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In the remote jungles of Papua New Guinea, an international team of scientists and filmmakers | 0:00:09 | 0:00:15 | |
has been searching for rare and endangered creatures. | 0:00:15 | 0:00:18 | |
We could find something really, really spectacular inside here. | 0:00:21 | 0:00:25 | |
I guess that's the hope. | 0:00:25 | 0:00:27 | |
Two weeks in and they've made an impressive start. | 0:00:28 | 0:00:31 | |
What an extraordinary looking fish. | 0:00:34 | 0:00:36 | |
-They've found the weird... -I have no idea what that will become. | 0:00:36 | 0:00:40 | |
-The wonderful. -Now you can really see how tiny he is like compared to your thumb. | 0:00:40 | 0:00:45 | |
And discovered animals unknown to science. | 0:00:45 | 0:00:48 | |
I'll bet you any money that wasp right there that's walking along that leaf is a new species, | 0:00:48 | 0:00:53 | |
I bet you any money. | 0:00:53 | 0:00:55 | |
They've hunted high and low. | 0:00:55 | 0:00:58 | |
Now, beneath the forest floor, Steve Backshall is pushing deep into a cave, | 0:00:58 | 0:01:04 | |
one of the few places on Earth where no-one has been before. | 0:01:04 | 0:01:07 | |
I've never seen anything like this before in my life. | 0:01:10 | 0:01:13 | |
This is extraordinary! | 0:01:13 | 0:01:15 | |
Just above Australia in the western Pacific | 0:01:41 | 0:01:45 | |
lies Papua New Guinea. | 0:01:45 | 0:01:47 | |
Cloaked in dense rainforest, these valleys are among the most isolated on the planet. | 0:01:47 | 0:01:52 | |
The main base camp is on the slopes of an extinct volcano, Mount Bosavi. | 0:01:56 | 0:02:03 | |
Further east, a smaller team is on the island of New Britain. | 0:02:03 | 0:02:07 | |
They're exploring an underground river cave, mapping it as they go. | 0:02:07 | 0:02:11 | |
This is one of the most remote, inaccessible places on the planet | 0:02:11 | 0:02:15 | |
and there genuinely are dark corners of Papua New Guinea that no human being has ever been to before. | 0:02:15 | 0:02:20 | |
This place is absolutely ripe for exploration. | 0:02:20 | 0:02:24 | |
It's risky. | 0:02:24 | 0:02:26 | |
Just to get in means abseiling 80 metres to the cave entrance. | 0:02:26 | 0:02:30 | |
Oh, it's pretty nippy, isn't it? | 0:02:34 | 0:02:38 | |
Steve Backshall is the expedition climber, caver and naturalist. | 0:02:38 | 0:02:43 | |
Oh, this is unbelievable! | 0:02:43 | 0:02:46 | |
-Look at that. -What an unbelievable amount of water. | 0:02:46 | 0:02:50 | |
Welcome to Mageni river cave. | 0:02:50 | 0:02:52 | |
He's joined the Anglo-French team who first discovered this cave. | 0:02:53 | 0:02:57 | |
The locals call it Mageni. | 0:02:57 | 0:02:59 | |
They're led by pioneering British caver Dave Nixon, known as Moose. | 0:03:01 | 0:03:06 | |
I remember coming up here | 0:03:07 | 0:03:10 | |
really, really excited, not knowing what was at the top. | 0:03:10 | 0:03:14 | |
Well, it makes you feel so alive. | 0:03:14 | 0:03:18 | |
Their aim is to press further into this uncharted cave | 0:03:18 | 0:03:23 | |
and map passages never seen before by man. | 0:03:23 | 0:03:25 | |
Plus 5.7. | 0:03:27 | 0:03:29 | |
Lucy is bouncing a laser off the walls of the tunnel so we can figure out how big it all is. | 0:03:29 | 0:03:36 | |
That's the whole purpose of surveying, it's just to map out the size of the caverns. | 0:03:36 | 0:03:41 | |
Jean-Paul, this joint is developed on | 0:03:41 | 0:03:46 | |
50 degrees, 230. 50, 230. | 0:03:46 | 0:03:50 | |
What fires them is the hope of finding a new, undiscovered route right through the mountain. | 0:03:54 | 0:04:01 | |
700 miles west in the shadow of Mount Bosavi lies the base camp. | 0:04:09 | 0:04:14 | |
A cluster of makeshift huts is home to the wildlife filmmakers, the expedition medic, | 0:04:16 | 0:04:22 | |
expert trackers, | 0:04:22 | 0:04:24 | |
cooks... | 0:04:24 | 0:04:26 | |
and, at its heart, the scientists. | 0:04:27 | 0:04:30 | |
Leading them is Dr George McGavin. | 0:04:30 | 0:04:33 | |
I'm heading up a team of scientists, experts in their own field. | 0:04:34 | 0:04:37 | |
Our aim is to document what animals live in and around this giant, extinct volcano, | 0:04:37 | 0:04:44 | |
and also to search for any new species, and there must be hundreds. | 0:04:44 | 0:04:48 | |
The cooks are preparing the dinner, | 0:04:49 | 0:04:52 | |
when their fishing nets land something bigger | 0:04:52 | 0:04:55 | |
than they'd bargained for. | 0:04:55 | 0:04:56 | |
George is on hand to help. | 0:04:58 | 0:05:01 | |
It's a crocodile, I think. | 0:05:03 | 0:05:04 | |
Croc expert Paul O'Dowd has to work fast but carefully. | 0:05:13 | 0:05:17 | |
It's really essential that we secure the front end, | 0:05:17 | 0:05:20 | |
and the jaws have to be tied shut otherwise | 0:05:20 | 0:05:22 | |
they could take somebody's hand off. | 0:05:22 | 0:05:24 | |
But she's really growling, | 0:05:24 | 0:05:26 | |
you can feel that "grrrr" in her throat. | 0:05:26 | 0:05:28 | |
She's not a happy croc at all. | 0:05:28 | 0:05:31 | |
Almost unnoticed in the net, there's a venomous catfish. | 0:05:31 | 0:05:36 | |
There's a big fish here | 0:05:36 | 0:05:37 | |
and the spine is loaded with very nasty toxins, | 0:05:37 | 0:05:41 | |
and if that jabs into Paul's hand or my hand, not nice, | 0:05:41 | 0:05:46 | |
you'd be a very sick person. | 0:05:46 | 0:05:48 | |
Actually, George, maybe with your free hand | 0:05:48 | 0:05:52 | |
could you just sort of make sure that this...? | 0:05:52 | 0:05:55 | |
-That's the way. -It's not everyday that you have to restrain | 0:05:55 | 0:05:59 | |
a large freshwater crocodile | 0:05:59 | 0:06:01 | |
while holding a toxic spine of a catfish in your other hand. | 0:06:01 | 0:06:06 | |
Out of the net, the crocodile is now free to go. | 0:06:06 | 0:06:10 | |
Fantastic, happy ending. | 0:06:13 | 0:06:14 | |
She's off, she's safe. | 0:06:14 | 0:06:17 | |
Well done, mate. | 0:06:17 | 0:06:19 | |
It's all in a day's work. | 0:06:24 | 0:06:27 | |
But George's main job is running the jungle lab. | 0:06:27 | 0:06:31 | |
This is an absolute monster. | 0:06:31 | 0:06:34 | |
His team has already discovered 17 new species | 0:06:36 | 0:06:40 | |
and catalogued hundreds of other animals. | 0:06:40 | 0:06:43 | |
-What have you got there, Jack? -The latest creature has just been found | 0:06:48 | 0:06:53 | |
on a tree right next to the lab. | 0:06:53 | 0:06:54 | |
It's quite clearly a group of three caterpillars | 0:06:54 | 0:06:57 | |
on that vine of some sort. | 0:06:57 | 0:06:58 | |
I have no idea what that will become. | 0:06:58 | 0:07:00 | |
It looks almost as if it's a snake. | 0:07:00 | 0:07:04 | |
You know, it's quite disturbing if you're a bird I suppose. | 0:07:04 | 0:07:07 | |
As an extra defence, two of them will thrash around like that. | 0:07:07 | 0:07:12 | |
Well, what I think we should do is we should put them in a cage | 0:07:12 | 0:07:16 | |
and just observe them, but it could be weeks until they actually pupate, | 0:07:16 | 0:07:21 | |
which is the only way of finding out what they'll become. | 0:07:21 | 0:07:25 | |
Some animals are showy, | 0:07:28 | 0:07:31 | |
others hide away hoping they won't be seen. | 0:07:31 | 0:07:35 | |
This one's cover has just been blown by wildlife cameraman Gordon Buchanan. | 0:07:39 | 0:07:44 | |
Oh, do you know what that is? | 0:07:48 | 0:07:50 | |
It's a beautiful fruit dove. | 0:07:50 | 0:07:52 | |
That's what it's called, that's not my name for it. | 0:07:54 | 0:07:57 | |
I love all the names of... | 0:07:57 | 0:07:59 | |
especially birds in Papua New Guinea. | 0:07:59 | 0:08:01 | |
You've got all these magnificent bird of paradise, | 0:08:01 | 0:08:04 | |
magnificent rifle bird, the superb fruit dove, | 0:08:04 | 0:08:07 | |
the beautiful fruit dove, they're all very descriptive. | 0:08:07 | 0:08:10 | |
Unbelievably camouflaged sitting there. Such a good find. | 0:08:10 | 0:08:15 | |
It's one of the jungle's more unassuming characters, | 0:08:18 | 0:08:21 | |
but Gordon has his sights set on a far more flamboyant bird. | 0:08:21 | 0:08:25 | |
Personally, I want to find Birds of Paradise. | 0:08:26 | 0:08:30 | |
They are the most iconic bird family on the planet. | 0:08:30 | 0:08:33 | |
They have fascinated every ornithologist, every naturalist | 0:08:33 | 0:08:36 | |
since they were first discovered 400 years ago. I'm no different. | 0:08:36 | 0:08:40 | |
Gordon's mission is to record | 0:08:40 | 0:08:42 | |
one of the most extraordinary rituals in nature, | 0:08:42 | 0:08:46 | |
the mating display of the Bird of Paradise. | 0:08:46 | 0:08:50 | |
Underground, Steve and the caving team | 0:08:55 | 0:08:57 | |
are battling against the white water river. | 0:08:57 | 0:09:00 | |
Steve is the team's naturalist. | 0:09:12 | 0:09:14 | |
Even in a cave, some creatures still survive. | 0:09:14 | 0:09:18 | |
These cave crickets are real specialists | 0:09:21 | 0:09:23 | |
at this kind of environment. | 0:09:23 | 0:09:25 | |
They have tiny little eyes but really almost all of their senses | 0:09:25 | 0:09:30 | |
are in these gigantic antenna. | 0:09:30 | 0:09:32 | |
Look at that, I mean that is probably six times the length of the body. | 0:09:32 | 0:09:36 | |
They're tactile. They tap around a bit in front of the cave | 0:09:36 | 0:09:39 | |
just feeling its way, and also pick up chemical signals. | 0:09:39 | 0:09:42 | |
So it works like a nose, like eyes | 0:09:42 | 0:09:45 | |
and also a bit like a blind man's white stick as well. | 0:09:45 | 0:09:49 | |
I think this one here is a female. | 0:09:49 | 0:09:51 | |
Possibly the least pretty-looking girl in the world. | 0:09:51 | 0:09:56 | |
In total darkness, looks are irrelevant. | 0:09:56 | 0:09:58 | |
Above ground, appearances can be everything. | 0:09:58 | 0:10:02 | |
Bird expert Jack Dumbacher's found a King Bird of Paradise. | 0:10:02 | 0:10:06 | |
I would like to take a blood sample. | 0:10:06 | 0:10:08 | |
So there's a small vein that runs right under the arm here, | 0:10:08 | 0:10:11 | |
we can get the DNA from the blood. | 0:10:11 | 0:10:13 | |
We can use that for genetic studies, | 0:10:13 | 0:10:15 | |
and we can also use it to test whether or not the birds | 0:10:15 | 0:10:19 | |
are carrying malaria or other blood diseases. | 0:10:19 | 0:10:22 | |
Keeping a record of all the animals is expedition photographer Ulla Lohmann. | 0:10:22 | 0:10:28 | |
I've never seen colours like that. | 0:10:28 | 0:10:31 | |
I mean me being a photographer | 0:10:31 | 0:10:33 | |
I love colours and especially when the light is just breaking | 0:10:33 | 0:10:36 | |
into it's feathers, it's just magnificent. | 0:10:36 | 0:10:38 | |
All these colours are to impress the female and their mating display. | 0:10:38 | 0:10:42 | |
They flash all these colours, they have a special dance that they do | 0:10:42 | 0:10:45 | |
and the female is very drab | 0:10:45 | 0:10:47 | |
so she doesn't have any of these specialised colours, | 0:10:47 | 0:10:50 | |
just the male has these. | 0:10:50 | 0:10:51 | |
Completing the look are elaborate tail wires | 0:10:53 | 0:10:57 | |
that play a big part in his courtship display. | 0:10:57 | 0:10:59 | |
It's an important find, proof that Birds of Paradise | 0:10:59 | 0:11:03 | |
live in this patch of forest. | 0:11:03 | 0:11:05 | |
HIGH PITCHED SQUEAKING | 0:11:05 | 0:11:11 | |
-What have you got, Jack? -Good to see you, Gordon. | 0:11:11 | 0:11:14 | |
Caught up in that net. | 0:11:16 | 0:11:18 | |
Let me just get my hand down in there so that he can't get away. | 0:11:18 | 0:11:21 | |
Oh, a king! Oh, you beauty. | 0:11:21 | 0:11:25 | |
Oh, my goodness me. | 0:11:25 | 0:11:27 | |
They are quite incredible. | 0:11:27 | 0:11:29 | |
All the Birds of Paradise are almost beyond belief. | 0:11:29 | 0:11:34 | |
Jack releases it just where it was found. | 0:11:34 | 0:11:37 | |
Well, it looks like he's happiest on a vertical perch. | 0:11:39 | 0:11:43 | |
Birds of Paradise look stunning, | 0:11:44 | 0:11:47 | |
but even more impressive is their courtship dance. | 0:11:47 | 0:11:51 | |
Catching this on camera will draw Gordon deep into the jungle. | 0:11:52 | 0:11:56 | |
These forests are now under threat. | 0:12:03 | 0:12:06 | |
There's big money to be made from tropical timber. | 0:12:06 | 0:12:09 | |
This forest giant has been growing here for between 100 and 150 years. | 0:12:11 | 0:12:16 | |
The value of this tree when it's cut down to the landowner, | 0:12:16 | 0:12:19 | |
the man who owns this tree, is only about £8. | 0:12:19 | 0:12:23 | |
When it's prepared and shipped out as timber in the UK | 0:12:23 | 0:12:27 | |
it will fetch £1,000 or more. | 0:12:27 | 0:12:29 | |
Somebody is making a great deal of cash, | 0:12:29 | 0:12:32 | |
and it's not the people who own this tree. | 0:12:32 | 0:12:36 | |
Papua New Guinea's forests are peppered with hundreds of remote tribes. | 0:12:38 | 0:12:42 | |
It's those tribes and not the government | 0:12:44 | 0:12:47 | |
who own the land and the trees. | 0:12:47 | 0:12:49 | |
Tribal elders have a difficult decision to make... | 0:12:49 | 0:12:53 | |
Keep their forests, | 0:12:53 | 0:12:56 | |
or sell the trees to the loggers. | 0:12:56 | 0:12:58 | |
If we keep forests like this intact, | 0:13:01 | 0:13:03 | |
we will reduce our chances | 0:13:03 | 0:13:05 | |
of suffering the worst effects | 0:13:05 | 0:13:07 | |
of global climate change and we'll save between 60 and 80% | 0:13:08 | 0:13:12 | |
of all the world's species. | 0:13:12 | 0:13:14 | |
For me, it's a no-brainer. | 0:13:14 | 0:13:15 | |
In the cave, progress is slow and exhausting. | 0:13:24 | 0:13:28 | |
They need to stop and refuel. | 0:13:28 | 0:13:30 | |
The French have brought cheese, | 0:13:30 | 0:13:33 | |
and the Brits, | 0:13:33 | 0:13:35 | |
baked beans. | 0:13:35 | 0:13:37 | |
Oh, please tell me you're not eating cold baked beans? | 0:13:37 | 0:13:40 | |
-What's the matter with you, man? -Oh, you're all wrong! | 0:13:40 | 0:13:43 | |
I'll have some of that, that's mine. | 0:13:44 | 0:13:45 | |
No, the cheese, cheese is good. | 0:13:48 | 0:13:51 | |
Oh, no, that absolutely turns my stomach. | 0:13:51 | 0:13:55 | |
-Smell that. -This is actually pretty good for us. | 0:13:55 | 0:14:01 | |
I mean we've really just been having a chocolate bar for lunch most days. | 0:14:01 | 0:14:05 | |
To actually stop and have cheese and crackers, it's luxury! | 0:14:05 | 0:14:09 | |
YORKSHIRE ACCENT: Eee, you don't know you're born, lad! | 0:14:09 | 0:14:12 | |
From base camp, two boats head upstream. | 0:14:14 | 0:14:18 | |
Gordon's first stop on his search for Birds of Paradise | 0:14:18 | 0:14:21 | |
is a remote village where the feathers are used for costumes. | 0:14:21 | 0:14:24 | |
Also on their way are George and expedition medic Jane Stevenson. | 0:14:24 | 0:14:29 | |
The boats' engines disturb a colony of bats roosting in the treetops. | 0:14:35 | 0:14:39 | |
This is quite spectacular. | 0:14:45 | 0:14:47 | |
These are flying foxes, they're the largest bats on the planet. | 0:14:47 | 0:14:51 | |
They are just amazing, look at the size of them. | 0:14:51 | 0:14:53 | |
They must have a wingspan of about that. | 0:14:53 | 0:14:57 | |
They eat, I think it's exclusively fruit. | 0:14:57 | 0:15:00 | |
When they eat the fruit they pass through the seeds, | 0:15:00 | 0:15:04 | |
so they are pretty much the species | 0:15:04 | 0:15:06 | |
that is responsible for keeping this forest living and growing. | 0:15:06 | 0:15:10 | |
Oh, wow! | 0:15:12 | 0:15:14 | |
Fogomaiyu village is dominated by the extinct volcano Mount Bosavi. | 0:15:29 | 0:15:34 | |
Contact with outsiders is rare. | 0:15:34 | 0:15:37 | |
Yeah, it's an unbelievable welcome, | 0:15:39 | 0:15:42 | |
you're sort of quite overwhelmed about somewhere like this | 0:15:42 | 0:15:46 | |
and so many people just turn out | 0:15:46 | 0:15:48 | |
with just big smiles on their face. | 0:15:48 | 0:15:51 | |
Is he a big man in the village? | 0:15:51 | 0:15:52 | |
-This man? -He's the chief. -Oh, I see. | 0:15:52 | 0:15:55 | |
His name is Chief Ayambo. | 0:15:57 | 0:15:58 | |
These villagers know more than anyone | 0:15:58 | 0:16:01 | |
about Birds of Paradise and where they display. | 0:16:01 | 0:16:04 | |
Thank you, thank you. | 0:16:04 | 0:16:06 | |
Hello. It's Gordon, pleased to meet you. | 0:16:08 | 0:16:11 | |
These feathers are from Birds of Paradise? | 0:16:11 | 0:16:15 | |
Cassowary, OK. | 0:16:15 | 0:16:17 | |
It's a very poor village of just 500 people. | 0:16:19 | 0:16:22 | |
Medicines are in short supply | 0:16:22 | 0:16:25 | |
and there's been a severe outbreak of malaria. | 0:16:25 | 0:16:27 | |
Here in this particular village one of the biggest problems is access. | 0:16:27 | 0:16:32 | |
They can't get out to hospitals, | 0:16:32 | 0:16:34 | |
they can't get out to clinics, | 0:16:34 | 0:16:35 | |
they can't get medicines brought in, | 0:16:35 | 0:16:38 | |
and everything is so expensive for them that health | 0:16:38 | 0:16:41 | |
has actually had to take a back seat really, to just pure survival. | 0:16:41 | 0:16:45 | |
While Jane sets up a makeshift clinic, | 0:16:45 | 0:16:47 | |
George meets the village elders | 0:16:47 | 0:16:49 | |
to find out what the future holds for them and their forest. | 0:16:49 | 0:16:53 | |
First of all, I want to thank you very much | 0:16:53 | 0:16:56 | |
for us being able to be here in this fantastic forest land of yours. | 0:16:56 | 0:17:01 | |
It has been a great honour. You own a huge area of valuable land. | 0:17:01 | 0:17:08 | |
You could sell your land, you could sell your trees. | 0:17:08 | 0:17:12 | |
What do you want to happen, what's the way forward? | 0:17:12 | 0:17:15 | |
Well, you know, you're sort of stuck because you want certain things, | 0:17:30 | 0:17:34 | |
you want to pay for education and healthcare and soap and things, | 0:17:34 | 0:17:38 | |
but you don't have the means of earning the cash. | 0:17:38 | 0:17:41 | |
How many children die here? | 0:17:53 | 0:17:56 | |
At Jane's clinic, a concerned mother has brought in her feverish child. | 0:18:02 | 0:18:08 | |
We need to be sponging this baby down. | 0:18:08 | 0:18:10 | |
I'm going to test the baby for malaria but it probably is malaria. | 0:18:10 | 0:18:15 | |
It's one of the biggest killers in the tropics. | 0:18:15 | 0:18:19 | |
Out here, mosquito nets are virtually non-existent. | 0:18:19 | 0:18:23 | |
Can you see there's two lines there? | 0:18:25 | 0:18:27 | |
Jane's test confirms her worst fears. | 0:18:30 | 0:18:34 | |
He is particularly vulnerable now. He has a raging fever | 0:18:34 | 0:18:38 | |
and he has the worst type of malaria strain. | 0:18:38 | 0:18:42 | |
This is today's dose, | 0:18:44 | 0:18:46 | |
as soon as possible. | 0:18:46 | 0:18:48 | |
Although the baby is getting quite upset with this | 0:18:48 | 0:18:51 | |
it is absolutely the best thing. | 0:18:51 | 0:18:52 | |
This will potentially save his life | 0:18:52 | 0:18:55 | |
and without this there is a very high chance that he will die. | 0:18:55 | 0:18:59 | |
A mile into the mountain, rescue from outside is next to impossible. | 0:19:18 | 0:19:23 | |
The water here is very fast-flowing and deep, | 0:19:23 | 0:19:26 | |
that's why we're wearing lifejackets, | 0:19:26 | 0:19:28 | |
because really if you're spending a lot of time in the water | 0:19:28 | 0:19:31 | |
try not to get too cold, and really just battling against the flow. | 0:19:31 | 0:19:35 | |
Moose has put in these lines so you could traverse across safely. | 0:19:35 | 0:19:40 | |
Whoa, it's pretty faster here, Moose. | 0:19:42 | 0:19:46 | |
-Don't want to get swept away there, do you? -Watch your feet. | 0:19:46 | 0:19:50 | |
Oh, it's like the North Sea. Freezing. | 0:19:55 | 0:19:58 | |
Forcing themselves against the flow, the team press on into the darkness. | 0:20:08 | 0:20:13 | |
Here he is. This is a dwarf kingfisher. | 0:20:21 | 0:20:23 | |
You can see just how small he is. | 0:20:23 | 0:20:27 | |
George is back at work with the other scientists. | 0:20:27 | 0:20:32 | |
Look at that. It's really fast. | 0:20:32 | 0:20:36 | |
Their work is vital if they are to prove this jungle is worth saving. | 0:20:36 | 0:20:40 | |
Alanna Maltby is the bat expert. | 0:20:43 | 0:20:44 | |
She's made another important find. | 0:20:44 | 0:20:47 | |
This is the second potential new species of bat. | 0:20:49 | 0:20:53 | |
-Amazing. -Yeah, really is amazing. | 0:20:53 | 0:20:55 | |
It's really unusual to find new mammals and new bats, | 0:20:55 | 0:20:59 | |
and to have two potential new species in the course of a couple of weeks, | 0:20:59 | 0:21:03 | |
that's just that's like nothing I've ever come across. | 0:21:03 | 0:21:06 | |
The frog man has been kept busy too. | 0:21:06 | 0:21:11 | |
You could spend the whole day trying to catch one of these things. | 0:21:11 | 0:21:16 | |
But this is yet another frog which Alan Allison has never seen before. | 0:21:16 | 0:21:22 | |
It's an interesting little guy | 0:21:22 | 0:21:24 | |
because I'm almost certain that it's a new species. | 0:21:24 | 0:21:27 | |
This is exactly why I'm here. | 0:21:27 | 0:21:29 | |
We're seeing animals in a 100 years time might not even be here. | 0:21:29 | 0:21:34 | |
The scientists will report their findings | 0:21:37 | 0:21:39 | |
to the government of Papua New Guinea | 0:21:39 | 0:21:41 | |
to lend support in protecting Mount Bosavi's weird and wonderful wildlife. | 0:21:41 | 0:21:45 | |
This is amazing, this is a really strange world. | 0:21:47 | 0:21:50 | |
Here is a beetle larva. | 0:21:50 | 0:21:52 | |
Over there, we have a tiny bat. | 0:21:52 | 0:21:55 | |
So here is an animal with a backbone that is a fraction the size of this. | 0:21:55 | 0:22:00 | |
Alanna, can I just compare the size of that bat | 0:22:00 | 0:22:04 | |
to the size of this insect? | 0:22:04 | 0:22:07 | |
Which one do you think is more beautiful, George? | 0:22:07 | 0:22:10 | |
I have to confess, Alanna, | 0:22:10 | 0:22:12 | |
on this occasion the bat does win it hands down. | 0:22:12 | 0:22:16 | |
Even I couldn't really love this thing. | 0:22:16 | 0:22:19 | |
In Mageni, the only respite from the deafening river | 0:22:27 | 0:22:32 | |
is to enter one of its many side caverns. | 0:22:32 | 0:22:35 | |
Wow, this is nothing like any other cave we've seen so far at Mageni. | 0:22:35 | 0:22:41 | |
It's quiet, relatively dry. | 0:22:41 | 0:22:43 | |
We can talk to each other without shouting. | 0:22:43 | 0:22:46 | |
Yeah, it's incredible, isn't it? | 0:22:46 | 0:22:48 | |
Looks at these stals, they're fantastic. | 0:22:48 | 0:22:51 | |
Check this out here, Steve. | 0:22:51 | 0:22:53 | |
See this formation, you've got a column that's formed | 0:22:53 | 0:22:56 | |
where a stalactite has met a stalagmite. | 0:22:56 | 0:22:58 | |
This is deposited on a mud floor, | 0:22:58 | 0:23:00 | |
but can you see how it's all fractured and broken there? | 0:23:00 | 0:23:03 | |
That's almost certainly as a result of earth movement, earthquakes. | 0:23:03 | 0:23:07 | |
What do you think it would be like down here if... | 0:23:07 | 0:23:10 | |
It would be terrifying, really would be terrifying. | 0:23:10 | 0:23:12 | |
It's been a long day of caving and, two miles into the mountain, | 0:23:15 | 0:23:20 | |
they have to find somewhere to sleep. | 0:23:20 | 0:23:22 | |
It's dusk in the village. | 0:23:31 | 0:23:33 | |
Tomorrow, Gordon will set off in search of Birds of Paradise. | 0:23:33 | 0:23:36 | |
But tonight, the village elders have allowed him | 0:23:36 | 0:23:39 | |
to see their head dresses. | 0:23:39 | 0:23:41 | |
So this is from the Ragi Bird of Paradise. | 0:23:46 | 0:23:48 | |
You are correct, some... Raggianna. | 0:23:48 | 0:23:51 | |
Yeah, see I know what | 0:23:51 | 0:23:54 | |
I'm talking about! | 0:23:54 | 0:23:55 | |
OK. It's like having a personal dresser. | 0:23:59 | 0:24:03 | |
-So do they use these headdresses for ceremonies? -For ceremonies, yes. | 0:24:03 | 0:24:08 | |
Um, this is quite unexpected. | 0:24:10 | 0:24:13 | |
A lot of early collections of Birds of Paradise | 0:24:13 | 0:24:16 | |
and other bird species that are found in Papua New Guinea | 0:24:16 | 0:24:19 | |
came from headdresses which were sort of taken by explorers | 0:24:19 | 0:24:23 | |
and brought back to the west, | 0:24:23 | 0:24:25 | |
and in those early days when they saw feathers like those, | 0:24:25 | 0:24:29 | |
ornithologists just thought it was fakery, | 0:24:29 | 0:24:31 | |
that it couldn't be a bird that had such spectacular feathers. | 0:24:31 | 0:24:35 | |
I've made myself a little pit here | 0:24:54 | 0:24:57 | |
and my sleeping bag ready to go. | 0:24:57 | 0:24:59 | |
Tackle bag and half a carry mat, what more could a man ask for? | 0:24:59 | 0:25:03 | |
The cavers have found a place for the night, but they're not alone. | 0:25:03 | 0:25:07 | |
That is really weird. | 0:25:10 | 0:25:12 | |
This is a freshwater crab from the outside | 0:25:12 | 0:25:15 | |
and I would guess that it's probably been swept in here | 0:25:15 | 0:25:18 | |
right from where the water's gathered for this cave. | 0:25:18 | 0:25:20 | |
What's incredible though, to me, | 0:25:20 | 0:25:23 | |
is if you look at it close up, | 0:25:23 | 0:25:26 | |
its' absolutely covered in parasites. | 0:25:26 | 0:25:29 | |
Rather grotesque white blobs | 0:25:29 | 0:25:31 | |
which are kind of moving all over it, I mean look at those. | 0:25:31 | 0:25:36 | |
I've never seen anything like this before in my life. | 0:25:36 | 0:25:39 | |
It really lends to the sense | 0:25:39 | 0:25:41 | |
this place has of being just like an alien landscape. | 0:25:41 | 0:25:46 | |
It's enticing to think from here quite how much is unexplored, | 0:25:53 | 0:26:00 | |
that's like what we've seen so far in this area. | 0:26:00 | 0:26:03 | |
It's probably riddled with caves like this | 0:26:03 | 0:26:05 | |
and some of them will never see the light of day, and never be explored. | 0:26:05 | 0:26:09 | |
The team desperately need their rest. | 0:26:09 | 0:26:12 | |
But in a small damp cave under a million tonnes of rock, | 0:26:12 | 0:26:16 | |
sleep may not come easily. | 0:26:16 | 0:26:18 | |
In the village, a tribal dance begins. | 0:26:29 | 0:26:32 | |
THEY CHANT | 0:26:32 | 0:26:34 | |
You've got everything that represents light and life in the forests. | 0:26:40 | 0:26:43 | |
These guys wearing spectacular headdresses, Birds of Paradise, | 0:26:43 | 0:26:47 | |
cockatoos, hornbills, all this sort of lush vegetation | 0:26:47 | 0:26:50 | |
they've adorned themselves with. | 0:26:50 | 0:26:52 | |
Centre stage are the feathers | 0:26:54 | 0:26:56 | |
from one of the largest birds of paradise, the Raggianna. | 0:26:56 | 0:27:01 | |
These are from Raggianna. | 0:27:03 | 0:27:05 | |
Raggianna Bird of Paradise. And if you just look at the... | 0:27:05 | 0:27:09 | |
Better from this angle. They look as if they've been doctored. | 0:27:09 | 0:27:14 | |
They're just very un-feather like but very exquisite | 0:27:14 | 0:27:17 | |
and that's just a small proportion of the feathers that are on this bird. | 0:27:17 | 0:27:22 | |
If you think these costumes are elaborate, | 0:27:23 | 0:27:26 | |
they are nothing compared to the birds themselves. | 0:27:26 | 0:27:30 | |
This is a sort of an imitation of their splendour. | 0:27:30 | 0:27:34 | |
WHISPERS: I've just woken up in the middle of the night. | 0:27:53 | 0:27:56 | |
Well, I think it's the middle of the night, could be any time really. | 0:27:56 | 0:27:59 | |
Bit sort of tossing and turning with weird dreams | 0:27:59 | 0:28:04 | |
about scuttling white cave crabs and things. | 0:28:04 | 0:28:09 | |
I've suddenly picked up a fever, | 0:28:10 | 0:28:13 | |
I've had the shakes, very high temperature, | 0:28:13 | 0:28:16 | |
and a couple of sort of weak panic attacks with it as well. | 0:28:16 | 0:28:22 | |
I feel absolutely awful. | 0:28:22 | 0:28:24 | |
Just typical that it would happen tonight. | 0:28:27 | 0:28:31 | |
Lie back down and try and get a bit more sleep | 0:28:31 | 0:28:34 | |
but just can't wait for the morning and get out, really. | 0:28:34 | 0:28:38 | |
At daybreak, Gordon sets off with trackers from the village | 0:28:48 | 0:28:52 | |
looking for birds of paradise that are displaying. | 0:28:52 | 0:28:55 | |
The one saving grace we have is that Birds of Paradise are very vocal. | 0:29:00 | 0:29:03 | |
We want to see them displaying | 0:29:03 | 0:29:05 | |
which will give us an indication | 0:29:05 | 0:29:07 | |
that they are in this area and they are breeding. | 0:29:07 | 0:29:10 | |
I'm hoping that we can hear those sounds | 0:29:10 | 0:29:13 | |
and zone in on them and find the birds based on their calls. | 0:29:13 | 0:29:17 | |
It's definitely getting rougher. | 0:29:25 | 0:29:27 | |
Pouring down from Mount Bosavi | 0:29:31 | 0:29:33 | |
is a network of rivers that they must cross. | 0:29:33 | 0:29:37 | |
So, how are we going to get across this? | 0:29:44 | 0:29:47 | |
We will use a log to make a bridge. | 0:29:47 | 0:29:49 | |
Put a log across, there's no way to walk round, no? | 0:29:49 | 0:29:52 | |
They swim when they can, but the camera gear must be kept dry. | 0:29:53 | 0:29:58 | |
They've managed to get that over but if you fell in there | 0:30:01 | 0:30:04 | |
with a backpack on, you'd be a goner. | 0:30:04 | 0:30:06 | |
Deep underground, Steve Backshall is going nowhere. | 0:30:30 | 0:30:35 | |
I still have a really heavy fever and it was spiking in the night. | 0:30:35 | 0:30:40 | |
I was actually hallucinating it was that bad. | 0:30:40 | 0:30:43 | |
I just feel like I want everyone else to go out | 0:30:43 | 0:30:47 | |
and just leave me here. | 0:30:47 | 0:30:49 | |
That's not an option though, is it? | 0:30:49 | 0:30:52 | |
Well, it's not really an option, | 0:30:52 | 0:30:54 | |
no, but I feel absolutely desperate. | 0:30:54 | 0:30:59 | |
Tim Fogg is in charge of safety. | 0:30:59 | 0:31:01 | |
It's his job to get Steve out of the cave. | 0:31:01 | 0:31:06 | |
This is a very, very remote place. | 0:31:06 | 0:31:08 | |
We're a long way from home. | 0:31:08 | 0:31:10 | |
We're going to have to help them as much as we can, | 0:31:10 | 0:31:14 | |
but basically he's going to need to get out under his own steam. | 0:31:14 | 0:31:19 | |
Even though the water's warm, | 0:31:21 | 0:31:24 | |
it still gets to you a bit after a while. | 0:31:24 | 0:31:27 | |
Steve is weak and running a high temperature. | 0:31:27 | 0:31:30 | |
Lets go, Steve. Let's go, mate, straight through here. | 0:31:30 | 0:31:34 | |
You all right? | 0:31:34 | 0:31:36 | |
Come on, mate, you're doing great. | 0:31:36 | 0:31:38 | |
Calling from the canopy is a King Bird of Paradise. | 0:31:49 | 0:31:55 | |
Gordon's found a display site. | 0:31:55 | 0:31:57 | |
It's right here, come over. | 0:32:09 | 0:32:11 | |
Fortunately, the King does his courting close to the ground. | 0:32:13 | 0:32:18 | |
Oh, yeah, there he is. | 0:32:18 | 0:32:21 | |
I'm hoping that this is him getting ready for his big display, | 0:32:21 | 0:32:24 | |
just making sure that all his feathers are in order. | 0:32:24 | 0:32:27 | |
Great, now that's just the start of the display | 0:32:27 | 0:32:31 | |
as he jumps from either side of the branch. | 0:32:31 | 0:32:34 | |
These tail wires whack back and forward | 0:32:34 | 0:32:37 | |
and that's attracting the female even more. | 0:32:37 | 0:32:39 | |
Oh... duck down again. Oh, there he is right out in the open. | 0:32:39 | 0:32:44 | |
OK, he's started displaying. | 0:32:44 | 0:32:47 | |
He's brought the little tail | 0:32:47 | 0:32:49 | |
that he does have right up to flat with his back, | 0:32:49 | 0:32:52 | |
and tail wires are kind of dangling about over his head, | 0:32:52 | 0:32:55 | |
and he's sort of jiggling back and forwards. | 0:32:55 | 0:32:58 | |
There must be a female up there. | 0:32:58 | 0:33:01 | |
On, yeah, there we go, there's a female. | 0:33:01 | 0:33:05 | |
Gosh, you wouldn't even think that that was the same species. | 0:33:05 | 0:33:09 | |
It's very easy to relate to this Bird of Paradise behaviour | 0:33:18 | 0:33:23 | |
because it pretty much mimics what a lot of men do | 0:33:23 | 0:33:27 | |
is to show off to attract women. | 0:33:27 | 0:33:29 | |
It's the kind of disco scenario, the best dancer, | 0:33:29 | 0:33:33 | |
the best dressed man sort of gets the best choice of the women, he gets the best women. | 0:33:33 | 0:33:40 | |
Very easy to understand. | 0:33:40 | 0:33:42 | |
Amazing. | 0:33:46 | 0:33:48 | |
Practically every life form | 0:33:50 | 0:33:52 | |
that lives in this rainforest depends on the forest. | 0:33:52 | 0:33:56 | |
You lose the forest, you lose the animals just like that, | 0:33:56 | 0:34:00 | |
it's a very, very simple equation. | 0:34:00 | 0:34:02 | |
You can't have one without the other. | 0:34:02 | 0:34:04 | |
And that's the terrible thing about deforestation. | 0:34:04 | 0:34:08 | |
You're not just losing the trees you're losing this habitat | 0:34:08 | 0:34:11 | |
and everything that depends on it. | 0:34:11 | 0:34:13 | |
In the lab, the scientists are finding yet more evidence | 0:34:21 | 0:34:24 | |
of the richness of this forest. | 0:34:24 | 0:34:26 | |
Satellite images reveal just how rapidly jungle is disappearing. | 0:34:28 | 0:34:32 | |
This is the scariest series of images that I think I've ever seen. | 0:34:34 | 0:34:40 | |
This is pristine rainforest | 0:34:40 | 0:34:42 | |
that has existed in this area for 10,000 years. | 0:34:42 | 0:34:45 | |
16 years ago it looked like that, | 0:34:45 | 0:34:49 | |
virtually untouched. | 0:34:49 | 0:34:52 | |
And the most up-to-date image shows the road for forestry vehicles | 0:34:52 | 0:34:56 | |
which are coming in to extract the wood, | 0:34:56 | 0:34:59 | |
now spreading like veins all over the forest, | 0:34:59 | 0:35:03 | |
and this is only 20 miles from here. | 0:35:03 | 0:35:07 | |
This makes the mission to explore Bosavi's forests | 0:35:09 | 0:35:13 | |
all the more urgent. | 0:35:13 | 0:35:15 | |
I think the thing that's really striking about this | 0:35:15 | 0:35:18 | |
is the incredible diversity, | 0:35:18 | 0:35:19 | |
so every time you turn a corner you see a new insect, | 0:35:19 | 0:35:22 | |
you see a new frog, | 0:35:22 | 0:35:23 | |
you see a new beetle and that's the fun of it. | 0:35:23 | 0:35:25 | |
George has been mesmerized by his mysterious caterpillars. | 0:35:27 | 0:35:31 | |
At last, they're starting to pupate. | 0:35:32 | 0:35:37 | |
There is one of the little caterpillars. | 0:35:37 | 0:35:40 | |
It's hidden away on this folded leaf | 0:35:40 | 0:35:43 | |
and it's also taken a bit of this dry leaf, | 0:35:43 | 0:35:47 | |
and it's used a bit of silk, and it's now just hiding. | 0:35:47 | 0:35:51 | |
Now I'm assuming what it'll do now is to pupate. | 0:35:51 | 0:35:56 | |
But wouldn't it be great to be here when those hatched out | 0:35:56 | 0:35:59 | |
and then we'd at last know what this amazing animal becomes as an adult. | 0:35:59 | 0:36:05 | |
At Mageni, the cavers have reached the surface camp | 0:36:14 | 0:36:17 | |
and Steve's fever is subsiding. | 0:36:17 | 0:36:19 | |
The rest of the team also need time to recover. | 0:36:22 | 0:36:28 | |
I have a kind of a rash on my body, just like burning my whole body. | 0:36:33 | 0:36:39 | |
It's not very nice. | 0:36:39 | 0:36:42 | |
Steve's gaining strength and keen to get back to the job. | 0:36:44 | 0:36:48 | |
Before they go into the cave, | 0:36:48 | 0:36:50 | |
they're adding their new data to the computer. | 0:36:50 | 0:36:53 | |
In the 21st century, | 0:36:53 | 0:36:54 | |
it's rare to be able to explore and chart a whole new river system. | 0:36:54 | 0:36:58 | |
Well, this crunches all the numbers that we get when we go surveying, | 0:36:58 | 0:37:02 | |
and very cleverly creates a 3D model of the cave. | 0:37:02 | 0:37:06 | |
And it's by no means fully explored | 0:37:06 | 0:37:09 | |
and there's various leads on here, | 0:37:09 | 0:37:11 | |
these little dead ends or look like dead ends, | 0:37:11 | 0:37:13 | |
these are passages that we didn't explore fully | 0:37:13 | 0:37:16 | |
and are waiting to be surveyed. | 0:37:16 | 0:37:18 | |
And it's just a matter of getting there and doing it and that's what burns a hole in my head. | 0:37:18 | 0:37:22 | |
The lure of the cave is strong. | 0:37:24 | 0:37:26 | |
Fired up again, the team drop back down the cliff side. | 0:37:26 | 0:37:32 | |
Truly, this is the land of the unexpected. | 0:37:43 | 0:37:45 | |
On the eastern slopes of Mount Bosavi, | 0:37:50 | 0:37:53 | |
Gordon is still tracking birds | 0:37:53 | 0:37:55 | |
when he discovers a river erupting from deep underground. | 0:37:55 | 0:37:59 | |
This is a place with lots of strange things | 0:38:02 | 0:38:06 | |
and this is another one of them. | 0:38:06 | 0:38:09 | |
This is the start of a river, a river that... | 0:38:09 | 0:38:12 | |
well, actually, no, it's not the start because this river is flowing underground. | 0:38:12 | 0:38:17 | |
It is just very peculiar. | 0:38:17 | 0:38:20 | |
All of this water getting pushed, | 0:38:20 | 0:38:22 | |
a huge quantity of water that's flowing down from Bosavi underground | 0:38:22 | 0:38:28 | |
into a big channel that wells up here. | 0:38:28 | 0:38:31 | |
And I would say that this is the best example of the power of water | 0:38:31 | 0:38:37 | |
and unseen goings on, things that are going on way beneath our feet. | 0:38:37 | 0:38:41 | |
And then, at last, high in the trees above Gordon, | 0:38:50 | 0:38:54 | |
the sound he's been hoping for. | 0:38:54 | 0:38:57 | |
It is a Raggianna Bird Of Paradise calling. | 0:38:59 | 0:39:02 | |
This time of day it will still be displaying. | 0:39:02 | 0:39:06 | |
It's great to know that they're in here, | 0:39:06 | 0:39:08 | |
and it's definitely one I want to try and film | 0:39:08 | 0:39:11 | |
cos they are gobsmackingly beautiful. | 0:39:11 | 0:39:13 | |
The Raggianna displays only in the treetops. | 0:39:16 | 0:39:20 | |
Gordon shoots a line 20 metres up a nearby tree. | 0:39:20 | 0:39:24 | |
He'll have to haul himself and all his kit up into the canopy. | 0:39:24 | 0:39:28 | |
Few people have ever seen a Bird Of Paradise, let alone, you know, | 0:39:30 | 0:39:36 | |
sat up in a treetop with them so there is a real sense of privilege. | 0:39:36 | 0:39:41 | |
Gordon must move quietly, so he doesn't drive the birds away. | 0:39:48 | 0:39:52 | |
Oh, bats! | 0:40:01 | 0:40:03 | |
Lots of them. | 0:40:03 | 0:40:05 | |
Steve and the cavers are back in Mageni, | 0:40:05 | 0:40:08 | |
retracing their steps to where their exploration left off. | 0:40:08 | 0:40:12 | |
Oh, yeah! | 0:40:18 | 0:40:20 | |
And it's not long before their effort pay off. | 0:40:20 | 0:40:25 | |
-Just found a lead. -What, a new passage? Fantastic! -I know, I know. | 0:40:25 | 0:40:31 | |
If you look down there you can see the river. | 0:40:31 | 0:40:33 | |
Oh, my god, it's a proper river. | 0:40:33 | 0:40:36 | |
Yeah, no-one's been down there ever. | 0:40:36 | 0:40:39 | |
We're the first people here. | 0:40:39 | 0:40:41 | |
There's a waterfall down there. | 0:40:41 | 0:40:43 | |
Come on, without further ado. | 0:40:43 | 0:40:46 | |
This new passage is drawing them down a side channel of the main river. | 0:40:49 | 0:40:54 | |
Oh, I'm soaking! | 0:40:56 | 0:41:00 | |
It's steep and it's getting narrower | 0:41:00 | 0:41:03 | |
but it could be a new way out of the mountain. | 0:41:03 | 0:41:07 | |
I don't know if you can make this out, | 0:41:07 | 0:41:09 | |
we haven't really got enough light to show, | 0:41:09 | 0:41:11 | |
but we're sitting at the top of a white water cataract | 0:41:11 | 0:41:14 | |
which is raging off down into the mountain. | 0:41:14 | 0:41:17 | |
And we're going to tread really carefully but I think, | 0:41:17 | 0:41:20 | |
do you think, Moose, we should try and push on a little bit? | 0:41:20 | 0:41:23 | |
-Stick to the right-hand side and then we'll cross over. -OK. | 0:41:23 | 0:41:26 | |
In his treetop, Gordon is in position | 0:41:31 | 0:41:33 | |
but everything is against him. | 0:41:33 | 0:41:35 | |
BUZZING | 0:41:35 | 0:41:38 | |
Bloody bees! | 0:41:38 | 0:41:41 | |
Get off. | 0:41:46 | 0:41:47 | |
He's level with the Raggianna display site | 0:41:47 | 0:41:50 | |
but the heavens have opened. | 0:41:50 | 0:41:52 | |
Little chance of these birds showing up. | 0:41:54 | 0:41:58 | |
It's pouring down and apparently | 0:41:59 | 0:42:02 | |
Birds of Paradise don't like to display in the rain. | 0:42:02 | 0:42:05 | |
-I can hear them off... There you go, there's one. -BIRD CHIRPS | 0:42:05 | 0:42:11 | |
But the chances of them coming in and doing their stuff, I would say, would be very slim. | 0:42:11 | 0:42:16 | |
Come on, you monkey. | 0:42:16 | 0:42:19 | |
Oh. Jeez, there's one there. There's one there. | 0:42:22 | 0:42:25 | |
Oh, you little darling. | 0:42:25 | 0:42:29 | |
Oh, jeez, there's two of them, there's' two of them! | 0:42:30 | 0:42:36 | |
Wow! Look at that. | 0:42:36 | 0:42:38 | |
Despite the rain, there are two males trying to outshine each other. | 0:42:40 | 0:42:43 | |
That is the most weird and fantastic bird I've ever seen. | 0:42:43 | 0:42:48 | |
What's going on, what's going on? | 0:42:48 | 0:42:52 | |
They're trying to show who's the fittest | 0:42:52 | 0:42:55 | |
with a complicated dance routine. | 0:42:55 | 0:42:57 | |
Wow! | 0:43:00 | 0:43:02 | |
It almost looks as if the males are showing off to each other. | 0:43:02 | 0:43:07 | |
OK, there must be a female around. | 0:43:07 | 0:43:10 | |
Until a female turns up, these males can't afford to stop their display | 0:43:10 | 0:43:15 | |
and Gordon can't afford to take his eyes off them. | 0:43:15 | 0:43:20 | |
There's a huge volume of water pushing through here. | 0:43:20 | 0:43:24 | |
It's a good job the ground's grippy. | 0:43:24 | 0:43:27 | |
In the cave, the route they found is getting treacherous. | 0:43:27 | 0:43:31 | |
You're best standing on the ridge, that's it. | 0:43:31 | 0:43:35 | |
This is no place to lose your grip. | 0:43:35 | 0:43:37 | |
-Oh, look at that. -We're going to cross here. | 0:43:37 | 0:43:41 | |
This is extraordinary. It's a real raging, raging river. | 0:43:45 | 0:43:51 | |
There's an incredible amount of water passing through here. | 0:43:51 | 0:43:55 | |
If you actually lost your footing and got swept away down there, | 0:43:55 | 0:43:58 | |
you could get sucked into a place where the water just goes underground | 0:43:58 | 0:44:01 | |
with no air or you could just get swept over the top of a waterfall. | 0:44:01 | 0:44:05 | |
Same time, though, this has got to be one of the most exciting things I've ever done. | 0:44:05 | 0:44:08 | |
Every single step we take is new, no-one's ever seen any of this. | 0:44:08 | 0:44:15 | |
Finding and exploring a brand new underground route | 0:44:21 | 0:44:25 | |
is the ultimate thrill for any caver. | 0:44:25 | 0:44:28 | |
It's a waterfall. | 0:44:28 | 0:44:31 | |
We're in the top of a waterfall. | 0:44:31 | 0:44:33 | |
You can hear the noise of it. It's like a 747 taking off. | 0:44:33 | 0:44:36 | |
The passage goes off in that direction | 0:44:38 | 0:44:41 | |
so we've got some more exploring to do. | 0:44:41 | 0:44:43 | |
That's fantastic! | 0:44:43 | 0:44:46 | |
To descend any further, they'll need climbing equipment. | 0:44:46 | 0:44:50 | |
The guys have kindly said I could go first, | 0:44:50 | 0:44:53 | |
so I'm going to head down, see what we can find down there. | 0:44:53 | 0:44:58 | |
See you at the bottom, mate. | 0:44:58 | 0:45:01 | |
This is an absolutely awesome place. | 0:45:09 | 0:45:13 | |
It's just thunderous. | 0:45:13 | 0:45:15 | |
Honestly, just the noise of it | 0:45:15 | 0:45:17 | |
makes you feel like you're being battered the entire time. | 0:45:17 | 0:45:20 | |
Heading down there now, into the unknown. | 0:45:20 | 0:45:24 | |
Go, go, go, go! | 0:45:32 | 0:45:35 | |
That is the biggest scorpion I have seen yet here. | 0:45:35 | 0:45:40 | |
In the jungle, George is out collecting. | 0:45:40 | 0:45:43 | |
Come on, we want something nice. | 0:45:45 | 0:45:48 | |
The base camp phase of the expedition is nearing an end | 0:45:48 | 0:45:50 | |
but the forest is still delivering surprises. | 0:45:50 | 0:45:54 | |
There's a little tiny frog, a little tiny frog just sitting on that leaf. | 0:45:54 | 0:45:59 | |
Think we should collect that for Alan, our frog expert. | 0:45:59 | 0:46:02 | |
Alan, I bring you frog. | 0:46:05 | 0:46:07 | |
Is it a tree frog, very sort of adhesive little feet? | 0:46:07 | 0:46:11 | |
Indeed it is a tree frog. It's an interesting one, this is a great one. | 0:46:13 | 0:46:16 | |
Wow, it's the first one we've found here, we have not found this yet. | 0:46:16 | 0:46:20 | |
It could either be a new species or on it's way to being a new species. | 0:46:20 | 0:46:24 | |
-Yes! -Thank you so much. | 0:46:24 | 0:46:26 | |
Across the lab, photographer Ulla has set up a time-lapse studio. | 0:46:28 | 0:46:32 | |
That's looking so close. | 0:46:34 | 0:46:38 | |
One of George's mystery caterpillars is now a chrysalis | 0:46:38 | 0:46:42 | |
and could hatch at any time. | 0:46:42 | 0:46:45 | |
What I really want is to give it a little poke just to see if it's... | 0:46:45 | 0:46:50 | |
I can't just give it a little poke, no? | 0:46:50 | 0:46:53 | |
Well, no, it would really spoil the time lapse, so sorry. | 0:46:53 | 0:46:58 | |
The cameras should capture the very moment it emerges. | 0:47:02 | 0:47:05 | |
I know what's going to happen. | 0:47:06 | 0:47:08 | |
It'll emerge and it'll be the most tedious, boring little moth. | 0:47:08 | 0:47:12 | |
Oh, no, I don't like the look of this at all. | 0:47:32 | 0:47:35 | |
This is the way on... | 0:47:36 | 0:47:38 | |
Well, possibly. | 0:47:38 | 0:47:41 | |
The water seems to have levelled out a little bit | 0:47:41 | 0:47:44 | |
and it goes underneath a narrow ceiling here, | 0:47:44 | 0:47:46 | |
and it looks like there might be more beyond it. | 0:47:46 | 0:47:49 | |
What do you reckon, Moose? | 0:47:50 | 0:47:53 | |
I reckon it's a duck of about four-five metres. | 0:47:53 | 0:47:57 | |
You know this is about the worse thing you could do | 0:47:57 | 0:47:59 | |
is to go into the unknown in fast-flowing water, | 0:47:59 | 0:48:02 | |
cos you get whisked away, yeah? | 0:48:02 | 0:48:04 | |
Only Steve and Moose will press on into the unknown. | 0:48:13 | 0:48:16 | |
The rest of the team can only wait. | 0:48:16 | 0:48:18 | |
In the tree top, Gordon's two male Raggiannas are upping their game. | 0:48:34 | 0:48:39 | |
Their efforts have attracted a potential mate. | 0:48:42 | 0:48:45 | |
Oh, there you go, female. | 0:48:47 | 0:48:49 | |
She'll decide which is her favourite. | 0:48:49 | 0:48:53 | |
Now this could get quite interesting. | 0:48:59 | 0:49:04 | |
Despite the rain, | 0:49:04 | 0:49:05 | |
they're both putting in this display because there's competition. | 0:49:05 | 0:49:11 | |
And not only is there competition, | 0:49:11 | 0:49:13 | |
there is a female around and that's what it's all about. | 0:49:13 | 0:49:16 | |
Oh, man, | 0:49:16 | 0:49:18 | |
doesn't get much better than this. | 0:49:18 | 0:49:21 | |
Not when it comes to birds. | 0:49:21 | 0:49:23 | |
Oh, two females! Jeez. | 0:49:23 | 0:49:25 | |
A second female also shows an interest. | 0:49:25 | 0:49:29 | |
Come on, I see what you can get. | 0:49:29 | 0:49:31 | |
Oh, he's pecking her, oh easy on. | 0:49:31 | 0:49:36 | |
This is quite incredible | 0:49:38 | 0:49:43 | |
that these birds have evolved to look like this, to sound like this, | 0:49:43 | 0:49:48 | |
to act like this just to win a mate. | 0:49:48 | 0:49:51 | |
Well, it looks as if she's decided who she likes. | 0:49:52 | 0:49:56 | |
Oh, yes, you will be mine. | 0:49:56 | 0:50:02 | |
As one male makes the biggest impression, the second knows he's beaten. | 0:50:08 | 0:50:13 | |
Oh, mating, he's mating, oh, lovely. | 0:50:14 | 0:50:17 | |
Oh, I can't believe we've got that. | 0:50:22 | 0:50:24 | |
Now I wonder if he'll actually mate with both of them in the one day. | 0:50:24 | 0:50:29 | |
This male's done well, he's won over the second female. | 0:50:29 | 0:50:34 | |
She is not boring at all. | 0:50:34 | 0:50:36 | |
He looks really doing his stuff. | 0:50:36 | 0:50:38 | |
That's what it's all about with Birds of Paradise, | 0:50:45 | 0:50:49 | |
is if you look that great you're going to get more than one lady. | 0:50:49 | 0:50:53 | |
And off she goes. | 0:50:55 | 0:50:58 | |
You don't really get too many days like this. | 0:50:58 | 0:51:03 | |
Off he goes, beautiful. Ta-da. | 0:51:03 | 0:51:06 | |
Oh, lord. This goes on forever. | 0:51:15 | 0:51:18 | |
Steve and Moose have been alone inside the flooded cave for 15 minutes. | 0:51:20 | 0:51:26 | |
The river's deep and the ceiling is getting lower. | 0:51:28 | 0:51:31 | |
It's not as hectic as it was the other side. | 0:51:31 | 0:51:35 | |
But it's still running quite fast. | 0:51:35 | 0:51:39 | |
Then the river disappears into an airless chamber. | 0:51:39 | 0:51:43 | |
As far as exploration of this part of the cave is concerned, | 0:51:43 | 0:51:47 | |
this is the end of the line. | 0:51:47 | 0:51:49 | |
Don't want to get washed into a watery grave down there, | 0:51:49 | 0:51:52 | |
so let's not go any further. | 0:51:52 | 0:51:54 | |
There's no way the cavers can go on. | 0:51:54 | 0:51:57 | |
There's nothing more here for us. Let's head out. | 0:51:59 | 0:52:02 | |
You know, we've reached the end, that's what we came here to do. | 0:52:05 | 0:52:08 | |
We've actually found the end of this piece of passage, | 0:52:08 | 0:52:11 | |
and now I think it's time to head home. | 0:52:11 | 0:52:13 | |
The caving has been a success. | 0:52:13 | 0:52:16 | |
They've found and charted a section of cave never before seen. | 0:52:16 | 0:52:21 | |
But for Steve, the expedition is far from over. | 0:52:21 | 0:52:25 | |
While George is asleep in his hammock, something stirs in the lab. | 0:52:40 | 0:52:44 | |
The time-lapse camera watches as a moth chooses its moment to emerge. | 0:52:45 | 0:52:51 | |
George? | 0:53:05 | 0:53:08 | |
Oh, that's beautiful, look at that! | 0:53:17 | 0:53:21 | |
Absolutely... | 0:53:21 | 0:53:23 | |
please don't fly off. | 0:53:23 | 0:53:24 | |
I have never seen a moth like this before in my life. | 0:53:26 | 0:53:31 | |
Don't fly off, please don't fly off. | 0:53:31 | 0:53:34 | |
Just look at the pattern on the back of that wing. | 0:53:34 | 0:53:38 | |
Wow, they are amazing. | 0:53:38 | 0:53:40 | |
When you see something in the wild | 0:53:40 | 0:53:42 | |
and you don't know if it'll be a moth or what sort of moth, | 0:53:42 | 0:53:46 | |
and the only way of finding out what any immature stage will become | 0:53:46 | 0:53:50 | |
is to rear them up, which is exactly what we did. | 0:53:50 | 0:53:53 | |
My wife has her birthday today and I'm not there, | 0:53:53 | 0:53:58 | |
and if these turn out to be new species, I will name them after her. | 0:53:58 | 0:54:05 | |
I really hope they are new species. | 0:54:05 | 0:54:07 | |
In base camp, Steve is preparing for the next challenge of the expedition. | 0:54:13 | 0:54:19 | |
The team's new destination is the volcanic crater of Mount Bosavi. | 0:54:23 | 0:54:27 | |
Its fortress walls have kept the hunters out and animals in. | 0:54:30 | 0:54:34 | |
This isolated cauldron could conceal spectacular new species. | 0:54:36 | 0:54:40 | |
Steve, look at that. | 0:54:40 | 0:54:43 | |
There it is, Mount Bosavi. I've got to say it's so much like | 0:54:43 | 0:54:46 | |
something you'd expect to see in a geography textbook. | 0:54:46 | 0:54:49 | |
This whole volcano is a million years old. | 0:54:49 | 0:54:53 | |
The last time it blew up was 200,000 years ago. | 0:54:53 | 0:54:57 | |
Yeah, sounds about right, so potentially | 0:54:57 | 0:54:59 | |
everything that's in there's been trapped in there for 200,000 years. | 0:54:59 | 0:55:02 | |
So the great thing is, of course, is that also if there is any hunting | 0:55:02 | 0:55:05 | |
it tends to be done on the low-lying part. | 0:55:05 | 0:55:09 | |
Who is going to climb up into the crater to hunt stuff | 0:55:09 | 0:55:11 | |
when you don't have to, so this whole area is going to be really... | 0:55:11 | 0:55:16 | |
Very, very exciting. | 0:55:16 | 0:55:18 | |
-You talk about lost worlds, well this is just, it doesn't get any better than this. -It is amazing. | 0:55:18 | 0:55:24 | |
Steve is leading the advance party, | 0:55:31 | 0:55:33 | |
paving the way for the rest of the team. | 0:55:33 | 0:55:35 | |
Come on, guys, good luck. | 0:55:35 | 0:55:38 | |
They're going to build a camp right in the heart of the crater. | 0:55:43 | 0:55:47 | |
The survey of the animals around base camp is now complete, | 0:55:58 | 0:56:02 | |
and its time to move on. | 0:56:02 | 0:56:04 | |
In just four weeks, the scientists have found and catalogued hundreds of animals. | 0:56:08 | 0:56:12 | |
A staggering 29 are believed to be completely new to science. | 0:56:12 | 0:56:17 | |
Yeah, the trip's been really great. | 0:56:21 | 0:56:23 | |
We were able to get a lot of birds in the nets, a lot of bats as well working with Alanna. | 0:56:23 | 0:56:27 | |
We have well over 90 species between us | 0:56:27 | 0:56:29 | |
and I haven't even made the final total, | 0:56:29 | 0:56:31 | |
it will probably be even more than that. | 0:56:31 | 0:56:33 | |
The next destination is beyond the clouds. | 0:56:34 | 0:56:37 | |
The ancient crater inside Mount Bosavi itself. | 0:56:39 | 0:56:43 | |
They'll be the first scientists ever to explore this lost world. | 0:56:43 | 0:56:49 | |
This is the crater rim we're about to cross now. And that is the crater. | 0:57:01 | 0:57:07 | |
I didn't prepare myself for the size of it. | 0:57:09 | 0:57:12 | |
All the wildlife, all the plants | 0:57:28 | 0:57:30 | |
that are here have been trapped inside by all of these walls. | 0:57:30 | 0:57:33 | |
It's almost like the inside of the crater is kind of like an island. | 0:57:33 | 0:57:37 | |
We could find something really, really spectacular inside here. | 0:57:37 | 0:57:42 | |
I guess that's the hope. | 0:57:42 | 0:57:44 | |
Next time, George witnesses the birth of a new mountain. | 0:57:47 | 0:57:53 | |
To be absolutely honest with you I'm actually feeling quite apprehensive. | 0:57:53 | 0:57:58 | |
You couldn't speed away from this in a hurry, you would be toast. | 0:57:58 | 0:58:03 | |
In Bosavi's crater, the team find kangaroos that live in trees. | 0:58:03 | 0:58:08 | |
The fact that this animal just wandered straight past us | 0:58:08 | 0:58:11 | |
means the wildlife here has never been hunted before, | 0:58:11 | 0:58:14 | |
it hasn't seen people before. | 0:58:14 | 0:58:15 | |
And the most significant discovery of all, a new species | 0:58:15 | 0:58:19 | |
of mammal, the largest of its kind anywhere in the world. | 0:58:19 | 0:58:24 | |
Oh, my word, have a look at this. | 0:58:24 | 0:58:26 | |
Oh, gosh! | 0:58:26 | 0:58:29 | |
Subtitles by Red Bee Media Ltd | 0:58:37 | 0:58:40 | |
E-mail [email protected] | 0:58:40 | 0:58:43 |