Browse content similar to Tiger Kill. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
50 kilos heavier and a whole head longer than a lion, | 0:00:12 | 0:00:16 | |
the tiger is the world's uncontested super-cat. | 0:00:16 | 0:00:19 | |
And yet, despite the armies of cameramen who have come to film these breathtaking animals, | 0:00:29 | 0:00:35 | |
there is one event that has eluded almost all of them. | 0:00:35 | 0:00:38 | |
The hunting behaviour of lions and cheetahs has been recorded many times, | 0:00:38 | 0:00:43 | |
but documenting a tiger kill has proved almost impossible. | 0:00:43 | 0:00:47 | |
Today, there are twice as many tigers in captivity in America as there are in the jungles of India. | 0:00:50 | 0:00:57 | |
Tigers are facing extinction in the wild, and with their catastrophic decline, | 0:01:00 | 0:01:05 | |
the opportunity to document the central event of their predatory lives is becoming harder and harder. | 0:01:05 | 0:01:11 | |
I'm Simon King. I'm a wildlife film-maker, | 0:01:13 | 0:01:16 | |
and I've been invited by Indian cameraman and tiger specialist Alphonse Roy | 0:01:16 | 0:01:20 | |
to try and capture one of nature's most elusive moments. | 0:01:20 | 0:01:25 | |
For the past 20 years, I've been lucky enough to film wildlife all over the world, | 0:01:37 | 0:01:41 | |
but this is the first time I've ever been to India. | 0:01:41 | 0:01:45 | |
For me, the supreme moment in the natural world is predation. | 0:01:47 | 0:01:53 | |
To some, this may seem bloodthirsty. | 0:01:53 | 0:01:55 | |
But never do you see an animal at full stretch, | 0:01:55 | 0:01:58 | |
as you do when a predator and prey are put to the ultimate test of survival. | 0:01:58 | 0:02:03 | |
This is when millions of years of evolution are tested. | 0:02:03 | 0:02:07 | |
The chaos of it all, and out there, I know there are tigers. | 0:02:22 | 0:02:26 | |
I think that's our train! | 0:02:35 | 0:02:37 | |
I've come to India to see if my experiences filming predation in other parts of the world, | 0:02:37 | 0:02:42 | |
and with other species, can transfer to a totally unfamiliar setting and a very different beast. | 0:02:42 | 0:02:47 | |
I've done some packing exercises in my time, but this one takes the biscuit! | 0:02:50 | 0:02:55 | |
I've got a month to try and film a tiger kill. | 0:02:55 | 0:02:59 | |
No-one touches the big lens. | 0:02:59 | 0:03:00 | |
Nine...ten. | 0:03:03 | 0:03:05 | |
I'm heading 500 miles due south from Delhi into the Deccan Plateau of central India. | 0:03:05 | 0:03:10 | |
A peaceful night's sleep(!) | 0:03:10 | 0:03:14 | |
16 hours! | 0:03:19 | 0:03:22 | |
Filming a tiger kill will be a huge challenge, | 0:03:29 | 0:03:32 | |
but, travelling across India, I'm quite frankly amazed there are any tigers left at all. | 0:03:32 | 0:03:38 | |
India is a nation of one billion people. | 0:03:38 | 0:03:41 | |
There are simply fewer and fewer places left where a tiger can live and hunt. | 0:03:41 | 0:03:47 | |
..to visit all the community. | 0:03:47 | 0:03:50 | |
'As the scale of the task ahead sinks in, it's good to know that I'm not doing this alone.' | 0:03:50 | 0:03:55 | |
For the past 17 years, Alphonse Roy has been visiting Bandhavgarh tiger reserve. | 0:03:55 | 0:04:00 | |
He's probably filmed more tiger footage than anyone else alive. | 0:04:04 | 0:04:07 | |
TIGER GROWLS | 0:04:10 | 0:04:11 | |
But despite the many thousands of hours he's spent amongst tigers, | 0:04:12 | 0:04:16 | |
Alphonse has never filmed a tiger catching a meal. | 0:04:16 | 0:04:20 | |
THEY GROWL SOFTLY | 0:04:20 | 0:04:22 | |
THEY ROAR | 0:04:22 | 0:04:24 | |
I'm very obsessed with it, | 0:04:24 | 0:04:25 | |
because I've been trying to shoot a tiger making a kill for so many years, | 0:04:25 | 0:04:29 | |
come close, very close to it, for twice or thrice, but haven't got it on film. | 0:04:29 | 0:04:35 | |
It's like er...trick or treat. | 0:04:35 | 0:04:38 | |
It's an excuse for the kids to just have fun. | 0:04:38 | 0:04:41 | |
DRUMMING, SHOUTING AND SINGING | 0:04:41 | 0:04:43 | |
I have arrived on a very auspicious day. | 0:04:43 | 0:04:45 | |
This is Holi, the Hindu festival of colour, which marks the end of winter and the start of summer. | 0:04:45 | 0:04:51 | |
It's a day when all differences are set aside. | 0:04:59 | 0:05:04 | |
I've been thrown in at the deep end into a very exotic, utterly unfamiliar world. | 0:05:10 | 0:05:17 | |
SOUNDS OF THE FESTIVAL FADE | 0:05:24 | 0:05:26 | |
Bandhavgarh lies at the geographical heart of India, | 0:05:37 | 0:05:41 | |
and has, for centuries, been one of the best places in the world to encounter tigers. | 0:05:41 | 0:05:45 | |
Tigers are undoubtedly India's most charismatic animals, | 0:06:16 | 0:06:20 | |
and getting permission to film in these reserves is, not surprisingly, very strictly controlled. | 0:06:20 | 0:06:27 | |
Woo! | 0:06:27 | 0:06:29 | |
CHEERING AND APPLAUSE | 0:06:29 | 0:06:32 | |
Hah. I've just got back into camp and been handed this illegible fax, | 0:06:35 | 0:06:40 | |
which apparently constitutes our permission. We have... Happy Holi. | 0:06:40 | 0:06:44 | |
Happy Holi, sorry to ignore you. | 0:06:44 | 0:06:46 | |
Happy Holi. | 0:06:46 | 0:06:48 | |
We now have permission to go into the park and to see tigers for the first time, | 0:06:48 | 0:06:52 | |
so it really is a happy Holi. | 0:06:52 | 0:06:54 | |
While Alphonse goes off to scout the jungles and gather information, I prepare cameras and equipment. | 0:07:00 | 0:07:06 | |
We've got so much kit, it's coming out of our ear-holes. | 0:07:08 | 0:07:12 | |
After 17 years, Alphonse has developed his own unique methods, | 0:07:13 | 0:07:17 | |
including his trusty elephant tripod - | 0:07:17 | 0:07:21 | |
quite a contraption to sit on close to one of the world's most powerful hunters. | 0:07:21 | 0:07:26 | |
These meadows are ruled over by a tigress called Chakra. | 0:07:46 | 0:07:49 | |
Alphonse has filmed Chakra's mother, and even her grandmother, | 0:07:49 | 0:07:53 | |
but in all that time, he's never seen a tigress bring four cubs up to maturity. | 0:07:53 | 0:07:59 | |
I'm used to seeing prides of up to 30 lions, | 0:07:59 | 0:08:03 | |
but a family of five tigers is something very special, even to Alphonse. | 0:08:03 | 0:08:07 | |
They may be almost fully grown, but the cubs still rely on their mum to bring home dinner. | 0:08:13 | 0:08:18 | |
We couldn't have arrived at a better time. | 0:08:18 | 0:08:21 | |
This hungry family will depend on Chakra's hunting skills, and so will we. | 0:08:21 | 0:08:26 | |
ELEPHANT RUMBLES | 0:08:32 | 0:08:35 | |
40% of the world's tiger habitats have disappeared in the last ten years. | 0:08:35 | 0:08:40 | |
Bandhavgarh is a reminder of how so much of India once was. | 0:08:40 | 0:08:45 | |
At dawn, this is a place of true magic. | 0:08:49 | 0:08:53 | |
ELEPHANT RUMBLES | 0:08:58 | 0:09:00 | |
I'm entering tiger country for the first time in my life. | 0:09:12 | 0:09:15 | |
PEACOCK CRIES | 0:09:15 | 0:09:17 | |
-Look! This is the male cub, this is the male cub. -There's a cub! -Can you see? | 0:09:32 | 0:09:36 | |
Not only am I looking at my first wild tiger, | 0:09:36 | 0:09:39 | |
this is one of Chakra's cubs, the family we'll be following, AND it's on a kill. | 0:09:39 | 0:09:46 | |
What a palaver! | 0:09:46 | 0:09:48 | |
Nothing can prepare you for the thrill of seeing your first wild tiger at close range. | 0:09:50 | 0:09:57 | |
That is magnificent! | 0:09:57 | 0:10:01 | |
You think you know a tiger from watching them on films, | 0:10:01 | 0:10:04 | |
from looking at them in photographs, but I can tell you now, | 0:10:04 | 0:10:09 | |
the first time you see one in the flesh, in the wild, | 0:10:09 | 0:10:12 | |
it contains a majesty and a power that... | 0:10:12 | 0:10:16 | |
is unsurpassed. | 0:10:16 | 0:10:18 | |
These animals - these tigers - are not unlike leopards in their hunting strategy, | 0:10:24 | 0:10:31 | |
because this cat has clearly used very thick cover to make the kill. | 0:10:31 | 0:10:37 | |
But what is really, really encouraging is that it's been made on the edge of this meadow area. | 0:10:37 | 0:10:45 | |
What is also very clear, is that trying to record a kill, using this method, | 0:10:48 | 0:10:55 | |
is going to be...impossible. | 0:10:55 | 0:10:58 | |
The amount of movement, the amount of sound, the amount of disturbance that we've already created, | 0:10:58 | 0:11:04 | |
would have sent a herd of deer running a long time ago. | 0:11:04 | 0:11:07 | |
So we're just going to take a little move, | 0:11:14 | 0:11:17 | |
and check out where, perhaps, the mother is, or some of the other cubs. | 0:11:17 | 0:11:21 | |
There's the adult, sleeping like a baby. | 0:11:21 | 0:11:25 | |
The markings are exquisite. | 0:11:36 | 0:11:39 | |
I think for that reason alone, this must rank as the single most beautiful big cat in the world. | 0:11:39 | 0:11:47 | |
Large numbers of tourists may detract from the intimacy of a tiger sighting, | 0:11:52 | 0:11:57 | |
but it's a small price to pay. | 0:11:57 | 0:11:59 | |
Without tourists, it's unlikely any tigers would survive in the wild for long. | 0:11:59 | 0:12:04 | |
Alphonse has asked me to help him document a kill. | 0:12:04 | 0:12:08 | |
I'm pretty sure it's not going to happen with so many witnesses present. | 0:12:08 | 0:12:12 | |
I mean, we are, | 0:12:15 | 0:12:17 | |
the same as anybody trying to get a view of this cat, and yet we're part of a... | 0:12:17 | 0:12:21 | |
of a pressure group, if you like, that are moving in on her, | 0:12:21 | 0:12:25 | |
when really my instinct says, "Pull back, leave her be." | 0:12:25 | 0:12:29 | |
After 17 years of near misses, | 0:12:50 | 0:12:53 | |
I need to work out what Alphonse needs to do differently in order to film a tiger kill. | 0:12:53 | 0:12:57 | |
And to do this, I need to immerse myself in this unfamiliar world. | 0:12:57 | 0:13:01 | |
WARTHOG GRUNTS | 0:13:15 | 0:13:17 | |
HIGH, FRENETIC BIRDSONG | 0:13:21 | 0:13:23 | |
PEACOCKS CRY | 0:13:24 | 0:13:26 | |
I'm a guest here, I'm a guest at the invitation of Alphonse. | 0:13:44 | 0:13:48 | |
I'm humbled in his presence, he's a magnificent film-maker. | 0:13:48 | 0:13:52 | |
He's recorded events with tigers that nobody else has witnessed, let alone filmed. | 0:13:52 | 0:13:57 | |
But I have been invited here to help record that missing link in their lives - | 0:13:57 | 0:14:04 | |
hunting behaviour. | 0:14:04 | 0:14:06 | |
My experiences elsewhere, perhaps, can lend something to this exercise. | 0:14:06 | 0:14:11 | |
It may seem to some people, | 0:14:19 | 0:14:21 | |
that the desire to film or record animals killing other animals is a little morbid. | 0:14:21 | 0:14:26 | |
The truth is, whenever you witness a kill, yes, it can be disturbing. | 0:14:29 | 0:14:33 | |
You know it's a life being taken, | 0:14:33 | 0:14:35 | |
but there is a fundamental beauty, | 0:14:35 | 0:14:40 | |
to that terminal, that final embrace, which is unparalleled. | 0:14:40 | 0:14:47 | |
Tigers hunt alone, with none of the advantages a pride of lions can bring to the chase. | 0:15:33 | 0:15:38 | |
For a solitary cat, the ambush is everything. | 0:15:38 | 0:15:41 | |
The prey species have evolved extraordinary defences - | 0:16:02 | 0:16:05 | |
acute hearing, eyesight, and sense of smell. | 0:16:05 | 0:16:09 | |
Watching one of Chakra's inexperienced cubs hunting, | 0:16:13 | 0:16:17 | |
it's very clear that without surprise on their side, any tiger is facing very long odds. | 0:16:17 | 0:16:24 | |
DEER GIVES ALARM CALL | 0:16:26 | 0:16:28 | |
I do believe that we can record something special, | 0:16:35 | 0:16:39 | |
and, perhaps, that's never been seen before, by adopting entirely new methods, | 0:16:39 | 0:16:45 | |
that have no effect on the cats whatsoever. | 0:16:45 | 0:16:49 | |
WATER SPLASHES | 0:17:04 | 0:17:05 | |
Water holes are always a good place to meet the locals. | 0:17:08 | 0:17:11 | |
Predators know this, too. | 0:17:11 | 0:17:13 | |
PEACOCKS CRY | 0:17:26 | 0:17:28 | |
While Alphonse is off tracking down the tigers, | 0:17:43 | 0:17:46 | |
I've decided to put up a tree platform and wait and see what happens. | 0:17:46 | 0:17:49 | |
We know that Chakra and her family come here quite often. | 0:17:49 | 0:17:54 | |
PEACOCKS CRY | 0:18:08 | 0:18:11 | |
We've got one of our tree platforms in position overlooking this water hole. | 0:18:11 | 0:18:18 | |
You can see they're a frequent visitor because they use this tree as a scratching post, | 0:18:18 | 0:18:23 | |
just like your kitten at home, but...these aren't your average kitten. | 0:18:23 | 0:18:28 | |
This is where they come to stretch, exercise and maybe even clean their claws, | 0:18:28 | 0:18:33 | |
and er...you can see the grooves in this bark made by their claws are phenomenally deep. | 0:18:33 | 0:18:40 | |
It's a little bit sobering to see that some of the scratch marks reach to the same height as my platform, | 0:18:40 | 0:18:46 | |
so I'm going to have to keep an eye on them. | 0:18:46 | 0:18:48 | |
PEACOCKS CRY | 0:18:49 | 0:18:52 | |
FLURRY OF BIRD CALLS | 0:18:59 | 0:19:01 | |
PEACOCK CRIES | 0:19:12 | 0:19:14 | |
Typically, while Alphonse searches in another corner of the park, the entire family pays me a visit. | 0:19:19 | 0:19:26 | |
Although tigers don't have the climbing skills of leopards... | 0:19:39 | 0:19:42 | |
TIGER GROWLS | 0:19:42 | 0:19:43 | |
..I know from those claw marks that I'm not out of reach. | 0:19:43 | 0:19:46 | |
If this tiger wanted to join me, it could do it in a flash. | 0:19:46 | 0:19:50 | |
The cubs seem unperturbed by anything, | 0:19:53 | 0:19:58 | |
but I know their carefree world is about to be turned upside down. | 0:19:58 | 0:20:03 | |
Over the past 14 months, Chakra has seen to their every need. | 0:20:03 | 0:20:07 | |
But tigers aren't social cats and, very soon, she'll simply abandon them, | 0:20:09 | 0:20:13 | |
leaving them to make their own way in the jungle. | 0:20:13 | 0:20:16 | |
Even though the edges of the pool are fairly open, the jungle soon crowds in. | 0:20:51 | 0:20:55 | |
I realise a kill could be happening just a few feet from me, | 0:20:55 | 0:21:00 | |
and I wouldn't be able to get my camera onto it. | 0:21:00 | 0:21:03 | |
We're going to need as much visibility as possible, | 0:21:10 | 0:21:14 | |
and the open grasslands of the meadows are looking more and more attractive. | 0:21:14 | 0:21:18 | |
This is the killing field we've been looking for. | 0:21:19 | 0:21:22 | |
We've noticed an old forestry watchtower with a great panoramic view of the grasslands. | 0:21:34 | 0:21:39 | |
This is perfect. | 0:21:44 | 0:21:45 | |
Totally inconspicuous, we're not going to disturb anything from up here. | 0:21:45 | 0:21:50 | |
Anything. Completely. | 0:21:50 | 0:21:51 | |
Look at this stag. He's so preoccupied with the girls, | 0:21:51 | 0:21:54 | |
he's just walking through the long stuff. | 0:21:54 | 0:21:56 | |
What we don't want to happen now is a kill. | 0:21:56 | 0:21:59 | |
I've seen them many times on a kill in these grasslands. | 0:21:59 | 0:22:03 | |
Right here I've seen it and I've seen them as well on all the terrains, it's quite equally spread. | 0:22:03 | 0:22:08 | |
And because of this group of tigers - the mother with four cubs - the chances are fairly high for us. | 0:22:08 | 0:22:14 | |
I would say this is camera position number one. | 0:22:14 | 0:22:18 | |
The moment they go off into the forest, we may as well let them go. | 0:22:18 | 0:22:23 | |
-Exactly. -So we wait for events in this sort of clearing and then work that to the best of our ability. | 0:22:23 | 0:22:30 | |
Above all, we're out of the way of people and we won't disturb anything, I love it. | 0:22:30 | 0:22:34 | |
And I can have a flask... | 0:22:34 | 0:22:36 | |
and a sandwich. | 0:22:36 | 0:22:37 | |
Different cameramen have different approaches to their subject. | 0:22:38 | 0:22:42 | |
The tower gives me a bird's-eye view of Alphonse and a chance to study his methods. | 0:22:42 | 0:22:47 | |
Over the years, | 0:22:53 | 0:22:55 | |
he's perfected a strategy, using a combination of a forestry elephant and a 14-foot tripod. | 0:22:55 | 0:23:01 | |
He's documented some extraordinary behaviour. | 0:23:03 | 0:23:06 | |
It's stuff I'd never see from up here with my sit-and-wait tactics. | 0:23:08 | 0:23:14 | |
Alphonse has moved into the territory of another tigress, Chakra's sister, | 0:23:20 | 0:23:24 | |
who has a much younger litter of cubs. | 0:23:24 | 0:23:27 | |
Inevitably, the tigress must leave the cubs when she goes off to hunt, | 0:23:32 | 0:23:37 | |
and it's now that they face the greatest danger. | 0:23:37 | 0:23:40 | |
While Mother's away, the jungle is full of opportunists. | 0:23:40 | 0:23:44 | |
CUB GROWLS FEEBLY | 0:23:44 | 0:23:46 | |
The limestone cliffs of Bandhavgarh are honeycombed with caves, | 0:23:59 | 0:24:03 | |
some of them natural, others that were excavated by holy men and hermits millennia ago. | 0:24:03 | 0:24:09 | |
As the tigress returns to the den, she clearly senses something isn't right. | 0:24:14 | 0:24:20 | |
TENSE, SYNCOPATED MUSIC PLAYS | 0:24:20 | 0:24:22 | |
MUSIC BUILDS TO CLIMAX AND STOPS | 0:24:49 | 0:24:52 | |
BEAR ROARS AND PANTS VIOLENTLY | 0:24:52 | 0:24:54 | |
TIGER GROWLS | 0:24:58 | 0:25:01 | |
TIGER GROWLS | 0:25:11 | 0:25:13 | |
A tiger's diet includes bear, but with her priorities to her cubs, she won't risk any injury. | 0:25:26 | 0:25:33 | |
I've never before seen something like this. | 0:25:50 | 0:25:53 | |
It is an extraordinary and rare moment, | 0:26:15 | 0:26:19 | |
but it's becoming clear to me that if it is a tiger kill we're after, | 0:26:19 | 0:26:24 | |
the elephants are not the answer to our quest. | 0:26:24 | 0:26:26 | |
CAMERA WHIRS | 0:26:34 | 0:26:35 | |
They love the water, which is very unlike African lions. | 0:26:38 | 0:26:43 | |
CAMERA CLICKS | 0:26:47 | 0:26:49 | |
Hi, Simon. | 0:26:50 | 0:26:52 | |
I manage to persuade Alphonse to give up the elephants for a day and come up to the tower with me. | 0:26:52 | 0:26:57 | |
And we are rewarded almost immediately. | 0:27:02 | 0:27:05 | |
CRICKETS CHIRP | 0:27:05 | 0:27:07 | |
DEER GIVES ALARM CALL | 0:27:38 | 0:27:40 | |
It is a very near miss and persuades me that we must concentrate our energies here. | 0:28:12 | 0:28:18 | |
And then, just when I thought we've found the perfect spot, everything stops. | 0:28:23 | 0:28:29 | |
Reports come back that Chakra has taken her family high up onto the plateau. | 0:28:40 | 0:28:45 | |
Until they decide to come down again, there's nothing to do except wait, and explore. | 0:28:45 | 0:28:50 | |
Bandhavgarh has one of the highest concentrations of tigers | 0:29:01 | 0:29:03 | |
anywhere in India. | 0:29:03 | 0:29:05 | |
This may, ironically, owe a lot to the region's origins | 0:29:05 | 0:29:10 | |
as the hunting reserve of the Maharajahs of Riva. | 0:29:10 | 0:29:13 | |
Hunting tigers was the ultimate privilege, a right that was jealously guarded by local rulers. | 0:29:16 | 0:29:23 | |
In the past, every self-respecting Maharajah would have shot 109 trophies. | 0:29:29 | 0:29:35 | |
That was considered to be the lucky number. | 0:29:35 | 0:29:38 | |
A week later, and Chakra and her family are still nowhere to be seen. | 0:30:11 | 0:30:17 | |
And with no sign of them, Alphonse decides it's time to adopt some extraordinary local measures. | 0:30:17 | 0:30:23 | |
Alphonse explains how in Hindu mythology, | 0:30:35 | 0:30:39 | |
Brahma is the giver of life, while Shiva is the destroyer. | 0:30:39 | 0:30:42 | |
Between the two lies Vishnu, the preserver. | 0:30:42 | 0:30:47 | |
At the foot of the plateau, a massive granite statue of Vishnu has slept for 1,200 years. | 0:30:49 | 0:30:55 | |
It's here that offerings are traditionally made and when in Rome, as they say... | 0:30:55 | 0:31:03 | |
Hinduism's reverence for life provided the world | 0:31:08 | 0:31:12 | |
with its first green manual for coexistence. | 0:31:12 | 0:31:16 | |
Vishnu says, "All creatures are like jewels in a necklace beaded to me." | 0:31:16 | 0:31:22 | |
The tiger is the central thread that binds this ecosystem. | 0:31:26 | 0:31:29 | |
If the tiger disappears, then everything falls apart. | 0:31:29 | 0:31:34 | |
Tigers are crepuscular - they hunt at dusk and dawn. | 0:31:47 | 0:31:51 | |
Now, new technology is allowing us to peer into this last dark corner of the tiger's life. | 0:31:53 | 0:32:01 | |
This is the thermal imaging camera, Alphonse, and if I pan it across the meadow... | 0:32:01 | 0:32:09 | |
-Oh, what are these? -This is the deer, these are cheetah, | 0:32:11 | 0:32:15 | |
which you can just see now with the naked eye, but here they are glowing red. | 0:32:15 | 0:32:21 | |
We know this is deer. If you panned around and you suddenly picked up a cat shape, | 0:32:21 | 0:32:26 | |
you'd know that it was on its way, | 0:32:26 | 0:32:29 | |
so particularly from this vantage point, it gives us a real opportunity to spot what's going on. | 0:32:29 | 0:32:34 | |
-Classic! -It's fun, isn't it? | 0:32:34 | 0:32:36 | |
CAMERA WHIRS | 0:32:38 | 0:32:39 | |
BIRDS CRY | 0:32:39 | 0:32:41 | |
These thermal images have their own surreal beauty, | 0:32:50 | 0:32:53 | |
but, more importantly, they'll help us at first light find out what's going on in the meadow below. | 0:32:53 | 0:32:59 | |
An unmistakable outline, but this isn't Chakra. | 0:33:15 | 0:33:20 | |
Male tigers patrol huge territories, and this one's just passing through. | 0:33:37 | 0:33:42 | |
Chakra's family are back and what a spot to find them. | 0:34:16 | 0:34:20 | |
TIGER GROWLS | 0:35:32 | 0:35:33 | |
Time is running out. I've only got another week here in Bandhavgarh, | 0:35:36 | 0:35:40 | |
before I have to leave for another filming assignment in Scotland, | 0:35:40 | 0:35:44 | |
a world away from all this. | 0:35:44 | 0:35:46 | |
As I'm wondering how best to persuade Alphonse to stop following Chakra on elephant-back, | 0:35:49 | 0:35:55 | |
events take their own course. | 0:35:55 | 0:35:58 | |
He's just witnessed the Chakradhar female making a kill, really close to the elephant he's using, | 0:36:01 | 0:36:09 | |
but he hasn't managed to film it, and I'm not sure why. Oh... | 0:36:09 | 0:36:13 | |
Poor guy, he must feel...gutted. | 0:36:14 | 0:36:17 | |
At three points, we were there, perfect, we were there. It was going fine. | 0:36:22 | 0:36:27 | |
But at the fourth place, we had this chital give the alarm call, | 0:36:27 | 0:36:34 | |
and in a flash, we were just considering... | 0:36:34 | 0:36:37 | |
Because we're in the moving elephant, the tiger's moving, you know. | 0:36:37 | 0:36:41 | |
DEER GIVE ALARM CALLS | 0:36:42 | 0:36:45 | |
It's just that I'm not lucky. I mean... | 0:36:48 | 0:36:50 | |
He's invested so much of his time, his energy, his passion, in these animals, | 0:36:57 | 0:37:04 | |
and to come so close and have it slip through your fingers is agonising. | 0:37:04 | 0:37:11 | |
I'm really uncomfortable working with the elephants. | 0:37:26 | 0:37:30 | |
I just don't think we're going to see what we want to see with hunting, using it at the moment. | 0:37:30 | 0:37:35 | |
I don't know if you're comfortable with this idea, | 0:37:35 | 0:37:39 | |
but I would much rather we used the elephants to spot the cats in the first place, | 0:37:39 | 0:37:43 | |
and then pull out, don't be near them, don't sit watching them. | 0:37:43 | 0:37:46 | |
Right, right. The stalking - this particular female, the way she's doing it - | 0:37:46 | 0:37:50 | |
she is doing it by the edge of the forest, and chital are usually living on the edge of the forest, | 0:37:50 | 0:37:56 | |
-between the forest and the grassland. -Perfect. Let's do it. | 0:37:56 | 0:37:59 | |
ELEPHANT TRUMPETS | 0:38:05 | 0:38:07 | |
Ever since the missed kill, I feel Alphonse and I have turned a corner. | 0:38:07 | 0:38:11 | |
The elephants are now only being used for tracking, | 0:38:11 | 0:38:14 | |
and all our energies are focused on the tower and toward one goal. | 0:38:14 | 0:38:18 | |
ELEPHANT RUMBLES | 0:38:25 | 0:38:27 | |
DEER CRIES | 0:38:41 | 0:38:43 | |
I've got very little time left here in India, just a few days left, | 0:39:02 | 0:39:06 | |
and I am sure, that, even if I don't get it, then Alphonse will in the very, very near future, | 0:39:06 | 0:39:13 | |
and particularly, if we can deploy some of the methods we've been honing over the past week or so. | 0:39:13 | 0:39:20 | |
I, personally, would love to witness that event, | 0:39:23 | 0:39:27 | |
but if Alphonse manages to record it and I see it later, | 0:39:27 | 0:39:30 | |
I'll be even more delighted because he's spent so many years following these beautiful cats. | 0:39:30 | 0:39:37 | |
He knows them intimately, he knows them as individuals. | 0:39:37 | 0:39:40 | |
It's my last visit to the tower. | 0:39:56 | 0:40:00 | |
Go ahead. | 0:40:06 | 0:40:08 | |
'Simon, I was heading back to say farewell to you, | 0:40:08 | 0:40:11 | |
'but I just got this message that they've found all the four cubs and the mother together.' | 0:40:11 | 0:40:16 | |
That's amazing. | 0:40:16 | 0:40:18 | |
So all five back in the same space. | 0:40:18 | 0:40:20 | |
Alphonse, as you know, I've got a lot of packing to do, and I'm not going to be able to stay around. | 0:40:22 | 0:40:27 | |
Er...good luck. It's been a tremendous pleasure, | 0:40:27 | 0:40:31 | |
and, um...look forward to catching up with you soon. Over. | 0:40:31 | 0:40:35 | |
'Thank you, Simon. I'm really feeling bad that I am not able to come and say bye to you, | 0:40:35 | 0:40:39 | |
'and if I ever caught a kill from that tower, | 0:40:39 | 0:40:42 | |
'I will name the tower in your honour, and call it Simon King Tower.' | 0:40:42 | 0:40:46 | |
That's very sweet of you, Alphonse, thank you, and, er...it's going to happen and you'll see it from here. | 0:40:46 | 0:40:52 | |
Good luck, speak to you soon, over. | 0:40:52 | 0:40:54 | |
'Bye.' | 0:40:55 | 0:40:56 | |
I hate this moment where I have to pull away from a place, | 0:41:01 | 0:41:05 | |
that I've grown to understand a little and to begin to love. | 0:41:05 | 0:41:12 | |
And especially when you're working with such charismatic creatures as tigers. | 0:41:20 | 0:41:24 | |
I came here with the ambition to see one. | 0:41:28 | 0:41:31 | |
That ambition has blossomed and developed into watching much more intimate elements of their lives, | 0:41:31 | 0:41:39 | |
so I'm going to leave here with, um...very mixed emotions. | 0:41:39 | 0:41:43 | |
Summer has set in, temperatures are rising to the high 40s, | 0:42:01 | 0:42:04 | |
but Alphonse tells me the hotter it gets, the better his chances. | 0:42:04 | 0:42:09 | |
The tigers don't go up to the plateau any more. | 0:42:23 | 0:42:25 | |
That has turned, under the sun, into a huge, rocky radiator, hot both by day and night. | 0:42:25 | 0:42:32 | |
Under the branches, the jungles are muggy and oppressive. | 0:42:45 | 0:42:49 | |
Only in the open grasslands do welcome breezes bring relief to the herds. | 0:42:49 | 0:42:55 | |
The killing fields are crowded. | 0:42:55 | 0:42:58 | |
As I thought of Alphonse on his tower, I began to realise what a daunting task we'd set ourselves, | 0:43:21 | 0:43:26 | |
and exactly why filming a tiger kill has eluded so many for so long. | 0:43:26 | 0:43:31 | |
Massive human pressure and loss of habitat | 0:43:37 | 0:43:41 | |
has seen tiger populations fall by more than 90%. | 0:43:41 | 0:43:45 | |
Today, hunting has been replaced by poaching to still further reduce their numbers. | 0:43:45 | 0:43:50 | |
The dense undergrowth of the Indian jungle and the tiger's solitary, semi-nocturnal lifestyle, | 0:44:00 | 0:44:06 | |
combines to make the possibility of seeing | 0:44:06 | 0:44:09 | |
one of the remaining 2,000 or so tigers left in the wild actually make a kill very remote. | 0:44:09 | 0:44:16 | |
But I also knew that Chakra was a formidable hunter. | 0:44:23 | 0:44:27 | |
ALPHONSE SPEAKS TO HIS COLLEAGUES | 0:45:19 | 0:45:21 | |
She's got it, man, she's got it! | 0:45:47 | 0:45:49 | |
I'm feeling top of the world, man! | 0:46:17 | 0:46:19 | |
PHONE RINGS | 0:46:21 | 0:46:23 | |
-Hi, Alphonse? -'Simon, we got the kill, we got the kill this morning.' -Ha-ha! That is such good news! | 0:46:23 | 0:46:30 | |
Yeah, it's the female. It's the Chakradhar female. | 0:46:30 | 0:46:33 | |
She came there in the morning. She came into the grassland and then, we just climbed up the watchtower, | 0:46:33 | 0:46:38 | |
-and we looked out and the tigress was standing there in the centre of the grassland. -Amazing. | 0:46:38 | 0:46:43 | |
Then she walked away, straight towards the forest. | 0:46:43 | 0:46:46 | |
We thought, that's the end of the game and she was moving away. | 0:46:46 | 0:46:49 | |
And that's when suddenly, she went, caught it, | 0:46:49 | 0:46:53 | |
and held it for probably two or three minutes. | 0:46:53 | 0:46:57 | |
Then she carried the kill, walked out, majestically out, in the grassland, then took it undercover. | 0:47:01 | 0:47:06 | |
I mean, we were shell-shocked. | 0:47:06 | 0:47:08 | |
-17 years, Alphonse... -Yeah. -..you got it! | 0:47:12 | 0:47:17 | |
-Thanks a lot for the call, Simon. -Yep, you're a star. Well done. | 0:47:17 | 0:47:20 | |
Blimey! | 0:47:24 | 0:47:26 | |
I know of only one other clear shot of a tiger kill. | 0:47:38 | 0:47:42 | |
Alphonse's determination has been rewarded, documenting this elusive, fleeting moment. | 0:47:45 | 0:47:51 | |
In doing so, he's added an important layer to our appreciation and understanding | 0:48:00 | 0:48:07 | |
of these beautiful, but critically endangered, animals. | 0:48:07 | 0:48:11 | |
Subtitles by Ericsson | 0:48:24 | 0:48:27 |