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Stand by, everyone. | 0:00:02 | 0:00:03 | |
And...action. | 0:00:03 | 0:00:05 | |
Hair really is the crowning glory and it can represent you | 0:00:05 | 0:00:09 | |
in so many different ways. | 0:00:09 | 0:00:10 | |
Hair is the most important thing with your identity. | 0:00:10 | 0:00:12 | |
I think my hair says I'm a bit Bohemian. | 0:00:12 | 0:00:15 | |
It's, like, totally free. Flouncy, bouncy - a bit like me. | 0:00:15 | 0:00:18 | |
There's also something that you can see - immediately see. | 0:00:18 | 0:00:21 | |
It's like clothes you're wearing. | 0:00:21 | 0:00:23 | |
You're making, effectively, a statement. | 0:00:23 | 0:00:25 | |
Each one of us has a unique head of hair, | 0:00:26 | 0:00:29 | |
whether it's straight, curly, | 0:00:29 | 0:00:31 | |
frizzy, long, | 0:00:31 | 0:00:33 | |
short, bleached, | 0:00:33 | 0:00:35 | |
coloured or natural. | 0:00:35 | 0:00:37 | |
Around 150,000 individual hair strands, | 0:00:37 | 0:00:42 | |
growing approximately one centimetre every month. | 0:00:42 | 0:00:45 | |
Horizon has gathered together a team of scientists and doctors, | 0:00:46 | 0:00:50 | |
to investigate this precious material growing out of our heads. | 0:00:50 | 0:00:55 | |
We're entering a world where science and business operate hand-in-hand. | 0:00:55 | 0:01:00 | |
The time and effort that we put into our hair | 0:01:03 | 0:01:05 | |
creates a global hair care market | 0:01:05 | 0:01:07 | |
worth a staggering £60 billion. | 0:01:07 | 0:01:10 | |
An estimated £1.5 billion of that | 0:01:10 | 0:01:13 | |
is spent on hair loss treatments. | 0:01:13 | 0:01:15 | |
That's four times the amount that we spend on malaria research. | 0:01:15 | 0:01:19 | |
'The growing list of hair care products caters to our every | 0:01:20 | 0:01:24 | |
'possible need and seems to offer the world.' | 0:01:24 | 0:01:28 | |
It's actually got an ingredient which can reduce hair growth. | 0:01:28 | 0:01:31 | |
You know, it actually mends things like split ends. | 0:01:31 | 0:01:33 | |
It stops the hair from falling out. | 0:01:33 | 0:01:35 | |
And it also gets rid of frizz. | 0:01:35 | 0:01:37 | |
Today, some of the most popular hair care products | 0:01:39 | 0:01:42 | |
are sold on the basis that they work scientifically. | 0:01:42 | 0:01:45 | |
But with more and more products competing with each other | 0:01:49 | 0:01:52 | |
to make ever-bolder claims, | 0:01:52 | 0:01:54 | |
it's not easy to work out what the scientific evidence actually is. | 0:01:54 | 0:01:58 | |
You know, anything that claims to be "free from", | 0:01:58 | 0:02:00 | |
you should look at what else is in their ingredients. | 0:02:00 | 0:02:04 | |
We're going to sort the science from the spin | 0:02:05 | 0:02:08 | |
and untangle some of the most common hair care myths. | 0:02:08 | 0:02:12 | |
We've gained access to the research laboratories of some of the world's | 0:02:12 | 0:02:17 | |
leading hair care companies. | 0:02:17 | 0:02:18 | |
We have almost 4,000 scientists across the world | 0:02:18 | 0:02:22 | |
working to develop these new products. | 0:02:22 | 0:02:24 | |
We're investigating the latest cutting-edge technology. | 0:02:24 | 0:02:28 | |
Well, there's only one machine of this type. | 0:02:28 | 0:02:32 | |
We'll test that for 250,000 cycles, | 0:02:32 | 0:02:35 | |
before we deem it as being OK. | 0:02:35 | 0:02:38 | |
And we have answers to some of the most essential questions. | 0:02:38 | 0:02:42 | |
Is there absolutely no damage to the hair? | 0:02:42 | 0:02:45 | |
We cannot say zero, never, nothing, nyet. | 0:02:45 | 0:02:48 | |
How much of this information is available to the public? | 0:02:48 | 0:02:51 | |
How much is in the public domain? | 0:02:51 | 0:02:52 | |
As a team, we're going to reveal the latest scientific discoveries | 0:02:52 | 0:02:56 | |
that push the boundaries of our knowledge of this | 0:02:56 | 0:03:00 | |
extraordinary natural material... | 0:03:00 | 0:03:02 | |
our hair. | 0:03:02 | 0:03:04 | |
SNIPPING | 0:03:12 | 0:03:14 | |
Hair is really important to our looks. | 0:03:20 | 0:03:22 | |
It's our biggest accessory. | 0:03:22 | 0:03:24 | |
Our hair is something we have to wear every single day. | 0:03:24 | 0:03:27 | |
The thing about hair is it's one part of you that you get to design. | 0:03:27 | 0:03:31 | |
A lot of people laugh at me or maybe point and say, "Your hair". | 0:03:31 | 0:03:34 | |
And I just acknowledge it and move on. | 0:03:34 | 0:03:37 | |
I think a lot of importance is put on hair, whether we like it or not. | 0:03:37 | 0:03:41 | |
As a busy scientist, the state of my hair is not always my top priority. | 0:03:43 | 0:03:49 | |
But I like to feel the style I've chosen reflects | 0:03:49 | 0:03:51 | |
some of my personality, | 0:03:51 | 0:03:53 | |
although it doesn't always go to plan. | 0:03:53 | 0:03:57 | |
We've all had them - days when our hair just doesn't do the right thing | 0:03:57 | 0:04:01 | |
and when your hair doesn't do what you want it to do, | 0:04:01 | 0:04:03 | |
nothing else seems to go right, either. | 0:04:03 | 0:04:06 | |
It can make or break a good day or a bad day. | 0:04:07 | 0:04:10 | |
Good hair - great day. Bad hair - it's not going to work out | 0:04:10 | 0:04:14 | |
as well as I hope it is. | 0:04:14 | 0:04:16 | |
My hair has been very loyal to me. | 0:04:16 | 0:04:19 | |
All this time, I've never had problems. | 0:04:19 | 0:04:21 | |
The ones that did, I pulled them out straight away... | 0:04:21 | 0:04:24 | |
Research carried out at Yale University concluded | 0:04:25 | 0:04:29 | |
that a bad hair day can negatively affect | 0:04:29 | 0:04:31 | |
a person's self-esteem and social insecurity. | 0:04:31 | 0:04:34 | |
Bad hair days - more make-up day for me. | 0:04:36 | 0:04:39 | |
As a molecular biologist, | 0:04:39 | 0:04:41 | |
I know that what's sitting on top of my head | 0:04:41 | 0:04:44 | |
is just a mass of dead protein. | 0:04:44 | 0:04:46 | |
So, why does it have such a big impact on my mood? | 0:04:46 | 0:04:51 | |
'One theory is that it's down to the split-second judgments we make | 0:04:51 | 0:04:55 | |
'when we meet people for the first time. | 0:04:55 | 0:04:57 | |
'Psychologist Graham Hole believes | 0:05:00 | 0:05:03 | |
'that these early moments are critical.' | 0:05:03 | 0:05:06 | |
It takes as little as 13 milliseconds to decide | 0:05:07 | 0:05:11 | |
whether you find a face attractive or unattractive. | 0:05:11 | 0:05:13 | |
-That's really short. What's that...? -That's faster than you can actually | 0:05:13 | 0:05:17 | |
consciously be aware that you've seen anything. | 0:05:17 | 0:05:20 | |
'Graham believes our hair plays a key role in these unconscious judgments.' | 0:05:20 | 0:05:24 | |
What we do know, from eye-tracking studies, for example, | 0:05:24 | 0:05:27 | |
is that the external parts of the face are very important | 0:05:27 | 0:05:30 | |
for recognising faces you've only just seen for the first time. | 0:05:30 | 0:05:32 | |
So, the hair and the face shape. | 0:05:32 | 0:05:35 | |
Whereas, the internal part of the face is important | 0:05:35 | 0:05:37 | |
for recognising faces that you know well. | 0:05:37 | 0:05:40 | |
SHUTTER CLICKING | 0:05:40 | 0:05:42 | |
Just a neutral expression. | 0:05:42 | 0:05:44 | |
Graham wants to show me just how influential our hair can be. | 0:05:45 | 0:05:49 | |
-Yeah, that looks really good. -Yep? -Yeah. | 0:05:49 | 0:05:52 | |
He's recruited pairs of mothers and daughters | 0:05:52 | 0:05:55 | |
willing to swap their hairstyles with each other. | 0:05:55 | 0:05:58 | |
Mothers will get the daughter's hairstyle | 0:05:58 | 0:06:00 | |
and the daughters will get the mother's hairstyle. | 0:06:00 | 0:06:02 | |
According to Graham, | 0:06:02 | 0:06:03 | |
the change of hairstyle should influence the first impressions | 0:06:03 | 0:06:06 | |
the mothers and daughters make. | 0:06:06 | 0:06:08 | |
OK, so, could all the daughters please go upstairs, | 0:06:08 | 0:06:11 | |
while the mothers have their wigs put on? | 0:06:11 | 0:06:13 | |
We spend millions of pounds on hair care products. | 0:06:18 | 0:06:22 | |
So, hair is obviously very important to us. | 0:06:22 | 0:06:24 | |
But we don't know what kind of role it plays in the perception of things | 0:06:24 | 0:06:27 | |
like age, health, attractiveness and so on. | 0:06:27 | 0:06:30 | |
So, this experiment is trying to see what effect simply a change | 0:06:30 | 0:06:34 | |
of hairstyle will do to the person's face. | 0:06:34 | 0:06:36 | |
The mothers are given wigs similar to their daughters' | 0:06:40 | 0:06:43 | |
younger hairstyles. | 0:06:43 | 0:06:44 | |
Wow! | 0:06:46 | 0:06:48 | |
I think I look silly. | 0:06:50 | 0:06:52 | |
I think I look like somebody from a heavy metal rock band - male. | 0:06:52 | 0:06:57 | |
And the daughters are styled in wigs that match their mothers' | 0:07:00 | 0:07:03 | |
older styles. | 0:07:03 | 0:07:05 | |
Whoa! | 0:07:07 | 0:07:09 | |
It's just not for me, is it?! | 0:07:09 | 0:07:12 | |
I look like a small boy! | 0:07:12 | 0:07:14 | |
Transformations complete, | 0:07:16 | 0:07:18 | |
it's time to see what they think of their new looks. | 0:07:18 | 0:07:20 | |
OK, three, two, one... | 0:07:20 | 0:07:24 | |
OK, Maddy, do you think your mum looks good in that hairstyle? | 0:07:28 | 0:07:31 | |
-No. -Actually, I think she looks rather lovely. | 0:07:31 | 0:07:35 | |
She looks a bit dowdy. | 0:07:35 | 0:07:38 | |
And it makes you look like you're trying too hard, as well. | 0:07:38 | 0:07:41 | |
-I think. -OK. | 0:07:41 | 0:07:43 | |
The new styles may not have gone down well in our salon, | 0:07:43 | 0:07:47 | |
but the real test is to see how they're perceived by strangers. | 0:07:47 | 0:07:51 | |
OK, we're doing a survey about person perception. | 0:07:51 | 0:07:54 | |
Can I ask you how old you think this woman is, to the nearest year? | 0:07:54 | 0:07:57 | |
-I would say around 20. -Around 26. | 0:07:57 | 0:08:00 | |
I would say 21. | 0:08:00 | 0:08:02 | |
-37. -40. -55. | 0:08:02 | 0:08:04 | |
-52. -57. | 0:08:04 | 0:08:07 | |
When Graham analyses the data, | 0:08:08 | 0:08:11 | |
a familiar pattern emerges. | 0:08:11 | 0:08:13 | |
With previous experiments, we've got similar kinds of age differences. | 0:08:15 | 0:08:19 | |
So, the daughters' ages were increased by a couple of years | 0:08:19 | 0:08:22 | |
and the mothers' ages were decreased by about four years or so. | 0:08:22 | 0:08:26 | |
Change in the perceived age of our pairs is particularly marked | 0:08:26 | 0:08:30 | |
in one mother. | 0:08:30 | 0:08:31 | |
There was a whopping reduction of about seven years in the age of | 0:08:31 | 0:08:35 | |
one of the mothers, making her look about seven years younger | 0:08:35 | 0:08:38 | |
-than she actually was. -Seven years is quite substantial, actually. | 0:08:38 | 0:08:41 | |
How would you explain that? | 0:08:41 | 0:08:43 | |
Presumably the participants in our study paid more attention | 0:08:43 | 0:08:46 | |
to the hair and that biased their overall, kind of, age estimate. | 0:08:46 | 0:08:50 | |
'Graham believes the younger hair styles send out telling signals.' | 0:08:50 | 0:08:55 | |
In our past, it might have been equivalent to a peacock's tail. | 0:08:55 | 0:08:58 | |
It, kind of, basically says, "Look, I've got so many kind of resources | 0:08:58 | 0:09:01 | |
"that I can afford to squander them in long tresses." | 0:09:01 | 0:09:04 | |
For our ancestors, it would have been very useful for them | 0:09:04 | 0:09:07 | |
to pay attention to hair, because it would have been an honest signal | 0:09:07 | 0:09:10 | |
to the age of the person concerned. | 0:09:10 | 0:09:14 | |
So, at least, in our past, it has been a good strategy | 0:09:14 | 0:09:16 | |
for helping us to decide whether somebody's worth mating with. | 0:09:16 | 0:09:20 | |
The importance of our hair | 0:09:26 | 0:09:27 | |
may have its origins in our evolutionary past, | 0:09:27 | 0:09:30 | |
but it remains a powerful part of our identity in the modern world | 0:09:30 | 0:09:35 | |
and this deep attachment to our hair is perhaps most apparent | 0:09:35 | 0:09:39 | |
when we are faced with the prospect of its loss. | 0:09:39 | 0:09:43 | |
I think the possibility of losing my hair would be dramatic. | 0:09:43 | 0:09:47 | |
I am very worried about losing my hair. | 0:09:47 | 0:09:50 | |
I think it is a lot worse for a lady than it is for a guy. | 0:09:50 | 0:09:52 | |
Post-pregnancy, I lost quite a lot of hair. | 0:09:52 | 0:09:55 | |
It's quite... It provokes quite a lot of anxiety. | 0:09:55 | 0:09:58 | |
Whilst I have come to accept it now | 0:09:58 | 0:10:01 | |
and it is part of who I am, | 0:10:01 | 0:10:03 | |
and now I'm totally fine with it, even looking back, | 0:10:03 | 0:10:06 | |
I see it as being | 0:10:06 | 0:10:09 | |
one of my periods of life trauma. | 0:10:09 | 0:10:12 | |
First response paramedic Joe | 0:10:16 | 0:10:18 | |
noticed the initial signs of hair loss in his early teens. | 0:10:18 | 0:10:22 | |
I've brought some pictures. | 0:10:25 | 0:10:27 | |
I've got one when I just started high school, and one a couple of | 0:10:27 | 0:10:30 | |
years after. When I started high school I must have been what, 11 years old? | 0:10:30 | 0:10:34 | |
And I've got a perfectly straight line of hair across my forehead, | 0:10:34 | 0:10:38 | |
but two years later I'd lost 50% | 0:10:38 | 0:10:41 | |
of that hair in that corner. | 0:10:41 | 0:10:43 | |
And I can personally see now, back then it didn't bother me as much. | 0:10:43 | 0:10:48 | |
I was thinking about football or chocolate. | 0:10:48 | 0:10:51 | |
As he's got older, | 0:10:55 | 0:10:56 | |
Joe's receding hairline has become an increasingly large | 0:10:56 | 0:11:00 | |
part of his life. | 0:11:00 | 0:11:02 | |
I'm always thinking about ways to conceal it when it's a windy day, | 0:11:02 | 0:11:06 | |
readdressing my hair to cover the areas I've got, | 0:11:06 | 0:11:09 | |
and not make it more noticeable. | 0:11:09 | 0:11:10 | |
Different things affect different people in different ways, and for me | 0:11:12 | 0:11:15 | |
it's very much my hairline. | 0:11:15 | 0:11:17 | |
This is my issue, | 0:11:19 | 0:11:20 | |
and this is something that has bothered me for 12/13 years, | 0:11:20 | 0:11:24 | |
so it's something I'm dealing with. | 0:11:24 | 0:11:26 | |
Joe has already tried a number of off-the shelf solutions, | 0:11:29 | 0:11:32 | |
but with little success. | 0:11:32 | 0:11:34 | |
I'm a master of disguise. | 0:11:36 | 0:11:38 | |
If I pull my hair back real quick you can see I've probably lost about | 0:11:38 | 0:11:42 | |
three inches of hair in those two corners, at last, I think... | 0:11:42 | 0:11:46 | |
Between when I was 13 and 20, anyway. | 0:11:46 | 0:11:49 | |
So, I've been like that for the last ten years. | 0:11:49 | 0:11:52 | |
He's now decided to take the extreme step | 0:11:53 | 0:11:56 | |
of opting for hair transplant surgery, | 0:11:56 | 0:11:59 | |
a technique that will move hair from the back of his head | 0:11:59 | 0:12:02 | |
to the balding areas. | 0:12:02 | 0:12:04 | |
I'm a bit nervous, | 0:12:04 | 0:12:05 | |
but I'm kind of hoping that, once I've had the surgery done, | 0:12:05 | 0:12:09 | |
once I've had my own hair, the same colour, the same texture, | 0:12:09 | 0:12:12 | |
going into them corners that... | 0:12:12 | 0:12:15 | |
I'll not think about it as much, it will be a bit more.... | 0:12:15 | 0:12:17 | |
I'll feel better. | 0:12:17 | 0:12:18 | |
I'll feel more confident and, I think, healthier as well. | 0:12:18 | 0:12:22 | |
I'll look a bit healthier, you know... | 0:12:22 | 0:12:24 | |
So, fingers crossed. | 0:12:24 | 0:12:26 | |
While Joe's prepared to undergo surgery | 0:12:31 | 0:12:34 | |
to feel happier about his hair, | 0:12:34 | 0:12:36 | |
most of us opt for less dramatic ways to improve our locks... | 0:12:36 | 0:12:39 | |
..by splashing out on our favourite products. | 0:12:40 | 0:12:43 | |
I've just bought four bottles of shampoo and conditioner - | 0:12:48 | 0:12:52 | |
it was the best part of £100. | 0:12:52 | 0:12:53 | |
Yeah, I would say about £50 a month. | 0:12:53 | 0:12:56 | |
Well, between £20-£30 per product, | 0:12:56 | 0:12:59 | |
so quite high-end ones that you can generally only buy in salons. | 0:12:59 | 0:13:03 | |
I think it's kind of irrelevant for me, cos I probably spend about | 0:13:03 | 0:13:06 | |
£30 a year on my hair. | 0:13:06 | 0:13:08 | |
You're probably looking £100-£150 a month. | 0:13:08 | 0:13:11 | |
That's one of the greatest benefits of not having hair, | 0:13:11 | 0:13:14 | |
I spend little to nothing. | 0:13:14 | 0:13:17 | |
As a chemist, I spend my time formulating and analysing products | 0:13:21 | 0:13:25 | |
that we use every day, and one of the questions I'm often asked | 0:13:25 | 0:13:28 | |
is whether or not an expensive shampoo cleans your hair any better | 0:13:28 | 0:13:32 | |
than a cheap shampoo. | 0:13:32 | 0:13:34 | |
-You haven't washed it for seven days? -No, I haven't, no. | 0:13:35 | 0:13:39 | |
'In order to find out, I've persuaded my students, | 0:13:39 | 0:13:42 | |
'Catherine and Tanya, to stop washing their hair for a week.' | 0:13:42 | 0:13:45 | |
It feels quite oily, I must admit. | 0:13:45 | 0:13:48 | |
-Does it feel oily to you as well? -Yeah, it feels horrible. | 0:13:48 | 0:13:51 | |
The reason there's so much oil is because the hair produces | 0:13:51 | 0:13:55 | |
a natural oil called sebum | 0:13:55 | 0:13:57 | |
that extends through the whole hair shaft. | 0:13:57 | 0:14:00 | |
And, unfortunately, with all the pollutants around and all the dirt | 0:14:00 | 0:14:03 | |
that you might come across, | 0:14:03 | 0:14:04 | |
all of those things are going to stick to your hair. | 0:14:04 | 0:14:07 | |
The job of any shampoo is to get rid of all this dirt, | 0:14:11 | 0:14:14 | |
along with other debris, such as dead skin cells. | 0:14:14 | 0:14:17 | |
The price tag for a standard 250ml bottle of shampoo | 0:14:20 | 0:14:24 | |
can vary dramatically. | 0:14:24 | 0:14:25 | |
So, I've chosen to compare three at very different price points. | 0:14:27 | 0:14:31 | |
The first of our shampoos is our cheapest shampoo - | 0:14:33 | 0:14:36 | |
it costs about £1 a bottle. | 0:14:36 | 0:14:38 | |
Our second shampoo, our mid-range product, | 0:14:38 | 0:14:41 | |
which costs about £6 a bottle, | 0:14:41 | 0:14:44 | |
and our final shampoo costs over £40 a bottle. | 0:14:44 | 0:14:48 | |
Despite the differences in price, they all contain similar | 0:14:48 | 0:14:52 | |
cleaning ingredients which are known as surfactants. | 0:14:52 | 0:14:56 | |
Now, here we have some surfactant. | 0:14:56 | 0:14:58 | |
This is sodium lauryl sulphate - it's the most common surfactant | 0:14:58 | 0:15:01 | |
used in shampoo, and what it does is one end of the molecule | 0:15:01 | 0:15:04 | |
is hydrophilic - it remains in the water. | 0:15:04 | 0:15:06 | |
The other is hydrophobic, and attaches to the dirt. | 0:15:06 | 0:15:10 | |
So, when you wash away your shampoo the surfactant carries the dirt away | 0:15:10 | 0:15:14 | |
with the water so your hair is left clean. | 0:15:14 | 0:15:17 | |
I want to find out whether the surfactants in our three | 0:15:24 | 0:15:27 | |
differently priced shampoos can clean Tanya and Catherine's hair | 0:15:27 | 0:15:30 | |
to the same standard. | 0:15:30 | 0:15:32 | |
So, we've analysed your hair samples and we have the results here. | 0:15:35 | 0:15:39 | |
So Catherine, you're first. | 0:15:39 | 0:15:40 | |
These images were taken using a scanning electron microscope, | 0:15:40 | 0:15:43 | |
which has magnified your hair 1,000-2,000 that that you would | 0:15:43 | 0:15:48 | |
normally have. This is your unwashed hair. | 0:15:48 | 0:15:50 | |
We can clearly see there's some dirt on the surface. | 0:15:50 | 0:15:54 | |
Now, this next image we have here is, this is with the cheap shampoo. | 0:15:54 | 0:15:57 | |
The hair look much cleaner. | 0:15:57 | 0:15:59 | |
It has worked. It has removed the dirt from your hair. | 0:15:59 | 0:16:02 | |
And then the mid-range product does look clean as well. | 0:16:02 | 0:16:06 | |
And then finally through to the expensive shampoo. | 0:16:06 | 0:16:09 | |
Again, it's done a good job of cleaning. | 0:16:09 | 0:16:11 | |
So, all three of these shampoos have cleaned your hair really well. | 0:16:11 | 0:16:16 | |
Tanya's unwashed hair was also used to test | 0:16:16 | 0:16:19 | |
the three differently priced shampoos. | 0:16:19 | 0:16:21 | |
But her results are not so straightforward. | 0:16:21 | 0:16:24 | |
Now, with the cheap shampoo, although it did clean the hair, | 0:16:24 | 0:16:27 | |
what we also found from the digital microscope image, | 0:16:27 | 0:16:30 | |
the surface of your hair became quite static, | 0:16:30 | 0:16:32 | |
and you can see here, as soon as you create that static, | 0:16:32 | 0:16:35 | |
then dust is going to stick to your hair. | 0:16:35 | 0:16:38 | |
So, yes, initially your hair looked clean, | 0:16:38 | 0:16:41 | |
but soon after that you would start to pick up dust and dirt | 0:16:41 | 0:16:44 | |
-from the atmosphere. -Can I wash my hair now? | 0:16:44 | 0:16:46 | |
Yes, you can go and wash your hair now. | 0:16:46 | 0:16:49 | |
The cheap shampoo made Tanya's hair more prone to generating | 0:16:51 | 0:16:54 | |
static electricity because it was missing a key ingredient | 0:16:54 | 0:16:58 | |
that the other two shampoos contained - a conditioning agent. | 0:16:58 | 0:17:02 | |
Conditioning lies at the heart of some of our sleekest of locks. | 0:17:05 | 0:17:09 | |
And for some of us, | 0:17:10 | 0:17:11 | |
they are the most important part of our hair care routine. | 0:17:11 | 0:17:15 | |
My hair is very dry, which is typical for Afro hair. | 0:17:16 | 0:17:20 | |
So, I choose not to use shampoos at all, I just use conditioners. | 0:17:20 | 0:17:23 | |
And not only do conditioners make my hair fresh, | 0:17:23 | 0:17:25 | |
they also help to detangle. | 0:17:25 | 0:17:27 | |
I'm curious to know how my conditioner can achieve all of that. | 0:17:27 | 0:17:30 | |
I've come to Manchester, home to Lonza - | 0:17:33 | 0:17:36 | |
one of the world's leading producers of ingredients | 0:17:36 | 0:17:38 | |
for hair care products. | 0:17:38 | 0:17:40 | |
Lonza is a global manufacturer of speciality chemicals... | 0:17:41 | 0:17:46 | |
Dr Jamie Hawkes is keen to demonstrate how conditioners | 0:17:46 | 0:17:49 | |
transform our hair, using a combing friction tester. | 0:17:49 | 0:17:53 | |
Right, well, this piece of equipment is something that we can use | 0:17:56 | 0:17:59 | |
to demonstrate how a conditioner works. | 0:17:59 | 0:18:02 | |
Basically, we're going to take a hair tress, | 0:18:02 | 0:18:04 | |
and both have had shampoo treatments, | 0:18:04 | 0:18:06 | |
but one has had the additional conditioner treatment, as well. | 0:18:06 | 0:18:10 | |
So, firstly, we need to just wet this, | 0:18:10 | 0:18:14 | |
realign the fibres. | 0:18:14 | 0:18:15 | |
This tress has no conditioner. | 0:18:15 | 0:18:18 | |
We put this into the machine. | 0:18:18 | 0:18:20 | |
And then the machine measures the force required to pull through | 0:18:20 | 0:18:24 | |
-the hair fibres. -OK. -So, we'll be able to see, does the conditioner | 0:18:24 | 0:18:27 | |
-have an effect on combing. -OK. | 0:18:27 | 0:18:30 | |
So, we simply start the machine and as it starts to move, | 0:18:30 | 0:18:34 | |
-you'll notice the comb being pulled through - there it goes. -Yeah. | 0:18:34 | 0:18:39 | |
-Ouch! -If that was your hair that would probably hurt. | 0:18:39 | 0:18:42 | |
That would be quite painful, wouldn't it? | 0:18:42 | 0:18:44 | |
Presumably that's going to cause some breakage to the hair as well? | 0:18:44 | 0:18:47 | |
It will, it will cause a lot of damage. | 0:18:47 | 0:18:49 | |
If you were to do this multiple times, you would end up | 0:18:49 | 0:18:51 | |
actually collecting a large pile of fibres on the bottom. | 0:18:51 | 0:18:54 | |
So, that's now finished. | 0:18:54 | 0:18:56 | |
'The next hair tress HAS been treated with conditioner.' | 0:18:57 | 0:19:00 | |
I think, even though it's going at the same speed, | 0:19:04 | 0:19:06 | |
-here from a distance, you can just see it's moving through much more easily. -It is. | 0:19:06 | 0:19:10 | |
And you can see how the hair fibres are actually just being teased apart | 0:19:10 | 0:19:13 | |
-as the comb pulls through. -Yeah. | 0:19:13 | 0:19:15 | |
So, there you go. | 0:19:17 | 0:19:18 | |
'And the difference in force required to comb the two tresses | 0:19:18 | 0:19:22 | |
'looks even more dramatic on the graph.' | 0:19:22 | 0:19:25 | |
This is the first tress that we tried. | 0:19:25 | 0:19:27 | |
As you'll see, the amount of force required as the comb | 0:19:27 | 0:19:30 | |
is pulled through the hair tress goes up enormously, | 0:19:30 | 0:19:33 | |
whereas if you look at the second line, | 0:19:33 | 0:19:34 | |
which you can only just see at if bottom, | 0:19:34 | 0:19:37 | |
that's the conditioned sample. | 0:19:37 | 0:19:38 | |
So, hardly any force at all. | 0:19:38 | 0:19:40 | |
Yes, absolutely. | 0:19:40 | 0:19:42 | |
Unlike shampoos, | 0:19:43 | 0:19:45 | |
the key ingredients in conditioners are designed to stay on the hair, | 0:19:45 | 0:19:48 | |
to improve its look and feel. | 0:19:48 | 0:19:51 | |
And one is known as a quat. | 0:19:51 | 0:19:53 | |
A quat is a quaternion surfactant, | 0:19:54 | 0:19:56 | |
which means that it is a positively charged surfactant, | 0:19:56 | 0:19:59 | |
and we call it quat. | 0:19:59 | 0:20:01 | |
Hair, when it's clean, is negatively charged, | 0:20:03 | 0:20:05 | |
which means that this positively charged quat sits on the hair | 0:20:05 | 0:20:09 | |
with a nice chain, and it's the chain that actually | 0:20:09 | 0:20:11 | |
gives the conditioning effect on the hair fibre. | 0:20:11 | 0:20:15 | |
So, when you have tangled hair and you apply conditioner to that, | 0:20:15 | 0:20:18 | |
you're actually applying a nice chain around, so the hair fibres move. | 0:20:18 | 0:20:23 | |
Then when you rinse your hair through, | 0:20:23 | 0:20:25 | |
the fibres move apart nicely and realign to make your hair detangled. | 0:20:25 | 0:20:30 | |
So, when you're choosing your bottle of conditioner and looking | 0:20:30 | 0:20:32 | |
at the ingredients list, what are we looking for? | 0:20:32 | 0:20:35 | |
What are they going to be called? | 0:20:35 | 0:20:37 | |
Well, firstly, you'll be wanting to find something that says quaternium | 0:20:37 | 0:20:40 | |
or Polyquaternium, or realistically, anything ending in "ium". | 0:20:40 | 0:20:44 | |
Ium. That's always a good way to look at it. | 0:20:44 | 0:20:46 | |
Pretty much every conditioner will have a quat in there, | 0:20:46 | 0:20:49 | |
it's just the presence of it at the top of the ingredients list | 0:20:49 | 0:20:52 | |
indicates that it's there in a higher quantity. | 0:20:52 | 0:20:56 | |
And it's not just conditioners that list their ingredients in this way. | 0:20:56 | 0:21:00 | |
All cosmetic products are required by EU law to show ingredients | 0:21:00 | 0:21:04 | |
in order of quantity contained in the bottle. | 0:21:04 | 0:21:06 | |
Checking the ingredients list might be sound advice, | 0:21:07 | 0:21:11 | |
but what do most of us actually do? | 0:21:11 | 0:21:13 | |
I would smell them before I purchase them. | 0:21:17 | 0:21:19 | |
You know, if it was a big enough bottle and I'm in a rush, I'll buy whatever. | 0:21:19 | 0:21:23 | |
Something that will match my bathroom. | 0:21:23 | 0:21:25 | |
If you look on the back of a bottle of conditioner or a treatment, | 0:21:25 | 0:21:28 | |
what are all those words that are, you know...? | 0:21:28 | 0:21:31 | |
I think even if I did look at the back of my bottle, I don't think I'd | 0:21:31 | 0:21:34 | |
understand what was in there, anyway. | 0:21:34 | 0:21:36 | |
'Say! Look at this Vitalis cartoon. | 0:21:36 | 0:21:39 | |
'Keeps your hair neat the greaseless way!' | 0:21:39 | 0:21:42 | |
For decades, hair care companies have used marketing shorthand | 0:21:42 | 0:21:46 | |
to explain to the consumer what their products can do. | 0:21:46 | 0:21:49 | |
'See the difference yourself! | 0:21:49 | 0:21:51 | |
'If your hair squeaks, you may be sure it's clean.' | 0:21:51 | 0:21:54 | |
SQUEAKING SOUND And science sells. | 0:21:54 | 0:21:57 | |
'The first proved medical treatment and pleasant shampoo all in one.' | 0:21:57 | 0:22:01 | |
And as you can see, I think that's really brought this haircut to life. | 0:22:02 | 0:22:06 | |
It's really has given it a nice, natural... | 0:22:06 | 0:22:09 | |
45 minutes to display their best work. | 0:22:09 | 0:22:12 | |
Today, at one of the UK's biggest hair shows, | 0:22:14 | 0:22:18 | |
the marketing tools are very much in evidence. | 0:22:18 | 0:22:21 | |
And it's actually scientifically proven to produce hair growth. | 0:22:21 | 0:22:23 | |
Because the molecules are so fine, they actually penetrate the hair shaft. | 0:22:23 | 0:22:28 | |
I think there's a lot of science behind any product. | 0:22:28 | 0:22:30 | |
I've just turned 60, so believe me, | 0:22:33 | 0:22:36 | |
I really want all of these products to work. | 0:22:36 | 0:22:39 | |
But I've got quite a sceptical approach and the scientist in me | 0:22:39 | 0:22:43 | |
wonders if all these claims might just be a bit misleading. | 0:22:43 | 0:22:47 | |
Shampoo, 80% of it is water. | 0:22:54 | 0:22:57 | |
'To find out, I'm meeting Nikki Stopford from Which?, | 0:22:57 | 0:23:00 | |
'the largest consumer watchdog company in the UK. | 0:23:00 | 0:23:04 | |
'Nikki, along with a panel of experts, | 0:23:04 | 0:23:07 | |
'has investigated the marketing tricks used to promote a variety of different shampoos.' | 0:23:07 | 0:23:13 | |
We wanted to look at the types of shampoos that every consumer | 0:23:13 | 0:23:17 | |
will see when they're out shopping. | 0:23:17 | 0:23:19 | |
So, we went for popular shampoos that are on the market | 0:23:19 | 0:23:22 | |
and that were making the type of claims that you would see as a shopper. | 0:23:22 | 0:23:25 | |
'One popular claim was the boost that products were "Free from" particular ingredients.' | 0:23:25 | 0:23:31 | |
We saw claims on products that were saying they were free from parabens, | 0:23:31 | 0:23:34 | |
whose role is to act as preservative within a product. | 0:23:34 | 0:23:39 | |
But when we looked at the ingredients, they were being | 0:23:39 | 0:23:41 | |
replaced by other preservatives that are known allergens. | 0:23:41 | 0:23:44 | |
So, you do have a role to play in terms of being inquisitive about | 0:23:44 | 0:23:46 | |
-the products that you buy. -So, when you pick up bottles of shampoo | 0:23:46 | 0:23:49 | |
you can see sometimes there's quite a lot of small print or there are little asterisks behind ingredients. | 0:23:49 | 0:23:55 | |
-Did you look at that? -We did look at that and we saw some claims that would then... | 0:23:55 | 0:23:59 | |
You'd track down from the asterisk to the small print that would then say, | 0:23:59 | 0:24:03 | |
"Actually, this claim is only relevant if you're using more than | 0:24:03 | 0:24:06 | |
"one product within the range." | 0:24:06 | 0:24:08 | |
At its worst, it required using two products that amounted to £36. | 0:24:08 | 0:24:13 | |
OK. So, if you are making scientific claims, | 0:24:13 | 0:24:16 | |
how much is the industry regulated in terms of making these claims? | 0:24:16 | 0:24:20 | |
The industry is regulated by, essentially, the cosmetic regulations. | 0:24:20 | 0:24:25 | |
So, shampoos are a cosmetic, they are classed as a cosmetic. | 0:24:25 | 0:24:28 | |
And it's the responsibility of a manufacturer | 0:24:28 | 0:24:31 | |
to ensure they adhere to the regulations and the legal requirements. | 0:24:31 | 0:24:35 | |
And what they must do as part of that, is they must make sure | 0:24:35 | 0:24:39 | |
that any product that goes out to market is safe and that it also has | 0:24:39 | 0:24:43 | |
scientific backing to support any claims that are made on the product. | 0:24:43 | 0:24:46 | |
While the manufacturers must adhere to cosmetic regulations, | 0:24:49 | 0:24:52 | |
they are under no obligation to make their scientific data public. | 0:24:52 | 0:24:56 | |
It's understandable they have commercial interest to protect, | 0:24:56 | 0:25:00 | |
but I'd like to find out more about the science behind their claims | 0:25:00 | 0:25:04 | |
and one way to do this is to go direct to the laboratory. | 0:25:04 | 0:25:08 | |
Leading hair care manufacturer L'Oreal | 0:25:12 | 0:25:15 | |
has opened their Paris headquarters to Horizon. | 0:25:15 | 0:25:18 | |
As an academic scientist, I'm used to having my research | 0:25:18 | 0:25:21 | |
openly scrutinised by my peers, | 0:25:21 | 0:25:23 | |
and I'm curious to see how the hair care industry operates. | 0:25:23 | 0:25:27 | |
L'Oreal are really keen on promoting their science credentials, | 0:25:28 | 0:25:31 | |
and they've put a lot of money into it. | 0:25:31 | 0:25:34 | |
On their website, they say that, "Because we obsess about your hair, | 0:25:34 | 0:25:37 | |
"we obsess about our science." | 0:25:37 | 0:25:39 | |
'Which suggests they should be held to a high scientific standard.' | 0:25:41 | 0:25:45 | |
So, today is going to be a fascinating day, | 0:25:45 | 0:25:48 | |
because I've be granted access to their research and innovation lab. | 0:25:48 | 0:25:53 | |
'UK scientific director Steve Shiel wants to demonstrate | 0:25:56 | 0:25:59 | |
'their scientific credentials.' | 0:25:59 | 0:26:02 | |
L'Oreal was founded by a chemist. | 0:26:02 | 0:26:04 | |
We invest heavily in science, it's very important to our DNA. | 0:26:04 | 0:26:09 | |
That's why we have almost 4,000 scientists across the world | 0:26:09 | 0:26:12 | |
working to develop these new products. | 0:26:12 | 0:26:15 | |
Steve is keen to show me some of the tests the company uses | 0:26:16 | 0:26:19 | |
to substantiate their claims. | 0:26:19 | 0:26:21 | |
This is our automatic shampooing machine, | 0:26:24 | 0:26:26 | |
and we use this machine to wash hair automatically. | 0:26:26 | 0:26:30 | |
At first glance, the facility is impressive. | 0:26:30 | 0:26:33 | |
There are over 50 custom-designed machines. | 0:26:33 | 0:26:36 | |
They measure minute changes to hair samples before and after | 0:26:36 | 0:26:40 | |
different products have been applied. | 0:26:40 | 0:26:43 | |
This machine is used to measure the properties of the hair. | 0:26:44 | 0:26:48 | |
So, the sensor will just bend the hair like that, | 0:26:48 | 0:26:51 | |
and it will measure the force we need to bend the hair. | 0:26:51 | 0:26:54 | |
This technical analysis forms part of a wider process, | 0:26:55 | 0:26:59 | |
which also includes consumer testing. | 0:26:59 | 0:27:01 | |
The current jewel in their research crown is a molecule the company | 0:27:08 | 0:27:13 | |
developed in order to combat the problem of hair lacking in volume. | 0:27:13 | 0:27:17 | |
It's designed to penetrate the hair shaft and thicken from within. | 0:27:19 | 0:27:23 | |
-So, the molecule is in this bit? -Yes. | 0:27:24 | 0:27:28 | |
It took research engineer Valerie Jeanne-Rose and her team ten years | 0:27:28 | 0:27:33 | |
to create a formation that built a structure inside the hair. | 0:27:33 | 0:27:37 | |
So, the small molecules connect together after activation | 0:27:37 | 0:27:42 | |
by the water to form a 3D network inside the fibre. | 0:27:42 | 0:27:48 | |
Effectively, you're building almost like a scaffolding within the hair | 0:27:48 | 0:27:51 | |
to give it that added rigidity and the volume we're looking for. | 0:27:51 | 0:27:55 | |
-So, it's changing? -Yes. | 0:27:58 | 0:28:00 | |
Changing... | 0:28:00 | 0:28:02 | |
and you can see little pieces of glass. | 0:28:02 | 0:28:06 | |
It's quite magic. | 0:28:06 | 0:28:08 | |
'This process for transforming liquid into solid was inspired by | 0:28:08 | 0:28:13 | |
'the car industry, which uses a similar technology | 0:28:13 | 0:28:15 | |
'to repair cracked windscreens.' | 0:28:15 | 0:28:18 | |
So, what's the hair like once you've done this to it? | 0:28:18 | 0:28:21 | |
After application of a very concentrated solution... | 0:28:21 | 0:28:24 | |
-..very concentrated. -THEY LAUGH | 0:28:26 | 0:28:28 | |
That's very rigid. | 0:28:28 | 0:28:31 | |
You can see the difference in terms of rigidity. | 0:28:31 | 0:28:36 | |
This is an extreme version. What we do in the product is dial it down. | 0:28:36 | 0:28:39 | |
-Yes! -It definitely re-enforced it. | 0:28:39 | 0:28:42 | |
'I'm curious to know whether re-enforcing | 0:28:44 | 0:28:46 | |
'the hair shaft in this way can cause damage.' | 0:28:46 | 0:28:49 | |
What you don't want to do is try and force lots of material into | 0:28:49 | 0:28:53 | |
the hair, because then the hair won't be able to | 0:28:53 | 0:28:55 | |
-withstand that and it will cause damage to the hair. -Right. | 0:28:55 | 0:28:59 | |
So, it's all about understanding how much you can put in | 0:28:59 | 0:29:03 | |
that's going to have that significant difference, | 0:29:03 | 0:29:05 | |
that will give you that change in the way your hair feels and behaves. | 0:29:05 | 0:29:10 | |
But without being damaging to the hair. | 0:29:10 | 0:29:12 | |
But is this genuine science, or really just a marketing tool? | 0:29:12 | 0:29:16 | |
How much of this information is available to the public? | 0:29:16 | 0:29:20 | |
How much is in the public domain? | 0:29:20 | 0:29:21 | |
We do a lot of publications in terms of novel findings about hair, | 0:29:21 | 0:29:25 | |
and we're very active in participating at academic conferences, | 0:29:25 | 0:29:29 | |
which really helps us get this science to a wide number of people. | 0:29:29 | 0:29:32 | |
So, I looked at one of the journal papers | 0:29:32 | 0:29:35 | |
that was published in February, I think, about the filloxane molecule, | 0:29:35 | 0:29:38 | |
and one of the things that struck me is that when I'm teaching my students how to write papers, | 0:29:38 | 0:29:43 | |
it's always that you should publish a critical analysis, you know, | 0:29:43 | 0:29:46 | |
that you should discuss the advantages and the disadvantages, | 0:29:46 | 0:29:49 | |
and one thing that struck me very strongly about that paper | 0:29:49 | 0:29:52 | |
was that it only discussed the advantages. | 0:29:52 | 0:29:53 | |
I mean, that particular paper was used to talk about this particular | 0:29:53 | 0:29:56 | |
ingredient and what it CAN deliver. | 0:29:56 | 0:29:59 | |
In terms of being a new way of delivering this rigidity | 0:29:59 | 0:30:02 | |
and 3D structure to the hair. | 0:30:02 | 0:30:04 | |
But if they're not in the journal papers, | 0:30:04 | 0:30:07 | |
and they're obviously not on the side of the bottles, | 0:30:07 | 0:30:09 | |
where does a consumer find out about | 0:30:09 | 0:30:11 | |
any potential disadvantages of a product? | 0:30:11 | 0:30:15 | |
I mean, I think one of the important things with both hair care | 0:30:15 | 0:30:17 | |
and skin care is finding the right product for you. | 0:30:17 | 0:30:20 | |
Some people like one product and not another. | 0:30:20 | 0:30:22 | |
And so one of the areas where we're seeing that's very helpful | 0:30:22 | 0:30:25 | |
to consumers is the sort of reviews that you see online, | 0:30:25 | 0:30:28 | |
which gives you a good idea of people like you | 0:30:28 | 0:30:31 | |
and how they've reacted to the same product. | 0:30:31 | 0:30:33 | |
Today's visit was a fascinating insight | 0:30:38 | 0:30:40 | |
into the scale of the operation here. | 0:30:40 | 0:30:44 | |
I'm encouraged by the fact that the company has chosen to publish | 0:30:44 | 0:30:46 | |
some of their work in peer-reviewed journals, | 0:30:46 | 0:30:50 | |
where their data has been scrutinised | 0:30:50 | 0:30:52 | |
by other experts in the field. | 0:30:52 | 0:30:55 | |
But for me, there's still room for improvement. | 0:30:55 | 0:30:58 | |
Particularly when it comes to a robust discussion of any potential | 0:30:58 | 0:31:01 | |
downsides of their products. | 0:31:01 | 0:31:03 | |
I'm on my way to the Farjo Hair Institute in Manchester. | 0:31:12 | 0:31:16 | |
It's the morning of Joe's surgery. | 0:31:16 | 0:31:19 | |
-Hello. -Dr Farjo, nice to meet you. -Nice to meet you. | 0:31:27 | 0:31:30 | |
'Surgeon Dr Bessam Farjo will be performing Joe's six-hour operation, | 0:31:30 | 0:31:35 | |
'a procedure that's not available on the NHS.' | 0:31:35 | 0:31:39 | |
So, what we're doing today, we are | 0:31:39 | 0:31:41 | |
lowering Joe's hairline | 0:31:41 | 0:31:44 | |
and changing the shape of it a little. | 0:31:44 | 0:31:46 | |
So, Joe has a naturally high forehead that's receded a little bit. | 0:31:46 | 0:31:51 | |
He's got no history of hair loss at the back. | 0:31:51 | 0:31:54 | |
'The clinic performs around six hair transplants a week. | 0:31:54 | 0:31:57 | |
'Each costing on average £7,000.' | 0:31:57 | 0:32:00 | |
-So, the first thing I want you to do is to be facing me. -Yep. | 0:32:01 | 0:32:05 | |
'For Joe, the first stage is to plan | 0:32:05 | 0:32:08 | |
'where his hair follicles will be transplanted.' | 0:32:08 | 0:32:11 | |
So, the line I'm drawing is basically the frontal border | 0:32:11 | 0:32:15 | |
of how low we're going to get with Joe's hairline. | 0:32:15 | 0:32:20 | |
'Joe suffers from male-pattern hair loss. | 0:32:20 | 0:32:23 | |
'With this condition, | 0:32:24 | 0:32:25 | |
'hair is progressively lost from the temples and the top of the head. | 0:32:25 | 0:32:30 | |
'With female-pattern hair loss, it's more diffuse, | 0:32:30 | 0:32:33 | |
'all over the head.' | 0:32:33 | 0:32:35 | |
-So, we're going to turn you around... -Yeah. | 0:32:36 | 0:32:39 | |
..so you can see what I've drawn in the mirror. All right? | 0:32:39 | 0:32:41 | |
So, turn around for me. | 0:32:41 | 0:32:43 | |
-Sit back and have a look. -That's such a massive difference. | 0:32:43 | 0:32:47 | |
I'm really excited. | 0:32:47 | 0:32:49 | |
-I can tell you're excited. -Definitely. | 0:32:49 | 0:32:51 | |
-I'm excited. -Nervous. | 0:32:51 | 0:32:53 | |
And genuinely, that will change a lot for me. | 0:32:53 | 0:32:57 | |
Yeah. And you'll be able to style your hair however you want. | 0:32:57 | 0:32:59 | |
That's it. Comb-over, flat down, no product day. | 0:32:59 | 0:33:02 | |
After all this you're going to have a comb-over? | 0:33:02 | 0:33:05 | |
-That's it. Pull it forward and get rid of my hairline! -He can do what he likes! | 0:33:05 | 0:33:09 | |
-Let me know if you feel any discomfort. -OK. | 0:33:09 | 0:33:12 | |
'With his new hairline drawn, | 0:33:12 | 0:33:14 | |
'Joe's given a local anaesthetic to numb the back of his head | 0:33:14 | 0:33:17 | |
'from where the hair follicles will be extracted.' | 0:33:17 | 0:33:20 | |
Chin to your chest, please. | 0:33:20 | 0:33:21 | |
There you go. Yeah. All right? | 0:33:21 | 0:33:23 | |
'Dr Farjo is using a pioneering robotic system | 0:33:23 | 0:33:27 | |
'to harvest the hair follicles.' | 0:33:27 | 0:33:30 | |
Begin, please. | 0:33:30 | 0:33:32 | |
So, the green dot is where it's going to hit next, | 0:33:32 | 0:33:36 | |
the pink one is the one after that, | 0:33:36 | 0:33:39 | |
and the blue is where it's been before, | 0:33:39 | 0:33:41 | |
-and it'll never go in there again. -OK. | 0:33:41 | 0:33:44 | |
'The robot will extract 2,500 individual hair follicles | 0:33:44 | 0:33:49 | |
'from the back of Joe's head.' | 0:33:49 | 0:33:51 | |
These are the hairs that we know are most likely to stay | 0:33:51 | 0:33:55 | |
throughout Joe's lifetime. | 0:33:55 | 0:33:58 | |
'Hairs at the back of the head will stay because they won't interact | 0:33:58 | 0:34:02 | |
'with the male hormone dihydrotestosterone, or DHT, | 0:34:02 | 0:34:05 | |
'which is linked to hair loss. | 0:34:05 | 0:34:08 | |
'The hair on the top of the head is more likely to fall out | 0:34:08 | 0:34:11 | |
'because it does interact with this hormone.' | 0:34:11 | 0:34:14 | |
That one's down to genetics, | 0:34:14 | 0:34:16 | |
so different family trees will determine how many | 0:34:16 | 0:34:19 | |
of these hairs on your head react to the hormone. | 0:34:19 | 0:34:22 | |
The general idea is this horseshoe at the back doesn't get affected. | 0:34:22 | 0:34:26 | |
So, do you know if you look at your own parents, | 0:34:26 | 0:34:30 | |
particularly, perhaps, your father, | 0:34:30 | 0:34:31 | |
would you be able to judge from your paternal line whether you were | 0:34:31 | 0:34:36 | |
-likely to go bald? -Not just the father, | 0:34:36 | 0:34:38 | |
but the males on the mother's side as well. | 0:34:38 | 0:34:41 | |
There's nothing we can do about the genes we inherit | 0:34:48 | 0:34:50 | |
that may or may not lead to hair loss. | 0:34:50 | 0:34:53 | |
But we do have control over the every day decisions | 0:34:53 | 0:34:55 | |
we make when it comes to styling our hair. | 0:34:55 | 0:34:58 | |
Decisions that CAN have a dramatic impact | 0:34:58 | 0:35:01 | |
on whether or not we cause damage. | 0:35:01 | 0:35:03 | |
I do use heat on my hair | 0:35:08 | 0:35:11 | |
when I need to style it. | 0:35:11 | 0:35:12 | |
I do use heat on my hair often. | 0:35:12 | 0:35:14 | |
No. I never use heat. | 0:35:14 | 0:35:16 | |
I never, ever use any heat on my hair. | 0:35:16 | 0:35:19 | |
I think it's really bad. | 0:35:19 | 0:35:21 | |
If I use too much straightener, it's going to damage my hair. | 0:35:21 | 0:35:24 | |
Tongs now have... You can set different heat settings | 0:35:24 | 0:35:27 | |
and I'll just put it to the top one. | 0:35:27 | 0:35:29 | |
I don't know if I should do that. | 0:35:29 | 0:35:31 | |
Today, the thermal styling industry, including products such as | 0:35:33 | 0:35:37 | |
hair straighteners and curling tongs, has an | 0:35:37 | 0:35:39 | |
estimated global market worth £11 billion. | 0:35:39 | 0:35:42 | |
I've been given access to the UK's leading hair styling company, | 0:35:44 | 0:35:47 | |
GHD's research labs. | 0:35:47 | 0:35:49 | |
Here, heat is big business. | 0:35:51 | 0:35:53 | |
According to Dr Tim Moore, | 0:35:54 | 0:35:56 | |
sculpting hair with heat requires an understanding | 0:35:56 | 0:35:59 | |
of its basic chemistry. | 0:35:59 | 0:36:01 | |
Well, here we have lots and lots of different types | 0:36:01 | 0:36:04 | |
of human hair from all around the globe. | 0:36:04 | 0:36:07 | |
So, for example, over here, we have a dyed, | 0:36:07 | 0:36:11 | |
bleached Spanish black hair. | 0:36:11 | 0:36:13 | |
We have what we call white hair. | 0:36:13 | 0:36:15 | |
Very, very fine. Very, very blond hair. | 0:36:15 | 0:36:18 | |
-We have Afro hair here. -That looks familiar to me. | 0:36:18 | 0:36:20 | |
Indeed! Now, they all look and feel very, very different. | 0:36:20 | 0:36:25 | |
Yet fundamental building blocks of all of these hair | 0:36:25 | 0:36:27 | |
are exactly the same. | 0:36:27 | 0:36:29 | |
These building blocks are strands of the protein keratin, | 0:36:30 | 0:36:33 | |
which are held together by chemical bonds. | 0:36:33 | 0:36:36 | |
Within the hair, there are two types of bonds that we're very, | 0:36:37 | 0:36:40 | |
very interested in. There are the disulphide bonds | 0:36:40 | 0:36:43 | |
and there are the hydrogen bonds. | 0:36:43 | 0:36:45 | |
The disulphide bonds are like the fundamental structure of the hair. | 0:36:45 | 0:36:49 | |
So, they're like the cement in a brick wall. | 0:36:49 | 0:36:52 | |
If you imagine, if you take the cement out of a brick wall | 0:36:52 | 0:36:54 | |
then that brick wall's going to become very weak. | 0:36:54 | 0:36:57 | |
The other bonds are the hydrogen bond and the hydrogen bonds | 0:36:57 | 0:36:59 | |
are the ones that we're interested in because they're the ones | 0:36:59 | 0:37:02 | |
that allow you to repeatedly style your hair. | 0:37:02 | 0:37:04 | |
They're reversible bonds, so you can break them and remake them | 0:37:04 | 0:37:08 | |
as you see fit. | 0:37:08 | 0:37:09 | |
You can do that thermally, using heat, for example. | 0:37:09 | 0:37:12 | |
Tim wants to show me what happens when hair is styled | 0:37:14 | 0:37:17 | |
using a range of temperatures. | 0:37:17 | 0:37:19 | |
So what we've done is we've taken some Afro hair tresses | 0:37:21 | 0:37:24 | |
and then we've treated them. | 0:37:24 | 0:37:26 | |
One tress we treated at 185 degrees to straighten it | 0:37:26 | 0:37:29 | |
and the other one we treated at 220 degrees to straighten it. | 0:37:29 | 0:37:33 | |
And to each tress, we subjected them to 50 passes, | 0:37:33 | 0:37:36 | |
which is the equivalent to 25 days worth of styling. | 0:37:36 | 0:37:41 | |
-OK. -And what I am going to show you is what happens when we put those | 0:37:41 | 0:37:45 | |
fibres into water. | 0:37:45 | 0:37:47 | |
If you'd like to start the timer... | 0:37:47 | 0:37:50 | |
So, first of all, we're going to put the one in that's been treated | 0:37:52 | 0:37:56 | |
at 185 degrees centigrade. | 0:37:56 | 0:37:58 | |
-OK. -Then I'm going to put the 220 degrees centigrade. | 0:37:58 | 0:38:02 | |
So, already in, we're only what? Ten seconds or so in. | 0:38:04 | 0:38:07 | |
And you can already see, right now, at this time, you can see the 185. | 0:38:07 | 0:38:10 | |
Look, that's starting to curl. | 0:38:10 | 0:38:12 | |
It's curling back up quite healthily. | 0:38:12 | 0:38:14 | |
It's all gone nice and coily as well, whereas look at what's happened at 220. | 0:38:14 | 0:38:18 | |
-Nothing so far. -It's like a dead worm. | 0:38:18 | 0:38:20 | |
To get a really good style using heat, | 0:38:23 | 0:38:26 | |
what you really want to do is break the hydrogen bonds, | 0:38:26 | 0:38:29 | |
so these are these reversible bonds. | 0:38:29 | 0:38:31 | |
But you do not want to break the disulphide bonds | 0:38:31 | 0:38:33 | |
because you don't want to weaken your hair. | 0:38:33 | 0:38:36 | |
You can see the hair that's been treated at 185 degrees | 0:38:37 | 0:38:40 | |
has now reverted back to a very, very coiled form. | 0:38:40 | 0:38:44 | |
And that's because only the hydrogen bonds | 0:38:44 | 0:38:47 | |
have been affected, the disulphide bonds are still intact? | 0:38:47 | 0:38:50 | |
Absolutely. The fundamental structure hasn't changed. | 0:38:50 | 0:38:53 | |
Whereas if you look at 220, you can see there now, | 0:38:53 | 0:38:56 | |
that's curled a very small amount. It's tried its best. | 0:38:56 | 0:38:59 | |
This is really quite worrying, isn't it? Because that's now a permanent change. | 0:38:59 | 0:39:03 | |
That's correct. That that hair is now permanently altered and if you | 0:39:03 | 0:39:06 | |
wanted it to go back to how it was before, no way. | 0:39:06 | 0:39:10 | |
-You can't. -You can't. | 0:39:10 | 0:39:11 | |
You'll have to wait for your hair to grow out. | 0:39:11 | 0:39:14 | |
It's not just the shape of hair that can change | 0:39:16 | 0:39:19 | |
when excessive heat is applied. | 0:39:19 | 0:39:21 | |
So what we've got here is a nice, | 0:39:21 | 0:39:23 | |
lovely blonde tress here of human hair. | 0:39:23 | 0:39:26 | |
Then we have two stylers. | 0:39:26 | 0:39:28 | |
'One styler is set at 185 degrees centigrade | 0:39:28 | 0:39:32 | |
'and the other is set at 230 degrees centigrade.' | 0:39:32 | 0:39:37 | |
In a moment, we're going to apply our respective stylers to the hair | 0:39:37 | 0:39:41 | |
and we're going to leave it on the hair for 15 seconds. | 0:39:41 | 0:39:46 | |
Three, two, one, go. | 0:39:46 | 0:39:49 | |
'15 seconds is the equivalent to using a hair straightener across | 0:39:49 | 0:39:53 | |
'a whole head of hair for 30 minutes every day for a week.' | 0:39:53 | 0:39:57 | |
Oh, my gosh, look at that! | 0:39:57 | 0:39:58 | |
-There's smoke coming off it. -Yeah. -It absolutely stinks. | 0:39:58 | 0:40:01 | |
-What is that smell? -That really rotten, eggy-type smell, | 0:40:01 | 0:40:05 | |
that's actually hydrogen sulfide, | 0:40:05 | 0:40:07 | |
and that's created by the breaking down of the disulphide bonds. | 0:40:07 | 0:40:11 | |
So it really is the product of you destroying your hair. | 0:40:11 | 0:40:14 | |
-OK. -SHE GASPS | 0:40:14 | 0:40:16 | |
You can see what's happened here. | 0:40:16 | 0:40:18 | |
-Yeah. -That has completely and utterly changed colour. | 0:40:18 | 0:40:20 | |
-Look how brown that's gone. -Look at that. | 0:40:20 | 0:40:22 | |
-It's completely changed colour. -Look where the 185 was. | 0:40:22 | 0:40:25 | |
-That's incredible. -That's no change at all. | 0:40:25 | 0:40:28 | |
'Crucially, these results only hold for dry hair. | 0:40:28 | 0:40:32 | |
'Using heat on wet hair dramatically lowers the temperature | 0:40:32 | 0:40:36 | |
'at which you can safely style.' | 0:40:36 | 0:40:38 | |
So if you're using a styler directly onto wet hair then you're going to | 0:40:38 | 0:40:43 | |
be really breaking the disulphide bonds, | 0:40:43 | 0:40:45 | |
-so almost like little explosions within the hair. -Yeah! | 0:40:45 | 0:40:49 | |
'While there are strict safety regulations on products, | 0:40:49 | 0:40:52 | |
'there are no legal requirements to limit | 0:40:52 | 0:40:54 | |
'the maximum temperature of a styler plate.' | 0:40:54 | 0:40:57 | |
The thing is, when you style for the first time, | 0:40:57 | 0:41:00 | |
for example at 230 degrees, | 0:41:00 | 0:41:02 | |
you first of all run your hair through and think, "Wow, | 0:41:02 | 0:41:04 | |
"what a great style," that's partly because you've melted it there. | 0:41:04 | 0:41:07 | |
Than as you keep on repeating that process at 230, over and over again, | 0:41:07 | 0:41:11 | |
what gradually happens, of course, | 0:41:11 | 0:41:13 | |
is that the hair will get weaker and weaker, | 0:41:13 | 0:41:15 | |
and that's when you start to see the impact. | 0:41:15 | 0:41:18 | |
So at 185 degrees, is there absolutely no damage to the hair? | 0:41:18 | 0:41:22 | |
It pretty well much means there is. | 0:41:22 | 0:41:24 | |
There's always going to be. | 0:41:24 | 0:41:25 | |
If you're do anything to your hair, even if you are towel-drying, | 0:41:25 | 0:41:28 | |
believe it or not, will cause damage to your hair. | 0:41:28 | 0:41:30 | |
That's why you shouldn't shake your hair like this, | 0:41:30 | 0:41:33 | |
you should squidge it more. | 0:41:33 | 0:41:34 | |
You cannot say so you cannot say zero, never, nothing, nyet. | 0:41:34 | 0:41:36 | |
There's always a little bit but it's very small to the point | 0:41:36 | 0:41:40 | |
that you would never, ever really notice it. | 0:41:40 | 0:41:42 | |
GHD invest heavily in scientific research that helps | 0:41:42 | 0:41:47 | |
increase their understanding of the limits of this extraordinary material. | 0:41:47 | 0:41:52 | |
This is reassuring for any of us using heat on our hair. | 0:41:52 | 0:41:57 | |
But what IS disappointing is that although this leading hair care | 0:41:57 | 0:42:01 | |
company has presented research at conferences, | 0:42:01 | 0:42:04 | |
to date none of it is published in peer review journals. | 0:42:04 | 0:42:08 | |
What I would most desire is healthy-looking hair. | 0:42:12 | 0:42:15 | |
Smooth and silky. | 0:42:15 | 0:42:17 | |
Well, I'd like my hair to look healthy and shiny. | 0:42:17 | 0:42:20 | |
But, yeah, shiny hair is the killer. | 0:42:20 | 0:42:22 | |
That's the nice one. You want it to look like glass, | 0:42:22 | 0:42:24 | |
reflecting like glass. | 0:42:24 | 0:42:26 | |
Shiny hair is one of the most desired qualities | 0:42:27 | 0:42:30 | |
in the world of hair care. | 0:42:30 | 0:42:32 | |
But in order for any product to make claims to create this elusive | 0:42:32 | 0:42:37 | |
quality, there needs to be some means of measuring it. | 0:42:37 | 0:42:41 | |
'Professor Franz Wortmann has spent the last 15 years developing ways | 0:42:44 | 0:42:48 | |
'to measure shiny hair for the hair care industry.' | 0:42:48 | 0:42:51 | |
Well, it is for good reason that the most important claim | 0:42:51 | 0:42:54 | |
for the industry is shiny hair. | 0:42:54 | 0:42:56 | |
So most products will relate in some way or another to shine, | 0:42:56 | 0:43:01 | |
because shiny, healthy-looking hair is a very important component | 0:43:01 | 0:43:06 | |
of our perception of beauty. | 0:43:06 | 0:43:07 | |
Franz starts by looking at single strands of hair. | 0:43:09 | 0:43:12 | |
Every fibre is different and he's able to build up an incredibly | 0:43:12 | 0:43:17 | |
accurate picture of the whole head. | 0:43:17 | 0:43:20 | |
Today, some of mine are under scrutiny | 0:43:20 | 0:43:23 | |
by being compared with commercial hair samples. | 0:43:23 | 0:43:26 | |
This frame has been prepared to contain three brown | 0:43:26 | 0:43:32 | |
and blonde and four of your hairs. | 0:43:32 | 0:43:36 | |
The frame goes in there. | 0:43:37 | 0:43:39 | |
There is a green light laser in here. | 0:43:39 | 0:43:42 | |
So then the laser shines onto the hair | 0:43:42 | 0:43:45 | |
and the reflection is then measured. | 0:43:45 | 0:43:47 | |
'As the only machine of its kind in the world, | 0:43:50 | 0:43:53 | |
'it's in demand by the hair care industry.' | 0:43:53 | 0:43:55 | |
-So, all we need to do now is start the computer. -OK. | 0:43:55 | 0:43:59 | |
'It generates scientific data that that helps determine | 0:43:59 | 0:44:03 | |
'which products produce the best shine.' | 0:44:03 | 0:44:05 | |
Shine is measured by calculating the ratio between the light reflecting | 0:44:07 | 0:44:12 | |
off the hair surface and the light penetrating the hair | 0:44:12 | 0:44:16 | |
and reflecting back out. | 0:44:16 | 0:44:18 | |
And colour plays a key role. | 0:44:18 | 0:44:21 | |
The darker the hair, the less light is reflected from within, | 0:44:21 | 0:44:25 | |
which gives a greater shine ratio compared to lighter hair. | 0:44:25 | 0:44:29 | |
Time to find out how my hair measures up. | 0:44:30 | 0:44:33 | |
Your hair reflects about 30-33% of the light and that's actually much | 0:44:33 | 0:44:39 | |
better than the commercial brown hair or commercial bleach hair. | 0:44:39 | 0:44:42 | |
You're a bit lower than the Asian hair, | 0:44:42 | 0:44:46 | |
but that is to be expected because your hair is a lighter colour than the Asian hair. | 0:44:46 | 0:44:50 | |
So you're basically | 0:44:50 | 0:44:52 | |
at the upper threshold, so pretty much at the optimum reflecting. | 0:44:52 | 0:44:57 | |
Yes. You've got shiny hair. | 0:44:57 | 0:44:59 | |
'My results are better than the bleached hair | 0:44:59 | 0:45:02 | |
'because dyeing hair damages the surface.' | 0:45:02 | 0:45:04 | |
So, if the surface is rough, | 0:45:04 | 0:45:06 | |
that means that it's kind of broken up and then the light bounces off in all different directions? | 0:45:06 | 0:45:10 | |
The light just bounces off in all directions. | 0:45:10 | 0:45:12 | |
So it's basically the structure of the surface. | 0:45:12 | 0:45:15 | |
So how rough is the surface, how well organised is the surface? | 0:45:15 | 0:45:19 | |
The machine is so precise | 0:45:23 | 0:45:25 | |
it can distinguish differences in shine that the human eye can't see. | 0:45:25 | 0:45:29 | |
If we really give it a go, we can measure differences of 1%. | 0:45:34 | 0:45:38 | |
So we are much, much better than the consumer will | 0:45:38 | 0:45:42 | |
ever be able to pick up, | 0:45:42 | 0:45:44 | |
but that helps your development towards something that works. | 0:45:44 | 0:45:48 | |
That's basically what we do, | 0:45:48 | 0:45:51 | |
provide a very, very sensitive tool to make sure that you don't | 0:45:51 | 0:45:57 | |
miss a winner in your game. | 0:45:57 | 0:45:59 | |
The science is fascinating, but everything we've just seen | 0:46:03 | 0:46:06 | |
is all about a single strand of hair at a time, | 0:46:06 | 0:46:08 | |
when most of us walk around with a full head of hair. | 0:46:08 | 0:46:11 | |
So the next thing is a challenge. | 0:46:11 | 0:46:13 | |
Just how shiny can I make my own hair look? | 0:46:13 | 0:46:17 | |
MUSIC: The Good Life by Tony Bennett | 0:46:17 | 0:46:19 | |
Easy. I can cheat. | 0:46:21 | 0:46:24 | |
'Of course, there's a lot more going on in these images than naturally | 0:46:29 | 0:46:33 | |
'shiny hair, and the physicist in me can't help but want to work out | 0:46:33 | 0:46:37 | |
'exactly what that is.' | 0:46:37 | 0:46:39 | |
These adverts work by generating an emotional response, | 0:46:39 | 0:46:43 | |
but this is all physics. | 0:46:43 | 0:46:45 | |
Now, these models have beautiful long hair so you can see the shine | 0:46:45 | 0:46:48 | |
really easily, but this is a logical problem and it's going to be really | 0:46:48 | 0:46:51 | |
interesting to see if we can recreate | 0:46:51 | 0:46:53 | |
some of these effects on my hair. | 0:46:53 | 0:46:55 | |
We don't have a top-end commercial's budget, | 0:46:57 | 0:47:00 | |
but knowing how light behaves on different surfaces | 0:47:00 | 0:47:04 | |
should get us pretty close. | 0:47:04 | 0:47:06 | |
The first stage is to get my hair as straight as possible. | 0:47:07 | 0:47:11 | |
'I'm in the capable hands of hair and make-up artist Shari Rendle.' | 0:47:11 | 0:47:16 | |
We want the hair to be blown down the shaft to flatten it, | 0:47:16 | 0:47:20 | |
cos then that creates that lovely shine because the light | 0:47:20 | 0:47:23 | |
has a flatter surface area to be reflected from. | 0:47:23 | 0:47:26 | |
-So you want it to be like a flat mirror? -Exactly. | 0:47:26 | 0:47:29 | |
'However straight my hair, it still needs a bit of extra help.' | 0:47:32 | 0:47:35 | |
I think we need more length, so we've got some extensions to put in. | 0:47:37 | 0:47:41 | |
-That's long, isn't it? Wow. -All part of the illusion. | 0:47:41 | 0:47:44 | |
SHARI LAUGHS | 0:47:44 | 0:47:46 | |
'With my hair smooth and extensions added, | 0:47:46 | 0:47:49 | |
'I've increased the surface area for the shine. | 0:47:49 | 0:47:52 | |
'Next, it's time to add some light. | 0:47:52 | 0:47:54 | |
'Director of photography, Patrick, is overseeing the set-up.' | 0:47:57 | 0:48:02 | |
Above, we've got these fluorescent tubes that fire through a trace frame. | 0:48:02 | 0:48:05 | |
The trace frame is diffusing it, | 0:48:05 | 0:48:07 | |
but it's also making it into a bigger source, | 0:48:07 | 0:48:09 | |
so this will bring up the area of shine on the top of your head. | 0:48:09 | 0:48:12 | |
And then there's two ones at the side? | 0:48:12 | 0:48:14 | |
The ones at the side, as your hair moves around, | 0:48:14 | 0:48:17 | |
they're going to move through the optimum bit of light | 0:48:17 | 0:48:21 | |
at different times. | 0:48:21 | 0:48:22 | |
The top light won't be able to do everything. | 0:48:22 | 0:48:25 | |
And then there's one more, which is this ring thing over there. | 0:48:27 | 0:48:29 | |
Yes, so this ring light, a lot of celebrities like this kind of lighting. | 0:48:29 | 0:48:33 | |
The lens will go through the middle. It's very flat lighting. | 0:48:33 | 0:48:36 | |
It hides all the wrinkles, all the imperfections in the skin. | 0:48:36 | 0:48:39 | |
It gets into the eye sockets, so you don't have bags under your eyes. | 0:48:39 | 0:48:42 | |
And also because the lens is firing through the middle, | 0:48:42 | 0:48:44 | |
you'll get the reflection of that | 0:48:44 | 0:48:46 | |
ring light in your eyes, so you'll get little circles of light. | 0:48:46 | 0:48:50 | |
It pings up and makes you look really vital. | 0:48:50 | 0:48:53 | |
In order to make sure my hair is falling in exactly the right place, | 0:48:57 | 0:49:01 | |
we've persuaded one of the team to don a green suit. | 0:49:01 | 0:49:05 | |
Because he's the same colour as the set, | 0:49:05 | 0:49:08 | |
he can be removed in postproduction when a new background is keyed in. | 0:49:08 | 0:49:12 | |
So let's see how the finished results compare with | 0:49:18 | 0:49:21 | |
my unstyled hair from this morning. | 0:49:21 | 0:49:24 | |
I think the tricks we've used have created a shine | 0:49:32 | 0:49:34 | |
that certainly looks impressive. | 0:49:34 | 0:49:36 | |
But eventually, Mother Nature catches up with us all. | 0:49:38 | 0:49:42 | |
'As we age and we lose natural colour from our hair, | 0:49:45 | 0:49:48 | |
'it starts to become less reflective and therefore less shiny.' | 0:49:48 | 0:49:53 | |
I've been quite lucky with grey hair. | 0:50:00 | 0:50:03 | |
I haven't really found one yet. | 0:50:03 | 0:50:05 | |
I've actually got a grey hair. I've got one, which I quite like, | 0:50:05 | 0:50:08 | |
although it means I'm not really a Peter Pan any more. | 0:50:08 | 0:50:10 | |
It means I'm going to get old. | 0:50:10 | 0:50:12 | |
No, I think, you know, grow old gracefully, or disgracefully, rather. | 0:50:12 | 0:50:15 | |
Going grey is something that I am fighting. | 0:50:15 | 0:50:19 | |
Men look good when they're grey when they've got a full head of hair, | 0:50:19 | 0:50:23 | |
so I'm looking forward to it. | 0:50:23 | 0:50:24 | |
I've found two grey hairs recently in only the last couple of weeks, | 0:50:24 | 0:50:28 | |
and they were plucked out immediately. | 0:50:28 | 0:50:31 | |
Most of us will start to find the odd grey hair on our heads around | 0:50:31 | 0:50:35 | |
the age of 30, and by the age of 50, | 0:50:35 | 0:50:38 | |
it's not unusual for about 50% of the hairs to be grey. | 0:50:38 | 0:50:41 | |
Whilst many people are happy to embrace the silver look, | 0:50:41 | 0:50:44 | |
just as many will go to great lengths to try to conceal it. | 0:50:44 | 0:50:48 | |
My hairdresser, Sandra, is one of tens of thousands across the country | 0:50:51 | 0:50:56 | |
with the skills to cover up the grey. | 0:50:56 | 0:50:58 | |
People want to hold on to their youthful look, really. | 0:50:58 | 0:51:02 | |
They start coming in and they might just have one strand and they think | 0:51:02 | 0:51:06 | |
their world is ending, and they decide | 0:51:06 | 0:51:08 | |
that they want to dye their hair. | 0:51:08 | 0:51:10 | |
And this horror of grey makes for big business. | 0:51:10 | 0:51:14 | |
The UK hair colourant industry alone is worth £415 million a year. | 0:51:14 | 0:51:20 | |
Men are just as vain as us women. | 0:51:21 | 0:51:24 | |
A lot of them do opt for highlights and putting different coloured | 0:51:24 | 0:51:28 | |
variations in their hair, so it looks more natural. | 0:51:28 | 0:51:32 | |
In order to cover up the grey, | 0:51:32 | 0:51:34 | |
Sandra needs to make sure the hair dye penetrates the outer layer of | 0:51:34 | 0:51:38 | |
the hair shaft and deposits the new colour into its core. | 0:51:38 | 0:51:42 | |
This is where the hair's natural pigmentation, the melanin, is found. | 0:51:42 | 0:51:47 | |
When we go grey, we gradually lose the ability to make this pigment, | 0:51:47 | 0:51:52 | |
and hair becomes translucent. | 0:51:52 | 0:51:54 | |
Yes, I'm just covering these slight little grey hairs | 0:51:56 | 0:52:00 | |
just around the hairline. | 0:52:00 | 0:52:02 | |
Although all of us will go grey eventually, | 0:52:03 | 0:52:06 | |
the properties of Afro and Far East Asian hair may delay substantial | 0:52:06 | 0:52:10 | |
greying by up to ten years compared to Caucasian hair. | 0:52:10 | 0:52:14 | |
Masking grey with colour is currently the most effective way | 0:52:16 | 0:52:20 | |
of getting rid of the grey. | 0:52:20 | 0:52:22 | |
But according to hair and skin scientist Professor Des Tobin, | 0:52:23 | 0:52:27 | |
we could be on the brink of a revolution. | 0:52:27 | 0:52:30 | |
It's all thanks to an improved understanding | 0:52:32 | 0:52:35 | |
of the traits we inherit. | 0:52:35 | 0:52:37 | |
If you look at your family, | 0:52:37 | 0:52:38 | |
you can see a sense of what's down the tracks for you if you | 0:52:38 | 0:52:41 | |
haven't yet greyed, but there's also evidence from twin studies | 0:52:41 | 0:52:45 | |
that some of the twins that smoke, for example, | 0:52:45 | 0:52:47 | |
and are involved in other lifestyle choices may grey earlier than their | 0:52:47 | 0:52:50 | |
non-smoking twin. | 0:52:50 | 0:52:52 | |
So there's a mixture of genetics and what we call | 0:52:52 | 0:52:55 | |
epigenetics, or the influences from the environment, | 0:52:55 | 0:52:58 | |
that affect your genes. | 0:52:58 | 0:53:00 | |
Earlier this year, Des and a team of international scientists announced | 0:53:00 | 0:53:04 | |
the discovery of a grey gene. | 0:53:04 | 0:53:06 | |
This was a very big collaborative study, headed by UCL in London. | 0:53:08 | 0:53:12 | |
And these researchers checked the genetic background of 6,500 people. | 0:53:12 | 0:53:17 | |
They photographed them. | 0:53:17 | 0:53:19 | |
They looked at different features of their hair and from that kind of | 0:53:19 | 0:53:22 | |
chase, they were able to get several very interesting genes, | 0:53:22 | 0:53:25 | |
the first one, associated with hair greying. | 0:53:25 | 0:53:28 | |
This grey gene goes by the catchy name of IRF4, | 0:53:29 | 0:53:33 | |
and it helps regulate the production of the pigment melanin. | 0:53:33 | 0:53:37 | |
Now we may be able to look underneath the skin to see if we can | 0:53:37 | 0:53:41 | |
influence how the hair actually is made before it grows out. | 0:53:41 | 0:53:45 | |
So, now that we have a very specific target to chase, | 0:53:45 | 0:53:49 | |
it should be relatively straightforward to repair | 0:53:49 | 0:53:53 | |
that deficit from the outside in, rather than having to | 0:53:53 | 0:53:56 | |
tweak any genes or anything much more fundamental. | 0:53:56 | 0:53:59 | |
Are we looking at the next big revolution here in hair care? | 0:53:59 | 0:54:02 | |
It's definitely new. | 0:54:02 | 0:54:04 | |
People thought that greying would be lost in a whole mixture of ageing | 0:54:04 | 0:54:08 | |
consequences and that we would never be able to find the needle in the haystack. | 0:54:08 | 0:54:11 | |
This appears to be one important needle within that haystack, | 0:54:11 | 0:54:14 | |
so there's going to be an interesting balance between just how | 0:54:14 | 0:54:17 | |
interested companies are to stop hair greying, | 0:54:17 | 0:54:20 | |
if their main business is to cover up grey hair. | 0:54:20 | 0:54:22 | |
I hope that I'm one of those people that embrace it. | 0:54:22 | 0:54:26 | |
Will I embrace grey? | 0:54:26 | 0:54:27 | |
No way. And I won't let any of my clients either. | 0:54:27 | 0:54:30 | |
I think it's great. I think old age is brilliant. | 0:54:30 | 0:54:33 | |
So, just embrace it. | 0:54:33 | 0:54:34 | |
I think I'm more likely to lose my hair before it goes grey anyway. | 0:54:34 | 0:54:37 | |
Yeah, I'd love to have grey. | 0:54:37 | 0:54:39 | |
But losing it is probably going to be an issue. | 0:54:39 | 0:54:42 | |
Joe's hair transplant operation is in full swing. | 0:54:45 | 0:54:49 | |
While his final hair follicles are being extracted, | 0:54:49 | 0:54:53 | |
I took the opportunity to meet up with Scott, | 0:54:53 | 0:54:56 | |
who received his hair transplant two years ago. | 0:54:56 | 0:55:00 | |
As you can see, just round here, the hairline's really receded back here. | 0:55:00 | 0:55:06 | |
Basically, I had a more or less a very thin strip there. | 0:55:06 | 0:55:10 | |
So all of this has been built up by hair transplants | 0:55:10 | 0:55:13 | |
and then thickened as well. | 0:55:13 | 0:55:15 | |
So how do you feel your life has changed? | 0:55:15 | 0:55:18 | |
I don't even think about hair now, which is weird, | 0:55:18 | 0:55:21 | |
because when you've got it, you don't. | 0:55:21 | 0:55:24 | |
Now, I just feel like I'm back to the person I was | 0:55:24 | 0:55:28 | |
before I had the hair loss. | 0:55:28 | 0:55:29 | |
It's made me feel younger as well. | 0:55:29 | 0:55:32 | |
It's given me that confidence, gave me that self-esteem. | 0:55:32 | 0:55:35 | |
So I've been really positive and happy with the procedure done. | 0:55:35 | 0:55:39 | |
After four hours, Joe is now ready | 0:55:41 | 0:55:44 | |
for the final stage of the transplant. | 0:55:44 | 0:55:47 | |
His follicles have been harvested and carefully sorted into groups | 0:55:48 | 0:55:51 | |
according to the number of strands in each graft. | 0:55:51 | 0:55:55 | |
The graft that has one hair gets put in number one compartment, then two, | 0:55:55 | 0:55:59 | |
and the number three compartment has anything three or above. | 0:55:59 | 0:56:02 | |
The reason for that is because I want to preserve the single hairs | 0:56:02 | 0:56:08 | |
for the hairline, for the front. | 0:56:08 | 0:56:11 | |
They're useful for a natural look, but they're not useful for density. | 0:56:11 | 0:56:15 | |
And then behind that, you put the two hairs per graft and then | 0:56:20 | 0:56:23 | |
the three and more, you leave them until you get to the very back, | 0:56:23 | 0:56:27 | |
where they can contribute to density, but not directly visible. | 0:56:27 | 0:56:31 | |
It's a delicate process that takes Dr Farjo and two of his technicians | 0:56:36 | 0:56:40 | |
nearly two hours to complete. | 0:56:40 | 0:56:43 | |
As his new hairline takes shape, Joe gets a first glimpse. | 0:56:44 | 0:56:48 | |
-You hold the mirror, lift it up. -OK. -Keep your head where it is. | 0:56:48 | 0:56:51 | |
-Yeah. Wow. -There's a lot there, isn't there? | 0:56:51 | 0:56:55 | |
There's a lot there already. | 0:56:55 | 0:56:56 | |
So you see the bits with the white tops, | 0:56:56 | 0:56:59 | |
-that's where the grafts have gone in. -OK. | 0:56:59 | 0:57:02 | |
The new follicles will take around six to eight months to grow | 0:57:02 | 0:57:06 | |
hair long enough to make a cosmetic difference. | 0:57:06 | 0:57:09 | |
It's really cool. I'm really excited. | 0:57:09 | 0:57:12 | |
You've all changed my life. | 0:57:12 | 0:57:14 | |
It's something that I won't ever forget, this day, | 0:57:14 | 0:57:16 | |
so thank you for what you've done. Honestly, it's... | 0:57:16 | 0:57:20 | |
I'm getting upset here! | 0:57:20 | 0:57:22 | |
You've made a real difference, thank you. | 0:57:22 | 0:57:25 | |
'Whether we like it or not, | 0:57:31 | 0:57:33 | |
'our hair plays a fundamental role in who we are.' | 0:57:33 | 0:57:37 | |
I like the fact that I can change it. | 0:57:37 | 0:57:39 | |
I can make it look like yours or yours, | 0:57:39 | 0:57:41 | |
but then I can make it look like mine. | 0:57:41 | 0:57:43 | |
It's the one part of you that you get to design. | 0:57:43 | 0:57:45 | |
The obsession so many of us have with our hair | 0:57:45 | 0:57:48 | |
sustains a multi-billion pound industry, | 0:57:48 | 0:57:51 | |
pushing the scientific boundaries and creating ever more ingenious | 0:57:51 | 0:57:55 | |
solutions to transform our locks. | 0:57:55 | 0:57:57 | |
It's all about understanding how much you can put in | 0:57:57 | 0:58:01 | |
without it being damaging to the hair. | 0:58:01 | 0:58:04 | |
But there is a limit to how much we can change what nature has given us. | 0:58:04 | 0:58:09 | |
SHE GASPS | 0:58:09 | 0:58:10 | |
And more often than not, prevention is better than cure. | 0:58:10 | 0:58:13 | |
If you take your hair temperature too high when you're styling, | 0:58:13 | 0:58:16 | |
you will cause significant damage. | 0:58:16 | 0:58:19 | |
Our investigations have shown that understanding the science behind | 0:58:19 | 0:58:23 | |
this incredible material can help you make better choices. | 0:58:23 | 0:58:27 | |
And when deciding what this billion-pound industry has to offer | 0:58:27 | 0:58:32 | |
our hair, it pays to keep asking questions. | 0:58:32 | 0:58:35 |