | |
I express my thoughts and opinions and, er, | 0:11:18 | 0:11:23 | |
I guess some of my peers don't understand. | 0:11:23 | 0:11:26 | |
I just... I think about things a different way. | 0:11:26 | 0:11:30 | |
Can we ever discover what it is about the autistic mind | 0:11:32 | 0:11:35 | |
that enables such remarkable talents to develop, | 0:11:35 | 0:11:39 | |
aside from memory and practice? | 0:11:39 | 0:11:41 | |
Hello, Peter. | 0:11:43 | 0:11:45 | |
'I've devised a task, | 0:11:45 | 0:11:47 | |
'using the popular children's game Where's Wally?, | 0:11:47 | 0:11:50 | |
'to help explain the way autistic minds work. | 0:11:50 | 0:11:53 | |
'The challenge is to find a tiny picture of Wally | 0:11:55 | 0:11:58 | |
'in amongst this chaotic scene. | 0:11:58 | 0:12:00 | |
'Peter, who doesn't have autism, struggles to find Wally.' | 0:12:06 | 0:12:10 | |
Yeah, where's Wally? | 0:12:12 | 0:12:14 | |
Come on, Wally, where are you? | 0:12:14 | 0:12:16 | |
OK, let's have a look. | 0:12:20 | 0:12:22 | |
'Paul, who is autistic, finds him really rather quickly...' | 0:12:22 | 0:12:27 | |
That his archenemy. I obviously know that. And his girlfriend there! | 0:12:27 | 0:12:32 | |
-Oh, there he is. -Wow! That was amazingly fast! That's amazing. | 0:12:32 | 0:12:37 | |
'..whereas Peter's still trying to find Wally. | 0:12:38 | 0:12:41 | |
'Next up is Chloe, who is also autistic.' | 0:12:46 | 0:12:49 | |
Amazing! That was fabulously quick. | 0:12:51 | 0:12:55 | |
Well done! Well done! | 0:12:55 | 0:12:57 | |
'And then Laurie, who's also on the autistic spectrum.' | 0:12:58 | 0:13:01 | |
That's it! That's amazing. Yeah! Amazing! | 0:13:01 | 0:13:05 | |
'Peter needs some help.' | 0:13:05 | 0:13:07 | |
-Do you want, er, a kind of vague clue, or not really? -Er, yes. | 0:13:07 | 0:13:13 | |
A vague clue. Sort of like... | 0:13:13 | 0:13:15 | |
Oh, he's up, is he? | 0:13:15 | 0:13:16 | |
The boats are a good clue. | 0:13:16 | 0:13:19 | |
Yes, right, OK. | 0:13:19 | 0:13:21 | |
-That him? -Yeah! | 0:13:21 | 0:13:23 | |
'The one thing we've noticed time and time again | 0:13:23 | 0:13:26 | |
'is that autistic people see details that escape the rest of us. | 0:13:26 | 0:13:31 | |
'This gives us clues to understanding the condition, | 0:13:32 | 0:13:35 | |
'because it means that they often miss the bigger picture - | 0:13:35 | 0:13:38 | |
'focusing instead on the details that are the same whatever context they're in.' | 0:13:38 | 0:13:43 | |
And it doesn't just apply to Where's Wally? - | 0:13:46 | 0:13:49 | |
it shows us how differently autistic people experience the world. | 0:13:49 | 0:13:53 | |
And it explains why they get upset | 0:13:53 | 0:13:56 | |
when an ornament in their house has been moved a fraction, | 0:13:56 | 0:13:59 | |
and also why their interests seem so narrow. | 0:13:59 | 0:14:02 | |
This intense focus on detail | 0:14:05 | 0:14:07 | |
and the abilities that sometimes emerge from | 0:14:07 | 0:14:10 | |
it is a strange quirk of our mind - | 0:14:10 | 0:14:13 | |
and it's a quirk that's very frequent in autism. | 0:14:13 | 0:14:17 | |
But it doesn't begin to tell us what autism is really like. | 0:14:17 | 0:14:21 | |
Sidney, can you start it for us, sending a clap in one direction? Thank you. | 0:14:22 | 0:14:26 | |
The serious problems people with autism face | 0:14:30 | 0:14:33 | |
are when they have to interact and communicate with others. | 0:14:33 | 0:14:37 | |
I've come to meet acting student Jules Robertson, | 0:14:39 | 0:14:43 | |
who has a form of autism known as Asperger syndrome. | 0:14:43 | 0:14:46 | |
People with Asperger syndrome do not have language problems | 0:14:48 | 0:14:51 | |
and are of average or above-average intelligence. | 0:14:51 | 0:14:54 | |
Jules has recently enrolled on a drama course | 0:14:57 | 0:14:59 | |
because he wants to be an actor. | 0:14:59 | 0:15:01 | |
So, Sidney, can we have you sitting on the bus? | 0:15:03 | 0:15:06 | |
I join him and his mum, the novelist Kathy Lette, | 0:15:08 | 0:15:13 | |
for what turns out to be an interesting and unusual conversation. | 0:15:13 | 0:15:18 | |
-Jules has this idea that everybody has an animal. -Oh! | 0:15:18 | 0:15:22 | |
-They have a totem animal. -Mum always wears blue because of the dolphin. | 0:15:22 | 0:15:25 | |
-He thinks I'm a dolphin cos of my big... -What about me? | 0:15:25 | 0:15:28 | |
-What do you think? What animal am I? -Like a flamingo. A flamingo head. | 0:15:28 | 0:15:32 | |
-You've got a face like a flamingo. -Like a flamingo! -Why am I a dolphin? | 0:15:32 | 0:15:36 | |
-Why? -You've got a dolphin smile. -Smile. -It's the smile! | 0:15:36 | 0:15:39 | |
-And you love fish. -I do love fish! -You love sea bass. | 0:15:39 | 0:15:41 | |
You like us to throw you sea bass when you're in bed. | 0:15:41 | 0:15:44 | |
And I jump up and catch it! | 0:15:44 | 0:15:46 | |
I just wanted to ask you, what is it like for you to have this chat here? | 0:15:46 | 0:15:51 | |
Well, yeah. Having... | 0:15:51 | 0:15:53 | |
I can tell you what it's like having Asperger's, as well. That's very... | 0:15:53 | 0:15:57 | |
-Well, please. -So hard. Er... | 0:15:57 | 0:16:00 | |
It's really hard. People don't understand how hard it is. | 0:16:00 | 0:16:05 | |
They just... They just don't. | 0:16:05 | 0:16:07 | |
They just expect me to be able to... | 0:16:07 | 0:16:09 | |
get on with life really easily and it's not easy for me to do that. | 0:16:09 | 0:16:14 | |
But is that also why it's difficult just to chat and... | 0:16:14 | 0:16:19 | |
-You know, just to chat for no reason? -Yeah, it's hard to... | 0:16:19 | 0:16:25 | |
-to, er...make effort with people. To be engaging with people. -Yes. | 0:16:25 | 0:16:30 | |
It's really challenging. | 0:16:30 | 0:16:32 | |
THEY CHUCKLE | 0:16:33 | 0:16:35 | |
-Jules, do you want to go in and make... -OK. -..Becka disappear? | 0:16:37 | 0:16:41 | |
Do you like Steve Martin? | 0:16:41 | 0:16:44 | |
THEY LAUGH | 0:16:44 | 0:16:46 | |
What's remarkable about Jules | 0:16:48 | 0:16:50 | |
is that he's able to use his acting classes | 0:16:50 | 0:16:53 | |
to help him cope with the social world. | 0:16:53 | 0:16:56 | |
Oh! | 0:16:56 | 0:16:58 | |
You can leave any time you want, Jules. Well done! | 0:17:00 | 0:17:04 | |
What we're seeing, really, here | 0:17:04 | 0:17:07 | |
is a little universe of social interactions - | 0:17:07 | 0:17:10 | |
little miniature scenes are being enacted. | 0:17:10 | 0:17:13 | |
And we see how much reciprocity there is between these young people. | 0:17:13 | 0:17:17 | |
Freeze! | 0:17:17 | 0:17:19 | |
This acting class gives Jules an opportunity | 0:17:21 | 0:17:23 | |
to learn about social interactions and the natural flow of everyday conversation, | 0:17:23 | 0:17:29 | |
which is precisely what autistic people struggle with. | 0:17:29 | 0:17:33 | |
I was one foot from the ball! | 0:17:33 | 0:17:36 | |
I think that Jules really has taken advantage of this | 0:17:36 | 0:17:40 | |
and he's able to learn a lot about what's going on | 0:17:40 | 0:17:45 | |
in a very relaxed and playful way, that situations can be rehearsed. | 0:17:45 | 0:17:52 | |
-YOU CANNOT BE SERIOUS! -Freeze! | 0:17:52 | 0:17:54 | |
Dad, you need to seriously stop wearing my clothes! | 0:17:57 | 0:17:59 | |
LAUGHTER | 0:17:59 | 0:18:01 | |
Mom's going to freak out again! | 0:18:01 | 0:18:03 | |
You remember she drove herself to drink last night! | 0:18:03 | 0:18:05 | |
-Well, I am a transvestite! -No, but Mom doesn't need to know that. | 0:18:05 | 0:18:09 | |
Freeze! | 0:18:09 | 0:18:10 | |
Jules copes really well in his acting class | 0:18:11 | 0:18:14 | |
and his lack of filter helps the other students | 0:18:14 | 0:18:17 | |
to lose their inhibitions, too. | 0:18:17 | 0:18:19 | |
But it's real-life social interactions | 0:18:19 | 0:18:22 | |
that are the challenge for him. | 0:18:22 | 0:18:24 | |
I observed you being with the other drama students | 0:18:24 | 0:18:28 | |
and you seemed really happy there. Was that true? | 0:18:28 | 0:18:31 | |
I was very happy there. | 0:18:31 | 0:18:32 | |
I'm not so happy now but I was really happy then. | 0:18:32 | 0:18:35 | |
Jules will always tell the truth. | 0:18:37 | 0:18:39 | |
I used to try and explain to Jules that you couldn't always be truthful - | 0:18:39 | 0:18:43 | |
you know, that you had to be more diplomatic... | 0:18:43 | 0:18:45 | |
That is a problem, isn't it? Can you sometimes tell a lie? | 0:18:45 | 0:18:48 | |
Is it sometimes all right to tell a lie? | 0:18:48 | 0:18:50 | |
He used to say to me, "Are you teaching me to lie?" | 0:18:51 | 0:18:55 | |
And it's a hard concept, isn't it? | 0:18:55 | 0:18:56 | |
What do you think, Jules? Do you... | 0:18:56 | 0:18:58 | |
Er... | 0:18:59 | 0:19:01 | |
Er... | 0:19:03 | 0:19:05 | |
No, I think it's good to tell the truth. | 0:19:05 | 0:19:07 | |
So I'm always in favour of that. | 0:19:07 | 0:19:10 | |
Where does it come from? | 0:19:10 | 0:19:12 | |
-Why does it happen? -Autism? -Yes. -What do you think? | 0:19:12 | 0:19:15 | |
-What's your explanation? -I just think... | 0:19:17 | 0:19:19 | |
I just think people's brains are different. | 0:19:19 | 0:19:22 | |
Yes, I think you've hit the nail on the head. | 0:19:22 | 0:19:24 | |
-People's brains are different. -Yeah. | 0:19:24 | 0:19:27 | |
And that's how the world is. | 0:19:27 | 0:19:30 | |
Jules is so likeable and charming, and really good company. | 0:19:36 | 0:19:42 | |
But it is clear that often he just does not get it. | 0:19:42 | 0:19:45 | |
He dances to a different tune. | 0:19:46 | 0:19:48 | |
What I've learned over the last 50 years is that not having | 0:19:49 | 0:19:55 | |
a special kind of social navigation system | 0:19:55 | 0:19:58 | |
is what sets autistic people apart from the rest of us. | 0:19:58 | 0:20:02 | |
So why can't people with autism fully share in our social world? | 0:20:26 | 0:20:31 | |
Is there an extra social sense beyond sound, sight and touch | 0:20:31 | 0:20:36 | |
that they don't have? | 0:20:36 | 0:20:37 | |
Here is a deceptively simple task that I helped devise in the 1980s. | 0:20:39 | 0:20:43 | |
It gives some insight into how most of us who don't have autism | 0:20:47 | 0:20:50 | |
instinctively understand the complex to and fro of social interactions. | 0:20:50 | 0:20:55 | |
So, I'm going to tell you a little story about these two dolls. | 0:20:55 | 0:21:00 | |
This one is Sally... | 0:21:00 | 0:21:02 | |
..and this one is Ann. | 0:21:04 | 0:21:06 | |
Sally has a basket | 0:21:08 | 0:21:11 | |
and Ann has a box. | 0:21:11 | 0:21:12 | |
And Sally... | 0:21:14 | 0:21:15 | |
..has a marble and she's putting that marble into her basket. | 0:21:17 | 0:21:22 | |
Keep it safe. | 0:21:22 | 0:21:23 | |
Now Sally wants to go out to play | 0:21:23 | 0:21:28 | |
and she's going right out of the room. | 0:21:28 | 0:21:31 | |
Now, Ann... | 0:21:31 | 0:21:33 | |
..naughty Ann... | 0:21:35 | 0:21:36 | |
..takes that marble | 0:21:38 | 0:21:40 | |
out of the basket... | 0:21:40 | 0:21:42 | |
..and puts it into her box. | 0:21:43 | 0:21:48 | |
There it is. | 0:21:48 | 0:21:50 | |
Now it's time for Sally to come back... | 0:21:52 | 0:21:56 | |
..and she wants to play with her marble. | 0:21:57 | 0:22:00 | |
Where will Sally look for her marble? | 0:22:03 | 0:22:05 | |
In her basket. | 0:22:06 | 0:22:08 | |
Of course! | 0:22:08 | 0:22:10 | |
-Why does she look in her basket? -Cos she put it there. | 0:22:10 | 0:22:13 | |
She did, and...? | 0:22:13 | 0:22:15 | |
She didn't know that the other girl took it. | 0:22:16 | 0:22:20 | |
Yes. | 0:22:20 | 0:22:22 | |
Why didn't she know? | 0:22:22 | 0:22:23 | |
-Cos she was out. -She was outside. She didn't see it, did she? -No. | 0:22:23 | 0:22:28 | |
Ha! | 0:22:28 | 0:22:30 | |
Well done. | 0:22:30 | 0:22:31 | |
We'd expect most normally developing four-to-five-year-olds | 0:22:34 | 0:22:37 | |
to correctly identify where Sally will look for her marble | 0:22:37 | 0:22:40 | |
when she returns. | 0:22:40 | 0:22:43 | |
They understand that Sally has no knowledge of the marble being moved | 0:22:43 | 0:22:47 | |
and so she will look for it where she put it, | 0:22:47 | 0:22:50 | |
rather than where it really is. | 0:22:50 | 0:22:52 | |
What this shows is that most of us instinctively know that other people | 0:22:54 | 0:22:59 | |
have their separate beliefs, wishes and intentions - minds of their own. | 0:22:59 | 0:23:04 | |
It turns out that this is the key to understanding other people, | 0:23:05 | 0:23:08 | |
to explain why they're doing what they're doing. | 0:23:08 | 0:23:13 | |
It's our extra social sense that we haven't had a name for | 0:23:13 | 0:23:18 | |
but I called it "mentalising", | 0:23:18 | 0:23:20 | |
because beliefs, wishes and intentions are mental states. | 0:23:20 | 0:23:26 | |
Could you please hide that coin somewhere? | 0:23:26 | 0:23:29 | |
All right, I shall hide it in the special pyramid box. | 0:23:29 | 0:23:34 | |
-There it is. -OK. | 0:23:34 | 0:23:36 | |
Back in the 1980s we discovered that autistic children | 0:23:36 | 0:23:40 | |
had a very different response to Sally/Ann-type tests. | 0:23:40 | 0:23:44 | |
This is ten-year-old Aurelius, who is autistic. | 0:23:44 | 0:23:47 | |
I take the coin from here... | 0:23:49 | 0:23:51 | |
My then colleague, Dr Alan Leslie, asks Aurelius where he thinks | 0:23:51 | 0:23:55 | |
I will look for my coin after it's been moved. | 0:23:55 | 0:23:58 | |
-And when Uta comes back in... -Yes. | 0:23:58 | 0:24:01 | |
..where will Uta look for her coin? | 0:24:01 | 0:24:04 | |
In the triangle box. | 0:24:04 | 0:24:06 | |
'Aurelius says that I will look for the coin where it really is, | 0:24:06 | 0:24:09 | |
'rather than where I must believe it is. | 0:24:09 | 0:24:12 | |
'He doesn't understand that I can't know the coin has been moved | 0:24:12 | 0:24:16 | |
'and that I now have a false belief, | 0:24:16 | 0:24:18 | |
'because he doesn't take into account that I have a mind of my own | 0:24:18 | 0:24:23 | |
'with beliefs and thoughts that are different to his. | 0:24:23 | 0:24:26 | |
'And this is the key to understanding the social problems of autism.' | 0:24:26 | 0:24:31 | |
Well, my coin is here, isn't it? | 0:24:31 | 0:24:33 | |
No! | 0:24:33 | 0:24:35 | |
I believe that mentalising is that extra social sense | 0:24:40 | 0:24:44 | |
that most of us are born with and that makes us | 0:24:44 | 0:24:47 | |
so curious to know what's in each other's minds. | 0:24:47 | 0:24:51 | |
Also, it enables us to change other people's minds through persuasion | 0:24:51 | 0:24:57 | |
and sometimes to manipulate other people's minds through deception. | 0:24:57 | 0:25:02 | |
You won't find autistic people doing that. | 0:25:02 | 0:25:04 | |
Autistic people don't have that extra social sense | 0:25:04 | 0:25:09 | |
and that explains why they're often so frustrated | 0:25:09 | 0:25:13 | |
when we don't know already what's in their minds. | 0:25:13 | 0:25:17 | |
The challenges caused by the absence of this extra social sense | 0:25:19 | 0:25:23 | |
never go away for people with autism. | 0:25:23 | 0:25:25 | |
-Hello, Cathy, I'm Francesca. -Hi, nice to meet you. | 0:25:31 | 0:25:34 | |
My collaborator of 20 years, Professor Francesca Happe, and I | 0:25:34 | 0:25:38 | |
hit on the idea of using animated cartoons | 0:25:38 | 0:25:42 | |
that give the compelling impression of social scenarios. | 0:25:42 | 0:25:45 | |
Would autistic people interpret the scenarios | 0:25:46 | 0:25:49 | |
in a different way from the rest of us? | 0:25:49 | 0:25:52 | |
You'll see two triangles moving around, interacting on the screen, | 0:25:55 | 0:25:58 | |
and I just want you to tell me what you think is going on. | 0:25:58 | 0:26:01 | |
As it unfolds, let me know | 0:26:01 | 0:26:03 | |
what you think's going on between the triangles. | 0:26:03 | 0:26:06 | |
The actors in these movies are two little triangles | 0:26:06 | 0:26:09 | |
and the challenge is to work out what the story is. | 0:26:09 | 0:26:13 | |
Try it for yourself. | 0:26:13 | 0:26:14 | |
Cathy is not autistic | 0:26:30 | 0:26:32 | |
and she has just watched this story about persuasion unfold. | 0:26:32 | 0:26:37 | |
The big triangle is trying to persuade the little triangle | 0:26:37 | 0:26:39 | |
to come somewhere with him and he's trying to encourage him | 0:26:39 | 0:26:42 | |
and now he's pushing him along. | 0:26:42 | 0:26:43 | |
The little triangle is quite reluctant, I think. | 0:26:43 | 0:26:46 | |
Oh, and he's just been barred from re-entering, hasn't he? | 0:26:47 | 0:26:51 | |
These animations invite the spontaneous use | 0:26:51 | 0:26:54 | |
of our extra social sense, mentalising, | 0:26:54 | 0:26:57 | |
and most of us immediately get the gist of what is going on. | 0:26:57 | 0:27:01 | |
It's almost like a parent pushing their kid out | 0:27:01 | 0:27:04 | |
or persuading them to leave the little pen. | 0:27:04 | 0:27:08 | |
Fantastic. That's lovely. OK, we've got another one now. | 0:27:08 | 0:27:12 | |
The second movie was about the little triangle | 0:27:25 | 0:27:28 | |
playing a game of knock and run. | 0:27:28 | 0:27:30 | |
The little blue one's coming... He's knocking on the door. | 0:27:30 | 0:27:32 | |
The red one's going to open the door and he's gone, hidden. | 0:27:33 | 0:27:36 | |
Oh, it's like a knock-knock and then hide round the corner | 0:27:36 | 0:27:39 | |
like a kid knocking and running on the front door of the house. | 0:27:39 | 0:27:43 | |
Gone back inside. | 0:27:43 | 0:27:45 | |
Sat down, relaxing, and the kid's knocking again. | 0:27:45 | 0:27:47 | |
There we go - open the door and he's gone, yep. | 0:27:49 | 0:27:51 | |
It's knock and run. Oh, he's going inside now. | 0:27:53 | 0:27:56 | |
Yeah, like a child playing a trick on their mum or dad | 0:27:58 | 0:28:01 | |
while they're relaxing, watching telly or something, | 0:28:01 | 0:28:03 | |
they get a knock on the door | 0:28:03 | 0:28:04 | |
-and then they're running round the corner. -Fantastic. | 0:28:04 | 0:28:07 | |
..and I'll move you in on your chair | 0:28:07 | 0:28:09 | |
so that you're just in the shot. | 0:28:09 | 0:28:11 | |
Can you edge forward a little bit more..? | 0:28:11 | 0:28:13 | |
When the same movie is shown to autistic people, | 0:28:13 | 0:28:15 | |
they miss the point of what is going on. | 0:28:15 | 0:28:18 | |
They tell a story, but it doesn't fit the action. | 0:28:18 | 0:28:21 | |
Yeah, so the big, red triangle looks like it's trapped | 0:28:22 | 0:28:26 | |
in the big, blue square. | 0:28:26 | 0:28:28 | |
Then the small, blue triangle comes. | 0:28:28 | 0:28:31 | |
It looks like he's trying to look for a way... | 0:28:33 | 0:28:36 | |
He unlocked the door for the red triangle and then... | 0:28:36 | 0:28:39 | |
We showed these animations to people in a brain scanner | 0:28:39 | 0:28:42 | |
and found that autistic people had less activity in those brain regions | 0:28:42 | 0:28:47 | |
that are now known to be dedicated to mentalising. | 0:28:47 | 0:28:51 | |
I think it was a boxing ring and one of the opponents was sizing up | 0:28:51 | 0:28:54 | |
the other one before he'd let him in. | 0:28:54 | 0:28:56 | |
And then when they got in, | 0:28:56 | 0:28:58 | |
they decided they didn't want to fight. | 0:28:58 | 0:28:59 | |
It's more like an opening and closing of something | 0:29:01 | 0:29:05 | |
for that one. | 0:29:05 | 0:29:06 | |
I think that's it for that one. | 0:29:09 | 0:29:11 | |
Ah, that's interesting - the red one's escaped. | 0:29:12 | 0:29:15 | |
Oh, what's he going to do now? | 0:29:17 | 0:29:20 | |
Ah, I thought that would happen. The red one's slipped back in. | 0:29:20 | 0:29:24 | |
Maybe he's been taken prisoner | 0:29:24 | 0:29:27 | |
by the blue triangle. | 0:29:27 | 0:29:29 | |
"You will like your dungeon!" | 0:29:29 | 0:29:31 | |
Oh, now they're having a bit of a barney and fighting with each other. | 0:29:33 | 0:29:37 | |
When it comes to interpreting the triangles as agents, | 0:29:37 | 0:29:43 | |
they really can get hold of the wrong end of the stick and then, | 0:29:43 | 0:29:47 | |
of course, that leads them into a completely different kind of script. | 0:29:47 | 0:29:51 | |
But it's really a wonder, isn't it, | 0:29:51 | 0:29:53 | |
how we can actually agree with each other | 0:29:53 | 0:29:57 | |
about our interpretations of things that are just geometric shapes? | 0:29:57 | 0:30:03 | |
Yes, or particularly to think that we made up | 0:30:03 | 0:30:05 | |
the scripts of those animations on the train | 0:30:05 | 0:30:08 | |
and we thought, "How should they move?" | 0:30:08 | 0:30:10 | |
We made them so they looked that way to us | 0:30:10 | 0:30:12 | |
and when we first showed them to ordinary people, | 0:30:12 | 0:30:14 | |
we had no idea whether they'd see them in the way that we'd seen them. | 0:30:14 | 0:30:17 | |
It was amazing that even children as young as four or five | 0:30:17 | 0:30:21 | |
could get the gist. | 0:30:21 | 0:30:22 | |
We were very surprised at that. | 0:30:22 | 0:30:24 | |
We seem to share a way of interpreting each other's actions, | 0:30:27 | 0:30:32 | |
so imagine being autistic and not having this nifty piece | 0:30:32 | 0:30:36 | |
of mental machinery that instantly tracks social interactions. | 0:30:36 | 0:30:40 | |
Just watching a cartoon or listening in to a chat | 0:30:40 | 0:30:43 | |
can be a baffling experience. | 0:30:43 | 0:30:45 | |
You don't know why people say what they say | 0:30:46 | 0:30:49 | |
and you don't get the point of jokes and banter. | 0:30:49 | 0:30:51 | |
Likewise, if you don't know what's going on, | 0:30:51 | 0:30:54 | |
you tend to say things that others can't comprehend. | 0:30:54 | 0:30:58 | |
All this can make you anxious, frustrated and vulnerable. | 0:30:58 | 0:31:03 | |
Is anyone here anxious now? | 0:31:06 | 0:31:09 | |
Anybody feeling particularly anxious or worried now? | 0:31:09 | 0:31:13 | |
Why not? | 0:31:13 | 0:31:14 | |
Why aren't you anxious? | 0:31:14 | 0:31:16 | |
You should be. | 0:31:16 | 0:31:17 | |
Anxiety, really, | 0:31:17 | 0:31:18 | |
is the feeling that you're probably not going to be able to cope | 0:31:18 | 0:31:22 | |
with something that is about to happen, | 0:31:22 | 0:31:24 | |
-something in the future... -This is Sarah Hendrickx. | 0:31:24 | 0:31:27 | |
She's an accomplished public speaker on the challenges of autism. | 0:31:27 | 0:31:31 | |
Anxiety is about, "I can't handle it." | 0:31:31 | 0:31:33 | |
When I saw that, I thought it was a penguin. | 0:31:33 | 0:31:37 | |
I didn't think it looked like a penguin. | 0:31:37 | 0:31:40 | |
I thought it was a penguin. | 0:31:40 | 0:31:42 | |
I thought that a penguin by the side of the road | 0:31:42 | 0:31:46 | |
was possible in Brighton. | 0:31:46 | 0:31:48 | |
Your world has got lampposts in it. | 0:31:50 | 0:31:53 | |
Mine's got penguins. | 0:31:53 | 0:31:54 | |
And she has been diagnosed with autism spectrum disorder. | 0:31:56 | 0:32:00 | |
It's not all bad. It's much more interesting. | 0:32:00 | 0:32:03 | |
Thank you very much for your time. | 0:32:03 | 0:32:05 | |
So how can someone with autism, | 0:32:08 | 0:32:10 | |
who finds social situations challenging, | 0:32:10 | 0:32:12 | |
get up in front of hundreds of people to give a speech? | 0:32:12 | 0:32:16 | |
This is a functional communication, | 0:32:18 | 0:32:21 | |
and I'm very good at those situations. | 0:32:21 | 0:32:23 | |
I'm good at doing my talks, I'm good at doing training | 0:32:23 | 0:32:26 | |
because it is prescribed. The topic is prescribed, it's my topic, | 0:32:26 | 0:32:30 | |
it's my script. | 0:32:30 | 0:32:31 | |
It's not two-way - you have to listen, | 0:32:31 | 0:32:34 | |
I've got the microphone, I've got the stage. | 0:32:34 | 0:32:36 | |
It's a completely different dynamic. | 0:32:36 | 0:32:38 | |
Just like Jules, | 0:32:40 | 0:32:42 | |
Sarah has no problem performing in front of others. | 0:32:42 | 0:32:45 | |
But off the stage, chance encounters and interactions with other people | 0:32:45 | 0:32:49 | |
are unbearable for her. | 0:32:49 | 0:32:51 | |
-INTERVIEWER: -What are people to you in this sort of situation? | 0:32:52 | 0:32:56 | |
Frightening. | 0:32:56 | 0:32:59 | |
Most people are frightening. Most people who... | 0:32:59 | 0:33:02 | |
..who don't have a purpose are frightening. | 0:33:03 | 0:33:06 | |
If I know who they are - | 0:33:06 | 0:33:07 | |
so, the bar staff, or the people who organise the conference - | 0:33:07 | 0:33:10 | |
I know who they are, they're not frightening, | 0:33:10 | 0:33:12 | |
because the type of communication that we're going to have | 0:33:12 | 0:33:16 | |
is pretty set, is pretty limited, is pretty inflexible | 0:33:16 | 0:33:19 | |
and I can fairly well predict what that will be. | 0:33:19 | 0:33:23 | |
But a completely unknown person that I either don't know | 0:33:23 | 0:33:27 | |
or I fail to recognise, | 0:33:27 | 0:33:30 | |
I have absolutely no idea what's coming next | 0:33:30 | 0:33:32 | |
or what they're going to want or what they're going to say | 0:33:32 | 0:33:35 | |
or whether I can respond appropriately quickly enough. | 0:33:35 | 0:33:39 | |
Sarah is highly intelligent and is one of the rare people | 0:33:40 | 0:33:44 | |
who are able to describe exactly why social situations are so baffling. | 0:33:44 | 0:33:49 | |
This gives us a real insight into her condition. | 0:33:49 | 0:33:53 | |
Every day I try to wake up about an hour before | 0:33:53 | 0:33:57 | |
I actually need to get up | 0:33:57 | 0:33:59 | |
and I spend that hour running through what's likely to happen, | 0:33:59 | 0:34:04 | |
what types of people I might meet, if I'm having a meeting | 0:34:04 | 0:34:08 | |
or something like that, what kind of conversation. | 0:34:08 | 0:34:11 | |
I will run, re-enact a potential conversation over and over again | 0:34:11 | 0:34:17 | |
before I get out of bed to try and have a kind of sense | 0:34:17 | 0:34:20 | |
of what the whole day is going to be like. | 0:34:20 | 0:34:22 | |
What's amazing about Sarah is that she very consciously studies | 0:34:24 | 0:34:29 | |
and imitates the way people respond to each other in social situations. | 0:34:29 | 0:34:35 | |
That enables her to effectively mask her autism when she's in public. | 0:34:35 | 0:34:39 | |
What do I do? Do I sit here? | 0:34:39 | 0:34:42 | |
Sit there. | 0:34:42 | 0:34:43 | |
Sit there? | 0:34:43 | 0:34:45 | |
'I've had to watch people, I've had to study people,' | 0:34:45 | 0:34:48 | |
because it's not there intuitively and if I didn't do that, | 0:34:48 | 0:34:53 | |
I'd be completely lost. | 0:34:53 | 0:34:55 | |
But my failure rate is quite high because my learning is rote | 0:34:55 | 0:35:00 | |
and therefore I'm prone to not pick up the subtleties, | 0:35:00 | 0:35:03 | |
the nuances of situations, | 0:35:03 | 0:35:04 | |
so although I'm trying very hard | 0:35:04 | 0:35:06 | |
to apply all this stuff that I've learned, | 0:35:06 | 0:35:09 | |
I do get it wrong and I get it wrong with frequency. | 0:35:09 | 0:35:12 | |
And that's very, very stressful. | 0:35:12 | 0:35:15 | |
So it could be that imitation is the key to Sarah's success. | 0:35:15 | 0:35:20 | |
Do you like my nose? | 0:35:21 | 0:35:23 | |
But there are different kinds of imitation | 0:35:24 | 0:35:27 | |
and one kind might not be so easy for people with autism, | 0:35:27 | 0:35:31 | |
but might be crucial to the way most of us bond with each other | 0:35:31 | 0:35:34 | |
and fit into the social world. | 0:35:34 | 0:35:37 | |
It can be seen in an experiment by my colleague Dr Antonia Hamilton. | 0:35:43 | 0:35:47 | |
Here, children are asked to complete some simple tasks. | 0:35:47 | 0:35:51 | |
-Hi, Joel. -Hi. -Thank you for coming in today. | 0:35:51 | 0:35:53 | |
Here I've got a big box and hiding inside this box I've got a boat. | 0:35:55 | 0:35:59 | |
First, I'll show you how I get the boat out, then you'll get a turn. | 0:35:59 | 0:36:03 | |
There's my boat. It's a nice red boat, isn't it? | 0:36:08 | 0:36:12 | |
I'll put that back in there. | 0:36:12 | 0:36:14 | |
Ordinary children mimic exactly what their instructor has done, | 0:36:14 | 0:36:18 | |
even the pointless finger tapping. | 0:36:18 | 0:36:20 | |
Well done. | 0:36:20 | 0:36:21 | |
-Now it's your turn. Can you get the boat out? -Yeah. | 0:36:23 | 0:36:26 | |
Well done. | 0:36:29 | 0:36:30 | |
TAPPING | 0:36:30 | 0:36:32 | |
There's my boat. It's quite a little boat, isn't it? | 0:36:36 | 0:36:38 | |
Now, autistic kids have a different approach, | 0:36:38 | 0:36:41 | |
cutting straight to the chase. Can you get the boat out of the box? | 0:36:41 | 0:36:44 | |
Well done. | 0:36:47 | 0:36:48 | |
Now it's your turn. Can you get the boat out of the box? | 0:36:48 | 0:36:51 | |
There, number three. | 0:36:53 | 0:36:55 | |
Well done. | 0:36:55 | 0:36:57 | |
So what does your experiment show? | 0:36:57 | 0:37:00 | |
Well, it shows us that typically developing children will copy | 0:37:00 | 0:37:04 | |
even actions that are silly actions | 0:37:04 | 0:37:06 | |
that don't contribute toward the goal. | 0:37:06 | 0:37:09 | |
We think the reason they're copying that is that they want | 0:37:09 | 0:37:12 | |
to be like the adult or they want to do everything that the adult does. | 0:37:12 | 0:37:16 | |
They're not just learning about how this object behaves. | 0:37:16 | 0:37:19 | |
They're learning to be adult-like and to be social, | 0:37:19 | 0:37:23 | |
but autistic children are more selective. | 0:37:23 | 0:37:25 | |
They will do the thing that gets the goal, | 0:37:25 | 0:37:28 | |
gets the boat out of the box or gets the doll out, | 0:37:28 | 0:37:32 | |
but they don't bother to copy all of these extra, unnecessary things. | 0:37:32 | 0:37:35 | |
Sarah is exceptional | 0:37:38 | 0:37:40 | |
and has made a point of studying social scenarios | 0:37:40 | 0:37:42 | |
and has learned to copy other people's behaviour. | 0:37:42 | 0:37:45 | |
This has help her greatly to get on in life. | 0:37:45 | 0:37:48 | |
Back at home here in Worthing, | 0:37:50 | 0:37:52 | |
she's just moved in with her partner Keith, | 0:37:52 | 0:37:55 | |
who is also on the autistic spectrum. | 0:37:55 | 0:37:57 | |
It's the top of the tree that comes from a well-known, | 0:37:57 | 0:38:00 | |
-reputable shop where everything costs... -How much? | 0:38:00 | 0:38:04 | |
Just a pound! | 0:38:04 | 0:38:05 | |
Is it the top decoration that goes on last? | 0:38:05 | 0:38:07 | |
They're about to spend their first Christmas together in their new home. | 0:38:07 | 0:38:11 | |
Or do you put that on first? Oh, you might put lights on first. | 0:38:11 | 0:38:14 | |
I thought you put lights on first. | 0:38:14 | 0:38:16 | |
So how can these two people forge a relationship | 0:38:16 | 0:38:19 | |
when social interactions cause them crippling anxiety? | 0:38:19 | 0:38:22 | |
-INTERVIEWER: -How did you find each other, meet each other? | 0:38:23 | 0:38:27 | |
On the internet! | 0:38:28 | 0:38:29 | |
Where all socially awkward people go to find each other. | 0:38:29 | 0:38:35 | |
Was there any rush of love at any point in the early days? | 0:38:35 | 0:38:38 | |
I don't really know what that means. | 0:38:41 | 0:38:43 | |
Erm... | 0:38:45 | 0:38:46 | |
I never expected to fall for him | 0:38:46 | 0:38:49 | |
or be particularly attracted to him or anything. | 0:38:49 | 0:38:51 | |
It was a really logical experiment, | 0:38:51 | 0:38:54 | |
to deliberately go out with someone that I didn't fancy that much | 0:38:54 | 0:38:58 | |
in order to see what it would be like | 0:38:58 | 0:39:00 | |
to have a nice friendship with somebody, | 0:39:00 | 0:39:03 | |
cos that wasn't my kind of history. | 0:39:03 | 0:39:05 | |
What was your thinking? | 0:39:05 | 0:39:07 | |
You wanted someone to have sex with. | 0:39:07 | 0:39:09 | |
-Yeah, yeah. -And you were largely... | 0:39:09 | 0:39:11 | |
-I think that was my initial motivating force, yes. -..unconcerned about who that was. | 0:39:11 | 0:39:15 | |
-There wasn't a huge amount of selection process. -No. | 0:39:15 | 0:39:18 | |
If someone was willing, then so was I. | 0:39:18 | 0:39:20 | |
So why are we together, then? | 0:39:22 | 0:39:24 | |
I don't know. Why are we together? You tell me. | 0:39:24 | 0:39:27 | |
You're my... | 0:39:27 | 0:39:28 | |
required amount of social contact. | 0:39:28 | 0:39:30 | |
SARAH LAUGHS | 0:39:30 | 0:39:32 | |
-I'm your 5ml teaspoon a day? -Yes, that's it. | 0:39:32 | 0:39:36 | |
Sarah and Keith constantly struggle to make sense of social activities. | 0:39:37 | 0:39:42 | |
We don't do any socialising whatsoever for Christmas. | 0:39:42 | 0:39:46 | |
I think you've got a Christmas works lunch | 0:39:46 | 0:39:48 | |
that everybody goes to in your office. | 0:39:48 | 0:39:50 | |
Doesn't even occur to me to even think about anything. | 0:39:50 | 0:39:54 | |
It doesn't feel like... | 0:39:54 | 0:39:56 | |
It just doesn't occur to me that we would go somewhere. | 0:39:56 | 0:39:58 | |
Where would we go? What would we do? | 0:39:58 | 0:40:00 | |
-What would you do? -I don't know. What do you do? -I don't know. -No. | 0:40:00 | 0:40:03 | |
It wouldn't even occur to me to want to do anything like that, | 0:40:03 | 0:40:06 | |
not at all. I don't miss people. | 0:40:06 | 0:40:08 | |
I don't have the emotion of missing somebody when they're not there. | 0:40:08 | 0:40:12 | |
I might prefer them to be with me... | 0:40:12 | 0:40:15 | |
..but I don't think it's quite the same emotion | 0:40:16 | 0:40:19 | |
that I understand that other people have in terms of missing people. | 0:40:19 | 0:40:22 | |
And yet you two are in a close relationship. | 0:40:23 | 0:40:26 | |
Yes. We are peas in a pod. | 0:40:26 | 0:40:28 | |
Do you miss me when I'm not there? | 0:40:30 | 0:40:34 | |
I don't think you do. I think we've talked about this before, | 0:40:34 | 0:40:36 | |
-haven't we? -When I have to interact with others, then yes, | 0:40:36 | 0:40:39 | |
because the interaction that I have with them | 0:40:39 | 0:40:42 | |
is never as satisfying as the interaction I have with you. | 0:40:42 | 0:40:45 | |
Is that "missing"? | 0:40:46 | 0:40:48 | |
You've always said, "I prefer it when you're there," | 0:40:48 | 0:40:52 | |
which suggests to me a sort of absence of a... | 0:40:52 | 0:40:55 | |
I think missing involves abstract imagination. It involves... | 0:40:57 | 0:41:02 | |
..some kind of ability to picture | 0:41:03 | 0:41:07 | |
another reality other than the one you're in at the moment | 0:41:07 | 0:41:09 | |
and I don't think either of us are particularly capable at doing that. | 0:41:09 | 0:41:14 | |
Sarah and Keith get on really well just the two of them | 0:41:18 | 0:41:22 | |
and are committed to total honesty | 0:41:22 | 0:41:25 | |
in their constant reflection and analysis. | 0:41:25 | 0:41:27 | |
Although Sarah and Keith have restricted | 0:41:29 | 0:41:32 | |
their contact to other people, | 0:41:32 | 0:41:34 | |
they do show us that autistic people | 0:41:34 | 0:41:36 | |
can have meaningful social relationships. | 0:41:36 | 0:41:40 | |
It's often said that autistic people don't have empathy, | 0:41:40 | 0:41:43 | |
but that is wrong. | 0:41:43 | 0:41:45 | |
Sarah and Keith really care for each other. | 0:41:45 | 0:41:48 | |
What they find difficult is this social navigation | 0:41:48 | 0:41:52 | |
that the rest of us do automatically. | 0:41:52 | 0:41:54 | |
Since diagnosis has surged in the last two decades, | 0:41:58 | 0:42:01 | |
it's tempting to think of autism as a modern phenomenon. | 0:42:01 | 0:42:05 | |
But is there any evidence in history | 0:42:06 | 0:42:08 | |
to show that autism has been around for longer? | 0:42:08 | 0:42:12 | |
Today, people talk about an autism epidemic. | 0:42:12 | 0:42:15 | |
When I saw the first cases about 50 years ago, | 0:42:15 | 0:42:18 | |
the estimated number was about five in 10,000. | 0:42:18 | 0:42:22 | |
Today it is 100 in 10,000. | 0:42:22 | 0:42:26 | |
This is a huge increase | 0:42:26 | 0:42:28 | |
and yet it does not necessarily mean | 0:42:28 | 0:42:30 | |
that more children with autism are born now. | 0:42:30 | 0:42:33 | |
It does mean that we are much better at diagnosing autism. | 0:42:34 | 0:42:39 | |
So is autism a new condition, | 0:42:39 | 0:42:41 | |
or has it always been with us? | 0:42:41 | 0:42:43 | |
And how would we ever find out? | 0:42:43 | 0:42:46 | |
I've come to Dumfries & Galloway in the Scottish borders, | 0:42:51 | 0:42:54 | |
where historian Professor Rab Houston | 0:42:54 | 0:42:57 | |
has unearthed the story of a family feud | 0:42:57 | 0:43:00 | |
caused by the very unusual behaviour | 0:43:00 | 0:43:03 | |
of an 18th century Scottish laird called Hugh Blair. | 0:43:03 | 0:43:08 | |
This is the place where Hugh Blair was born | 0:43:09 | 0:43:12 | |
and where he and his family lived | 0:43:12 | 0:43:14 | |
for the first half of the 18th century. | 0:43:14 | 0:43:16 | |
Sometime during the 1740s, when Hugh would have been in his mid-30s, | 0:43:23 | 0:43:28 | |
his brother John and his mother had a tremendous falling out. | 0:43:28 | 0:43:33 | |
As a result of that, his mother cooked up a marriage - | 0:43:33 | 0:43:38 | |
she arranged a marriage for Hugh with the daughter of a local surgeon | 0:43:38 | 0:43:43 | |
who lived in Kirkcudbright, which is the main town quite near to here. | 0:43:43 | 0:43:46 | |
John was furious, absolutely furious, | 0:43:48 | 0:43:52 | |
so he took out a writ against Hugh to have his marriage annulled | 0:43:52 | 0:43:57 | |
on the grounds that he didn't understand what he was doing. | 0:43:57 | 0:44:00 | |
John, the younger son, would lose his inheritance | 0:44:01 | 0:44:04 | |
if there were any children from this marriage. | 0:44:04 | 0:44:07 | |
He needed to prove that Hugh could not be legally married | 0:44:07 | 0:44:11 | |
since he was mentally incapacitated. | 0:44:11 | 0:44:14 | |
It's because of this court case that we have an unprecedented insight | 0:44:15 | 0:44:20 | |
into Hugh Blair's odd behaviour | 0:44:20 | 0:44:22 | |
and how it relates to the modern diagnosis of autism. | 0:44:22 | 0:44:26 | |
It was 5th July 1747 | 0:44:28 | 0:44:31 | |
when the case was brought before the Commissary Court of Edinburgh. | 0:44:31 | 0:44:35 | |
260 years on, Professor Houston discovered the documents, | 0:44:35 | 0:44:39 | |
which had clearly been unread since they were first written. | 0:44:39 | 0:44:43 | |
Transcripts of 27 witnesses are very revealing | 0:44:43 | 0:44:46 | |
about Hugh's mental condition and reminiscent of autism. | 0:44:46 | 0:44:51 | |
Here, one witness mentions a strange special interest. | 0:44:51 | 0:44:54 | |
It says that Hugh... "Went to all the burials about, | 0:44:57 | 0:45:00 | |
"whether rich or poor, and that whether he was invited or not, | 0:45:00 | 0:45:04 | |
"and this he did both before and after he was a man | 0:45:04 | 0:45:08 | |
"who arrived at the age of majority." | 0:45:08 | 0:45:10 | |
Oh, that's just a wonderful observation, | 0:45:10 | 0:45:12 | |
because that's an example of a kind of special interest, you know? | 0:45:12 | 0:45:16 | |
A special interest in something that other people | 0:45:16 | 0:45:19 | |
probably would not be interested in, and for him to be able to find out | 0:45:19 | 0:45:24 | |
when all these burials were taking place and then to just turn up | 0:45:24 | 0:45:28 | |
and go there, regardless of who it was - | 0:45:28 | 0:45:30 | |
I think that's extraordinarily reminiscent of autism. | 0:45:30 | 0:45:35 | |
Perhaps the most revealing document is Hugh Blair's written testimony. | 0:45:35 | 0:45:40 | |
Here he was asked questions in writing, | 0:45:44 | 0:45:47 | |
because the court wondered whether perhaps he was deaf and dumb. | 0:45:47 | 0:45:51 | |
So, the clerk of the court wrote out, | 0:45:51 | 0:45:53 | |
"Answer the following question - what brought you to Edinburgh?" | 0:45:53 | 0:45:58 | |
Hugh Blair's answer reads, | 0:45:58 | 0:46:00 | |
"Answer the following question - what brought you to Edinburgh?" | 0:46:00 | 0:46:06 | |
To me, it's really as clear an indication | 0:46:06 | 0:46:09 | |
of what I call a mentalising failure as you could wish for. | 0:46:09 | 0:46:15 | |
It's not understanding that you need to tell another person | 0:46:15 | 0:46:22 | |
something that only you can tell, that they want you to tell. | 0:46:22 | 0:46:27 | |
He just doesn't get that point. | 0:46:27 | 0:46:30 | |
The court was convinced that Hugh was mentally incapacitated, | 0:46:32 | 0:46:36 | |
and his marriage was annulled. | 0:46:36 | 0:46:39 | |
The Blair estate was ruined by the costs of the court case. | 0:46:39 | 0:46:43 | |
The case of Hugh Blair is by far the earliest that I would be confident | 0:46:47 | 0:46:52 | |
in diagnosing as autism, and it's astonishing that you can recognise | 0:46:52 | 0:46:58 | |
the condition across such vast differences of time and of culture. | 0:46:58 | 0:47:03 | |
What's so important to me about this is that it enables us to see | 0:47:03 | 0:47:07 | |
more clearly the common and enduring features of autism. | 0:47:07 | 0:47:12 | |
It's often said that the enduring features of autism | 0:47:15 | 0:47:19 | |
are present in many of us. | 0:47:19 | 0:47:21 | |
Today, we often say someone's "on the spectrum" | 0:47:21 | 0:47:24 | |
as a catch-all phrase to describe anyone who's a bit eccentric, | 0:47:24 | 0:47:28 | |
has unusual hobbies or is socially awkward. | 0:47:28 | 0:47:31 | |
Here at Trinity College Cambridge | 0:47:33 | 0:47:35 | |
stands a statue to one of our greatest scientists, Isaac Newton. | 0:47:35 | 0:47:39 | |
He certainly was eccentric, | 0:47:41 | 0:47:43 | |
and some people have suggested that he may have been autistic. | 0:47:43 | 0:47:47 | |
I'm not convinced. | 0:47:50 | 0:47:51 | |
'I'm here to meet Professor Simon Baron-Cohen, | 0:47:53 | 0:47:57 | |
'who long ago was my PhD student and is now a fellow of Trinity himself.' | 0:47:57 | 0:48:01 | |
There are personal anecdotes about his life. | 0:48:03 | 0:48:05 | |
There are. One of the stories is that his lectures were | 0:48:05 | 0:48:07 | |
very difficult to follow. | 0:48:07 | 0:48:10 | |
And the students stopped coming but he kept teaching, | 0:48:10 | 0:48:13 | |
-even though there were no students present. -Oh, really?! | 0:48:13 | 0:48:15 | |
-Because it was in his job description. -So he was very dutiful. | 0:48:15 | 0:48:19 | |
Simon is interested in autistic-like traits in the general population, | 0:48:20 | 0:48:25 | |
so I've come to discuss with him whether autism is in a category | 0:48:25 | 0:48:29 | |
by itself, or whether it's possible to be a little bit autistic. | 0:48:29 | 0:48:34 | |
So can you sort of make this a bit... | 0:48:36 | 0:48:39 | |
You can measure autistic traits, just like any metric, | 0:48:39 | 0:48:43 | |
like a ruler, where if you were down here at zero | 0:48:43 | 0:48:48 | |
-or up here at 50, you'd be either low or high or just average. -Yeah. | 0:48:48 | 0:48:53 | |
So here you would have no autistic traits at all, | 0:48:53 | 0:48:57 | |
here you would have everything. | 0:48:57 | 0:48:59 | |
Most people in the population are scoring right in the middle. | 0:48:59 | 0:49:03 | |
That's the population average, or the mean. | 0:49:03 | 0:49:05 | |
And people who have a diagnosis on the autistic spectrum | 0:49:05 | 0:49:09 | |
tend to score right up here. | 0:49:09 | 0:49:12 | |
Above 30, or 32, out of a scale of 50. | 0:49:12 | 0:49:16 | |
And actually when you look at the whole population, | 0:49:16 | 0:49:19 | |
it turns out to be quite a beautiful, normal distribution. | 0:49:19 | 0:49:23 | |
Very few people down at zero, very few people at the maximum. | 0:49:23 | 0:49:28 | |
So you could almost say that there might have been a natural selection | 0:49:28 | 0:49:32 | |
to have an average number. | 0:49:32 | 0:49:34 | |
At what point, then, would the diagnosis of autism | 0:49:34 | 0:49:37 | |
become a sort of certainty? | 0:49:37 | 0:49:39 | |
Well, you get your diagnosis when you go to a clinic. | 0:49:40 | 0:49:44 | |
It's not about these metrics. | 0:49:44 | 0:49:46 | |
It's about the clinician looking at how much these traits | 0:49:46 | 0:49:51 | |
are interfering with your everyday functioning. | 0:49:51 | 0:49:54 | |
So some people are developing secondary depression, | 0:49:54 | 0:49:58 | |
because they've got a high number of autistic traits. | 0:49:58 | 0:50:01 | |
Some children are being bullied, | 0:50:01 | 0:50:03 | |
because they've got a high number of autistic traits. | 0:50:03 | 0:50:05 | |
But some people are doing just fine... | 0:50:05 | 0:50:07 | |
If they're doing fine, irrespective of their score, they don't need... | 0:50:07 | 0:50:11 | |
-They're not autistic? -They don't need the diagnosis. | 0:50:11 | 0:50:13 | |
So you withhold the diagnosis, | 0:50:13 | 0:50:16 | |
unless there's a clear, clinical need. | 0:50:16 | 0:50:19 | |
So now it's not about science, it's about clinical judgment. | 0:50:19 | 0:50:24 | |
So there is something of a grey area where some people might | 0:50:24 | 0:50:28 | |
get the diagnosis if they go to one centre for the diagnostic assessment | 0:50:28 | 0:50:33 | |
-and not get the diagnosis if they go to another centre... -Absolutely. | 0:50:33 | 0:50:36 | |
..because it is a judgment call. | 0:50:36 | 0:50:39 | |
The only thing that differentiates people in the general population | 0:50:39 | 0:50:44 | |
from people who have a diagnosis is simply | 0:50:44 | 0:50:47 | |
the number of autistic traits that we have. | 0:50:47 | 0:50:50 | |
That we're all on the same continuum. | 0:50:50 | 0:50:54 | |
And...part of what research needs to do is to try and determine - | 0:50:54 | 0:50:59 | |
is there a qualitative break there? | 0:50:59 | 0:51:01 | |
Or is it the case that it's simply a matter of degree? | 0:51:01 | 0:51:05 | |
I've often imagined myself being a bit autistic. | 0:51:10 | 0:51:13 | |
I'm certainly obsessively focused on my work. | 0:51:13 | 0:51:16 | |
And in my feelings I am often very analytical and detached. | 0:51:16 | 0:51:20 | |
And I certainly have said things that hurt people | 0:51:21 | 0:51:25 | |
without my realising this, and I'm generally baffled | 0:51:25 | 0:51:29 | |
by the complexities of social relationships. But here it stops. | 0:51:29 | 0:51:33 | |
It's easy to confuse autistic-like traits with autism, | 0:51:36 | 0:51:40 | |
so if you think you might be a little bit autistic, | 0:51:40 | 0:51:44 | |
you very probably are not. | 0:51:44 | 0:51:48 | |
But whether there is a precise point at which autism begins | 0:51:48 | 0:51:52 | |
is an open question and for now remains a mystery. | 0:51:52 | 0:51:57 | |
So in the right position for her, basically. | 0:51:57 | 0:52:00 | |
Today, most children with autism will be diagnosed before they go to school, | 0:52:01 | 0:52:06 | |
but some are diagnosed much later. | 0:52:06 | 0:52:09 | |
Like any condition, doctors and parents want to identify it as early as possible. | 0:52:09 | 0:52:14 | |
We know that the autistic brain must be wired differently, | 0:52:15 | 0:52:19 | |
and that there is a genetic reason for this, | 0:52:19 | 0:52:22 | |
but we don't really know the details yet. | 0:52:22 | 0:52:25 | |
Here at Birkbeck College in London, they're running a study to see | 0:52:29 | 0:52:33 | |
if they can detect very early signs of autism. | 0:52:33 | 0:52:37 | |
They're studying babies who have an increased genetic risk of being autistic, | 0:52:37 | 0:52:42 | |
because they an autistic sibling. | 0:52:42 | 0:52:45 | |
And they're comparing them to babies with no increased risk. | 0:52:45 | 0:52:49 | |
We are looking for early signs of autism, early markers. | 0:52:49 | 0:52:55 | |
The reason being that, at the moment, the earliest stage | 0:52:55 | 0:52:58 | |
that a child will possibly get a diagnosis is around two to three years of age. | 0:52:58 | 0:53:02 | |
So the main aim is to find an early marker to enable us | 0:53:03 | 0:53:08 | |
to possibly diagnose the disorder earlier. | 0:53:08 | 0:53:12 | |
They're looking to see how the babies' brains | 0:53:17 | 0:53:20 | |
react to social and non-social images. | 0:53:20 | 0:53:24 | |
They use equipment that gently shines light onto the baby's head | 0:53:24 | 0:53:28 | |
to measure the oxygen level in the blood and, therefore, brain activity. | 0:53:28 | 0:53:32 | |
This is where we're having the response, in this brain region. | 0:53:52 | 0:53:57 | |
And this one example is about visual, social cues, | 0:53:57 | 0:54:00 | |
so this is when the babies are watching the peek-a-boo | 0:54:00 | 0:54:03 | |
and the Incy Wincy Spider. | 0:54:03 | 0:54:05 | |
The graph here on the left is what you would typically have | 0:54:05 | 0:54:09 | |
as a response in infants of this age, so four to six-month-olds. | 0:54:09 | 0:54:14 | |
We've seen in many, many babies | 0:54:14 | 0:54:16 | |
that they would have an increase in oxygen in their blood, | 0:54:16 | 0:54:19 | |
which is this red line here, and this is the response | 0:54:19 | 0:54:22 | |
that we've had in the infants that have a family risk of autism. | 0:54:22 | 0:54:26 | |
So they have the brother or sister with autism. | 0:54:26 | 0:54:29 | |
And what you notice quite strikingly is that the oxygen change | 0:54:29 | 0:54:32 | |
in this brain region is almost absent in comparison to | 0:54:32 | 0:54:35 | |
the low-risk infants. | 0:54:35 | 0:54:37 | |
But the tantalising thing to have emerged from this study so far | 0:54:41 | 0:54:45 | |
is that not all the babies who have the autistic markers | 0:54:45 | 0:54:49 | |
go on to get a diagnosis of autism. | 0:54:49 | 0:54:51 | |
So, the babies we've seen who show | 0:54:53 | 0:54:56 | |
the possible early markers of autism, | 0:54:56 | 0:54:58 | |
but who actually don't go on to develop the disorder, | 0:54:58 | 0:55:02 | |
the ones that fall sort of either side of the line, they... | 0:55:02 | 0:55:06 | |
It's an interesting thing. | 0:55:07 | 0:55:10 | |
That's one of the questions that we hope to answer - why don't they? | 0:55:10 | 0:55:13 | |
Are there protective factors, be that genetic or environmental, | 0:55:13 | 0:55:18 | |
that kick in, or are these children programmed | 0:55:18 | 0:55:22 | |
in a slightly different way | 0:55:22 | 0:55:24 | |
that they're never going to develop the full-blown disorder, | 0:55:24 | 0:55:27 | |
but they may carry these subtle traits of autism | 0:55:27 | 0:55:30 | |
throughout their lives without anyone noticing? | 0:55:30 | 0:55:33 | |
Ready, steady, go! | 0:55:33 | 0:55:36 | |
What's he doing? | 0:55:38 | 0:55:39 | |
The idea of a protective factor might explain another mystery - | 0:55:39 | 0:55:44 | |
why many more boys than girls are diagnosed with autism. | 0:55:44 | 0:55:48 | |
Could it be that girls have some kind of protective factor, | 0:55:48 | 0:55:53 | |
perhaps for some genetic or hormonal reason, | 0:55:53 | 0:55:56 | |
that reduces the impact of autism? | 0:55:56 | 0:55:59 | |
We could even speculate that these protective factors | 0:55:59 | 0:56:03 | |
are why many of us grow up to have an autistic-like personality, | 0:56:03 | 0:56:07 | |
but not actually be autistic. | 0:56:07 | 0:56:10 | |
LAUGHTER | 0:56:15 | 0:56:18 | |
Sorry, you've got the wrong idea. | 0:56:19 | 0:56:21 | |
Despite the insights we've gained over the last few decades | 0:56:21 | 0:56:25 | |
about how people with autism perceive the world, | 0:56:25 | 0:56:28 | |
there are still so many questions that remain unanswered. | 0:56:28 | 0:56:33 | |
How does the brain create these different minds? | 0:56:33 | 0:56:37 | |
And why are some people autistic in the first place? | 0:56:37 | 0:56:41 | |
And why does autism come in so many forms? | 0:56:41 | 0:56:45 | |
Very good. | 0:56:45 | 0:56:46 | |
Joe needs constant care, and will never be able to live by himself. | 0:56:47 | 0:56:53 | |
Good to do. > | 0:56:53 | 0:56:54 | |
-Are you happy here? -Yes. | 0:56:54 | 0:56:56 | |
And sometimes you go out? | 0:57:00 | 0:57:03 | |
Yes. | 0:57:03 | 0:57:04 | |
-And you can relax? -Relax. | 0:57:05 | 0:57:09 | |
-You also work? -Yes. | 0:57:09 | 0:57:11 | |
-'What's this, Joe? -Money. | 0:57:28 | 0:57:29 | |
'Money. And what's this, Joe? | 0:57:29 | 0:57:32 | |
-'Butter. -Bread. | 0:57:32 | 0:57:33 | |
'And this? | 0:57:35 | 0:57:37 | |
-'Milk. -Milk. And this?' | 0:57:37 | 0:57:39 | |
Almost 50 years ago, I met a bright-eyed young boy | 0:57:39 | 0:57:43 | |
who had terrible difficulties interacting with the world. | 0:57:43 | 0:57:47 | |
-'What is it? -Ba-ma. | 0:57:50 | 0:57:52 | |
-'A barrow. -A barrow. | 0:57:52 | 0:57:55 | |
'What's this?' | 0:57:55 | 0:57:56 | |
Joe sees things very differently, | 0:57:56 | 0:57:59 | |
but he inspired me to dedicate a lifetime | 0:57:59 | 0:58:03 | |
to studying minds like his. | 0:58:03 | 0:58:05 | |
And in its own way, I'm glad that his life has been fulfilling too. | 0:58:06 | 0:58:12 | |
What flowers do you like? | 0:58:15 | 0:58:16 | |
Sunflowers. | 0:58:16 | 0:58:18 | |
Sunflowers. | 0:58:18 | 0:58:19 | |
Yes. | 0:58:19 | 0:58:20 | |
-So you just put the seed in, do you? -Yes. | 0:58:20 | 0:58:22 | |
-And...a plant comes out? -Yes. | 0:58:22 | 0:58:25 |