Browse content similar to Elsa: The Lioness that Changed the World. Check below for episodes and series from the same categories and more!
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In 1956, George Adamson, a game warden in northern Kenya, | 0:00:17 | 0:00:23 | |
was sent to track down a man-eating lion | 0:00:23 | 0:00:26 | |
that had been terrorising several villages. | 0:00:26 | 0:00:29 | |
While looking for the lion, he startled a lioness... | 0:00:29 | 0:00:33 | |
..and when she charged, George shot her dead. | 0:00:35 | 0:00:38 | |
Afterwards, he saw the lioness was with milk, | 0:00:50 | 0:00:53 | |
discovered three cubs nearby and chose to rescue them. | 0:00:53 | 0:00:59 | |
George brought the cubs back to camp for his wife, Joy Adamson. | 0:00:59 | 0:01:04 | |
This spur of the moment decision would make one of the cubs a legend | 0:01:08 | 0:01:11 | |
and led to the feature film Born Free. | 0:01:11 | 0:01:14 | |
Oh, you've been very successful, haven't you? | 0:01:14 | 0:01:17 | |
Joy, can you spare a minute? | 0:01:17 | 0:01:18 | |
Yes, I suppose so. What is it? | 0:01:18 | 0:01:20 | |
Well, I've a little something for you. | 0:01:20 | 0:01:23 | |
Ohhh! | 0:01:26 | 0:01:29 | |
Joy fell in love with the cubs and wanted to raise them by hand. | 0:01:29 | 0:01:34 | |
However, as they grew, they became harder to handle and more dangerous. | 0:01:34 | 0:01:38 | |
Eventually the Adamsons agreed to let two go to a zoo in Europe, | 0:01:41 | 0:01:45 | |
but decided to keep the weakest, the one they named Elsa. | 0:01:45 | 0:01:49 | |
The unique bond Elsa and the Adamsons achieved | 0:01:51 | 0:01:54 | |
would radically alter the way that we relate to lions forever. | 0:01:54 | 0:01:57 | |
It was like a pebble landing in a pool that set off a series | 0:01:59 | 0:02:02 | |
of dramatic, unpredictable and sometimes tragic events | 0:02:02 | 0:02:06 | |
that still resonate with us today. | 0:02:06 | 0:02:08 | |
In the 21st century, the fate of the most feared animal in Africa | 0:02:20 | 0:02:24 | |
hangs in the balance. | 0:02:24 | 0:02:26 | |
Experts estimate that there are now just 10% of the lions that existed | 0:02:27 | 0:02:33 | |
when Born Free was released in 1966. | 0:02:33 | 0:02:36 | |
The film raised the possibility of having an emotional connection | 0:02:42 | 0:02:46 | |
with a wild predator, previously only thought of as a killer. | 0:02:46 | 0:02:50 | |
The initial amazement is that shot | 0:02:52 | 0:02:55 | |
in which Joy Adamson puts her arms around the lioness' neck | 0:02:55 | 0:03:03 | |
and the lioness certainly doesn't act aggressively. | 0:03:03 | 0:03:07 | |
What caught the imagination | 0:03:07 | 0:03:08 | |
was the successful release of Elsa back into the wild. | 0:03:08 | 0:03:12 | |
More than a film or a book, Born Free became a fable | 0:03:12 | 0:03:17 | |
of the return to nature and aroused our passion to fight | 0:03:17 | 0:03:20 | |
for the freedom that all animals should have in the natural world. | 0:03:20 | 0:03:23 | |
You have this fixed idea. | 0:03:23 | 0:03:25 | |
What's wrong with a zoo anyway? | 0:03:25 | 0:03:27 | |
Nothing... except that she won't be free. | 0:03:27 | 0:03:29 | |
-And is freedom so important? -Yes. | 0:03:29 | 0:03:33 | |
Yes. She was born free and she has the right to live free. | 0:03:33 | 0:03:37 | |
-Virginia McKenna's life was changed forever by playing Joy Adamson in the film. | 0:03:41 | 0:03:46 | |
It's so wonderful that this story is still alive. | 0:03:46 | 0:03:53 | |
It's like a beacon of hope in a rather sad and violent world. | 0:03:53 | 0:03:58 | |
Both Joy and George would ultimately meet brutal and savage ends. | 0:04:00 | 0:04:05 | |
But in the '50s, the Africa that led them into the Born Free story | 0:04:05 | 0:04:10 | |
was one of romance and adventure. | 0:04:10 | 0:04:13 | |
The bush was still true wilderness | 0:04:13 | 0:04:16 | |
and they were drawn towards the freedom it offered. | 0:04:16 | 0:04:19 | |
As a game warden, George looked after an area the size of Britain. | 0:04:19 | 0:04:24 | |
There were wild animals everywhere and barely a human in sight. | 0:04:24 | 0:04:28 | |
George and Joy filmed their encounters | 0:04:32 | 0:04:36 | |
with lions and other animals. | 0:04:36 | 0:04:38 | |
All the home movie footage of Elsa in this film was shot by them. | 0:04:38 | 0:04:42 | |
The Adamsons also kept a written record of their lives. | 0:04:44 | 0:04:48 | |
Most people know the Born Free story | 0:04:48 | 0:04:51 | |
through the film based on Joy's book. | 0:04:51 | 0:04:54 | |
But the other star was George, perhaps the real hero. | 0:04:55 | 0:05:00 | |
He dedicated his whole working life to protecting lions | 0:05:00 | 0:05:04 | |
in a time when they were still considered vermin | 0:05:04 | 0:05:06 | |
and foresaw many of the problems we face today. | 0:05:06 | 0:05:10 | |
In the 1980s he wrote... | 0:05:10 | 0:05:13 | |
"Quite often our work is called a waste of time and resources, | 0:05:13 | 0:05:18 | |
"as lions are not endangered as a species. | 0:05:18 | 0:05:21 | |
"This is true at the moment, but as a yardstick for action, | 0:05:21 | 0:05:26 | |
"is dangerously short-sighted. | 0:05:26 | 0:05:27 | |
"The same might have been said of rhinos ten years ago." | 0:05:27 | 0:05:31 | |
Using the words of his diaries and books, | 0:05:31 | 0:05:34 | |
we are now able to get inside the head of a thoughtful man | 0:05:34 | 0:05:38 | |
who inspired all who came into contact with him. | 0:05:38 | 0:05:41 | |
George was one of the very first people who understood lion behaviour. | 0:05:44 | 0:05:49 | |
Read the signs. | 0:05:49 | 0:05:51 | |
That's what he taught us, read the body language. | 0:05:51 | 0:05:55 | |
That's what George told us, taught us, not by saying | 0:05:55 | 0:05:59 | |
anything but by his example because he wasn't like a schoolteacher. | 0:05:59 | 0:06:04 | |
He was just a wise and wonderful person | 0:06:04 | 0:06:07 | |
who by his example showed you the way. | 0:06:07 | 0:06:10 | |
When George and Joy decided to raise Elsa, | 0:06:12 | 0:06:15 | |
it's hard to appreciate how unique an experiment it was. | 0:06:15 | 0:06:20 | |
No-one had ever raised a lion out in the bush before | 0:06:20 | 0:06:23 | |
and it was impossible to tell what would happen. | 0:06:23 | 0:06:27 | |
At first, Elsa was distraught that she had lost her siblings. | 0:06:27 | 0:06:31 | |
"It was pathetic to see her searching for her sisters, | 0:06:32 | 0:06:36 | |
"and while she got over the loss of them, we let her sleep on our bed." | 0:06:36 | 0:06:40 | |
Joy's affection for Elsa was immense from the outset. | 0:06:43 | 0:06:47 | |
She had suffered three miscarriages, was unable to conceive again | 0:06:47 | 0:06:52 | |
and had a deep, unfulfilled longing for children. | 0:06:52 | 0:06:56 | |
So Elsa became part of the family. | 0:06:56 | 0:06:59 | |
"There is no doubt that our shared devotion to Elsa | 0:07:00 | 0:07:03 | |
"had brought Joy and me as close to each other as we'd ever been, | 0:07:03 | 0:07:08 | |
"just as a child might have done... | 0:07:08 | 0:07:10 | |
"and Elsa took the place of a child in our family album." | 0:07:10 | 0:07:14 | |
Her emotion was huge, enormous. | 0:07:16 | 0:07:19 | |
I felt deeply sorry for her actually because she cared so much about that animal. | 0:07:19 | 0:07:24 | |
It was like as if Elsa was her child, absolutely. | 0:07:24 | 0:07:28 | |
She poured every ounce of love that you would give to a child into Elsa. | 0:07:28 | 0:07:33 | |
I was lucky to have some very fine people in my life | 0:07:33 | 0:07:38 | |
including what I thought human love means. | 0:07:38 | 0:07:42 | |
But with Elsa it was a love which was something quite different. | 0:07:42 | 0:07:46 | |
Elsa's natural instinct was playful. | 0:07:46 | 0:07:49 | |
Lion cubs learn by rough and tumble in the wild. | 0:07:49 | 0:07:53 | |
But it soon became clear, | 0:07:53 | 0:07:55 | |
as Elsa grew and gained strength, that in spite of the Adamsons' | 0:07:55 | 0:07:58 | |
special bond with her, she would need to roam further than their camp | 0:07:58 | 0:08:02 | |
to fulfil her potential as a lioness in her natural environment. | 0:08:02 | 0:08:05 | |
"We began to plan her education for life in the wild, | 0:08:08 | 0:08:12 | |
"for Joy and I were as one that she should not end up in a zoo. | 0:08:12 | 0:08:16 | |
"Despite all of my years as a warden | 0:08:16 | 0:08:19 | |
"and my particular interest in lions, | 0:08:19 | 0:08:22 | |
"I had no real knowledge how to set about our self-appointed task. | 0:08:22 | 0:08:27 | |
"As far as I could discover, | 0:08:27 | 0:08:29 | |
"literally no-one had attempted such a thing before. | 0:08:29 | 0:08:33 | |
"Everyday we used to take her out for walks, | 0:08:35 | 0:08:38 | |
"down the river and up the river. | 0:08:38 | 0:08:41 | |
"And when we came across waterbuck, she'd learn to stalk them." | 0:08:41 | 0:08:46 | |
George got to know Elsa intimately | 0:08:54 | 0:08:57 | |
as he reawakened her natural instincts. | 0:08:57 | 0:09:01 | |
But in spite of Elsa learning to hunt, | 0:09:01 | 0:09:03 | |
he quickly saw she had an especially gentle and loving character. | 0:09:03 | 0:09:07 | |
George began to realise that every animal is unique, | 0:09:09 | 0:09:12 | |
an idea that was novel at the time. | 0:09:12 | 0:09:15 | |
Westerners saw lions as part of a sport - | 0:09:17 | 0:09:20 | |
trophies to be shot for fun. | 0:09:20 | 0:09:23 | |
Local tribesmen killed them out of necessity, | 0:09:26 | 0:09:29 | |
but nobody related to them as individuals. | 0:09:29 | 0:09:32 | |
The strong bond that Elsa had with the Adamsons | 0:09:40 | 0:09:44 | |
gave George a problem when he tried to release her back into the wild. | 0:09:44 | 0:09:47 | |
She wasn't yet ready for the dangers that lay in wait. | 0:09:49 | 0:09:54 | |
She became ill, got hungry and was attacked by wild lions. | 0:09:54 | 0:09:59 | |
That made her attach herself even more to the Adamsons. | 0:09:59 | 0:10:02 | |
"Tried to leave Elsa behind, but she followed us back to camp and slept in my tent. | 0:10:08 | 0:10:14 | |
"Behaved very badly and chewed my pillow. | 0:10:14 | 0:10:17 | |
"Sat on my bed and broke it! | 0:10:17 | 0:10:21 | |
"It's really heart-rending to leave Elsa in the bush alone. | 0:10:21 | 0:10:25 | |
"Like deserting our child. | 0:10:25 | 0:10:27 | |
"It seems so shabby to wait until she's asleep and steal away. | 0:10:27 | 0:10:32 | |
"What makes it doubly difficult | 0:10:32 | 0:10:34 | |
"is her obvious pleasure at seeing us every time. | 0:10:34 | 0:10:38 | |
"The same old affection for us. | 0:10:38 | 0:10:40 | |
"How she is so gentle and no attempt to jump at us." | 0:10:40 | 0:10:45 | |
Gradually she did learn to fend for herself, | 0:10:47 | 0:10:49 | |
to hunt and to cope with the dangers of the big wide world. | 0:10:49 | 0:10:54 | |
"Probably Elsa's most remarkable step forward at this time | 0:11:00 | 0:11:04 | |
"was in exercising extraordinary self-control. | 0:11:04 | 0:11:07 | |
"She somehow learned to reconcile the reactions of being a wild lioness | 0:11:07 | 0:11:12 | |
"with those of a young lion who had imprinted, almost at birth, on her human foster parents." | 0:11:12 | 0:11:19 | |
This, to my mind, is one of the most remarkable photographs | 0:11:23 | 0:11:27 | |
that's ever been taken of a lion. | 0:11:27 | 0:11:29 | |
It shows Elsa, | 0:11:29 | 0:11:31 | |
the famous lioness that was reared by Joy and George Adamson. | 0:11:31 | 0:11:34 | |
She had just killed this buffalo, killed it for herself. | 0:11:34 | 0:11:39 | |
And yet at this moment, when all her most powerful instincts of savagery, | 0:11:39 | 0:11:43 | |
the instincts of a hunter, were aroused, | 0:11:43 | 0:11:45 | |
she allowed these two men to drag her prey, her kill, from her | 0:11:45 | 0:11:51 | |
and yet do nothing whatever to prevent them. | 0:11:51 | 0:11:54 | |
She thus proved that she was a lioness of two worlds, | 0:11:54 | 0:11:57 | |
a lioness who could live in the world of the wild savage bush | 0:11:57 | 0:12:01 | |
and also in the world of human beings. | 0:12:01 | 0:12:03 | |
Elsa walked the tightrope between a wild and domestic life, | 0:12:09 | 0:12:14 | |
a constant worry for her surrogate parents. | 0:12:14 | 0:12:17 | |
Worst of all was when she disappeared for a full six weeks. | 0:12:19 | 0:12:24 | |
As Elsa was used to humans providing food, she could have easily walked | 0:12:24 | 0:12:28 | |
into trouble with local tribesmen, or hunters who would have killed her instantly. | 0:12:28 | 0:12:33 | |
Then, on Christmas Day, Joy and George received the best present they could ever have dreamt of. | 0:12:42 | 0:12:48 | |
"She called from the river in an unusual way | 0:12:54 | 0:12:58 | |
"and stood near the bank with three cubs at her side. | 0:12:58 | 0:13:03 | |
"It was one of the greatest sights of our lives." | 0:13:05 | 0:13:07 | |
Being the first hand-reared lion to breed successfully in the wild, | 0:13:14 | 0:13:18 | |
Elsa had made history. | 0:13:18 | 0:13:20 | |
Joy celebrated their successful rearing of an orphan lion | 0:13:23 | 0:13:27 | |
by writing the book, Born Free. | 0:13:27 | 0:13:29 | |
There was great anticipation on its release | 0:13:29 | 0:13:32 | |
and it was an immediate international smash hit, | 0:13:32 | 0:13:35 | |
being translated into 25 different languages | 0:13:35 | 0:13:38 | |
and selling six millions copies in its first year. | 0:13:38 | 0:13:41 | |
I got a telegram saying, | 0:13:46 | 0:13:49 | |
there is a new book coming out about a lioness, we have permission | 0:13:49 | 0:13:53 | |
to go and film it, will you go up there and do so, which I duly did. | 0:13:53 | 0:13:56 | |
When we arrived, | 0:13:56 | 0:13:59 | |
Joy would say, "Oh, I am in trouble, so, so much trouble, trouble. | 0:13:59 | 0:14:03 | |
"Elsa has been in a fight with a strange lioness. | 0:14:03 | 0:14:08 | |
"And she is injured and she's somewhere in the wilderness... | 0:14:08 | 0:14:12 | |
"We have..." So I thought oh, I have no star, | 0:14:12 | 0:14:15 | |
I mean, what is this thing about? | 0:14:15 | 0:14:17 | |
So I got out a camp bed and I went to sleep. | 0:14:17 | 0:14:22 | |
And I woke with a huge weight on my, on my chest and the most appalling | 0:14:22 | 0:14:29 | |
halitosis coming at me and I opened my eyes and there were these snaggled | 0:14:29 | 0:14:33 | |
saliva of the underside of a lion's jaw, and its weight on me. | 0:14:33 | 0:14:40 | |
So I realised that a lion is lying on top of me, what do I do now? | 0:14:40 | 0:14:45 | |
And before I could make up my mind to do anything in particular, | 0:14:47 | 0:14:53 | |
I heard Joy saying "Elsa, my liebchen" | 0:14:53 | 0:14:56 | |
and this huge great thing uncurls and plodded over and she saw Joy, | 0:14:56 | 0:15:02 | |
which was a great relief as far as I was concerned. | 0:15:02 | 0:15:05 | |
But that was my introduction to Elsa. | 0:15:05 | 0:15:07 | |
She certainly was injured. | 0:15:09 | 0:15:12 | |
And Joy treated her wounds and stroking her | 0:15:12 | 0:15:17 | |
and feeling very tender. | 0:15:17 | 0:15:18 | |
And that evening Joy said, "George, | 0:15:20 | 0:15:23 | |
"you must go and shoot this lioness who is injuring my Elsa". | 0:15:23 | 0:15:30 | |
And George said, cos he always had a pipe in his mouth, | 0:15:30 | 0:15:34 | |
never wore a shirt, I never saw him in a shirt. | 0:15:34 | 0:15:37 | |
And George said, "Grr mmm grr" | 0:15:37 | 0:15:39 | |
and Joy then lost her temper and said, "You're so, so idle, George, | 0:15:39 | 0:15:46 | |
"you must go and shoot this animal who is injuring my Elsa". | 0:15:46 | 0:15:51 | |
And then it became a really, | 0:15:51 | 0:15:54 | |
an embarrassing argument, I mean, you know, we'd only just arrived | 0:15:54 | 0:15:58 | |
and here was husband and wife rowing | 0:15:58 | 0:16:01 | |
in the most violent way and, er, and I was so embarrassed I got up | 0:16:01 | 0:16:06 | |
and left the tent and went out and looked at the African moon. | 0:16:06 | 0:16:10 | |
And Joy came running afterwards and said "Oh, please David, I know you | 0:16:10 | 0:16:13 | |
"think it's so terrible I'm talking to George in that way but he is so, | 0:16:13 | 0:16:17 | |
he is so idle and I love Elsa more than I love any man", she said. | 0:16:17 | 0:16:24 | |
Oh, well. Mmm. | 0:16:24 | 0:16:26 | |
The blissful relationship portrayed in the book was far from the truth. | 0:16:26 | 0:16:32 | |
Joy and George were in fact at loggerheads | 0:16:32 | 0:16:35 | |
and would spend most of the rest of their lives apart. | 0:16:35 | 0:16:39 | |
"She had what you might call an artistic temperament. | 0:16:39 | 0:16:43 | |
"She was not at all easy to get along with. | 0:16:43 | 0:16:46 | |
"We used to have some terrible rows. | 0:16:46 | 0:16:49 | |
"Joy very difficult, created scene while I was having lunch. | 0:16:49 | 0:16:55 | |
"She left the table and went to her room. | 0:16:55 | 0:16:57 | |
"A minute later I heard a shot! | 0:16:57 | 0:17:00 | |
"She had fired off her revolver to frighten me into thinking | 0:17:00 | 0:17:04 | |
"she had committed suicide." | 0:17:04 | 0:17:07 | |
Clearly there was more going on | 0:17:07 | 0:17:09 | |
than the fairy tale portrayed by the Born Free book. | 0:17:09 | 0:17:13 | |
And not only with the Adamsons. | 0:17:13 | 0:17:15 | |
Elsa's rehabilitation back into the wild was more dangerous | 0:17:16 | 0:17:20 | |
than the book implied. | 0:17:20 | 0:17:23 | |
The Kenyan bush is a violent and unforgiving place | 0:17:23 | 0:17:26 | |
where wild prides will always fight off a lone lioness. | 0:17:26 | 0:17:30 | |
The truth was that it was a minor miracle that Elsa survived at all. | 0:17:32 | 0:17:36 | |
"I always regretted not keeping Elsa's sisters. | 0:17:41 | 0:17:44 | |
"It had made her rehabilitation far more difficult. | 0:17:44 | 0:17:49 | |
"I do not think she would have managed it in more open country, | 0:17:49 | 0:17:54 | |
"or without Joy and me to provide her with an occasional kill." | 0:17:54 | 0:17:58 | |
The idea of putting a lion back in the wild is actually pretty scary for the lion | 0:18:01 | 0:18:06 | |
because the wild is not a safe, happy place - | 0:18:06 | 0:18:10 | |
it's constant gang warfare. | 0:18:10 | 0:18:12 | |
And if you're one lion against many and you don't know your way around | 0:18:12 | 0:18:16 | |
and they know every inch, and they also know the whole social network. | 0:18:16 | 0:18:20 | |
And there's somebody new here, what is that? | 0:18:20 | 0:18:23 | |
And they're going to come looking for you in the dark and be ready to nail you. | 0:18:23 | 0:18:29 | |
That's the problem. Nobody wants to see the way it really is, | 0:18:31 | 0:18:35 | |
the way it really is out here is truly vicious and nasty. | 0:18:35 | 0:18:38 | |
Born Free is a deep, deep myth, | 0:18:44 | 0:18:48 | |
and it is a lovely encouraging myth that we are at one with nature | 0:18:48 | 0:18:52 | |
and that nothing awful ever happens. | 0:18:52 | 0:18:55 | |
Death and destruction and pain and agony is not part of that myth. | 0:18:55 | 0:18:59 | |
It happens to be part of the natural world. | 0:18:59 | 0:19:02 | |
And it was the relentless force of nature that struck Elsa down. | 0:19:03 | 0:19:08 | |
But it wasn't another lion that got the better of her. | 0:19:10 | 0:19:13 | |
She caught a tick fever whilst Joy was heading back from London. | 0:19:13 | 0:19:18 | |
George kept notes of exactly what happened. | 0:19:18 | 0:19:21 | |
He knew Joy's heart would be broken if Elsa didn't make it through. | 0:19:21 | 0:19:27 | |
"It was a terrible and harrowing sight. | 0:19:27 | 0:19:31 | |
"It even crossed my mind that I ought to put her out of her misery, | 0:19:31 | 0:19:35 | |
"but I believed there was still a chance that you might arrive with a vet in time to help." | 0:19:35 | 0:19:41 | |
"At about 4.30am, I called all the men of the camp. | 0:19:44 | 0:19:50 | |
"Together, we put Elsa on my camp bed | 0:19:50 | 0:19:53 | |
"and with much difficulty carried her back to my tent. | 0:19:53 | 0:19:58 | |
"As dawn was breaking, | 0:19:59 | 0:20:01 | |
"she suddenly got up, walked to the front of the tent and collapsed. | 0:20:01 | 0:20:06 | |
"I held her head in my lap. | 0:20:06 | 0:20:09 | |
"A few minutes later she sat up, | 0:20:09 | 0:20:12 | |
gave a most heartrending and terrible cry and fell over." | 0:20:12 | 0:20:19 | |
"Elsa was dead. | 0:20:19 | 0:20:22 | |
"My Elsa gone! | 0:20:22 | 0:20:24 | |
"Gone the most wonderful friend | 0:20:24 | 0:20:25 | |
"and part of my life which nothing can replace. | 0:20:25 | 0:20:29 | |
"Why should it be? | 0:20:29 | 0:20:32 | |
"Something which has created nothing but goodwill and love all over the world." | 0:20:32 | 0:20:37 | |
"I buried Elsa under the target tree | 0:20:42 | 0:20:46 | |
"and got the scouts to fire three volleys over the grave." | 0:20:46 | 0:20:50 | |
The impact of Elsa's life and her death | 0:20:58 | 0:21:02 | |
and her relationship with George and Joy Adamson | 0:21:02 | 0:21:05 | |
has had an impact beyond description really | 0:21:05 | 0:21:09 | |
because I don't think really before that animals were ever looked at as individual beings. | 0:21:09 | 0:21:15 | |
They were just lions or elephants or monkeys or whatever. | 0:21:15 | 0:21:19 | |
But through the Adamsons' life with her, | 0:21:19 | 0:21:24 | |
the whole understanding of human beings to individual animals began. | 0:21:24 | 0:21:32 | |
It was as if there wasn't any separation, that's what I like | 0:21:32 | 0:21:36 | |
about, you know we say animals and humans, because we are all | 0:21:36 | 0:21:41 | |
in the same basket, we really are. | 0:21:41 | 0:21:43 | |
And we don't take enough time to understand what they do, | 0:21:43 | 0:21:48 | |
we're so busy thinking of ourselves and what we do. | 0:21:48 | 0:21:51 | |
So Elsa and the Adamsons kind of started this off, I think, | 0:21:51 | 0:21:56 | |
and probably changed the way a lot of people think about other creatures, | 0:21:56 | 0:22:00 | |
I think, I'm sure they did. | 0:22:00 | 0:22:02 | |
Elsa continued to provide fresh new insights into the world of lions from beyond the grave. | 0:22:10 | 0:22:16 | |
She gained immortality through the feature film Born Free. | 0:22:16 | 0:22:21 | |
Virginia McKenna was cast as Joy, her husband Bill Travers played George | 0:22:21 | 0:22:26 | |
and George himself was the chief lion advisor. | 0:22:26 | 0:22:29 | |
What went on behind the scenes perhaps reveals more | 0:22:31 | 0:22:35 | |
about the nature of lions than the film itself. | 0:22:35 | 0:22:38 | |
At first, the producers wanted to use captive circus lions to star as Elsa. | 0:22:38 | 0:22:43 | |
However well trained, they were still huge beasts | 0:22:44 | 0:22:48 | |
that instinctively sensed fear in humans. | 0:22:48 | 0:22:52 | |
I must admit, when I first saw them, | 0:22:52 | 0:22:55 | |
my heart did skip a few beats because they were so huge. | 0:22:55 | 0:23:00 | |
It was quite daunting, | 0:23:00 | 0:23:02 | |
and I had a nice cup of tea when I came out. | 0:23:02 | 0:23:05 | |
The trouble was we could only do what the trainer said we could do. | 0:23:05 | 0:23:12 | |
So we never could just do what we felt. | 0:23:12 | 0:23:16 | |
The filming didn't go well. | 0:23:16 | 0:23:17 | |
Despite George's best efforts, | 0:23:17 | 0:23:20 | |
the lions became more aggressive with the actors. | 0:23:20 | 0:23:22 | |
There was something inherently wrong about captive animals | 0:23:22 | 0:23:26 | |
working on a film called Born Free. | 0:23:26 | 0:23:29 | |
George advised that they get a whole new group of lions | 0:23:31 | 0:23:34 | |
from around the world that hadn't had a rigid circus training | 0:23:34 | 0:23:38 | |
and would hopefully behave more naturally. | 0:23:38 | 0:23:41 | |
Eventually, 24 new lions arrived, | 0:23:42 | 0:23:45 | |
including three that would go on to play huge roles not only in the film | 0:23:45 | 0:23:50 | |
but also George's life. | 0:23:50 | 0:23:52 | |
Boy, Ugas and Girl. | 0:23:52 | 0:23:56 | |
George advised Virginia and Bill to walk with the lions every morning | 0:23:57 | 0:24:01 | |
for months to gain their trust. | 0:24:01 | 0:24:04 | |
They started to film in a completely new way | 0:24:04 | 0:24:07 | |
by encouraging the lions to behave naturally, not by commanding them. | 0:24:07 | 0:24:11 | |
It required great patience | 0:24:11 | 0:24:15 | |
and often George was just outside the edge of shot | 0:24:15 | 0:24:18 | |
encouraging a lion to act in a particular way. | 0:24:18 | 0:24:20 | |
Come on Elsa, get down! | 0:24:20 | 0:24:25 | |
But the danger of being close to lions was always apparent. | 0:24:30 | 0:24:33 | |
When playing with Boy in rehearsal, Virginia broke her ankle. | 0:24:33 | 0:24:38 | |
Bill's got this incredible photograph | 0:24:38 | 0:24:41 | |
of Boy absolutely just starting to spring at me, | 0:24:41 | 0:24:44 | |
and I'm going, "No, Boy", like this with my hands. | 0:24:44 | 0:24:47 | |
But...that was useless, of course he landed on me, plonk, | 0:24:47 | 0:24:51 | |
and I fell and my ankle just snapped. | 0:24:51 | 0:24:53 | |
She soldiered on, first filming in plaster and later with a limp. | 0:24:55 | 0:24:59 | |
And even after months of filming, it was clear that no-one could ever | 0:24:59 | 0:25:03 | |
fully trust a killer carnivore. | 0:25:03 | 0:25:06 | |
"Towards the end of filming, | 0:25:06 | 0:25:08 | |
"Ginny had to play a long and loving embrace | 0:25:08 | 0:25:11 | |
"with the lioness she knew best, Girl. | 0:25:11 | 0:25:14 | |
"But she sensed something was wrong. | 0:25:14 | 0:25:17 | |
"She was uneasy herself, the day was cloudy and cooler, | 0:25:17 | 0:25:21 | |
"the scene was set under a tree with its mysterious rustle and swaying. | 0:25:21 | 0:25:25 | |
"For the only time in her life, Girl turned on Ginny, | 0:25:25 | 0:25:30 | |
"took her by the arm in her teeth | 0:25:30 | 0:25:32 | |
"and firmly forced her face up on the ground. | 0:25:32 | 0:25:36 | |
"Very slowly and quietly, Bill and I had to move in | 0:25:36 | 0:25:40 | |
"to break up the clinch that was no longer loving." | 0:25:40 | 0:25:44 | |
This series of events might have been enough to convince the stars | 0:25:47 | 0:25:50 | |
that it was not the way to work. | 0:25:50 | 0:25:52 | |
But on the contrary, George, Virginia and Bill | 0:25:52 | 0:25:55 | |
were adamant that this was the only productive way to film with lions. | 0:25:55 | 0:26:00 | |
Almost to the end there were lots of people who felt it was | 0:26:00 | 0:26:04 | |
crazy to do it this way, and they would have preferred to have done it | 0:26:04 | 0:26:08 | |
with more control, with circus animals. | 0:26:08 | 0:26:10 | |
Although, frankly, I would have thought they could have seen | 0:26:10 | 0:26:14 | |
with their own eyes how very different the behaviour of the animals, | 0:26:14 | 0:26:18 | |
the expression on the animals' faces, the whole relationship between us and them. | 0:26:18 | 0:26:23 | |
It was all too obvious to see that the way we did it was the way to do it. | 0:26:23 | 0:26:27 | |
And we always believed that because we did it that way, | 0:26:27 | 0:26:32 | |
the film survived. | 0:26:32 | 0:26:34 | |
There are many, many films made with trained animals | 0:26:34 | 0:26:38 | |
which haven't had that sort of amazing kind of gut impact on people. | 0:26:38 | 0:26:45 | |
# Born free | 0:26:45 | 0:26:49 | |
# As free as the wind blows... # | 0:26:49 | 0:26:53 | |
The feel-good Hollywood production turned out to be a smash hit. | 0:26:53 | 0:26:57 | |
The opening night in Leicester Square | 0:26:57 | 0:26:59 | |
was attended by all the glitterati. | 0:26:59 | 0:27:01 | |
The film went on to win seven awards. | 0:27:01 | 0:27:05 | |
For the first time, it was possible to love a lion. | 0:27:05 | 0:27:08 | |
Typically, George was not present at the premiere, | 0:27:10 | 0:27:13 | |
never espousing the limelight. | 0:27:13 | 0:27:15 | |
"We often speculated on the reasons that Born Free | 0:27:18 | 0:27:22 | |
"appealed to such a phenomenal number and mixture of people. | 0:27:22 | 0:27:26 | |
"Partly, of course, it was a love story. | 0:27:26 | 0:27:28 | |
"Then partly it owed its impact to the fact that we had stayed on terms with an animal in the wild | 0:27:28 | 0:27:35 | |
"which up until now had symbolised majestic strength and ferocity." | 0:27:35 | 0:27:41 | |
Working on the film was the most profound life-changing experience for Virginia. | 0:27:41 | 0:27:47 | |
She developed a huge affinity with the lions and didn't want | 0:27:47 | 0:27:51 | |
to see them leave Africa for a life in captivity. | 0:27:51 | 0:27:56 | |
She, Bill and the Adamsons were becoming activists | 0:27:56 | 0:28:00 | |
fighting to save all lions. | 0:28:00 | 0:28:03 | |
A struggle that would go on to shape the rest of their lives. | 0:28:03 | 0:28:06 | |
In the midst of the battle to save the lions used in the film, | 0:28:08 | 0:28:12 | |
Joy inspired Virginia by taking her to the actual camp where Elsa was raised. | 0:28:12 | 0:28:17 | |
For the first time in 45 years, | 0:28:19 | 0:28:21 | |
Virginia is trying to track down the exact spot. | 0:28:21 | 0:28:25 | |
Of course I think a lot will have changed... | 0:28:56 | 0:28:59 | |
It is a long time ago. | 0:28:59 | 0:29:01 | |
And stuff's grown in and there's not so much of a sand bank as there was before. | 0:29:01 | 0:29:08 | |
But there's a bank over there and is that a rock? | 0:29:10 | 0:29:16 | |
There's a rock. | 0:29:16 | 0:29:18 | |
And the camp is probably... | 0:29:25 | 0:29:28 | |
was probably that way and it's all overgrown now. | 0:29:28 | 0:29:30 | |
I mean we're talking of so long ago. | 0:29:30 | 0:29:33 | |
And of course Joy describes where she did her painting and her writing | 0:29:38 | 0:29:41 | |
as being under a huge tree. | 0:29:41 | 0:29:43 | |
And here we have... | 0:29:43 | 0:29:45 | |
BIRD CALL | 0:29:45 | 0:29:46 | |
He's agreeing with me... | 0:29:46 | 0:29:47 | |
This huge tree, this huge, amazing tree. | 0:29:47 | 0:29:55 | |
This is it. | 0:29:55 | 0:29:56 | |
And here I am standing in it at last. | 0:30:02 | 0:30:05 | |
It's absolutely wonderful. | 0:30:05 | 0:30:07 | |
And of course across here you've got the river | 0:30:12 | 0:30:15 | |
where she brought the cubs across. | 0:30:15 | 0:30:17 | |
It's just...perfect. | 0:30:19 | 0:30:24 | |
The freedom given to Elsa that allowed her to breed in the wild | 0:30:29 | 0:30:32 | |
acted as a guiding force for Virginia's battle against keeping animals in captivity. | 0:30:32 | 0:30:39 | |
George showed her that each animal has a right to a decent life. | 0:30:39 | 0:30:44 | |
I wish you were all standing here with me... | 0:30:47 | 0:30:50 | |
Perhaps you are... | 0:30:55 | 0:30:57 | |
Anyway. | 0:31:00 | 0:31:02 | |
Virginia and Bill would go on to set up the Born Free Foundation, | 0:31:11 | 0:31:16 | |
a group that to this day battles against the suffering | 0:31:16 | 0:31:20 | |
of individual animals. | 0:31:20 | 0:31:21 | |
But their first victory was securing three of the lions from the film | 0:31:24 | 0:31:29 | |
for George to rehabilitate back into the wild. | 0:31:29 | 0:31:32 | |
That Boy and Girl and Ugas story was the stepping stone for George | 0:31:36 | 0:31:41 | |
that led to everything he did in the future. | 0:31:41 | 0:31:44 | |
Those three lions set the seal in a way on his future, | 0:31:44 | 0:31:48 | |
which was magic, absolute magic. | 0:31:48 | 0:31:52 | |
George set up a new camp close to where they released Elsa in Meru Park. | 0:31:58 | 0:32:04 | |
With the experience gained from Elsa, | 0:32:04 | 0:32:06 | |
he devised a radical new plan. | 0:32:06 | 0:32:08 | |
For the first time ever, | 0:32:08 | 0:32:10 | |
he wanted to build a man-made pride out of his new lions. | 0:32:10 | 0:32:14 | |
For Joy, no lion could ever replace Elsa, | 0:32:14 | 0:32:18 | |
but she began to rehabilitate a cheetah a few miles away. | 0:32:18 | 0:32:23 | |
This is the area where George had his camp. | 0:32:27 | 0:32:32 | |
1965 he came here, | 0:32:32 | 0:32:35 | |
when he was given the three lions from Born Free to return to the wild. | 0:32:35 | 0:32:40 | |
There are little relics of that camp still lying about and if we search, | 0:32:41 | 0:32:48 | |
we'll find them and I always find that very poignant. | 0:32:48 | 0:32:53 | |
Looks like a bit of vehicle to me. | 0:33:08 | 0:33:11 | |
I'm not very mechanically minded, | 0:33:11 | 0:33:15 | |
but that's what I think that is. | 0:33:15 | 0:33:17 | |
More orphaned cubs were donated to George and soon he had seven lions. | 0:33:26 | 0:33:32 | |
He needed help moulding them into a pride | 0:33:32 | 0:33:36 | |
and found it in his godson, Jonny Baxendale. | 0:33:36 | 0:33:39 | |
George realised by making up a pride of lions that this could and would be the way to do it. | 0:33:39 | 0:33:47 | |
This had never been done before. | 0:33:47 | 0:33:49 | |
And at this stage very... | 0:33:49 | 0:33:50 | |
None of us really knew | 0:33:50 | 0:33:53 | |
how lion society operated and worked. | 0:33:53 | 0:33:57 | |
It was a very rough time to begin with. | 0:33:57 | 0:34:00 | |
They had wild lions to deal with. | 0:34:00 | 0:34:02 | |
Basically, we had intruded into somebody else's territory. | 0:34:02 | 0:34:06 | |
This is a very prickly issue in lion society. | 0:34:06 | 0:34:09 | |
Eventually they established a fantastic area of about 30... | 0:34:09 | 0:34:13 | |
32 square miles we reckon. | 0:34:13 | 0:34:15 | |
Finally, after about two years, they were totally self-sufficient. | 0:34:18 | 0:34:24 | |
They were now absolutely free and they were able to look after | 0:34:24 | 0:34:28 | |
themselves and for George I know this was a very special moment. | 0:34:28 | 0:34:32 | |
As far as the attempt to actually return this group of animals | 0:34:35 | 0:34:39 | |
to the wild to be self-sustaining and to breed and to hold their territory | 0:34:39 | 0:34:45 | |
against wild lions, it was an absolute success. | 0:34:45 | 0:34:49 | |
But the realities of Africa broke into their idyll. | 0:34:59 | 0:35:03 | |
Kenya had recently won independence | 0:35:03 | 0:35:06 | |
and needed to feed its rapidly growing population. | 0:35:06 | 0:35:09 | |
The local authorities couldn't afford to maintain the park for wildlife | 0:35:11 | 0:35:16 | |
and thought it would be better used to grow rice. | 0:35:16 | 0:35:20 | |
And Joy said "I tell you what, I'll foot the bill. I will pay for everything. | 0:35:20 | 0:35:24 | |
"Don't take it off as a game reserve." | 0:35:24 | 0:35:28 | |
And they, fortunately, agreed. | 0:35:28 | 0:35:30 | |
Joy had amassed a small fortune from the Born Free book and film | 0:35:31 | 0:35:35 | |
and set up the Elsa Trust, an organisation that saved Meru | 0:35:35 | 0:35:40 | |
and went on to back wildlife projects all over the world. | 0:35:40 | 0:35:43 | |
The Adamsons had turned from game warden and wife | 0:35:43 | 0:35:47 | |
into global conservationists. | 0:35:47 | 0:35:50 | |
A lot of people don't realise that. | 0:35:50 | 0:35:52 | |
This park would not exist had it not been for the Adamsons | 0:35:52 | 0:35:56 | |
and in particular Joy and the Elsa Trust, because that saved the day. | 0:35:56 | 0:36:01 | |
But all the Adamson's good work was undone in a second | 0:36:04 | 0:36:08 | |
when disaster struck in March 1969. | 0:36:08 | 0:36:12 | |
Boy, one of the male lions, was lying on top of Jonny Baxendale's Land Rover | 0:36:12 | 0:36:16 | |
when Peter Jenkins, the game warden, pulled alongside him to chat. | 0:36:16 | 0:36:21 | |
In the back was his three-year old son, Mark. | 0:36:21 | 0:36:25 | |
Boy very casually stepped down, | 0:36:25 | 0:36:28 | |
pushed me aside because I tried to block him, | 0:36:28 | 0:36:30 | |
and put his foot on the running board and reached right inside past Peter. | 0:36:30 | 0:36:36 | |
He got Mark on the head like this. | 0:36:36 | 0:36:38 | |
I saw Mark putting out his arm and Boy got him by the arm. | 0:36:40 | 0:36:47 | |
By then, fortunately, Peter had started the car, took off down the road. | 0:36:47 | 0:36:52 | |
And Boy was hanging in there and then eventually he came off. | 0:36:52 | 0:36:55 | |
He let go and he came off the car, | 0:36:55 | 0:36:56 | |
but I thought he was going to come out with Mark. | 0:36:56 | 0:36:59 | |
In the meantime, I'd whipped my rifle out of my car | 0:36:59 | 0:37:02 | |
and I was going to shoot Boy right off the side of the car because I knew this was all over. | 0:37:02 | 0:37:09 | |
And just at that moment he came off the car | 0:37:09 | 0:37:13 | |
and he fell on the road, fortunately without Mark. | 0:37:13 | 0:37:18 | |
And then Boy sort of got up | 0:37:18 | 0:37:20 | |
and looked sort of confused and everything. | 0:37:20 | 0:37:23 | |
And I'll never forget looking down the scope sight | 0:37:23 | 0:37:25 | |
as he stood there looking at me | 0:37:25 | 0:37:27 | |
and I remember having it right on his forehead. | 0:37:27 | 0:37:30 | |
And I was literally just about to press the trigger | 0:37:30 | 0:37:34 | |
and take him out and I suddenly made a decision, | 0:37:34 | 0:37:39 | |
split second decision not to shoot him, right there. | 0:37:39 | 0:37:44 | |
So I put the rifle down, unloaded it, threw it in the car | 0:37:44 | 0:37:47 | |
and Boy walked towards me and I knew the damage had been done then. | 0:37:47 | 0:37:52 | |
That was a nasty bite | 0:37:56 | 0:37:58 | |
and a very unfortunate incident, but it happened so quickly. | 0:37:58 | 0:38:03 | |
It just shows you. It's just a serious wake up call. | 0:38:03 | 0:38:07 | |
Although Mark didn't suffer grave physical injury, | 0:38:08 | 0:38:11 | |
the predatory attack changed the perception of the Adamsons' work. | 0:38:11 | 0:38:15 | |
People questioned the wisdom of releasing lions that could come into contact with people. | 0:38:15 | 0:38:21 | |
Were they just breeding man-eaters? | 0:38:21 | 0:38:23 | |
"In my naivety, I did not realise the heat of the opposition | 0:38:25 | 0:38:30 | |
"which had boiled up against me in the National Parks." | 0:38:30 | 0:38:34 | |
The chief warden gave George the choice - either to shoot Boy | 0:38:34 | 0:38:39 | |
or continue his work with him elsewhere. | 0:38:39 | 0:38:42 | |
Both George and Joy were forced to leave Meru Park, | 0:38:42 | 0:38:45 | |
where they had brought up Elsa, | 0:38:45 | 0:38:48 | |
and now no other National Park would touch them. | 0:38:48 | 0:38:51 | |
George chose to stick with Boy, | 0:38:51 | 0:38:53 | |
a decision that would come to haunt him later. | 0:38:53 | 0:38:57 | |
After a year of looking, | 0:39:02 | 0:39:04 | |
he set up camp in Kora, an area of densely thorny bush | 0:39:04 | 0:39:08 | |
in the back of beyond. | 0:39:08 | 0:39:11 | |
"I had only two tents to my name, | 0:39:11 | 0:39:13 | |
"but I was honestly happier than if they had been a couple of palaces." | 0:39:13 | 0:39:18 | |
George could now continue his work with lions | 0:39:20 | 0:39:22 | |
in comparative safety as there were no people nearby. | 0:39:22 | 0:39:27 | |
"I'd found a place where I would be happy to settle and die." | 0:39:27 | 0:39:34 | |
His first task was to establish a new pride for Boy. | 0:39:34 | 0:39:38 | |
Little could he have guessed where one of the lions would come from. | 0:39:40 | 0:39:44 | |
George's old friends Virginia and Bill came across a male lion cub | 0:39:51 | 0:39:56 | |
called Christian that was being brought up on the fashionable King's Road in London. | 0:39:56 | 0:40:02 | |
After the Born Free film, | 0:40:02 | 0:40:04 | |
Bill became a successful wildlife film-maker | 0:40:04 | 0:40:07 | |
and recorded the whole story. | 0:40:07 | 0:40:09 | |
The young lion we discovered belonged to Ace and John, | 0:40:09 | 0:40:13 | |
two Australians who worked at the shop. | 0:40:13 | 0:40:15 | |
They'd been keeping him there for the past four months. | 0:40:15 | 0:40:18 | |
They bought him when quite small from a big department store | 0:40:18 | 0:40:21 | |
in London's expensive Knightsbridge area that sells everything and anything. | 0:40:21 | 0:40:26 | |
Bill and Virginia wanted to release Christian back into the wild | 0:40:26 | 0:40:31 | |
and knew just the man in Kenya to do it. | 0:40:31 | 0:40:33 | |
George was interested to know if it was possible to return | 0:40:35 | 0:40:39 | |
a fifth generation captive-bred lion to the wild. | 0:40:39 | 0:40:42 | |
Male lions often fight to dominate a pride | 0:40:44 | 0:40:47 | |
and the huge Boy looked as if he wanted to kill the new arrival. | 0:40:47 | 0:40:51 | |
After days of keeping them apart, getting them used to each other's scents, | 0:40:55 | 0:40:59 | |
George decided that they would have to meet in the open. | 0:40:59 | 0:41:02 | |
Would Christian's natural instincts still help to protect him? | 0:41:04 | 0:41:09 | |
"There was no doubt that he would go for Christian... | 0:41:11 | 0:41:14 | |
"..it was just a question of how violent the attack would be." | 0:41:16 | 0:41:20 | |
It was a massively successful reintroduction... | 0:41:31 | 0:41:34 | |
Boy, this enormous great, incredible lion and this really slightly timid | 0:41:34 | 0:41:41 | |
little lion from England, you know, who behaved instinctively, perfectly, | 0:41:41 | 0:41:45 | |
when challenged by Boy, submissively down, crouching on his back, I mean, | 0:41:45 | 0:41:50 | |
he could not have behaved in a more appropriate way, | 0:41:50 | 0:41:53 | |
so he was truly wild at heart still. | 0:41:53 | 0:41:56 | |
John and Ace went back to London, | 0:41:58 | 0:42:00 | |
leaving George to get on with Christian's rehabilitation. | 0:42:00 | 0:42:03 | |
George needed assistance and found it in Tony Fitzjohn. | 0:42:03 | 0:42:08 | |
In very real terms, Christian was the first friend I ever had. | 0:42:08 | 0:42:13 | |
He'd made it thus far, but the odds were stacked against him. | 0:42:13 | 0:42:17 | |
And me, I didn't know what the hell I was doing, you know. | 0:42:17 | 0:42:22 | |
So the two of us had to work it out together. | 0:42:22 | 0:42:25 | |
"Tony was fearless in dealing with lions, | 0:42:25 | 0:42:28 | |
"neither his energy nor his capacity for mischief were often restrained. | 0:42:28 | 0:42:34 | |
"Like Christian, he had an unnerving habit of disappearing from camp, | 0:42:34 | 0:42:38 | |
"without warning, for weeks on end, and of materialising again just as unexpectedly. | 0:42:38 | 0:42:44 | |
"There the parallel ended, for his dexterity with girlfriends | 0:42:44 | 0:42:49 | |
"was in a different league from Christian's, | 0:42:49 | 0:42:52 | |
"and I never once found Christian with a bottle at his elbow." | 0:42:52 | 0:42:57 | |
"The early days with Boy and Christian | 0:43:00 | 0:43:03 | |
were some of the most enjoyable days of my life." | 0:43:03 | 0:43:06 | |
Come on, Boy. Come on, Christian! | 0:43:06 | 0:43:11 | |
Come on, Christian! Come on, Boy. | 0:43:11 | 0:43:16 | |
Boy and Christian became inseparable | 0:43:16 | 0:43:20 | |
and when more lions arrived at camp, the rehabilitation programme became a success again. | 0:43:20 | 0:43:26 | |
Over the course of nearly 20 years, | 0:43:26 | 0:43:28 | |
more than 30 lions passed through George's hands. | 0:43:28 | 0:43:32 | |
He honed his operation down to the bare essentials, | 0:43:32 | 0:43:37 | |
leading a simple, pure life out in the bush. | 0:43:37 | 0:43:40 | |
"Living for animals means that we have to live like animals. | 0:43:42 | 0:43:46 | |
"Our eyes and ears have to pick up sights and sounds | 0:43:46 | 0:43:50 | |
"that most others would miss. | 0:43:50 | 0:43:52 | |
"I have not taken a morning paper for 40 years. | 0:43:52 | 0:43:55 | |
"The news I need is printed on the ground." | 0:43:55 | 0:43:59 | |
The single moment that would cement Christian's place in history | 0:44:05 | 0:44:08 | |
occurred when John and Ace returned to George's camp | 0:44:08 | 0:44:12 | |
nearly a year after they'd left. | 0:44:12 | 0:44:14 | |
The question they all wanted to know was would Christian, | 0:44:17 | 0:44:20 | |
who was now living in the wild, still remember them? | 0:44:20 | 0:44:25 | |
It's been a positive, | 0:44:43 | 0:44:45 | |
wonderful, inspirational thing for people because they see that | 0:44:45 | 0:44:50 | |
connection between man and animal, which we're so short of these days. | 0:44:50 | 0:44:56 | |
A clip from that film has been shown millions of times on YouTube, | 0:44:57 | 0:45:04 | |
and through that clip, of course, everyone has wanted to know about Christian. | 0:45:04 | 0:45:10 | |
And of course he never forgot them. | 0:45:10 | 0:45:13 | |
A lot of people around the world | 0:45:13 | 0:45:15 | |
obviously were fascinated by Christian greeting Ace and John. | 0:45:15 | 0:45:19 | |
For George and myself this was quite normal. | 0:45:19 | 0:45:21 | |
Of course he remembered them. | 0:45:21 | 0:45:23 | |
Of course because they were friends way back he'd want to say hello to them | 0:45:23 | 0:45:27 | |
and a lion's way of saying hello is a head rub. | 0:45:27 | 0:45:29 | |
Now, it doesn't happen every day in Surbiton or Kansas or Wichita or somewhere, | 0:45:29 | 0:45:35 | |
but it does out here if you're working with them. | 0:45:35 | 0:45:39 | |
But staying in close proximity to a huge killer animal out in the wild | 0:45:39 | 0:45:45 | |
meant that danger was never far away. | 0:45:45 | 0:45:47 | |
George's assistant Stanley knew Boy well. | 0:45:53 | 0:45:55 | |
But when he wandered outside the perimeter fence of the camp, | 0:45:55 | 0:45:58 | |
he was killed by the very lion he'd cared for. | 0:45:58 | 0:46:03 | |
The shadow that Boy cast when he attacked the child in Meru | 0:46:03 | 0:46:06 | |
had now arisen and struck again... | 0:46:06 | 0:46:10 | |
this time fatally. | 0:46:10 | 0:46:12 | |
George was forced to shoot Boy immediately. | 0:46:12 | 0:46:16 | |
"Lions very quiet, | 0:46:19 | 0:46:21 | |
"they know something has happened. | 0:46:21 | 0:46:25 | |
"Boy, my old friend... | 0:46:25 | 0:46:28 | |
"farewell!" | 0:46:28 | 0:46:29 | |
George knew that he would lose the support and hearts of the outside world with this tragic fatal attack. | 0:46:30 | 0:46:37 | |
But even so, he loved Boy so much that he asked to be buried next to him when he passed away. | 0:46:37 | 0:46:45 | |
"As I have learned at great cost, | 0:46:45 | 0:46:47 | |
"it might be true to say that no lion is completely reliable. | 0:46:47 | 0:46:53 | |
"But are many human beings either?" | 0:46:53 | 0:46:55 | |
Joy also shared this sense of mistrust of humans | 0:47:00 | 0:47:03 | |
and always felt reassured in the presence of animals. | 0:47:03 | 0:47:08 | |
Into her old age, she was still exploring new ground | 0:47:08 | 0:47:12 | |
by bringing up a leopard in a similar remote camp to George's. | 0:47:12 | 0:47:16 | |
But her downfall was sudden. | 0:47:16 | 0:47:19 | |
She was killed when taking her evening walk in the bush. | 0:47:19 | 0:47:23 | |
The media reported that a lion had taken her. | 0:47:23 | 0:47:26 | |
In fact, a member of her staff, whom she'd recently sacked, | 0:47:26 | 0:47:32 | |
murdered her. | 0:47:32 | 0:47:34 | |
"It was difficult to comprehend that Joy had gone, | 0:47:38 | 0:47:43 | |
"and dreadful to know of the way of her death. | 0:47:43 | 0:47:46 | |
"Far better had it been a lion. | 0:47:46 | 0:47:48 | |
"Whatever our differences, our fondness remained to the end | 0:47:48 | 0:47:53 | |
"and had, if anything, deepened over the years." | 0:47:53 | 0:47:57 | |
"Destroying the wilderness, | 0:47:59 | 0:48:01 | |
"and robbing its prospects of peace and of game, | 0:48:01 | 0:48:05 | |
"man leaves only the promise of danger. | 0:48:05 | 0:48:08 | |
"He has killed ten of my lions and murdered my wife." | 0:48:08 | 0:48:13 | |
As Joy wanted, George scattered her ashes on Elsa's grave, | 0:48:29 | 0:48:34 | |
so she could be reunited with the greatest love of her life | 0:48:34 | 0:48:38 | |
by the place where Joy said, "Sitting there with Elsa close to me, | 0:48:38 | 0:48:43 | |
"I felt as though I were on the doorstep to Paradise." | 0:48:43 | 0:48:47 | |
"Joy had conviction that somewhere and somehow the spirit of Elsa | 0:48:49 | 0:48:55 | |
"was at large and directly influencing events in her life and mine, | 0:48:55 | 0:49:00 | |
"not to mention the animals we subsequently cared for | 0:49:00 | 0:49:04 | |
"and indeed others in danger all over the world." | 0:49:04 | 0:49:09 | |
The spirit that both Joy and Elsa shared will always be treasured | 0:49:09 | 0:49:14 | |
through the Born Free film. | 0:49:14 | 0:49:16 | |
It's all right. It's really all right. | 0:49:19 | 0:49:23 | |
She's done it. She's crossed the bridge. | 0:49:23 | 0:49:26 | |
She's wild now and free. | 0:49:26 | 0:49:29 | |
You should be very happy. | 0:49:29 | 0:49:32 | |
And proud. | 0:49:32 | 0:49:34 | |
We've... | 0:49:34 | 0:49:36 | |
You've done something no-one else has ever done | 0:49:36 | 0:49:39 | |
and you should be very proud. | 0:49:39 | 0:49:41 | |
I am... | 0:49:41 | 0:49:43 | |
of her. | 0:49:43 | 0:49:46 | |
Well, you might at least stop laughing. | 0:49:46 | 0:49:48 | |
Whilst the Born Free fairy tale had won lions millions of fans across the world | 0:49:55 | 0:50:00 | |
George was facing a very different reality. | 0:50:00 | 0:50:03 | |
Africa was changing fast in the '80s. | 0:50:05 | 0:50:08 | |
The population increase meant that more pastoralists and bandits | 0:50:08 | 0:50:11 | |
came closer to the camp | 0:50:11 | 0:50:13 | |
and burnt the bush to clear space for their livestock. | 0:50:13 | 0:50:17 | |
George's lions started to get hunted down by them, and even poisoned. | 0:50:17 | 0:50:22 | |
"So far I had tended to think of Kora | 0:50:24 | 0:50:26 | |
"as 500 square miles of unwanted bush, | 0:50:26 | 0:50:30 | |
"a tribal no-man's land | 0:50:30 | 0:50:33 | |
"in which lions could wander freely in comparative safety to themselves and others. | 0:50:33 | 0:50:38 | |
"I now began to think of it differently, as a landscape | 0:50:38 | 0:50:41 | |
"whose inhabitants, from the smallest microbe to the largest elephant, | 0:50:41 | 0:50:46 | |
"had evolved and interlocked over millions of years, | 0:50:46 | 0:50:49 | |
"but which now were being threatened with more rapid and disastrous changes than ever before." | 0:50:49 | 0:50:56 | |
The fundamental reason that things have so changed in Africa | 0:50:57 | 0:51:02 | |
is simply the size of the human population. | 0:51:02 | 0:51:05 | |
Understandably, they want somewhere to live, | 0:51:05 | 0:51:07 | |
they want somewhere for their cities. | 0:51:07 | 0:51:09 | |
So they can only come from one place and that's the natural world, | 0:51:09 | 0:51:13 | |
so the natural world has become more and more squeezed. | 0:51:13 | 0:51:16 | |
The first things that are affected by that | 0:51:16 | 0:51:18 | |
are the things that have huge natural ranges, which include predators. | 0:51:18 | 0:51:22 | |
By the late '80s, George only had a handful of lions left in Kora. | 0:51:25 | 0:51:30 | |
This was representative of a trend that was being repeated right across the continent. | 0:51:30 | 0:51:35 | |
Lions were being hammered by people. | 0:51:35 | 0:51:37 | |
And it was human pressure around Kora that led George to face his final challenge. | 0:51:37 | 0:51:43 | |
On 20th August 1989, the 83-year-old George heard shots | 0:51:43 | 0:51:48 | |
and went to help a young German volunteer | 0:51:48 | 0:51:51 | |
who was in trouble with local bandits close to the camp. | 0:51:51 | 0:51:54 | |
Tony Fitzjohn is revisiting the exact scene with Ibrahim, a Wildlife Service Ranger. | 0:51:57 | 0:52:03 | |
(HE SPEAKS SWAHILI) | 0:52:04 | 0:52:07 | |
George came charging down... he saw what was happening. | 0:52:09 | 0:52:12 | |
Ibrahim says he didn't slow at all. He just came straight at them. | 0:52:12 | 0:52:16 | |
The coroner said as the car passed, George was still alive. | 0:52:18 | 0:52:23 | |
He said the car was riddled with stuff. | 0:52:23 | 0:52:26 | |
And George came steaming down here and the bullets just kept hitting the car. | 0:52:28 | 0:52:33 | |
The bullet that killed him, even though he was riddled... his legs were off... | 0:52:36 | 0:52:40 | |
was the one that went in through the back after they'd gone past. | 0:52:40 | 0:52:46 | |
The car lost control and went off, | 0:52:49 | 0:52:53 | |
and hit that little commiphora tree there. | 0:52:53 | 0:52:57 | |
The whole of the bottom half of his face was shot off and hanging on... | 0:53:00 | 0:53:05 | |
He said it was a huge loss for us, for all of us. | 0:53:08 | 0:53:11 | |
For all of us he was, you know, like a father | 0:53:13 | 0:53:16 | |
and as much to these guys as me, you know. | 0:53:16 | 0:53:20 | |
The man known to locals as the 'Father of the Lions' | 0:53:49 | 0:53:53 | |
was fittingly buried in a simple grave close to his camp. | 0:53:53 | 0:53:57 | |
The palpable sense of loss at the funeral was far-reaching. | 0:54:00 | 0:54:05 | |
It marked the end of an era for the lions of Kora and symbolically for lions across Africa. | 0:54:05 | 0:54:11 | |
Glory be to the Father, and the Son, and the Holy Ghost... | 0:54:13 | 0:54:19 | |
I think we were one of millions of people | 0:54:19 | 0:54:23 | |
who were absolutely shattered when we heard George had been killed. | 0:54:23 | 0:54:26 | |
It was a very, very highly charged emotional event. | 0:54:26 | 0:54:31 | |
Really, really deeply upsetting. | 0:54:33 | 0:54:36 | |
Even the people that were so opposed to George | 0:54:40 | 0:54:43 | |
absolutely adored him, they just really admired him. | 0:54:43 | 0:54:46 | |
You know, we all want to be loved by everybody but he was, that's the beauty. | 0:54:46 | 0:54:51 | |
And he was loved by the wildlife, that's pretty good going. | 0:54:51 | 0:54:55 | |
Tony Fitzjohn had prepared a tribute for the funeral, | 0:54:56 | 0:55:00 | |
but didn't get the opportunity to say it. | 0:55:00 | 0:55:03 | |
A very great friend of mine helped me write a little speech | 0:55:04 | 0:55:07 | |
and the one bit I always wanted to say was that, | 0:55:07 | 0:55:10 | |
"Wherever I've gone in the world, wherever I've been, | 0:55:10 | 0:55:16 | |
"there was at least one clean sunlit wilderness | 0:55:16 | 0:55:20 | |
"where a man who walked with lions was my friend and partner. | 0:55:20 | 0:55:24 | |
"And now the world seems instantly smaller and harsher | 0:55:30 | 0:55:34 | |
because an important part of it has gone." | 0:55:34 | 0:55:37 | |
Sorry. | 0:55:49 | 0:55:50 | |
After people had left the funeral, | 0:55:56 | 0:55:59 | |
the wild lions that George had known gathered and stayed by his grave. | 0:55:59 | 0:56:05 | |
George lived the life he wanted with lions. | 0:56:10 | 0:56:14 | |
He lived in a unique bubble of time when lions were plentiful | 0:56:14 | 0:56:19 | |
and there was enough wilderness for his rehabilitation experiment. | 0:56:19 | 0:56:23 | |
George left us with an appreciation | 0:56:30 | 0:56:32 | |
that lions, and many other large animals, are individuals, | 0:56:32 | 0:56:37 | |
unique beings with different characters. | 0:56:37 | 0:56:40 | |
In time, that has made us evaluate our own place in nature | 0:56:42 | 0:56:47 | |
and question our catastrophic impact | 0:56:47 | 0:56:49 | |
on the population of lions across the world. | 0:56:49 | 0:56:53 | |
In George's time, no-one ever said lions are going to be endangered. | 0:56:53 | 0:56:58 | |
There were so many, we were awash with lions, you know. | 0:56:58 | 0:57:01 | |
Now there are less than 2,000 in Kenya. | 0:57:01 | 0:57:05 | |
It's crisis time. | 0:57:05 | 0:57:06 | |
Elsa was the lioness that changed the world | 0:57:11 | 0:57:14 | |
because of the relationship she had with the Adamsons. | 0:57:14 | 0:57:18 | |
We now have to imagine a world without lions. | 0:57:18 | 0:57:22 | |
Can we rekindle the passion that Elsa and Born Free aroused | 0:57:22 | 0:57:26 | |
to help save the species? | 0:57:26 | 0:57:27 | |
George foresaw the threat to lions over 20 years ago. | 0:57:29 | 0:57:34 | |
He ended his autobiography with a plea for Africa's lions. | 0:57:35 | 0:57:40 | |
"I feel I can no longer go on answering questions about Kora. | 0:57:42 | 0:57:47 | |
"But I have some to ask. | 0:57:47 | 0:57:50 | |
"Who will now care for the animals in the reserve, for they cannot look after themselves? | 0:57:50 | 0:57:56 | |
"Are there young men and women in Kenya | 0:57:56 | 0:58:00 | |
"who are willing to take on this charge? | 0:58:00 | 0:58:02 | |
"Who will raise their voices when mine is carried away on the wind?" | 0:58:04 | 0:58:09 | |
Subtitles by Red Bee Media Ltd | 0:58:23 | 0:58:26 | |
E-mail [email protected] | 0:58:26 | 0:58:30 |