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Hello, I'm James May, and I am the reassembler. | 0:00:02 | 0:00:04 | |
That feels very nice. | 0:00:05 | 0:00:07 | |
Oh, yes! Look at that. | 0:00:07 | 0:00:08 | |
'It is only when these much-loved and iconic objects are laid out in | 0:00:08 | 0:00:12 | |
'hundreds of bits...' | 0:00:12 | 0:00:14 | |
Oh, man in heaven! | 0:00:14 | 0:00:15 | |
'..and then slowly reassembled | 0:00:15 | 0:00:17 | |
'that you can truly understand and appreciate how they work...' | 0:00:17 | 0:00:21 | |
Total rubbish! '..and just how ingenious they are.' | 0:00:21 | 0:00:23 | |
It's good, isn't it? 'And if painstakingly putting hundreds of pieces back | 0:00:23 | 0:00:27 | |
'together again...' That's quite satisfying. | 0:00:27 | 0:00:29 | |
'..wasn't hard enough, | 0:00:29 | 0:00:31 | |
'I then have to hope...' | 0:00:31 | 0:00:33 | |
Deep joy. '..that they'll work.' | 0:00:33 | 0:00:35 | |
There's some moisture on my spectacles because I started weeping. | 0:00:35 | 0:00:38 | |
The Japanese, famously, | 0:00:42 | 0:00:43 | |
can make anything smaller than the rest of the world thought possible - | 0:00:43 | 0:00:47 | |
cameras, radios, hotel rooms and trees, | 0:00:47 | 0:00:51 | |
and, as it turns out, motorcycles. | 0:00:51 | 0:00:53 | |
This is a Honda Z50 Mini Trail monkey bike, | 0:00:53 | 0:00:56 | |
just about the least motorcycle you can get away with. | 0:00:56 | 0:00:59 | |
And it's presented here in 303 component parts and is, frankly, | 0:00:59 | 0:01:03 | |
taking up far too much space. So let's put it back together. | 0:01:03 | 0:01:06 | |
It's fair to say that the motorbike | 0:01:09 | 0:01:11 | |
has always had a bit of an image problem. | 0:01:11 | 0:01:13 | |
Its perceived status as a dangerous machine for dangerous people | 0:01:13 | 0:01:17 | |
ensured that it was never the vehicle that your mother wanted you to own. | 0:01:17 | 0:01:21 | |
But in the mid-1960s, Honda produced a bike that changed all that. | 0:01:21 | 0:01:26 | |
Fondly known as the monkey bike, | 0:01:26 | 0:01:27 | |
the Z50A became the quintessential mini motorbike | 0:01:27 | 0:01:30 | |
for all the family to ride. | 0:01:30 | 0:01:32 | |
Small, fun, and portable, it was, effectively, | 0:01:32 | 0:01:36 | |
a gateway motorcycle which got millions of kids hooked on two-wheeled transport. | 0:01:36 | 0:01:42 | |
Right, we'll begin with the frame and the front forks | 0:01:42 | 0:01:45 | |
because, once we've got those together, the thing will stand up on the bench. | 0:01:45 | 0:01:50 | |
As well as those two bits of ironmongery, I'll also be needing some tiny | 0:01:50 | 0:01:53 | |
ball bearings. How many, I wonder? | 0:01:53 | 0:01:56 | |
Now, if you were doing this like a professional, you'd look in a parts book | 0:01:59 | 0:02:03 | |
to see how many balls go either side of the forks. | 0:02:03 | 0:02:08 | |
But as it's come apart recently, and I know the number is correct, | 0:02:08 | 0:02:10 | |
all we have to do is divide the number of balls in this dish into two. | 0:02:10 | 0:02:13 | |
So let's see how many there are. One, two, three, four, five, six, seven, | 0:02:13 | 0:02:16 | |
eight, nine, ten, 11, 12, 13, 14, 15, 16, 17... | 0:02:16 | 0:02:21 | |
18...19...20... | 0:02:21 | 0:02:25 | |
..21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, | 0:02:26 | 0:02:31 | |
37, 38, 39, 40, 41, 42, 43, 44... | 0:02:31 | 0:02:34 | |
Did I come count those two? | 0:02:34 | 0:02:36 | |
One, two, three, four, five, six, seven, eight, nine, ten, 11... | 0:02:36 | 0:02:40 | |
..33, 34, 35, 36, 37, 38, 39, 40, 41, 42. | 0:02:44 | 0:02:49 | |
That would mean 21 per side. | 0:02:49 | 0:02:52 | |
Anybody still watching? Assuming you are, I'll get on with putting | 0:02:52 | 0:02:56 | |
the bearings in the greased headset, and then we can crack on. | 0:02:56 | 0:03:00 | |
So there was a whole range of these bikes made by Honda with 50, 70, | 0:03:00 | 0:03:04 | |
and 90cc engines, and they were available as the Mini Trail. | 0:03:04 | 0:03:07 | |
There were some other versions, which didn't have a fuel tank, | 0:03:07 | 0:03:10 | |
those were given various names, | 0:03:10 | 0:03:12 | |
and they were given different names in America from the rest of the world | 0:03:12 | 0:03:15 | |
because certain names that Honda use, like Cub and Super Cub, | 0:03:15 | 0:03:20 | |
had already been taken by other people. | 0:03:20 | 0:03:22 | |
And it's mainly because American lawyers are quite aggressive about pursuing | 0:03:22 | 0:03:26 | |
that sort of thing. Really, | 0:03:26 | 0:03:27 | |
they should spend more time inventing some new types of cheese. | 0:03:27 | 0:03:31 | |
Because, as we know, the Americans only really have one type of cheese, | 0:03:32 | 0:03:36 | |
which is called cheese. They say, "You want cheese with that?" | 0:03:36 | 0:03:40 | |
I say, "Ooh, yes, what sort of cheese have you got?" "It's goddamn cheese, you Communist!" | 0:03:40 | 0:03:43 | |
You know. | 0:03:43 | 0:03:45 | |
This is my case of tools. | 0:03:46 | 0:03:48 | |
Look at this. Are you ready? | 0:03:49 | 0:03:50 | |
Oh! | 0:03:52 | 0:03:53 | |
METAL CLINKS | 0:03:53 | 0:03:54 | |
I'd put the sockets back in the box in the wrong order. | 0:03:54 | 0:03:57 | |
I'll have to be killed. | 0:03:58 | 0:04:00 | |
After locating the correct socket, I can tighten these bolts, | 0:04:02 | 0:04:06 | |
and that's the forks done. | 0:04:06 | 0:04:07 | |
Now I can slow the pace right down | 0:04:07 | 0:04:10 | |
with the front brake. | 0:04:10 | 0:04:11 | |
So, those are brake shoes, obviously, | 0:04:11 | 0:04:13 | |
with brake shoe material on them. | 0:04:13 | 0:04:15 | |
Some irritating little springs. | 0:04:15 | 0:04:18 | |
A screw, or is it a bolt? | 0:04:19 | 0:04:20 | |
There's a captive nut device on the other end. | 0:04:20 | 0:04:23 | |
And then we need the thing it runs in, which is the brake hub. | 0:04:23 | 0:04:28 | |
We'll put it on the wheel in a minute. | 0:04:28 | 0:04:29 | |
Now, the death of the British motorcycle industry, that is a very big | 0:04:32 | 0:04:37 | |
and complicated subject. | 0:04:37 | 0:04:38 | |
But a lesson, not just for manufacturing industry, | 0:04:38 | 0:04:41 | |
but a lesson for life - | 0:04:41 | 0:04:43 | |
for everybody, in all walks of it. | 0:04:43 | 0:04:45 | |
Up until the '60s, the British motorcycle industry dominated the world. | 0:04:45 | 0:04:49 | |
And when the Japanese came along, | 0:04:50 | 0:04:53 | |
making things like mundane bikes, really, | 0:04:53 | 0:04:56 | |
ride-to-work bikes, as they're often known, the British, | 0:04:56 | 0:04:59 | |
and to some extent the Americans and even the Germans and the Italians, | 0:04:59 | 0:05:02 | |
took the attitude that, well, the Japanese, you know, ha-ha-ha, | 0:05:02 | 0:05:06 | |
funny little foreigners, they'll make cheap bikes for people to ride to | 0:05:06 | 0:05:09 | |
work on, but the really important bikes, the ones that people desire, | 0:05:09 | 0:05:13 | |
and where the money will be made, they will be made by us | 0:05:13 | 0:05:16 | |
because we know what we're doing. | 0:05:16 | 0:05:18 | |
And the mistake they made was imagining that people like Soichiro Honda | 0:05:18 | 0:05:23 | |
and the people at Kawasaki and Yamaha and so on wouldn't say, well, | 0:05:23 | 0:05:26 | |
we'll have a go at a big bike as well. | 0:05:26 | 0:05:28 | |
And, of course, Honda did, and everybody was surprised, thinking, well, | 0:05:28 | 0:05:31 | |
that's not allowed. | 0:05:31 | 0:05:33 | |
But it was allowed. | 0:05:34 | 0:05:35 | |
And what we should learn from that is... | 0:05:37 | 0:05:39 | |
..A - not to be rude about foreigners | 0:05:40 | 0:05:43 | |
because they can do stuff as well | 0:05:43 | 0:05:48 | |
and secondly... | 0:05:48 | 0:05:49 | |
..it's no good thinking that you will rule the world by making high-end, | 0:05:51 | 0:05:55 | |
high-added-value things for executives and playboys. | 0:05:55 | 0:05:59 | |
All the great car and bike manufacturers of the world are founded on small | 0:05:59 | 0:06:02 | |
things for the people - VW, Skoda, Honda, Yamaha, Kawasaki... | 0:06:02 | 0:06:09 | |
..Fiat. They made small, simple, | 0:06:10 | 0:06:12 | |
cheap things that were accessible to a lot of people, | 0:06:12 | 0:06:14 | |
and that gave them their money, their expertise, to then branch out | 0:06:14 | 0:06:17 | |
and, in the case of Fiat, eventually own Ferrari. | 0:06:17 | 0:06:21 | |
In the case of Honda, | 0:06:21 | 0:06:22 | |
to eventually become the world's biggest manufacturer of internal | 0:06:22 | 0:06:25 | |
combustion engines and producer of the Honda Super Cub - | 0:06:25 | 0:06:28 | |
the bestselling machine in history. | 0:06:28 | 0:06:31 | |
That's what you get by being humble. | 0:06:31 | 0:06:34 | |
Now, the tricky bit here is... | 0:06:34 | 0:06:36 | |
..something we talked about in the last series - springs. | 0:06:39 | 0:06:42 | |
Evil things. Very useful but very evil in the workshop | 0:06:42 | 0:06:45 | |
because they cause things to fly across the room, hit you in the face. | 0:06:45 | 0:06:48 | |
Look. Shoe goes there. | 0:06:49 | 0:06:51 | |
Other shoe, avoiding touching it with my slightly greasy fingers, | 0:06:51 | 0:06:54 | |
goes there. | 0:06:54 | 0:06:55 | |
That spring has to go across there, | 0:06:55 | 0:06:58 | |
between those two holes. Now, that's not a distance much bigger than the | 0:06:58 | 0:07:01 | |
spring, but it is a very tough spring. | 0:07:01 | 0:07:03 | |
I have got a bad finger, as you can see. | 0:07:05 | 0:07:08 | |
I am very weak and we're to get a series of excuses in. | 0:07:08 | 0:07:11 | |
OK. I have to have the strength to pull that apart enough to get around | 0:07:13 | 0:07:17 | |
the pivot. Three, two, one. | 0:07:17 | 0:07:20 | |
HE GROANS | 0:07:23 | 0:07:25 | |
So nearly had it then. | 0:07:27 | 0:07:29 | |
Aargh! | 0:07:29 | 0:07:30 | |
Is it getting very hot in here | 0:07:32 | 0:07:33 | |
or is it just my acute embarrassment at not being able to reassemble the | 0:07:33 | 0:07:36 | |
brakes of a tiny child's motorcycle? | 0:07:36 | 0:07:39 | |
Are you ready? | 0:07:43 | 0:07:44 | |
CLUNKING | 0:07:46 | 0:07:52 | |
Right, so look. This is how it works. | 0:07:53 | 0:07:55 | |
That is the drum, that is part of the wheel, | 0:07:55 | 0:07:57 | |
that is going round and round, this is the brake assembly, | 0:07:57 | 0:08:00 | |
that is part of the frame, | 0:08:00 | 0:08:01 | |
in effect, cos it's anchored to the front forks. | 0:08:01 | 0:08:04 | |
There's the wheel going round and round. | 0:08:04 | 0:08:05 | |
Obviously, it'll do it a lot more smoothly. | 0:08:05 | 0:08:07 | |
You pull the brake, the shoes spread, the wheel stops. | 0:08:07 | 0:08:11 | |
See? | 0:08:12 | 0:08:13 | |
It's clever, isn't it? | 0:08:15 | 0:08:16 | |
After two hours and 21 minutes, | 0:08:17 | 0:08:20 | |
an hour of which was spent trying to count to 42, | 0:08:20 | 0:08:22 | |
I've beaten the drum brake into submission... | 0:08:22 | 0:08:24 | |
So nearly had it then. | 0:08:24 | 0:08:26 | |
..and attached the rear swing arm. | 0:08:26 | 0:08:28 | |
Now I can pleasurably move into the realm of wheel attachment. | 0:08:28 | 0:08:33 | |
The correct torque setting - it's a medium grunt, so it's about... | 0:08:33 | 0:08:37 | |
Mm. | 0:08:38 | 0:08:39 | |
Mm. | 0:08:43 | 0:08:45 | |
There you go. | 0:08:45 | 0:08:47 | |
We'll go and get the front mudguard and its fixings. | 0:08:47 | 0:08:50 | |
So the mudguard itself... | 0:08:50 | 0:08:52 | |
..two screws... | 0:08:55 | 0:08:56 | |
..two nuts, and there are four washers - two spring and two plain. | 0:08:57 | 0:09:02 | |
I'll explain why that is in a minute. I know you can't wait. | 0:09:02 | 0:09:05 | |
So, washer on that side spreads the load. | 0:09:08 | 0:09:12 | |
Then, from underneath, we will have the spring washer | 0:09:12 | 0:09:16 | |
because that ensures that that nut can't come undone. | 0:09:16 | 0:09:19 | |
And there it is. Righty tighty, lefty loosey. | 0:09:22 | 0:09:25 | |
Ten millimetres there in its correct slot. | 0:09:25 | 0:09:28 | |
Now, there's a long-running debate, | 0:09:28 | 0:09:30 | |
particularly between me and one of my mates, Colin, | 0:09:30 | 0:09:33 | |
about whether you should put the tools on the bench or back in the box. | 0:09:33 | 0:09:37 | |
Now, if they're on the bench, they're to hand, as you need them. | 0:09:37 | 0:09:42 | |
If you put them back in the box, you know where they are when you need | 0:09:42 | 0:09:45 | |
them. And the fact is that surgeons put everything back on the tray | 0:09:45 | 0:09:50 | |
in the correct position after they've used it | 0:09:50 | 0:09:52 | |
so that they don't sew a patient up with a scalpel or something inside | 0:09:52 | 0:09:56 | |
them. That's my argument. | 0:09:56 | 0:09:58 | |
His argument is that, if I keep putting things back in the box, | 0:09:58 | 0:10:01 | |
we'll never put the bike back together. | 0:10:01 | 0:10:03 | |
It's sort of like a bad mechanic's marriage. | 0:10:03 | 0:10:06 | |
And the advantage of having all my tools in the right place is that I can | 0:10:08 | 0:10:12 | |
do this. | 0:10:12 | 0:10:13 | |
HE HAMMERS TUNE OF TWINKLE, TWINKLE, LITTLE STAR | 0:10:13 | 0:10:18 | |
What do you think of that? | 0:10:30 | 0:10:31 | |
Right, we shall put the front wheel on. | 0:10:32 | 0:10:35 | |
If we're lucky, I can get that to go in there. | 0:10:35 | 0:10:38 | |
There you go. Now, let's be absolutely clear, what you should not do here, | 0:10:45 | 0:10:49 | |
because it's really bad workshop practice | 0:10:49 | 0:10:51 | |
and it's an offence to good tool etiquette, | 0:10:51 | 0:10:55 | |
is put a screwdriver through it. | 0:10:55 | 0:10:57 | |
That's just wrong. | 0:10:57 | 0:10:58 | |
That's about right for a front-wheel nut on a small bike. | 0:11:04 | 0:11:07 | |
Rear-wheel brake components. | 0:11:07 | 0:11:09 | |
Oh, God, this, of course, means I have to do the bit | 0:11:12 | 0:11:15 | |
with the springs again, | 0:11:15 | 0:11:16 | |
which I hate. | 0:11:16 | 0:11:17 | |
There are the two springs. | 0:11:17 | 0:11:19 | |
Right, this way for massive hilarity. | 0:11:19 | 0:11:21 | |
Right, there's no getting away from it, | 0:11:24 | 0:11:26 | |
it's time for that springy moment. | 0:11:26 | 0:11:28 | |
Ready? | 0:11:28 | 0:11:30 | |
HE GRUNTS | 0:11:30 | 0:11:32 | |
-What's the problem, James? -Well, it's gone over the shirt. | 0:11:41 | 0:11:44 | |
Oh, dear. This is why the boiler suit should be... | 0:11:44 | 0:11:46 | |
There you go, it's done. | 0:11:51 | 0:11:53 | |
LAUGHTER | 0:11:53 | 0:11:55 | |
'I'll stop wearing the bike and carry on reassembling it. | 0:11:55 | 0:11:59 | |
'I'll need the rear mudguard.' | 0:11:59 | 0:12:01 | |
So, mudguard itself. | 0:12:01 | 0:12:02 | |
Four of those. | 0:12:05 | 0:12:06 | |
And four washers. | 0:12:08 | 0:12:09 | |
We can have a discussion about what those are over here at the bench. | 0:12:11 | 0:12:14 | |
Now, back to that eternal question. What is a bolt and what is a screw? | 0:12:14 | 0:12:19 | |
What is that? Now, technically, for it to be a bolt, | 0:12:19 | 0:12:21 | |
it should have a doweling function, i.e. a portion that isn't threaded, | 0:12:21 | 0:12:25 | |
they're to hold things in the right position, | 0:12:25 | 0:12:27 | |
and is secured with a nut. | 0:12:27 | 0:12:29 | |
If it's threaded all the way up, | 0:12:29 | 0:12:31 | |
and it screws into a thread on another component, | 0:12:31 | 0:12:33 | |
it is technically a screw. | 0:12:33 | 0:12:34 | |
Now, these go into nuts. | 0:12:34 | 0:12:35 | |
But they're nuts that are captive because they've been welded onto another component, | 0:12:35 | 0:12:39 | |
so they're sort of going into another component, | 0:12:39 | 0:12:41 | |
so what does that make that, a screw or a bolt? | 0:12:41 | 0:12:43 | |
I think, apart from that I think it doesn't matter, | 0:12:43 | 0:12:46 | |
I think it's a duality problem. | 0:12:46 | 0:12:48 | |
It's like light. | 0:12:48 | 0:12:49 | |
Is it a wave? Is it a particle? | 0:12:49 | 0:12:52 | |
It depends on what you're trying to observe. | 0:12:52 | 0:12:53 | |
I hate not being able to see. | 0:13:06 | 0:13:07 | |
When I was young and people used to warn me about the dangers of | 0:13:07 | 0:13:11 | |
playing on railways, riding bicycles without lights and so on, | 0:13:11 | 0:13:15 | |
smoking behind the bike sheds, all that sort of thing, | 0:13:15 | 0:13:18 | |
they used to say you'll get killed, you'll get a terrible disease, | 0:13:18 | 0:13:20 | |
you think it can't happen to you, but it can. | 0:13:20 | 0:13:22 | |
I did think it could happen to me. | 0:13:22 | 0:13:24 | |
I always accepted that. I thought, | 0:13:24 | 0:13:26 | |
"Well, you know, in the midst of life, we are in death. | 0:13:26 | 0:13:29 | |
"It could be just around the corner, it could be in the next few minutes." | 0:13:29 | 0:13:32 | |
I was quite happy with that idea. But I never imagined I would be old. | 0:13:32 | 0:13:35 | |
It never even occurred to me. | 0:13:35 | 0:13:38 | |
It was utterly unthinkable. | 0:13:38 | 0:13:39 | |
And I still don't believe it. | 0:13:39 | 0:13:41 | |
But here I am doing this, I've got a bad back, I can't see. | 0:13:41 | 0:13:45 | |
The stain on my trousers, I'd like to point out though, | 0:13:46 | 0:13:48 | |
is actually a bit of pizza from lunchtime. | 0:13:48 | 0:13:50 | |
It's not because I've also become incontinent. | 0:13:50 | 0:13:52 | |
I'm only 53. | 0:13:52 | 0:13:54 | |
Right, that's all good. Back wheel. Brakes assembled. | 0:13:54 | 0:13:58 | |
I just need the wheel and the hub. | 0:13:58 | 0:13:59 | |
Let's go. | 0:14:00 | 0:14:02 | |
Quite a few bits to get here. We've got the hub, | 0:14:03 | 0:14:07 | |
the sprocket, back wheel. | 0:14:07 | 0:14:10 | |
The Daimler-Maybach of 1885 is considered by historians | 0:14:15 | 0:14:19 | |
to be the first motorcycle, | 0:14:19 | 0:14:20 | |
although it should be pointed out that it's got four wheels. | 0:14:20 | 0:14:23 | |
It's a sort of motorcycle with stabilisers on it. | 0:14:23 | 0:14:26 | |
But I suppose, on the basis that one wheel at the back was driven | 0:14:27 | 0:14:31 | |
and it had handlebars, | 0:14:31 | 0:14:33 | |
it is a motorcycle of sorts. | 0:14:33 | 0:14:35 | |
The motorcycle didn't really come right until well into the 1970s, | 0:14:35 | 0:14:39 | |
at the very earliest. | 0:14:39 | 0:14:41 | |
I mean, if you look at motorcycles from World War I era, | 0:14:41 | 0:14:44 | |
it's not a bit of automotive history I know a great deal about, | 0:14:44 | 0:14:47 | |
but they were terrible. Some of them didn't even have clutches, | 0:14:47 | 0:14:50 | |
you had to sort of push them along to get them going. | 0:14:50 | 0:14:52 | |
And you had to kill the engine to bring them to a stop. | 0:14:52 | 0:14:54 | |
That, combined with the brakes being absolutely hopeless, | 0:14:55 | 0:14:58 | |
was just lethal. | 0:14:58 | 0:15:00 | |
I think the thing that's appealing about motorcycles, for me, anyway, | 0:15:01 | 0:15:04 | |
is that it's the nearest thing a modern man has to the charger | 0:15:04 | 0:15:07 | |
of the medieval knight, to the Arthurian questor of legend. | 0:15:07 | 0:15:12 | |
Because it's a very similar, sort of, experience. | 0:15:12 | 0:15:15 | |
You put on armour and you ride off alone into the sunset, | 0:15:15 | 0:15:19 | |
or the sunrise, or whatever, to do some good deeds. | 0:15:19 | 0:15:22 | |
And I think that, maybe, that is why it appeals to us. | 0:15:24 | 0:15:26 | |
That and getting flies in your teeth. | 0:15:26 | 0:15:30 | |
It's an interesting experience, riding a bike | 0:15:30 | 0:15:32 | |
compared with driving a car. Because you do sit in a car. | 0:15:32 | 0:15:35 | |
You react to what it does, you tilt your head as you go around bends, | 0:15:35 | 0:15:39 | |
and you brace yourself more than you're conscious of doing, | 0:15:39 | 0:15:42 | |
to be honest. | 0:15:42 | 0:15:43 | |
But on a bike, especially a small bike, | 0:15:43 | 0:15:45 | |
especially one as small as this, | 0:15:45 | 0:15:48 | |
you are actually part of the, sort of, physics envelope of the whole thing, | 0:15:48 | 0:15:51 | |
and how it works. How you move relative to the seat, | 0:15:51 | 0:15:54 | |
where you tilt your head, whether or not you're tense or relaxed - | 0:15:54 | 0:15:57 | |
that makes a huge difference to the way the thing performs, | 0:15:57 | 0:16:00 | |
how smoothly it will go through a series of bends. | 0:16:00 | 0:16:03 | |
And that's part of the appeal as well, I think. | 0:16:03 | 0:16:05 | |
That you are, you really are at one with the machine, | 0:16:05 | 0:16:08 | |
because you're part of it. | 0:16:08 | 0:16:09 | |
Until the rider's sitting on the bike, | 0:16:09 | 0:16:11 | |
the masses and the mass centralisation, | 0:16:11 | 0:16:13 | |
and all that sort of stuff isn't fully resolved yet. | 0:16:13 | 0:16:16 | |
You don't get on the bike, you sort of, | 0:16:16 | 0:16:18 | |
without wishing to sound a bit crude about it, | 0:16:18 | 0:16:21 | |
you insert the bike in you. | 0:16:21 | 0:16:22 | |
Right, here we go. | 0:16:22 | 0:16:25 | |
Oh, that's so nice. | 0:16:25 | 0:16:26 | |
I think from this side, | 0:16:34 | 0:16:37 | |
it's good, isn't it? | 0:16:37 | 0:16:38 | |
There's no denying that that is a motorcycle. | 0:16:40 | 0:16:42 | |
It's not much of one, but it is one. | 0:16:42 | 0:16:43 | |
Right, let's put the engine in. | 0:16:45 | 0:16:46 | |
We need just two bolts for this, those are definitely bolts. | 0:16:46 | 0:16:50 | |
The nuts and spring washers, and the engine itself, | 0:16:50 | 0:16:54 | |
which you will notice is already assembled. | 0:16:54 | 0:16:57 | |
This I shall explain. | 0:16:57 | 0:16:58 | |
Now, if you were watching very closely at the beginning in the aerial shot | 0:17:01 | 0:17:04 | |
of the table you have spotted that the engine is already assembled. | 0:17:04 | 0:17:07 | |
"Why?", you may be asking. | 0:17:07 | 0:17:08 | |
Well, on The Reassembler, | 0:17:08 | 0:17:10 | |
we've already put a single-cylinder engine together in the last series. | 0:17:10 | 0:17:14 | |
Here are some highlights. | 0:17:14 | 0:17:16 | |
Hey! | 0:17:16 | 0:17:17 | |
What the hell is that? | 0:17:17 | 0:17:19 | |
Do you want to see the piston go up and down? | 0:17:19 | 0:17:21 | |
Brilliant, isn't it? Look at that. | 0:17:26 | 0:17:28 | |
It's most of the machine. | 0:17:28 | 0:17:30 | |
In eight hours and 34 minutes, | 0:17:31 | 0:17:33 | |
or just under the time it takes to ride from Yeovil to Arbroath, | 0:17:33 | 0:17:37 | |
I've reassembled most of the machine. | 0:17:37 | 0:17:39 | |
I've made good progress with the frame and wheels, | 0:17:39 | 0:17:42 | |
as well as the engine, chain and carburettor. | 0:17:42 | 0:17:45 | |
Now we're going to get everything to do with your feet, | 0:17:46 | 0:17:48 | |
so that's the foot pegs, the kick-starter, the gear selector, | 0:17:48 | 0:17:52 | |
and the rear-brake pedal. We'll do all that in one go. | 0:17:52 | 0:17:55 | |
The kick-starter. | 0:17:55 | 0:17:57 | |
That is the kick-starter. | 0:17:57 | 0:17:59 | |
All of the rear-brake components which is quite a lot of stuff, | 0:17:59 | 0:18:02 | |
there's a spring, a clevis pin, brake pedal itself. | 0:18:02 | 0:18:07 | |
And then we have the foot pegs. | 0:18:08 | 0:18:11 | |
Righto. | 0:18:11 | 0:18:12 | |
I think we will put on the foot pegs first. | 0:18:14 | 0:18:17 | |
It's not widely known that the monkey bike, | 0:18:17 | 0:18:20 | |
which we think of as a bit of comedy transport for hipsters, hippies, | 0:18:20 | 0:18:25 | |
and other cool adults, | 0:18:25 | 0:18:26 | |
actually started life as a piece of entertainment for children. | 0:18:26 | 0:18:30 | |
The idea was that visitors to Soichiro Honda's theme park | 0:18:30 | 0:18:37 | |
could have a go at riding the bikes, because they were small, so kids could do it. | 0:18:37 | 0:18:41 | |
It was actually a very cunning marketing ploy. | 0:18:41 | 0:18:43 | |
What it meant was the first bike that kids fell in love with was a Honda. | 0:18:43 | 0:18:46 | |
The trouble is that the monkey bike proved so popular as an idea that | 0:18:46 | 0:18:50 | |
Honda realised they'd have to put it into, sort of, serious production, | 0:18:50 | 0:18:53 | |
and sell it to adults as well. | 0:18:53 | 0:18:55 | |
Especially adults in the States who loved the idea of a miniature | 0:18:55 | 0:18:58 | |
motorcycle that they could ride off-road, around their yards, | 0:18:58 | 0:19:04 | |
their massive farms. Whatever. | 0:19:04 | 0:19:08 | |
Once I've finished tightening up the bolts... Or are they screws? | 0:19:08 | 0:19:11 | |
They're definitely bolts, I think. | 0:19:11 | 0:19:13 | |
..of the foot pedals, I can get the handlebars on which is very exciting, | 0:19:13 | 0:19:16 | |
because that's when it starts to look really motorbikey. | 0:19:16 | 0:19:19 | |
One of the all-time consuming schisms amongst people | 0:19:19 | 0:19:25 | |
who spend a lot of time doing things in sheds... | 0:19:25 | 0:19:29 | |
I'm not talking about people who work in industry, | 0:19:29 | 0:19:32 | |
so much as people who do this sort of thing out of sheer perversion. | 0:19:32 | 0:19:35 | |
Should you drink tea or coffee? | 0:19:35 | 0:19:37 | |
I find tea is more of an industrious drink. | 0:19:37 | 0:19:41 | |
I think it's one of the reasons why Britain industrialised so quickly and effectively. | 0:19:41 | 0:19:45 | |
Because we drank tea. | 0:19:45 | 0:19:47 | |
But, also, there's the simple fact that coffee can make you a bit | 0:19:47 | 0:19:49 | |
jittery if you have too much of it... | 0:19:49 | 0:19:51 | |
..which is why I suppose the French weren't going to invent the first steam engine because... | 0:19:53 | 0:19:58 | |
Or the Italians because they'd have a coffee | 0:19:58 | 0:20:00 | |
and they just sat down and shook... | 0:20:00 | 0:20:02 | |
whereas Thomas Newcomen had a cup of tea and thought, | 0:20:03 | 0:20:07 | |
"Right, steam engine." | 0:20:07 | 0:20:09 | |
A number of spring washers and things to go on here, because, | 0:20:13 | 0:20:15 | |
obviously, these have to be very tightly secured. | 0:20:15 | 0:20:18 | |
Otherwise, you'd be riding along, | 0:20:19 | 0:20:21 | |
and you'd find yourself still holding the handlebars | 0:20:21 | 0:20:25 | |
but the rest of the motorcycle would have disappeared. | 0:20:25 | 0:20:27 | |
And just for one terrifying moment, you'd be going along | 0:20:29 | 0:20:32 | |
like someone on a motorcycle, | 0:20:32 | 0:20:33 | |
in the attitude of somebody on a motorcycle, | 0:20:33 | 0:20:36 | |
but without the motorcycle. | 0:20:36 | 0:20:38 | |
Imagine the terror. | 0:20:40 | 0:20:43 | |
It wouldn't last long, I suppose, there is that. | 0:20:43 | 0:20:45 | |
That's about 60 pound feet. | 0:20:50 | 0:20:52 | |
That should do it. | 0:20:52 | 0:20:54 | |
This is quite exciting. | 0:20:54 | 0:20:56 | |
It's one of those moments where it | 0:20:56 | 0:20:58 | |
becomes more motorcycley than it was just a couple of seconds ago. | 0:20:58 | 0:21:02 | |
There's a bar. | 0:21:02 | 0:21:03 | |
You know some sports cars have removable steering wheels? | 0:21:14 | 0:21:19 | |
Whenever I've driven a car like that I've been going along something like | 0:21:19 | 0:21:23 | |
an A road, and I've often wondered, | 0:21:23 | 0:21:24 | |
can I take the steering wheel off and put it back on again before I have a crash. | 0:21:24 | 0:21:28 | |
I think one of the dangers with these is I'd be riding along, | 0:21:28 | 0:21:32 | |
hand on the throttle, and I'd think, | 0:21:32 | 0:21:34 | |
I wonder if I could collapse that handlebar and get back on again | 0:21:34 | 0:21:37 | |
before I get to the next bend. | 0:21:37 | 0:21:38 | |
And eventually, I'd try it. | 0:21:38 | 0:21:40 | |
But why wouldn't you? It's like being in a dark room with a tea cosy, | 0:21:42 | 0:21:45 | |
you will put it on your head, won't you? Why wouldn't you? | 0:21:45 | 0:21:48 | |
I think we'll put the front brake on, | 0:21:48 | 0:21:49 | |
because as Ferdinand Porsche once said, | 0:21:49 | 0:21:51 | |
nothing should be able to go faster than it can stop. | 0:21:51 | 0:21:55 | |
So we need a lever. | 0:21:55 | 0:21:56 | |
Nut, spring for the other end and the cable. | 0:21:57 | 0:22:00 | |
Here we go. | 0:22:01 | 0:22:02 | |
See, in some ways, I prefer it if I went more blind, | 0:22:10 | 0:22:12 | |
then I'd just wear glasses all the time | 0:22:12 | 0:22:14 | |
and I wouldn't spend half my life looking for them. | 0:22:14 | 0:22:16 | |
So, the lever, there's only one lever on this because it doesn't have a clutch. | 0:22:16 | 0:22:20 | |
It is centrifugal. | 0:22:20 | 0:22:21 | |
The lever goes on there and it's retained with, | 0:22:21 | 0:22:25 | |
this is technically a bolt because it has a doweling function. | 0:22:25 | 0:22:28 | |
It's not threaded up its entire length, | 0:22:28 | 0:22:30 | |
and it is secured with a nut. | 0:22:30 | 0:22:33 | |
However, it also threads into the bar, which would make it a screw. | 0:22:33 | 0:22:39 | |
So, you see, it's a pointless debate. | 0:22:39 | 0:22:41 | |
There's no point, really, getting bogged down in it. | 0:22:41 | 0:22:45 | |
In the spirit of not getting bogged down in things, | 0:22:45 | 0:22:48 | |
I'll attach the other end of the brake cable. | 0:22:48 | 0:22:51 | |
OK, there you go, there's a front brake. | 0:22:51 | 0:22:54 | |
The motorcycle can stop. | 0:22:54 | 0:22:55 | |
I, however, am not going to stop. | 0:22:58 | 0:23:00 | |
I've got a monkey bike, and I'm going to reassemble it, | 0:23:00 | 0:23:03 | |
whether you like it or not. | 0:23:03 | 0:23:05 | |
I've been here for 12 hours and 19 minutes, | 0:23:05 | 0:23:08 | |
and the night's starting to draw in. | 0:23:08 | 0:23:10 | |
So let's do the lights. | 0:23:10 | 0:23:13 | |
Oh, no. | 0:23:13 | 0:23:14 | |
That's an interesting dilemma. | 0:23:14 | 0:23:16 | |
That screw went under the side panel... | 0:23:16 | 0:23:18 | |
..which, technically, I'm not allowed to touch. | 0:23:22 | 0:23:25 | |
I can't touch it because I'll spoil that lovely top shot which shows the | 0:23:27 | 0:23:30 | |
bike gradually diminishing on this table and | 0:23:30 | 0:23:34 | |
flourishing on the bench, | 0:23:34 | 0:23:35 | |
and I can't blow it out that way because it's... | 0:23:35 | 0:23:38 | |
HE PUFFS | 0:23:38 | 0:23:39 | |
I don't know what the rating of that bulb is, | 0:23:53 | 0:23:55 | |
but I can tell you without even being able to read it that it's feeble | 0:23:55 | 0:23:59 | |
in the extreme. | 0:23:59 | 0:24:00 | |
So, your tyres didn't grip the road, you couldn't stop, | 0:24:00 | 0:24:05 | |
and you couldn't see what you were going to hit anyway, | 0:24:05 | 0:24:07 | |
because the lights were so pathetic. | 0:24:07 | 0:24:10 | |
I mean, I'm amazed we stuck with it, really, the motorcycle, as an idea. | 0:24:10 | 0:24:15 | |
If you proposed it now... | 0:24:15 | 0:24:16 | |
Come on! | 0:24:16 | 0:24:18 | |
People would say, "Don't be such an idiot." | 0:24:18 | 0:24:21 | |
But stick with it they did, so I will. | 0:24:23 | 0:24:26 | |
I'll attach the lights, | 0:24:26 | 0:24:27 | |
then I can go back to the table and get the fuel tank. | 0:24:27 | 0:24:29 | |
I love the yellow as a colour for cars and bikes. | 0:24:32 | 0:24:34 | |
I think it's absolutely fantastic. I've got a yellow bike. | 0:24:34 | 0:24:36 | |
I've had yellow cars. My first car was yellow, | 0:24:36 | 0:24:38 | |
maybe that's got something to do with it. | 0:24:38 | 0:24:41 | |
Observe the transformation. | 0:24:46 | 0:24:48 | |
It doesn't need to be tight, it's mounted on rubber, | 0:24:59 | 0:25:01 | |
just enough to stop it wobbling about. | 0:25:01 | 0:25:04 | |
There you go. Fantastic. | 0:25:04 | 0:25:07 | |
It's a toy motorcycle, but it is a motorcycle. | 0:25:07 | 0:25:10 | |
It's the real thing. Let's put the seat on. | 0:25:10 | 0:25:12 | |
The much repaired seat. | 0:25:12 | 0:25:14 | |
Look at that. It's half vinyl, half insulating tape. | 0:25:14 | 0:25:17 | |
Gaffer tape. Seat, in position. | 0:25:18 | 0:25:22 | |
That's good. I love the bits of tape. | 0:25:31 | 0:25:33 | |
That means it's been... It's been loved, actually, that means, | 0:25:33 | 0:25:35 | |
because somebody rode it so much that it started to split | 0:25:35 | 0:25:38 | |
cos they always do eventually, | 0:25:38 | 0:25:39 | |
but, bothered to mend it. | 0:25:39 | 0:25:41 | |
I like that. That's part of its history. | 0:25:41 | 0:25:44 | |
It's part of what makes this one this one and not one of the other ones | 0:25:44 | 0:25:47 | |
since they're all, essentially, copies of a master monkey bike. | 0:25:47 | 0:25:51 | |
That's the nature of mass production. | 0:25:51 | 0:25:53 | |
But this one, over time and use, has become specifically this one. | 0:25:53 | 0:25:57 | |
Fuel pipe. I'm going to reduce the remaining-part count by 50%. | 0:25:57 | 0:26:03 | |
Done it. Part number 302 of 303. | 0:26:03 | 0:26:08 | |
This piece is laden with meaning if you're into finding meanings in | 0:26:08 | 0:26:12 | |
things, because it links the tank, the home to the fuel of our dreams, | 0:26:12 | 0:26:18 | |
petrol, which is useless by itself, of course, | 0:26:18 | 0:26:20 | |
it's just an annoying smelly liquid. | 0:26:20 | 0:26:23 | |
But it joins it up with the carburettor | 0:26:23 | 0:26:25 | |
which is the entry point for it doing something useful, | 0:26:25 | 0:26:28 | |
i.e. going into the cylinder and being burned | 0:26:28 | 0:26:32 | |
so that you can...ride along. | 0:26:32 | 0:26:35 | |
The union is made. | 0:26:35 | 0:26:38 | |
Fuel meets the engine. | 0:26:38 | 0:26:39 | |
We're ready to go, apart from that side panel. | 0:26:40 | 0:26:43 | |
And you'll be amazed how tricky this is to fit. | 0:26:44 | 0:26:47 | |
If you talk to people about reassembling things | 0:26:50 | 0:26:52 | |
they will always try and be funny and say, | 0:26:52 | 0:26:53 | |
"I put together a bicycle", or whatever, and had a part left over. | 0:26:53 | 0:26:56 | |
And so do I, look, there it is. But not for long. | 0:26:56 | 0:26:58 | |
Are you ready? The final piece of the 303. | 0:26:58 | 0:27:03 | |
And one of the trickiest to put on. | 0:27:03 | 0:27:05 | |
Here it is, the side panel. | 0:27:07 | 0:27:09 | |
It's like a kung-fu move. | 0:27:12 | 0:27:13 | |
Brilliant. Meaningless, though, if it doesn't work. | 0:27:15 | 0:27:19 | |
If there's a better way to spend 13 hours and 51 minutes, well, | 0:27:21 | 0:27:25 | |
I'd like to hear about it. | 0:27:25 | 0:27:27 | |
I feel as though, together, we've come on a journey. | 0:27:27 | 0:27:30 | |
It may have been me assembling the forks on the brakes | 0:27:30 | 0:27:33 | |
and the electrics and all that other stuff, but I couldn't have done it without you, viewers. | 0:27:33 | 0:27:37 | |
We may have had some bumpy times along the way, | 0:27:37 | 0:27:39 | |
but if this monkey bike works, I feel our relationship | 0:27:39 | 0:27:42 | |
will be all the stronger for it. | 0:27:42 | 0:27:45 | |
It is quite small. It's also very humble. | 0:27:45 | 0:27:49 | |
But it does represent complete liberty, two wheels, one piston, | 0:27:49 | 0:27:54 | |
that's all you need. Well, that's all you need if it actually works. | 0:27:54 | 0:27:56 | |
So let's find out. | 0:27:56 | 0:27:58 | |
Throttle stop just engaging, fuel on, tiny bit of choke. | 0:27:59 | 0:28:04 | |
Carburettor settings, I've done. | 0:28:04 | 0:28:06 | |
Here we go. | 0:28:07 | 0:28:09 | |
ENGINE ENGAGES | 0:28:09 | 0:28:10 | |
Deep joy. | 0:28:16 | 0:28:17 | |
Now, does it idle? | 0:28:18 | 0:28:19 | |
ENGINE IDLES | 0:28:19 | 0:28:21 | |
I believe it does. | 0:28:24 | 0:28:25 | |
I think this calls for some sunglasses, some dry ice, | 0:28:26 | 0:28:31 | |
and some Steppenwolf. | 0:28:31 | 0:28:32 | |
MUSIC: Born To Be Wild by Steppenwolf | 0:28:34 | 0:28:36 | |
# Get your motor runnin' | 0:28:40 | 0:28:44 | |
# Head out on the highway | 0:28:44 | 0:28:47 | |
# Lookin' for adventure | 0:28:47 | 0:28:50 | |
# And whatever comes our way | 0:28:50 | 0:28:53 | |
# Yeah, darling go and make it happen | 0:28:53 | 0:28:57 | |
# Take the world in a love embrace | 0:28:57 | 0:29:01 | |
# Fire all of your guns at once | 0:29:01 | 0:29:03 | |
# And explode into space | 0:29:03 | 0:29:06 | |
# Like a true nature's child | 0:29:06 | 0:29:10 | |
# We were born, born to be wild | 0:29:10 | 0:29:13 | |
# We can climb so high | 0:29:13 | 0:29:15 | |
# I never want to die | 0:29:15 | 0:29:20 | |
# Born to be wild... # | 0:29:20 | 0:29:21 |