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So far on Life Story, | 0:00:02 | 0:00:03 | |
we have seen animals take their first steps... | 0:00:03 | 0:00:06 | |
..grow up... | 0:00:14 | 0:00:16 | |
..find a home... | 0:00:21 | 0:00:22 | |
..and gain power. | 0:00:28 | 0:00:31 | |
Now, they need a mate. | 0:00:31 | 0:00:33 | |
Competition to win a partner | 0:00:35 | 0:00:37 | |
is so intense in nature, | 0:00:37 | 0:00:39 | |
it has created both the most extraordinary beauty... | 0:00:39 | 0:00:44 | |
and life-threatening violence. | 0:00:44 | 0:00:47 | |
A male waved albatross | 0:01:23 | 0:01:25 | |
will have the same partner for his lifetime of over 20 years. | 0:01:25 | 0:01:29 | |
After feeding alone over the Pacific Ocean, | 0:01:34 | 0:01:37 | |
this male has returned here to the Galapagos, | 0:01:37 | 0:01:40 | |
as he does every year, | 0:01:40 | 0:01:42 | |
to wait for his mate to come back to him. | 0:01:42 | 0:01:44 | |
Others are already reaffirming their bonds. | 0:01:51 | 0:01:55 | |
As the years go by and they get older, | 0:02:07 | 0:02:10 | |
there is always the possibility that one of them will not make it back. | 0:02:10 | 0:02:14 | |
But his bond with his partner is so strong, | 0:02:18 | 0:02:21 | |
he will simply sit and wait for her. | 0:02:21 | 0:02:24 | |
In nature, it's rare to form such a lifelong commitment. | 0:02:29 | 0:02:34 | |
For most animals, the mating game is both brief and fiercely competitive. | 0:02:34 | 0:02:40 | |
A female green turtle | 0:02:45 | 0:02:47 | |
must survive the dangers of the open ocean for 30 years | 0:02:47 | 0:02:51 | |
before she's mature enough to mate. | 0:02:51 | 0:02:53 | |
She's come here, to the shallow waters off Malaysia, to breed. | 0:02:55 | 0:03:00 | |
A male. | 0:03:15 | 0:03:17 | |
He's been waiting weeks for this opportunity. | 0:03:17 | 0:03:20 | |
Courtship begins with the gentlest of circling... | 0:03:31 | 0:03:35 | |
..before she accepts his advances. | 0:03:43 | 0:03:46 | |
Their first breath together | 0:03:57 | 0:03:59 | |
is the beginning of several hours of mating. | 0:03:59 | 0:04:02 | |
He will hold on as tight as he can | 0:04:05 | 0:04:08 | |
to keep her all to himself. | 0:04:08 | 0:04:10 | |
Unfortunately, they have company. | 0:04:16 | 0:04:19 | |
Another male. | 0:04:19 | 0:04:22 | |
He will do anything he can to separate the pair | 0:04:22 | 0:04:24 | |
and mate with the female himself. | 0:04:24 | 0:04:27 | |
He targets the soft, vulnerable parts. | 0:04:31 | 0:04:34 | |
He knocks the air out of his rival. | 0:04:53 | 0:04:55 | |
The female is struggling now with the extra weight on her back, | 0:05:05 | 0:05:09 | |
and soon she will need to surface to take a breath. | 0:05:09 | 0:05:12 | |
Another male. | 0:05:18 | 0:05:20 | |
MORE competition. | 0:05:33 | 0:05:35 | |
And here's another. | 0:05:38 | 0:05:40 | |
Now, the female has two males locked on her back | 0:05:54 | 0:05:58 | |
and it's twice as hard for her to get to the surface. | 0:05:58 | 0:06:01 | |
After an hour of battling, | 0:06:16 | 0:06:19 | |
the pair are being harassed by seven males. | 0:06:19 | 0:06:22 | |
But the males are so excited, they start attacking each other. | 0:06:29 | 0:06:33 | |
In the commotion, the couple break away for the surface. | 0:06:40 | 0:06:43 | |
The pair manage to make their escape... | 0:06:58 | 0:07:00 | |
..leaving the rival males milling around in confusion. | 0:07:02 | 0:07:07 | |
Finally, they can mate in peace. | 0:07:14 | 0:07:19 | |
In the mating game, it's usually the males who take the risks | 0:07:25 | 0:07:31 | |
and make the most effort. | 0:07:31 | 0:07:32 | |
HE CHIRRUPS | 0:07:34 | 0:07:36 | |
A flame bowerbird doesn't fight to win a mate. | 0:07:36 | 0:07:41 | |
His strategy is to put on a show. | 0:07:41 | 0:07:44 | |
First, he builds a stage. | 0:07:48 | 0:07:51 | |
In the breeding season, he spends a week creating this construction, | 0:07:57 | 0:08:01 | |
called a bower, in the forests of Papua New Guinea. | 0:08:01 | 0:08:05 | |
He's a stickler for detail. | 0:08:09 | 0:08:12 | |
The stage is set. | 0:08:22 | 0:08:24 | |
Time to paint it with mud. | 0:08:25 | 0:08:29 | |
That makes a darker background, | 0:08:29 | 0:08:32 | |
which will set off his magnificent colours. | 0:08:32 | 0:08:35 | |
Next, there are difficult decisions about the set-dressing. | 0:08:41 | 0:08:45 | |
Perhaps a bit dull. | 0:08:56 | 0:08:58 | |
There's still room for improvement. | 0:09:01 | 0:09:03 | |
Perfect. | 0:09:15 | 0:09:18 | |
Time to call in the audience... | 0:09:18 | 0:09:21 | |
HE SQUAWKS | 0:09:22 | 0:09:24 | |
..if anyone's interested. | 0:09:26 | 0:09:28 | |
This could take some time. | 0:09:32 | 0:09:34 | |
Attracting attention is an essential part of winning a mate. | 0:09:39 | 0:09:44 | |
The world's oceans are filled with brilliant colours, | 0:09:48 | 0:09:52 | |
all designed to make their wearers conspicuous. | 0:09:52 | 0:09:55 | |
Unfortunately, this small, Japanese puffer fish is dull, | 0:10:00 | 0:10:04 | |
almost to the point of invisibility, | 0:10:04 | 0:10:07 | |
but, to compensate, | 0:10:07 | 0:10:08 | |
he is probably nature's greatest artist. | 0:10:08 | 0:10:11 | |
To grab a female's attention, | 0:10:13 | 0:10:15 | |
he creates something that almost defies belief. | 0:10:15 | 0:10:18 | |
His only tools are his fins. | 0:10:31 | 0:10:34 | |
In his head, a plan of mathematical perfection. | 0:10:42 | 0:10:46 | |
He ploughs the sand, breaking it up into the finest of particles. | 0:10:56 | 0:11:01 | |
These shells aren't just rubbish to be removed - | 0:11:12 | 0:11:17 | |
he uses them to decorate the ridges of his construction. | 0:11:17 | 0:11:21 | |
He can't rest for more than a moment, | 0:11:31 | 0:11:34 | |
but must work 24 hours a day for a week, | 0:11:34 | 0:11:37 | |
or the current will destroy his creation. | 0:11:37 | 0:11:40 | |
A final tidy-up and his masterpiece is complete. | 0:11:59 | 0:12:03 | |
Nowhere else in nature does an animal construct something | 0:12:47 | 0:12:51 | |
as complex and perfect as this. | 0:12:51 | 0:12:53 | |
If this doesn't get him noticed, nothing will. | 0:13:04 | 0:13:08 | |
Now, it's ready for inspection. | 0:13:18 | 0:13:20 | |
A female, swollen with eggs. | 0:13:23 | 0:13:27 | |
To make sure she gets the best view, he encourages her into the centre. | 0:13:31 | 0:13:35 | |
Inspection over, | 0:13:53 | 0:13:54 | |
she withdraws to await the final stage of the process. | 0:13:54 | 0:13:58 | |
By the next morning, all the softest sand is now in the middle. | 0:14:10 | 0:14:15 | |
The centre of the arena has been flattened. | 0:14:21 | 0:14:24 | |
Right on cue, here she is. | 0:14:39 | 0:14:42 | |
This is what she wanted. | 0:14:42 | 0:14:44 | |
It's a perfect bed for her eggs. | 0:14:44 | 0:14:46 | |
The male now grasps her cheek and then fertilises her minuscule eggs. | 0:14:50 | 0:14:55 | |
And with a quick flick of his fins, he buries them. | 0:15:01 | 0:15:05 | |
They carry on like this until she has finished laying. | 0:15:13 | 0:15:18 | |
An hour of his rough affection leaves a love bite on her cheek. | 0:15:48 | 0:15:53 | |
Finally, she leaves. | 0:16:14 | 0:16:16 | |
He stays to fan the eggs until they hatch, | 0:16:32 | 0:16:36 | |
while his extraordinary work of art fades away around him. | 0:16:36 | 0:16:40 | |
South Georgia in the Antarctic. | 0:16:56 | 0:16:59 | |
A male fur seal. | 0:17:25 | 0:17:26 | |
He's about ten years old and in his prime. | 0:17:28 | 0:17:32 | |
He's coming ashore to face the fight of his life. | 0:17:35 | 0:17:39 | |
He may even die on this beach. | 0:17:42 | 0:17:45 | |
For the first time, he is strong enough to try to win | 0:17:51 | 0:17:55 | |
a territory that could attract a harem of females. | 0:17:55 | 0:17:58 | |
But there are plenty of rivals here with the same idea. | 0:18:01 | 0:18:04 | |
These are only the preliminary rounds. | 0:18:42 | 0:18:45 | |
The real struggle will begin once the females arrive. | 0:18:45 | 0:18:49 | |
Just a week later, females have filled the beach, | 0:18:59 | 0:19:03 | |
choosing the best territories in which to give birth to their pups. | 0:19:03 | 0:19:08 | |
This male now has a harem of a dozen females | 0:19:16 | 0:19:20 | |
and he's going to have to defend them. | 0:19:20 | 0:19:23 | |
His jealous neighbours will be ready to exploit any sign of weakness. | 0:19:34 | 0:19:39 | |
It's only once the females have given birth | 0:19:45 | 0:19:48 | |
that males can mate with them. | 0:19:48 | 0:19:50 | |
Now this male must ensure that he alone fathers next year's offspring. | 0:19:53 | 0:19:58 | |
But this is the rival's chance, too. | 0:20:07 | 0:20:10 | |
He must act fast. | 0:20:23 | 0:20:25 | |
He won't find them all as easy as this to intimidate. | 0:20:37 | 0:20:41 | |
New males pound up from the sea, | 0:21:10 | 0:21:12 | |
intent on testing the territory holders. | 0:21:12 | 0:21:14 | |
With many more waiting behind them. | 0:21:21 | 0:21:24 | |
The biggest battles are yet to come. | 0:21:30 | 0:21:33 | |
Usually in the mating game, it's not the males | 0:21:48 | 0:21:52 | |
but the females who call the shots. | 0:21:52 | 0:21:54 | |
And this male long-tailed manakin is trying to win over | 0:21:56 | 0:22:00 | |
one of the world's choosiest females. | 0:22:00 | 0:22:02 | |
He's been practising his moves here in Costa Rica | 0:22:05 | 0:22:09 | |
for as long as a decade. | 0:22:09 | 0:22:11 | |
There's another male here, too. | 0:22:21 | 0:22:23 | |
Only the newcomer is not a rival, | 0:22:26 | 0:22:30 | |
he is a junior partner. | 0:22:30 | 0:22:32 | |
They know each other so well, they can finish each other's calls. | 0:22:36 | 0:22:41 | |
But that's not all that they have synchronised. | 0:22:46 | 0:22:51 | |
They are master and apprentice. | 0:23:06 | 0:23:09 | |
The apprentice has also been practising for many years. | 0:23:15 | 0:23:19 | |
But now he must copy the master's every move. | 0:23:19 | 0:23:23 | |
In fact, the master needs his wingman | 0:23:29 | 0:23:32 | |
as a female won't even look at a solo performer, | 0:23:32 | 0:23:35 | |
and, what's more, she will expect perfect harmony, | 0:23:35 | 0:23:38 | |
so they practice together every day. | 0:23:38 | 0:23:42 | |
At last, they're ready. | 0:24:20 | 0:24:22 | |
Here she is. | 0:24:29 | 0:24:30 | |
Rehearsal over, | 0:24:32 | 0:24:34 | |
their performance is the result of more than ten years' hard work. | 0:24:34 | 0:24:38 | |
She won't tolerate a single slip-up. | 0:24:46 | 0:24:49 | |
Suddenly, the master calls time on the dance... | 0:25:25 | 0:25:28 | |
..and the apprentice is banished. | 0:25:30 | 0:25:33 | |
Only the master gets to mate. | 0:25:36 | 0:25:40 | |
For the apprentice, there will be no reward until his master dies | 0:25:40 | 0:25:43 | |
and he can take his place. | 0:25:43 | 0:25:45 | |
The mating game can sometimes be a long game. | 0:25:50 | 0:25:54 | |
A male peacock jumping spider from Australia, | 0:26:07 | 0:26:12 | |
on a quest for a mate. | 0:26:12 | 0:26:15 | |
And when you're the size of a grain of rice, | 0:26:25 | 0:26:27 | |
almost anything here could be dangerous. | 0:26:27 | 0:26:31 | |
He's searching for any sign that a female spider came this way. | 0:26:38 | 0:26:43 | |
And he's found something. | 0:26:47 | 0:26:49 | |
Spider silk, with the scent of a female. | 0:26:51 | 0:26:54 | |
He just needs to follow it... | 0:26:58 | 0:27:01 | |
..wherever it leads him. | 0:27:06 | 0:27:08 | |
Other males have gone on the same quest and have come to a grisly end. | 0:27:35 | 0:27:40 | |
Here's the female and she doesn't look very amorous. | 0:28:10 | 0:28:15 | |
In fact, she kills every male | 0:28:21 | 0:28:23 | |
who doesn't match up to her expectations. | 0:28:23 | 0:28:27 | |
What can he do to win her over? | 0:28:31 | 0:28:34 | |
Dance. | 0:28:39 | 0:28:41 | |
Dance for his life. | 0:28:52 | 0:28:55 | |
He will need a show-stopping trick to avoid becoming lunch. | 0:28:55 | 0:28:59 | |
With his fan unfurled, | 0:29:19 | 0:29:22 | |
he begins an ever more complicated series of dance moves | 0:29:22 | 0:29:26 | |
to try and seduce her. | 0:29:26 | 0:29:28 | |
At last, she succumbs to his advances | 0:30:14 | 0:30:17 | |
and allows him to mate with her. | 0:30:17 | 0:30:19 | |
He matched her expectations. | 0:30:33 | 0:30:35 | |
But she kills him anyway. | 0:30:43 | 0:30:46 | |
After all, his body will make the perfect meal | 0:30:48 | 0:30:50 | |
with which to nourish their eggs. | 0:30:50 | 0:30:52 | |
Back in Papua New Guinea, | 0:30:57 | 0:30:59 | |
the male flame bowerbird is still doing his best to attract a female. | 0:30:59 | 0:31:04 | |
And at last he gets a response. | 0:31:06 | 0:31:09 | |
Unfortunately, it's a young male. | 0:31:11 | 0:31:15 | |
And, worse, he's brought a friend. | 0:31:22 | 0:31:25 | |
They're taking liberties, practising on his bower. | 0:31:31 | 0:31:34 | |
He doesn't seem to know what to do about it. | 0:31:36 | 0:31:39 | |
But enough is enough. | 0:31:46 | 0:31:48 | |
The commotion attracts the attention of another adult male, | 0:31:56 | 0:32:02 | |
a neighbour and rival. | 0:32:02 | 0:32:04 | |
Having destroyed the bower, he even steals the decorations. | 0:32:29 | 0:32:34 | |
The owner arrives back to find a scene of destruction. | 0:32:39 | 0:32:44 | |
No female's going to look twice at this mess. | 0:32:49 | 0:32:52 | |
He'll just have to start all over again. | 0:32:56 | 0:33:01 | |
In life, there will always be rivals in the mating game. | 0:33:01 | 0:33:05 | |
Autumn in the forests of Japan. | 0:33:16 | 0:33:20 | |
The mating season for Japanese macaques. | 0:33:25 | 0:33:29 | |
This dominant male is over 20 years old. | 0:33:35 | 0:33:40 | |
Age has clouded one eye. | 0:33:40 | 0:33:42 | |
He has had a harem of females for many years. | 0:33:47 | 0:33:51 | |
And he can mate with them unopposed. | 0:33:58 | 0:34:01 | |
But time catches up with everyone. | 0:34:11 | 0:34:14 | |
Young rival males are hanging out on the perimeter, | 0:34:25 | 0:34:29 | |
eyeing up his females. | 0:34:29 | 0:34:31 | |
For years, Old Blue Eye has asserted his authority from this tree. | 0:34:45 | 0:34:51 | |
But his authority is waning | 0:34:54 | 0:34:57 | |
and, the moment his back is turned, | 0:34:57 | 0:35:00 | |
his females are lured away by younger males. | 0:35:00 | 0:35:04 | |
Throughout the forest, his females are conducting secret affairs. | 0:35:17 | 0:35:22 | |
Blue Eye tries to guard his females by patrolling the edge of the troop. | 0:35:28 | 0:35:33 | |
Caught in the act. | 0:35:47 | 0:35:50 | |
He attacks his unfaithful female. | 0:35:50 | 0:35:53 | |
He has reasserted his authority. | 0:36:05 | 0:36:08 | |
Or so he thinks. | 0:36:16 | 0:36:19 | |
The moment the old male shuts his eyes, | 0:36:28 | 0:36:31 | |
his females are off again. | 0:36:31 | 0:36:33 | |
Most of next year's babies will be fathered by his rivals. | 0:36:46 | 0:36:51 | |
And he will never know. | 0:36:58 | 0:37:01 | |
In Papua New Guinea, | 0:37:12 | 0:37:14 | |
the bowerbird has lovingly rebuilt and redecorated his bower. | 0:37:14 | 0:37:18 | |
Another visitor. | 0:37:30 | 0:37:32 | |
This time, it's a female. | 0:37:37 | 0:37:40 | |
This is just where he wants her. | 0:37:44 | 0:37:47 | |
Time to begin the show. | 0:37:47 | 0:37:49 | |
First, he expands his pupils alternately. | 0:37:52 | 0:37:56 | |
It's an oddly mesmerising display. | 0:38:06 | 0:38:09 | |
A spot of limbering up, | 0:38:18 | 0:38:20 | |
accompanied by a weird and wheezy call | 0:38:20 | 0:38:23 | |
from deep in his throat. | 0:38:23 | 0:38:25 | |
Now, it's time for his grand performance. | 0:38:38 | 0:38:41 | |
He waves his wing like a matador's cape. | 0:38:48 | 0:38:52 | |
She appears to be transfixed. | 0:39:07 | 0:39:09 | |
This is certainly eye-catching, but it seems he needs to do more. | 0:39:22 | 0:39:27 | |
Generously, she drops him a hint. | 0:39:33 | 0:39:36 | |
It's the bird equivalent of a bouquet of flowers. | 0:39:51 | 0:39:54 | |
It's all going so well, | 0:40:10 | 0:40:11 | |
it's time to get physical, with a few head-butts to her chest. | 0:40:11 | 0:40:16 | |
One final flourish to cap weeks of effort. | 0:40:30 | 0:40:35 | |
But something's wrong. | 0:40:38 | 0:40:40 | |
His rival is back, and at the worst possible moment. | 0:40:43 | 0:40:47 | |
What should he do? | 0:40:47 | 0:40:49 | |
For the female, the moment has gone. | 0:41:00 | 0:41:04 | |
Sometimes, whatever you do, things just don't work out. | 0:41:07 | 0:41:12 | |
On the fur seal beach in South Georgia, | 0:41:19 | 0:41:22 | |
the fighting has been relentless for two weeks. | 0:41:22 | 0:41:25 | |
Bloodied and scarred, this bull has held on to his ground | 0:41:52 | 0:41:56 | |
and his harem against allcomers. | 0:41:56 | 0:41:59 | |
But it's not over yet. | 0:42:08 | 0:42:10 | |
The rivals keep coming. | 0:42:10 | 0:42:14 | |
This new one looks particularly powerful. | 0:42:26 | 0:42:29 | |
When two bulls are as evenly matched as this, | 0:43:25 | 0:43:29 | |
they can trade blows for 20 minutes. | 0:43:29 | 0:43:33 | |
The resident bull is tiring. | 0:43:44 | 0:43:46 | |
The weeks of fighting have taken too great a toll. | 0:43:50 | 0:43:53 | |
Suddenly, his neighbours join in the attack. | 0:43:57 | 0:44:00 | |
Overwhelmed, he's driven from his territory | 0:44:11 | 0:44:15 | |
and out of the colony for ever. | 0:44:15 | 0:44:17 | |
The breeding season is almost over and the seals will soon leave. | 0:44:30 | 0:44:35 | |
Now an outcast, this mortally wounded bull will die here... | 0:44:46 | 0:44:52 | |
..but he will die a winner. | 0:44:55 | 0:44:57 | |
He held his territory for long enough to father offspring. | 0:44:59 | 0:45:03 | |
Success in nature is all about creating the next generation, | 0:45:22 | 0:45:29 | |
whatever it takes. | 0:45:29 | 0:45:31 | |
A male waved albatross waits for his mate to return from the open sea. | 0:45:49 | 0:45:55 | |
Could this be her? | 0:46:10 | 0:46:12 | |
Or this? | 0:46:19 | 0:46:21 | |
Is there something familiar about her? | 0:46:47 | 0:46:50 | |
Recognition. | 0:47:47 | 0:47:49 | |
Reunited. | 0:48:05 | 0:48:08 | |
And they can resume their long-standing relationship. | 0:48:17 | 0:48:21 | |
If love, as we understand it, exists in nature, | 0:48:47 | 0:48:50 | |
then surely this must be it. | 0:48:50 | 0:48:53 | |
Their lifelong bond will help them face the final chapter | 0:49:12 | 0:49:16 | |
of life's story together - | 0:49:16 | 0:49:20 | |
parenthood. | 0:49:20 | 0:49:22 | |
One of the most unexpected stories found by the Life Story team | 0:49:37 | 0:49:41 | |
was that of a small fish who makes crop circles in the sand. | 0:49:41 | 0:49:46 | |
Unfortunately, it builds them right at the bottom of a bay | 0:49:48 | 0:49:51 | |
in southern Japan. | 0:49:51 | 0:49:54 | |
So how do you film a tiny fish, 13 metres under the sea? | 0:49:54 | 0:49:59 | |
Specialist underwater cameraman Hugh Miller's solution | 0:50:04 | 0:50:09 | |
is to build a film studio on the sea bed. | 0:50:09 | 0:50:12 | |
This is a quad, a quad pod. | 0:50:12 | 0:50:14 | |
It's a bit like a tripod, but it's got four legs | 0:50:14 | 0:50:16 | |
and lets us get the camera very, very low to the sea bed. | 0:50:16 | 0:50:20 | |
This metal triangle is going to be the buoyant light rig, | 0:50:20 | 0:50:26 | |
so it's like a little ray of sunshine down at the bottom | 0:50:26 | 0:50:30 | |
of the sea, but this is the first time it's been used | 0:50:30 | 0:50:33 | |
and we're going to find out if it works or not. | 0:50:33 | 0:50:36 | |
Hugh has also designed an underwater crane | 0:50:36 | 0:50:39 | |
to reveal the full complexity of the nest structure. | 0:50:39 | 0:50:42 | |
But however good the equipment, the team will still have to find | 0:50:42 | 0:50:47 | |
the 12cm-long fish in a big bay. | 0:50:47 | 0:50:50 | |
For that, they turn to the expert. | 0:50:52 | 0:50:56 | |
70-year-old Yogi Okata | 0:50:56 | 0:50:58 | |
first discovered the mysterious crop circles | 0:50:58 | 0:51:01 | |
and the puffer fish that makes them. | 0:51:01 | 0:51:03 | |
He and his dive buddy, Toyo, are going to search | 0:51:08 | 0:51:11 | |
several square miles of sea bed, hoping to locate a fish. | 0:51:11 | 0:51:15 | |
Fish is very difficult, almost, camouflaged very well, | 0:51:21 | 0:51:25 | |
like almost sandy, so just I can see shadow or just eye. | 0:51:25 | 0:51:29 | |
So it's very difficult. | 0:51:29 | 0:51:32 | |
But eventually Toyo and Yogi have good news, | 0:51:32 | 0:51:35 | |
they've found what turns out to be the only male fish in the bay. | 0:51:35 | 0:51:40 | |
12 metres, yeah. | 0:51:40 | 0:51:41 | |
They've even drawn a map for Hugh to find it. | 0:51:41 | 0:51:44 | |
If I get lost, I'll be holding this. | 0:51:45 | 0:51:48 | |
Time to build the studio. | 0:51:51 | 0:51:53 | |
All the kit is taken to the sea bed to be carefully assembled. | 0:52:12 | 0:52:18 | |
The last thing in place is Hugh's little ray of sunshine. | 0:52:18 | 0:52:22 | |
The fish won't start building a new nest for several days, | 0:52:31 | 0:52:35 | |
so there's time to test his reaction to the kit | 0:52:35 | 0:52:38 | |
while he fans his eggs on his old, disintegrating nest. | 0:52:38 | 0:52:41 | |
He's certainly not camera shy. | 0:52:44 | 0:52:46 | |
And now Hugh's had his first good look at the fish. | 0:52:48 | 0:52:51 | |
The biggest surprise was the fish is a little bit smaller | 0:52:55 | 0:52:59 | |
than I first hoped. | 0:52:59 | 0:53:01 | |
In fact, he's only, well, he's really only about this big. | 0:53:01 | 0:53:04 | |
So to suddenly be faced with a fish | 0:53:04 | 0:53:06 | |
that's probably half the size of what I was hoping, | 0:53:06 | 0:53:09 | |
I thought, "Well, this is going to be a little bit harder | 0:53:09 | 0:53:11 | |
"than I first thought." | 0:53:11 | 0:53:12 | |
Yogi and Toyo keep watch | 0:53:12 | 0:53:14 | |
and it's not long before they spot the fish starting to construct | 0:53:14 | 0:53:18 | |
a new nest, which Yogi expects will take him seven days to complete. | 0:53:18 | 0:53:23 | |
He surprises everyone by finishing it in three. | 0:53:26 | 0:53:30 | |
Yogi warns the crew to be ready at dawn the next day | 0:53:33 | 0:53:36 | |
for a visit from a female fish. | 0:53:36 | 0:53:39 | |
They spend three hours crouched over the camera | 0:53:41 | 0:53:44 | |
to film the action as it unfolds, just as Yogi predicted. | 0:53:44 | 0:53:48 | |
-So what happened? -Spawning! | 0:53:55 | 0:53:59 | |
We've got it. | 0:53:59 | 0:54:01 | |
The little chap was doing very well for himself. | 0:54:01 | 0:54:04 | |
But the male built his nest so fast | 0:54:04 | 0:54:07 | |
that Hugh never had time to film a top-down shot | 0:54:07 | 0:54:10 | |
for the ultimate reveal of his hard work. | 0:54:10 | 0:54:14 | |
This requires the crew to become builders, too. | 0:54:14 | 0:54:18 | |
They build an A frame to hold the camera perfectly steady | 0:54:18 | 0:54:21 | |
well above the nest. | 0:54:21 | 0:54:24 | |
Yogi and Toyo position the frame near to the old nest. | 0:54:39 | 0:54:44 | |
Now the crew just have to wait | 0:54:48 | 0:54:50 | |
for the fish to finish tending his eggs and resume building. | 0:54:50 | 0:54:54 | |
But a few days later, there's bad news. | 0:54:59 | 0:55:03 | |
We've been watching a typhoon system far to the south of us | 0:55:03 | 0:55:06 | |
for a number of days, and we haven't really felt its effects until now, | 0:55:06 | 0:55:09 | |
and today was going to be the first day of the puffer fish | 0:55:09 | 0:55:13 | |
beginning its next cycle of nest building, | 0:55:13 | 0:55:16 | |
and it's been completely blown. | 0:55:16 | 0:55:18 | |
So rather than going in with the cameras | 0:55:20 | 0:55:22 | |
and starting the new cycle, we're actually going in | 0:55:22 | 0:55:25 | |
just to recover equipment, which is a real shame, | 0:55:25 | 0:55:28 | |
cos we don't know what's going to happen next, really. | 0:55:28 | 0:55:30 | |
It's five days before the storm blows through. | 0:55:43 | 0:55:47 | |
Finally, the sea calms down and the visibility returns. | 0:55:47 | 0:55:51 | |
But for Yogi and Toyo, it's back to square one. | 0:55:55 | 0:55:58 | |
They must find the fish all over again. | 0:55:58 | 0:56:01 | |
Day after day they search, and Toyo, acting as interpreter, reports back. | 0:56:01 | 0:56:07 | |
Erm... No nest, no male. | 0:56:07 | 0:56:12 | |
The news gets slightly better. | 0:56:14 | 0:56:16 | |
We find a fish. | 0:56:16 | 0:56:19 | |
Just one fish but no nest. | 0:56:19 | 0:56:21 | |
We find the male at the 20 metre deeps, | 0:56:24 | 0:56:30 | |
but not make circle. | 0:56:30 | 0:56:32 | |
The storm has put the fish off his construction work. | 0:56:33 | 0:56:36 | |
Time is up and the team reluctantly start to dismantle | 0:56:39 | 0:56:42 | |
the underwater studio. | 0:56:42 | 0:56:43 | |
But the fish has one more surprise in store. | 0:56:46 | 0:56:49 | |
Well, it just couldn't come at a later point, the last dive. | 0:56:49 | 0:56:52 | |
We're...we're going in to pull out the kit, | 0:56:52 | 0:56:55 | |
and there's a male making a nest. | 0:56:55 | 0:56:59 | |
One final chance to get the perfect top shot from the A frame. | 0:57:03 | 0:57:08 | |
A shot that truly does justice to the fish's extraordinary artistry. | 0:57:28 | 0:57:33 | |
Next time on Life Story, | 0:57:39 | 0:57:42 | |
animals raise offspring with great commitment, | 0:57:42 | 0:57:48 | |
bad behaviour, | 0:57:48 | 0:57:50 | |
lessons to be learned | 0:57:50 | 0:57:52 | |
and life and death choices. | 0:57:52 | 0:57:55 | |
Success means leaving a legacy for the future. | 0:57:56 | 0:58:00 |