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Winter in the suburbs of London. | 0:00:17 | 0:00:20 | |
It's late. People are tucked up, | 0:00:22 | 0:00:24 | |
or watching David Attenborough on the telly. | 0:00:24 | 0:00:27 | |
'And the vast herds follow. | 0:00:27 | 0:00:28 | |
'Wildebeest are free to travel | 0:00:28 | 0:00:31 | |
'wherever the quest for food leads them | 0:00:31 | 0:00:33 | |
'and they home in on the scent of wet soil | 0:00:33 | 0:00:36 | |
'that carries the promise of fresh grass.' | 0:00:36 | 0:00:39 | |
There's a migration going on here, too. | 0:00:41 | 0:00:44 | |
The last bus does its rounds | 0:00:50 | 0:00:52 | |
and the old residents of this place are looking to reclaim the streets. | 0:00:52 | 0:00:57 | |
Fallow deer are stepping into a world | 0:01:00 | 0:01:03 | |
where nothing is quite natural. | 0:01:03 | 0:01:06 | |
Above them, this leaf should have fallen months ago, | 0:01:06 | 0:01:09 | |
but a tiny patch remains, confused by the streetlights | 0:01:09 | 0:01:13 | |
into believing winter has not yet arrived. | 0:01:13 | 0:01:16 | |
On the ground, the council's lawnmowers encourage fresh grasses | 0:01:18 | 0:01:22 | |
tastier than the brambles in the woods. | 0:01:22 | 0:01:26 | |
Like the wildebeest herds in Africa, | 0:01:26 | 0:01:28 | |
the deer of Essex are attracted to their own suburban Serengeti. | 0:01:28 | 0:01:33 | |
There are not lions here, | 0:01:36 | 0:01:39 | |
but cars can kill, too. | 0:01:39 | 0:01:41 | |
They won't be deterred - the manicured lawns are irresistible. | 0:01:44 | 0:01:50 | |
Finally they can eat their fill. | 0:01:52 | 0:01:56 | |
By rush hour, they'll be long gone. | 0:01:56 | 0:01:59 | |
And it's not just deer. | 0:02:03 | 0:02:06 | |
There are other mass migrations and alien invasions, | 0:02:06 | 0:02:09 | |
a world most of us never see. | 0:02:09 | 0:02:12 | |
There are a lucky few | 0:02:14 | 0:02:16 | |
who have opened their eyes to this wild subculture. | 0:02:16 | 0:02:19 | |
Is that one feeding now? | 0:02:19 | 0:02:21 | |
For them, London is a magical wilderness full of opportunity. | 0:02:24 | 0:02:29 | |
Every building in London resembles a cliff face. | 0:02:31 | 0:02:36 | |
Good dog. | 0:02:37 | 0:02:39 | |
No, there are no foxes in the countryside now. | 0:02:39 | 0:02:41 | |
They're all in London. | 0:02:41 | 0:02:44 | |
They'll come right over like helicopters. | 0:02:44 | 0:02:47 | |
We're surrounded. This is the real urban jungle. | 0:02:47 | 0:02:50 | |
It's like a gang here and a gang there, and it's all about territory. | 0:02:50 | 0:02:54 | |
I think she's camera shy. | 0:02:58 | 0:03:01 | |
Our window on to this world is through some unlikely heroes. | 0:03:01 | 0:03:06 | |
This is the natural history of London | 0:03:07 | 0:03:10 | |
as you have never seen it before. | 0:03:10 | 0:03:12 | |
'This train is ready to depart.' | 0:03:12 | 0:03:14 | |
To understand the nature of London, | 0:03:26 | 0:03:29 | |
we need to look at it as we would look at any other habitat. | 0:03:29 | 0:03:33 | |
But there is no habitat on Earth that evolves as quickly as a city. | 0:03:34 | 0:03:39 | |
London's wildlife has had to adapt | 0:03:48 | 0:03:50 | |
to this extreme eruption of rock and glass. | 0:03:50 | 0:03:53 | |
Down in the streets, | 0:03:58 | 0:03:59 | |
spring reveals the city is still throbbing to the seasons. | 0:03:59 | 0:04:03 | |
Trees, the giants of the old order, | 0:04:04 | 0:04:07 | |
now reach up between towers and wheels, | 0:04:07 | 0:04:11 | |
living signposts to the arrival of summer. | 0:04:11 | 0:04:14 | |
Despite all the changes, | 0:04:17 | 0:04:20 | |
London is still a handful of gently rolling hills | 0:04:20 | 0:04:23 | |
that fall away to a flood plain of drained marshes... | 0:04:23 | 0:04:27 | |
with a river running through it. | 0:04:27 | 0:04:30 | |
Before we tried to contain it, | 0:04:35 | 0:04:38 | |
the Thames reached over five times its current width. | 0:04:38 | 0:04:41 | |
Fighting back this tide is an ongoing battle. | 0:04:58 | 0:05:01 | |
You can never keep nature out - | 0:05:04 | 0:05:07 | |
it will always seep back, bringing its magic with it. | 0:05:07 | 0:05:12 | |
One recent arrival swam in through the lock gates of Canary Wharf | 0:05:14 | 0:05:19 | |
to an old coal dock that separates the towers of industry | 0:05:19 | 0:05:23 | |
from Billingsgate Fish Market. | 0:05:23 | 0:05:25 | |
The Billingsgate Porters are a London tradition. | 0:05:30 | 0:05:33 | |
For 500 years, men have risen at 4am each day | 0:05:36 | 0:05:40 | |
to distribute fish to a hungry city. | 0:05:40 | 0:05:42 | |
But these tradesmen have gone soft on an animal | 0:05:44 | 0:05:47 | |
most fishermen would see as the enemy. | 0:05:47 | 0:05:50 | |
I think she's camera shy. | 0:05:55 | 0:05:58 | |
When I first saw her, it was dark | 0:06:02 | 0:06:05 | |
and right down the other end of the docks there | 0:06:05 | 0:06:08 | |
and I was coming down the stairs from the changing room, | 0:06:08 | 0:06:11 | |
and I saw this shape in the water and I thought it was a man in the water. | 0:06:11 | 0:06:14 | |
No, I didn't think it was human. I could see it was a seal. | 0:06:14 | 0:06:17 | |
I'm not that naive, you know? | 0:06:17 | 0:06:20 | |
Just kick this. Like that... | 0:06:21 | 0:06:24 | |
METAL CLANGS | 0:06:24 | 0:06:26 | |
And up she comes. | 0:06:26 | 0:06:28 | |
Like Flipper. | 0:06:28 | 0:06:30 | |
This seal can escape to the Thames should she choose to do so, | 0:06:40 | 0:06:44 | |
yet she prefers to stay. | 0:06:44 | 0:06:46 | |
Certainly, catching fish here is a lot easier. | 0:06:46 | 0:06:49 | |
She's a bit fussy - she won't eat plaice or nothing like that. | 0:06:49 | 0:06:52 | |
She'll eat mackerel, herrings - soft fish, like, you know? | 0:06:52 | 0:06:57 | |
What she likes the most are the squid | 0:06:57 | 0:06:59 | |
because they're nice and soft, I suppose easy to swallow. | 0:06:59 | 0:07:03 | |
Salmon, I reckon. Salmon and trout. | 0:07:03 | 0:07:07 | |
Nice, big, juicy mackerel for her. | 0:07:09 | 0:07:12 | |
Bit hungry. Looks a bit narrow. | 0:07:14 | 0:07:17 | |
METAL CLANGS | 0:07:19 | 0:07:21 | |
She just puts it in her flippers and claws and just strips it down. | 0:07:21 | 0:07:26 | |
Strips it right off. | 0:07:26 | 0:07:29 | |
It's an unlikely relationship. | 0:07:29 | 0:07:31 | |
Men considered to be tough as old nails | 0:07:31 | 0:07:33 | |
raiding their stock for the love of a seal. | 0:07:33 | 0:07:36 | |
She'll sort of go up and down, follow you along. | 0:07:38 | 0:07:41 | |
She sort of performs, you know? Especially when she's hungry. | 0:07:41 | 0:07:45 | |
There's a good girl. A lovely girl. | 0:07:49 | 0:07:52 | |
There's more fish in there than there is in there! | 0:07:54 | 0:07:58 | |
For those of us who care to look, London is full of surprises. | 0:07:59 | 0:08:05 | |
You've had whales up the river, in't ya? | 0:08:05 | 0:08:08 | |
Had whales, dolphins. | 0:08:08 | 0:08:10 | |
Terns - red Arctic terns round here. | 0:08:10 | 0:08:13 | |
You see more in London and surrounding areas than what you can in the countryside. | 0:08:13 | 0:08:18 | |
It's all around you, | 0:08:20 | 0:08:22 | |
if you only look and see for yourself what's about. | 0:08:22 | 0:08:25 | |
Some people walk about with their head in the clouds. They don't look at nothing. | 0:08:25 | 0:08:28 | |
Like I say, my garden - toads, slowworms, frogs. | 0:08:30 | 0:08:35 | |
Middle of London, you know? | 0:08:35 | 0:08:38 | |
I mean, we'd never see a slowworm when we was kids. | 0:08:38 | 0:08:41 | |
Grass snakes. You know, all coming in. Where are they coming from? | 0:08:41 | 0:08:45 | |
See, what you don't see a lot of now - hedgehogs. | 0:08:45 | 0:08:48 | |
When I first moved in the house where I am | 0:08:51 | 0:08:53 | |
it was heaving with hedgehogs. You know, there was too many of them. | 0:08:53 | 0:08:58 | |
The habitat of London is not for the faint hearted | 0:08:59 | 0:09:03 | |
and hedgehogs have it tougher than most. | 0:09:03 | 0:09:06 | |
They don't understand roads and they confuse a pile of cuttings | 0:09:06 | 0:09:10 | |
as a place to doss down for the night when it's actually a bonfire. | 0:09:10 | 0:09:15 | |
They have even developed a habit for the sweet nectar of coffee | 0:09:20 | 0:09:24 | |
at the bottom of a Styrofoam cup. | 0:09:24 | 0:09:27 | |
If it gets stuck, it can be fatal. | 0:09:27 | 0:09:30 | |
They may not be streetwise yet, | 0:09:32 | 0:09:35 | |
but they muddle along where they can. | 0:09:35 | 0:09:38 | |
Others have adapted brilliantly | 0:09:42 | 0:09:44 | |
and left their country cousins far behind. | 0:09:44 | 0:09:47 | |
To the feral pigeon, the streets of London are paved with gold. | 0:09:50 | 0:09:55 | |
Most Londoners barely give these birds a second thought, | 0:09:56 | 0:09:59 | |
but Lisa, far from ignoring the humble pigeon... | 0:09:59 | 0:10:02 | |
-Stay, boys. -..has developed an obsession with them. | 0:10:02 | 0:10:05 | |
It's all in the art of stealth. | 0:10:05 | 0:10:07 | |
She's not a scientist - she's just a girl with an unlikely passion. | 0:10:07 | 0:10:11 | |
But you don't crawl around the streets of London for six years | 0:10:12 | 0:10:16 | |
without picking up a thing or two. | 0:10:16 | 0:10:19 | |
We are in the middle of Soho, | 0:10:20 | 0:10:22 | |
so all these guys basically live in Soho Square. | 0:10:22 | 0:10:24 | |
Scientists believe that pigeons used to navigate their way | 0:10:26 | 0:10:28 | |
using the Earth's magnetic field | 0:10:28 | 0:10:31 | |
and there are actually a lot of scientists now | 0:10:31 | 0:10:33 | |
that believe they just use roads like everybody else. | 0:10:33 | 0:10:36 | |
So literally, you know, | 0:10:36 | 0:10:37 | |
a Manchester pigeon might arrive in London by flying down the M1. | 0:10:37 | 0:10:41 | |
See the bobbing heads? | 0:10:44 | 0:10:46 | |
Because they've got an eye on each side of their head, | 0:10:46 | 0:10:49 | |
they balance it up by bobbing their heads, | 0:10:49 | 0:10:52 | |
which actually gives them amazing eyesight. | 0:10:52 | 0:10:55 | |
They've also got a beak that works like a straw. | 0:10:55 | 0:10:58 | |
When most birds drink, they take a sip and knock it back. | 0:10:58 | 0:11:02 | |
Pigeons can literally suck up water as if their beak is like a straw, | 0:11:02 | 0:11:06 | |
so it means they can literally get a good old pint-full very quickly. | 0:11:06 | 0:11:10 | |
Lisa tracks them all over London, and she thinks their characters | 0:11:11 | 0:11:16 | |
are defined by the neighbourhood they come from. | 0:11:16 | 0:11:19 | |
God - easily spooked, these pigeons of Peckham. | 0:11:21 | 0:11:24 | |
I've now filmed pigeons or shot pigeons | 0:11:26 | 0:11:29 | |
in almost every borough in London pretty much. | 0:11:29 | 0:11:32 | |
Kensington, obviously, they tend to be | 0:11:32 | 0:11:35 | |
feeding largely off smoked salmon and caviar. | 0:11:35 | 0:11:38 | |
A whole different kind of posher type of pigeon, really. | 0:11:38 | 0:11:42 | |
And obviously this is the extreme, which is south of the river. | 0:11:42 | 0:11:45 | |
The minute you go south, they're quite different. | 0:11:45 | 0:11:49 | |
Just slightly more edgy, basically. | 0:11:49 | 0:11:51 | |
Slightly more edgy, a little bit more of a gang mentality. | 0:11:51 | 0:11:55 | |
They're a slightly scarier pigeon down here. | 0:11:56 | 0:12:00 | |
She has an online diary about a pigeon called Brian | 0:12:00 | 0:12:04 | |
and with thousands of hits on his website, | 0:12:04 | 0:12:07 | |
he's fast becoming a London celebrity. | 0:12:07 | 0:12:09 | |
There's Brian. That's Brian Pigeon - | 0:12:12 | 0:12:14 | |
see that light grey one there, with the black stripes around him? | 0:12:14 | 0:12:18 | |
That's how you always know that's Brian Pigeon. | 0:12:18 | 0:12:21 | |
The online diary is what he gets up to every day, | 0:12:21 | 0:12:24 | |
hanging out with mates, disappearing with mates. | 0:12:24 | 0:12:28 | |
Doing his own thing, partying. | 0:12:29 | 0:12:32 | |
He organised a protest flyby | 0:12:32 | 0:12:35 | |
that happened to coincide with the G20 protests | 0:12:35 | 0:12:39 | |
and, literally, I came down here to cover it | 0:12:39 | 0:12:41 | |
and there were thousands of pigeons. Thousands from all over the country, | 0:12:41 | 0:12:46 | |
so he'd managed to get this whole thousands of pigeons together | 0:12:46 | 0:12:49 | |
and then they did a mass flyby. | 0:12:49 | 0:12:50 | |
Did a huge flyby over to the mayor's office, flew round it | 0:12:50 | 0:12:54 | |
and then flew all the way back again. | 0:12:54 | 0:12:56 | |
Lisa's blog may not be science, but it's not all flight of fancy. | 0:13:01 | 0:13:06 | |
# Don't got a lot of time | 0:13:06 | 0:13:09 | |
# Don't give a damn | 0:13:09 | 0:13:12 | |
# Don't tell me what to do | 0:13:12 | 0:13:14 | |
# I am the man. # | 0:13:14 | 0:13:16 | |
The descriptions of Brian's love-life all over London | 0:13:16 | 0:13:19 | |
taps into one of the keys to the pigeons' success. | 0:13:19 | 0:13:22 | |
# God, shine your light down here | 0:13:22 | 0:13:24 | |
# Shine on the love | 0:13:24 | 0:13:26 | |
# Love of the loveless | 0:13:26 | 0:13:29 | |
# Love of the loveless. # | 0:13:30 | 0:13:32 | |
If you just care to look, you will see pigeon courtship | 0:13:32 | 0:13:35 | |
going on all over the place and all year round. | 0:13:35 | 0:13:41 | |
But the girls aren't easy. | 0:13:45 | 0:13:48 | |
Yeah, normally he will give it a couple of goes first, | 0:13:48 | 0:13:51 | |
with most of the ladies running away. | 0:13:51 | 0:13:54 | |
But finally, when he meets one who's up for it | 0:13:58 | 0:14:02 | |
and a little bit of eye contact, | 0:14:02 | 0:14:04 | |
a little bit of the puffing of the chest. | 0:14:04 | 0:14:07 | |
And then the turning round in circles, and I've often thought | 0:14:07 | 0:14:10 | |
it's just a, kind of, "Look - here's me from all sides." | 0:14:10 | 0:14:13 | |
When they do finally manage, though - he's done the puffy chest bit, | 0:14:14 | 0:14:17 | |
he's done the dancing round in circles bit and she's gone, "Yeah, all right, then. I'm up for it." | 0:14:17 | 0:14:21 | |
Yeah, then there can be all sorts of lovely entwining of necks, | 0:14:21 | 0:14:26 | |
pecking each other's beaks, | 0:14:26 | 0:14:28 | |
feeding each other bits of spit, which is nice. | 0:14:28 | 0:14:32 | |
And, yeah, then finally, up he jumps, has a little wiggle around. | 0:14:33 | 0:14:37 | |
But, of course, they don't actually have penises. | 0:14:37 | 0:14:40 | |
They're not actually well hung or anything like that. They actually do have a little hole. | 0:14:40 | 0:14:44 | |
Well, I think that's generally why the female's a bit like, | 0:14:46 | 0:14:49 | |
"I'm really sorry - I'm not in the mood. | 0:14:49 | 0:14:51 | |
"It's all going to be over and done with in about ten seconds. | 0:14:51 | 0:14:54 | |
"And frankly it hurts my back." | 0:14:54 | 0:14:55 | |
The male tends to bask in the wonderful afterglow, | 0:14:59 | 0:15:02 | |
the female's going, "Oh, my back. | 0:15:02 | 0:15:05 | |
"He was a little bit heavy, that one." | 0:15:05 | 0:15:08 | |
But the male's all kind of like, | 0:15:08 | 0:15:09 | |
"Yeah, look at me. Check out me and my packet." | 0:15:09 | 0:15:12 | |
Six weeks later, loads of eggs. | 0:15:12 | 0:15:15 | |
The pigeons hide their nests | 0:15:20 | 0:15:23 | |
on the rocky crags and cliff faces of our buildings. | 0:15:23 | 0:15:27 | |
If you think about it, you never see a baby pigeon. | 0:15:29 | 0:15:32 | |
Like many London teenagers, | 0:15:33 | 0:15:36 | |
they stay with their parents until they are fully grown. | 0:15:36 | 0:15:39 | |
They'll only come down when they look just like an adult. | 0:15:39 | 0:15:43 | |
Once fledged, the pigeon is free to fly the canyons of London | 0:15:49 | 0:15:53 | |
to places none of us can go. | 0:15:53 | 0:15:55 | |
But up here, a predator's moved into the neighbourhood | 0:15:58 | 0:16:01 | |
and it's the fastest animal on the planet. | 0:16:01 | 0:16:05 | |
During the Second World War, | 0:16:30 | 0:16:32 | |
Parliament ordered all Peregrine to be killed | 0:16:32 | 0:16:34 | |
because they could hunt the carrier pigeons | 0:16:34 | 0:16:37 | |
bringing messages from the front. | 0:16:37 | 0:16:39 | |
The raptors have returned with a vengeance, | 0:16:40 | 0:16:43 | |
even nesting here in the capital. | 0:16:43 | 0:16:46 | |
Most of us have no idea what is going on above us, | 0:16:48 | 0:16:51 | |
but there are a few intrepid types | 0:16:51 | 0:16:54 | |
climbing high up to Peregrine level. | 0:16:54 | 0:16:56 | |
Peregrine! Mark, Peregrine. | 0:16:58 | 0:16:59 | |
When you do get, you know, a large bird of prey | 0:17:01 | 0:17:05 | |
gunning through the centre of London, it's just... | 0:17:05 | 0:17:08 | |
It's a marvel, you know, it really is. | 0:17:08 | 0:17:10 | |
And a phenomenon of only the last ten years. | 0:17:10 | 0:17:14 | |
Up here I can see five Peregrine sites. | 0:17:14 | 0:17:18 | |
There are up to around 23, 24 pairs now. | 0:17:18 | 0:17:21 | |
In the early days, it was probably three pairs in London. | 0:17:21 | 0:17:25 | |
Beautiful. Beautiful. | 0:17:25 | 0:17:27 | |
And it's not just Peregrines they're looking for. | 0:17:27 | 0:17:30 | |
-Buzzard! -Passerine. -Swallow. Just below the horizon now. | 0:17:30 | 0:17:34 | |
Peregrine just below the plane. Swift just above us up here. | 0:17:34 | 0:17:38 | |
-Nice one, Jamie! -Where are we? | 0:17:38 | 0:17:40 | |
Standing on the pinnacle of one of the biggest banks, | 0:17:40 | 0:17:43 | |
each month this group of birders | 0:17:43 | 0:17:46 | |
holds a vigil over the London skyline. | 0:17:46 | 0:17:48 | |
Below them, global finance hangs in the balance. | 0:17:49 | 0:17:53 | |
Up here, they're following global movements too - | 0:17:53 | 0:17:57 | |
migrants from as far as Asia are tracked and logged. | 0:17:57 | 0:18:01 | |
Looks like - talk of the devil - an immature lesser black-backed gull. | 0:18:02 | 0:18:06 | |
Gulls are fascinating, but they're an acquired taste for a lot of people. | 0:18:10 | 0:18:13 | |
You'll often look up and if there's a very distant speck soaring, | 0:18:13 | 0:18:16 | |
thermalling like raptors, more often than not it's a cormorant or a gull. | 0:18:16 | 0:18:21 | |
They're kind of like the ground mass that you're working through | 0:18:21 | 0:18:25 | |
to try and get to the good stuff. | 0:18:25 | 0:18:27 | |
Most birders are solitary types. | 0:18:30 | 0:18:32 | |
This gathering is a rare collaboration, | 0:18:32 | 0:18:35 | |
each of them coming together from their own special patches of London. | 0:18:35 | 0:18:39 | |
It seems to be coming closer towards us. | 0:18:39 | 0:18:41 | |
You might get some film here, yeah. | 0:18:41 | 0:18:43 | |
-We communicate online a lot, don't we? -Yeah. | 0:18:43 | 0:18:45 | |
And we're always seeing things in different parts of London. | 0:18:45 | 0:18:48 | |
We actually met up here, didn't we, Pete? | 0:18:48 | 0:18:50 | |
-Yeah. I'd heard of you before. -And you, too. | 0:18:50 | 0:18:52 | |
Yeah, we kind of follow each other's sightings and exploits. | 0:18:52 | 0:18:56 | |
Yeah, we've got our different patches that we cover, | 0:18:56 | 0:18:59 | |
so everyone covers a certain area, and together we all cover the whole of London. | 0:18:59 | 0:19:02 | |
Yeah, gotcha. Cheers, mate. | 0:19:04 | 0:19:07 | |
This is mutual territory, | 0:19:07 | 0:19:09 | |
but what happens if one of them starts birding on another's patch? | 0:19:09 | 0:19:12 | |
That's called poaching. THEY LAUGH | 0:19:13 | 0:19:16 | |
Mark's patch is in the council estates of Hackney. | 0:19:19 | 0:19:23 | |
You mention Hackney to most people | 0:19:24 | 0:19:27 | |
and it does conjure up images of poverty and crime, | 0:19:27 | 0:19:31 | |
the archetypal concrete jungle. | 0:19:31 | 0:19:34 | |
It is the birders who know the wild places of our cities the best. | 0:19:36 | 0:19:40 | |
At dawn, behind the estates, | 0:19:40 | 0:19:43 | |
Mark has a secret oasis. | 0:19:43 | 0:19:46 | |
The hidden nature of the city | 0:19:50 | 0:19:52 | |
can be better than anything found in the countryside. | 0:19:52 | 0:19:55 | |
Living here has really intensified my appreciation. | 0:19:58 | 0:20:02 | |
It's more isolated, it's more specialised - | 0:20:02 | 0:20:05 | |
I think that creates an enormous sense of well-being, | 0:20:05 | 0:20:08 | |
which you can't necessarily quantify. | 0:20:08 | 0:20:11 | |
You can't really put a price on. | 0:20:11 | 0:20:14 | |
It's a reservoir of London's drinking water | 0:20:14 | 0:20:17 | |
where heron and cormorants have taken up residence. | 0:20:17 | 0:20:21 | |
No self-respecting heron would nest at water level, | 0:20:28 | 0:20:32 | |
but in the city deviant behaviour is more acceptable than elsewhere. | 0:20:32 | 0:20:37 | |
When out on a date, Canada geese may not be deviant, | 0:20:44 | 0:20:49 | |
but they are certainly not gentle lovers. | 0:20:49 | 0:20:52 | |
With the arrival of spring, Mark's secret place | 0:21:03 | 0:21:07 | |
can give up one of the greatest spectacles of London wildlife. | 0:21:07 | 0:21:11 | |
It's a love story - | 0:21:11 | 0:21:13 | |
a courtship ritual that would knock the hardest of urban hearts. | 0:21:13 | 0:21:18 | |
The grebe is a world-class performer. | 0:21:18 | 0:21:21 | |
They represent a dash of real exotica. | 0:21:23 | 0:21:26 | |
You wouldn't think they were out of place in, perhaps, | 0:21:26 | 0:21:29 | |
Africa or Asia, but they're very much a British bird | 0:21:29 | 0:21:32 | |
and they are very much a Hackney bird. | 0:21:32 | 0:21:35 | |
This is the start of the courtship, where they both approach each other fairly fast, heads down. | 0:21:42 | 0:21:47 | |
Straight for each other and then, as they arrive, | 0:21:50 | 0:21:54 | |
the head-shaking and the dance begins. | 0:21:54 | 0:21:56 | |
What the birds are actually doing now | 0:22:39 | 0:22:41 | |
is they're approaching each other with vegetation, | 0:22:41 | 0:22:44 | |
almost like a Valentine's Day present. | 0:22:44 | 0:22:46 | |
It's very much a symbolic offering, almost Egyptian. | 0:23:05 | 0:23:09 | |
It seems like a lot of work for a bit of old weed. | 0:23:12 | 0:23:15 | |
It's not all about value, isn't? | 0:23:15 | 0:23:17 | |
The bigger the rock on your finger, the better the marriage? | 0:23:17 | 0:23:20 | |
I don't think so. | 0:23:20 | 0:23:22 | |
That judging them by human standards, | 0:23:22 | 0:23:24 | |
which is, you know, an extremely flawed way to enjoy nature. | 0:23:24 | 0:23:30 | |
The grebe's display is... | 0:24:00 | 0:24:03 | |
something that's indicative of spring. | 0:24:03 | 0:24:07 | |
I think it's one of nature's signals | 0:24:07 | 0:24:08 | |
that spring is well and truly on its way. | 0:24:08 | 0:24:13 | |
And that makes you happy? | 0:24:15 | 0:24:17 | |
I think... I think it'd be very odd if it didn't make me happy. | 0:24:19 | 0:24:22 | |
While most of us are still supping cornflakes, | 0:24:32 | 0:24:35 | |
Mark's tapping into a Planet Earth special. | 0:24:35 | 0:24:38 | |
Unlike Mark's secluded haven, | 0:24:40 | 0:24:43 | |
over at Pete's patch, there's a riot going on. | 0:24:43 | 0:24:46 | |
It's a huge party, with an all-you-can-eat deal. | 0:24:50 | 0:24:54 | |
For them, it must be heaven. | 0:24:58 | 0:25:01 | |
Because they're scavengers, so it's the ultimate scavenger paradise. | 0:25:01 | 0:25:04 | |
They've got more food than they can wave a stick at. | 0:25:04 | 0:25:07 | |
London's waste attracts | 0:25:10 | 0:25:12 | |
one of the greatest gatherings of gulls in the country. | 0:25:12 | 0:25:15 | |
To be close to this, | 0:25:17 | 0:25:18 | |
Pete has even bought his house overlooking the site. | 0:25:18 | 0:25:21 | |
When the wind is blowing from the East | 0:25:22 | 0:25:25 | |
it can actually get almost unbearable some days. | 0:25:25 | 0:25:27 | |
This is junk food - literally. | 0:25:29 | 0:25:32 | |
The gulls' success is all about the distinct lack of fussiness. | 0:25:34 | 0:25:37 | |
It's not just the fast food that lures them in - | 0:25:39 | 0:25:42 | |
around the coast, there's no longer the same opportunities | 0:25:42 | 0:25:45 | |
for seagulls to socialise en masse. | 0:25:45 | 0:25:47 | |
This is one big seagull party. | 0:25:49 | 0:25:52 | |
Herring gulls got their name | 0:25:58 | 0:26:00 | |
because they followed our boats for the herring we threw overboard. | 0:26:00 | 0:26:05 | |
There are over 2,000 of them here, | 0:26:05 | 0:26:07 | |
yet on the coastlines of Britain, they're becoming endangered. | 0:26:07 | 0:26:10 | |
In the future, London's children may wonder | 0:26:12 | 0:26:15 | |
why they are called herring gulls. | 0:26:15 | 0:26:17 | |
The relationship these birds once had with fishermen out to sea | 0:26:17 | 0:26:21 | |
will have been lost for the pull of the city. | 0:26:21 | 0:26:25 | |
Herring gulls, lesser black-backed gull... | 0:26:25 | 0:26:29 | |
Where we see a mass of birds, Pete sees rare individuals. | 0:26:31 | 0:26:35 | |
There should be greater black-backed here as well. | 0:26:37 | 0:26:39 | |
There's one there now, look. Going past that bulldozer. | 0:26:39 | 0:26:42 | |
It's hovering. Down and right. | 0:26:42 | 0:26:45 | |
Coming towards us, just a single bird, there. | 0:26:47 | 0:26:50 | |
Some of them come from a very long way, | 0:26:57 | 0:26:59 | |
you know, all over Scandinavia, Norway, Finland... | 0:26:59 | 0:27:03 | |
We get Caspian gulls here as well - they've come from central Asia. | 0:27:05 | 0:27:09 | |
Uh, we get, um... | 0:27:09 | 0:27:11 | |
We get Iceland gulls, which come from Greenland. | 0:27:11 | 0:27:15 | |
We've had gulls that have come from as far as Alaska. | 0:27:17 | 0:27:20 | |
There could be up to 15,000 gulls here today. | 0:27:22 | 0:27:25 | |
That's a lot of birds. | 0:27:27 | 0:27:29 | |
Every hour in Britain, | 0:27:29 | 0:27:30 | |
we throw away enough rubbish to fill the Albert Hall. | 0:27:30 | 0:27:34 | |
It's not just the gulls that are cashing in on this. | 0:27:34 | 0:27:37 | |
Foxes like to scavenge, too, | 0:27:39 | 0:27:42 | |
but the swirling mass of live food above his head is just too tempting. | 0:27:42 | 0:27:47 | |
Old instincts die hard. | 0:28:13 | 0:28:15 | |
-SOMEONE WHISTLES -This vixen has learned to do an extraordinary thing | 0:28:29 | 0:28:33 | |
for an even more reliable source of food. | 0:28:33 | 0:28:36 | |
First, all she has to do is follow the whistle. | 0:28:40 | 0:28:43 | |
SOMEONE WHISTLES | 0:28:43 | 0:28:45 | |
Then she's learned that sitting politely is a small price to pay | 0:28:55 | 0:28:59 | |
for a steady stream of sausages. | 0:28:59 | 0:29:02 | |
Do you want this? | 0:29:02 | 0:29:03 | |
Sit. | 0:29:03 | 0:29:05 | |
Good dog. | 0:29:05 | 0:29:08 | |
And I just call her White Legs. She's the mother. | 0:29:08 | 0:29:11 | |
And this one's Greedy. Yeah? | 0:29:11 | 0:29:14 | |
You want this? Fox. Sit. | 0:29:14 | 0:29:18 | |
Sit. | 0:29:18 | 0:29:20 | |
Good dog. | 0:29:20 | 0:29:22 | |
You see? He sits. | 0:29:22 | 0:29:25 | |
Do as your mother tells you. | 0:29:25 | 0:29:28 | |
There are four or five foxes who have this relationship with Lillian. | 0:29:28 | 0:29:32 | |
The White Legs is the mummy. She's got five little ones to feed. | 0:29:32 | 0:29:37 | |
Greedy, I think, is her sister. | 0:29:37 | 0:29:40 | |
You want this one, Greedy? | 0:29:40 | 0:29:43 | |
We've got two Greedys here and they've got the daddy there. | 0:29:43 | 0:29:46 | |
Sit. Sit. Sit. | 0:29:46 | 0:29:49 | |
-But, of course, this isn't just about the foxes. -Good dog. | 0:29:49 | 0:29:52 | |
This is about our need for a connection with nature. | 0:29:54 | 0:29:57 | |
This is about a lady high in a concrete tower | 0:29:57 | 0:30:00 | |
who finds solace through the animals below. | 0:30:00 | 0:30:03 | |
Oh, the other one's there. That's three, that's four there. Sit. | 0:30:03 | 0:30:07 | |
Now, watch him. When we give him... | 0:30:08 | 0:30:12 | |
He'll go straight over there and take it to the little one. | 0:30:12 | 0:30:15 | |
-Hey! -SHE LAUGHS | 0:30:15 | 0:30:19 | |
Now he's got it, he's going to go. He's going to go. | 0:30:20 | 0:30:23 | |
Yeah, here he goes. Go on. He's gone to where the cubs are. | 0:30:25 | 0:30:30 | |
Only we humans go out of our way | 0:30:30 | 0:30:32 | |
to intentionally sustain another species. | 0:30:32 | 0:30:36 | |
I'd like someone to feed me if I was out there, | 0:30:36 | 0:30:39 | |
especially if I've got five cubs. | 0:30:39 | 0:30:42 | |
You want this? Sit. | 0:30:45 | 0:30:47 | |
Sit. | 0:30:47 | 0:30:48 | |
When animals respond to us, they can bring extraordinary joy. | 0:30:48 | 0:30:53 | |
And that can come in many forms. | 0:30:53 | 0:30:56 | |
For a chef in Bethnal Green, it's not foxes - | 0:30:57 | 0:31:00 | |
but sparrows are important in his life. | 0:31:00 | 0:31:03 | |
For Cyrus, these small birds are a reminder of his childhood in India. | 0:31:04 | 0:31:09 | |
Ah, look who's here - a good friend. | 0:31:11 | 0:31:15 | |
There's one bird I grew up with in India, | 0:31:17 | 0:31:20 | |
and we had hundreds of them there. They used to perch inside our house | 0:31:20 | 0:31:23 | |
and we used to get little sparrows coming out and I used to | 0:31:23 | 0:31:27 | |
actually have them in my hands sometimes. So sparrows make me very happy. | 0:31:27 | 0:31:31 | |
I was amazed when I first came here that the sparrows were dwindling | 0:31:31 | 0:31:35 | |
and I didn't see many sparrows. I only saw them in a few places. | 0:31:35 | 0:31:37 | |
It's an amazing bird - very industrious, very hard-working | 0:31:37 | 0:31:41 | |
and every one of them has got a character. | 0:31:41 | 0:31:44 | |
If Cyrus is to help his little friends here in London, | 0:31:45 | 0:31:49 | |
then he must do battle with an invader | 0:31:49 | 0:31:51 | |
that some consider to be overrunning the city in plague proportions. | 0:31:51 | 0:31:56 | |
My biggest problem is the squirrel. | 0:31:58 | 0:32:00 | |
A squirrel becomes cleverer by the day. | 0:32:00 | 0:32:03 | |
What I'm going to do now is apply lots of Vaseline on that bar, | 0:32:05 | 0:32:10 | |
and just really keep on smearing Vaseline, coat after coat. | 0:32:10 | 0:32:14 | |
Cyrus is an award-winning chef and he has another trick up its sleeve. | 0:32:14 | 0:32:19 | |
To ward off my little devil four-legged friend, | 0:32:19 | 0:32:23 | |
who seems to get into everything, | 0:32:23 | 0:32:25 | |
I mixed some crushed chilli seeds inside. | 0:32:25 | 0:32:28 | |
I know it's a bad thing to do because I love animals of all kinds, | 0:32:28 | 0:32:31 | |
so I won't kill him, but what I will do is keep him away from here. | 0:32:31 | 0:32:35 | |
So the chillies get into his nose and it's amazing | 0:32:35 | 0:32:39 | |
because he takes a somersault, he takes a backward flip, | 0:32:39 | 0:32:43 | |
shakes his head about, and he doesn't come back. | 0:32:43 | 0:32:46 | |
If you tried to eat a spoonful of that, you'd be suffering miserably. | 0:32:46 | 0:32:50 | |
London is amazing from the point of view that | 0:32:56 | 0:32:58 | |
there is still so much wildlife. | 0:32:58 | 0:33:01 | |
Just look on the canal in the early morning. | 0:33:01 | 0:33:03 | |
The swans are floating past, the geese are there, | 0:33:03 | 0:33:06 | |
the ducks are there, the coots are there, of course, crazy as they are, | 0:33:06 | 0:33:10 | |
screaming and shouting at two in the morning, waking me up sometimes. | 0:33:10 | 0:33:13 | |
In India, they would be cut. | 0:33:13 | 0:33:15 | |
Somebody's little dinner would be ready. | 0:33:15 | 0:33:17 | |
You just see birds floating around like that, aimlessly. | 0:33:17 | 0:33:20 | |
They would get them. If you come from a city like Bombay, | 0:33:20 | 0:33:24 | |
wildlife has virtually been exterminated. | 0:33:24 | 0:33:26 | |
Where I grew up, in our little suburb of Bombay, we had snakes, | 0:33:26 | 0:33:30 | |
we had monitor lizards, we had parakeets, parrots, the lot. | 0:33:30 | 0:33:34 | |
I don't see a single bird now. | 0:33:34 | 0:33:36 | |
There is no city like London in the world. | 0:33:37 | 0:33:39 | |
The amount of parks we have got, the amount of open spaces we've got, | 0:33:39 | 0:33:43 | |
tiny little spaces also are green. | 0:33:43 | 0:33:45 | |
I think that is something that London needs to be really proud of. | 0:33:45 | 0:33:49 | |
Coming from India, of course, this is like magic. | 0:33:49 | 0:33:52 | |
'Good morning, London. It's five minutes past six.' | 0:33:54 | 0:33:57 | |
'As London basks in a mini heatwave, | 0:33:57 | 0:33:59 | |
'it's perhaps difficult to imagine the capital...' | 0:33:59 | 0:34:02 | |
'Phew, what a scorcher! | 0:34:02 | 0:34:03 | |
'If you watched John Hammond a bit earlier on the national weather, | 0:34:03 | 0:34:07 | |
'you'll know the hotspot today is Northolt in north-west London.' | 0:34:07 | 0:34:11 | |
London is indeed magical. | 0:34:15 | 0:34:18 | |
It is home to eight million people, | 0:34:18 | 0:34:21 | |
yet each day throughout its history | 0:34:21 | 0:34:24 | |
it has greeted a wild population bigger than its human count. | 0:34:24 | 0:34:28 | |
'Habitats on land and in water are still works in progress, | 0:34:29 | 0:34:34 | |
'but already drawing praise.' | 0:34:34 | 0:34:36 | |
'The rivers look a lot cleaner. | 0:34:36 | 0:34:38 | |
'Everything's been trimmed down, so it's wonderful.' | 0:34:38 | 0:34:41 | |
The rivers are now full of fish, | 0:34:41 | 0:34:46 | |
grebes and herons, even otters are back. | 0:34:46 | 0:34:49 | |
Peregrines and gulls fill the sky. | 0:34:49 | 0:34:52 | |
It's one of the greenest cities in the world. | 0:34:52 | 0:34:55 | |
Away from the canyons of the city, | 0:35:00 | 0:35:02 | |
rising above the floodplains of the Thames, | 0:35:02 | 0:35:06 | |
lie the ancient oak forests of Richmond. | 0:35:06 | 0:35:09 | |
This is a place where Old England still remains, | 0:35:11 | 0:35:14 | |
that harks back to the original habitat of London. | 0:35:14 | 0:35:17 | |
This man is no stranger to the history of these woods. | 0:35:20 | 0:35:23 | |
Nice old oak trees here. | 0:35:25 | 0:35:27 | |
Massive, big, old tree. | 0:35:27 | 0:35:30 | |
These are probably 400,500 years old. | 0:35:30 | 0:35:33 | |
Henry VIII probably alive when these trees were around. | 0:35:33 | 0:35:37 | |
He's probably done what I've done, | 0:35:37 | 0:35:39 | |
just lent against it while he's chasing the old deer. | 0:35:39 | 0:35:41 | |
It's almost like Robin Hood country. | 0:35:44 | 0:35:47 | |
You expect to see a bloke come out in a pair of tights in a minute. | 0:35:47 | 0:35:51 | |
It's John's job to manage the deer here. | 0:35:51 | 0:35:54 | |
He's been a London gamekeeper all his life. | 0:35:54 | 0:35:57 | |
There was a female here a minute ago, | 0:35:59 | 0:36:01 | |
cos she's got a baby here somewhere. | 0:36:01 | 0:36:05 | |
Right now, he's looking for a fawn. | 0:36:05 | 0:36:08 | |
At the start of summer, the mothers stash their young in the grass. | 0:36:08 | 0:36:12 | |
It's the one time when female deer are aggressive to anything | 0:36:13 | 0:36:17 | |
they think may be a danger to their calves. | 0:36:17 | 0:36:20 | |
There's a hind watching. Be careful of her. | 0:36:20 | 0:36:23 | |
She's got one here somewhere. | 0:36:24 | 0:36:27 | |
Most at risk are the dog-walkers in the park. | 0:36:27 | 0:36:30 | |
If we had a dog here, you'd be in serious trouble. | 0:36:30 | 0:36:33 | |
I mean, if there was a dog chasing a calf here now, | 0:36:35 | 0:36:38 | |
all of those hinds and those up there, | 0:36:38 | 0:36:40 | |
there'd be 50 hinds chasing the dog. And God help the dog! | 0:36:40 | 0:36:44 | |
Their feet are called slots | 0:36:44 | 0:36:46 | |
and they're extremely sharp on the tip end of the toe. | 0:36:46 | 0:36:50 | |
We have had dogs killed here. | 0:36:50 | 0:36:53 | |
Got some people here with dogs which are going to be in trouble, | 0:36:54 | 0:36:57 | |
cos they're heading right towards them. | 0:36:57 | 0:37:00 | |
If you let the dog off the lead, actually, | 0:37:12 | 0:37:15 | |
and if it was scared of deer and was running away, | 0:37:15 | 0:37:17 | |
you could run away with it and it would attack the dog, not you. | 0:37:17 | 0:37:20 | |
You'd get away that way. | 0:37:20 | 0:37:22 | |
With the deer distracted by the dogs, | 0:37:23 | 0:37:25 | |
it's a good opportunity to sneak in to catch a young fawn. | 0:37:25 | 0:37:29 | |
Got one, just down here. | 0:37:29 | 0:37:31 | |
It's 20 feet in front of me now. | 0:37:33 | 0:37:35 | |
Hopefully, if I can just walk up to it and just hold it, you know, | 0:37:36 | 0:37:41 | |
come in slowly, keep it calm, there's less chance of it bleating. | 0:37:41 | 0:37:44 | |
But once it bleats, we've got some girls behind us, some hinds... | 0:37:44 | 0:37:48 | |
Once he bleats, we've got to get out fast because they'll come running. | 0:37:48 | 0:37:52 | |
John wants to tag the young deer. | 0:37:54 | 0:37:57 | |
They will not move for anything. | 0:38:04 | 0:38:06 | |
Catching it is the easy part. | 0:38:08 | 0:38:10 | |
But avoiding the attention of the females is the problem. | 0:38:10 | 0:38:14 | |
Let me get an ear tag in fast because... | 0:38:14 | 0:38:17 | |
BLEATING | 0:38:17 | 0:38:19 | |
CONTINUES BLEATING | 0:38:21 | 0:38:24 | |
Number ten. There you are. | 0:38:27 | 0:38:29 | |
Oop! Get out of here quick. Here come the girls. | 0:38:29 | 0:38:32 | |
Stay with me, John. | 0:38:35 | 0:38:38 | |
You see what I mean? You have to be careful. | 0:38:38 | 0:38:41 | |
But I would back out now if I were you guys. | 0:38:44 | 0:38:46 | |
She's going to follow us, see. | 0:38:46 | 0:38:49 | |
Just keep walking. | 0:38:50 | 0:38:52 | |
The tags help track the fawns as they grow up. | 0:38:53 | 0:38:57 | |
Come winter, many of the deer will have to be culled | 0:38:57 | 0:39:01 | |
in the dead of the night. | 0:39:01 | 0:39:03 | |
We'd all like to live in an ideal world, | 0:39:03 | 0:39:05 | |
where predators will take care of things, | 0:39:05 | 0:39:07 | |
but we're not in that world no more. | 0:39:07 | 0:39:09 | |
You know, if you didn't cull these deer, I mean, | 0:39:09 | 0:39:12 | |
they produce between 100 and 150 babies every year. | 0:39:12 | 0:39:15 | |
And you've got to think, you've only got to give it three, four years, | 0:39:15 | 0:39:18 | |
you'll have doubled your herd size. | 0:39:18 | 0:39:20 | |
Then, anything green you're looking at will be gone | 0:39:20 | 0:39:23 | |
cos they'll have eaten it all. | 0:39:23 | 0:39:25 | |
There'll be nothing left. | 0:39:25 | 0:39:27 | |
Who wants a park like that? | 0:39:27 | 0:39:29 | |
Here, nature has been managed and controlled | 0:39:31 | 0:39:34 | |
since Charles I built a wall around Richmond | 0:39:34 | 0:39:37 | |
and claimed it as his garden. | 0:39:37 | 0:39:39 | |
I'm afraid you have to act as God. | 0:39:40 | 0:39:43 | |
The really wild spaces of London are somewhere else. | 0:39:47 | 0:39:50 | |
not the parks and gardens, | 0:39:50 | 0:39:53 | |
but the forbidden zones. | 0:39:53 | 0:39:55 | |
The railway verges | 0:40:00 | 0:40:01 | |
are some of the most important and undisturbed green spaces in London. | 0:40:01 | 0:40:06 | |
Behind electric fence and barbed wire, | 0:40:09 | 0:40:12 | |
they are as difficult to reach as any sea cliffs or deserted island. | 0:40:12 | 0:40:17 | |
They thread through London like green arteries. | 0:40:21 | 0:40:24 | |
Plants which normally live oceans apart | 0:40:24 | 0:40:27 | |
find their place to thrive and reach every corner of the city. | 0:40:27 | 0:40:31 | |
Here, the seeds of ragwort, knotweed and willowherb | 0:40:33 | 0:40:37 | |
commute on the slipstream of the Circle, District or Northern lines. | 0:40:37 | 0:40:41 | |
Here, foxes and feral cats migrate through the city, | 0:40:44 | 0:40:48 | |
seeking their fortune. | 0:40:48 | 0:40:49 | |
And there's another animal that is rumoured to be using our rail links. | 0:40:52 | 0:40:57 | |
If it's true, then pigeons have taken their relationship with London | 0:41:00 | 0:41:05 | |
to a whole other level. | 0:41:05 | 0:41:07 | |
Pigeons visit stations because there are plenty of crumbs about. | 0:41:20 | 0:41:25 | |
But Londoners are reporting a new phenomena. | 0:41:25 | 0:41:28 | |
Some birds, after feeding at one station, | 0:41:29 | 0:41:32 | |
are happy to go to the next one...by train. | 0:41:32 | 0:41:37 | |
'Bad news for commuters - fare rises and tube strikes. | 0:41:39 | 0:41:43 | |
'The RMT has announced a series of walk-out dates.' | 0:41:43 | 0:41:46 | |
'That's right. Four days of strikes have been announced, | 0:41:46 | 0:41:49 | |
'all for the second half of this month.'. | 0:41:49 | 0:41:51 | |
'South West Trains has said it will review the way it deals with disruption to its services..' | 0:41:51 | 0:41:56 | |
PA: This is a Circle line train via Paddington and Baker Street. | 0:41:56 | 0:42:01 | |
This train is ready to depart. Please stand clear of the doors. | 0:42:01 | 0:42:05 | |
Is this a new kind of evolution? | 0:42:18 | 0:42:21 | |
PA: The next station is Goldhawk Road. | 0:42:27 | 0:42:30 | |
PA: This is Goldhawk Road. | 0:42:43 | 0:42:46 | |
This is Hammersmith & City line train to Plaistow. | 0:42:46 | 0:42:49 | |
It's certainly a nice life if you can get it. | 0:42:52 | 0:42:55 | |
Travelling by train, visiting friends in the park, | 0:42:55 | 0:43:00 | |
constantly fed by the upright apes all around you. | 0:43:00 | 0:43:03 | |
But a pigeon doesn't have it all its own way. | 0:43:03 | 0:43:06 | |
There are dangers here, too. | 0:43:06 | 0:43:08 | |
There are 300 languages being spoken in London. | 0:43:12 | 0:43:15 | |
And the multicultural flavour of the city | 0:43:15 | 0:43:19 | |
is reflected in the animals that live here. | 0:43:19 | 0:43:21 | |
The pelicans have been here since 1664, | 0:43:23 | 0:43:27 | |
a gift from a Russian ambassador. | 0:43:27 | 0:43:29 | |
They seem prepared to get along with the locals. | 0:43:30 | 0:43:33 | |
It's hard to know what sort of behaviour to expect | 0:43:36 | 0:43:39 | |
from a Russian pelican living near Buckingham Palace. | 0:43:39 | 0:43:43 | |
But, surely, this is not normal. | 0:43:51 | 0:43:54 | |
WOMAN: Oh, my God! | 0:43:54 | 0:43:56 | |
ONLOOKERS LAUGH | 0:44:07 | 0:44:09 | |
It's not just the pigeons that have to face | 0:44:24 | 0:44:27 | |
unnatural dangers in the city. | 0:44:27 | 0:44:30 | |
Nesting high in a tree or on a rock face is normal for a duck. | 0:44:30 | 0:44:36 | |
The chicks jump down soon after they hatch. | 0:44:36 | 0:44:39 | |
But this London cliff face is a hell of a leap. | 0:44:40 | 0:44:44 | |
For some ducklings, once in the water, | 0:45:18 | 0:45:21 | |
their troubles are just beginning. | 0:45:21 | 0:45:23 | |
20 years ago, | 0:45:27 | 0:45:29 | |
a ninja cartoon sent kids flocking to the shops to buy baby turtles. | 0:45:29 | 0:45:33 | |
Then, they were no bigger than a 50-pence piece. | 0:45:33 | 0:45:38 | |
Now, a London pond can contain several hundred red-eared terrapins, | 0:45:38 | 0:45:43 | |
all grown up, | 0:45:43 | 0:45:45 | |
and doing what they've always done in the Everglades and the Amazon. | 0:45:45 | 0:45:50 | |
London has always provided a haven to immigrants | 0:46:18 | 0:46:22 | |
from all over the world, | 0:46:22 | 0:46:24 | |
and there's one refugee rumoured to have Hollywood credentials. | 0:46:24 | 0:46:29 | |
Sometimes, dramatic changes may be traced back | 0:46:29 | 0:46:32 | |
to a single human mistake. | 0:46:32 | 0:46:34 | |
These Indian ring-necked parakeets | 0:46:34 | 0:46:37 | |
first centred around London's Shepperton Studios, | 0:46:37 | 0:46:41 | |
and popular opinion has it that they escaped in 1950 | 0:46:41 | 0:46:44 | |
from the set of The African Queen. | 0:46:44 | 0:46:47 | |
Humphrey Bogart left a door open for a moment perhaps, | 0:46:49 | 0:46:53 | |
and the wildlife of London was changed. | 0:46:53 | 0:46:57 | |
And dusk, wave after wave of parakeets | 0:47:06 | 0:47:10 | |
can build to a roost of over 6,000 birds. | 0:47:10 | 0:47:14 | |
Of course, London is used to aliens. | 0:47:23 | 0:47:26 | |
Immigrant black rats off the boats brought with them the plague. | 0:47:30 | 0:47:34 | |
Today, it's the Norwegian brown rat | 0:47:37 | 0:47:40 | |
which, in London, can now grow twice the size of its cousins back home. | 0:47:40 | 0:47:45 | |
And new arrivals are still coming in off the boats. | 0:47:51 | 0:47:54 | |
Go dancing down by the docks tonight | 0:48:01 | 0:48:03 | |
and the UV lights of the clubs can reveal more than you bargained for. | 0:48:03 | 0:48:08 | |
The European yellowtail scorpion is rarely lethal, | 0:48:11 | 0:48:16 | |
but you wouldn't want to lie around in this gutter after a skinful. | 0:48:16 | 0:48:20 | |
There are now three separate colonies of scorpion | 0:48:22 | 0:48:25 | |
living in London, some several thousand strong. | 0:48:25 | 0:48:29 | |
Some immigrants arrive on boats, others by train. | 0:48:33 | 0:48:37 | |
This man is hunting aliens that are sneaking their way in | 0:48:38 | 0:48:43 | |
using the old Victorian canals. | 0:48:43 | 0:48:45 | |
Crayfish Bob has ideas of big business down here. | 0:48:46 | 0:48:50 | |
He wants to catch the invaders for us all to eat. | 0:48:51 | 0:48:55 | |
But in these murky depths, | 0:48:58 | 0:49:00 | |
he's stumbled upon a gang war with crayfish invaders | 0:49:00 | 0:49:03 | |
from both Europe and America fighting over territory. | 0:49:03 | 0:49:07 | |
This underworld is the scene for a major turf war. | 0:49:08 | 0:49:12 | |
I would think, in this darkness, this would be a very attractive habitat. | 0:49:14 | 0:49:19 | |
In this old brickwork, | 0:49:20 | 0:49:22 | |
the chances are they'll find crevices to hide away in. | 0:49:22 | 0:49:26 | |
Yeah, I would think that this was | 0:49:26 | 0:49:29 | |
a fairly popular place to reside. | 0:49:29 | 0:49:33 | |
Well, that's a red swamp. | 0:49:34 | 0:49:36 | |
As you see - red swamp - likes living in swamps and... | 0:49:37 | 0:49:41 | |
..is somewhat red. | 0:49:43 | 0:49:45 | |
What we have is four different species of crayfish. | 0:49:47 | 0:49:50 | |
They're all invasive. None of them should be here. | 0:49:50 | 0:49:52 | |
The old gang of white-claw - folklore, gone years ago. | 0:49:52 | 0:49:57 | |
And it's like a gang here and a gang here. It's all about territory. | 0:49:57 | 0:50:01 | |
The Serpentine, for example, | 0:50:02 | 0:50:04 | |
used to be absolutely teeming with Turkish crayfish. | 0:50:04 | 0:50:08 | |
But now the signal crayfish have come in. | 0:50:08 | 0:50:11 | |
Hampstead Heath - once Turkish territory, red swamp move in. | 0:50:13 | 0:50:17 | |
It's like the sort of gangland wars of the '60s. | 0:50:18 | 0:50:22 | |
The gangs are on the move. | 0:50:26 | 0:50:28 | |
In Maida Vale, a red swamp has moved on a signal's patch. | 0:50:28 | 0:50:33 | |
A punch-up is inevitable. | 0:50:33 | 0:50:35 | |
The signal crayfish fights dirty. | 0:51:00 | 0:51:03 | |
He carries with him a plague | 0:51:03 | 0:51:05 | |
that lays low all other crayfish in its path. | 0:51:05 | 0:51:09 | |
He's already wiped out the native crayfish | 0:51:09 | 0:51:11 | |
and his gang is set to take over the whole of London. | 0:51:11 | 0:51:15 | |
He's killed most of our native white-claws in many areas. | 0:51:21 | 0:51:25 | |
He's teeming on the bottom of the rivers, and he's quite likely | 0:51:25 | 0:51:29 | |
to do what he's done in the rest of the UK and become dominant. | 0:51:29 | 0:51:32 | |
In the waterways of London, a new order is being established. | 0:51:35 | 0:51:40 | |
All over London, it's the same. | 0:51:44 | 0:51:47 | |
The ancient residents and immigrants | 0:51:47 | 0:51:50 | |
are pioneering a new future with us in the city. | 0:51:50 | 0:51:53 | |
This unnatural habitat is home for a new generation | 0:51:55 | 0:51:59 | |
and they're growing up in a place that suits them just fine. | 0:51:59 | 0:52:04 | |
An unnatural life in the city | 0:52:06 | 0:52:08 | |
can be easier than anything in the countryside, | 0:52:08 | 0:52:11 | |
never more so than in the winter. | 0:52:11 | 0:52:14 | |
'More heavy snow and freezing temperatures forecast. | 0:52:18 | 0:52:21 | |
'Up to nine inches of snow fell in some areas.' | 0:52:21 | 0:52:24 | |
It's two degrees warmer for a start. | 0:52:24 | 0:52:26 | |
It means pigeons can nest even earlier here. | 0:52:26 | 0:52:29 | |
They may even get a break from the London Peregrines | 0:52:29 | 0:52:33 | |
who've adapted to use the bright lights to hunt bats, | 0:52:33 | 0:52:36 | |
instead of birds. | 0:52:36 | 0:52:38 | |
And when times are tough, for those who look for it, | 0:52:39 | 0:52:42 | |
there's always a little extra food to be found. | 0:52:42 | 0:52:45 | |
Modern life usually creates a barrier between us | 0:52:47 | 0:52:50 | |
and the natural world. | 0:52:50 | 0:52:52 | |
But, just occasionally, technology brings us closer together. | 0:52:52 | 0:52:56 | |
Ernie has his own special relationship | 0:52:57 | 0:53:00 | |
with the foxes he feeds around his nightwatchman's cabin. | 0:53:00 | 0:53:04 | |
ERNIE SHOUTS | 0:53:04 | 0:53:05 | |
It's the shouting out that actually does it. | 0:53:05 | 0:53:08 | |
They seem to get to recognise the voice. | 0:53:08 | 0:53:10 | |
Then he sits back for his own reality TV show, live. | 0:53:10 | 0:53:15 | |
And like Lillian and her foxes, and Cyrix and his sparrows, | 0:53:15 | 0:53:19 | |
he thinks of the wild animals as friends. | 0:53:19 | 0:53:23 | |
You can hear them actually walk across the weigh bridge | 0:53:23 | 0:53:27 | |
and you look up and think, "What's that noise?" | 0:53:27 | 0:53:29 | |
Look at the camera and you can actually see 'em coming across. | 0:53:29 | 0:53:33 | |
Is that one feeding now? | 0:53:38 | 0:53:40 | |
We've got one feeding on the left-hand corner. | 0:53:43 | 0:53:46 | |
Ernie's seeing an important twist in the story. | 0:53:51 | 0:53:54 | |
An old hand at urban living | 0:54:01 | 0:54:03 | |
is threatened by a new migrant to the city. | 0:54:03 | 0:54:06 | |
If the fox is feeding first, they obviously can sense the badger | 0:54:09 | 0:54:13 | |
and they can hear it, they will look around and simply back off. | 0:54:13 | 0:54:16 | |
They walk away. | 0:54:16 | 0:54:18 | |
As his weigh bridge reveals, | 0:54:19 | 0:54:21 | |
this badger comes with a formidable appetite. | 0:54:21 | 0:54:24 | |
10.2 kilos, that one weighed. | 0:54:24 | 0:54:27 | |
They're supposed to dig their own weight in worms a day. | 0:54:30 | 0:54:35 | |
And I can imagine some of them are quite a big animal. | 0:54:35 | 0:54:39 | |
This winter, Ernie's going to be eaten out of house and home. | 0:54:39 | 0:54:43 | |
The fox very rarely will try and intimidate the badger. | 0:54:43 | 0:54:48 | |
If you see the size of the claws, | 0:54:48 | 0:54:50 | |
you can understand why the foxes would walk away. | 0:54:50 | 0:54:53 | |
I'm sure I would as well! | 0:54:54 | 0:54:57 | |
Here comes a car in now. | 0:55:04 | 0:55:07 | |
Maybe in a few years, the badger will also abandon its country roots | 0:55:13 | 0:55:17 | |
for an improvised city life. | 0:55:17 | 0:55:19 | |
MUSIC: "Someone Like You" by Adele | 0:55:28 | 0:55:30 | |
Do you miss the badgers when you're not at work? | 0:55:32 | 0:55:36 | |
Sometimes - when we're talking to the grandchildren. | 0:55:36 | 0:55:39 | |
A couple of times, they'll come down and watch 'em all come out and feed. | 0:55:39 | 0:55:43 | |
Not so much now. | 0:55:44 | 0:55:46 | |
They're growing up and becoming teenagers | 0:55:48 | 0:55:51 | |
and girls become more important than badgers, unfortunately. | 0:55:51 | 0:55:55 | |
We all like a glimpse of an untamed world. | 0:56:02 | 0:56:05 | |
All around us, animals and plants | 0:56:11 | 0:56:14 | |
are being displaced from their natural homes, | 0:56:14 | 0:56:17 | |
colonising the forgotten corners of our cities. | 0:56:17 | 0:56:21 | |
Here, a global mixture of emigres and refugees | 0:56:21 | 0:56:25 | |
have created a new life. | 0:56:25 | 0:56:27 | |
And there's no turning back. | 0:56:30 | 0:56:33 | |
They're Londoners now. | 0:56:33 | 0:56:34 | |
Who knows what weeds in the concrete, or gang of crayfish | 0:56:37 | 0:56:41 | |
or scorpion, parakeets or ninja turtles will arrive next. | 0:56:41 | 0:56:46 | |
Here, the animals have a dependency on us, | 0:56:50 | 0:56:54 | |
but we also have a need for them - | 0:56:54 | 0:56:57 | |
a desire to be in contact with a world | 0:56:57 | 0:56:59 | |
that is not shaped by human hand. | 0:56:59 | 0:57:02 | |
Most people live in cities now, lost in their own world. | 0:57:06 | 0:57:11 | |
They only notice each other. | 0:57:11 | 0:57:14 | |
Yet if they look up into the sky, down an alleyway, | 0:57:14 | 0:57:18 | |
or behind a fence, | 0:57:18 | 0:57:20 | |
they may meet a wild animal, and that could change both their lives. | 0:57:20 | 0:57:25 | |
There is no city like London in the world. | 0:57:31 | 0:57:34 | |
Coming from India, of course, this is like magic. | 0:57:34 | 0:57:37 | |
I've got the job that everybody wants. What could I want for more? | 0:57:38 | 0:57:43 | |
Pleasure. Just simple pleasure, | 0:57:45 | 0:57:47 | |
to know that they're surviving. | 0:57:47 | 0:57:50 | |
I think it'd be very odd if it didn't make me happy. | 0:57:52 | 0:57:55 | |
When you're reincarnated the first time around, | 0:57:57 | 0:57:59 | |
you come back as a bird which, quite often, is a pigeon. | 0:57:59 | 0:58:02 | |
I'd love to come back as a pigeon. | 0:58:02 | 0:58:04 | |
# Never mind I'll find someone like you | 0:58:05 | 0:58:12 | |
# I wish nothing but the best for you, too | 0:58:12 | 0:58:18 | |
# Sometimes it lasts in love But sometimes it hurts instead | 0:58:18 | 0:58:25 | |
# Sometimes it lasts in love But sometimes it hurts instead. # | 0:58:25 | 0:58:30 | |
Subtitles by Red Bee Media Ltd | 0:58:30 | 0:58:33 |