Browse content similar to Deserts - Life in the Furnace. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Only one creature has carved a life for itself in every habitat on Earth. | 0:00:05 | 0:00:10 | |
That creature is us. | 0:00:12 | 0:00:14 | |
All over the world, we still use our ingenuity | 0:00:17 | 0:00:21 | |
to survive in the wild places, | 0:00:21 | 0:00:23 | |
far from the city lights, face to face with raw nature. | 0:00:23 | 0:00:29 | |
This is the Human Planet. | 0:00:30 | 0:00:33 | |
Deserts are the hottest and driest places on Earth. | 0:00:46 | 0:00:51 | |
They cover one third of the land surface. | 0:00:52 | 0:00:55 | |
Some never see rain. | 0:00:57 | 0:01:00 | |
We can survive two months without food... | 0:01:04 | 0:01:07 | |
..yet only a few days without water. | 0:01:09 | 0:01:11 | |
As babies, we spend nine months surrounded by fluid in our mother's womb. | 0:01:14 | 0:01:18 | |
But birth pushes us out of this luxurious water world. | 0:01:20 | 0:01:25 | |
GRUNTS AND CRIES | 0:01:25 | 0:01:27 | |
BABY CRYING | 0:01:27 | 0:01:29 | |
From this point on, | 0:01:36 | 0:01:37 | |
life for every child of the desert is defined by the quest for water. | 0:01:37 | 0:01:41 | |
Yet somehow, in this brutal land, | 0:01:43 | 0:01:46 | |
an incredible 300 million people survive. | 0:01:46 | 0:01:49 | |
These are their remarkable stories. | 0:01:51 | 0:01:55 | |
The Sahara is the biggest desert on the globe. | 0:02:25 | 0:02:29 | |
It is the size of the United States, | 0:02:34 | 0:02:37 | |
and its arid interior can unleash the mightiest sandstorms on the planet. | 0:02:37 | 0:02:43 | |
Ferocious winds whip up billions of tiny sand grains | 0:02:48 | 0:02:53 | |
into massive walls... | 0:02:53 | 0:02:55 | |
..reaching more than 5,000 metres into the air, | 0:02:56 | 0:02:59 | |
ten times the height of the Empire State Building, | 0:02:59 | 0:03:04 | |
covering areas the size of Britain. | 0:03:04 | 0:03:06 | |
Battling through this sandstorm in Mali is 16-year-old Mamadou. | 0:03:18 | 0:03:23 | |
He's a cattle herder who left home three days ago | 0:03:25 | 0:03:29 | |
on a mission to find water for his cows. | 0:03:29 | 0:03:31 | |
It's a huge responsibility on his teenage shoulders. | 0:03:40 | 0:03:45 | |
He must endure the fury of the desert alone, | 0:03:47 | 0:03:50 | |
but there's an even bigger challenge ahead. | 0:03:50 | 0:03:53 | |
He's in a race against the biggest land animal on Earth - | 0:03:56 | 0:03:59 | |
African elephants. | 0:03:59 | 0:04:01 | |
This desert herd is also desperate for water | 0:04:02 | 0:04:05 | |
because Mali is gripped by drought. | 0:04:05 | 0:04:09 | |
It's 40 degrees Celsius. | 0:04:11 | 0:04:14 | |
Most of the water holes are already dry. | 0:04:14 | 0:04:18 | |
Only one place for 80 kilometres will still have water... | 0:04:18 | 0:04:22 | |
..Lake Banzena. | 0:04:23 | 0:04:24 | |
And this is where both the elephants and Mamadou are heading. | 0:04:27 | 0:04:31 | |
BIRDS CHATTER | 0:04:31 | 0:04:33 | |
If Mamadou keeps up a fast pace, he'll reach the lake by morning. | 0:04:47 | 0:04:52 | |
But only 50 kilometres behind him are the greatest nomads of the desert. | 0:04:53 | 0:04:57 | |
ELEPHANTS SNORT | 0:04:57 | 0:05:00 | |
Elephant matriarchs guide the herd, | 0:05:00 | 0:05:03 | |
following an incredible mental map of all the water holes | 0:05:03 | 0:05:07 | |
to be found in an area of tens of thousands of square kilometres. | 0:05:07 | 0:05:11 | |
Acacia trees give them just enough fuel to keep walking, | 0:05:12 | 0:05:15 | |
but they can't rest, day or night. | 0:05:15 | 0:05:19 | |
But, for Mamadou, nightfall means he has no choice but to stop. | 0:05:22 | 0:05:27 | |
Meeting elephants in the dark could be fatal. | 0:05:27 | 0:05:30 | |
INSECTS CHIRPING | 0:05:30 | 0:05:32 | |
COW MOOS | 0:05:34 | 0:05:36 | |
A hurried breakfast is the little precious milk | 0:05:38 | 0:05:41 | |
Mamadou can get from his cows. | 0:05:41 | 0:05:43 | |
It keeps him one step away from dehydration. | 0:05:43 | 0:05:45 | |
But he's got to get going. | 0:05:48 | 0:05:51 | |
The elephant herd have walked through the night, making up ground. | 0:05:52 | 0:05:57 | |
COWS MOOING | 0:06:06 | 0:06:07 | |
HE CALLS OUT | 0:06:07 | 0:06:10 | |
Finally the end is in sight for Mamadou. | 0:06:10 | 0:06:13 | |
But he walks straight into trouble. | 0:06:15 | 0:06:18 | |
Not only have the massive elephant herd beaten him to the lake, | 0:06:18 | 0:06:22 | |
but they're also blocking his access to the water. | 0:06:22 | 0:06:25 | |
RUMBLING GROWLS | 0:06:25 | 0:06:28 | |
GROWLING | 0:06:33 | 0:06:35 | |
Mamadou knows the elephants could charge, | 0:06:35 | 0:06:39 | |
so he is careful not to get too close. | 0:06:39 | 0:06:41 | |
RUMBLING GROWLS | 0:06:41 | 0:06:43 | |
It's an uneasy truce while he works out how to break through. | 0:06:46 | 0:06:50 | |
GROWLING | 0:06:50 | 0:06:52 | |
Suddenly an elephant charges his cows. | 0:06:58 | 0:07:01 | |
TRUMPETING | 0:07:01 | 0:07:03 | |
Mamadou fights back, but armed only with sticks, | 0:07:05 | 0:07:08 | |
it's a battle of David and Goliath. | 0:07:08 | 0:07:11 | |
SHOUTING | 0:07:11 | 0:07:13 | |
ELEPHANTS TRUMPETING | 0:07:13 | 0:07:16 | |
HE SHOUTS | 0:07:26 | 0:07:28 | |
Mamadou's courage has managed to shift over 50 elephants. | 0:07:28 | 0:07:33 | |
Luckily, conflicts like this are very rare. | 0:07:39 | 0:07:42 | |
Finally Mamadou drives his cattle towards the life-giving water. | 0:07:52 | 0:07:58 | |
The elephants move off and find their own part of the lake. | 0:08:08 | 0:08:13 | |
ELEPHANTS TRUMPETING | 0:08:13 | 0:08:14 | |
At last, they too have an opportunity to drink... | 0:08:14 | 0:08:19 | |
..and even play. | 0:08:21 | 0:08:22 | |
It will be two months before there's any chance | 0:08:32 | 0:08:35 | |
of rain replenishing the water holes, | 0:08:35 | 0:08:38 | |
so Mamadou's struggles will go on. | 0:08:38 | 0:08:40 | |
But in one part of the desert, | 0:08:43 | 0:08:45 | |
a shrinking water supply leads to a surprising opportunity. | 0:08:45 | 0:08:49 | |
Hundreds of kilometres away, along the Bandiagara escarpment, | 0:08:55 | 0:08:59 | |
the sapping 40-degree heat has sucked the life | 0:08:59 | 0:09:03 | |
out of the rivers of Dogon country, | 0:09:03 | 0:09:05 | |
leaving only isolated pools | 0:09:05 | 0:09:08 | |
stuffed with stranded fish. | 0:09:08 | 0:09:10 | |
The Dogon choose this moment for a desert fishing festival. | 0:09:11 | 0:09:15 | |
GUNSHOT | 0:09:15 | 0:09:16 | |
GUNFIRE | 0:09:19 | 0:09:21 | |
Thousands of competitors are drawn to Lake Antogo, | 0:09:22 | 0:09:26 | |
including Dialo, who's been coming here for 30 years. | 0:09:26 | 0:09:31 | |
It's a matter of pride for him to catch a fish. | 0:09:31 | 0:09:34 | |
On any other day, fishing is strictly forbidden in this sacred water. | 0:09:49 | 0:09:53 | |
In this way, the elders protect an important food reserve | 0:09:55 | 0:10:00 | |
well into the dry season. | 0:10:00 | 0:10:02 | |
But today the community have a chance to catch a symbolic last supper. | 0:10:02 | 0:10:09 | |
The banks are filling up quickly. | 0:10:11 | 0:10:14 | |
The atmosphere is tense. | 0:10:19 | 0:10:22 | |
Dialo has found a good spot. | 0:10:25 | 0:10:28 | |
But now he must wait since Antogo has its own unwritten rules. | 0:10:29 | 0:10:35 | |
The ceremonial chief chants a prayer to chase away evil spirits. | 0:10:42 | 0:10:47 | |
He wears a fish trap, believed to protect the words as they are spoken. | 0:10:47 | 0:10:52 | |
This is Dialo's once-a-year chance. | 0:10:52 | 0:10:56 | |
BELLS CHIMING | 0:11:00 | 0:11:01 | |
GUNSHOT | 0:11:05 | 0:11:07 | |
The free-for-all quickly becomes a fishing frenzy. | 0:11:20 | 0:11:24 | |
They thrust their baskets down to trap the fish. | 0:11:37 | 0:11:41 | |
Dialo has caught one, but there's no time for politeness. | 0:11:43 | 0:11:47 | |
After just 15 minutes, there's nothing left, | 0:12:23 | 0:12:27 | |
and the chaos subsides. | 0:12:27 | 0:12:29 | |
Dialo is successful, but exhausted. | 0:12:29 | 0:12:33 | |
Back at home, his proud catch of fish becomes a final feast for his family | 0:12:41 | 0:12:46 | |
so they can survive the last days of the dry season. | 0:12:46 | 0:12:50 | |
Far to the east of the Bandiagara, | 0:13:11 | 0:13:13 | |
it takes immense navigational skill just to find water. | 0:13:13 | 0:13:17 | |
These Tubu women must venture across the vast sand seas of the Sahara | 0:13:20 | 0:13:26 | |
in search of a miniature well just one metre square. | 0:13:26 | 0:13:31 | |
It will mean the difference between life and death. | 0:13:31 | 0:13:34 | |
They call this place the Tenere - the land of nothing. | 0:13:52 | 0:13:57 | |
It is featureless, scorching and unreliable. | 0:13:57 | 0:14:01 | |
Foni is a Tubu woman who can find her way to water without a map or a compass. | 0:14:04 | 0:14:09 | |
She's brought her daughter, Shede, only ten years old. | 0:14:16 | 0:14:21 | |
The well they seek is still three days' walk away. | 0:14:21 | 0:14:24 | |
This is the toughest journey they'll ever face together. | 0:14:24 | 0:14:29 | |
They undertake this perilous journey for food. | 0:14:38 | 0:14:42 | |
They must cross 240 kilometres just to get to market | 0:14:42 | 0:14:47 | |
to trade camels for supplies that will last them six months. | 0:14:47 | 0:14:51 | |
This caravan is only women and children, | 0:14:53 | 0:14:56 | |
since, for the Tubu, it's the women who are the great navigators. | 0:14:56 | 0:15:00 | |
To the untrained eye, a dune is just a dune. | 0:15:05 | 0:15:10 | |
But Foni can tell which ones to trust in a place where nothing stands still. | 0:15:10 | 0:15:15 | |
Smaller dunes shape-shift, moving with the wind, | 0:15:18 | 0:15:22 | |
making them unreliable. | 0:15:22 | 0:15:24 | |
But larger dunes, towering over 60 metres, are more stable, | 0:15:25 | 0:15:31 | |
revealing signs of a much bigger picture. | 0:15:31 | 0:15:34 | |
Over thousands of years, | 0:15:36 | 0:15:37 | |
prevailing desert winds have blown dunes into long, parallel ridges, | 0:15:37 | 0:15:43 | |
the only landmarks for the travellers. | 0:15:43 | 0:15:46 | |
The Tubu look to the sun and the ridge line to work out which direction to go. | 0:15:49 | 0:15:54 | |
Then they count each ridge to know how far they've gone. | 0:15:54 | 0:15:58 | |
They've been walking for ten hours in the blazing sun. | 0:16:06 | 0:16:10 | |
They must rest. | 0:16:10 | 0:16:12 | |
They make their camp out of a single sheet, and ration their water. | 0:16:19 | 0:16:24 | |
CAMEL GRUNTS | 0:16:24 | 0:16:28 | |
The camels' share is mixed with oats, while the women drink sweet tea. | 0:16:28 | 0:16:33 | |
They rise early, before the sun gets too hot. | 0:17:06 | 0:17:11 | |
They only carry enough water to get to the well, | 0:17:13 | 0:17:15 | |
so the pace they travel is key. | 0:17:15 | 0:17:19 | |
This specialist understanding of the desert is fast disappearing. | 0:17:23 | 0:17:27 | |
Today only a few hundred Tubu women possess the knowledge. | 0:17:27 | 0:17:31 | |
Foni believes that by teaching Shede | 0:17:34 | 0:17:36 | |
she can keep it alive for another generation. | 0:17:36 | 0:17:40 | |
When darkness falls, | 0:17:59 | 0:18:01 | |
Foni also teaches Shede how to read the night sky. | 0:18:01 | 0:18:06 | |
CHATTER AND LAUGHTER | 0:18:18 | 0:18:20 | |
For now, at least, they know they're on the right path. | 0:18:22 | 0:18:26 | |
CAMEL GROWLS | 0:18:28 | 0:18:30 | |
It's day three. | 0:18:30 | 0:18:33 | |
Today they must find the well. | 0:18:33 | 0:18:35 | |
While packing up, Foni decides Shede is ready to take charge. | 0:18:37 | 0:18:41 | |
CAMEL GROWLS | 0:18:41 | 0:18:43 | |
But the well is so hidden | 0:18:45 | 0:18:47 | |
that even if she's only a few hundred metres away, she could miss it. | 0:18:47 | 0:18:51 | |
CAMEL GROWLS | 0:18:52 | 0:18:54 | |
She sets them off in the right direction, | 0:18:56 | 0:18:59 | |
aligning herself between the ridges ahead and the sunrise to the east. | 0:18:59 | 0:19:04 | |
For some children Shede's age, just ten years old, | 0:19:06 | 0:19:10 | |
finding their way to school is challenge enough. | 0:19:10 | 0:19:12 | |
But Shede has to find her way 20 miles across the bleakest landscape on Earth. | 0:19:14 | 0:19:19 | |
But with her mother's guiding words echoing in her head, | 0:19:25 | 0:19:28 | |
she strides forward. | 0:19:28 | 0:19:31 | |
After a gruelling 12-hours' riding, the tenth ridge is finally in sight. | 0:19:34 | 0:19:40 | |
The lonely bush in the dip of the dune marks the valley of the well. | 0:19:43 | 0:19:47 | |
Shede has found the only well for 80 kilometres around. | 0:20:00 | 0:20:04 | |
She's made her mum proud. | 0:20:05 | 0:20:08 | |
Finally, Shede can water the camels. | 0:20:15 | 0:20:18 | |
With their thirst quenched, she washes off three days of dust. | 0:20:26 | 0:20:31 | |
SHE GIGGLES | 0:20:31 | 0:20:33 | |
Now they've got water, they'll make it to market, | 0:20:34 | 0:20:38 | |
but they're still weeks away from finishing their journey. | 0:20:38 | 0:20:42 | |
Not all deserts are swelteringly hot. | 0:20:46 | 0:20:50 | |
The Gobi in Mongolia is a desert of extremes. | 0:20:51 | 0:20:55 | |
Lying far north of the equator, | 0:20:55 | 0:20:58 | |
here scorching summer highs plunge to freezing Arctic lows. | 0:20:58 | 0:21:03 | |
It's February, minus 20 degrees Celsius, | 0:21:04 | 0:21:08 | |
and the few wells people have are frozen over. | 0:21:08 | 0:21:12 | |
But, amazingly, water appears here as snow. | 0:21:15 | 0:21:19 | |
The snow doesn't fall here. | 0:21:21 | 0:21:23 | |
It's blown over 3,000 kilometres from Siberia. | 0:21:23 | 0:21:27 | |
And these bitter winds mean it never settles for long. | 0:21:27 | 0:21:31 | |
So Ganbold and his twin-humped Bactrian camels | 0:21:35 | 0:21:39 | |
must chase the snow towards the mountains where it lingers. | 0:21:39 | 0:21:43 | |
This rare snow is a lifeline. | 0:21:43 | 0:21:46 | |
It's so important, | 0:21:54 | 0:21:57 | |
he and his family have set up their winter camp in the foothills. | 0:21:57 | 0:22:01 | |
But he's taking a risk. | 0:22:02 | 0:22:04 | |
His herd, including pregnant females, | 0:22:05 | 0:22:08 | |
are now in the hunting grounds of a voracious desert predator, | 0:22:08 | 0:22:12 | |
and they like nothing better than newborn camel flesh. | 0:22:12 | 0:22:16 | |
Gobi desert wolves roam over thousands of kilometres. | 0:22:33 | 0:22:37 | |
Their keen sense of smell helps them shadow the herds at a distance. | 0:22:38 | 0:22:42 | |
If Ganbold drops his guard, they'll attack. | 0:22:45 | 0:22:49 | |
He returns to camp to hear that his son has interrupted a wolf attack. | 0:22:51 | 0:22:55 | |
One sheep has been killed. | 0:22:55 | 0:22:57 | |
BLEATING | 0:22:57 | 0:23:00 | |
As evening falls, an icy dust storm builds. | 0:23:17 | 0:23:22 | |
GROWLING | 0:23:31 | 0:23:34 | |
In the warm tent, wolves are the only topic of conversation. | 0:23:35 | 0:23:39 | |
At midnight, Ganbold checks his pregnant camels one last time. | 0:24:05 | 0:24:10 | |
He suddenly realises his prize female is missing | 0:24:17 | 0:24:21 | |
but, with the storm, they can't look for her until daylight. | 0:24:21 | 0:24:25 | |
Come dawn, the search is on to find out what has become of her | 0:24:44 | 0:24:48 | |
and her unborn calf. | 0:24:48 | 0:24:50 | |
Ganbold musters his friends. | 0:25:03 | 0:25:06 | |
It's a race between them and the wolves. | 0:25:06 | 0:25:09 | |
They find tracks. | 0:25:14 | 0:25:17 | |
Ganbold heads to the highest ridge, and the scale of his task becomes clear. | 0:25:22 | 0:25:28 | |
More fresh tracks. | 0:25:45 | 0:25:46 | |
GUNSHOT | 0:25:52 | 0:25:55 | |
They've seen off the enemy, | 0:26:07 | 0:26:10 | |
but is the camel nearby? | 0:26:10 | 0:26:12 | |
Finally, they see a shape. | 0:26:16 | 0:26:19 | |
Ganbold's beloved camel is alive. | 0:26:23 | 0:26:27 | |
And she's given birth. | 0:26:27 | 0:26:29 | |
But the calf isn't moving. | 0:26:34 | 0:26:36 | |
Tchoo! Tchoo! | 0:26:38 | 0:26:41 | |
CAMEL GRUNTS | 0:26:45 | 0:26:47 | |
To his great relief, the calf is breathing. | 0:26:47 | 0:26:50 | |
HE SIGHS | 0:26:51 | 0:26:53 | |
Ooh! Ha-ha-ha! | 0:26:57 | 0:27:00 | |
Only a few hours old, the calf is too weak to walk back to camp. | 0:27:10 | 0:27:15 | |
So Ganbold gives it a lift. | 0:27:15 | 0:27:18 | |
CAMEL SQUAWKS | 0:27:22 | 0:27:24 | |
His son rushes out to help | 0:27:26 | 0:27:28 | |
and his other boys meet the latest addition to the herd. | 0:27:28 | 0:27:33 | |
BOY LAUGHS | 0:27:33 | 0:27:36 | |
Ganbold gives thanks for his good fortune. | 0:27:36 | 0:27:39 | |
Unlike the Gobi, there are some deserts where water never exists. | 0:27:45 | 0:27:50 | |
In the Chilean Atacama desert, some areas are as desolate as the surface of Mars. | 0:27:51 | 0:27:58 | |
This is the driest place on Earth. | 0:27:58 | 0:28:02 | |
Here people have been inspired by nature to conjure water from thin air. | 0:28:04 | 0:28:11 | |
Cactus flowers are a source of food for the guanacos, | 0:28:13 | 0:28:17 | |
the wild camels of South America. | 0:28:17 | 0:28:20 | |
But these cacti are also the key to their water supply. | 0:28:21 | 0:28:26 | |
They're covered in furry lichen, which traps any moisture in the air. | 0:28:26 | 0:28:31 | |
Orlando has taken inspiration from the cacti's natural solution. | 0:28:33 | 0:28:38 | |
With his friends, he erects a vast net six metres high. | 0:28:38 | 0:28:43 | |
The net's mesh is designed to mimic the lichen hairs, | 0:29:00 | 0:29:04 | |
because in this coastal strip of the Atacama desert | 0:29:04 | 0:29:08 | |
they have a lifeline to moisture - the Pacific Ocean. | 0:29:08 | 0:29:13 | |
Here, cold sea currents cool the hot desert air | 0:29:16 | 0:29:20 | |
and produce huge fog blankets. | 0:29:20 | 0:29:23 | |
The fog is sucked ashore... | 0:29:30 | 0:29:33 | |
..and sweeps over the cacti... | 0:29:34 | 0:29:37 | |
..and also Orlando's nets. | 0:29:38 | 0:29:42 | |
When the fog hits the cacti, it condenses onto the lichen hairs, | 0:29:46 | 0:29:51 | |
which capture the precious water. | 0:29:51 | 0:29:53 | |
In no time, the cacti are dripping with dew. | 0:29:57 | 0:30:01 | |
On the nets, the fog does exactly the same. | 0:30:07 | 0:30:10 | |
Drop by precious drop, this miracle water is channelled to a reservoir. | 0:30:10 | 0:30:16 | |
Each day, these magical nets produce nearly 500 litres of water... | 0:30:42 | 0:30:48 | |
..which allows Orlando to nurture a few plants in the sand. | 0:30:49 | 0:30:53 | |
But he has bigger ideas. | 0:30:53 | 0:30:56 | |
This is just the latest innovation | 0:31:06 | 0:31:08 | |
in the eternal human quest to find water in the desert. | 0:31:08 | 0:31:12 | |
Around the world, signs are etched in the landscape. | 0:31:16 | 0:31:20 | |
Scars show where water used to flow. | 0:31:20 | 0:31:23 | |
7,000 years ago, the Sahara was crossed by a network of rivers and lakes, | 0:31:24 | 0:31:30 | |
which disappeared as it turned to desert. | 0:31:30 | 0:31:33 | |
Yet, in this now barren land, some of this water remains | 0:31:34 | 0:31:38 | |
deep in rocks underground. | 0:31:38 | 0:31:41 | |
In Ba'amar, central Algeria, | 0:31:45 | 0:31:48 | |
their extraordinary skill is to tap into this ancient water. | 0:31:48 | 0:31:52 | |
CHANTING | 0:31:52 | 0:31:54 | |
But you have to know how to harness it. | 0:31:54 | 0:31:57 | |
Mafourdi is 70 years old, and committed to a life in the desert. | 0:31:58 | 0:32:04 | |
Every morning after prayer, the men head off to find water. | 0:32:09 | 0:32:15 | |
With stubborn devotion and very simple tools, they have dug a well. | 0:32:18 | 0:32:23 | |
It's taken them six months to carve out a shaft through the desert rock. | 0:32:25 | 0:32:30 | |
Only now are they ready for their most dangerous mission. | 0:32:30 | 0:32:34 | |
As the oldest and the most experienced, Mafourdi climbs down alone. | 0:32:38 | 0:32:43 | |
It's a sheer nine-metre drop. | 0:32:43 | 0:32:47 | |
At the bottom lies knee-deep water in hand-dug passages. | 0:33:15 | 0:33:20 | |
Mafourdi knows they are vital to keep the water supply flowing. | 0:33:20 | 0:33:24 | |
But many men have been buried alive down here when the walls have collapsed. | 0:33:25 | 0:33:30 | |
The water seeps from the rocks themselves. | 0:33:33 | 0:33:37 | |
Mafourdi has released it from thousands of years trapped in the rock. | 0:33:38 | 0:33:44 | |
This ancient water | 0:33:44 | 0:33:46 | |
is all that's left of the rivers that used to flow across the land above. | 0:33:46 | 0:33:50 | |
But one well isn't enough. | 0:34:01 | 0:34:04 | |
The real trick is to connect several wells | 0:34:04 | 0:34:06 | |
and create an underground channel of water. | 0:34:06 | 0:34:10 | |
Mafourdi's neighbour, Abdullah, has also been digging a well | 0:34:15 | 0:34:19 | |
for the last six months. | 0:34:19 | 0:34:21 | |
Today's the day they're going to join up. | 0:34:21 | 0:34:24 | |
But Abdullah must leave Mafourdi. | 0:34:36 | 0:34:39 | |
Joining the tunnels is the most dangerous part. | 0:34:39 | 0:34:43 | |
With so much earth removed, 30 foot of rock could collapse at any moment. | 0:34:46 | 0:34:50 | |
It would crush Mafourdi, with no hope of escape. | 0:34:50 | 0:34:53 | |
Back at the surface, Abdullah prays for Mafourdi. | 0:34:59 | 0:35:03 | |
HE CHANTS PRAYER | 0:35:22 | 0:35:24 | |
Finally, Mafourdi has broken through. | 0:35:30 | 0:35:33 | |
But will the walls hold? | 0:35:33 | 0:35:35 | |
PRAYING | 0:35:39 | 0:35:42 | |
This new channel is just part of a much bigger system. | 0:36:04 | 0:36:09 | |
Every generation for the last 700 years | 0:36:09 | 0:36:12 | |
has been digging new wells and connecting them up. | 0:36:12 | 0:36:15 | |
There are over 800 wells here now, | 0:36:18 | 0:36:22 | |
channelling water 60 kilometres under the desert floor. | 0:36:22 | 0:36:26 | |
The passages are cut so that the water continually runs slightly downhill. | 0:36:29 | 0:36:34 | |
When it reaches the surface, it's divided up | 0:36:37 | 0:36:39 | |
to sustain a village that otherwise wouldn't exist. | 0:36:39 | 0:36:43 | |
With his share of the water, Mafourdi has created an oasis to grow date palms. | 0:36:49 | 0:36:54 | |
And this attracts all sorts of surprising visitors. | 0:36:59 | 0:37:03 | |
Once you have a permanent water supply, anything's possible. | 0:37:16 | 0:37:21 | |
In America's state of Nevada, | 0:37:24 | 0:37:26 | |
Las Vegas pushes desert living to the extreme. | 0:37:26 | 0:37:29 | |
It breaks all the rules. | 0:37:30 | 0:37:34 | |
It is one of the fastest growing cities in the US, | 0:37:34 | 0:37:37 | |
using more water per person than almost anywhere else in the world. | 0:37:37 | 0:37:41 | |
Is this humanity realising an impossible dream? | 0:37:41 | 0:37:46 | |
Or is it just a neon mirage? | 0:37:46 | 0:37:49 | |
The deserts of the world are littered with ruins of boom-and-bust civilisations | 0:37:54 | 0:37:59 | |
where the water ran out. | 0:37:59 | 0:38:01 | |
Petra in Jordan was an ancient city which once had an aqueduct system | 0:38:04 | 0:38:08 | |
delivering 40 million litres of water a day to 20,000 people. | 0:38:08 | 0:38:13 | |
For most desert dwellers, life revolves around the meagre rains. | 0:38:21 | 0:38:26 | |
Only with rain can they hope to survive the next blazing year. | 0:38:27 | 0:38:31 | |
But in Mali, desert rains are anything but reliable. | 0:38:33 | 0:38:37 | |
Some years, they don't come at all. | 0:38:41 | 0:38:45 | |
CHATTER | 0:38:45 | 0:38:48 | |
If they do, the villagers know they come violently, | 0:38:48 | 0:38:51 | |
so they must make their granaries watertight. | 0:38:51 | 0:38:54 | |
CHATTER | 0:38:54 | 0:38:56 | |
The rains are preceded by sandstorms, | 0:39:01 | 0:39:04 | |
so now people watch the skies, waiting for a rampaging wall of dust. | 0:39:04 | 0:39:09 | |
At 50 kilometres wide, and advancing at a speed of 100 kilometres an hour, | 0:39:18 | 0:39:23 | |
the sandstorm engulfs the village in minutes. | 0:39:23 | 0:39:26 | |
But people know this darkness is ultimately a good sign. | 0:39:58 | 0:40:02 | |
Finally the rain is unleashed. | 0:40:09 | 0:40:11 | |
15 centimetres falls in 20 minutes, | 0:40:11 | 0:40:15 | |
turning the desert into a network of streams. | 0:40:15 | 0:40:19 | |
Having waited all year, it's suddenly a moment to rejoice. | 0:40:24 | 0:40:28 | |
CHATTER | 0:40:28 | 0:40:30 | |
In deserts across the world, rains transform the landscape. | 0:41:05 | 0:41:10 | |
This is the one moment when life is no longer about the quest for water. | 0:41:13 | 0:41:18 | |
The pressure's off. | 0:41:18 | 0:41:21 | |
For the Wodaabe people of Niger, West Africa, | 0:41:27 | 0:41:30 | |
this is their window of opportunity for love. | 0:41:30 | 0:41:34 | |
COWS MOOING | 0:41:35 | 0:41:37 | |
When the rains are good enough, | 0:41:40 | 0:41:42 | |
they can abandon their normally isolated lives. | 0:41:42 | 0:41:45 | |
There's enough food and water to support a few hundred Wodaabe | 0:41:45 | 0:41:49 | |
coming together for one of the most extraordinary gatherings | 0:41:49 | 0:41:53 | |
of fertility and flirtation in the world. | 0:41:53 | 0:41:56 | |
In this hive of activity is Djao. | 0:41:59 | 0:42:03 | |
He's walked 80 kilometres to be here for a contest called Gerewol. | 0:42:03 | 0:42:08 | |
It's a courtship dance for sex. | 0:42:09 | 0:42:12 | |
Winning means he'll get a new lover. | 0:42:13 | 0:42:16 | |
This year is special. | 0:42:32 | 0:42:34 | |
It's the first Gerewol after six years of drought, | 0:42:34 | 0:42:38 | |
so expectations are running high. | 0:42:38 | 0:42:42 | |
Djao is already married, and his wife Tembe is here, too. | 0:42:44 | 0:42:50 | |
Indeed, this festival is full of married couples. | 0:42:50 | 0:42:53 | |
Wodaabe culture allows both men and women | 0:42:53 | 0:42:56 | |
to set aside their marriage vows without stigma for these few days. | 0:42:56 | 0:43:01 | |
Tembe is up for a fling herself. | 0:43:03 | 0:43:06 | |
BABY GRIZZLES | 0:43:06 | 0:43:08 | |
But she knows her husband is also a great catch. | 0:43:15 | 0:43:20 | |
TEMBE LAUGHS | 0:43:37 | 0:43:39 | |
But, for this flirting contest, it's the women who choose | 0:43:39 | 0:43:43 | |
and, surprisingly, the men who dress up. | 0:43:43 | 0:43:47 | |
Djao's beauty, dancing and singing will be scrutinised. | 0:43:54 | 0:43:59 | |
His big performance is just hours away. | 0:43:59 | 0:44:02 | |
The men decorate themselves with coloured clays from the desert... | 0:44:10 | 0:44:15 | |
..with the crushed, charred bones of egrets for their black lipstick, | 0:44:16 | 0:44:22 | |
and with perfumes from desert plants to make themselves irresistible. | 0:44:22 | 0:44:28 | |
It's time for Djao to face the music. | 0:44:30 | 0:44:33 | |
CHANTING | 0:44:33 | 0:44:36 | |
CHANTING | 0:44:44 | 0:44:46 | |
The men come under close scrutiny from an opinionated crowd. | 0:44:50 | 0:44:55 | |
CHANTING | 0:44:55 | 0:44:57 | |
As one line of dancers leave, Djao steps into the arena. | 0:45:03 | 0:45:07 | |
He's desperate to be chosen by one of the three girl judges | 0:45:07 | 0:45:10 | |
for a night of desert passion. | 0:45:10 | 0:45:12 | |
CHANTING | 0:45:15 | 0:45:18 | |
The girls are looking for specific things. | 0:45:18 | 0:45:22 | |
He must keep great poise, like an egret. | 0:45:22 | 0:45:26 | |
He must show his teeth, flutter his lips and sing from his throat. | 0:45:26 | 0:45:30 | |
He must dance in time | 0:45:30 | 0:45:32 | |
and use his shoulders to keep his position in the line. | 0:45:32 | 0:45:35 | |
CHANTING | 0:45:35 | 0:45:37 | |
The pressure's on for Djao. | 0:46:02 | 0:46:05 | |
Any slip now, and he'll lose what he's waited seven years for. | 0:46:05 | 0:46:09 | |
After five hours, it's the moment of truth. | 0:46:17 | 0:46:21 | |
All three judges approach to choose their champions. | 0:46:27 | 0:46:30 | |
The first walks up the line | 0:46:38 | 0:46:40 | |
and, with a subtle gesture, indicates the man of her dreams. | 0:46:40 | 0:46:44 | |
But she doesn't choose Djao. | 0:46:48 | 0:46:51 | |
Neither does the second. | 0:46:53 | 0:46:56 | |
Nor the third. | 0:47:00 | 0:47:02 | |
Djao has missed his chance. | 0:47:05 | 0:47:07 | |
His best efforts weren't enough to win a lover. | 0:47:07 | 0:47:11 | |
It'll be at least a year before he has the opportunity to dance again. | 0:47:13 | 0:47:17 | |
Tembe is looking for Djao. | 0:47:26 | 0:47:29 | |
Many new couples are hanging out, | 0:47:31 | 0:47:33 | |
but at least Djao and Tembe still have each other. | 0:47:33 | 0:47:37 | |
So the men and women disperse, some with new lovers, some with old, | 0:47:46 | 0:47:51 | |
but all have been touched by the flush of fertility and community | 0:47:51 | 0:47:56 | |
before they return to the isolation of the desert. | 0:47:56 | 0:48:00 | |
Deserts are landscapes of brutal simplicity. | 0:48:16 | 0:48:20 | |
They provide so little and demand so much. | 0:48:20 | 0:48:24 | |
But, with courage, | 0:48:28 | 0:48:30 | |
with endurance and intelligence... | 0:48:30 | 0:48:34 | |
..with devotion and ingenuity... | 0:48:35 | 0:48:38 | |
..desert people have found ways to conjure life from so little water. | 0:48:39 | 0:48:45 | |
GUNSHOT | 0:48:47 | 0:48:50 | |
Against the odds, they have turned a life of thirst into a thirst for life. | 0:48:56 | 0:49:02 | |
The only way to reveal the truly epic nature | 0:49:22 | 0:49:25 | |
of the Tubu women's Sahara crossing was to film from the air. | 0:49:25 | 0:49:29 | |
The best tool for this job was a Cinebulle - | 0:49:34 | 0:49:38 | |
a hot-air balloon with a small motor. | 0:49:38 | 0:49:41 | |
But temperamental technology and cantankerous camels | 0:49:41 | 0:49:45 | |
combined to make this the hardest desert shoot of all. | 0:49:45 | 0:49:50 | |
It took three days of hard driving | 0:49:56 | 0:49:59 | |
before cameraman Toby Strong and the crew could reach the women and start filming. | 0:49:59 | 0:50:03 | |
SHOUTING | 0:50:05 | 0:50:07 | |
Driving in the desert, it's so difficult. | 0:50:07 | 0:50:09 | |
You've got all these ridges, troughs. | 0:50:09 | 0:50:11 | |
The guys are going down stuff like this and we're getting stuck all the time. | 0:50:11 | 0:50:14 | |
That means everyone stopping, everyone out. | 0:50:14 | 0:50:17 | |
It's frustrating, but it's the nature of the beast. We're here in the desert. | 0:50:17 | 0:50:21 | |
They reach the launch site and start assembling the Cinebulle. | 0:50:24 | 0:50:28 | |
Dany Cleyet-Marrel designed it specifically for filming. | 0:50:28 | 0:50:31 | |
With only a small engine, it flies best in the cool morning air | 0:50:33 | 0:50:36 | |
with no more than a light breeze. | 0:50:36 | 0:50:39 | |
This is my first time up in a... in a Cinebulle. | 0:50:45 | 0:50:48 | |
I've got two friends, two cameramen, who've been up in this. | 0:50:48 | 0:50:51 | |
The first one, they crashed into a tree, | 0:50:51 | 0:50:54 | |
and on the second occasion, that caught fire, the actual engine. | 0:50:54 | 0:51:00 | |
What I think we're gonna do is go up, | 0:51:02 | 0:51:03 | |
and I might have lied a little bit about how heavy I am, | 0:51:03 | 0:51:06 | |
so we might find out that he needs a little more gas. | 0:51:06 | 0:51:08 | |
Kind of a bit of test flight, like that. | 0:51:08 | 0:51:11 | |
But the camels haven't read the schedule and they've gone to the four corners. | 0:51:11 | 0:51:16 | |
Every night, the camels are released to search for food. | 0:51:16 | 0:51:20 | |
So, each morning, it takes time to round them up again. | 0:51:20 | 0:51:25 | |
OK, we have to go, we have to go. It will be too late after. | 0:51:25 | 0:51:28 | |
When the camels are finally ready, | 0:51:30 | 0:51:33 | |
Toby and Dany set off to film the women loading up. | 0:51:33 | 0:51:37 | |
But the shoot doesn't go well. | 0:51:37 | 0:51:40 | |
What happened was, the balloon took off, | 0:51:41 | 0:51:44 | |
the butane gas has been cold overnight, and the burner was cutting out. | 0:51:44 | 0:51:48 | |
They almost came down within the women and the camels. | 0:51:49 | 0:51:51 | |
And then the balloon came down, bounced, took off again, | 0:51:53 | 0:51:58 | |
completely freaking out the camels. | 0:51:58 | 0:52:00 | |
So not a very good start to the morning. | 0:52:00 | 0:52:02 | |
-TOBY: -We lost the burner four times, | 0:52:04 | 0:52:06 | |
plummeted down over the camels, the Tubu women and the kids. | 0:52:06 | 0:52:11 | |
Obviously, freaked them out. Freaked me out a little bit. | 0:52:11 | 0:52:13 | |
So that wasn't great on the first flight. | 0:52:13 | 0:52:16 | |
After a few more flights, Toby becomes acutely aware of the wind. | 0:52:16 | 0:52:22 | |
-TOBY: -Working with Cinebulles is almost exactly like a boat. | 0:52:22 | 0:52:25 | |
You've got the wind going in that direction | 0:52:25 | 0:52:26 | |
and, although the Cinebulle's got a motor, you can't really go against the wind. | 0:52:26 | 0:52:30 | |
So you've really only got one pop at each shot. | 0:52:30 | 0:52:33 | |
Difficult with the wind. | 0:52:33 | 0:52:35 | |
-TOBY: -We're fighting the wind, engine's revving and there's vibration and shake. | 0:52:36 | 0:52:39 | |
I've only got a very limited arc to pan around. | 0:52:39 | 0:52:43 | |
So there's a huge amount of skill involved from Dany | 0:52:43 | 0:52:45 | |
and the guys on the ground getting the camels going the right way. | 0:52:45 | 0:52:49 | |
So it's a massive logistical operation. | 0:52:49 | 0:52:51 | |
In the beginning we had a problem with the gas, | 0:52:51 | 0:52:54 | |
and after, a problem with the wind. | 0:52:54 | 0:52:56 | |
But tomorrow will be better. | 0:52:56 | 0:52:58 | |
HE CHUCKLES | 0:52:58 | 0:53:00 | |
The next day, after an early flight, they face another problem. | 0:53:02 | 0:53:06 | |
The Tubu women don't hang around for the crew to pack up the Cinebulle. | 0:53:06 | 0:53:10 | |
They only have enough provisions for a normal trek across the desert, | 0:53:13 | 0:53:16 | |
so the team has to play catch-up. | 0:53:16 | 0:53:18 | |
-TOBY: -We've no idea where our camels have gone. | 0:53:18 | 0:53:21 | |
There's 25 camels out there. You'd think we'd find them, but it's not... | 0:53:21 | 0:53:24 | |
you know, you look around and it is just like an ocean with a gentle swell. | 0:53:24 | 0:53:28 | |
So we're just driving round peak to peak, seeing if we can spot them. | 0:53:28 | 0:53:32 | |
Good news, we've hit the main caravan route, | 0:53:34 | 0:53:37 | |
which is a bit like... bit like the M6, | 0:53:37 | 0:53:40 | |
and even better news, there's a few groups of camels coming this way. | 0:53:40 | 0:53:44 | |
The boys, with better eyes than I, say they think that this is some of our group, | 0:53:44 | 0:53:49 | |
so it's good news. | 0:53:49 | 0:53:51 | |
With the camels in place, | 0:53:57 | 0:53:59 | |
Toby and Dany at last see the opportunity for getting some really good shots. | 0:53:59 | 0:54:04 | |
-DANY: -Not so bad. -TOBY: -It's nice. | 0:54:06 | 0:54:10 | |
I think we've got some nice shots. | 0:54:14 | 0:54:16 | |
And then at the end, we went up really high, | 0:54:16 | 0:54:18 | |
and to see the whole desert opened up was extraordinary. | 0:54:18 | 0:54:22 | |
That was a good flight. | 0:54:22 | 0:54:23 | |
They've had some success, but the biggest challenge lies ahead - | 0:54:24 | 0:54:28 | |
filming the women's arrival at the well. | 0:54:28 | 0:54:31 | |
But on a dusty night, the stars of the show go missing. | 0:54:31 | 0:54:35 | |
-TOBY: -We've just been using our big spotlight as a beacon, | 0:54:35 | 0:54:38 | |
because three of the women and six of the camels | 0:54:38 | 0:54:40 | |
couldn't make it into camp tonight | 0:54:40 | 0:54:42 | |
and here in the desert, there's a very good chance of people getting lost. | 0:54:42 | 0:54:45 | |
Thankfully, it worked, so everyone is safely into camp for the night, | 0:54:45 | 0:54:49 | |
which is brilliant news. | 0:54:49 | 0:54:51 | |
It's only when the sun's gone down | 0:54:52 | 0:54:55 | |
that Toby has time to deal with a domestic problem. | 0:54:55 | 0:54:58 | |
We brought out 30-odd cases from England. | 0:54:58 | 0:55:01 | |
One bag didn't turn up, and that bag was my clothes. | 0:55:01 | 0:55:04 | |
So, couldn't wait for it, had to come into the desert, | 0:55:04 | 0:55:07 | |
and that is why I'm washing my shirt quite regularly | 0:55:07 | 0:55:11 | |
in, er...my allowance of water. | 0:55:11 | 0:55:14 | |
None of this goes to waste. This water will be used for... for tea tomorrow. | 0:55:18 | 0:55:22 | |
No, it won't. | 0:55:24 | 0:55:26 | |
The next morning is the most important one. | 0:55:29 | 0:55:32 | |
The women are due to arrive at the well | 0:55:32 | 0:55:34 | |
after days of navigating across the desert. | 0:55:34 | 0:55:36 | |
It's crucial that Toby gets shots of them arriving, | 0:55:36 | 0:55:39 | |
but, as usual, there are difficulties. | 0:55:39 | 0:55:43 | |
The logistics involved of finding where the well is | 0:55:46 | 0:55:49 | |
and then driving the whole way round so as not to get any tyre tracks. | 0:55:49 | 0:55:52 | |
Dany having to guess where the wind's coming from. | 0:55:52 | 0:55:55 | |
The whole logistical operation of getting right here, for this point, is enormous | 0:55:55 | 0:55:59 | |
and we've just about managed to get it right. | 0:55:59 | 0:56:02 | |
We're all here, we're ready to go. | 0:56:02 | 0:56:04 | |
The wind is perfect. Dany got it spot-on. | 0:56:04 | 0:56:07 | |
And the camels are maybe 45 minutes away. So, it's... it's massively frustrating. | 0:56:07 | 0:56:12 | |
Now it's absolutely perfect. No camels. | 0:56:12 | 0:56:17 | |
Yet again, the camels have gone off foraging in the night, | 0:56:17 | 0:56:22 | |
then, at last, as the sun rises, they appear over the horizon. | 0:56:22 | 0:56:27 | |
Everything comes together. | 0:56:33 | 0:56:35 | |
The women and the camels are ready, | 0:56:35 | 0:56:37 | |
and, with no wind, Toby is able to move around them in the early light, | 0:56:37 | 0:56:41 | |
capturing a magical scene. | 0:56:41 | 0:56:44 | |
As the women close in on the town of Fachi at the end of the trek, | 0:57:23 | 0:57:27 | |
the crew can finally relax, with their problems behind them. | 0:57:27 | 0:57:31 | |
Nice. It was a very, very nice flight. Nice light. Good speed of wind. | 0:57:31 | 0:57:37 | |
We've got a problem. | 0:57:37 | 0:57:39 | |
I thought we landed far enough away from town to be out of everyone's way. | 0:57:39 | 0:57:42 | |
But lurking to the horizon... and there are hundreds of specks | 0:57:42 | 0:57:46 | |
running this way. I reckon we've got three minutes | 0:57:46 | 0:57:48 | |
before we're completely engulfed. | 0:57:48 | 0:57:51 | |
I think Dany's off to, er... intercept the hordes. | 0:57:51 | 0:57:54 | |
DANY SPEAKS FRENCH | 0:57:54 | 0:57:56 | |
Those kids must be so excited. | 0:58:01 | 0:58:03 | |
I think Dany's got a bit of a treat for them. | 0:58:03 | 0:58:06 | |
WHOOSH | 0:58:08 | 0:58:10 | |
To the delight of all, the crew have triumphed against the odds... | 0:58:18 | 0:58:23 | |
and the stubborn camels. | 0:58:23 | 0:58:25 | |
CHEERING | 0:58:25 | 0:58:27 | |
Subtitles by Red Bee Media Ltd | 0:58:45 | 0:58:48 | |
Email [email protected] | 0:58:48 | 0:58:51 |