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Only one creature has carved a life for itself in every habitat on Earth. | 0:00:04 | 0:00:10 | |
That creature is us. | 0:00:12 | 0:00:15 | |
All over the world, we still use our ingenuity to survive in the wild places, | 0:00:16 | 0:00:23 | |
far from the city lights, face-to-face with raw nature. | 0:00:23 | 0:00:28 | |
This is the Human Planet. | 0:00:30 | 0:00:33 | |
In all the wild places on Earth, | 0:00:49 | 0:00:52 | |
we have risen to the challenges nature has thrown at us. | 0:00:52 | 0:00:56 | |
Now we have created the habitat of our dreams. | 0:00:59 | 0:01:04 | |
Designed by us, for us. | 0:01:05 | 0:01:09 | |
The pinnacle of human imagination and ingenuity. | 0:01:11 | 0:01:16 | |
This is where we humans like to think we reign supreme... | 0:01:17 | 0:01:21 | |
..driving out the nature we don't want... | 0:01:23 | 0:01:26 | |
Oh, God! | 0:01:28 | 0:01:30 | |
..shipping in what we do. | 0:01:30 | 0:01:31 | |
But the natural world isn't easy to control. | 0:01:35 | 0:01:39 | |
THEY SHOUT | 0:01:40 | 0:01:42 | |
Can we humans ever really master nature in the urban jungle? | 0:01:42 | 0:01:47 | |
And is it wise to try? | 0:01:47 | 0:01:50 | |
Dubai is the ultimate modern city... | 0:02:09 | 0:02:12 | |
..orderly, sparkling and squeaky clean. | 0:02:14 | 0:02:18 | |
It's a temple to man's ingenuity, rising from the desert. | 0:02:20 | 0:02:25 | |
But there's a menace in the air. | 0:02:31 | 0:02:34 | |
SPLAT | 0:02:34 | 0:02:35 | |
Pigeons. | 0:02:35 | 0:02:37 | |
SPLAT | 0:02:37 | 0:02:38 | |
Thousands of them are making a mess in this pristine metropolis, | 0:02:38 | 0:02:43 | |
and Dubai doesn't like it. | 0:02:43 | 0:02:46 | |
One man can help. | 0:02:48 | 0:02:50 | |
The Arabs call him Al Hurr. | 0:02:53 | 0:02:56 | |
His name is David Stead. | 0:02:56 | 0:02:59 | |
WHISTLES: Good lad. | 0:02:59 | 0:03:01 | |
His challenge is to keep Dubai pigeon free | 0:03:08 | 0:03:12 | |
using falcons - an ancient Arabian solution | 0:03:12 | 0:03:16 | |
for a modern urban problem. | 0:03:16 | 0:03:19 | |
-DAVID: -Birds of prey, of course, are hunting birds. | 0:03:23 | 0:03:25 | |
And the falcons, in the bird of prey family, | 0:03:25 | 0:03:28 | |
are the specialist bird-hunters. | 0:03:28 | 0:03:30 | |
They only catch other birds for a living. | 0:03:30 | 0:03:33 | |
And, as a result, the pigeons are most scared of falcons, | 0:03:33 | 0:03:37 | |
compared to any of the other birds of prey. So, even a pigeon | 0:03:37 | 0:03:40 | |
that has never seen a falcon in its life does have this almost genetic fear | 0:03:40 | 0:03:45 | |
of the silhouette - the shape - of a falcon. | 0:03:45 | 0:03:49 | |
Today, he is working for some of Dubai's top hotels | 0:03:56 | 0:04:00 | |
with his peregrine falcon Nimr. WHISTLING | 0:04:00 | 0:04:04 | |
Nimr is a three-year-old falcon now. | 0:04:05 | 0:04:08 | |
They become adult at one. | 0:04:08 | 0:04:10 | |
So she's now quite a mature falcon | 0:04:10 | 0:04:13 | |
although, at three, she still has an awful lot to learn. | 0:04:13 | 0:04:16 | |
Out of the whole team, she's probably the most arrogant. | 0:04:17 | 0:04:21 | |
She has this tremendous attitude about her | 0:04:21 | 0:04:24 | |
and she knows who's in charge. And, I can assure you, it's not us. | 0:04:24 | 0:04:28 | |
City pigeons damage these buildings. | 0:04:30 | 0:04:34 | |
Their corrosive droppings erode chrome and stone, | 0:04:34 | 0:04:37 | |
and each bird can produce 12 kilos of mess a year. | 0:04:37 | 0:04:42 | |
NIMR SQUAWKS | 0:04:48 | 0:04:50 | |
But David's aim isn't to kill or even catch them. | 0:04:50 | 0:04:54 | |
WHISTLING | 0:04:54 | 0:04:56 | |
He is hoping to scare them away. | 0:04:56 | 0:04:59 | |
And Nimr loves the chase. | 0:04:59 | 0:05:01 | |
After all, she's a peregrine - | 0:05:01 | 0:05:04 | |
the fastest creature in the sky, | 0:05:04 | 0:05:06 | |
capable of swooping at 280 kilometres an hour. | 0:05:06 | 0:05:10 | |
So, once she's moved them on, he needs to tempt her back. | 0:05:14 | 0:05:20 | |
And that's tricky. | 0:05:20 | 0:05:21 | |
She's an extremely inquisitive falcon, | 0:05:23 | 0:05:26 | |
which can be frustrating for me, because I tend to lose | 0:05:26 | 0:05:29 | |
all contact and control with her | 0:05:29 | 0:05:31 | |
when she's flying and she sees something amusing. | 0:05:31 | 0:05:34 | |
But there's always one way to a falcon's heart - | 0:05:38 | 0:05:44 | |
the promise of a chicken dinner. | 0:05:44 | 0:05:45 | |
Thanks to David and Nimr, Dubai's hotels remain pigeon-free. | 0:05:52 | 0:05:58 | |
After all, no-one wants pigeon poo to spoil their million-dollar view. | 0:06:04 | 0:06:10 | |
Sometimes, driving unwanted wildlife out of a town | 0:06:12 | 0:06:16 | |
requires a much more modern solution. | 0:06:16 | 0:06:19 | |
SIRENS WAIL | 0:06:19 | 0:06:22 | |
Sergeant Stan Schumaker is on a mission. | 0:06:27 | 0:06:31 | |
INDISTINCT RADIO MESSAGE | 0:06:31 | 0:06:33 | |
He works in Estes Park, Colorado. | 0:06:37 | 0:06:40 | |
Every day he patrols his patch on an unusual police vehicle - | 0:06:41 | 0:06:47 | |
a Segway scooter. | 0:06:47 | 0:06:49 | |
His job is to keep the streets free of trouble. | 0:06:54 | 0:06:58 | |
And trouble here is particularly large and spiky. | 0:06:58 | 0:07:03 | |
HORNS BLARE | 0:07:04 | 0:07:08 | |
Once the elk come in, getting around town's a hassle, pretty much | 0:07:12 | 0:07:17 | |
from June to the beginning of October. | 0:07:17 | 0:07:20 | |
Every summer, the town is invaded by elk stags. | 0:07:20 | 0:07:24 | |
Sergeant Schumaker's job is to make sure that the locals | 0:07:24 | 0:07:27 | |
can go about their daily business. | 0:07:27 | 0:07:30 | |
Not easy at this time of year. | 0:07:30 | 0:07:32 | |
They may look placid, | 0:07:32 | 0:07:34 | |
but elk weigh over 300 kilos, can be three metres tall | 0:07:34 | 0:07:38 | |
and their antlers are lethal. | 0:07:38 | 0:07:41 | |
They're pretty much everywhere in town. | 0:07:43 | 0:07:44 | |
This whole valley is pretty much full of elk. At any given time, | 0:07:44 | 0:07:48 | |
there could be anywhere from 500 to 1,500. | 0:07:48 | 0:07:53 | |
The female elk love the urban grasslands. | 0:07:53 | 0:07:57 | |
They live here year round. | 0:07:57 | 0:08:00 | |
We've got two main golf courses. | 0:08:00 | 0:08:03 | |
The grass is, of course, golf grass, so they absolutely love that. | 0:08:03 | 0:08:07 | |
The male elk are only visiting. | 0:08:07 | 0:08:09 | |
And it's not for golf. | 0:08:09 | 0:08:12 | |
The boys are back in town for one thing - | 0:08:13 | 0:08:17 | |
a stag party. | 0:08:17 | 0:08:19 | |
ELK GRUNT AND WHISTLE | 0:08:19 | 0:08:22 | |
At this time of year, | 0:08:23 | 0:08:25 | |
the stags fight over the females and can be very dangerous. | 0:08:25 | 0:08:29 | |
ELK GRUNT AND BARK | 0:08:29 | 0:08:33 | |
But it's not just the elk causing problems. | 0:08:33 | 0:08:36 | |
Sergeant Schumaker also has to control the tourists. | 0:08:36 | 0:08:41 | |
A lot of these tourists have no idea that these animals are wild. | 0:08:41 | 0:08:45 | |
It's the craziest thing, but they... | 0:08:45 | 0:08:47 | |
For some reason, they think these animals are tame. | 0:08:47 | 0:08:50 | |
ELK WHISTLES AND GRUNTS | 0:08:50 | 0:08:54 | |
SHOUTING | 0:08:59 | 0:09:01 | |
ELK GRUNTS | 0:09:02 | 0:09:03 | |
There's no messing with an irritable elk. | 0:09:03 | 0:09:07 | |
Get back, guys. | 0:09:08 | 0:09:10 | |
ELK GRUNTS AND SQUEALS | 0:09:10 | 0:09:12 | |
SHOUTING | 0:09:12 | 0:09:14 | |
In the Wild West of the 21st century, | 0:09:19 | 0:09:23 | |
the sheriff's white stallion has been replaced by a giant scooter. | 0:09:23 | 0:09:28 | |
The elk do not like the Segway. I don't know what it is. | 0:09:28 | 0:09:31 | |
I think it's the movement, | 0:09:31 | 0:09:33 | |
because I'm not moving normal, as a human would walk. | 0:09:33 | 0:09:36 | |
And I'm scurrying around a lot quicker on that Segway. | 0:09:36 | 0:09:40 | |
So the elk do not like it whatsoever. | 0:09:40 | 0:09:42 | |
Today's been a good day for Sergeant Schumaker. | 0:09:44 | 0:09:47 | |
He's run the troublemakers out of town. | 0:09:47 | 0:09:49 | |
But not all the invaders who come to our cities are so easy to chase away. | 0:09:52 | 0:09:58 | |
Some cities are plagued by creatures | 0:10:00 | 0:10:03 | |
who are just as wily and streetwise as us. | 0:10:03 | 0:10:07 | |
Jaipur, one of the fastest growing cities in India. | 0:10:08 | 0:10:13 | |
Here, muggings and petty theft are part of everyday life. | 0:10:13 | 0:10:17 | |
Shakuntla, a local market seller, is terrorised by street gangs. | 0:10:17 | 0:10:23 | |
And these are not the local lads. | 0:10:23 | 0:10:25 | |
She has to face them every day. | 0:10:43 | 0:10:47 | |
They're a terrifying bunch. | 0:10:49 | 0:10:52 | |
A posse of rhesus macaques hang out on the rooftops. | 0:10:58 | 0:11:02 | |
One bite from these canines can inflict horrible damage. | 0:11:03 | 0:11:07 | |
For the macaques, life in the urban jungle is even easier | 0:11:21 | 0:11:26 | |
than life in the real one. | 0:11:26 | 0:11:27 | |
MACAQUES CHATTER AND SHRIEK | 0:11:30 | 0:11:34 | |
Like us, they can be smart and slick. | 0:11:35 | 0:11:38 | |
Jaipur's temples and streets provide endless pockets to pick. | 0:11:49 | 0:11:54 | |
And their favourite place is the food market. | 0:11:54 | 0:11:59 | |
The question today is, will Shakuntla's stall | 0:12:01 | 0:12:04 | |
survive all the monkey business? | 0:12:04 | 0:12:07 | |
The attack is led by the gang leader, an alpha male. | 0:12:17 | 0:12:22 | |
The macaques work as a co-ordinated team, | 0:12:32 | 0:12:36 | |
ducking and diving. | 0:12:36 | 0:12:37 | |
Attacking from all angles, | 0:12:41 | 0:12:43 | |
the smaller macaques distract Shakuntla, | 0:12:43 | 0:12:46 | |
while the bolder males grab the loot. | 0:12:46 | 0:12:50 | |
Life on Jaipur's streets is tough enough. | 0:13:09 | 0:13:12 | |
But when your enemy is protected by a deity, there's nothing you can do. | 0:13:12 | 0:13:17 | |
These monkeys are sacred to the monkey god Hanuman. | 0:13:17 | 0:13:21 | |
Monkeys can be a menace in the market. | 0:13:37 | 0:13:40 | |
But there is a wider war going on under all our city streets. | 0:13:40 | 0:13:46 | |
SIRENS WAIL | 0:13:50 | 0:13:53 | |
Some species have become a threat to our domination | 0:13:53 | 0:13:56 | |
of our very own urban world. | 0:13:56 | 0:14:00 | |
Jeff and Junior are on a stakeout, | 0:14:00 | 0:14:04 | |
hunting down mortal enemies on the Manhattan front line. | 0:14:04 | 0:14:09 | |
My job is a night-time exterminator in New York City. | 0:14:09 | 0:14:12 | |
Day-time guys where I work do bedbugs. | 0:14:14 | 0:14:16 | |
We just do rats, mice, roaches in restaurants. | 0:14:16 | 0:14:20 | |
What sort of time do you think we'll be getting up in this place? | 0:14:20 | 0:14:23 | |
I don't know. They said about midnight. | 0:14:23 | 0:14:26 | |
They're not closed yet. | 0:14:26 | 0:14:29 | |
I mean, I don't really have a problem telling people what I do. | 0:14:29 | 0:14:32 | |
But we try to be as discreet as possible, just because I don't want people | 0:14:32 | 0:14:35 | |
to think that they're eating in an area that's full of rats. | 0:14:35 | 0:14:38 | |
But East Village is full of them, so you can't hide that. | 0:14:38 | 0:14:42 | |
Rats love fine dining too. | 0:14:42 | 0:14:45 | |
But they don't leave tips behind. | 0:14:45 | 0:14:47 | |
They leave excrement and disease. | 0:14:47 | 0:14:51 | |
No-one wants to admit that the Big Apple has a big rat problem, | 0:14:51 | 0:14:55 | |
so Jeff and Junior only work at night. | 0:14:55 | 0:14:58 | |
Trash is a big deal. | 0:14:58 | 0:15:00 | |
Us being sloppy humans throwing trash out on the sidewalks, | 0:15:00 | 0:15:04 | |
and leaving the juices and meat juices and chicken bones everywhere. | 0:15:04 | 0:15:07 | |
That's a buffet for them, you know what I mean? | 0:15:07 | 0:15:10 | |
Tonight, they're laying traps in Chinatown. | 0:15:10 | 0:15:13 | |
Wow! | 0:15:13 | 0:15:15 | |
HE WHISTLES | 0:15:15 | 0:15:16 | |
Are you OK? | 0:15:16 | 0:15:18 | |
Another one of these, man. | 0:15:18 | 0:15:21 | |
Another one of these. Wow. | 0:15:21 | 0:15:24 | |
How do you even leave your restaurant like this? | 0:15:24 | 0:15:27 | |
Oh, man! Dude, look at this. | 0:15:27 | 0:15:30 | |
Look at all of this stuff! Sushi, rice, noodles. | 0:15:30 | 0:15:35 | |
Rats will eat anything, from chop suey to the chopsticks themselves. | 0:15:36 | 0:15:42 | |
We walk in at night because we have keys. | 0:15:42 | 0:15:44 | |
We have to go when the customers are gone. | 0:15:44 | 0:15:46 | |
And when the people leave the restaurant, the rats think it's time to come out. | 0:15:46 | 0:15:51 | |
But we go in there later, like an hour after they close, so they're out partying. | 0:15:51 | 0:15:55 | |
Uh-oh. There he is, there he is, there he is. Right there, right there. | 0:15:55 | 0:15:57 | |
Right there, right there, right there. See him? | 0:15:57 | 0:15:59 | |
Shh! He's going down, he's going down. Right there. Right in the hole. | 0:15:59 | 0:16:03 | |
Damn! | 0:16:04 | 0:16:06 | |
-He was drinking coffee. -Something. | 0:16:06 | 0:16:08 | |
That's the last thing that this guy needs is coffee. | 0:16:08 | 0:16:11 | |
HE CHUCKLES | 0:16:11 | 0:16:13 | |
Unbelievable! | 0:16:13 | 0:16:14 | |
-That's why I don't eat take out, man. -Yes, you do. | 0:16:14 | 0:16:17 | |
HE CHUCKLES | 0:16:17 | 0:16:18 | |
Come on. Let's go to the basement, man. | 0:16:18 | 0:16:20 | |
Watch out, man. It's slippery. | 0:16:22 | 0:16:24 | |
And there's another horror in the basement. | 0:16:27 | 0:16:29 | |
Yo! Look at the bugs in the ceiling! You don't ever see that. | 0:16:29 | 0:16:33 | |
Right there behind the door. | 0:16:33 | 0:16:34 | |
Cockroaches. | 0:16:34 | 0:16:37 | |
This is professional extermination. | 0:16:37 | 0:16:39 | |
-Oh! Have you seen this basement? -What's in there, man? | 0:16:41 | 0:16:43 | |
Old buildings connected by pipes and basements | 0:16:43 | 0:16:47 | |
allow the rats and roaches to scuttle through the city unseen. | 0:16:47 | 0:16:51 | |
It's disgusting in here. Look at the water dripping all over the place. | 0:16:51 | 0:16:54 | |
We're basically trying to be quiet to hear noises | 0:16:54 | 0:16:56 | |
for any, you know, any signs of rat activities. | 0:16:56 | 0:16:59 | |
You hear that? You hear that? The little pitter-patter? | 0:16:59 | 0:17:02 | |
-LIGHT TAPPING -Little fingernails? | 0:17:04 | 0:17:05 | |
Yup. Over here. | 0:17:05 | 0:17:08 | |
Look at that. That goes right into the... I can see the kitchen! | 0:17:10 | 0:17:14 | |
For Jeff and Junior, it's a lifelong fight. | 0:17:16 | 0:17:19 | |
It's said there's at least one rat for every person in New York. | 0:17:19 | 0:17:23 | |
That's nearly nine million rats. | 0:17:23 | 0:17:25 | |
As far as humans winning the battle over rats - nowhere close. | 0:17:26 | 0:17:31 | |
I don't even know how you would stop it, I really don't. | 0:17:31 | 0:17:34 | |
They are going to use every contraption they can devise | 0:17:36 | 0:17:39 | |
in the battle with the pests. | 0:17:39 | 0:17:41 | |
-Well, this is a... -I don't want to call them out, but... | 0:17:41 | 0:17:44 | |
-Listen to that. -PITTER-PATTERING | 0:17:44 | 0:17:46 | |
All those people out there, they have no idea what's happening down here. | 0:17:46 | 0:17:49 | |
And they're going to come eat here tomorrow. | 0:17:49 | 0:17:51 | |
50% off all day, huh? | 0:17:51 | 0:17:53 | |
BOTH CHUCKLE | 0:17:53 | 0:17:55 | |
Yeah... Yeah, no wonder. | 0:17:55 | 0:17:58 | |
24 hours later, Jeff and Junior are back to assess the death toll. | 0:18:05 | 0:18:11 | |
Ah, dude. | 0:18:11 | 0:18:12 | |
The snap traps have worked. | 0:18:15 | 0:18:17 | |
He's cute. | 0:18:19 | 0:18:21 | |
And the glue mats. | 0:18:21 | 0:18:23 | |
This one is decomposing. | 0:18:23 | 0:18:26 | |
And the poison. | 0:18:26 | 0:18:28 | |
Oh, dude! | 0:18:28 | 0:18:30 | |
-Look at the size of him! -He's dead. | 0:18:30 | 0:18:33 | |
Looks like he's been fighting with something, bro. | 0:18:33 | 0:18:37 | |
Damn! Look at them teeth, bro. Whoa! | 0:18:37 | 0:18:39 | |
-Whoa! -What's the weight on that? | 0:18:39 | 0:18:42 | |
I'm telling you, man. My arm got tired. That's pretty... That's brutal. | 0:18:42 | 0:18:45 | |
Oh, man! | 0:18:45 | 0:18:47 | |
This is just another night in the ongoing battle with our eternal enemies. | 0:18:47 | 0:18:52 | |
Sometimes we'll walk out with bags of dead things | 0:18:53 | 0:18:57 | |
And I'll take a take-out bag from the restaurant | 0:18:57 | 0:18:59 | |
so people would think I'm leaving with take-out food. | 0:18:59 | 0:19:03 | |
And it gets worse. | 0:19:19 | 0:19:23 | |
There are other tiny creatures which take advantage | 0:19:23 | 0:19:27 | |
of dense urban populations. | 0:19:27 | 0:19:29 | |
They exploit us in much more intimate ways. | 0:19:31 | 0:19:35 | |
They're reaching epidemic proportions. | 0:19:36 | 0:19:39 | |
Not just feeding off us like rats, | 0:19:40 | 0:19:43 | |
but literally feeding on us. | 0:19:43 | 0:19:45 | |
Londoner Carol Anderson has these unwanted house guests. | 0:19:47 | 0:19:51 | |
Have you got any bites on you at the moment? | 0:19:51 | 0:19:53 | |
You mean these? | 0:19:53 | 0:19:54 | |
Yeah, the bites that you had all round here. | 0:19:56 | 0:19:58 | |
There's still little red marks from them, aren't there? | 0:19:58 | 0:20:01 | |
Where do you think they are in your room? | 0:20:03 | 0:20:05 | |
Down the side of the bed. | 0:20:05 | 0:20:07 | |
-That's what I meant. -And crawling up the walls. | 0:20:07 | 0:20:11 | |
Irritating parasites which only come out at night. | 0:20:13 | 0:20:17 | |
Right. Right. Come on, then. | 0:20:18 | 0:20:20 | |
In you go. Hop up. | 0:20:20 | 0:20:23 | |
That's it, then. Good night, sleep tight, don't let the...? | 0:20:23 | 0:20:26 | |
-Bedbugs bite. -SHE LAUGHS | 0:20:26 | 0:20:29 | |
Let's hope not. | 0:20:29 | 0:20:30 | |
Bedbugs are insect vampires attracted to carbon dioxide, heat and body odours. | 0:20:38 | 0:20:45 | |
They like clean, warm houses. | 0:20:48 | 0:20:51 | |
Their only food is human blood. | 0:21:02 | 0:21:05 | |
The sheer numbers is quite daunting, really. | 0:21:06 | 0:21:11 | |
They literally were streaming up the wall, up to the ceiling, just full of blood. | 0:21:11 | 0:21:15 | |
So they'd obviously all just been feeding. | 0:21:15 | 0:21:17 | |
First thing in the morning, I woke up and looked up. | 0:21:17 | 0:21:19 | |
It was horrible, it really was horrible. | 0:21:19 | 0:21:22 | |
Carol calls in the best bedbug detector in the business... | 0:21:27 | 0:21:31 | |
..Charlie the chocolate Labrador, | 0:21:32 | 0:21:36 | |
ably assisted by his handler, Adam. | 0:21:36 | 0:21:39 | |
Right. Well, the sofa seems to be the worst affected. Got lots of bugs in here. | 0:21:45 | 0:21:51 | |
Charlie's nose is 44 times more sensitive than ours. | 0:21:51 | 0:21:56 | |
He can literally sniff out the bedbugs. | 0:21:56 | 0:21:58 | |
Seek. | 0:21:58 | 0:22:00 | |
CHARLIE SNIFFS | 0:22:00 | 0:22:03 | |
CHARLIE GROWLS | 0:22:03 | 0:22:04 | |
If they are present, he's trained to sit down. | 0:22:06 | 0:22:11 | |
Good boy, Charlie. | 0:22:12 | 0:22:14 | |
It's all Adam needs to know. | 0:22:14 | 0:22:17 | |
Bedbugs are on the increase, | 0:22:22 | 0:22:25 | |
hitchhiking as we travel from city to city, | 0:22:25 | 0:22:28 | |
often infesting furniture like Carol's sofa. | 0:22:28 | 0:22:31 | |
I do resent them, but I quite admire them as well. | 0:22:34 | 0:22:37 | |
They're actually quite amazing, | 0:22:37 | 0:22:40 | |
which makes it even creepier, you know, because... | 0:22:40 | 0:22:42 | |
that's what I'm up against. | 0:22:42 | 0:22:44 | |
But with Adam's spray and Charlie's nose, | 0:22:47 | 0:22:51 | |
the bugs here have met their match. | 0:22:51 | 0:22:54 | |
This is one urban intruder nobody wants to live with. | 0:22:54 | 0:22:58 | |
In some parts of the world, people have learned | 0:23:07 | 0:23:10 | |
to put their urban invaders to good use. | 0:23:10 | 0:23:13 | |
The Moroccan city of Fez, a bit like Dubai, | 0:23:15 | 0:23:19 | |
has a problem with pigeons. | 0:23:19 | 0:23:21 | |
But rather than chasing them away, the people of Fez invite them in. | 0:23:23 | 0:23:29 | |
Nordine has built a home for pigeons on his roof. | 0:23:34 | 0:23:37 | |
He doesn't do this just for the love of animals. | 0:23:57 | 0:24:00 | |
Pigeon droppings are vital to a local industry. | 0:24:00 | 0:24:03 | |
And Nordine's friend Tami has come to buy some. | 0:24:05 | 0:24:09 | |
Tami works at the local tannery. | 0:24:27 | 0:24:30 | |
Fez is the centre of the Moroccan leather industry. | 0:24:30 | 0:24:34 | |
The leather here is famed for its softness, | 0:24:40 | 0:24:43 | |
and the pigeon droppings are a secret ingredient. | 0:24:43 | 0:24:46 | |
Wild pigeon droppings | 0:24:54 | 0:24:56 | |
contain an enzyme which eats at the protein | 0:24:56 | 0:24:59 | |
in the animal skin, softening it up. | 0:24:59 | 0:25:02 | |
The hides are soaked in the vats for three days, | 0:25:03 | 0:25:07 | |
and Tami works them with his feet. | 0:25:07 | 0:25:10 | |
This could be the stinkiest job in the world. | 0:25:11 | 0:25:15 | |
For Tami, it's a price worth paying. | 0:25:26 | 0:25:29 | |
The pigeon droppings give the skins a softness | 0:25:29 | 0:25:32 | |
no man-made chemical can produce. | 0:25:32 | 0:25:35 | |
Thanks to Fez's wild pigeons, | 0:26:06 | 0:26:08 | |
the skins will reach the highest possible price. | 0:26:08 | 0:26:12 | |
Another very different city is also working with an urban intruder. | 0:26:18 | 0:26:24 | |
SIRENS WAIL | 0:26:28 | 0:26:32 | |
Sometimes even the most unlikely species can turn out to be good news. | 0:26:34 | 0:26:41 | |
Austin, Texas, | 0:26:44 | 0:26:45 | |
is now home to 1.5 million free-tail bats and, today, | 0:26:45 | 0:26:51 | |
they are very welcome here. | 0:26:51 | 0:26:53 | |
PIPING SQUEAKS | 0:26:53 | 0:26:56 | |
20 years ago they set up home on this bridge in downtown Austin, | 0:26:58 | 0:27:02 | |
and the residents wanted to get rid of them. | 0:27:02 | 0:27:05 | |
MURMURING VOICES | 0:27:05 | 0:27:09 | |
River boatman Captain Mike remembers it well. | 0:27:09 | 0:27:13 | |
They're already taking off. | 0:27:14 | 0:27:15 | |
Look over the tree tops along the right-hand side. | 0:27:15 | 0:27:18 | |
They are off and running. | 0:27:18 | 0:27:19 | |
There was a fair amount of people that were actually afraid of the bats | 0:27:19 | 0:27:24 | |
because they were afraid we were going to have a rabies problem | 0:27:24 | 0:27:27 | |
or a disease outbreak, | 0:27:27 | 0:27:28 | |
so there were actually groups of people lobbying the city council | 0:27:28 | 0:27:32 | |
and business leaders to figure out a way to exterminate the colony. | 0:27:32 | 0:27:37 | |
But bats turned out to be helpful for the city. | 0:27:40 | 0:27:43 | |
The 24-hour urban lifestyle means that Austin is a city of light, | 0:27:43 | 0:27:48 | |
and that attracts millions of insects, | 0:27:48 | 0:27:51 | |
which are, in turn, fast food for bats. | 0:27:51 | 0:27:55 | |
Every night, the bats eat six tonnes of insects. | 0:27:59 | 0:28:04 | |
That's an incredible 2,000 tonnes a year. | 0:28:04 | 0:28:07 | |
However, they're more than just bug killers. | 0:28:10 | 0:28:13 | |
Captain Mike saw bats as a commercial opportunity. | 0:28:13 | 0:28:17 | |
I started doing bat-watching cruises shortly after they moved in here, | 0:28:19 | 0:28:22 | |
and word spread and they started getting more and more popular. | 0:28:22 | 0:28:25 | |
So we do those seven nights a week during the season, from March to October. | 0:28:25 | 0:28:30 | |
Bats have really helped me in my business, so I love them. | 0:28:30 | 0:28:33 | |
If you look up underneath the bridge, | 0:28:33 | 0:28:35 | |
you can watch them drop out of these cracks here. | 0:28:35 | 0:28:37 | |
Visitors who come to see the bats | 0:28:37 | 0:28:39 | |
generate 10 million in tourist revenue every year. | 0:28:39 | 0:28:44 | |
So the free-tail bats of the state capital are now protected. | 0:28:44 | 0:28:49 | |
PIPING SQUEAKS | 0:28:49 | 0:28:52 | |
It turns out we still want to be connected to nature, | 0:29:00 | 0:29:04 | |
and perhaps we always have. | 0:29:04 | 0:29:07 | |
HORNS BEEP | 0:29:08 | 0:29:09 | |
In India, one group of people take caring for animals to the ultimate extreme, | 0:29:12 | 0:29:18 | |
and they've been doing it for centuries. | 0:29:18 | 0:29:21 | |
Shyam Sunder has rescued a chinkara gazelle | 0:29:25 | 0:29:29 | |
on the outskirts of his town in Rajasthan. | 0:29:29 | 0:29:32 | |
Her mother has been killed. | 0:29:35 | 0:29:37 | |
Without milk, the fawn will not survive, | 0:29:37 | 0:29:40 | |
so Shyam is taking her home. | 0:29:40 | 0:29:43 | |
They're calling her Arti, | 0:30:10 | 0:30:13 | |
and a spot of sandalwood honours her arrival. | 0:30:13 | 0:30:17 | |
Kyran, Shyam's wife, has cared for many gazelles. | 0:30:20 | 0:30:25 | |
The Sunders belong to a Hindu sect of nature worshippers called the Bishnoi. | 0:30:36 | 0:30:43 | |
Shyam supplies milk to the Bishnoi temple, | 0:30:43 | 0:30:46 | |
which has its own orphans to care for. | 0:30:46 | 0:30:48 | |
The Bishnoi were India's first environmentalists, | 0:30:51 | 0:30:54 | |
and have brought their traditions from the country into the towns and cities. | 0:30:54 | 0:30:59 | |
It is their belief that gazelles are their children | 0:31:02 | 0:31:06 | |
and so the Bishnoi women show an incredible act of kindness. | 0:31:06 | 0:31:11 | |
They breast-feed the fawns that don't take to the bottle. | 0:31:11 | 0:31:14 | |
Even for gazelles, breast is best. | 0:31:27 | 0:31:30 | |
After six weeks with her new family, Arti is weaned. | 0:31:56 | 0:32:00 | |
She's now fit and healthy. | 0:32:22 | 0:32:25 | |
Shyam can take her back to the wild. | 0:32:25 | 0:32:29 | |
Watching a child leave home is always tough for a mum, | 0:32:32 | 0:32:36 | |
even a surrogate one. | 0:32:36 | 0:32:38 | |
Arti is returned to the desert, where she'll join up with the wild herds. | 0:32:40 | 0:32:46 | |
This may appear to be a tiny gesture of kindness, | 0:32:51 | 0:32:54 | |
but all of us who live in cities need the nature that exists | 0:32:54 | 0:32:59 | |
beyond the city walls... | 0:32:59 | 0:33:01 | |
..because the natural world feeds our hungry cities. | 0:33:08 | 0:33:12 | |
And what the urban jungle needs, the urban jungle gets. | 0:33:17 | 0:33:23 | |
SHIP'S HORN BLARES | 0:33:23 | 0:33:25 | |
More than three billion of us now live in cities. | 0:33:25 | 0:33:30 | |
To feed this huge population, | 0:33:33 | 0:33:35 | |
we ship in billions of tonnes of fresh food and produce all year round. | 0:33:35 | 0:33:41 | |
We have the technology to bring in what we want | 0:33:44 | 0:33:48 | |
from thousands of kilometres away. | 0:33:48 | 0:33:50 | |
Peaches may grow here in Spain, | 0:33:55 | 0:33:57 | |
but these are imported from South America. | 0:33:57 | 0:34:02 | |
We consume what we want, when we want it. | 0:34:09 | 0:34:12 | |
We no longer need to eat locally or seasonally. | 0:34:18 | 0:34:21 | |
And we have an insatiable appetite. | 0:34:27 | 0:34:31 | |
We've never been so good at exploiting nature. | 0:34:35 | 0:34:39 | |
But we're not quite so good at dealing with the consequences. | 0:34:39 | 0:34:44 | |
Massive consumption creates mountains of waste. | 0:34:48 | 0:34:52 | |
In the UK alone, we produce over 100 million tonnes of rubbish each year. | 0:34:58 | 0:35:04 | |
And we dump it safely out of sight. | 0:35:06 | 0:35:09 | |
But in some places, this world is home to an unfortunate few. | 0:35:12 | 0:35:17 | |
CROWS CAW | 0:35:22 | 0:35:25 | |
Here in Mombasa, Kenya, | 0:35:28 | 0:35:30 | |
people must scratch a living from the things others throw away. | 0:35:30 | 0:35:36 | |
MURMUR OF VOICES | 0:35:36 | 0:35:39 | |
For Ashe and her family, this dump is both home and hunting ground. | 0:35:41 | 0:35:46 | |
They are modern-day hunter-gatherers, adapted to survival on the dark side | 0:35:48 | 0:35:54 | |
of the urban jungle. | 0:35:54 | 0:35:56 | |
When a rubbish truck arrives, the race is on to grab the best scraps. | 0:36:39 | 0:36:45 | |
Ashe's husband, Ali, gets stuck in. | 0:37:10 | 0:37:14 | |
This really is life on the edge... | 0:37:19 | 0:37:23 | |
..finding food for your children in a city's rubbish. | 0:37:25 | 0:37:30 | |
More than half of us now live in cities. | 0:37:40 | 0:37:44 | |
And we're using up nature's resources as never before. | 0:37:44 | 0:37:49 | |
We are, without doubt, the most inventive | 0:37:54 | 0:37:57 | |
and powerful creature on the planet. | 0:37:57 | 0:37:59 | |
We're so successful, we've hijacked the whole world for our own ends. | 0:38:03 | 0:38:09 | |
But the consequences of our voracious lives are spiralling out of control. | 0:38:14 | 0:38:20 | |
Are we pushing the natural world towards a crisis? | 0:38:23 | 0:38:28 | |
Where do we go from here? | 0:38:31 | 0:38:34 | |
There are a few people who seem to be heading in a new direction. | 0:38:43 | 0:38:47 | |
One challenge is to design a city that's in balance with nature. | 0:38:51 | 0:38:56 | |
This is Masdar, a green city being built in the desert of Abu Dhabi. | 0:38:58 | 0:39:05 | |
It's designed by architect Norman Foster. | 0:39:05 | 0:39:09 | |
Masdar excites me because it's really the only true experiment | 0:39:11 | 0:39:17 | |
on the planet, at the moment, in terms of seeking to achieve an environment, | 0:39:17 | 0:39:24 | |
a community, a mini city, which is carbon-free and waste-free. | 0:39:24 | 0:39:29 | |
Now, that would be a tough challenge anywhere in the world. | 0:39:31 | 0:39:36 | |
To do it in a desert environment, you could say, you know, | 0:39:36 | 0:39:39 | |
"You must be crazy to even attempt it." | 0:39:39 | 0:39:42 | |
Masdar will be powered by the sun. | 0:39:50 | 0:39:54 | |
It will not waste a single drop of water. | 0:39:56 | 0:40:00 | |
There will be no need for gas-guzzling cars. | 0:40:02 | 0:40:06 | |
The starting point for Masdar | 0:40:06 | 0:40:09 | |
was really working with nature, in terms of the solar cycle, | 0:40:09 | 0:40:14 | |
making the greenery, not just a cosmetic greenery, | 0:40:14 | 0:40:17 | |
but creating shade, burning the waste that we produce | 0:40:17 | 0:40:22 | |
and, out of that process, creating energy. | 0:40:22 | 0:40:24 | |
So it's starting with nature and then it's using the technology, | 0:40:24 | 0:40:29 | |
working with nature, in harness with nature. | 0:40:29 | 0:40:33 | |
It is a noble ambition and it can be achieved. | 0:40:38 | 0:40:42 | |
However, the immediate challenge | 0:40:44 | 0:40:46 | |
is to try and change the way we live with nature in our existing cities. | 0:40:46 | 0:40:50 | |
This is the Union Square market in New York. | 0:41:12 | 0:41:16 | |
It sells produce that's grown locally, often on the rooftops | 0:41:16 | 0:41:20 | |
of New York's tower blocks. | 0:41:20 | 0:41:23 | |
-Hello, would you like to try some of our honey? -Buckwheat. | 0:41:23 | 0:41:25 | |
-Local? -Whipped honey, miss? | 0:41:25 | 0:41:28 | |
-No? -Too sweet? -You're sweet enough? | 0:41:28 | 0:41:30 | |
-BUZZING -Good morning. | 0:41:30 | 0:41:32 | |
Honey for you, miss? Ah, you're doing the right thing. | 0:41:32 | 0:41:36 | |
A traditionalist. | 0:41:36 | 0:41:37 | |
Andrew Cote is the guru | 0:41:37 | 0:41:40 | |
of high-rise beekeeping and a third generation beekeeper. | 0:41:40 | 0:41:44 | |
Until recently, urban beekeeping | 0:41:45 | 0:41:48 | |
was illegal in New York, but that didn't stop Andrew. | 0:41:48 | 0:41:52 | |
Personally, in my case, I was never caught. | 0:41:54 | 0:41:57 | |
Even though I was very public about having bees, | 0:41:57 | 0:42:00 | |
I didn't tell people exactly where they were. | 0:42:00 | 0:42:03 | |
Yes, sir. 10, would you like a bag? | 0:42:03 | 0:42:06 | |
Happily, New York changed its mind, and Andrew's mission | 0:42:07 | 0:42:12 | |
is to bring bees into everyone's lives. | 0:42:12 | 0:42:15 | |
Today, he's on the balcony of a swanky Manhattan apartment | 0:42:15 | 0:42:19 | |
with novice, Vivien Wang. | 0:42:19 | 0:42:21 | |
You're going to have a problem | 0:42:21 | 0:42:23 | |
with the outer cover because there are a lot of bees on the inside of it. | 0:42:23 | 0:42:26 | |
Smoke 'em. | 0:42:26 | 0:42:27 | |
Smoke 'em if you got 'em. | 0:42:29 | 0:42:30 | |
Andrew is sort of the king bee, I think, of urban beekeeping, | 0:42:30 | 0:42:33 | |
And those of us who are his students, | 0:42:33 | 0:42:35 | |
I think of myself as the honey sorcerer's apprentice, in a way. | 0:42:35 | 0:42:41 | |
What do you see? | 0:42:41 | 0:42:42 | |
I see a lot of cap honey under here. | 0:42:42 | 0:42:44 | |
-Mm-hm. -And I see... It looks like... | 0:42:44 | 0:42:47 | |
raw nectar. | 0:42:47 | 0:42:48 | |
It's an unusual pastime for a New York lawyer. | 0:42:48 | 0:42:52 | |
I think my friends, when I told them | 0:42:52 | 0:42:54 | |
that I was going to start being a beekeeper, | 0:42:54 | 0:42:56 | |
were amused. They thought it was quirky but kind of wonderful, | 0:42:56 | 0:43:00 | |
because it's a different way for us to all connect with nature. | 0:43:00 | 0:43:04 | |
I think all of us need a little more sweetness in our lives | 0:43:04 | 0:43:06 | |
and it's nice to be able to cast our eyes | 0:43:06 | 0:43:08 | |
skyward in this city, you know, away and above the traffic, | 0:43:08 | 0:43:13 | |
and think about all these bees buzzing above our heads. | 0:43:13 | 0:43:16 | |
But being a novice beekeeper has its ups and downs. | 0:43:16 | 0:43:20 | |
-Ow. Ow... -What, what, what? | 0:43:20 | 0:43:23 | |
Nothing. Sorry, I didn't know they could sting through hands quite like that. | 0:43:23 | 0:43:27 | |
They're stinging me like crazy. I really want you to let go. | 0:43:27 | 0:43:29 | |
There are now nearly ten million bees living on the rooftops of New York. | 0:43:30 | 0:43:36 | |
Over the river in Queens, it's a special day for beekeeper Stefanos. | 0:43:42 | 0:43:47 | |
He's harvesting his first honey with Andrew's help. | 0:43:47 | 0:43:50 | |
BUZZING | 0:43:50 | 0:43:53 | |
-This one's perfect. Couldn't be better. -Oh, yes, look. | 0:43:53 | 0:43:57 | |
I think we should give the honey a taste, just... | 0:43:57 | 0:44:00 | |
Just to make sure. | 0:44:00 | 0:44:01 | |
Oh, man, this is going to be so good. | 0:44:03 | 0:44:06 | |
Oh, my God! | 0:44:13 | 0:44:14 | |
It's like caramelised sunlight. | 0:44:19 | 0:44:21 | |
-It's just quality control. -Right. | 0:44:23 | 0:44:26 | |
Bees make honey and they pollinate the city's parks and gardens. | 0:44:31 | 0:44:37 | |
But most importantly, they bring New Yorkers back in touch with nature. | 0:44:37 | 0:44:42 | |
I think a lot of people are beekeeping in the city | 0:44:47 | 0:44:49 | |
because they want to feel a connection to nature. | 0:44:49 | 0:44:52 | |
They live in tall buildings, they walk on asphalt... | 0:44:52 | 0:44:55 | |
..they ride around in trains under the ground. | 0:44:56 | 0:44:58 | |
When they have a beehive on their roof, | 0:44:58 | 0:45:00 | |
they can spend one or two hours a week, | 0:45:00 | 0:45:02 | |
and really be connected to nature, and be creating their own food | 0:45:02 | 0:45:05 | |
with almost no footprint, and I think that's great. | 0:45:05 | 0:45:10 | |
Beekeeping in New York isn't going to save the planet, | 0:45:11 | 0:45:15 | |
but it's a step in the right direction. | 0:45:15 | 0:45:17 | |
There is just no doubt. | 0:45:26 | 0:45:28 | |
If we are to continue living in cities, | 0:45:28 | 0:45:31 | |
we'll have to stop stripping nature bare with no thought for tomorrow. | 0:45:31 | 0:45:37 | |
What we do in our homes and in our streets affects the entire planet. | 0:45:37 | 0:45:42 | |
The future of our civilisation depends on us restoring the balance | 0:45:47 | 0:45:52 | |
between the natural world and the urban jungle. | 0:45:52 | 0:45:56 | |
Can we do it? | 0:45:58 | 0:45:59 | |
There are clear signs of hope from around the world. | 0:46:03 | 0:46:08 | |
We do have the intelligence and ingenuity to adapt to a changing world. | 0:46:08 | 0:46:13 | |
The ancient art of falconry now helps protect the modern city of Dubai. | 0:46:13 | 0:46:18 | |
We can work hand in hand with nature to solve the problems we face. | 0:46:22 | 0:46:27 | |
In India, we train fig trees to make living bridges. | 0:46:29 | 0:46:33 | |
And we team up with elephants to extract valuable timber | 0:46:35 | 0:46:38 | |
without trashing the whole forest. | 0:46:38 | 0:46:40 | |
We can think as a community and plan ahead. In Mali, | 0:46:43 | 0:46:47 | |
the fish in this lake are shared out only once a year. | 0:46:47 | 0:46:51 | |
When we work together, it's incredible what we can achieve. | 0:46:58 | 0:47:02 | |
Everyone in the mud city of Djenne | 0:47:02 | 0:47:06 | |
collaborates to protect their sacred mosque. | 0:47:06 | 0:47:09 | |
We have such spirit and such bravery in the face of adversity. | 0:47:14 | 0:47:19 | |
If we combine these natural abilities | 0:47:22 | 0:47:25 | |
with the best of our imagination and our biggest ideas | 0:47:25 | 0:47:30 | |
then surely our cities can adapt and change. | 0:47:30 | 0:47:34 | |
The destiny of our planet is now in human hands. | 0:47:39 | 0:47:44 | |
CHEERING AND CLAMOURING | 0:47:54 | 0:47:58 | |
Over three years, the Human Planet team has filmed people around the world. | 0:48:00 | 0:48:06 | |
All had amazing endurance, local know-how, and ingenuity. | 0:48:06 | 0:48:11 | |
WHOOPING CALL | 0:48:14 | 0:48:16 | |
Just keeping up with them proved to be a huge challenge. | 0:48:18 | 0:48:21 | |
The demands on our teams and kit pushed them to the limit. | 0:48:21 | 0:48:27 | |
Filming on an active volcano in Java tested the cameras to breaking point. | 0:48:33 | 0:48:38 | |
The crew were here to film sulphur miners. | 0:48:40 | 0:48:44 | |
The air they breathe was a danger to both people and kit. | 0:48:44 | 0:48:50 | |
I'm just going to go in there, a bit closer, with a gas meter | 0:48:50 | 0:48:53 | |
and see what it does. | 0:48:53 | 0:48:55 | |
-METER BEEPS -It's reading 93 parts per million. | 0:48:58 | 0:49:01 | |
-It's going up to 194 now. -RAPID BEEPS CONTINUE | 0:49:01 | 0:49:05 | |
So we're right in the middle of a cloud. We've got to get out. | 0:49:05 | 0:49:09 | |
This is 40 times the safe working limit. | 0:49:09 | 0:49:12 | |
The gas is a hydrogen sulphide mix that corrodes every surface it lands on. | 0:49:13 | 0:49:18 | |
GASPING AND MUFFLED SPEECH | 0:49:19 | 0:49:22 | |
The gas masks protected the crew, but not the cameras. | 0:49:22 | 0:49:27 | |
We've got an RF warning on the camera, | 0:49:30 | 0:49:32 | |
which means that the signal's not actually getting onto the tape. | 0:49:32 | 0:49:36 | |
It's usually a head clog. | 0:49:36 | 0:49:37 | |
The crew found that sulphide particles had stuck to the tape head | 0:49:38 | 0:49:42 | |
and open-heart surgery was needed. | 0:49:42 | 0:49:46 | |
That's absolutely filthy. | 0:49:46 | 0:49:48 | |
After cleaning, the camera lived to work another day. | 0:49:48 | 0:49:51 | |
-Hey! -Ho-ho! | 0:49:51 | 0:49:54 | |
But the crew's problems were nothing compared to those faced daily | 0:49:56 | 0:50:00 | |
by the sulphur miners. | 0:50:00 | 0:50:01 | |
In the Sulu Sea off Borneo, | 0:50:07 | 0:50:10 | |
cameraman Simon Enderby | 0:50:10 | 0:50:12 | |
filmed a remarkable free-diving fisherman called Sulbin. | 0:50:12 | 0:50:17 | |
Here I was with the latest in scuba gear, | 0:50:22 | 0:50:25 | |
and he was swimming in a pair of underpants and wooden goggles. | 0:50:25 | 0:50:29 | |
We really made for a bizarre dive duo. | 0:50:29 | 0:50:31 | |
To capture the perfect hunt, I had to match my scuba-dive skills | 0:50:31 | 0:50:35 | |
with those of Sulbin's free-diving. | 0:50:35 | 0:50:37 | |
Our buoyancy, our swimming, our search for food, and, finally, | 0:50:37 | 0:50:41 | |
his successful capture of a fish, all had to evolve together. | 0:50:41 | 0:50:45 | |
Luckily, on the third dive, it all came together, and we both came up happy. | 0:50:45 | 0:50:51 | |
Oh, wow, mate, that's the one. That's definitely the one. | 0:50:51 | 0:50:54 | |
In the Philippines, we filmed fishermen | 0:51:01 | 0:51:03 | |
herding all the fish on a reef into a huge net. | 0:51:03 | 0:51:07 | |
Here, we found that fish can be adaptable too. | 0:51:08 | 0:51:13 | |
Cameraman Roger Munns inadvertently saved one fish from becoming supper. | 0:51:13 | 0:51:17 | |
He nicknamed him Nemo. | 0:51:21 | 0:51:23 | |
Nemo sheltered in Roger's dive kit | 0:51:23 | 0:51:26 | |
and hid there until the coast was clear... | 0:51:26 | 0:51:28 | |
..eventually swimming off back home. | 0:51:31 | 0:51:33 | |
We filmed in many locations | 0:51:43 | 0:51:45 | |
where people had never seen film cameras before. | 0:51:45 | 0:51:49 | |
In northern India, the children constantly looked into the lens. | 0:51:50 | 0:51:55 | |
So, to get the shots he wanted, director Mark Flowers | 0:51:55 | 0:51:59 | |
tried to distract the children by singing a song. | 0:51:59 | 0:52:02 | |
I never sing in my whole life! | 0:52:02 | 0:52:04 | |
LAUGHTER | 0:52:04 | 0:52:06 | |
Much to his surprise, the children knew the nursery rhymes better than he did. | 0:52:06 | 0:52:11 | |
# Twinkle, twinkle, little star... | 0:52:11 | 0:52:14 | |
-CHILDREN: -# How I wonder what you are | 0:52:14 | 0:52:17 | |
# Up above the world so high Like a diamond in the sky. # | 0:52:17 | 0:52:23 | |
Hooray! | 0:52:23 | 0:52:25 | |
LAUGHTER | 0:52:27 | 0:52:29 | |
Filming at height always involves complex safety measures. | 0:52:31 | 0:52:37 | |
But in Central Africa, the crew had an added complication. | 0:52:37 | 0:52:41 | |
Tim Fogg rigged ropes to film Tete collecting honey | 0:52:42 | 0:52:47 | |
from a wild bees' nest. | 0:52:47 | 0:52:49 | |
BUZZING | 0:52:49 | 0:52:51 | |
Unfortunately, the angry bees went straight for Tim. | 0:52:51 | 0:52:55 | |
Smoke! Smoke! Smoke, quickly! | 0:52:55 | 0:52:59 | |
Can we get you out, Tim? | 0:53:04 | 0:53:05 | |
The first thing I remember seeing was a bee right in front of my face, | 0:53:11 | 0:53:15 | |
with its abdomen twisted as if it was ready to sting me. | 0:53:15 | 0:53:18 | |
They got inside? | 0:53:18 | 0:53:19 | |
No, they were stinging through the face mask and through the gloves. | 0:53:19 | 0:53:23 | |
After 30 stings, | 0:53:23 | 0:53:25 | |
Tim fully appreciated Tete's bravery in gathering honey for his family. | 0:53:25 | 0:53:30 | |
When filming people with animals, nothing's entirely predictable. | 0:53:34 | 0:53:40 | |
In Greenland, director Nic Brown wanted to film | 0:53:42 | 0:53:45 | |
the Inuit catching the elusive Greenland shark that lives in these deep waters. | 0:53:45 | 0:53:50 | |
After an anxious ten days, | 0:54:00 | 0:54:02 | |
everyone was thrilled when, | 0:54:02 | 0:54:05 | |
in the middle of the night, they finally felt something on the line. | 0:54:05 | 0:54:09 | |
We're very excited | 0:54:09 | 0:54:10 | |
because we've all been playing with the line | 0:54:10 | 0:54:13 | |
that's 800 metres down into the water, | 0:54:13 | 0:54:16 | |
and you can actually feel the shark on the end of it. | 0:54:16 | 0:54:19 | |
Somewhere down there we think we've got a Greenland shark on a hook. | 0:54:21 | 0:54:25 | |
We're hoping. | 0:54:25 | 0:54:27 | |
This is the hole for our underwater camera | 0:54:27 | 0:54:29 | |
-and this is the hole... -A shark hole? | 0:54:29 | 0:54:31 | |
..for the shark. | 0:54:31 | 0:54:33 | |
They discovered they'd underestimated the hole size, | 0:54:34 | 0:54:38 | |
because the Jensens had caught a huge four-metre-long shark. | 0:54:38 | 0:54:42 | |
Co-ordinating helicopters with action on the ground | 0:54:54 | 0:54:57 | |
is both expensive and difficult. | 0:54:57 | 0:55:00 | |
But in Australia, director Susan McMillan | 0:55:00 | 0:55:03 | |
had to co-ordinate three helicopters at once. | 0:55:03 | 0:55:06 | |
Two of them were flown by heli-cowboys Ben Tapp | 0:55:06 | 0:55:10 | |
and his mate Rankin, dicing with death to corral their cattle. | 0:55:10 | 0:55:14 | |
The challenges of filming with three helicopters in the air | 0:55:16 | 0:55:19 | |
have been quite considerable on this trip, | 0:55:19 | 0:55:21 | |
because I'm filming it for real. | 0:55:21 | 0:55:22 | |
It's not a drama and there's no take two. | 0:55:22 | 0:55:25 | |
I have to actually capture the event as it happens, | 0:55:25 | 0:55:27 | |
and it's quite a dangerous situation. I've got three helicopters in the air, | 0:55:27 | 0:55:32 | |
I've got quad bikes and horses on the ground, | 0:55:32 | 0:55:34 | |
I've got stampeding cattle, | 0:55:34 | 0:55:36 | |
so, actually, the biggest pressure, I think, has been safety. | 0:55:36 | 0:55:40 | |
Working on the ground can be just as dangerous, | 0:55:45 | 0:55:47 | |
especially when it comes to big cats. | 0:55:47 | 0:55:51 | |
The crew wanted to film Dorobo tribesmen in Kenya | 0:55:51 | 0:55:55 | |
chasing lions off a kill. | 0:55:55 | 0:55:56 | |
LIONESS GROWLS AND GRUNTS | 0:55:56 | 0:55:59 | |
So cameraman Toby Strong offered to film with them on foot, | 0:55:59 | 0:56:04 | |
to be in the thick of the action. | 0:56:04 | 0:56:06 | |
The thought of getting out of a vehicle and walking towards lions on foot | 0:56:06 | 0:56:11 | |
goes against every common sense bone in my body. | 0:56:11 | 0:56:15 | |
I mean, these guys are... These guys are amazing. | 0:56:16 | 0:56:18 | |
They, um... They've got their bows and arrows. | 0:56:18 | 0:56:21 | |
But, um, I haven't got anything! | 0:56:21 | 0:56:24 | |
-I've got... -He CHUCKLES | 0:56:24 | 0:56:25 | |
I've got a camera and a lens cap to protect myself with. | 0:56:25 | 0:56:29 | |
It's getting a bit real, though, isn't it? | 0:56:29 | 0:56:31 | |
Butterflies in the stomach. | 0:56:31 | 0:56:33 | |
Having located the lions, Toby followed the Dorobo as they moved in | 0:56:38 | 0:56:43 | |
to have a look. | 0:56:43 | 0:56:46 | |
Walking down there towards thick bushes where you know there are lions, it, um... | 0:56:47 | 0:56:51 | |
God, it's something very primal in the back of your neck, | 0:56:51 | 0:56:54 | |
and everything...the hairs on the back of your neck | 0:56:54 | 0:56:56 | |
and you just feel these eyes on you, | 0:56:56 | 0:56:58 | |
but you feel very, very alive. | 0:56:58 | 0:57:00 | |
It's a magical feeling. It's, um... I sort of recommend it to everyone. | 0:57:00 | 0:57:04 | |
Before going to work, have a walk through lion country. | 0:57:04 | 0:57:06 | |
It gets things in perspective. | 0:57:06 | 0:57:08 | |
Yeah, amazing. | 0:57:08 | 0:57:10 | |
Without the co-operation and support of all the people | 0:57:13 | 0:57:15 | |
we filmed around the world, | 0:57:15 | 0:57:18 | |
this series could not have been made. | 0:57:18 | 0:57:21 | |
Their unique knowledge and survival skills | 0:57:22 | 0:57:26 | |
have relevance for us all in an increasingly human planet. | 0:57:26 | 0:57:30 |