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Hello, viewers. I'm James May, and this is The Reassembler, | 0:00:02 | 0:00:04 | |
the show where we take everyday objects in their component form | 0:00:04 | 0:00:07 | |
and put them back together, very slowly. | 0:00:07 | 0:00:10 | |
That feels very nice. | 0:00:10 | 0:00:11 | |
Oh, yes. Look at that! | 0:00:11 | 0:00:13 | |
'It is only when these much-loved and iconic objects are laid out | 0:00:13 | 0:00:17 | |
'in hundreds of bits...' | 0:00:17 | 0:00:18 | |
Oh, man in heaven. | 0:00:18 | 0:00:20 | |
'and then slowly reassembled | 0:00:20 | 0:00:22 | |
'that you can truly understand and appreciate how they work...' | 0:00:22 | 0:00:25 | |
Total rubbish. | 0:00:25 | 0:00:26 | |
'..and just how ingenious they are.' | 0:00:26 | 0:00:28 | |
It's good, isn't it? | 0:00:28 | 0:00:29 | |
'And if painstakingly putting hundreds of pieces | 0:00:29 | 0:00:31 | |
'back together again...' | 0:00:31 | 0:00:32 | |
That's quite satisfying. | 0:00:32 | 0:00:34 | |
'..wasn't hard enough, I then have to hope...' | 0:00:34 | 0:00:38 | |
Deep joy. | 0:00:38 | 0:00:39 | |
'..that they'll work.' | 0:00:39 | 0:00:40 | |
There's some moisture on my spectacles | 0:00:40 | 0:00:42 | |
because I started weeping. | 0:00:42 | 0:00:43 | |
Now, if you're my sort of age, | 0:00:46 | 0:00:47 | |
that is you were a mere boy back in the early '70s, | 0:00:47 | 0:00:50 | |
then the most coveted, | 0:00:50 | 0:00:51 | |
the most precious of Christmas presents | 0:00:51 | 0:00:53 | |
would have been something like this. | 0:00:53 | 0:00:55 | |
The Triang Hornby Flying Scotsman train set. | 0:00:55 | 0:00:57 | |
And it was absolutely brilliant, | 0:00:57 | 0:00:59 | |
because you just plugged the track together, wired up the transformer, | 0:00:59 | 0:01:02 | |
plonked the locomotive and the coaches on the track | 0:01:02 | 0:01:04 | |
and off it went. | 0:01:04 | 0:01:05 | |
But not here. | 0:01:05 | 0:01:06 | |
Because it's been dismantled into its 138 component parts. | 0:01:06 | 0:01:11 | |
Now, if I was still nine, this would be considered cruel. | 0:01:11 | 0:01:14 | |
But I'm not. I'm 53. | 0:01:14 | 0:01:16 | |
So it's my job to put it back together. | 0:01:16 | 0:01:18 | |
And it's your job not to turn over to BBC Two. | 0:01:18 | 0:01:20 | |
Before computer games and iPads | 0:01:22 | 0:01:24 | |
were at the top of every young boy's Christmas list, | 0:01:24 | 0:01:26 | |
the world was filled with all sorts of disappointing | 0:01:26 | 0:01:29 | |
and uninspiring toys. | 0:01:29 | 0:01:30 | |
But one toy changed Christmas forever. | 0:01:31 | 0:01:34 | |
The electric toy train set. | 0:01:34 | 0:01:36 | |
In 1938, | 0:01:36 | 0:01:37 | |
Hornby released their seminal 00 gauge train set, | 0:01:37 | 0:01:41 | |
which meant that boys all over the country could spend their time | 0:01:41 | 0:01:43 | |
joyously chugging in their rooms, | 0:01:43 | 0:01:45 | |
as I did all through the 1970s. | 0:01:45 | 0:01:49 | |
And this is the actual train set | 0:01:49 | 0:01:51 | |
that Santa gave to me in the Christmas of 1972. | 0:01:51 | 0:01:54 | |
Now, as this train set is powered by electricity, | 0:01:55 | 0:01:58 | |
or as it was still known in the '70s, | 0:01:58 | 0:01:59 | |
the miracle of electricity, | 0:01:59 | 0:02:01 | |
I thought we'd start with the electric motor, | 0:02:01 | 0:02:03 | |
which is these components here. | 0:02:03 | 0:02:05 | |
And what would be really handy is if we had something like | 0:02:05 | 0:02:07 | |
a little plastic tub to put bits in whilst I walk to the bench. | 0:02:07 | 0:02:11 | |
Something like that. | 0:02:12 | 0:02:13 | |
So, there we go. | 0:02:14 | 0:02:15 | |
That's the frame of the motor. | 0:02:15 | 0:02:17 | |
That is the armature and the rotor. | 0:02:17 | 0:02:20 | |
Bolt or screw... We'll come onto that discussion a minute. | 0:02:21 | 0:02:23 | |
..to hold it together. | 0:02:23 | 0:02:25 | |
Backplate, and... | 0:02:25 | 0:02:27 | |
magnet. | 0:02:27 | 0:02:29 | |
What we have here | 0:02:31 | 0:02:32 | |
is actually one of the most numerously produced | 0:02:32 | 0:02:34 | |
miniature electric motors in history. | 0:02:34 | 0:02:37 | |
This series of motors is known as the XO series, | 0:02:37 | 0:02:40 | |
and it's a rather elegant thing. | 0:02:40 | 0:02:41 | |
This is the frame. | 0:02:41 | 0:02:43 | |
This is the rotor, | 0:02:43 | 0:02:45 | |
with the armature on it, | 0:02:45 | 0:02:46 | |
and the commutator, | 0:02:46 | 0:02:47 | |
we'll come onto all that in excruciating detail in a minute. | 0:02:47 | 0:02:50 | |
The first train set I got for Christmas was when I was very small, | 0:02:50 | 0:02:54 | |
so it must've been about 1968. | 0:02:54 | 0:02:56 | |
It was actually second-hand, | 0:02:56 | 0:02:58 | |
because we were poor but we were happy. | 0:02:58 | 0:03:00 | |
They really were absolutely brilliant. | 0:03:00 | 0:03:02 | |
And although this is very crude by modern standards, | 0:03:02 | 0:03:04 | |
it's still a rather gorgeous piece of miniature engineering. | 0:03:04 | 0:03:06 | |
The commutator relies on being very clean, | 0:03:06 | 0:03:09 | |
and it IS fairly clean on this one, | 0:03:09 | 0:03:10 | |
but we can clean it a bit more with a brilliant thing I've got here. | 0:03:10 | 0:03:14 | |
This is a fibreglass pencil. | 0:03:16 | 0:03:18 | |
They're used by people who muck about with small electrical things. | 0:03:18 | 0:03:21 | |
It's very good as a means of polishing things up very, very fine. | 0:03:21 | 0:03:24 | |
So you can use it on copper contacts and so on. | 0:03:24 | 0:03:26 | |
And you can use it on the commutator of the motor. | 0:03:26 | 0:03:30 | |
Again, being very careful not to catch the little copper bits. | 0:03:30 | 0:03:33 | |
Clean, bright and tight is the maxim of old electrical engineers. | 0:03:33 | 0:03:37 | |
Most of them are dead now, so don't worry about it. | 0:03:37 | 0:03:39 | |
Can you see the fibre bristles polish that copper up... | 0:03:39 | 0:03:42 | |
..quite nicely? that makes a huge difference. | 0:03:43 | 0:03:45 | |
I think we'll put the magnet in next. | 0:03:45 | 0:03:46 | |
I'm going to show you something really brilliant, | 0:03:46 | 0:03:49 | |
that somebody gave me. | 0:03:49 | 0:03:50 | |
It is... | 0:03:50 | 0:03:51 | |
a remagnetising device. | 0:03:53 | 0:03:55 | |
No, it isn't. That's a polishing kit from the man who owns this workshop. | 0:03:55 | 0:03:59 | |
Who's moved my magnetising...? | 0:03:59 | 0:04:00 | |
So, that... | 0:04:09 | 0:04:10 | |
is a small magnet remagnetiser. | 0:04:10 | 0:04:14 | |
Magnets are weird things, really, | 0:04:14 | 0:04:16 | |
because in some ways, magnetism is similar to electricity, | 0:04:16 | 0:04:19 | |
but in other ways it isn't. | 0:04:19 | 0:04:20 | |
For example, you can't really insulate magnetism. | 0:04:20 | 0:04:23 | |
That was one of those very smug things | 0:04:23 | 0:04:24 | |
that physics teachers used to say... | 0:04:24 | 0:04:26 | |
..in the olden days. | 0:04:27 | 0:04:28 | |
And study of magnets goes back to... | 0:04:28 | 0:04:31 | |
well, the scientific revolution, | 0:04:31 | 0:04:33 | |
and before that. | 0:04:33 | 0:04:35 | |
And I can tell you just with a simple screwdriver test | 0:04:35 | 0:04:38 | |
that that magnet is pretty weak. | 0:04:38 | 0:04:41 | |
So we'll remagnetise it. | 0:04:41 | 0:04:42 | |
So this device is marked on this side. | 0:04:42 | 0:04:44 | |
North goes that way. | 0:04:44 | 0:04:45 | |
So you put that between the two bars, the two pole pieces. | 0:04:45 | 0:04:48 | |
It's thought that sharks are repelled by magnets. | 0:04:50 | 0:04:53 | |
So if you always go swimming in the Bahamas with a train set, | 0:04:53 | 0:04:55 | |
you'll be fine. | 0:04:55 | 0:04:56 | |
Here we go. Ready? | 0:04:56 | 0:04:58 | |
It's very exciting. | 0:04:58 | 0:05:00 | |
That's it. | 0:05:03 | 0:05:05 | |
However, I bet you... | 0:05:05 | 0:05:06 | |
But I can already feel that that's much stronger than it was. | 0:05:08 | 0:05:12 | |
And to do our little screwdriver test, if I put that there. | 0:05:12 | 0:05:14 | |
Take the same screwdriver, I can now... There you go, look. | 0:05:14 | 0:05:18 | |
I can pick it up. | 0:05:18 | 0:05:19 | |
That's how much better the magnet is. | 0:05:19 | 0:05:21 | |
And that will make the motor more powerful and less prone to overheat, | 0:05:21 | 0:05:25 | |
because it will actually draw less current that way. | 0:05:25 | 0:05:27 | |
Now, to hold that in place is... | 0:05:28 | 0:05:30 | |
..this. | 0:05:31 | 0:05:33 | |
Begs a fascinating question that you can take down to the pub with you, | 0:05:33 | 0:05:36 | |
later. Is that a screw... | 0:05:36 | 0:05:37 | |
..or is it a bolt? | 0:05:39 | 0:05:40 | |
Now, one definition says that a bolt is not threaded all the way up. | 0:05:41 | 0:05:45 | |
As indeed this one isn't. | 0:05:45 | 0:05:46 | |
It has a plain shank because its main function is as a dowel | 0:05:46 | 0:05:50 | |
to line things up, which this does, | 0:05:50 | 0:05:51 | |
cos it passes through the hole in the magnet, | 0:05:51 | 0:05:53 | |
and keeps it all in alignment. | 0:05:53 | 0:05:55 | |
A bolt is secured by a nut, | 0:05:55 | 0:05:58 | |
which we also have, here. | 0:05:58 | 0:06:00 | |
So technically, that, I think, is a bolt. | 0:06:00 | 0:06:03 | |
The definition of a screw, | 0:06:03 | 0:06:04 | |
or one definition of a screw, | 0:06:04 | 0:06:05 | |
is that it passes through a component | 0:06:05 | 0:06:07 | |
and screws into another component. | 0:06:07 | 0:06:09 | |
So, say the screw that goes through the engine case on a chainsaw | 0:06:09 | 0:06:14 | |
and then screws into the body of it. | 0:06:14 | 0:06:16 | |
That's a screw. | 0:06:16 | 0:06:17 | |
Another definition says that it's a screw if it's threaded | 0:06:17 | 0:06:19 | |
all the way along its length, | 0:06:19 | 0:06:20 | |
and a bolt if part of it is not threaded. | 0:06:20 | 0:06:23 | |
Another definition says that if it's small, it's a screw, | 0:06:23 | 0:06:26 | |
because a bolt can't be small. | 0:06:26 | 0:06:27 | |
But I think, technically, that's a bolt. | 0:06:27 | 0:06:30 | |
Right, the 8BA spanner. | 0:06:30 | 0:06:32 | |
It's a very old British standard, | 0:06:32 | 0:06:34 | |
goes on that end. | 0:06:34 | 0:06:35 | |
And we have to put the... | 0:06:35 | 0:06:37 | |
what's called a hairpin spring, | 0:06:37 | 0:06:38 | |
which is going to hold the brushes. | 0:06:38 | 0:06:40 | |
I'll explain all this in a minute. | 0:06:40 | 0:06:42 | |
I mean, I can hear you screaming, | 0:06:42 | 0:06:43 | |
"No, please don't." | 0:06:43 | 0:06:44 | |
But I'm going to anyway. | 0:06:44 | 0:06:46 | |
It's a nicely designed little screw/bolt, | 0:06:47 | 0:06:50 | |
because it has another shoulder on it, | 0:06:50 | 0:06:52 | |
that means the spring remains free even though it's in place. | 0:06:52 | 0:06:55 | |
And you can now feel... | 0:06:57 | 0:06:58 | |
You can't feel, because you're watching the television. | 0:06:58 | 0:07:00 | |
But I can feel that now the magnet is in place and remagnetised, | 0:07:00 | 0:07:03 | |
instead of that spinning freely, | 0:07:03 | 0:07:05 | |
it now moves in a series of little clunks, | 0:07:05 | 0:07:08 | |
cos there's a magnetic field in there. | 0:07:08 | 0:07:10 | |
That's fab, isn't it? | 0:07:10 | 0:07:11 | |
The brushes are made of copper, | 0:07:13 | 0:07:16 | |
and have blobs of carbon on the end | 0:07:16 | 0:07:18 | |
to transfer electricity to the commutator. These are quite grubby. | 0:07:18 | 0:07:22 | |
See? Filth. | 0:07:22 | 0:07:25 | |
The enemy of electricity. | 0:07:25 | 0:07:27 | |
Whatever electricity is. | 0:07:27 | 0:07:28 | |
Nobody really knows, of course. | 0:07:28 | 0:07:29 | |
That goes through there. | 0:07:31 | 0:07:33 | |
I've got to put the other one in. | 0:07:35 | 0:07:36 | |
I can barely see it myself. I'm so blind these days. | 0:07:37 | 0:07:40 | |
There you go. | 0:07:40 | 0:07:41 | |
Now, the interesting thing actually about a toy train from this era. | 0:07:41 | 0:07:44 | |
We're talking about the early 1970s. | 0:07:44 | 0:07:45 | |
It is exactly at that time that the video games started to emerge, | 0:07:45 | 0:07:49 | |
things like the very first Ataris. | 0:07:49 | 0:07:51 | |
In fact, at home we had the very early TV tennis game | 0:07:51 | 0:07:55 | |
with the two white paddles that went... | 0:07:55 | 0:07:57 | |
HE PINGS AND PONGS | 0:07:57 | 0:07:58 | |
I mean, it was rubbish, | 0:07:58 | 0:08:00 | |
but it was exciting if you'd never seen anything like that before. | 0:08:00 | 0:08:02 | |
And things like model railways | 0:08:02 | 0:08:04 | |
went into quite sharp decline | 0:08:04 | 0:08:06 | |
in the '70s for that reason. | 0:08:06 | 0:08:07 | |
And in fact, there was sort of a change of mood... | 0:08:07 | 0:08:10 | |
amongst the people who made these train sets, | 0:08:11 | 0:08:13 | |
because they had been toys, as I said earlier on. | 0:08:13 | 0:08:15 | |
But after that period, they gradually started to realise | 0:08:15 | 0:08:18 | |
that what they were for | 0:08:18 | 0:08:19 | |
was for slightly nostalgic and sad, disappointed old men. | 0:08:19 | 0:08:25 | |
I've got hundreds. | 0:08:26 | 0:08:28 | |
Ha! Right. | 0:08:28 | 0:08:29 | |
So there you go. That is a complete XO4 motor. | 0:08:29 | 0:08:33 | |
A simple thing, but for... | 0:08:33 | 0:08:35 | |
oh, four decades plus, | 0:08:35 | 0:08:39 | |
a maker of dreams. | 0:08:39 | 0:08:40 | |
It may have taken me two hours and 33 minutes, | 0:08:43 | 0:08:46 | |
but that's the motor done. | 0:08:46 | 0:08:48 | |
So now I can get some more bits. | 0:08:48 | 0:08:50 | |
Right, so next we're going to do the chassis and the main driving wheels, | 0:08:51 | 0:08:54 | |
and there is a great deal to talk about here, | 0:08:54 | 0:08:56 | |
because it's one of the bits that you can get utterly wrong on this. | 0:08:56 | 0:09:00 | |
It will never, ever run properly if you get this wrong. | 0:09:00 | 0:09:02 | |
That bush. | 0:09:02 | 0:09:04 | |
That's it. Step this way. | 0:09:05 | 0:09:07 | |
'Fitting the wheels can be a bit fiddly, | 0:09:09 | 0:09:11 | |
'In the same way that keyhole surgery and hostage negotiations | 0:09:11 | 0:09:15 | |
'are a bit fiddly. | 0:09:15 | 0:09:16 | |
'This is because, | 0:09:16 | 0:09:17 | |
'without going into quite as much detail as I would maybe like to, | 0:09:17 | 0:09:20 | |
'the wheels need to be quartered, | 0:09:20 | 0:09:22 | |
'which means that the wheels on one side of the engine are offset | 0:09:22 | 0:09:25 | |
'from the wheels on the other side by a quarter turn | 0:09:25 | 0:09:28 | |
'in order for the pistons to be able to drive them properly.' | 0:09:28 | 0:09:31 | |
See, a lot of people think that toy trains is just a sad thing. | 0:09:31 | 0:09:35 | |
You know how people like to describe things as, "Oh, that's well sad." | 0:09:35 | 0:09:38 | |
And that's probably said about toy trains more than anything else | 0:09:38 | 0:09:41 | |
in the world. | 0:09:41 | 0:09:42 | |
But I don't think it's entirely true, | 0:09:42 | 0:09:44 | |
because some very rock'n'roll-y people... | 0:09:44 | 0:09:47 | |
..have great enthusiasm for toy trains. | 0:09:48 | 0:09:49 | |
Like Rod Stewart for example. | 0:09:49 | 0:09:51 | |
He had leopard-skin trousers, | 0:09:51 | 0:09:52 | |
so you can't really knock him. | 0:09:52 | 0:09:53 | |
Neil Young... | 0:09:55 | 0:09:56 | |
Missy Elliot's got a massive train set. | 0:09:56 | 0:09:59 | |
That's not true, actually. I just made that up, but... | 0:09:59 | 0:10:01 | |
Well, it's done, | 0:10:09 | 0:10:10 | |
and it works. | 0:10:10 | 0:10:12 | |
That is the trickiest part of it, to be honest. | 0:10:12 | 0:10:13 | |
Next, we can go and get the connecting rods, | 0:10:13 | 0:10:16 | |
put those on | 0:10:16 | 0:10:18 | |
and check that I've done the quartering correctly. | 0:10:18 | 0:10:20 | |
'So, now I'm going to take the connecting rods, | 0:10:20 | 0:10:23 | |
'the cylinder block, | 0:10:23 | 0:10:25 | |
'the valve screws | 0:10:25 | 0:10:26 | |
'and the spacer.' | 0:10:26 | 0:10:28 | |
Right. Watch this. | 0:10:28 | 0:10:29 | |
I bet you can't wait. | 0:10:29 | 0:10:31 | |
The original Hornby trains were 0 gauge tin plate clockwork toys. | 0:10:31 | 0:10:34 | |
They were quite big. | 0:10:34 | 0:10:36 | |
And they were the work of Frank Hornby, | 0:10:36 | 0:10:37 | |
who was also the inventor of Meccano. | 0:10:37 | 0:10:40 | |
They were made in Liverpool | 0:10:40 | 0:10:41 | |
and in 1938, Hornby made Hornby 00, | 0:10:41 | 0:10:45 | |
which was half the size. | 0:10:45 | 0:10:46 | |
00, half the size of 0 gauge. | 0:10:46 | 0:10:49 | |
And that was quite successful | 0:10:49 | 0:10:50 | |
and they were very, very nice metal model trains, | 0:10:50 | 0:10:52 | |
very expensive. | 0:10:52 | 0:10:53 | |
Excuse me, I'm just looking for my... | 0:10:53 | 0:10:55 | |
very exciting new screwdriver that I've got. | 0:10:55 | 0:10:58 | |
Anyway, they were reasonably successful, | 0:10:59 | 0:11:01 | |
but they were very expensive. They were generally for posh kids. | 0:11:01 | 0:11:04 | |
My mate Steve, for example, who came from a very posh family, | 0:11:04 | 0:11:06 | |
had Hornby 00. | 0:11:06 | 0:11:08 | |
And then in the 1950s, | 0:11:08 | 0:11:09 | |
a company called Rovex Plastics invented a toy train set, | 0:11:09 | 0:11:13 | |
00 gauge, again, for Marks & Spencers. | 0:11:13 | 0:11:16 | |
And it was quite revolutionary, | 0:11:16 | 0:11:17 | |
because it was made of injection moulded plastic, | 0:11:17 | 0:11:19 | |
which was a new-fangled thing. | 0:11:19 | 0:11:21 | |
And they made it quite cheaply. | 0:11:21 | 0:11:23 | |
They only made, I think, a few hundred sets | 0:11:23 | 0:11:25 | |
before they realised they didn't work very well. | 0:11:25 | 0:11:27 | |
That was when Lines Brothers, who ran the Triang toy empire, | 0:11:27 | 0:11:31 | |
saw what they'd done, bought the company, | 0:11:31 | 0:11:34 | |
refined the idea and gave us Triang trains. | 0:11:34 | 0:11:37 | |
So you had Hornby 00, | 0:11:37 | 0:11:38 | |
which were the expensive posh ones, made out of die-cast metal. | 0:11:38 | 0:11:40 | |
You had Triang, which were made out of the new-fangled plastic, | 0:11:40 | 0:11:43 | |
so were much more toy-like. They had interchangeable parts. | 0:11:43 | 0:11:45 | |
They sacrificed absolute accuracy in the interests of productivity | 0:11:45 | 0:11:49 | |
and low prices and "play value", as we would say now. | 0:11:49 | 0:11:52 | |
Now, what happened next... | 0:11:52 | 0:11:54 | |
I'm just going to have to pause, cos I can't find my new screwdriver. | 0:11:54 | 0:11:57 | |
It's such an exciting screwdriver, you're going to want to see it. | 0:11:57 | 0:11:59 | |
Because, if you were watching the last series, | 0:12:01 | 0:12:03 | |
you'll remember those magic, gripping... | 0:12:03 | 0:12:06 | |
Yeah! | 0:12:06 | 0:12:08 | |
Gripping screwdriver, and I managed to find one for sale on eBay. | 0:12:10 | 0:12:13 | |
There it is, we're going to use that in a minute. | 0:12:13 | 0:12:15 | |
Where had I got to? Yeah, so, | 0:12:16 | 0:12:18 | |
in the 1960s, the Meccano empire, | 0:12:18 | 0:12:23 | |
which had Hornby 00 in its stable, went bust. | 0:12:23 | 0:12:26 | |
And it was bought by Lines Bros, the owner of the Triang empire. | 0:12:26 | 0:12:29 | |
And they promised all the toy train enthusiasts, | 0:12:29 | 0:12:31 | |
"We will merge the Triang toy trains | 0:12:31 | 0:12:33 | |
"with the Hornby 00 series model trains." And they didn't, really. | 0:12:33 | 0:12:36 | |
They plucked a few bits from the Hornby 00 range, | 0:12:36 | 0:12:40 | |
but mainly they just got the name. | 0:12:40 | 0:12:42 | |
It then became Triang Hornby, and that was to placate the enthusiasts, | 0:12:42 | 0:12:45 | |
that's all it was. | 0:12:45 | 0:12:46 | |
It was still really the Triang toy trains empire. | 0:12:46 | 0:12:50 | |
But the weird thing was, in 1972, | 0:12:50 | 0:12:54 | |
Lines Bros went bust because the world was going mad | 0:12:54 | 0:12:56 | |
and there were strikes, and there was an oil crisis, | 0:12:56 | 0:12:58 | |
and all the rest of it. | 0:12:58 | 0:13:00 | |
And the trains division lost the right to use the Triang name, | 0:13:00 | 0:13:04 | |
but they still had the right to use the Hornby name, | 0:13:04 | 0:13:06 | |
even though there wasn't really any of Hornby in the trains, | 0:13:06 | 0:13:09 | |
so they became Hornby Railways, and now they're simply called Hornby, | 0:13:09 | 0:13:12 | |
but actually the trains we get today | 0:13:12 | 0:13:14 | |
are the descendants of the original Triang trains | 0:13:14 | 0:13:17 | |
and the plastic train set that was made for Marks & Spencers | 0:13:17 | 0:13:20 | |
in 1950. | 0:13:20 | 0:13:21 | |
I hope that was useful. | 0:13:21 | 0:13:22 | |
Right, what we're going to do now is... | 0:13:22 | 0:13:25 | |
Because a lot of people do get this wrong and they say, | 0:13:27 | 0:13:29 | |
oh, no, I didn't have Triang, I had a Hornby train set, but they didn't. | 0:13:29 | 0:13:32 | |
They actually had a Triang one. It was just CALLED Hornby. | 0:13:32 | 0:13:34 | |
Hornby had gone. The Hornby trains were lovely. | 0:13:34 | 0:13:36 | |
The tooling was sold to GWR Wrenn, | 0:13:36 | 0:13:39 | |
and they became Wrenn Railways, | 0:13:39 | 0:13:41 | |
which was also actually a division of the Triang empire, | 0:13:41 | 0:13:44 | |
so the whole toy business is very incestuous. | 0:13:44 | 0:13:47 | |
Anyway, never mind that, | 0:13:47 | 0:13:48 | |
look at this. | 0:13:48 | 0:13:50 | |
Here's the brass screw | 0:13:50 | 0:13:51 | |
that has to go in there to hold that extension in place. | 0:13:51 | 0:13:53 | |
There is my new... Oh! | 0:13:53 | 0:13:55 | |
..gripping screwdriver. | 0:13:55 | 0:13:56 | |
Very difficult to find. | 0:13:57 | 0:13:59 | |
And I managed to find one on eBay, | 0:13:59 | 0:14:01 | |
I found several for sale in the States | 0:14:01 | 0:14:04 | |
and they're very expensive, | 0:14:04 | 0:14:05 | |
of course, cos they have to be posted to Britain, | 0:14:05 | 0:14:07 | |
but there was one bloke had one in Britain, this one. | 0:14:07 | 0:14:09 | |
And he knew what it was. He says it's a clever gripping screwdriver. | 0:14:09 | 0:14:12 | |
And nobody else bid on it apart from me, so I got it for about five quid, | 0:14:12 | 0:14:16 | |
which you're probably thinking is a huge amount for a screwdriver, | 0:14:16 | 0:14:19 | |
but not for a screwdriver that changes your life. | 0:14:19 | 0:14:21 | |
OK? | 0:14:21 | 0:14:24 | |
Shut up. | 0:14:24 | 0:14:25 | |
CREW LAUGHS | 0:14:25 | 0:14:26 | |
Right, whilst I was telling you all that, | 0:14:27 | 0:14:29 | |
the chassis extension went in and you didn't even notice. | 0:14:29 | 0:14:32 | |
This is a moment of truth, | 0:14:32 | 0:14:34 | |
cos we're going to find out if my wheel quartering is accurate. | 0:14:34 | 0:14:37 | |
Right, this is a connecting rod. | 0:14:37 | 0:14:39 | |
You see, the hole in the middle | 0:14:41 | 0:14:43 | |
goes on the crank pin. | 0:14:43 | 0:14:45 | |
The two pins at the end... | 0:14:45 | 0:14:46 | |
..at the ends, they go into the holes | 0:14:47 | 0:14:49 | |
..on the other driving wheels. | 0:14:50 | 0:14:52 | |
That should all line up... | 0:14:52 | 0:14:53 | |
..very neatly. Does it? | 0:14:54 | 0:14:56 | |
Yes. Now, if I do the one on the other side, | 0:14:58 | 0:15:01 | |
we will discover that my quartering is absolutely spot-on. | 0:15:01 | 0:15:05 | |
Here we go. | 0:15:05 | 0:15:06 | |
OK. | 0:15:13 | 0:15:14 | |
If I've got this wrong, my reputation's just mud. | 0:15:16 | 0:15:19 | |
They're not secured yet. Lots more to go on. | 0:15:19 | 0:15:21 | |
But we'll give it an initial test. | 0:15:21 | 0:15:23 | |
Oh, man in heaven. | 0:15:23 | 0:15:24 | |
'It's been four hours and 20 minutes since we started, | 0:15:26 | 0:15:29 | |
'and I've only assembled the motor, | 0:15:29 | 0:15:31 | |
'chassis and drive wheels. | 0:15:31 | 0:15:33 | |
'But as soon as I've connected the electrical collector plate, | 0:15:33 | 0:15:36 | |
'things will begin to move on apace. | 0:15:36 | 0:15:38 | |
'Honest.' | 0:15:38 | 0:15:39 | |
When I was a kid, | 0:15:39 | 0:15:41 | |
there was a great deal of excitement in putting the reassembled train | 0:15:41 | 0:15:44 | |
on the track for the first time, | 0:15:44 | 0:15:46 | |
but, to be honest, | 0:15:46 | 0:15:47 | |
usually disappointment, | 0:15:47 | 0:15:49 | |
because I wasn't as good at this when I was a kid. | 0:15:49 | 0:15:52 | |
Now, it still runs smoothly. | 0:15:52 | 0:15:53 | |
OK? | 0:15:56 | 0:15:57 | |
I'm going to put the motor in. | 0:15:57 | 0:15:59 | |
And attach... | 0:16:00 | 0:16:01 | |
..the connections... | 0:16:03 | 0:16:04 | |
..which should, with a bit of luck, make it come alive. | 0:16:05 | 0:16:08 | |
Now, this is always a slightly tricky job, | 0:16:08 | 0:16:10 | |
because we need to put this one screw, | 0:16:10 | 0:16:12 | |
it's a brass screw, | 0:16:12 | 0:16:13 | |
through the end of the motor plate | 0:16:13 | 0:16:15 | |
to attach it to the chassis, | 0:16:15 | 0:16:16 | |
and the problem is always that it's difficult, | 0:16:16 | 0:16:18 | |
cos your screwdriver keeps sticking to the magnet. | 0:16:18 | 0:16:20 | |
What you should really do is have a brass screwdriver, | 0:16:20 | 0:16:23 | |
which I used to have | 0:16:23 | 0:16:24 | |
and I can't find it, | 0:16:24 | 0:16:25 | |
but these days, I've got my gripping screwdriver | 0:16:25 | 0:16:27 | |
which will help with the job. | 0:16:27 | 0:16:30 | |
It's still sticking to the magnet, | 0:16:33 | 0:16:35 | |
but at least it's not jumping out of the screw. | 0:16:35 | 0:16:37 | |
This is a 12 volt... | 0:16:37 | 0:16:39 | |
..train and it generally draws, at the most, | 0:16:40 | 0:16:43 | |
about a quarter of an amp, | 0:16:43 | 0:16:45 | |
maybe a bit more if your magnet's slightly ropey. | 0:16:45 | 0:16:48 | |
It's perfectly safe. | 0:16:48 | 0:16:49 | |
Some of the early electric toy trains weren't. | 0:16:49 | 0:16:51 | |
They ran off really rather big voltages | 0:16:51 | 0:16:53 | |
and blew children up quite regularly, | 0:16:53 | 0:16:55 | |
but children were cheap in the olden days, | 0:16:55 | 0:16:56 | |
so it didn't matter. | 0:16:56 | 0:16:57 | |
When I was a lad I lost most of my mates to train sets. | 0:16:59 | 0:17:02 | |
Now, a feature that Triang introduced, | 0:17:04 | 0:17:06 | |
I think it was during the Triang years, | 0:17:06 | 0:17:07 | |
and it extended into the Triang Hornby years, | 0:17:07 | 0:17:10 | |
but it wasn't used very much and it was quite short lived, | 0:17:10 | 0:17:13 | |
is this glowing firebox feature. | 0:17:13 | 0:17:15 | |
It is just a little light bulb... | 0:17:15 | 0:17:16 | |
..behind a piece of... | 0:17:17 | 0:17:19 | |
..a little piece of coloured semi-translucent plastic, there, | 0:17:20 | 0:17:25 | |
so the bulb is on behind, | 0:17:25 | 0:17:26 | |
gives a sort of yellowy orange glow, | 0:17:26 | 0:17:27 | |
as if the fire is burning | 0:17:27 | 0:17:29 | |
in the locomotive, | 0:17:29 | 0:17:31 | |
which was very innovative in his time. | 0:17:31 | 0:17:32 | |
You have to remember that a lot of things hadn't been invented then. | 0:17:32 | 0:17:35 | |
There were no computer games, none of that stuff that, | 0:17:37 | 0:17:39 | |
you know, we'd spend all our time on these days. | 0:17:39 | 0:17:42 | |
You young people don't realise how lucky you are. | 0:17:42 | 0:17:44 | |
I think this was so short lived because... | 0:17:46 | 0:17:47 | |
..to be honest, it was a bit fiddly... | 0:17:49 | 0:17:50 | |
..and I think it reduced | 0:17:55 | 0:17:56 | |
the effectiveness of the motor, slightly, as well. | 0:17:56 | 0:17:58 | |
But it's here, so we'll have it. | 0:17:59 | 0:18:01 | |
All that is is a bulb, so we have to have a feature on both sides. | 0:18:02 | 0:18:04 | |
There's a clip taking it from the insulated side, | 0:18:04 | 0:18:07 | |
if I can work this other one in here. | 0:18:07 | 0:18:09 | |
It's always tricky. | 0:18:10 | 0:18:11 | |
We will have a feed... | 0:18:13 | 0:18:14 | |
..to the other side, and we should see the bulb come on. | 0:18:15 | 0:18:17 | |
Right, so where you're looking is... | 0:18:20 | 0:18:23 | |
there. | 0:18:23 | 0:18:24 | |
I don't know if it's going to be dark enough for you to see it. | 0:18:24 | 0:18:26 | |
Ready? | 0:18:26 | 0:18:27 | |
Glowing firebox! | 0:18:29 | 0:18:30 | |
TRAIN WHIRS | 0:18:30 | 0:18:32 | |
Like it? | 0:18:32 | 0:18:33 | |
I'm sorry, there's some moisture on my spectacles | 0:18:36 | 0:18:39 | |
because I started weeping when I saw that going. | 0:18:39 | 0:18:42 | |
I mean, I am not the same person as I was when I was nine years old | 0:18:48 | 0:18:51 | |
because, as we know, biologically, we are constantly regenerated | 0:18:51 | 0:18:55 | |
and there are very few molecules in me now that were in me then, | 0:18:55 | 0:18:58 | |
but this train is still the same thing. | 0:18:58 | 0:19:02 | |
Made out of the same stuff. | 0:19:03 | 0:19:05 | |
Look at that. | 0:19:05 | 0:19:06 | |
That's all it does. | 0:19:08 | 0:19:09 | |
Now, I think I'm right in saying | 0:19:17 | 0:19:19 | |
that this one at the front is called a bogey. | 0:19:19 | 0:19:22 | |
That's those bits and those wheels. | 0:19:23 | 0:19:25 | |
And then this one at the back, | 0:19:27 | 0:19:29 | |
this is known as a pony trap. | 0:19:29 | 0:19:31 | |
We'll talk some more about this over here. | 0:19:31 | 0:19:33 | |
Did you know that, when these were still made in Britain, | 0:19:34 | 0:19:37 | |
down in Margate... | 0:19:37 | 0:19:39 | |
the vast majority of the assembly workforce were women | 0:19:40 | 0:19:43 | |
cos they were thought to be, A, better at it | 0:19:43 | 0:19:46 | |
and, B, they had nicer, slenderer fingers | 0:19:46 | 0:19:49 | |
as a general rule, | 0:19:49 | 0:19:51 | |
so they could handle these little bits. | 0:19:51 | 0:19:53 | |
Can you see how much more train-y that is looking, | 0:20:01 | 0:20:04 | |
now that bit's on? | 0:20:04 | 0:20:05 | |
Wait until you see this bit. | 0:20:05 | 0:20:06 | |
It's going to go... | 0:20:08 | 0:20:10 | |
in there onto the little shoulder on the screw, and... | 0:20:10 | 0:20:14 | |
Those, by the way, are screws, | 0:20:19 | 0:20:20 | |
definitely not bolts, | 0:20:20 | 0:20:22 | |
because they go through a component | 0:20:22 | 0:20:23 | |
and then screw into a thread | 0:20:23 | 0:20:25 | |
on another component, not a nut. | 0:20:25 | 0:20:27 | |
So, that's a screw. | 0:20:27 | 0:20:29 | |
Nobody cares. | 0:20:29 | 0:20:30 | |
'I'm six hours and 21 minutes into my reassembly. | 0:20:34 | 0:20:38 | |
'I've constructed the motor and the drive wheels | 0:20:38 | 0:20:40 | |
'and I've attached the motor and glowing firebox to the chassis, | 0:20:40 | 0:20:43 | |
'which means I can return to the glorious table of bits.' | 0:20:43 | 0:20:47 | |
What we are going to assemble next | 0:20:47 | 0:20:49 | |
is something that was deeply innovative back in the day. | 0:20:49 | 0:20:52 | |
It is the locomotive tender with... | 0:20:52 | 0:20:55 | |
Are you ready? | 0:20:55 | 0:20:57 | |
..realistic chuffing sound. | 0:20:57 | 0:20:59 | |
Now, that may not sound like much, | 0:20:59 | 0:21:00 | |
and it wasn't much. | 0:21:00 | 0:21:02 | |
You young people today are used to having the equivalent of | 0:21:02 | 0:21:04 | |
all the world's libraries in your pocket. | 0:21:04 | 0:21:07 | |
We had... | 0:21:07 | 0:21:09 | |
a little metal clip that acted against a piece of sandpaper | 0:21:09 | 0:21:12 | |
and made a noise vaguely like a steam locomotive, | 0:21:12 | 0:21:15 | |
and we were happy. | 0:21:15 | 0:21:16 | |
We weren't, actually, | 0:21:17 | 0:21:19 | |
we were bloody miserable cos the '70s were awful. | 0:21:19 | 0:21:21 | |
Nothing worked properly, | 0:21:21 | 0:21:22 | |
the lights were always going out, | 0:21:22 | 0:21:24 | |
everything was filthy, | 0:21:24 | 0:21:25 | |
the food was terrible, | 0:21:25 | 0:21:26 | |
parents were largely drunk. | 0:21:26 | 0:21:28 | |
It rained a lot as well. | 0:21:28 | 0:21:30 | |
The tender chassis... | 0:21:33 | 0:21:34 | |
features, as I mentioned earlier, | 0:21:34 | 0:21:36 | |
the realistic chuffing sound. | 0:21:36 | 0:21:38 | |
And please be aware that, | 0:21:38 | 0:21:40 | |
at its time, this was the... | 0:21:40 | 0:21:42 | |
the sort of magic ring tone, | 0:21:42 | 0:21:44 | |
the fashionable computer jingle | 0:21:44 | 0:21:46 | |
of its day. | 0:21:46 | 0:21:48 | |
Whole families would come round to our house at the weekend | 0:21:48 | 0:21:50 | |
to hear the realistic chuffing sound from the Flying Scotsman tender. | 0:21:50 | 0:21:53 | |
And I'll explain to you how it works. | 0:21:53 | 0:21:55 | |
Inside the tender is that. | 0:21:56 | 0:21:58 | |
It is a miniature soundbox. | 0:21:59 | 0:22:01 | |
It's really the way a violin works, | 0:22:03 | 0:22:05 | |
only a lot cruder. | 0:22:05 | 0:22:06 | |
RESONANT METALLIC SCRAPING | 0:22:06 | 0:22:08 | |
You can see... | 0:22:08 | 0:22:09 | |
HOLLOW SCRATCHING | 0:22:09 | 0:22:10 | |
..how this can be turned into a realistic chuffing sound. | 0:22:11 | 0:22:13 | |
I'll just have to carefully remind myself how it all goes together. | 0:22:15 | 0:22:18 | |
RAPID SCRATCHING | 0:22:23 | 0:22:27 | |
I know it's not that good, | 0:22:28 | 0:22:29 | |
and it's quite worn out. | 0:22:29 | 0:22:30 | |
It's only really a piece of sandpaper but... | 0:22:30 | 0:22:32 | |
come on! | 0:22:32 | 0:22:34 | |
METALLIC SCRATCHING | 0:22:34 | 0:22:35 | |
-What do we think? -Cracking. | 0:22:35 | 0:22:37 | |
It's brilliant. | 0:22:37 | 0:22:38 | |
It's a realistic chuffing sound. | 0:22:38 | 0:22:40 | |
This model of the Flying Scotsman, you will notice, | 0:22:42 | 0:22:44 | |
has the so-called corridor tender. | 0:22:44 | 0:22:46 | |
This is so that when the Flying Scotsman did nonstop runs | 0:22:46 | 0:22:50 | |
from London up to Scotland, | 0:22:50 | 0:22:52 | |
a second crew could be having a snooze in the coaches | 0:22:52 | 0:22:55 | |
and they could walk through the coaches | 0:22:55 | 0:22:57 | |
all the way through the tender, there's a tunnel through the middle, | 0:22:57 | 0:23:00 | |
and emerge onto the footplate to drive the train. | 0:23:00 | 0:23:02 | |
Then the other crew could retire. | 0:23:02 | 0:23:04 | |
Brilliant. | 0:23:04 | 0:23:06 | |
They could also pick up water on the move because of the... | 0:23:06 | 0:23:08 | |
trough system and so on. | 0:23:08 | 0:23:10 | |
They really thought about this stuff. | 0:23:10 | 0:23:12 | |
Built in 1923, | 0:23:16 | 0:23:17 | |
the Flying Scotsman is the most famous of all locomotives. | 0:23:17 | 0:23:21 | |
It was the first loco to travel from London to Edinburgh nonstop, | 0:23:21 | 0:23:25 | |
and it was the first British train to reach speeds of 100mph. | 0:23:25 | 0:23:29 | |
It is a true record-breaker, | 0:23:29 | 0:23:31 | |
having travelled over two million miles in its lifetime. | 0:23:31 | 0:23:35 | |
And like my toy version, | 0:23:35 | 0:23:37 | |
it's something we should cherish for ever. | 0:23:37 | 0:23:39 | |
ENGINE SCREAMS | 0:23:39 | 0:23:41 | |
What we're assembling here are the teak coaches of the LNER, | 0:23:41 | 0:23:44 | |
the London and North Eastern Railway, post-grouping, | 0:23:44 | 0:23:49 | |
which was 1923, I think, | 0:23:49 | 0:23:51 | |
but pre-nationalisation, | 0:23:51 | 0:23:54 | |
which was 1968. | 0:23:54 | 0:23:55 | |
Right enough, I've got that wrong. | 0:23:55 | 0:23:57 | |
And I was going to say, actually, | 0:23:57 | 0:23:59 | |
since the train set was one of | 0:23:59 | 0:24:00 | |
the greatest Christmas presents | 0:24:00 | 0:24:01 | |
I ever got, I can also tell you what was the worst, | 0:24:01 | 0:24:03 | |
I think, | 0:24:03 | 0:24:04 | |
which was a combined, folding, | 0:24:04 | 0:24:08 | |
shoehorn and clothes brush. | 0:24:08 | 0:24:10 | |
It's never even been unfolded, actually, | 0:24:10 | 0:24:12 | |
let alone used. | 0:24:12 | 0:24:13 | |
I'd like to tell you about my mate. | 0:24:15 | 0:24:16 | |
I'm not going to use his real name in case he's watching. | 0:24:16 | 0:24:19 | |
Let's call him Bill. | 0:24:19 | 0:24:21 | |
Bill, at the age of ten, | 0:24:21 | 0:24:22 | |
desperately wanted a train set, and about... | 0:24:22 | 0:24:25 | |
..two weeks before his birthday, | 0:24:25 | 0:24:28 | |
he saw his birthday present | 0:24:28 | 0:24:31 | |
in his parents' bedroom, | 0:24:31 | 0:24:32 | |
wrapped up. | 0:24:32 | 0:24:33 | |
It was a train-set-shaped box. | 0:24:33 | 0:24:35 | |
They were distinctive, | 0:24:35 | 0:24:36 | |
you knew what a train set looked like. | 0:24:36 | 0:24:38 | |
And he spent two sleepless weeks | 0:24:38 | 0:24:40 | |
thinking about his train set | 0:24:40 | 0:24:42 | |
that he'd wanted for so long. | 0:24:42 | 0:24:43 | |
On the morning of his birthday he came downstairs, | 0:24:43 | 0:24:45 | |
and his parents, being quite old-fashioned and proper, said, | 0:24:45 | 0:24:47 | |
"You can't have your present yet, you must breakfast first." | 0:24:47 | 0:24:50 | |
So he had a boiled egg and a piece of toast and all this stuff, | 0:24:50 | 0:24:53 | |
while he slowly wet himself with excitement. | 0:24:53 | 0:24:55 | |
Then his parents said, "Right, you can open your present now." | 0:24:55 | 0:24:58 | |
And he tore the wrapping paper off the box to reveal... | 0:24:58 | 0:25:01 | |
HE LAUGHS | 0:25:01 | 0:25:02 | |
..a picture framing kit. | 0:25:05 | 0:25:07 | |
But the real tragedy of it was that my mate Bill was left-handed | 0:25:07 | 0:25:11 | |
so he couldn't use it anyway | 0:25:11 | 0:25:13 | |
cos it was designed for right-handed people! | 0:25:13 | 0:25:16 | |
I still ring him up on his birthday every year to say, "Are you gloomy?" | 0:25:16 | 0:25:19 | |
And he goes "Oh, yes." He's always got a terrible gift of some sort! | 0:25:19 | 0:25:23 | |
Right, that's all there is to it. | 0:25:25 | 0:25:27 | |
It sort of snapped together. | 0:25:27 | 0:25:28 | |
'So, once I've attached the wheels | 0:25:29 | 0:25:31 | |
'and assembled the rest of the carriages, | 0:25:31 | 0:25:33 | |
'we're laughing.' | 0:25:33 | 0:25:34 | |
We have a train. | 0:25:35 | 0:25:36 | |
When you look at old pictures of railway travel, | 0:25:36 | 0:25:39 | |
especially pictures of the insides of coaches from the '20s and '30s, | 0:25:39 | 0:25:43 | |
even the '50s in fact, | 0:25:43 | 0:25:44 | |
you realise that they became very, very luxurious, | 0:25:44 | 0:25:47 | |
very ornate, but that was a massive contrast with the... | 0:25:47 | 0:25:51 | |
medieval toil being endured by the people | 0:25:51 | 0:25:53 | |
who actually had to drive the locomotive, | 0:25:53 | 0:25:55 | |
cos I've had a go at it, firing it and driving it, | 0:25:55 | 0:25:58 | |
and it's just... It's horrendous. | 0:25:58 | 0:25:59 | |
It's like something Hieronymus Bosch would have come up with, | 0:25:59 | 0:26:02 | |
and then thought, "No, that's too ridiculous, | 0:26:02 | 0:26:04 | |
"hell can't actually be that bad. I'd better tone it down a bit." | 0:26:04 | 0:26:07 | |
And people sort of lament the passing of the steam era | 0:26:07 | 0:26:10 | |
and say, "Oh, it was fantastic when you had the 462 and 460, | 0:26:10 | 0:26:14 | |
"and the Britannia class and so on." | 0:26:14 | 0:26:16 | |
But they were just inefficient, | 0:26:16 | 0:26:18 | |
they made a terrible mess, | 0:26:18 | 0:26:19 | |
they were awful for the people who drove them, | 0:26:19 | 0:26:21 | |
and the idea that you went from that and then got into a diesel electric | 0:26:21 | 0:26:24 | |
where you pressed a button and then just move a lever | 0:26:24 | 0:26:26 | |
and sat there in the warm, | 0:26:26 | 0:26:28 | |
with a windscreen wiper clearing the window right in front of you, | 0:26:28 | 0:26:31 | |
it must have been fantastic. | 0:26:31 | 0:26:33 | |
Right, I think this is, philosophically, | 0:26:33 | 0:26:35 | |
quite an important moment | 0:26:35 | 0:26:36 | |
cos as I put the body shell... | 0:26:36 | 0:26:38 | |
That's not really a proper railway term, but it's what it is. | 0:26:38 | 0:26:42 | |
I put the body shell on, | 0:26:42 | 0:26:44 | |
and then it hides all the things | 0:26:44 | 0:26:46 | |
that reveal that this is really just a trick, | 0:26:46 | 0:26:48 | |
and it becomes a locomotive. | 0:26:48 | 0:26:51 | |
Are you ready? | 0:26:59 | 0:27:01 | |
And there it is. | 0:27:07 | 0:27:09 | |
The Flying Scotsman. | 0:27:10 | 0:27:12 | |
How brilliant is that? | 0:27:16 | 0:27:17 | |
Sorry, shall we see if it works? | 0:27:23 | 0:27:25 | |
Put the track together. | 0:27:27 | 0:27:28 | |
Now, of the 138 parts we started with, | 0:27:29 | 0:27:32 | |
we should have eight there, cos that makes a complete circle. | 0:27:32 | 0:27:35 | |
Yes, it does. | 0:27:35 | 0:27:36 | |
Four of those for the straight bits. | 0:27:36 | 0:27:38 | |
And finally, | 0:27:39 | 0:27:41 | |
the power connecting clip, | 0:27:41 | 0:27:43 | |
which connects the transformer to the track. | 0:27:43 | 0:27:46 | |
'After seven hours and 42 minutes of carefree reassembling, | 0:27:51 | 0:27:55 | |
'I can feel the approach of that bittersweet moment. | 0:27:55 | 0:27:58 | |
'Sweet because hopefully my toils will have been productive, | 0:27:58 | 0:28:01 | |
and the train set will run. TRAIN WHIRS | 0:28:01 | 0:28:03 | |
Yet bitter because I know that assembling the track | 0:28:03 | 0:28:06 | |
will bring the process of reassembling to a close. | 0:28:06 | 0:28:09 | |
It was the best of times, | 0:28:09 | 0:28:11 | |
it was the worst of times. | 0:28:11 | 0:28:13 | |
There are many important questions being asked in the world today, | 0:28:13 | 0:28:17 | |
but few as important as this. | 0:28:17 | 0:28:19 | |
Will it run? | 0:28:19 | 0:28:20 | |
More to the point, | 0:28:20 | 0:28:21 | |
will it chuff realistically? | 0:28:21 | 0:28:23 | |
Let's find out. | 0:28:23 | 0:28:25 | |
TRANSFORMER HUMS | 0:28:26 | 0:28:28 | |
TRAIN WHIRS SLOWLY, SPEEDING UP | 0:28:31 | 0:28:34 | |
CHUFFING INTENSIFIES | 0:28:34 | 0:28:37 | |
TRAIN CHUFFS | 0:28:39 | 0:28:42 | |
A happy Christmas. | 0:28:51 | 0:28:52 | |
I hope all your toys reassemble as well as mine did. | 0:28:52 | 0:28:55 |