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Hello, viewers. I'm James May and this is The Reassembler, | 0:00:02 | 0:00:04 | |
the show where we take everyday objects in their component form | 0:00:04 | 0:00:07 | |
and put them back together very slowly. | 0:00:07 | 0:00:10 | |
That feels very nice. | 0:00:10 | 0:00:11 | |
Oh, yes, look at that. | 0:00:11 | 0:00:13 | |
'It is only when these much-loved and iconic objects are laid out in | 0:00:13 | 0:00:17 | |
'hundreds of bits...' | 0:00:17 | 0:00:18 | |
Oh, man in heaven. | 0:00:18 | 0:00:20 | |
'..and then slowly reassembled | 0:00:20 | 0:00:21 | |
'that you can truly understand and appreciate | 0:00:21 | 0:00:24 | |
'how they work...' | 0:00:24 | 0:00:25 | |
Total rubbish. | 0:00:25 | 0:00:26 | |
'..and just how ingenious they are.' | 0:00:26 | 0:00:28 | |
It's good, isn't it? | 0:00:28 | 0:00:29 | |
'And, if painstakingly putting hundreds of pieces back together again...' | 0:00:29 | 0:00:32 | |
That's quite satisfying. | 0:00:32 | 0:00:34 | |
'..wasn't hard enough, I then have to hope...' | 0:00:34 | 0:00:38 | |
Deep joy. | 0:00:38 | 0:00:39 | |
'..that they'll work.' | 0:00:39 | 0:00:40 | |
There's some moisture on my spectacles | 0:00:40 | 0:00:41 | |
because I've started weeping. | 0:00:41 | 0:00:43 | |
Today, I am going to assemble a chocolate cake | 0:00:46 | 0:00:49 | |
and the ingredients are | 0:00:49 | 0:00:50 | |
milk, flour, sugar, butter, cocoa powder, capacitor, choke resistor, | 0:00:50 | 0:00:57 | |
single phase A/C electric motor, planetary gear, | 0:00:57 | 0:01:01 | |
intermediate and penultimate gears, pinions, shim washers, | 0:01:01 | 0:01:05 | |
aluminium die castings, a light dusting of screws and washers, | 0:01:05 | 0:01:08 | |
and two eggs. | 0:01:08 | 0:01:09 | |
Back in the '50s, | 0:01:11 | 0:01:13 | |
the kitchen was being transformed by all manner of new and exciting | 0:01:13 | 0:01:17 | |
time-saving devices and electrifying machinery. | 0:01:17 | 0:01:21 | |
And being able to mix cake batter quickly was of utmost importance to | 0:01:21 | 0:01:25 | |
housewives everywhere. | 0:01:25 | 0:01:27 | |
The KitchenAid may have revolutionised fast cake mixing | 0:01:28 | 0:01:31 | |
but it was the Kenwood Chef A701A, | 0:01:31 | 0:01:34 | |
which emerged in the 1960s, that took it one step | 0:01:34 | 0:01:37 | |
further, with its multifunctional attachments and its sleek lines. | 0:01:37 | 0:01:42 | |
It became a cornerstone of modern living. | 0:01:42 | 0:01:46 | |
These are the 235 components of a Kenwood Chef A701A food mixer. | 0:01:46 | 0:01:53 | |
A literal revolution, | 0:01:53 | 0:01:55 | |
hundreds of them per minute, in fact, in domestic cooking | 0:01:55 | 0:01:58 | |
and I'm going to put them back together. | 0:01:58 | 0:02:00 | |
And we're going to start with electric motor, | 0:02:00 | 0:02:03 | |
since that is what separates this from the pestle and mortar. | 0:02:03 | 0:02:06 | |
So, I'll need the armature, a fan, some coils, the casing, | 0:02:09 | 0:02:14 | |
a couple of brush holders and brushes, and three wavy washers. | 0:02:14 | 0:02:19 | |
That should keep me going until you turn over to a soap. | 0:02:20 | 0:02:23 | |
Now, you are going to have to bear with me a bit on this one because | 0:02:26 | 0:02:29 | |
when the office said, "What sort of food mixer | 0:02:29 | 0:02:31 | |
would you like to reassemble?" | 0:02:31 | 0:02:32 | |
I said, "What's a food mixer?" | 0:02:32 | 0:02:34 | |
It's completely uncharted territory, | 0:02:34 | 0:02:37 | |
although it does contain some things that I know about - electric motors, | 0:02:37 | 0:02:41 | |
a bit of soldering, I imagine. | 0:02:41 | 0:02:43 | |
Screws, washers, you know, all that stuff. | 0:02:45 | 0:02:48 | |
As a younger man, I used to think - wouldn't it be funny if there was | 0:02:49 | 0:02:52 | |
actually somebody in the world called Ken Wood, | 0:02:52 | 0:02:54 | |
which wouldn't be an uncommon name, | 0:02:54 | 0:02:56 | |
and he happened to be a chef so he became Ken Wood, chef? | 0:02:56 | 0:03:00 | |
It turns out that Ken Wood, | 0:03:00 | 0:03:02 | |
I thought it was Sir Alexander Kenwood, but it's not. | 0:03:02 | 0:03:06 | |
He was called Ken Wood, so he named his company Kenwood. | 0:03:06 | 0:03:09 | |
I think he also had a boat that he named Kenwood. | 0:03:11 | 0:03:13 | |
The basic idea of an electric motor is very simple. | 0:03:16 | 0:03:19 | |
You put electricity in one end, and it rotates the shaft at the other, | 0:03:19 | 0:03:23 | |
and that's it. | 0:03:23 | 0:03:25 | |
You can then take the shaft and attach it to whatever you like. | 0:03:25 | 0:03:28 | |
And once I've finished constructing this motor, | 0:03:28 | 0:03:31 | |
I'll connect ours to the paddle, | 0:03:31 | 0:03:33 | |
which will mix our chocolate cake mix. | 0:03:33 | 0:03:35 | |
SNAP | 0:03:35 | 0:03:37 | |
Oh, yes, that feels rather good. | 0:03:37 | 0:03:38 | |
That's a fantastic invention. | 0:03:38 | 0:03:40 | |
Imagine all the things that would be incredibly tedious hard work. | 0:03:40 | 0:03:43 | |
We'd have no power tools... | 0:03:44 | 0:03:46 | |
..no electric cars, | 0:03:48 | 0:03:50 | |
no electric trains. | 0:03:50 | 0:03:51 | |
'And I'd be reassembling a bowl and a wooden spoon, | 0:03:51 | 0:03:55 | |
'which would be even less interesting than this.' | 0:03:55 | 0:03:57 | |
So, there is still a little bit more of electric motor to do, | 0:03:57 | 0:04:00 | |
which involves a bit more casing, that bit, | 0:04:00 | 0:04:04 | |
plus we need two more washers... | 0:04:04 | 0:04:06 | |
..and two more screws. That will probably do for now | 0:04:10 | 0:04:12 | |
because I'm...this will take me a while. | 0:04:12 | 0:04:15 | |
It did take a while, but, one hour and seven minutes after I began, | 0:04:16 | 0:04:20 | |
the motor is almost assembled and the casing in place. | 0:04:20 | 0:04:24 | |
Now I can attach the fan, | 0:04:24 | 0:04:26 | |
which also helps regulate the speed of the motor. | 0:04:26 | 0:04:28 | |
Now, this is secured with a grub screw. | 0:04:28 | 0:04:32 | |
It's going in with an Allen key and it's going to be an imperial size, | 0:04:32 | 0:04:36 | |
I'm guessing, as this is British and quite old. | 0:04:36 | 0:04:39 | |
But I have a set, magically. | 0:04:39 | 0:04:41 | |
The imperial system harks back to... | 0:04:45 | 0:04:48 | |
..in many cases, divisions of the human body. | 0:04:49 | 0:04:53 | |
So, the foot was a foot. | 0:04:53 | 0:04:54 | |
The inch, I think, was originally the end of somebody's thumb, | 0:04:54 | 0:04:58 | |
and so on, and so on. | 0:04:58 | 0:04:59 | |
The metric system is, in essence, divisible by ten. | 0:05:01 | 0:05:04 | |
The imperial system, its advocates would argue, | 0:05:06 | 0:05:08 | |
is great because it is divisible by more numbers. | 0:05:08 | 0:05:11 | |
So, if you had a shilling, | 0:05:11 | 0:05:13 | |
it is quite easy to divide into two people's worth of money, | 0:05:13 | 0:05:16 | |
or three people's or four people's. | 0:05:16 | 0:05:19 | |
One of the things I do like about the imperial system is that... | 0:05:19 | 0:05:23 | |
..it's more conversational, if you like - | 0:05:24 | 0:05:27 | |
a lot of it is more easy to relate to, you can say, | 0:05:27 | 0:05:30 | |
"Oh, we missed it by half an inch." | 0:05:30 | 0:05:31 | |
You can't really miss something by 12 and a bit millimetres. | 0:05:31 | 0:05:36 | |
The imperial system is | 0:05:36 | 0:05:38 | |
almost dead, really, for most things. | 0:05:38 | 0:05:41 | |
I'll close the lid on the imperial system and put it gently to rest. | 0:05:42 | 0:05:46 | |
On top of the... small metric spanners. | 0:05:47 | 0:05:50 | |
Right. | 0:05:50 | 0:05:51 | |
I'm now just going to sit here and drink my cup of tea for a while | 0:05:54 | 0:05:57 | |
because every other one I've had in this series has gone cold. | 0:05:57 | 0:05:59 | |
This is metric tea. | 0:06:04 | 0:06:05 | |
Next up is the speed control unit of my food mixer. | 0:06:11 | 0:06:15 | |
For this, I'll need a switch, a couple of retaining screws, | 0:06:15 | 0:06:19 | |
a mounting plate, and a capacitor. | 0:06:19 | 0:06:21 | |
That's a capacitor. | 0:06:21 | 0:06:23 | |
Blow my head off later. | 0:06:23 | 0:06:25 | |
That's a... | 0:06:25 | 0:06:26 | |
Holy Moley, look at all this. | 0:06:29 | 0:06:31 | |
There's going to be some soldering in a minute. | 0:06:31 | 0:06:34 | |
I hate soldering. Do you know what? | 0:06:35 | 0:06:38 | |
Looking at this thing, I am quite curious to use one. | 0:06:38 | 0:06:41 | |
There's a great advert that says... | 0:06:41 | 0:06:42 | |
I hardly dare repeat it for fear of getting my balls kicked off by | 0:06:44 | 0:06:48 | |
the sisterhood. I'm not saying this, I'm quoting the advert, | 0:06:48 | 0:06:51 | |
which is from the '60s, I believe. | 0:06:51 | 0:06:53 | |
And it says something like, | 0:06:54 | 0:06:56 | |
"The Kenwood Chef does everything except the cooking, | 0:06:56 | 0:06:59 | |
"that's what wives are for." | 0:06:59 | 0:07:01 | |
But just to reiterate, I'm not saying that, | 0:07:02 | 0:07:05 | |
I'm not saying I agree with it, I don't agree with it, | 0:07:05 | 0:07:08 | |
I'm merely quoting it. | 0:07:08 | 0:07:09 | |
It's a historical document. | 0:07:09 | 0:07:11 | |
I can also tell you some things that Hitler said, | 0:07:14 | 0:07:16 | |
it doesn't mean I'm a Nazi, it just means I happen to know what he said. | 0:07:16 | 0:07:20 | |
Now, I can clip these bits together and attach the capacitor. | 0:07:20 | 0:07:24 | |
It's sort of like a little temporary battery. | 0:07:25 | 0:07:27 | |
It stores a bit of electricity and releases it when you need it. | 0:07:27 | 0:07:30 | |
That's a fairly reasonable definition of a capacitor. | 0:07:30 | 0:07:32 | |
That's why they are | 0:07:32 | 0:07:34 | |
a bit dangerous to muck about with | 0:07:34 | 0:07:35 | |
because you can think you've turned something off and you have, | 0:07:35 | 0:07:39 | |
and there's no electricity going into it | 0:07:39 | 0:07:42 | |
but there is some electricity hiding in it. | 0:07:42 | 0:07:45 | |
It's like a little electrical booby-trap. | 0:07:47 | 0:07:49 | |
Get in, you horrible metal. | 0:07:51 | 0:07:53 | |
I think we may be approaching... | 0:07:56 | 0:07:58 | |
..the inevitable hour - | 0:08:00 | 0:08:02 | |
which is what Thomas Gray might have been talking about had he gone to | 0:08:02 | 0:08:06 | |
an electronic workshop rather than a country churchyard - | 0:08:06 | 0:08:09 | |
we're going to have to do some soldering. | 0:08:09 | 0:08:11 | |
I've just had a thought. | 0:08:11 | 0:08:12 | |
I've been given... I've been dying to try this out, | 0:08:12 | 0:08:14 | |
I've been given this, this is a gift, | 0:08:14 | 0:08:17 | |
and I suspect it's been given to me | 0:08:17 | 0:08:19 | |
with the intention of making me look like a total knob, | 0:08:19 | 0:08:22 | |
but what it is, it's a head-mounted magnifying system, | 0:08:22 | 0:08:27 | |
so you get... | 0:08:27 | 0:08:29 | |
..you get a selection of lenses... | 0:08:30 | 0:08:32 | |
You must put your glasses on to read the thing | 0:08:34 | 0:08:36 | |
that tells you what size the lenses are. | 0:08:36 | 0:08:38 | |
2.5. I'm going to try 2.5. | 0:08:41 | 0:08:43 | |
So I can't see a thing over there, but if I look down there, | 0:08:48 | 0:08:51 | |
wow, that's amazing. | 0:08:51 | 0:08:54 | |
There's a light on it, isn't there? Somewhere. | 0:08:54 | 0:08:57 | |
How do you switch that on? | 0:08:57 | 0:08:58 | |
Is that...? Yeah, look,... | 0:09:00 | 0:09:02 | |
How cool do I look? | 0:09:06 | 0:09:08 | |
If I wear it down the pub, will I score, do you think? | 0:09:08 | 0:09:10 | |
I can't work out where the cup of tea is. | 0:09:11 | 0:09:14 | |
THEY ALL GIGGLE | 0:09:14 | 0:09:15 | |
'This is not only about looking good, | 0:09:28 | 0:09:30 | |
'it's also about accurate soldering | 0:09:30 | 0:09:32 | |
'of capacitor to speed controller plate.' | 0:09:32 | 0:09:34 | |
That's brilliant. Look at that, | 0:09:34 | 0:09:35 | |
that's the best soldered joint I've ever done. | 0:09:35 | 0:09:38 | |
After a jaunty four hours and 23 minutes, | 0:09:40 | 0:09:43 | |
I've built the A/C motor and added the fan and the on-off switch. | 0:09:43 | 0:09:47 | |
I've also reassembled the speed control board and attached it to | 0:09:47 | 0:09:50 | |
the motor, so I can move on. | 0:09:50 | 0:09:53 | |
Though, as the motor is, it is just a motor with a rotating shaft, | 0:09:55 | 0:09:58 | |
it needs to transfer all that drive to the gearbox and everything else, | 0:09:58 | 0:10:02 | |
so that requires a belt system. A toothed belt. | 0:10:02 | 0:10:04 | |
We don't need the belt yet but we do need the belt pulley, | 0:10:04 | 0:10:07 | |
that little retaining ring... | 0:10:07 | 0:10:09 | |
..these four screws. | 0:10:10 | 0:10:12 | |
So this is the drive belt pulley, which mounts on the other end of | 0:10:18 | 0:10:22 | |
the motor with a roll pin. | 0:10:22 | 0:10:24 | |
This is going to be slightly tricky | 0:10:24 | 0:10:25 | |
because you would normally have a roll pin squeezer | 0:10:25 | 0:10:28 | |
to do this, which I don't have, so we'll improvise slightly. | 0:10:28 | 0:10:33 | |
The first Kenwood Chef... | 0:10:35 | 0:10:36 | |
..was launched in 1950. | 0:10:38 | 0:10:39 | |
"Eye appeal is buy appeal," said Ken Wood himself. | 0:10:41 | 0:10:46 | |
He recognised, quite early on, actually, | 0:10:46 | 0:10:49 | |
that attractive domestic appliances would sell better than ugly ones. | 0:10:49 | 0:10:53 | |
And we still see that today, with designer fridges and | 0:10:53 | 0:10:57 | |
those trendy Italian tin openers and lemon squeezers | 0:10:57 | 0:11:02 | |
and what have you. | 0:11:02 | 0:11:03 | |
And the first one sold out within a week, from Harrods. | 0:11:05 | 0:11:08 | |
It was probably considered quite a posh thing | 0:11:08 | 0:11:12 | |
because I think, in today's money, | 0:11:12 | 0:11:13 | |
it cost the equivalent of something like £600. | 0:11:13 | 0:11:18 | |
I think that has lined up. | 0:11:18 | 0:11:20 | |
Let's try squeezing it with pliers, | 0:11:20 | 0:11:22 | |
even though my instincts tell me that's not quite right. | 0:11:22 | 0:11:27 | |
Ah, there you go, that's bloody perfect. | 0:11:27 | 0:11:29 | |
That is the entire electric motor, | 0:11:31 | 0:11:33 | |
the belt pulley and the speed control unit | 0:11:33 | 0:11:36 | |
and the connection to the mains | 0:11:36 | 0:11:39 | |
complete. And, more joyously, | 0:11:39 | 0:11:41 | |
we can move onto something that I like and understand - the gearbox. | 0:11:41 | 0:11:46 | |
News has just reached me from the sadists who put this programme together | 0:11:50 | 0:11:53 | |
that I haven't finished the electric motor, there are some other bits, | 0:11:53 | 0:11:56 | |
so we'll do that again. | 0:11:56 | 0:11:58 | |
Well, that's the electric motor almost finished, | 0:11:58 | 0:12:00 | |
just a few more bits to put on. | 0:12:00 | 0:12:02 | |
I can joyously head back to the table | 0:12:06 | 0:12:09 | |
to get the final bits of the motor. | 0:12:09 | 0:12:11 | |
I can then blissfully attach the knob | 0:12:11 | 0:12:13 | |
and Ken's name badge to finally complete the A/C electric motor. | 0:12:13 | 0:12:18 | |
That is the motor and the controls and the knob and the connectors all | 0:12:21 | 0:12:26 | |
definitely finished, | 0:12:26 | 0:12:27 | |
and we can move on to something I'm much happier with - the gearbox. | 0:12:27 | 0:12:30 | |
I'm looking forward to this bit. | 0:12:32 | 0:12:33 | |
There is no soldering in it, for one thing. | 0:12:33 | 0:12:36 | |
Now I'm going to remove from the table everything in this line here, | 0:12:37 | 0:12:41 | |
which is the gearbox, and I like the idea of the gearbox | 0:12:41 | 0:12:44 | |
because I understand gears. | 0:12:44 | 0:12:46 | |
They can be considered levers in circular form. | 0:12:46 | 0:12:49 | |
They're important if you ride a bicycle, drive a car, | 0:12:49 | 0:12:53 | |
have a food mixer... | 0:12:53 | 0:12:54 | |
..play Spirograph, all sorts of things. | 0:12:56 | 0:12:59 | |
Look at that lovely thing. | 0:13:00 | 0:13:01 | |
I know that's going to feel nice with some grease on it somewhere. | 0:13:04 | 0:13:08 | |
Hours of fun. | 0:13:08 | 0:13:10 | |
Hours. | 0:13:11 | 0:13:12 | |
What I find interesting about gears is this shape on the teeth, | 0:13:17 | 0:13:23 | |
that has taken a long time for humankind to arrive | 0:13:23 | 0:13:26 | |
at a shape that meshes like that. | 0:13:26 | 0:13:29 | |
It's extremely complicated, actually, | 0:13:29 | 0:13:31 | |
if you analyse it right down to the Euclidean details. | 0:13:31 | 0:13:35 | |
That is the legacy of many, | 0:13:35 | 0:13:37 | |
many centuries of refinement and thought in geometry, metalworking... | 0:13:37 | 0:13:41 | |
..arithmetic. | 0:13:43 | 0:13:44 | |
Amazing. Anyway... | 0:13:48 | 0:13:49 | |
How does it go together? Let's find out. | 0:13:51 | 0:13:53 | |
This bit, I'm guessing, given that that has an annular gear, | 0:13:54 | 0:13:58 | |
is an epicyclic of some sort | 0:13:58 | 0:14:00 | |
because I know, when the food mixer goes round and round, | 0:14:00 | 0:14:04 | |
it goes round whilst going round, it is epicyclic, | 0:14:04 | 0:14:08 | |
it is something going round inside something that is in itself | 0:14:08 | 0:14:11 | |
going round. Erm... | 0:14:11 | 0:14:14 | |
So, I imagine there will be some planetary wheels inside there, | 0:14:14 | 0:14:20 | |
and some sort of sun arrangement. | 0:14:20 | 0:14:22 | |
I'm fairly confident that that goes in there. | 0:14:24 | 0:14:26 | |
That runs in a nice bush. | 0:14:26 | 0:14:28 | |
I'm still going to put a slight smear of grease on it. | 0:14:28 | 0:14:32 | |
We'll make this the greasing finger. | 0:14:32 | 0:14:33 | |
Oh, look at that going down. | 0:14:41 | 0:14:43 | |
I'm wondering if this is as interesting to watch on television | 0:14:44 | 0:14:47 | |
as it is for me to do because, when you sit down at the bench | 0:14:47 | 0:14:51 | |
with that pile of bits, you think, | 0:14:51 | 0:14:52 | |
"Oh, God, how am I going to work this out?" | 0:14:52 | 0:14:54 | |
But then, once you start doing it, | 0:14:54 | 0:14:56 | |
it's a bit like a chess problem or something, | 0:14:56 | 0:14:58 | |
you know there must be an answer... | 0:14:58 | 0:15:00 | |
..and you just have to work it out. | 0:15:01 | 0:15:02 | |
And I believe I have gone some way to working it out, | 0:15:04 | 0:15:07 | |
so I'm feeling incredibly pleased with myself. | 0:15:07 | 0:15:09 | |
Now, look, | 0:15:11 | 0:15:12 | |
you'll want me to say something about how I love using lubricant | 0:15:12 | 0:15:15 | |
or something like that, I know you do, | 0:15:15 | 0:15:17 | |
and then you can tweet about it and go, "Oh, he said..." | 0:15:17 | 0:15:20 | |
So, I'm not going to. | 0:15:20 | 0:15:23 | |
Having said that, | 0:15:23 | 0:15:25 | |
lubrication is incredibly important... | 0:15:25 | 0:15:27 | |
..if things aren't to wear out, | 0:15:29 | 0:15:31 | |
overheat, be destroyed by friction. | 0:15:31 | 0:15:34 | |
The interesting thing about oil and grease - | 0:15:36 | 0:15:39 | |
the oil in the engine of your car, for example - | 0:15:39 | 0:15:41 | |
because the oil is there, | 0:15:41 | 0:15:43 | |
no two metal parts actually touch each other. | 0:15:43 | 0:15:46 | |
They are separated by oil, | 0:15:46 | 0:15:48 | |
and the layer of oil could be a molecule thick, even. | 0:15:48 | 0:15:53 | |
But if you take the engine of a car... | 0:15:53 | 0:15:55 | |
..it will last for, what, 200,000 miles, that's not unusual. | 0:15:57 | 0:16:01 | |
If you ran it without any oil in it, | 0:16:01 | 0:16:03 | |
it would probably last maybe a minute. | 0:16:03 | 0:16:05 | |
That's how important oil is. | 0:16:08 | 0:16:09 | |
What it is making me think, actually, as I do this, is | 0:16:09 | 0:16:13 | |
how difficult and sophisticated cooking are you making | 0:16:13 | 0:16:18 | |
all those cake mixes and batter and whatever else must have been. | 0:16:18 | 0:16:23 | |
Well, here's the thing. This is what bothers me. | 0:16:23 | 0:16:26 | |
Labour-saving, it started with things like this, | 0:16:26 | 0:16:28 | |
so cooking becomes easier, mowing the lawn becomes easier, | 0:16:28 | 0:16:32 | |
getting about becomes easier because we have bicycles and motorcycles and | 0:16:32 | 0:16:35 | |
cars and so on. And then we had the digital revolution. | 0:16:35 | 0:16:37 | |
And then... | 0:16:37 | 0:16:39 | |
the microprocessor and the computer meant that we could work out | 0:16:39 | 0:16:42 | |
fantastically complicated things and produce charts and diagrams and | 0:16:42 | 0:16:46 | |
drawings that would have taken days or weeks to do on a drawing board or | 0:16:46 | 0:16:50 | |
with a piece of paper and a pen, | 0:16:50 | 0:16:51 | |
and there is all this time being saved by all these things | 0:16:51 | 0:16:54 | |
but where's it gone? | 0:16:54 | 0:16:56 | |
By rights, we should all be sitting at home | 0:16:58 | 0:17:00 | |
learning to paint or play the violin or philosophising or something, | 0:17:00 | 0:17:05 | |
but we're not. We're still running around like idiots, | 0:17:05 | 0:17:07 | |
tending to the very machines that were supposed to save us. | 0:17:07 | 0:17:11 | |
Where is all this time we were promised? | 0:17:11 | 0:17:14 | |
Where is the leisure society? | 0:17:14 | 0:17:15 | |
It's full of people having heart attacks. | 0:17:15 | 0:17:17 | |
Time-saving devices free up time to spend | 0:17:17 | 0:17:20 | |
with other time-saving devices, | 0:17:20 | 0:17:22 | |
like video games, or reassembling things, | 0:17:22 | 0:17:26 | |
which worked perfectly well before somebody took them apart. | 0:17:26 | 0:17:29 | |
In the interest of reassembling this previously perfectly good thing, | 0:17:32 | 0:17:35 | |
I just need to apply some silicon sealant, | 0:17:35 | 0:17:38 | |
then I can fit the two halves together. | 0:17:38 | 0:17:40 | |
That is together. You can tell that is together because the silicone is | 0:17:42 | 0:17:45 | |
evenly squeezed out all around. | 0:17:45 | 0:17:47 | |
We can go ahead and put the screws in, though. | 0:17:47 | 0:17:49 | |
But what a pleasing thing that is, isn't it? | 0:17:49 | 0:17:53 | |
And it is more pleasing for knowing what's going on inside it. | 0:17:53 | 0:17:56 | |
You have seen all of those inner workings, | 0:17:56 | 0:17:59 | |
all those mysterious bits that most people never see | 0:17:59 | 0:18:02 | |
and never even imagine. | 0:18:02 | 0:18:03 | |
What you see is just a paddle going around and around and around, | 0:18:03 | 0:18:07 | |
stirring up cake mixture, it's fairly boring, really. | 0:18:07 | 0:18:10 | |
But once you have seen it | 0:18:10 | 0:18:12 | |
in its nakedness, disassembled, and you've had to put it back together, | 0:18:12 | 0:18:16 | |
you know what's actually going on, | 0:18:16 | 0:18:18 | |
you'll never look at one of these in the same way again, and say, "Ah, | 0:18:18 | 0:18:22 | |
"yes, that's going to be some chocolate brownies, | 0:18:22 | 0:18:24 | |
"thanks to a planetary gear system." | 0:18:24 | 0:18:26 | |
That is a nylon washer. | 0:18:31 | 0:18:33 | |
That is the securing nut, which will have to be nipped up. | 0:18:33 | 0:18:39 | |
I thought that was five eighths, it's not quite, but anyway. | 0:18:39 | 0:18:42 | |
That's the main gearbox-y bit of it done. | 0:18:44 | 0:18:46 | |
I enjoyed that. | 0:18:46 | 0:18:47 | |
Mechanisms. | 0:18:49 | 0:18:50 | |
They're nice. | 0:18:51 | 0:18:52 | |
Super. | 0:18:55 | 0:18:56 | |
'In the mere blink of an eye, | 0:18:59 | 0:19:00 | |
'which just happened to last for seven hours and one minute, | 0:19:00 | 0:19:03 | |
'I've rebuilt not only the motor but also the gearbox, | 0:19:03 | 0:19:07 | |
'which I now have to fill with grease | 0:19:07 | 0:19:09 | |
'to ensure that all those moving parts | 0:19:09 | 0:19:11 | |
'remain lubricated for the next 50 years.' | 0:19:11 | 0:19:14 | |
One, two, three, four, five, six, | 0:19:14 | 0:19:16 | |
seven, eight, nine, ten, 11, 12, 13, 14, 15. | 0:19:16 | 0:19:20 | |
It could be a new form of aerobics. | 0:19:20 | 0:19:22 | |
Right, that is the gearbox and the motor complete. | 0:19:29 | 0:19:32 | |
They are quite esoteric, really. | 0:19:32 | 0:19:34 | |
We can now move on to bits that start to make it look like something | 0:19:34 | 0:19:38 | |
you would expect to find in your kitchen, | 0:19:38 | 0:19:40 | |
namely, the pedestal, as it's called, | 0:19:40 | 0:19:43 | |
the sort of chassis of the thing. | 0:19:43 | 0:19:45 | |
Evil-looking spring, look at that. | 0:19:45 | 0:19:48 | |
The motor housing. | 0:19:48 | 0:19:49 | |
And...these bits. | 0:19:51 | 0:19:54 | |
Follow me. | 0:19:57 | 0:19:58 | |
Now, this next bit, I'm advised, can be a bit tricky. | 0:20:01 | 0:20:06 | |
This is the little arm that stops | 0:20:06 | 0:20:07 | |
the whole thing falling apart completely | 0:20:07 | 0:20:10 | |
when you open it up. | 0:20:10 | 0:20:11 | |
I'm sure it has a name, | 0:20:13 | 0:20:14 | |
I don't know what it is. | 0:20:14 | 0:20:16 | |
That will go through there, through the spring. | 0:20:16 | 0:20:19 | |
And you have to...keep the spring out of the way... | 0:20:26 | 0:20:29 | |
..while that goes on. | 0:20:31 | 0:20:32 | |
Piece of cake. | 0:20:34 | 0:20:35 | |
I don't know what all the fuss was about. | 0:20:35 | 0:20:38 | |
Watch as this becomes even more of a Kenwood mixer. | 0:20:38 | 0:20:40 | |
There is a tube to go inside it. | 0:20:46 | 0:20:49 | |
That will go like so. | 0:20:49 | 0:20:51 | |
And, then, the pin... | 0:20:53 | 0:20:54 | |
..would feed through from that side | 0:20:56 | 0:20:58 | |
until that groove for the circlip | 0:20:58 | 0:21:00 | |
appears on the other side, | 0:21:00 | 0:21:02 | |
which I think it just did. | 0:21:02 | 0:21:03 | |
I am now going to mount the motor assembly. | 0:21:05 | 0:21:08 | |
So, let's... | 0:21:08 | 0:21:09 | |
It can only go one way round because the knob... | 0:21:17 | 0:21:19 | |
..goes through the hole. | 0:21:21 | 0:21:22 | |
I think that, erm, | 0:21:24 | 0:21:27 | |
we may have arrived at an important moment. | 0:21:27 | 0:21:29 | |
CLICK | 0:21:30 | 0:21:32 | |
That is quite pleasing. There's a hell of a spring in there. | 0:21:32 | 0:21:34 | |
Now, I do believe we can put the gearbox assembly onto there. | 0:21:39 | 0:21:43 | |
Now, that really does look like a food mixer, then, doesn't it? | 0:21:43 | 0:21:47 | |
Without taking a modern food mixer apart, | 0:21:50 | 0:21:52 | |
I don't really know how different it would be from this one. | 0:21:52 | 0:21:54 | |
The mechanical aspects of it, I imagine, would be exactly the same | 0:21:54 | 0:21:59 | |
because gears are gears. | 0:21:59 | 0:22:00 | |
I mean, the thing is we have this idea that stuff in the past | 0:22:02 | 0:22:05 | |
lasted a long time but that is because we can only see the stuff | 0:22:05 | 0:22:07 | |
that's lasted a long time, | 0:22:07 | 0:22:09 | |
we forget about all the stuff that | 0:22:09 | 0:22:10 | |
we threw away because it was rubbish. | 0:22:10 | 0:22:12 | |
So, it could be that, | 0:22:12 | 0:22:14 | |
in the '70s, food mixers were built to last a long time | 0:22:14 | 0:22:18 | |
and it might be that today... | 0:22:18 | 0:22:19 | |
..kitchen knives are being made of steel | 0:22:21 | 0:22:23 | |
that will sharpen forever and last | 0:22:23 | 0:22:26 | |
a very long time so that another generation can say, | 0:22:26 | 0:22:29 | |
"Oh, this isn't made properly, not like it was in the good old days. | 0:22:29 | 0:22:32 | |
"Look at my old kitchen knife, I've had that for 50 years." | 0:22:32 | 0:22:35 | |
Yes, you have, but everything else you had 50 years ago is long gone to | 0:22:35 | 0:22:38 | |
landfill because it was rubbish. | 0:22:38 | 0:22:40 | |
Most of us only really know what happened based on what we can see, | 0:22:40 | 0:22:44 | |
so, therefore, Medieval England was just full of cathedrals. | 0:22:44 | 0:22:47 | |
It must have been amazing. | 0:22:47 | 0:22:48 | |
It could be that the thing that survives is... | 0:22:50 | 0:22:53 | |
..the reassembler. | 0:22:54 | 0:22:56 | |
And if that is all that archaeologists can find in 50,000 years' time, | 0:22:58 | 0:23:01 | |
they will say, "It was a strange age of man when people put things together, | 0:23:01 | 0:23:05 | |
"we're not sure what these things were, one of them was a food mixer. | 0:23:05 | 0:23:08 | |
"It lasted 50 years, you know. They don't make them like they used to." | 0:23:08 | 0:23:11 | |
Let's go and get a few more pieces. | 0:23:11 | 0:23:13 | |
It is very, very close now to being complete. | 0:23:13 | 0:23:15 | |
I'm going to need the belt to transfer the drive | 0:23:16 | 0:23:19 | |
from the motor to the gearbox. | 0:23:19 | 0:23:21 | |
This plate. | 0:23:21 | 0:23:23 | |
This plate. | 0:23:23 | 0:23:25 | |
And that. | 0:23:25 | 0:23:26 | |
And that's it. | 0:23:26 | 0:23:28 | |
Right. | 0:23:32 | 0:23:34 | |
That is a tooth belt, | 0:23:37 | 0:23:39 | |
that is a little bit like the final drive of a large Harley-Davidson. | 0:23:39 | 0:23:43 | |
That's looking quite good. | 0:23:43 | 0:23:44 | |
CLUNKING | 0:23:47 | 0:23:49 | |
That makes a good comedy noise, doesn't it? | 0:23:49 | 0:23:51 | |
Goo-glug. | 0:23:51 | 0:23:52 | |
That goes on top... | 0:23:53 | 0:23:54 | |
Thus. | 0:23:57 | 0:23:58 | |
And, now... | 0:24:00 | 0:24:01 | |
..the crowd goes quiet as the flex is thread | 0:24:03 | 0:24:05 | |
through the hole at the back of the Ken Wood... | 0:24:05 | 0:24:09 | |
mixer. | 0:24:09 | 0:24:10 | |
So, that cable is twice clamped, | 0:24:12 | 0:24:15 | |
just in the back of the machine, | 0:24:15 | 0:24:17 | |
as, of course, it will also be clamped in the plug. | 0:24:17 | 0:24:19 | |
You could probably swing from a suspension bridge by this machine | 0:24:19 | 0:24:22 | |
and you'd be absolutely fine. | 0:24:22 | 0:24:24 | |
CLICK | 0:24:26 | 0:24:27 | |
That's so satisfying. | 0:24:27 | 0:24:29 | |
Nice, big clunky noises. | 0:24:29 | 0:24:32 | |
That's a big clunky noise. | 0:24:32 | 0:24:33 | |
We are moving onto parts of the machine now that help, really, | 0:24:36 | 0:24:40 | |
to cement its identity, | 0:24:40 | 0:24:42 | |
the identity being the work of Sir Kenneth Grange, | 0:24:42 | 0:24:46 | |
the designer who did not only this | 0:24:46 | 0:24:49 | |
but things like the Kodak Instamatic, | 0:24:49 | 0:24:53 | |
I think he did a radio. | 0:24:53 | 0:24:54 | |
Most famously, he did the InterCity 125 train, | 0:24:56 | 0:24:59 | |
the shape of it, and the cab, I believe. | 0:24:59 | 0:25:02 | |
And that was a fantastic-looking thing. | 0:25:04 | 0:25:06 | |
This is what the future looked like when this was designed. | 0:25:06 | 0:25:09 | |
It was quite minimalist. | 0:25:09 | 0:25:10 | |
They, you know, lost the curviness that you would associate with the 1950s, | 0:25:10 | 0:25:13 | |
and we have gone to this rather squarer form | 0:25:13 | 0:25:16 | |
that you would eventually | 0:25:16 | 0:25:17 | |
come to associate with most of the 1970s. | 0:25:17 | 0:25:20 | |
That goes in there. | 0:25:20 | 0:25:21 | |
The most important thing to remember about Sir Kenneth Grange | 0:25:21 | 0:25:24 | |
was that he was called Ken. | 0:25:24 | 0:25:27 | |
You weren't really allowed to work for Ken Wood | 0:25:27 | 0:25:29 | |
unless you were also called Ken because that would have meant | 0:25:29 | 0:25:32 | |
renaming a lot of things - his house, | 0:25:32 | 0:25:34 | |
his boat, his haircut - the lot. | 0:25:34 | 0:25:37 | |
Put the handle on, like so, and, then, put that on top of there, | 0:25:39 | 0:25:46 | |
like that. | 0:25:46 | 0:25:47 | |
Fantastic. You would never guess, | 0:25:47 | 0:25:49 | |
looking at that rather simplistic minimalist shape, | 0:25:49 | 0:25:52 | |
just what is going on | 0:25:52 | 0:25:54 | |
inside that thing. | 0:25:54 | 0:25:55 | |
That motor, that gearbox, | 0:25:55 | 0:25:57 | |
all those hundreds of screws and little bits and pieces | 0:25:57 | 0:26:00 | |
and the release lever, | 0:26:00 | 0:26:03 | |
the epicyclic arrangement. | 0:26:03 | 0:26:05 | |
It's all fantastic, isn't it? | 0:26:05 | 0:26:07 | |
There it is, the Kenwood Chef. | 0:26:10 | 0:26:12 | |
Just arrange it artfully for you, there. | 0:26:15 | 0:26:18 | |
Now, for the penultimate visit to the table, | 0:26:20 | 0:26:23 | |
where I can finally get the mixing panel, | 0:26:23 | 0:26:25 | |
which is shaped like a K for Ken. | 0:26:25 | 0:26:29 | |
I'm guessing that goes into there and you lock it in position with | 0:26:32 | 0:26:36 | |
a little nip on that. | 0:26:36 | 0:26:39 | |
I've never done this. How does this go in? | 0:26:41 | 0:26:44 | |
Now, of the 235 pieces that we started with, | 0:26:46 | 0:26:49 | |
there is one left to put on. | 0:26:49 | 0:26:51 | |
Can you guess what it is? | 0:26:51 | 0:26:53 | |
Without it, | 0:26:55 | 0:26:57 | |
the machine is useless, | 0:26:57 | 0:26:59 | |
or extremely messy and dangerous... | 0:26:59 | 0:27:01 | |
at any rate. It's this - | 0:27:01 | 0:27:03 | |
the bowl, the mixing bowl. | 0:27:03 | 0:27:06 | |
What a wonderful thing. | 0:27:06 | 0:27:08 | |
We are going to make a cake. | 0:27:08 | 0:27:10 | |
My 1960s food mixer is nearly complete. | 0:27:13 | 0:27:17 | |
The last nine hours and 32 minutes | 0:27:17 | 0:27:19 | |
have been so enjoyable that I think, in future, | 0:27:19 | 0:27:21 | |
I may take apart and reassemble | 0:27:21 | 0:27:23 | |
all my kitchen appliances before I use them. | 0:27:23 | 0:27:26 | |
I'll see if this one works first, though. | 0:27:26 | 0:27:29 | |
Let's begin with the all-important cocoa powder. | 0:27:29 | 0:27:32 | |
All I have to do, remember, in the modern world, | 0:27:32 | 0:27:34 | |
is chuck it in the bowl. | 0:27:34 | 0:27:36 | |
Sugar and flour in equal amounts. | 0:27:36 | 0:27:39 | |
The butter and milk. | 0:27:45 | 0:27:47 | |
Two eggies. | 0:27:54 | 0:27:55 | |
Fantastic. There you are. | 0:28:03 | 0:28:07 | |
The motor, the speed controller, the gearbox, | 0:28:07 | 0:28:11 | |
the K paddle, the bowl, | 0:28:11 | 0:28:12 | |
the chassis. | 0:28:12 | 0:28:14 | |
Most importantly, the ingredients for a cake. | 0:28:14 | 0:28:17 | |
Does it work? | 0:28:17 | 0:28:18 | |
It has to work, otherwise... | 0:28:19 | 0:28:21 | |
..it's just going to be a mess. | 0:28:22 | 0:28:24 | |
To the memory of Kenneth Wood. | 0:28:26 | 0:28:28 | |
WHIRRING | 0:28:29 | 0:28:31 | |
Ye-e-e-es! Ha-ha. | 0:28:31 | 0:28:32 | |
Look at that, it really works. | 0:28:37 | 0:28:39 | |
Let's find a baking tray and warm up the oven. | 0:28:39 | 0:28:41 | |
Who's taken the oven apart? | 0:29:08 | 0:29:10 |