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My God! | 0:00:08 | 0:00:09 | |
VOLCANO EXPLODES | 0:00:09 | 0:00:12 | |
This is Vanuatu, | 0:00:12 | 0:00:14 | |
an island chain that's home | 0:00:14 | 0:00:15 | |
to some of the most explosive volcanoes on the planet. | 0:00:15 | 0:00:19 | |
To discover if another devastating eruption might happen, | 0:00:24 | 0:00:28 | |
I'm joining a team who've spent years working on these islands. | 0:00:28 | 0:00:32 | |
Together, we'll venture deep into the heart | 0:00:34 | 0:00:37 | |
of two of Vanuatu's most active volcanoes. | 0:00:37 | 0:00:40 | |
KATE: I don't want to pull you over the edge, Tim. | 0:00:41 | 0:00:43 | |
-TIM, MUFFLED: -You go back. | 0:00:43 | 0:00:45 | |
God, my heart is in my mouth. | 0:00:45 | 0:00:47 | |
-CHRIS: -Shane, we can't see you any more. | 0:00:47 | 0:00:50 | |
On my journey through this land of liquid rock, dense jungle | 0:00:53 | 0:00:57 | |
and unique animals, | 0:00:57 | 0:00:59 | |
I'll also be meeting the people who call these islands home. | 0:00:59 | 0:01:02 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:01:02 | 0:01:04 | |
Prince Philip is my heart. | 0:01:04 | 0:01:06 | |
I love him more than anyone else. | 0:01:06 | 0:01:08 | |
I want to find out what it's like | 0:01:08 | 0:01:11 | |
to live in the shadow of a violent volcano... | 0:01:11 | 0:01:13 | |
..and get right beneath the skin of Fire Mountain. | 0:01:15 | 0:01:18 | |
To understand how this volcano is behaving, | 0:01:20 | 0:01:23 | |
we need to get off the rim of this crater | 0:01:23 | 0:01:25 | |
and descend towards that fiery inferno. | 0:01:25 | 0:01:28 | |
I'm on the final leg of what has been an incredibly long journey | 0:01:49 | 0:01:53 | |
that's taken me 10,000 miles from the UK | 0:01:53 | 0:01:56 | |
and 2,000 miles off the East Coast of Australia. | 0:01:56 | 0:02:00 | |
I'm now flying above an island chain | 0:02:00 | 0:02:03 | |
called Vanuatu in the South Pacific. | 0:02:03 | 0:02:05 | |
I'll be spending the next six days on Tanna, | 0:02:08 | 0:02:11 | |
in the south of Vanuatu's 83 islands. | 0:02:11 | 0:02:15 | |
They sit on the edge of the Ring of Fire, | 0:02:16 | 0:02:18 | |
the world's most seismically active area | 0:02:18 | 0:02:21 | |
with over 2,000 earthquakes each year. | 0:02:21 | 0:02:24 | |
And Tanna is home to a volcano that explodes day and night. | 0:02:27 | 0:02:32 | |
I'm going to be meeting scientists who have spent a lot of time here, | 0:02:38 | 0:02:42 | |
geologists who know these volcanoes | 0:02:42 | 0:02:45 | |
probably better than anyone else in the world, | 0:02:45 | 0:02:47 | |
and anthropologists and linguists who can give me some sort of insight | 0:02:47 | 0:02:52 | |
into how people live in an area that, to us, seems impossibly dangerous. | 0:02:52 | 0:02:57 | |
PLANE ENGINES WHIRR | 0:02:57 | 0:02:59 | |
Nice job. | 0:03:21 | 0:03:22 | |
I've visited many of the world's volcanic hot spots, | 0:03:27 | 0:03:30 | |
but I've never been to one where people live alongside | 0:03:30 | 0:03:33 | |
such a consistently explosive volcano. | 0:03:33 | 0:03:36 | |
30,000 people live on Tanna. | 0:03:46 | 0:03:49 | |
They call their volcano Yasur, the Old Man, | 0:03:49 | 0:03:53 | |
and it's been erupting for centuries. | 0:03:53 | 0:03:55 | |
Wow! Look at the plume. | 0:03:55 | 0:03:57 | |
Its glow even attracted Captain Cook | 0:04:00 | 0:04:02 | |
when he first sailed to these islands in 1774. | 0:04:02 | 0:04:06 | |
Look at that. Intensely gassy. | 0:04:10 | 0:04:11 | |
'I'm on my way to join two volcanologists, | 0:04:11 | 0:04:14 | |
'who've been tracking its behaviour for over a decade.' | 0:04:14 | 0:04:17 | |
208 degrees, 212... | 0:04:17 | 0:04:20 | |
Professor Shane Cronin and geologist Chris Firth | 0:04:21 | 0:04:24 | |
are searching for any signs that, after centuries of stability, | 0:04:24 | 0:04:28 | |
Yasur could produce another huge eruption | 0:04:28 | 0:04:32 | |
capable of destroying the whole island. | 0:04:32 | 0:04:35 | |
We can hear its constant rumbling from our village base a mile away. | 0:04:39 | 0:04:45 | |
DISTANT RUMBLING AND EXPLOSIONS | 0:04:45 | 0:04:48 | |
Well, this is a spot for a geological observatory, isn't it? | 0:04:52 | 0:04:55 | |
It's pretty nice, isn't it? | 0:04:55 | 0:04:57 | |
-Nice to see you. How are you? -Very good. | 0:04:57 | 0:04:59 | |
-How are you doing? -Good, thank you. | 0:04:59 | 0:05:01 | |
We've got the greatest view, I think. | 0:05:01 | 0:05:02 | |
DISTANT RUMBLING | 0:05:02 | 0:05:05 | |
You can hear that popping away. | 0:05:05 | 0:05:06 | |
I'm sitting here pretending that this is all quite cool, | 0:05:08 | 0:05:11 | |
but, you know, that volcano is erupting as we speak. | 0:05:11 | 0:05:15 | |
Those booms, those noises are... | 0:05:15 | 0:05:19 | |
What's causing those? | 0:05:19 | 0:05:21 | |
Each one of those booms | 0:05:21 | 0:05:23 | |
represents the release of a big bubble or slug of gas | 0:05:23 | 0:05:27 | |
that's coming up through the magma and blasting its way to the surface. | 0:05:27 | 0:05:32 | |
Each time a bubble bursts out of that, it's creating that noise. | 0:05:32 | 0:05:36 | |
So it's a bit like a bubbling pan of custard with a thick skin on top - | 0:05:36 | 0:05:41 | |
you get those bursts out, | 0:05:41 | 0:05:42 | |
but it won't necessarily go right over the top. | 0:05:42 | 0:05:45 | |
Yeah. So, this volcano has been more or less | 0:05:45 | 0:05:48 | |
in this state of eruption | 0:05:48 | 0:05:49 | |
for 300 years. | 0:05:49 | 0:05:52 | |
Really? | 0:05:52 | 0:05:53 | |
Maybe longer, maybe even up to 800. | 0:05:53 | 0:05:55 | |
Most volcanoes have their own personality. | 0:05:55 | 0:05:58 | |
This one is very fiery and quite violent. | 0:05:58 | 0:06:01 | |
Hopefully, it behaves itself. | 0:06:04 | 0:06:05 | |
Yasur's power comes from an enormous cauldron of molten rock | 0:06:09 | 0:06:13 | |
that lies beneath the island. | 0:06:13 | 0:06:16 | |
At its most violent, the volcano hurls lava | 0:06:16 | 0:06:19 | |
right over the edge of its crater | 0:06:19 | 0:06:21 | |
and smothers Tanna in thick, black ash. | 0:06:21 | 0:06:24 | |
Let's roll on up. | 0:06:29 | 0:06:30 | |
I'm joining Shane and Chris | 0:06:31 | 0:06:33 | |
as they plan to do something they've never attempted before - | 0:06:33 | 0:06:37 | |
to collect a piece of fresh lava | 0:06:37 | 0:06:39 | |
straight from the heart of the volcano. | 0:06:39 | 0:06:41 | |
Tomorrow, the work begins in earnest. | 0:06:44 | 0:06:46 | |
Right now, with the light fading, | 0:06:48 | 0:06:50 | |
there's just enough time for my first close encounter with Yasur. | 0:06:50 | 0:06:54 | |
Straight up? | 0:07:12 | 0:07:13 | |
-Head for the light bit of cloud. -OK. | 0:07:15 | 0:07:18 | |
VOLCANO GROWLS LOUDLY | 0:07:21 | 0:07:24 | |
That does sound very, very close! | 0:07:24 | 0:07:26 | |
Oh, my goodness! Am I really... Are you to be trusted? | 0:07:26 | 0:07:30 | |
Well, we'll get closer... | 0:07:30 | 0:07:31 | |
-"Trust me, I'm a geologist." Is that what they say? -Yes. | 0:07:31 | 0:07:35 | |
-"Trust me, despite the fact I'm a geologist." -Yeah. | 0:07:35 | 0:07:38 | |
Wow! The smell of sulphur is getting strong. | 0:07:47 | 0:07:50 | |
VOLCANO GROWLS Oh, my goodness. | 0:08:00 | 0:08:02 | |
Wow! | 0:08:07 | 0:08:08 | |
It's like a fantastic firework display! | 0:08:11 | 0:08:13 | |
-Wait for a big one. -So, this whole... | 0:08:16 | 0:08:18 | |
VOLCANO BOOMS LOUDLY Oh, my goodness! | 0:08:18 | 0:08:20 | |
-KATE LAUGHS SHANE: -That's a nice one. | 0:08:20 | 0:08:22 | |
Oh, that's so beautiful... | 0:08:22 | 0:08:24 | |
..and kind of terrifying at the same time. | 0:08:26 | 0:08:29 | |
VOLCANO RUMBLES | 0:08:29 | 0:08:31 | |
'We're standing just 200 metres away. | 0:08:35 | 0:08:38 | |
'The noise is deafening and, with every explosion, | 0:08:38 | 0:08:42 | |
'the ground feels like it's about to give way.' | 0:08:42 | 0:08:44 | |
It's just so elemental, isn't it? | 0:08:46 | 0:08:49 | |
Just being in the presence of this extraordinary energy. | 0:08:49 | 0:08:53 | |
And you feel it, don't you? | 0:08:53 | 0:08:55 | |
It's not just hearing it. You do actually feel it. | 0:08:55 | 0:08:58 | |
Yeah. The big ones are preceded by a shock wave, | 0:08:58 | 0:09:00 | |
which sometimes you can see and sometimes you can feel. | 0:09:00 | 0:09:03 | |
The really big explosions, they'll hit you in the chest | 0:09:03 | 0:09:06 | |
like a physical blow. | 0:09:06 | 0:09:07 | |
VOLCANO THUNDERS | 0:09:08 | 0:09:10 | |
Wow! | 0:09:10 | 0:09:12 | |
'Liquid rock is constantly fired out of the volcano, | 0:09:12 | 0:09:15 | |
'forming lava bombs travelling at over 300mph.' | 0:09:15 | 0:09:20 | |
I don't want to sound pathetic, but are we safe here? | 0:09:20 | 0:09:23 | |
Yeah. Well, everything you see around here | 0:09:23 | 0:09:25 | |
has been constructed by being thrown out of there. | 0:09:25 | 0:09:28 | |
Right. Yeah. | 0:09:29 | 0:09:30 | |
Any of these boulders along the ridge behind us | 0:09:32 | 0:09:35 | |
are all bombs that've been chucked out. | 0:09:35 | 0:09:36 | |
-So, these have all been thrown out of here? -Yeah. -Yeah. | 0:09:36 | 0:09:39 | |
But some of them are massive. | 0:09:39 | 0:09:40 | |
Some of these... | 0:09:40 | 0:09:41 | |
-The biggest things you can see coming out down there... -Yeah. | 0:09:41 | 0:09:44 | |
..are probably... | 0:09:44 | 0:09:45 | |
maybe the size of a small car. | 0:09:45 | 0:09:47 | |
KATE LAUGHS | 0:09:47 | 0:09:49 | |
I was going to say, "Should we wear crash helmets or something?" | 0:09:49 | 0:09:52 | |
But a small car flying out of the sky, | 0:09:52 | 0:09:53 | |
-it's not really going to help, is it? -Nah. | 0:09:53 | 0:09:55 | |
To understand what's happening at the very heart of Yasur right now, | 0:09:57 | 0:10:01 | |
Shane and Chris will have to analyse fresh lava. | 0:10:01 | 0:10:04 | |
DEEP THUDS | 0:10:04 | 0:10:05 | |
I love the sound when they hit the ground. | 0:10:05 | 0:10:07 | |
A sort of thud. | 0:10:07 | 0:10:08 | |
And the only way to get a fresh lava bomb | 0:10:12 | 0:10:15 | |
is to do something that seems like madness - | 0:10:15 | 0:10:18 | |
as soon as one is thrown out of the volcano, | 0:10:18 | 0:10:20 | |
we need to run in and grab it. | 0:10:20 | 0:10:22 | |
VOLCANO GROWLS | 0:10:23 | 0:10:25 | |
Shane and Chris can learn a lot about Yasur | 0:10:27 | 0:10:30 | |
by studying the chemistry of the lava. | 0:10:30 | 0:10:32 | |
To find out if the volcano is changing, | 0:10:32 | 0:10:35 | |
they want to compare fresh lava with older samples. | 0:10:35 | 0:10:38 | |
VOLCANO RUMBLES AND ROARS | 0:10:40 | 0:10:43 | |
Oh, my goodness! | 0:10:43 | 0:10:45 | |
It keeps getting better. Look how high they go. | 0:10:45 | 0:10:47 | |
-Look at that! -Follow that one down. | 0:10:47 | 0:10:49 | |
So, its a bomb like THAT we need to get our hands on. | 0:10:51 | 0:10:55 | |
So if a bomb were to come out | 0:11:01 | 0:11:03 | |
and land conveniently at our feet without damaging anybody, | 0:11:03 | 0:11:06 | |
that would be your perfect sample? | 0:11:06 | 0:11:09 | |
I don't want one landing right at our feet - | 0:11:09 | 0:11:10 | |
that might be a bit scary - but if one lands... | 0:11:10 | 0:11:13 | |
If there's a really big blast and one comes relatively close | 0:11:13 | 0:11:17 | |
and we can easily run in and grab it, then that'd be fantastic. | 0:11:17 | 0:11:21 | |
-How hot...? -But I wouldn't want to go all the way down there... | 0:11:21 | 0:11:24 | |
No. No, no, no. | 0:11:24 | 0:11:25 | |
VOLCANO ROARS | 0:11:25 | 0:11:27 | |
To have any chance of pulling this off, | 0:11:27 | 0:11:29 | |
we'll need to understand the rhythm of this volcano | 0:11:29 | 0:11:33 | |
and work out exactly how long we've got between eruptions. | 0:11:33 | 0:11:36 | |
-That one went up quite high. See that red one? -Yep. | 0:11:39 | 0:11:42 | |
That was one of the rims we were considering to stand on. | 0:11:43 | 0:11:46 | |
-What, just down there?! -Yeah, yeah. | 0:11:46 | 0:11:49 | |
You're on your own, mate! | 0:11:49 | 0:11:51 | |
VOLCANO ROARS | 0:11:51 | 0:11:53 | |
For the next few days, we'll be watching this volcano very closely. | 0:11:55 | 0:11:59 | |
Next morning, | 0:12:11 | 0:12:12 | |
we all wake to an enormous plume of gas spiralling out of the volcano. | 0:12:12 | 0:12:17 | |
COCKEREL CROWS | 0:12:17 | 0:12:18 | |
PIG GRUNTS | 0:12:18 | 0:12:20 | |
For the villagers, it's nothing out of the ordinary. | 0:12:22 | 0:12:25 | |
It looks great. Come on, Chris, get your gear together. | 0:12:27 | 0:12:29 | |
But, for Shane and Chris, it could offer a fantastic insight | 0:12:29 | 0:12:33 | |
into what's driving its eruptions. | 0:12:33 | 0:12:35 | |
I'm leaving them to investigate, and going to find out more | 0:12:37 | 0:12:40 | |
about what it's like to live in Yasur's shadow. | 0:12:40 | 0:12:43 | |
There are six languages spoken on the island, | 0:12:46 | 0:12:49 | |
so linguist Jeremy Hammond is coming with me as translator. | 0:12:49 | 0:12:52 | |
The volcano is such a dominating presence, that, right across Tanna, | 0:13:03 | 0:13:07 | |
complex spiritual belief systems have emerged around it. | 0:13:07 | 0:13:11 | |
And, in spite of Western influence, | 0:13:12 | 0:13:14 | |
many islanders choose to fiercely protect their traditional beliefs... | 0:13:14 | 0:13:19 | |
and ways of life. | 0:13:19 | 0:13:21 | |
RHYTHMIC CHANTING | 0:13:21 | 0:13:23 | |
In Yaohnanen, members of one spiritual movement | 0:13:29 | 0:13:32 | |
come together for regular meetings... | 0:13:32 | 0:13:35 | |
..exchanging food... | 0:13:36 | 0:13:37 | |
and sharing a meal. | 0:13:37 | 0:13:39 | |
SPEAKS IN WHITESANDS LANGUAGE | 0:13:44 | 0:13:47 | |
Chief Yappa has invited me to be part of today's ceremony. | 0:13:48 | 0:13:52 | |
Everyone wants to say hello. | 0:14:02 | 0:14:05 | |
It's partly because I'm British. | 0:14:07 | 0:14:09 | |
Like many of the spiritual movements on Tanna, | 0:14:12 | 0:14:15 | |
the belief system in this village is known as a "cargo cult". | 0:14:15 | 0:14:19 | |
It's based around a figurehead - a real or imaginary person | 0:14:19 | 0:14:23 | |
who, it's believed, will bring prosperity. | 0:14:23 | 0:14:25 | |
40 years ago, following the royal visit to Vanuatu | 0:14:27 | 0:14:30 | |
by the Queen and Prince Philip, | 0:14:30 | 0:14:32 | |
this village adopted a new figurehead - | 0:14:32 | 0:14:35 | |
the Duke of Edinburgh. | 0:14:35 | 0:14:37 | |
I'm going to sit with the chief. | 0:14:38 | 0:14:41 | |
'As an outsider, this seems very strange, | 0:14:41 | 0:14:44 | |
'so I'm hoping Chief Yappa and his deputy, JJ, | 0:14:44 | 0:14:47 | |
'can tell me why Prince Philip is so important to them.' | 0:14:47 | 0:14:51 | |
When did you first become aware of Prince Philip? | 0:14:53 | 0:14:57 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:14:57 | 0:15:01 | |
Our elders, we've heard from them, | 0:15:01 | 0:15:05 | |
that Prince Philip is living in England, | 0:15:05 | 0:15:07 | |
but he's originally from Tanna. | 0:15:07 | 0:15:08 | |
Is there a place that | 0:15:08 | 0:15:10 | |
Prince Philip's ancestors originated from? | 0:15:10 | 0:15:14 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:15:14 | 0:15:17 | |
Prince Philip's father... | 0:15:20 | 0:15:22 | |
..he lives in the mountain... | 0:15:24 | 0:15:25 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:15:25 | 0:15:28 | |
..but all his wealth... | 0:15:28 | 0:15:30 | |
-..is in the volcano. -Is in the volcano. | 0:15:31 | 0:15:33 | |
'According to their prophecy, | 0:15:33 | 0:15:35 | |
'Prince Philip emerged from the volcano, | 0:15:35 | 0:15:37 | |
'then travelled overseas, | 0:15:37 | 0:15:39 | |
'destined to marry a powerful woman.' | 0:15:39 | 0:15:42 | |
And why do you think the Queen | 0:15:42 | 0:15:44 | |
wanted to be married to Prince Philip? | 0:15:44 | 0:15:47 | |
THEY SPEAK IN WHITESANDS LANGUAGE | 0:15:47 | 0:15:51 | |
The Queen is the head in the West, | 0:15:52 | 0:15:56 | |
-but Prince Philip is the head here. -Here, in Tanna. | 0:15:56 | 0:15:58 | |
I suppose the power that the Queen has as the head of the Commonwealth | 0:15:58 | 0:16:02 | |
that, because the Prince Philip... | 0:16:02 | 0:16:05 | |
spirit is also of a high ranking power, they're meant to be together. | 0:16:05 | 0:16:09 | |
So we've brought you... | 0:16:10 | 0:16:11 | |
This is the latest photograph. | 0:16:14 | 0:16:18 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:16:30 | 0:16:34 | |
Prince Philip is my heart. | 0:16:38 | 0:16:39 | |
I love him more than anyone else. | 0:16:41 | 0:16:43 | |
If you met him... | 0:16:45 | 0:16:47 | |
..what would you say to him? | 0:16:48 | 0:16:50 | |
We've seen many pictures of him. | 0:16:50 | 0:16:53 | |
Why is he not coming in person? | 0:16:53 | 0:16:57 | |
He's an old man now. | 0:16:58 | 0:16:59 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:17:01 | 0:17:06 | |
Prince Philip must come back to Tanna... | 0:17:07 | 0:17:10 | |
to fulfil all the prophecies of Tanna. | 0:17:10 | 0:17:13 | |
But not his sons, not his grandsons. | 0:17:13 | 0:17:17 | |
-It has to be him. -It has to be him. | 0:17:17 | 0:17:20 | |
If he doesn't come... | 0:17:20 | 0:17:21 | |
..before he dies... | 0:17:23 | 0:17:24 | |
..what will that mean to this village? | 0:17:26 | 0:17:28 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:17:28 | 0:17:32 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:17:34 | 0:17:39 | |
-He will never die. -He will never die. | 0:17:42 | 0:17:44 | |
We want to live for ever. | 0:17:44 | 0:17:47 | |
We don't want to die. | 0:17:47 | 0:17:50 | |
So that's what we are waiting for Prince Philip to do. | 0:17:51 | 0:17:54 | |
'Before I came here, | 0:17:55 | 0:17:57 | |
'I wasn't sure what I would make of the Prince Philip Movement. | 0:17:57 | 0:18:00 | |
'But, having met Chief Yappa, | 0:18:01 | 0:18:02 | |
'I can see that his belief, and that of his people, | 0:18:02 | 0:18:06 | |
'is deep rooted and that Prince Philip | 0:18:06 | 0:18:08 | |
'is as much a part of their lives as the volcano | 0:18:08 | 0:18:11 | |
'at the heart of this unlikely spiritual movement.' | 0:18:11 | 0:18:14 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:18:16 | 0:18:18 | |
Something's just come to light here, | 0:18:19 | 0:18:22 | |
that my name, Kate, | 0:18:22 | 0:18:25 | |
in the language spoken in this village, | 0:18:25 | 0:18:28 | |
means gate | 0:18:28 | 0:18:30 | |
and, um... | 0:18:30 | 0:18:32 | |
because Prince William is also married | 0:18:32 | 0:18:35 | |
to somebody called Kate... | 0:18:35 | 0:18:37 | |
..the chief thinks that I might be, um... | 0:18:38 | 0:18:42 | |
a pathway, a connection, | 0:18:42 | 0:18:45 | |
between Tanna being here | 0:18:45 | 0:18:48 | |
and between Prince Philip and his family | 0:18:48 | 0:18:52 | |
through the other Kate or gate. | 0:18:52 | 0:18:54 | |
I think I might disappoint him. | 0:18:56 | 0:18:58 | |
I'm not that well connected. | 0:18:58 | 0:19:01 | |
Sorry. | 0:19:01 | 0:19:02 | |
CHATTERING | 0:19:03 | 0:19:06 | |
While I've been learning about an unusual volcano spirit, | 0:19:19 | 0:19:23 | |
Shane and Chris have been investigating the huge plume of gas | 0:19:23 | 0:19:26 | |
belching out from Yasur. | 0:19:26 | 0:19:29 | |
There's one ingredient they're particularly interested in. | 0:19:29 | 0:19:32 | |
The amount of sulphur can help them discover | 0:19:32 | 0:19:35 | |
if the eruptions might become more violent. | 0:19:35 | 0:19:37 | |
We use this sulphur to tell a little bit about | 0:19:39 | 0:19:43 | |
what's going on at the volcano and how much magma there is. | 0:19:43 | 0:19:46 | |
So, if there's a lot of gas, | 0:19:46 | 0:19:48 | |
that usually indicates there's a lot of new magma arriving | 0:19:48 | 0:19:50 | |
and we may be in for larger eruptions. | 0:19:50 | 0:19:52 | |
As we go along the road, we'll go under the plume. | 0:19:52 | 0:19:54 | |
Where we've got that little brownish tinge to the cloud there, | 0:19:54 | 0:19:58 | |
that's sulphur dioxide causing that. | 0:19:58 | 0:20:00 | |
There, it's just that blue edge now. | 0:20:01 | 0:20:03 | |
We're just starting to get it nicely. | 0:20:03 | 0:20:05 | |
And the ash! | 0:20:05 | 0:20:06 | |
I'm getting a lot of ash on my face, | 0:20:06 | 0:20:08 | |
so we must be coming under the plume. | 0:20:08 | 0:20:10 | |
Maybe we could just slow down a little bit? | 0:20:10 | 0:20:12 | |
Thank you. | 0:20:12 | 0:20:14 | |
1,300, 1,400... | 0:20:16 | 0:20:17 | |
-1,400. That's pretty good. -That's very high. | 0:20:18 | 0:20:21 | |
That's quite a lot of gas. | 0:20:21 | 0:20:22 | |
It's plateauing at about 1,400. | 0:20:24 | 0:20:27 | |
Oh, no, it's gone over 1,500 now. | 0:20:27 | 0:20:28 | |
Rising gas levels are a sign that the volcano could be changing. | 0:20:31 | 0:20:35 | |
I think we'll be looking at... | 0:20:38 | 0:20:39 | |
..between 1,500 and 2,000 tonnes of sulphur per day. | 0:20:41 | 0:20:44 | |
It's much higher than it's been recorded in the past. | 0:20:46 | 0:20:50 | |
It's been around 700 tonnes per day. | 0:20:50 | 0:20:53 | |
It's pretty gassy up there. | 0:20:55 | 0:20:56 | |
Shane and Chris will keep monitoring the sulphur levels | 0:20:59 | 0:21:02 | |
until we leave the island. | 0:21:02 | 0:21:03 | |
Vanuatu's volcanic islands are so young, | 0:21:12 | 0:21:15 | |
the first people only arrived around 3,500 years ago. | 0:21:15 | 0:21:19 | |
PIG GRUNTS Hello, pig. | 0:21:22 | 0:21:24 | |
'Back in Yaohnanen, I've been meeting some of the animals | 0:21:24 | 0:21:27 | |
'that were brought here by those early settlers. | 0:21:27 | 0:21:30 | |
'All over Vanuatu, pigs are a sign of wealth and status. | 0:21:34 | 0:21:39 | |
'I've got a few pigs back home, | 0:21:41 | 0:21:43 | |
'but not the right kind to make me a wealthy woman here. | 0:21:43 | 0:21:46 | |
'Because there's one very special pig that commands ultimate respect.' | 0:21:48 | 0:21:52 | |
-This is the pig. -Oh, wow! -It's got no hair. | 0:21:55 | 0:21:58 | |
It looks like a hippopotamus. | 0:21:58 | 0:21:59 | |
My goodness! | 0:22:01 | 0:22:04 | |
IT GRUNTS | 0:22:04 | 0:22:06 | |
It sounds like a dog. | 0:22:06 | 0:22:08 | |
IT GRUNTS That's extraordinary. | 0:22:08 | 0:22:10 | |
Hello, pig. IT GRUNTS | 0:22:12 | 0:22:15 | |
See, I've heard about these pigs. | 0:22:15 | 0:22:17 | |
They're completely hairless, | 0:22:19 | 0:22:21 | |
and I think... Are they unique to Tanna? | 0:22:21 | 0:22:24 | |
-Nowhere else in the world? -Nowhere else. | 0:22:24 | 0:22:27 | |
Kapia pigs have a very interesting history. | 0:22:30 | 0:22:33 | |
Legend has it they're the Creator's first attempt at making humans. | 0:22:33 | 0:22:38 | |
Now they're so rare and valuable, | 0:22:40 | 0:22:42 | |
they are only traded or eaten by the highest-ranking chiefs. | 0:22:42 | 0:22:46 | |
It's more like a human in its smooth skin, | 0:22:47 | 0:22:50 | |
so, like a human, it has rights... | 0:22:50 | 0:22:53 | |
Oh, OK. | 0:22:53 | 0:22:54 | |
..and belongs to a much higher rank. | 0:22:54 | 0:22:56 | |
It doesn't live with the other pigs. | 0:22:56 | 0:22:58 | |
On special occasions, | 0:22:58 | 0:23:00 | |
these pigs are treated very much as if they were people. | 0:23:00 | 0:23:04 | |
So what's the significance of the painting? | 0:23:09 | 0:23:12 | |
The painting is something that's usually restricted to people, | 0:23:12 | 0:23:14 | |
so during custom ceremonies, dances, singing, | 0:23:14 | 0:23:18 | |
people will paint their faces using different colours. | 0:23:18 | 0:23:20 | |
And because this pig is hairless and is anthropomorphised, | 0:23:20 | 0:23:24 | |
-it, too, can have face paint. Whereas regular pigs can't. -Right. | 0:23:24 | 0:23:28 | |
While the men prepare the Kapia pig, | 0:23:30 | 0:23:32 | |
the women are also getting ready - | 0:23:32 | 0:23:34 | |
using paints mixed with plant dyes | 0:23:34 | 0:23:37 | |
and powdered rock from the volcano. | 0:23:37 | 0:23:39 | |
They're preparing for a ceremonial dance, | 0:23:42 | 0:23:44 | |
which connects Tanna to England, | 0:23:44 | 0:23:46 | |
so they want ME to be part of it. | 0:23:46 | 0:23:49 | |
The women of the village... | 0:23:50 | 0:23:52 | |
have told John here that I don't look right... | 0:23:52 | 0:23:56 | |
..and so there's all sorts of plans and giggling afoot, | 0:23:57 | 0:24:00 | |
going on in this building here. | 0:24:00 | 0:24:03 | |
And I suspect... | 0:24:03 | 0:24:05 | |
that I might emerge dressed somewhat differently. | 0:24:05 | 0:24:08 | |
What's going to happen to me? What are you going to do? | 0:24:08 | 0:24:12 | |
SHE LAUGHS | 0:24:12 | 0:24:13 | |
Oh, my goodness. | 0:24:15 | 0:24:16 | |
Suzanne's volunteered to get me ready | 0:24:18 | 0:24:20 | |
in a house that's reserved for women. | 0:24:20 | 0:24:24 | |
SHE SPEAKS IN WHITESANDS LANGUAGE | 0:24:24 | 0:24:26 | |
It seems women and men exist quite separately in the village. | 0:24:28 | 0:24:33 | |
In our custom in Tanna, men do the talking while women sit and listen, | 0:24:33 | 0:24:38 | |
but it doesn't mean that they are not important. | 0:24:38 | 0:24:41 | |
But when it comes to ceremonies, | 0:24:41 | 0:24:42 | |
that's when you can see the power of our ladies. | 0:24:42 | 0:24:45 | |
That's when they are dressed up. | 0:24:45 | 0:24:47 | |
So we treat women as they are the queens. | 0:24:47 | 0:24:50 | |
Now they are painting your face... | 0:24:50 | 0:24:52 | |
-Like the pig? -Like the pig, yeah. | 0:24:52 | 0:24:54 | |
Sorry. | 0:24:54 | 0:24:56 | |
Do you think I'm behaving better than the pig? | 0:24:56 | 0:24:58 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:24:58 | 0:25:00 | |
THEY ALL LAUGH | 0:25:00 | 0:25:02 | |
-We'll dress you up in the grass skirt. -OK. | 0:25:08 | 0:25:10 | |
That's beautiful. | 0:25:12 | 0:25:14 | |
Is it OK? What do you think? Yeah? | 0:25:17 | 0:25:21 | |
And now you will wear the top. | 0:25:21 | 0:25:23 | |
Grass top. | 0:25:23 | 0:25:25 | |
I feel I'm cheating with a T-shirt on. | 0:25:25 | 0:25:27 | |
That's all right. | 0:25:27 | 0:25:29 | |
Is that OK? | 0:25:29 | 0:25:30 | |
It's probably better all round, I suspect. | 0:25:30 | 0:25:32 | |
RHYTHMIC CHANTING | 0:25:34 | 0:25:38 | |
Look at us! | 0:25:39 | 0:25:40 | |
SHE LAUGHS | 0:25:40 | 0:25:42 | |
Come on, then! | 0:25:42 | 0:25:43 | |
'In 2006, Vanuatu was named the happiest nation on Earth. | 0:25:44 | 0:25:49 | |
'A slightly arbitrary concept, | 0:25:50 | 0:25:51 | |
'but it is indisputable | 0:25:51 | 0:25:53 | |
'that everyone here has a strong sense of identity | 0:25:53 | 0:25:57 | |
'and a real pride in preserving their custom and culture.' | 0:25:57 | 0:26:01 | |
MEN SING | 0:26:01 | 0:26:03 | |
Am I doing it OK? | 0:26:03 | 0:26:06 | |
WOMEN SING | 0:26:06 | 0:26:11 | |
The sound, the dust, the energy of the dance | 0:26:14 | 0:26:17 | |
are completely hypnotic. | 0:26:17 | 0:26:20 | |
And what's so special | 0:26:20 | 0:26:22 | |
is the feeling of pure, unadulterated joy. | 0:26:22 | 0:26:25 | |
MEN SING | 0:26:26 | 0:26:31 | |
WOMEN SING | 0:26:31 | 0:26:36 | |
This feels so authentic... | 0:26:38 | 0:26:42 | |
..and I'm probably going to look at myself | 0:26:43 | 0:26:45 | |
and realise I look completely ridiculous, | 0:26:45 | 0:26:47 | |
but, at this point, I actually don't care. | 0:26:47 | 0:26:49 | |
I feel so welcome here... | 0:26:49 | 0:26:52 | |
..and this is just... | 0:26:53 | 0:26:55 | |
It's just so wonderful... | 0:26:57 | 0:26:58 | |
..to see a culture that's so intact. | 0:27:00 | 0:27:02 | |
And the fact that Prince Philip is so central to their beliefs... | 0:27:07 | 0:27:12 | |
..seems, at first... | 0:27:15 | 0:27:17 | |
..utterly bonkers... | 0:27:18 | 0:27:19 | |
..but that belief is unshakeable... | 0:27:21 | 0:27:23 | |
..so you have to respect it. | 0:27:26 | 0:27:28 | |
Hee-hee! | 0:27:30 | 0:27:31 | |
VOLCANO RUMBLES | 0:27:50 | 0:27:53 | |
Spending time in Yaohnanen | 0:27:56 | 0:27:58 | |
has made me appreciate why so many people here | 0:27:58 | 0:28:02 | |
want to keep their ancient beliefs alive. | 0:28:02 | 0:28:05 | |
But the rising sulphur levels Shane and Chris have found | 0:28:05 | 0:28:09 | |
are a worrying sign that Yasur's mood might be changing. | 0:28:09 | 0:28:13 | |
So, this afternoon, we're heading back up the volcano | 0:28:18 | 0:28:21 | |
to try and gather more clues. | 0:28:21 | 0:28:23 | |
All around us, there are huge lava bombs, | 0:28:31 | 0:28:35 | |
but we're after a fresh one. | 0:28:35 | 0:28:37 | |
God, it looks so different in the daytime. | 0:28:44 | 0:28:46 | |
Today, Shane's brought a bit of kit | 0:28:48 | 0:28:50 | |
he hopes will let us see right into the heart of Yasur. | 0:28:50 | 0:28:54 | |
How high do you want it? | 0:28:55 | 0:28:57 | |
That out full... | 0:28:57 | 0:28:59 | |
VOLCANO GROWLS | 0:28:59 | 0:29:01 | |
-That's a goodie. -Oh, my goodness. | 0:29:01 | 0:29:03 | |
This looks a little bit like it's come from a Buck Rogers movie. | 0:29:04 | 0:29:08 | |
It does. | 0:29:08 | 0:29:09 | |
It looks very simplistic, but I suspect it's not. | 0:29:09 | 0:29:12 | |
It's not a camera, like taking photograph camera, | 0:29:12 | 0:29:14 | |
it's capturing radiant heat. | 0:29:14 | 0:29:17 | |
The good thing about it is | 0:29:17 | 0:29:18 | |
even though you've got all this gas over the front, | 0:29:18 | 0:29:20 | |
this will look straight through it. | 0:29:20 | 0:29:22 | |
-And, actually, you see incredible definition, don't you? -Yep. | 0:29:22 | 0:29:24 | |
VOLCANO RUMBLES | 0:29:24 | 0:29:27 | |
Every single volcano on the planet behaves differently. | 0:29:29 | 0:29:34 | |
VOLCANO EXPLODES | 0:29:34 | 0:29:35 | |
Every volcano has a particular chemistry. | 0:29:37 | 0:29:39 | |
The chemistry of the lava that comes out | 0:29:39 | 0:29:41 | |
is influenced by a variety of processes | 0:29:41 | 0:29:43 | |
that occur under the ground. We can't go in and see it, | 0:29:43 | 0:29:46 | |
so it's kind of like a forensic person going into a crime scene | 0:29:46 | 0:29:49 | |
and then trying to reconstruct what's been happening. | 0:29:49 | 0:29:52 | |
The best clue we can get about what's happening now | 0:29:53 | 0:29:56 | |
and how this volcano might behave in the future | 0:29:56 | 0:29:59 | |
is going to come from one of THESE fresh pieces of lava. | 0:29:59 | 0:30:02 | |
You can see that the back one's chucking out... | 0:30:05 | 0:30:08 | |
Yeah, it's quite big. You can see the lava bombs really clearly on here. | 0:30:08 | 0:30:11 | |
You can barely see them from here. | 0:30:11 | 0:30:13 | |
Now, we have to figure out how to collect a lava bomb | 0:30:17 | 0:30:20 | |
without putting ourselves in danger. | 0:30:20 | 0:30:22 | |
To give us our best chance, | 0:30:24 | 0:30:26 | |
we're going to record the volcano, | 0:30:26 | 0:30:29 | |
looking for a pattern in its eruptions. | 0:30:29 | 0:30:31 | |
Come on, baby. | 0:30:33 | 0:30:34 | |
In terms of waiting to try and collect a sample, | 0:30:36 | 0:30:39 | |
it's really important to understand what the volcano's doing | 0:30:39 | 0:30:42 | |
and exactly how it's behaving. | 0:30:42 | 0:30:44 | |
The timing between different blasts are very important | 0:30:44 | 0:30:47 | |
for building up the courage to run down there. | 0:30:47 | 0:30:50 | |
-It gives you a bit more... -KATE LAUGHS | 0:30:50 | 0:30:53 | |
..of a sense of safety. | 0:30:53 | 0:30:54 | |
Come on. | 0:30:56 | 0:30:57 | |
VOLCANO EXPLODES Whoa! There you go! | 0:31:00 | 0:31:02 | |
Hee-hee-hee-hee. | 0:31:02 | 0:31:04 | |
-Did you get it? -Yep, yep. | 0:31:04 | 0:31:05 | |
The camera also helps us pinpoint | 0:31:05 | 0:31:08 | |
where the lava bombs are landing. | 0:31:08 | 0:31:10 | |
It does still seem madness to run down to the edge there | 0:31:12 | 0:31:15 | |
and collect a piece of molten rock. | 0:31:15 | 0:31:18 | |
If this thing fires up a bit more | 0:31:18 | 0:31:20 | |
and throws something out onto that terrace there, | 0:31:20 | 0:31:23 | |
we can get in and out quite quickly. | 0:31:23 | 0:31:25 | |
That nearly landed on the ledge. | 0:31:25 | 0:31:27 | |
Despite watching for hours, | 0:31:29 | 0:31:31 | |
not a single bomb has fallen on the ledge beneath us - | 0:31:31 | 0:31:34 | |
close enough to reach. | 0:31:34 | 0:31:36 | |
Unless things change, all our efforts will come to nothing. | 0:31:36 | 0:31:40 | |
Not quite. | 0:31:41 | 0:31:42 | |
-One almost made it. -Ah, almost made it. | 0:31:42 | 0:31:45 | |
We're hoping our results will provide a warning | 0:31:54 | 0:31:57 | |
for islanders living close to the volcano, | 0:31:57 | 0:32:00 | |
if it looks like bigger eruptions are on their way. | 0:32:00 | 0:32:03 | |
When that happened a year ago, | 0:32:04 | 0:32:06 | |
their villages were showered in ash for weeks on end. | 0:32:06 | 0:32:09 | |
Their crops were ruined, | 0:32:10 | 0:32:12 | |
and livestock died. | 0:32:12 | 0:32:14 | |
This is a beautiful garden, Numaline. | 0:32:20 | 0:32:23 | |
But when the ashes come, doesn't it just destroy your whole garden? | 0:32:24 | 0:32:28 | |
Yes, sometimes when it comes where the plants are beginning to grow | 0:32:29 | 0:32:35 | |
and they are not strong yet, | 0:32:35 | 0:32:36 | |
then the volcano ashes just wipe the whole thing out. | 0:32:36 | 0:32:41 | |
Some of the crops local horticulturalist Numaline grows | 0:32:41 | 0:32:45 | |
cope better with the ash - | 0:32:45 | 0:32:46 | |
like taro, a starchy root vegetable | 0:32:46 | 0:32:49 | |
that's a staple here. | 0:32:49 | 0:32:51 | |
With this taro here, | 0:32:51 | 0:32:53 | |
when the ashes fall into the leaf, | 0:32:53 | 0:32:55 | |
it just slides away and leaves the leaf. | 0:32:55 | 0:32:58 | |
So this is a really good crop to grow | 0:32:58 | 0:33:01 | |
-if you know you're going to be affected by the ash a lot. -Yep. | 0:33:01 | 0:33:05 | |
This year, it has been very kind to us. | 0:33:05 | 0:33:07 | |
We are in a hurry to plant everything, | 0:33:07 | 0:33:10 | |
because we know that it will come back, | 0:33:10 | 0:33:13 | |
but we don't know when. | 0:33:13 | 0:33:14 | |
Ironically, the ash brings benefits, too - | 0:33:15 | 0:33:19 | |
a soil full of minerals. | 0:33:19 | 0:33:21 | |
You can see the soil is so rich and dark, isn't it? | 0:33:23 | 0:33:27 | |
'Numaline is part of an expanding movement on the island, | 0:33:29 | 0:33:33 | |
'led by women, to preserve the traditional way of growing crops.' | 0:33:33 | 0:33:37 | |
This is how we plant this taro. | 0:33:38 | 0:33:40 | |
Is this one that you've eaten? | 0:33:40 | 0:33:43 | |
Yeah, we've cut off the top. | 0:33:43 | 0:33:45 | |
This is for planting. We eat the bottom part. | 0:33:45 | 0:33:48 | |
So, if you plant this, the root will come again? | 0:33:48 | 0:33:50 | |
-Yes, it will grow like this. -That's amazing! | 0:33:50 | 0:33:53 | |
This is how you plant it. | 0:33:53 | 0:33:55 | |
-So very deep. -A bit. | 0:33:55 | 0:33:58 | |
I'm very jealous of your soil. | 0:33:58 | 0:34:00 | |
Just press it... | 0:34:00 | 0:34:02 | |
Around it. | 0:34:02 | 0:34:04 | |
Numaline's garden provides her family with almost all the food they need. | 0:34:05 | 0:34:10 | |
This is Lap Lap, | 0:34:14 | 0:34:16 | |
a sort of steamed pudding of vegetables | 0:34:16 | 0:34:18 | |
that have been wrapped in leaves and baked underground between hot stones. | 0:34:18 | 0:34:23 | |
Take your share. | 0:34:27 | 0:34:28 | |
Thank you very much. | 0:34:32 | 0:34:34 | |
Smells delicious. | 0:34:35 | 0:34:37 | |
-Can I take a bit of this? -Yes. -Do I just take with my fingers? -Yep. | 0:34:37 | 0:34:43 | |
Carrot... | 0:34:43 | 0:34:45 | |
-Chicken? -Just a small piece, yeah. | 0:34:45 | 0:34:47 | |
Thank you. | 0:34:47 | 0:34:49 | |
That's lovely. Thank you, Numaline. | 0:34:49 | 0:34:51 | |
Proper island feast. | 0:34:51 | 0:34:52 | |
-Does it taste nice? -Very, very nice. | 0:34:54 | 0:34:57 | |
So with the banana... | 0:34:58 | 0:35:00 | |
Mmm, that taro's good. | 0:35:00 | 0:35:02 | |
Oh. Is it you or is it the volcanic soil, or is it both? | 0:35:02 | 0:35:06 | |
-Both. -KATE LAUGHS | 0:35:06 | 0:35:08 | |
Touching it with respect, | 0:35:09 | 0:35:12 | |
it gives you nice flavour. | 0:35:12 | 0:35:16 | |
It's Numaline's understanding of the volcano, | 0:35:17 | 0:35:20 | |
its behaviour and how to farm alongside it | 0:35:20 | 0:35:23 | |
that allows her to live in such harmony with it. | 0:35:23 | 0:35:26 | |
But for us to try and understand what Yasur might do next, | 0:35:39 | 0:35:43 | |
we need to know more about its volatile past. | 0:35:43 | 0:35:46 | |
Something that happened at the foot of this volcano | 0:35:47 | 0:35:50 | |
has given Chris and Shane a chance to see back in time. | 0:35:50 | 0:35:54 | |
This whole area was once covered by a vast lake. | 0:35:58 | 0:36:02 | |
But, in April 2000, a massive cyclone struck | 0:36:02 | 0:36:05 | |
and Lake Siwi broke its banks. | 0:36:05 | 0:36:08 | |
Picture us underwater, three or four metres above us. | 0:36:10 | 0:36:12 | |
We're walking on what was once the floor of the lake, | 0:36:14 | 0:36:17 | |
following the route that the water took as it gushed out to sea. | 0:36:17 | 0:36:21 | |
In just a couple of hours, | 0:36:22 | 0:36:24 | |
a lake two miles wide had vanished. | 0:36:24 | 0:36:27 | |
-This is a good spot to start off with. -OK. | 0:36:30 | 0:36:33 | |
So the best thing to do is take a spade | 0:36:34 | 0:36:36 | |
and actually dig away a little bit at the cliff face. | 0:36:36 | 0:36:40 | |
The drained lake reveals layers and layers of perfectly preserved ash - | 0:36:41 | 0:36:46 | |
a unique record of Yasur's history. | 0:36:46 | 0:36:49 | |
Oh, wow! | 0:36:49 | 0:36:51 | |
-It's like the most perfect layer cake, isn't it? -Exactly. | 0:36:51 | 0:36:55 | |
So each of these little layers | 0:36:55 | 0:36:56 | |
represents a variation in the size | 0:36:56 | 0:37:01 | |
of the material that's coming out of the volcano | 0:37:01 | 0:37:03 | |
and that represents a variation | 0:37:03 | 0:37:05 | |
in the magnitude or the violence of the eruption. | 0:37:05 | 0:37:08 | |
So this can give you a real record of how this volcano's been behaving | 0:37:08 | 0:37:12 | |
-over decades, if not centuries. -Yeah. | 0:37:12 | 0:37:14 | |
So probably 300 to 400 years, at least. | 0:37:14 | 0:37:17 | |
Chris and Shane will analyse ash samples. | 0:37:20 | 0:37:23 | |
The size of the grains can tell them | 0:37:23 | 0:37:25 | |
how violently the volcano has erupted in the past. | 0:37:25 | 0:37:29 | |
So the cliffs get much bigger up here, | 0:37:31 | 0:37:33 | |
because we're moving into older material. | 0:37:33 | 0:37:35 | |
So the stuff you've sieved out here, Chris... | 0:37:40 | 0:37:42 | |
..this is what you would get in what sort of style of eruption | 0:37:44 | 0:37:47 | |
or what sort of conditions? | 0:37:47 | 0:37:49 | |
This is fairly fine, | 0:37:49 | 0:37:50 | |
so these would have come from the more violent style of eruption. | 0:37:50 | 0:37:53 | |
It's producing very fine-grained material. | 0:37:53 | 0:37:56 | |
So, when we've been up at the top and we've seen the big... | 0:37:56 | 0:38:00 | |
..particularly noisy eruption with lots and lots of ash coming up, | 0:38:01 | 0:38:06 | |
-that would be one of those ones. -Yep. | 0:38:06 | 0:38:08 | |
And, clearly, that looks pretty uniform. | 0:38:08 | 0:38:12 | |
Is there any indication this is actually a volcano | 0:38:12 | 0:38:15 | |
that may be in a constant state of eruption, but it's pretty stable? | 0:38:15 | 0:38:18 | |
It's always the same style of eruption, | 0:38:18 | 0:38:21 | |
but it cycles in intensity | 0:38:21 | 0:38:23 | |
between more and less violent eruptions. | 0:38:23 | 0:38:25 | |
The layers of ash show that the volcano has been | 0:38:28 | 0:38:30 | |
in a gentle cycle of eruption for over 700 years. | 0:38:30 | 0:38:34 | |
And everyone's hoping it's going to stay that way. | 0:38:36 | 0:38:39 | |
We're travelling the full length of the canyon | 0:38:45 | 0:38:47 | |
carved out by the water as Lake Siwi drained into the ocean. | 0:38:47 | 0:38:52 | |
In Sulphur Bay, people make the most of living alongside the volcano, | 0:38:55 | 0:39:00 | |
bathing in warm pools heated by the magma | 0:39:00 | 0:39:03 | |
churning away deep beneath the ground. | 0:39:03 | 0:39:06 | |
Here, Shane has discovered a clue to something even further back | 0:39:09 | 0:39:13 | |
in Yasur's past. | 0:39:13 | 0:39:15 | |
It reveals a terrifying secret. | 0:39:16 | 0:39:19 | |
There's evidence of an ancient eruption | 0:39:21 | 0:39:24 | |
so ferocious it made a massive caldera, | 0:39:24 | 0:39:27 | |
a crater five miles in diameter, | 0:39:27 | 0:39:30 | |
and created this 50-metre-high cliff. | 0:39:30 | 0:39:33 | |
So this big red cliff is kind of like the surprise of the story. | 0:39:35 | 0:39:40 | |
That is the start of the modern caldera | 0:39:40 | 0:39:44 | |
and the deposits of that eruption go from that white/orange layer, | 0:39:44 | 0:39:49 | |
where Chris is standing now, up to as far as you can see. | 0:39:49 | 0:39:53 | |
-All the way up there? -Yeah. | 0:39:53 | 0:39:54 | |
It was probably emplaced in a matter of a day or two. | 0:39:54 | 0:39:57 | |
This is a truly cataclysmic eruption. | 0:39:58 | 0:40:00 | |
Well and truly bigger than a Mount St Helens-style eruption. | 0:40:00 | 0:40:04 | |
It's kind of the most violent volcanic process | 0:40:04 | 0:40:06 | |
that you'd ever find on Earth. | 0:40:06 | 0:40:08 | |
Once you've had an eruption like this, | 0:40:08 | 0:40:12 | |
could it happen again in the future? | 0:40:12 | 0:40:14 | |
Well, we've got evidence of two of these | 0:40:14 | 0:40:17 | |
caldera-forming eruptions here, | 0:40:17 | 0:40:19 | |
so there's every chance that something like this | 0:40:19 | 0:40:22 | |
could happen again at this caldera. | 0:40:22 | 0:40:24 | |
So, if an eruption of this size occurred today, | 0:40:24 | 0:40:27 | |
no-one would survive on this island. | 0:40:27 | 0:40:29 | |
The rocks Chris is collecting were thrown out of the volcano | 0:40:38 | 0:40:42 | |
during these two cataclysmic eruptions around 40,000 years ago. | 0:40:42 | 0:40:47 | |
He's measuring how much of the element zirconium there is | 0:40:50 | 0:40:53 | |
to discover more about the chemistry of this ancient lava. | 0:40:53 | 0:40:57 | |
MACHINE BEEPS | 0:40:57 | 0:40:59 | |
Chris needs to compare these ancient samples to fresh lava. | 0:41:01 | 0:41:06 | |
If the amount of zirconium is similar, it could be a sign | 0:41:06 | 0:41:10 | |
that Yasur is preparing for another huge eruption. | 0:41:10 | 0:41:15 | |
It's our last night on Tanna, | 0:41:21 | 0:41:24 | |
our final chance to collect a lava bomb. | 0:41:24 | 0:41:26 | |
But, before we can do that, Jeremy's taking me inland | 0:41:28 | 0:41:32 | |
to the village of Lamakara. | 0:41:32 | 0:41:33 | |
I want to know how scientific research on the volcano | 0:41:35 | 0:41:39 | |
sits with the islanders' own beliefs. | 0:41:39 | 0:41:42 | |
So we're going to meet someone | 0:41:43 | 0:41:44 | |
who has a very special relationship with Yasur. | 0:41:44 | 0:41:48 | |
BIRDSONG | 0:41:52 | 0:41:54 | |
As soon as we arrive, we're led away to a small house | 0:41:59 | 0:42:03 | |
on the edge of the village. | 0:42:03 | 0:42:04 | |
Inside is Kaolaka, | 0:42:07 | 0:42:09 | |
an ietem asim or "sacred man". | 0:42:09 | 0:42:12 | |
He's considered to be the guardian of the volcano's powers. | 0:42:12 | 0:42:16 | |
The connection you now have with the volcano, | 0:42:20 | 0:42:24 | |
is that something that was passed from your grandfather | 0:42:24 | 0:42:29 | |
to your father to you? | 0:42:29 | 0:42:30 | |
THEY SPEAK IN WHITESANDS LANGUAGE | 0:42:30 | 0:42:35 | |
So... | 0:42:35 | 0:42:37 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:42:37 | 0:42:39 | |
So the spirit gave it to his grandfather, | 0:42:39 | 0:42:41 | |
and then afterwards the spirit gave it to his father. | 0:42:41 | 0:42:44 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:42:44 | 0:42:46 | |
And now the spirit has given it to him. | 0:42:46 | 0:42:48 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:42:48 | 0:42:50 | |
And he was sleeping and it came to him as a vision. | 0:42:50 | 0:42:53 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:42:53 | 0:42:55 | |
So the volcano teaches him everything. | 0:42:55 | 0:42:58 | |
People are gathering to hear what Kaolaka has to say. | 0:42:58 | 0:43:02 | |
He's their link to the spirit of Fire Mountain. | 0:43:02 | 0:43:05 | |
When there's a threat from the volcano, | 0:43:06 | 0:43:10 | |
is there any way you can communicate with it to stop an eruption? | 0:43:10 | 0:43:15 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:43:15 | 0:43:17 | |
So, when the volcano is violently active, | 0:43:17 | 0:43:22 | |
then the nakamals around the region will come to him, | 0:43:22 | 0:43:25 | |
and then go speak to the volcano to help it die down. | 0:43:25 | 0:43:28 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:43:28 | 0:43:31 | |
So, at these times, it was erupting quite a lot, | 0:43:31 | 0:43:34 | |
so he went and talked to it and it calmed down. | 0:43:34 | 0:43:37 | |
I'm here with two scientists, geologists. | 0:43:37 | 0:43:40 | |
How do you feel about people who take rocks | 0:43:40 | 0:43:45 | |
to try and understand the behaviour of the volcano? | 0:43:45 | 0:43:48 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:43:48 | 0:43:54 | |
It's not a problem to come and take photos of the volcano, | 0:43:54 | 0:43:57 | |
to take the actual stones... | 0:43:57 | 0:43:58 | |
HE SPEAKS IN WHITESANDS LANGUAGE | 0:43:58 | 0:44:00 | |
..because they don't get their power from the volcano | 0:44:00 | 0:44:02 | |
the same way that he does. | 0:44:02 | 0:44:04 | |
So, with Kaolaka's blessing, | 0:44:05 | 0:44:07 | |
the only thing that can stop us collecting a lava bomb now | 0:44:07 | 0:44:11 | |
is the volcano itself. | 0:44:11 | 0:44:12 | |
If we can get one, a lava bomb will be the vital clue we need | 0:44:20 | 0:44:24 | |
to tell us whether the volcano is still stable | 0:44:24 | 0:44:28 | |
or if it's becoming more active. | 0:44:28 | 0:44:30 | |
Shane and Chris have spent every hour they can monitoring Yasur... | 0:44:38 | 0:44:42 | |
..working out how long they've got between eruptions | 0:44:43 | 0:44:46 | |
to run in, grab a bomb, and get out. | 0:44:46 | 0:44:49 | |
Hey! | 0:44:58 | 0:45:00 | |
-How are you doing? -Well, we've had a pretty good day. | 0:45:00 | 0:45:02 | |
From what you've been watching, | 0:45:02 | 0:45:05 | |
do you think it's even feasible | 0:45:05 | 0:45:08 | |
to get a bomb today? | 0:45:08 | 0:45:11 | |
It's looking promising. | 0:45:11 | 0:45:12 | |
We've had about five explosions that have brought bombs on to this. | 0:45:12 | 0:45:16 | |
-VOLCANO ROARS AND GRUMBLES -Just look up. | 0:45:16 | 0:45:19 | |
-Keep watching the highest... -Yep, yep. | 0:45:19 | 0:45:21 | |
-That's going vertically, as well. -Yeah. | 0:45:21 | 0:45:24 | |
-Look at that one. -Whoa! | 0:45:24 | 0:45:26 | |
That's the sort of thing that happens when you get way more gas. | 0:45:28 | 0:45:31 | |
Quite nice big bombs in there. | 0:45:31 | 0:45:33 | |
-Yeah, there are some going really high. -Watch this one. | 0:45:33 | 0:45:37 | |
-It won't go wide enough, though. -That was three different plumes. | 0:45:37 | 0:45:41 | |
So what we're waiting for is one, probably out of this crater here, | 0:45:41 | 0:45:47 | |
to throw the bombs a little bit more widely onto this lower ridge here. | 0:45:47 | 0:45:52 | |
-Down here? -Yep. | 0:45:52 | 0:45:53 | |
So, Chris, what's going to be our strategy here, | 0:45:55 | 0:45:57 | |
because, obviously, we're not all going down | 0:45:57 | 0:46:00 | |
and collect this bomb. | 0:46:00 | 0:46:01 | |
Yeah, it's stupid to send any more people down there than need to go. | 0:46:01 | 0:46:06 | |
So Shane's volunteered to run down. | 0:46:06 | 0:46:09 | |
He's fitter than the rest of us, maybe. | 0:46:09 | 0:46:11 | |
Or stupider. | 0:46:11 | 0:46:13 | |
So he's going to run down, we're going to stay up here | 0:46:13 | 0:46:16 | |
on the thermal camera. So I'll be able to pick up Shane on the camera | 0:46:16 | 0:46:19 | |
and pick up where the bomb is. | 0:46:19 | 0:46:22 | |
Is this ridiculously dangerous to be doing? | 0:46:22 | 0:46:25 | |
I wouldn't be running down there | 0:46:25 | 0:46:26 | |
if I wasn't sure that I could do it with the right timing. | 0:46:26 | 0:46:30 | |
I'm not particularly looking forward | 0:46:31 | 0:46:34 | |
-to actually going over that rim, though. -No. | 0:46:34 | 0:46:36 | |
We've calculated that Shane will only have around two minutes | 0:46:44 | 0:46:48 | |
to run in and out between explosions. | 0:46:48 | 0:46:52 | |
VOLCANO EXPLODES VIOLENTLY | 0:46:52 | 0:46:55 | |
Oh, wow! | 0:46:55 | 0:46:56 | |
Houston, we have a bomb. | 0:46:57 | 0:46:59 | |
To have a chance of doing this safely, | 0:47:00 | 0:47:02 | |
we need Yasur to throw a bomb to exactly the right spot | 0:47:02 | 0:47:06 | |
on the shelf 30 metres below us. | 0:47:06 | 0:47:08 | |
-Oh, there's one! -Yeah, there's one! | 0:47:12 | 0:47:14 | |
Let me zoom in on it. There we go. Look at that! | 0:47:16 | 0:47:18 | |
619, 630 degrees. | 0:47:18 | 0:47:21 | |
Wow! | 0:47:21 | 0:47:22 | |
Do you think that's six... Yeah, 602, 594... | 0:47:22 | 0:47:26 | |
What do you think, Shane? It's quite close to the edge. | 0:47:26 | 0:47:30 | |
Yeah. It is quite close to the edge. | 0:47:30 | 0:47:32 | |
We'll just pan around and see if there's any others. | 0:47:32 | 0:47:34 | |
There are bombs landing everywhere, except where we need one. | 0:47:34 | 0:47:38 | |
-There's another one over there. -That's too far though, surely? | 0:47:38 | 0:47:41 | |
-There's another one down there, too. -But those are all too far. -Yeah. | 0:47:41 | 0:47:44 | |
VOLCANO EXPLODES Oh, look, look, look! There's loads. | 0:47:44 | 0:47:47 | |
Do you think that one is get-at-able? | 0:47:51 | 0:47:53 | |
It's kind of looking like it's sticking out of the... | 0:47:53 | 0:47:56 | |
Yes, sticking up almost like a shark's fin. | 0:47:56 | 0:47:58 | |
Yes, just on the realm of possibility. | 0:47:58 | 0:48:01 | |
The bomb shaped like a shark's fin | 0:48:04 | 0:48:06 | |
is just too close to the edge. | 0:48:06 | 0:48:08 | |
There's nothing we can do but wait for one to land in the right place. | 0:48:09 | 0:48:13 | |
Oh, there's another goodie. | 0:48:16 | 0:48:17 | |
Hang on, let's watch that. | 0:48:17 | 0:48:19 | |
LAVA BOMBS THUD | 0:48:20 | 0:48:22 | |
I think the thing that makes this even more terrifying | 0:48:22 | 0:48:25 | |
is anyone who's watched any war movies. | 0:48:25 | 0:48:27 | |
That "Thwap, thwap, thwap" of the bombs landing | 0:48:27 | 0:48:30 | |
-sounds exactly like a battlefield. -Mm. | 0:48:30 | 0:48:34 | |
VOLCANO EXPLODES | 0:48:34 | 0:48:35 | |
-My God, that's huge! -Just keep your eyes on it. | 0:48:35 | 0:48:37 | |
Keeping an eye on it. | 0:48:37 | 0:48:39 | |
We've been watching for a pattern in the eruptions for days, | 0:48:42 | 0:48:46 | |
but, tonight, Yasur seems incredibly unpredictable. | 0:48:46 | 0:48:49 | |
-I've obviously made it angry. -Yeah. | 0:48:53 | 0:48:54 | |
Now, there are bombs flying everywhere. | 0:48:58 | 0:49:01 | |
We didn't think we were going to be able to get any lava bombs yesterday, | 0:49:07 | 0:49:11 | |
because they never seemed to be falling on this shelf. | 0:49:11 | 0:49:14 | |
Now every single eruption that's happened since we've been here, | 0:49:14 | 0:49:17 | |
they are all falling on this shelf. | 0:49:17 | 0:49:19 | |
We're losing the sun. | 0:49:27 | 0:49:28 | |
If we don't find a bomb soon, | 0:49:28 | 0:49:30 | |
it's going to be too dark for Shane to see where he's running. | 0:49:30 | 0:49:33 | |
There is one lava bomb - | 0:49:43 | 0:49:45 | |
I'm just monitoring it here. | 0:49:45 | 0:49:47 | |
It's fallen just in front, | 0:49:47 | 0:49:50 | |
it looks like where Shane is planning to run in. | 0:49:50 | 0:49:53 | |
It looks like it's in the right place. | 0:49:55 | 0:49:58 | |
It looks perfect, actually. That's the one. | 0:49:59 | 0:50:02 | |
It's the ideal size for Shane to be able to run in and grab. | 0:50:03 | 0:50:07 | |
When I get close, you'll just have to... | 0:50:07 | 0:50:10 | |
left, right, too fast, too slow, backwards, forwards. | 0:50:10 | 0:50:13 | |
I'm not very good at left and right - I get them mixed up. | 0:50:13 | 0:50:16 | |
That's why Kate's on the radio. | 0:50:16 | 0:50:18 | |
THEY ALL LAUGH | 0:50:18 | 0:50:19 | |
Thanks(!) | 0:50:19 | 0:50:21 | |
The moment has arrived. | 0:50:24 | 0:50:25 | |
Check radio, check radio. RADIO BLEEPS | 0:50:28 | 0:50:30 | |
-Hello, hello. -RADIO BLEEPS | 0:50:30 | 0:50:32 | |
Torches on. | 0:50:33 | 0:50:35 | |
OK, are you ready? | 0:50:35 | 0:50:36 | |
All right, good luck. | 0:50:37 | 0:50:39 | |
Yasur has gone eerily quiet. | 0:50:41 | 0:50:43 | |
Take care. | 0:50:46 | 0:50:47 | |
Shane needs to wait for the next big eruption, | 0:50:50 | 0:50:54 | |
then it'll be time to go. | 0:50:54 | 0:50:56 | |
VOLCANO EXPLODES AND GROWLS | 0:51:03 | 0:51:06 | |
Just watch the sky. | 0:51:06 | 0:51:08 | |
That one's going really high. | 0:51:09 | 0:51:10 | |
HEAVY THUDS Whoa! My goodness. | 0:51:15 | 0:51:18 | |
OK, Shane, what do you think? | 0:51:20 | 0:51:22 | |
I'm about ready to go in. | 0:51:24 | 0:51:26 | |
OK, we'll pick you up on the camera as soon as you come off the ridge. | 0:51:27 | 0:51:32 | |
Righto. | 0:51:32 | 0:51:33 | |
After that big blast, the clock is ticking. | 0:51:34 | 0:51:37 | |
It could be just two minutes before the next explosion. | 0:51:38 | 0:51:41 | |
Got him? Oh, yeah. OK, got him. | 0:51:44 | 0:51:46 | |
OK, Shane, keep heading on that trajectory. | 0:51:48 | 0:51:50 | |
Turn right now, Shane. Right now. | 0:51:51 | 0:51:54 | |
Head straight towards the edge of the rim. | 0:51:56 | 0:52:00 | |
KATE ON RADIO: Head straight there. | 0:52:02 | 0:52:03 | |
You're about on it, you're about on it. | 0:52:03 | 0:52:06 | |
Can't see it, can't see it. | 0:52:07 | 0:52:10 | |
Shane can't spot our fresh bomb | 0:52:10 | 0:52:12 | |
amongst the older ones. | 0:52:12 | 0:52:14 | |
And then it gets worse... | 0:52:14 | 0:52:16 | |
Shane, we can't pick you up on the thermal camera. | 0:52:19 | 0:52:22 | |
We can't see you any more. | 0:52:23 | 0:52:24 | |
I'm just going up to that shark one. | 0:52:30 | 0:52:33 | |
Shane's now completely on his own and heading for the shark fin bomb. | 0:52:35 | 0:52:39 | |
Have you got it, Shane? | 0:52:43 | 0:52:45 | |
Got it. | 0:52:46 | 0:52:48 | |
Be quick, Shane. | 0:52:48 | 0:52:49 | |
'It's already been over two minutes. | 0:52:49 | 0:52:52 | |
'The next explosion could be any second. | 0:52:53 | 0:52:55 | |
'And the bomb is far too big to carry.' | 0:52:57 | 0:53:00 | |
My heart is in my mouth. | 0:53:04 | 0:53:06 | |
'Shane's managed to break a piece off, but he's still got to get out.' | 0:53:09 | 0:53:12 | |
OK, Shane, are you coming out? | 0:53:12 | 0:53:14 | |
-HE WHISPERS: -Ouch! | 0:53:15 | 0:53:17 | |
KATE ON RADIO: Come on, Shane. | 0:53:20 | 0:53:22 | |
You feel so exposed... | 0:53:32 | 0:53:33 | |
..almost like you're buried inside the thing. | 0:53:34 | 0:53:37 | |
VOLCANO EXPLODES | 0:53:37 | 0:53:39 | |
Oh, there's another one. | 0:53:39 | 0:53:41 | |
Oh, my goodness! Two of them. | 0:53:44 | 0:53:46 | |
I'm glad you weren't down there when that was happening. | 0:53:47 | 0:53:50 | |
-Let's have a look. -I feel like I've had about ten cups of coffee! | 0:53:50 | 0:53:52 | |
You can hear the adrenaline in your voice. | 0:53:52 | 0:53:55 | |
Wow! Look at that. | 0:53:55 | 0:53:57 | |
Is it still...? | 0:53:57 | 0:53:58 | |
Still a little bit of warmth in it. | 0:53:59 | 0:54:01 | |
In the middle, especially. | 0:54:01 | 0:54:02 | |
Here, look at the middle - it's just amazing. | 0:54:02 | 0:54:04 | |
Oh, my goodness, look at that! | 0:54:04 | 0:54:06 | |
Oh, that's incredible! | 0:54:07 | 0:54:09 | |
It was much, much bigger than I thought when I got down there. | 0:54:11 | 0:54:14 | |
It looked like you had to hack at it for a while. | 0:54:14 | 0:54:17 | |
Well done. That is amazing. | 0:54:17 | 0:54:20 | |
And it is so beautiful. | 0:54:20 | 0:54:22 | |
There is just something magical | 0:54:22 | 0:54:25 | |
about the fact that we saw that | 0:54:25 | 0:54:28 | |
as a molten piece of rock | 0:54:28 | 0:54:32 | |
being ejected from that crater, | 0:54:32 | 0:54:35 | |
landing with that wonderful "thwap", and here it is. | 0:54:35 | 0:54:38 | |
-Geology's quite cool sometimes. -Yeah, it's quite fun sometimes. | 0:54:41 | 0:54:45 | |
THEY LAUGH | 0:54:45 | 0:54:46 | |
'We've done it.' | 0:54:46 | 0:54:47 | |
EXPLOSION | 0:54:47 | 0:54:49 | |
'Just in time.' | 0:54:49 | 0:54:50 | |
VOLCANO ROARS Whoa, my goodness! | 0:54:52 | 0:54:55 | |
Quite glad you weren't down there when that was happening. | 0:54:57 | 0:55:00 | |
VOLCANO EXPLODES AND RUMBLES | 0:55:00 | 0:55:02 | |
Since I've been on the island, | 0:55:20 | 0:55:22 | |
I've seen how the past and future of the people | 0:55:22 | 0:55:25 | |
are intertwined with that of the volcano. | 0:55:25 | 0:55:28 | |
And we've done everything we can to understand | 0:55:28 | 0:55:31 | |
Yasur's extraordinary power. | 0:55:31 | 0:55:33 | |
1,300, 1,400... | 0:55:34 | 0:55:36 | |
We've seen the amount of gas double - | 0:55:37 | 0:55:39 | |
a warning to the islanders of bigger explosions in the coming months. | 0:55:39 | 0:55:43 | |
And while these won't be as devastating | 0:55:45 | 0:55:48 | |
as the mega eruptions 40,000 years ago, | 0:55:48 | 0:55:51 | |
another could happen someday. | 0:55:51 | 0:55:54 | |
The system is very much alive | 0:55:56 | 0:55:58 | |
and the potential for these cataclysmic eruptions | 0:55:58 | 0:56:00 | |
is also quite high, I would say. | 0:56:00 | 0:56:02 | |
But can science reveal how high? | 0:56:04 | 0:56:08 | |
To find that out, Chris needs to compare the readings he took | 0:56:08 | 0:56:11 | |
from the ancient cataclysmic eruptions | 0:56:11 | 0:56:14 | |
to our fresh lava bomb. | 0:56:14 | 0:56:16 | |
-Have you got the reading? -It's all finished now. | 0:56:20 | 0:56:22 | |
Can I move round and have a look? | 0:56:22 | 0:56:24 | |
You can see the zirconium reading is 114 parts per million. | 0:56:27 | 0:56:32 | |
It's certainly not nearly as high as the lava sample | 0:56:32 | 0:56:35 | |
that we analysed down at Sulphur Bay the other day, | 0:56:35 | 0:56:37 | |
so I don't think there's any cause for alarm. | 0:56:37 | 0:56:39 | |
It's not suggesting that there's been any vast changes to the system. | 0:56:39 | 0:56:43 | |
Shane and Chris will keep monitoring Yasur. | 0:56:45 | 0:56:48 | |
But, for the time being at least, the people of Tanna can rest assured | 0:56:49 | 0:56:53 | |
that it looks set to continue its constant but stable cycle. | 0:56:53 | 0:56:58 | |
Just as it has done for centuries. | 0:56:59 | 0:57:01 | |
Captain Cook was never allowed to climb this volcano. | 0:57:10 | 0:57:13 | |
It's astonishing to think that the behaviour | 0:57:16 | 0:57:20 | |
that I'm witnessing 250 years later | 0:57:20 | 0:57:24 | |
is not much changed from what he would have seen from his ship. | 0:57:24 | 0:57:29 | |
But, as Shane and Chris are discovering, | 0:57:29 | 0:57:31 | |
there are many changes that are happening on this island | 0:57:31 | 0:57:35 | |
and the forces that created this volcano, created the island itself, | 0:57:35 | 0:57:40 | |
are still very much at work. | 0:57:40 | 0:57:43 | |
And as for the people who live in its shadow... | 0:57:43 | 0:57:46 | |
Well, it will always play a pivotal role, | 0:57:46 | 0:57:48 | |
sometimes benevolent, sometimes destructive, | 0:57:48 | 0:57:51 | |
but always intrinsic to their lives and their custom. | 0:57:51 | 0:57:55 | |
'Next time...' | 0:58:04 | 0:58:05 | |
Oh, my God! | 0:58:05 | 0:58:07 | |
'..we'll be exploring a very different volcano... | 0:58:08 | 0:58:11 | |
'..descending deep into the crater | 0:58:13 | 0:58:15 | |
'of one of only five lava lakes in the world...' | 0:58:15 | 0:58:18 | |
My heart's racing. | 0:58:18 | 0:58:20 | |
'..and revealing how this bubbling cauldron of molten rock | 0:58:20 | 0:58:23 | |
'affects the people who live in a place | 0:58:23 | 0:58:26 | |
'shrouded in mystery and magic.' | 0:58:26 | 0:58:29 |