Browse content similar to Part One. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
BIRDSONG OUTSIDE | 0:00:13 | 0:00:20 | |
In a tin shed in the desert, in the heart of Australia, | 0:00:29 | 0:00:34 | |
it's the start of another day for an extraordinary family. | 0:00:34 | 0:00:38 | |
This little kangaroo I have here is William. | 0:00:46 | 0:00:49 | |
His mother was killed out on the highway. | 0:00:49 | 0:00:52 | |
Now, a little one like this needs someone who is going to give him 24 hour care, | 0:00:52 | 0:00:57 | |
because if he doesn't have a caring person | 0:00:57 | 0:01:00 | |
to look after him, he will most likely die. | 0:01:00 | 0:01:03 | |
Meet Brolga. | 0:01:06 | 0:01:08 | |
A six foot seven Aussie and a very unlikely mum. | 0:01:08 | 0:01:12 | |
Some people think I'm a bit of a wacko living out here | 0:01:18 | 0:01:20 | |
in the bush by myself and looking after kangaroos, but I love it. | 0:01:20 | 0:01:25 | |
The kangaroos that are living here have accepted me as one of them, | 0:01:27 | 0:01:31 | |
and that gives me a great insight into the way they behave. | 0:01:31 | 0:01:35 | |
HE CALLS OUT | 0:01:38 | 0:01:40 | |
Brolga has sacrificed everything | 0:01:40 | 0:01:42 | |
so he can live out in the bush with his mob of kangaroos. | 0:01:42 | 0:01:47 | |
His wild life, living among them, is an Australian fairytale. | 0:01:50 | 0:01:55 | |
I grew up in the city when I was a kid. | 0:01:59 | 0:02:01 | |
I didn't get a chance to see kangaroos other than a show called Skippy, | 0:02:01 | 0:02:04 | |
where a little boy had a pet kangaroo. | 0:02:04 | 0:02:07 | |
I wanted that, I wanted to be that kid. | 0:02:07 | 0:02:09 | |
It's a childhood dream, to have a kangaroo, now I've got my own mob. | 0:02:11 | 0:02:17 | |
Like any family, life is full of heartbreak and joy. | 0:02:21 | 0:02:26 | |
Funny enough, I was Roger's mum about six years ago. | 0:02:30 | 0:02:34 | |
Triumph and tragedy. | 0:02:34 | 0:02:37 | |
They are the outback. They are the sign of freedom. | 0:02:47 | 0:02:51 | |
A big kangaroo bouncing off into the sunset. | 0:02:51 | 0:02:54 | |
And if you can ever get a chance to rescue one like I do, | 0:02:55 | 0:02:58 | |
it is the greatest feeling that you can get. | 0:02:58 | 0:03:01 | |
BIRDS SQUAWK IN THE TREES | 0:03:01 | 0:03:04 | |
Come on! | 0:03:18 | 0:03:20 | |
People ask me, "Are kangaroos intelligent?" | 0:03:20 | 0:03:24 | |
Of course they are, they're Australian! | 0:03:24 | 0:03:26 | |
Come on! | 0:03:26 | 0:03:28 | |
Come on! | 0:03:28 | 0:03:30 | |
Brolga and his roos live right in the middle of Australia, | 0:03:30 | 0:03:35 | |
up a dirt track, not far from a town called Alice Springs. | 0:03:35 | 0:03:39 | |
25 red kangaroos make up Brolga's mob. | 0:03:43 | 0:03:47 | |
He knows them all by name | 0:03:47 | 0:03:49 | |
and has known them all since they were babies. | 0:03:49 | 0:03:52 | |
When Roger first arrived six years ago, he was a tiny, hairless pinkie. | 0:03:55 | 0:04:01 | |
Now he's head of the mob. | 0:04:02 | 0:04:05 | |
As alpha male, | 0:04:07 | 0:04:08 | |
Roger has fathered all of the joeys born in Brolga's reserve. | 0:04:08 | 0:04:12 | |
KANGAROO MAKES TUTTING SOUND | 0:04:14 | 0:04:16 | |
The kangaroo that Brolga knows best is Ella, who, like Roger, | 0:04:16 | 0:04:22 | |
has been with Brolga since the early days of founding his sanctuary. | 0:04:22 | 0:04:26 | |
This is Ella, I rescued Ella about six years ago. | 0:04:30 | 0:04:34 | |
Ella and I have built up a great relationship over the years | 0:04:34 | 0:04:37 | |
and I hope there's a lot of trust between us, I'm sure there is. | 0:04:37 | 0:04:41 | |
It's all very exciting for me now because I've just noticed | 0:04:42 | 0:04:46 | |
in Ella's pouch there's a little bump at the bottom of the pouch. | 0:04:46 | 0:04:50 | |
Now, I've just got Ella eating a little bit of carrot | 0:04:50 | 0:04:53 | |
just to allow her to be a little bit occupied. | 0:04:53 | 0:04:58 | |
And I'm just going to have a look, is that all right? | 0:04:58 | 0:05:01 | |
Oh, wow, there's a beautiful little baby in there. | 0:05:04 | 0:05:08 | |
Are you having a look at your baby too? | 0:05:08 | 0:05:11 | |
Well done! Yes, here, here you go. | 0:05:11 | 0:05:13 | |
It's a boy, I can see it's a boy because I can see testicles. | 0:05:22 | 0:05:26 | |
This is a fantastic environment, | 0:05:26 | 0:05:28 | |
it's the perfect environment to raise a baby. | 0:05:28 | 0:05:32 | |
The baby is rocked by Ella's pulse. | 0:05:35 | 0:05:38 | |
Her blood runs through the walls of the pouch, | 0:05:38 | 0:05:41 | |
keeping the temperature just right. | 0:05:41 | 0:05:43 | |
Her milk constantly changes as the joey develops. | 0:05:45 | 0:05:49 | |
First feeding the immune system, then the body and brain. | 0:05:49 | 0:05:53 | |
At the moment the baby looks to me to be the size of my little finger. | 0:05:58 | 0:06:04 | |
That would mean to me it's about a month of age. | 0:06:04 | 0:06:08 | |
It doesn't even resemble a baby kangaroo at all. | 0:06:08 | 0:06:11 | |
This little baby is 24 hours a day attached to a teat, | 0:06:20 | 0:06:25 | |
and that baby must stay on that teat, | 0:06:25 | 0:06:27 | |
it can't afford to come off. | 0:06:27 | 0:06:28 | |
If it comes off, the baby will die. | 0:06:28 | 0:06:31 | |
This is an absolute privilege to see. | 0:06:41 | 0:06:44 | |
This is such a sensitive area for the animal, | 0:06:44 | 0:06:46 | |
and she wouldn't allow any of the other kangaroos to get this close, | 0:06:46 | 0:06:49 | |
so the fact that I can get this close is amazing. | 0:06:49 | 0:06:51 | |
Yes, hello, well done, you've done very well. | 0:06:55 | 0:06:59 | |
Thank you for letting us have a look. | 0:06:59 | 0:07:01 | |
Joeys like Ella's remain in the protection of the mother's pouch | 0:07:07 | 0:07:11 | |
until they are ready to leave at about 180 days of age. | 0:07:11 | 0:07:15 | |
But not all baby kangaroos are so lucky. | 0:07:19 | 0:07:22 | |
The desert is brutal. | 0:07:31 | 0:07:34 | |
Thousands of kangaroos are killed every year | 0:07:37 | 0:07:40 | |
on the roads of the outback. | 0:07:40 | 0:07:41 | |
Although they are extremely timid, the grass by the highway | 0:07:47 | 0:07:51 | |
is much greener than in the arid surrounds of the desert. | 0:07:51 | 0:07:54 | |
The roos are drawn in like moths to a flame. | 0:07:59 | 0:08:02 | |
It's just like a murder scene. | 0:08:10 | 0:08:14 | |
It hits you. The scene hits you. | 0:08:14 | 0:08:17 | |
Of the remoteness of the outback and these dead animals. | 0:08:17 | 0:08:21 | |
FLY BUZZES | 0:08:24 | 0:08:27 | |
It's amazing that a tiny, little baby kangaroo, | 0:08:41 | 0:08:44 | |
a little joey that's fragile, can survive the impact. | 0:08:44 | 0:08:48 | |
People wouldn't understand that a dead animal could actually | 0:08:53 | 0:08:55 | |
have something still alive in it, | 0:08:55 | 0:08:57 | |
totally uninjured, nothing wrong with it at all. | 0:08:57 | 0:09:00 | |
They just see death and drive straight past, | 0:09:05 | 0:09:08 | |
not knowing they could be driving past a little orphan | 0:09:08 | 0:09:12 | |
hiding away in Mum's pouch. | 0:09:12 | 0:09:14 | |
I often say to the mum who's lying there, "I'll look after your baby." | 0:09:20 | 0:09:26 | |
To me it's like resurrecting life from death. | 0:09:40 | 0:09:46 | |
ENGINE STARTS | 0:09:49 | 0:09:50 | |
MUSIC: "Pledging My Time" by Bob Dylan | 0:09:50 | 0:09:57 | |
# Well, early in the morning | 0:10:02 | 0:10:06 | |
# Till late at night | 0:10:06 | 0:10:08 | |
# I got a poison headache | 0:10:10 | 0:10:13 | |
# But I feel all right | 0:10:13 | 0:10:15 | |
# I'm pledging my time | 0:10:17 | 0:10:19 | |
# To you | 0:10:21 | 0:10:23 | |
# Hopin' you'll come through too... # | 0:10:23 | 0:10:25 | |
HARMONICA STRAINS | 0:10:25 | 0:10:32 | |
The first 48 hours are critical. | 0:10:40 | 0:10:42 | |
For a premature baby to have any chance of survival, | 0:10:44 | 0:10:48 | |
Brolga must re-create the warmth and security | 0:10:48 | 0:10:51 | |
they would have had in their mother's pouch. | 0:10:51 | 0:10:54 | |
The baby is extremely stressed. | 0:11:00 | 0:11:03 | |
It's lost its mum and it's lost the nurturing environment of the pouch. | 0:11:03 | 0:11:08 | |
It's extremely important for me with a newly rescued baby | 0:11:12 | 0:11:16 | |
to take it to bed, just to help it settle into the first few days. | 0:11:16 | 0:11:20 | |
It's got the breathing and the warmth of my body | 0:11:23 | 0:11:26 | |
and it just settles right down. | 0:11:26 | 0:11:27 | |
Brolga's latest arrival, William, has been handed a lifeline. | 0:11:49 | 0:11:56 | |
A chance to return to the wild. | 0:11:57 | 0:11:59 | |
This is the beginning of a six-month journey. | 0:12:03 | 0:12:07 | |
I'm going to raise him up and hopefully return him | 0:12:12 | 0:12:16 | |
back to the bush when he's older. | 0:12:16 | 0:12:18 | |
This is what I do. | 0:12:20 | 0:12:23 | |
I'm a kangaroo mum, a full-time kangaroo mum and proud of it. | 0:12:23 | 0:12:29 | |
Just because I'm a man, some people call me a kangaroo dad. | 0:12:34 | 0:12:38 | |
I'm not, I'm a kangaroo mum. | 0:12:38 | 0:12:40 | |
Little William is not out of the woods yet. | 0:12:45 | 0:12:48 | |
He's very sad and he has good days and bad days. | 0:12:48 | 0:12:52 | |
But I'm hoping I'll be able to get him out of that sadness, | 0:12:53 | 0:12:59 | |
and grow him up to be a big, healthy, strong kangaroo, | 0:12:59 | 0:13:03 | |
and return him back to the bush where he belongs. | 0:13:03 | 0:13:07 | |
BIRD CAWS LOUDLY | 0:13:08 | 0:13:13 | |
Over the past 20 years, | 0:13:19 | 0:13:21 | |
Brolga's used what he's learnt from his unique relationship | 0:13:21 | 0:13:25 | |
to raise and release over 200 orphan joeys back to the wild. | 0:13:25 | 0:13:30 | |
He's achieved this remarkable feat by becoming the mother they've lost. | 0:13:33 | 0:13:39 | |
KANGAROO CLUCKS | 0:13:39 | 0:13:42 | |
Mother kangaroos are one of the best mothers | 0:13:42 | 0:13:45 | |
that you'll see out there in the nature. | 0:13:45 | 0:13:47 | |
It's a really caring one-to-one relationship with their baby, | 0:13:47 | 0:13:50 | |
a real emblem of the outback. | 0:13:50 | 0:13:52 | |
When I look at a kangaroo mum and her baby I take notes, | 0:13:54 | 0:13:57 | |
I'm really looking at it. | 0:13:57 | 0:13:59 | |
Seeing how I can be like the kangaroo mum. | 0:13:59 | 0:14:03 | |
Kangaroos are marsupials, mammals with pouches. | 0:14:05 | 0:14:09 | |
Hop in. Good boy. | 0:14:12 | 0:14:13 | |
And observing how a mother raises her baby is Brolga's inspiration | 0:14:13 | 0:14:18 | |
for the way he fosters his own orphaned kangaroos. | 0:14:18 | 0:14:21 | |
Kangaroos are the animal that carries its baby around | 0:14:21 | 0:14:26 | |
in a pillowcase on its lower stomach. | 0:14:26 | 0:14:29 | |
Watching Mum carry her baby safely in the security of her pouch. | 0:14:29 | 0:14:34 | |
That's an amazing sight, | 0:14:34 | 0:14:36 | |
and it looks up to its mother with such love. | 0:14:36 | 0:14:40 | |
You can often see the mother and the baby licking each other's lips. | 0:14:46 | 0:14:51 | |
And mum is actually giving the baby saliva. | 0:14:51 | 0:14:55 | |
But this is also bonding, bonding between mother and baby. | 0:14:55 | 0:14:59 | |
So when I hold a baby up to me I often let it lick my tongue | 0:14:59 | 0:15:04 | |
and actually get a bit of saliva so it can drink from my mouth. | 0:15:04 | 0:15:07 | |
Nice and safe, yes. | 0:15:10 | 0:15:13 | |
I want the baby, the little joey, to accept me as mum. | 0:15:13 | 0:15:17 | |
And this really cements our relationship of the mother and child. | 0:15:20 | 0:15:24 | |
It's the little things that I do with the joeys that helps them | 0:15:28 | 0:15:33 | |
settle down after the trauma of losing their mum. | 0:15:33 | 0:15:36 | |
The strength of bond that Brolga forms with William is crucial | 0:15:38 | 0:15:42 | |
to his chances of survival. | 0:15:42 | 0:15:45 | |
When he's ready, | 0:15:45 | 0:15:47 | |
he'll be introduced to the kangaroos in Brolga's sanctuary, | 0:15:47 | 0:15:50 | |
a key stepping stone on his long journey back to freedom of the wild. | 0:15:50 | 0:15:55 | |
When William joins Brolga's mob he'll need to fight for his position | 0:16:04 | 0:16:09 | |
in the hierarchy by sparring with other young males. | 0:16:09 | 0:16:12 | |
Kangaroo males are kickboxers. | 0:16:19 | 0:16:21 | |
And, like Aussie men, they'll fight over anything. | 0:16:21 | 0:16:24 | |
Water, girls, sleeping holes, food... Girls. | 0:16:26 | 0:16:32 | |
Sometimes it looks like they're just doing it for the heck of it, | 0:16:36 | 0:16:39 | |
and they'll all pile in like a drunken brawl. | 0:16:39 | 0:16:41 | |
GRUNTING AND PANTING | 0:16:43 | 0:16:47 | |
Brolga used to be a kick boxer too, and that sometimes comes in handy. | 0:16:47 | 0:16:53 | |
KANGAROO TUTS | 0:16:53 | 0:16:59 | |
As head of the mob, Roger is the alpha male. | 0:16:59 | 0:17:03 | |
He weighs 150lbs and stands over six foot tall. | 0:17:03 | 0:17:07 | |
Roger is a formidable opponent. | 0:17:10 | 0:17:13 | |
The undisputed champion of the mob. | 0:17:15 | 0:17:17 | |
If Brolga bumps into Roger on his daily rounds of the sanctuary | 0:17:17 | 0:17:22 | |
he needs to stand his ground. | 0:17:22 | 0:17:24 | |
When I'm out here in my sanctuary, I'm always looking out for Roger. | 0:17:28 | 0:17:34 | |
Roger is the main threat out here for me, | 0:17:37 | 0:17:42 | |
because Roger sees me as competition for his harem of wives. | 0:17:42 | 0:17:46 | |
CLICKS AND TUTS | 0:17:46 | 0:17:51 | |
HE TUTS BACK | 0:17:54 | 0:17:58 | |
As soon as I stand upright, Roger will see that as a threat. | 0:17:58 | 0:18:03 | |
And he's ready. | 0:18:03 | 0:18:05 | |
I've got to be very careful | 0:18:05 | 0:18:07 | |
because Roger has got the power in a kick to rip a testicle off. | 0:18:07 | 0:18:12 | |
This is why you're not allowed a pet kangaroo. | 0:18:16 | 0:18:19 | |
Roger's an expert kick boxer. | 0:18:20 | 0:18:22 | |
Now, Roger stands my height, six foot seven tall. | 0:18:26 | 0:18:30 | |
Later on he's going to grow up to eight or nine feet | 0:18:30 | 0:18:33 | |
when he sits back on his tail. | 0:18:33 | 0:18:35 | |
Now funny enough, I was Roger's mum about six years ago. | 0:18:37 | 0:18:43 | |
Mad as a cut snake. | 0:18:43 | 0:18:44 | |
HE PANTS | 0:18:46 | 0:18:50 | |
I've got to watch Roger all the time. | 0:18:56 | 0:18:59 | |
A big kick from Roger, if he grabs me, I'll be in a world of trouble. | 0:18:59 | 0:19:04 | |
He's really trying to pronounce the muscle that he's got | 0:19:05 | 0:19:10 | |
and the strength that he's got. | 0:19:10 | 0:19:11 | |
What he'll do is he'll grab me | 0:19:11 | 0:19:13 | |
with his massive upper body strength, like this. | 0:19:13 | 0:19:17 | |
HE GRUNTS | 0:19:17 | 0:19:19 | |
And go for it. | 0:19:19 | 0:19:20 | |
This dude's got extreme power, make no doubt about it. | 0:19:24 | 0:19:28 | |
Whoa! I am scared of him. | 0:19:28 | 0:19:30 | |
I've been ripped open before by a big kangaroo. | 0:19:32 | 0:19:36 | |
I've got eight stitches in my stomach from one good kick | 0:19:36 | 0:19:39 | |
when I was about 20. | 0:19:39 | 0:19:41 | |
That's why you've got to be really careful. | 0:19:41 | 0:19:44 | |
And what he's trying to do is drive me out of his territory. | 0:19:44 | 0:19:47 | |
Whoa! | 0:19:47 | 0:19:48 | |
After playing with Roger, I don't think I came out all too bad. | 0:19:56 | 0:20:01 | |
Yet I did cop a bit of punishment. | 0:20:01 | 0:20:03 | |
I can feel on my face here I've got a couple of deep cuts. | 0:20:03 | 0:20:06 | |
And also on my back. | 0:20:06 | 0:20:08 | |
That's Roger's big hands, big hands, strong muscle, | 0:20:09 | 0:20:13 | |
trying to swipe me like a boxer. | 0:20:13 | 0:20:16 | |
No, as agro as Roger is, I love him. | 0:20:16 | 0:20:19 | |
I have absolute respect and admiration for him, | 0:20:20 | 0:20:23 | |
I understand what he's doing, | 0:20:23 | 0:20:25 | |
he's just being a kangaroo male who is protecting his mob. | 0:20:25 | 0:20:29 | |
One of my most prized possessions is a photo of Roger | 0:20:29 | 0:20:32 | |
when he was a baby and I always have it near, by my bed. | 0:20:32 | 0:20:36 | |
So, to me, he's a very important animal. | 0:20:36 | 0:20:38 | |
It's hard to imagine that Roger was once a tiny orphan like William. | 0:20:40 | 0:20:45 | |
He's been a key part of Brolga's mob from the very beginning. | 0:20:45 | 0:20:49 | |
I had three kangaroos, Roger, Ella and Abigail at home. | 0:20:52 | 0:20:59 | |
They couldn't go back to the bush. | 0:20:59 | 0:21:00 | |
They were all injured, all slight injuries, all fixed up now, | 0:21:00 | 0:21:03 | |
but at the time they were on death row. | 0:21:03 | 0:21:05 | |
The government said you've got a few months to find them a home | 0:21:05 | 0:21:08 | |
or they'll be shot. | 0:21:08 | 0:21:10 | |
So I had a burning ambition to make sure Roger, Ella and Abi would not | 0:21:10 | 0:21:15 | |
be destroyed and they could actually live a happy life somewhere. | 0:21:15 | 0:21:18 | |
I'm not a rich man, never have been, I'm a worker. | 0:21:22 | 0:21:27 | |
So I decided to go out door-knocking around to see what I could to, | 0:21:28 | 0:21:34 | |
raise a bit of money here and there, work two jobs. | 0:21:34 | 0:21:36 | |
I used to work stacking shelves in the supermarket, | 0:21:38 | 0:21:41 | |
and then during the day I was out washing buses for a bus company. | 0:21:41 | 0:21:45 | |
It took me two-and-a-half years to build it, seven days a week. | 0:21:54 | 0:21:58 | |
I bent 450 poles, dug 450 holes, | 0:22:00 | 0:22:05 | |
I put up 2.5 miles of chain mesh fencing, 10ft high. | 0:22:06 | 0:22:11 | |
At 9am it's red hot, it's 45 degrees. | 0:22:12 | 0:22:15 | |
I dug a trench 2.5 miles long | 0:22:17 | 0:22:20 | |
to sink in mesh to stop the dingos digging under. | 0:22:20 | 0:22:23 | |
I put in the shed here, it's a great place. | 0:22:26 | 0:22:30 | |
There's no power, there's no toilet, I don't need that stuff. | 0:22:30 | 0:22:35 | |
I got running water, I got a gas bottle to do my cooking. | 0:22:35 | 0:22:39 | |
If I want I go outside have a fire in the fire pit, that's all I want. | 0:22:39 | 0:22:44 | |
The most important thing I've got is my kangaroos and that they're safe. | 0:22:44 | 0:22:48 | |
To live out here and be a part of the outback | 0:22:53 | 0:22:57 | |
is what's important to me, not a beautiful house. | 0:22:57 | 0:23:02 | |
I feel really privileged now because my new shack has got four walls. | 0:23:07 | 0:23:12 | |
The last one only had three, so I think it's a bit posh. | 0:23:12 | 0:23:18 | |
BIRDS SQUAWK | 0:23:20 | 0:23:25 | |
SNEEZES | 0:23:25 | 0:23:28 | |
SNEEZES AGAIN | 0:23:28 | 0:23:29 | |
Dust has got right up Roger's nose. | 0:23:29 | 0:23:33 | |
SNEEZES | 0:23:33 | 0:23:34 | |
After months without rain, the desert is dry as a bone. | 0:23:38 | 0:23:42 | |
But kangaroos are beautifully adapted to cope with the harsh climate. | 0:23:44 | 0:23:49 | |
In the heat of the day they take to the shade of a witchetty bush | 0:23:51 | 0:23:55 | |
and sleep to conserve energy. | 0:23:55 | 0:23:57 | |
MUSIC: "Saturday Sun" by Nick Drake | 0:23:57 | 0:24:01 | |
# Saturday sun | 0:24:01 | 0:24:05 | |
# Came early one morning | 0:24:05 | 0:24:08 | |
# In a sky so clear and blue | 0:24:11 | 0:24:19 | |
# Saturday sun | 0:24:24 | 0:24:28 | |
# Came without warning | 0:24:28 | 0:24:32 | |
# So no-one knew what to do | 0:24:34 | 0:24:41 | |
SNORTS SLEEPILY | 0:24:42 | 0:24:46 | |
# Saturday sun | 0:24:46 | 0:24:51 | |
# Brought people and faces | 0:24:51 | 0:24:57 | |
# That didn't seem much in their day... # | 0:24:57 | 0:25:04 | |
When a mother kangaroo wakes from her slumbers, | 0:25:08 | 0:25:11 | |
the first thing she does is attend to the joey in her pouch. | 0:25:11 | 0:25:15 | |
A marsupial mother's pouch is like a child's nursery. | 0:25:19 | 0:25:23 | |
Inside, the joey is kept clean, warm and comforted. | 0:25:23 | 0:25:27 | |
But orphans like William who've been wrenched from the security | 0:25:33 | 0:25:36 | |
of their dead mother's pouch are incredibly vulnerable. | 0:25:36 | 0:25:40 | |
Little William's got a bit of a problem. | 0:25:46 | 0:25:48 | |
When I rescued him I noticed he's lost a bit of hair on his hands | 0:25:48 | 0:25:52 | |
and on the end of his nose in particular. | 0:25:52 | 0:25:54 | |
To stop that spreading any further, I need to give him a bath, | 0:25:54 | 0:25:58 | |
but there lies a bit of a problem, baby kangaroos hate having a wash. | 0:25:58 | 0:26:03 | |
It's all right. It's all right. | 0:26:08 | 0:26:10 | |
It's all right. | 0:26:12 | 0:26:14 | |
It's possibly mites and we can't see it with our naked eye, | 0:26:14 | 0:26:19 | |
so that's why I've got to give him a medicated shampoo, | 0:26:19 | 0:26:22 | |
so we can prevent any further hair loss. | 0:26:22 | 0:26:25 | |
This is going to get rid of all those nasty little things that are biting you. | 0:26:25 | 0:26:29 | |
The problem with losing hair and allowing it to happen | 0:26:34 | 0:26:37 | |
and not treating possible microscopic insect infection | 0:26:37 | 0:26:41 | |
is the babies spending a lot of time scratching. | 0:26:41 | 0:26:44 | |
As you can imagine, that means the baby is wasting energy | 0:26:46 | 0:26:50 | |
so it's not getting enough sleep and could lead to further sickness, | 0:26:50 | 0:26:55 | |
and, if we don't get on top of it, possible death. | 0:26:55 | 0:26:58 | |
Good boy. | 0:27:02 | 0:27:04 | |
That's a good little mate. | 0:27:04 | 0:27:06 | |
Yes, mate, you're doing great - look at that. | 0:27:09 | 0:27:12 | |
As a carer, someone who looks after orphaned wildlife, | 0:27:12 | 0:27:16 | |
I've found we have a much better success rate | 0:27:16 | 0:27:19 | |
if we give the babies a lot of love. | 0:27:19 | 0:27:22 | |
There you go. | 0:27:22 | 0:27:24 | |
Wrap you up nice and warm. | 0:27:24 | 0:27:26 | |
Good boy. That wasn't so bad, was it? | 0:27:26 | 0:27:29 | |
CRICKETS CHIRP | 0:27:29 | 0:27:33 | |
Like many human mums Brolga gets little sleep. | 0:27:49 | 0:27:53 | |
Until William is weaned at about one year of age, | 0:27:55 | 0:27:59 | |
Brolga's life, 24/7, revolves around the joey's needs. | 0:27:59 | 0:28:03 | |
JOEY COUGHS | 0:28:04 | 0:28:08 | |
I often wake up to the sound of a baby crying at the end of the bed. | 0:28:08 | 0:28:11 | |
COUGHING | 0:28:13 | 0:28:15 | |
That's when you feel your heart just sinks | 0:28:15 | 0:28:17 | |
because the thing's obviously crying out for its mum. | 0:28:17 | 0:28:20 | |
William, at the moment, he's quite young, he's on six feeds a day | 0:28:31 | 0:28:37 | |
so every four hours he needs a bottle. | 0:28:37 | 0:28:40 | |
He gets a feed at midnight, and another feed at, say, 4am. | 0:28:42 | 0:28:48 | |
As kangaroos are a nocturnal animal, | 0:28:48 | 0:28:50 | |
I've got to become a bit nocturnal as well. | 0:28:50 | 0:28:53 | |
SUCKS NOISILY | 0:28:55 | 0:28:57 | |
So to be a good kangaroo mum you've got to try and donate time, | 0:29:00 | 0:29:03 | |
often in the early hours of the morning, | 0:29:03 | 0:29:06 | |
when regular people would be asleep. | 0:29:06 | 0:29:08 | |
At about 2am I'll go outside, | 0:29:11 | 0:29:14 | |
and I love that time because everything is dead still, | 0:29:14 | 0:29:18 | |
it's the coolest part of the day, and the stars are amazing. | 0:29:18 | 0:29:23 | |
ACOUSTIC GUITAR PLAYS | 0:29:23 | 0:29:26 | |
When I go out early hours of the morning to give William a run, | 0:29:31 | 0:29:35 | |
it's the best time of the day for me. | 0:29:35 | 0:29:37 | |
In a 24-hour period it's my highlight, that's my time. | 0:29:37 | 0:29:42 | |
There's no light pollution out here, it's just pitch black. | 0:29:44 | 0:29:49 | |
You get to look up at millions of stars. | 0:29:51 | 0:29:55 | |
It's a beautiful time. | 0:29:57 | 0:29:59 | |
MUSIC: "Road" by Nick Drake | 0:29:59 | 0:30:00 | |
# You can say the sun is shining if you really want to | 0:30:00 | 0:30:04 | |
# I can see the moon and it seems so clear | 0:30:04 | 0:30:07 | |
# You can take the road that takes you to the stars now | 0:30:07 | 0:30:10 | |
# I can take the road that'll see me through | 0:30:10 | 0:30:13 | |
# I can take the road that'll see me through... # | 0:30:13 | 0:30:16 | |
GENTLE FOLK GUITAR PLAYS | 0:30:16 | 0:30:24 | |
Brolga's not the only one stargazing, | 0:30:37 | 0:30:40 | |
as red kangaroos are most active when night falls, | 0:30:40 | 0:30:44 | |
using the cool of night to graze on grass, roots, shrubs and trees. | 0:30:44 | 0:30:48 | |
Kangaroos have exceptional night vision. | 0:30:52 | 0:30:55 | |
Their big ears rotate independently and they can hear a pin drop. | 0:30:58 | 0:31:03 | |
Essential for detecting the presence of predators. | 0:31:03 | 0:31:06 | |
While the mob feeds there's always one keeping a look out. | 0:31:09 | 0:31:13 | |
ANIMAL NOISE IN THE BUSH | 0:31:14 | 0:31:17 | |
Sometimes during the night I wake to the sound of dogs. | 0:31:17 | 0:31:21 | |
And that's a nightmare. | 0:31:21 | 0:31:23 | |
As soon as I hear that I'm straight out of bed. | 0:31:25 | 0:31:28 | |
In the car, in the old girl, and we're off. | 0:31:28 | 0:31:31 | |
CAR ENGINE REVS | 0:31:31 | 0:31:34 | |
You can't underestimate these dogs. As a pack, they're dangerous. | 0:31:41 | 0:31:45 | |
If a pack of dogs gets under the fence, | 0:31:52 | 0:31:54 | |
they'd tear every one of Brolga's kangaroos limb from limb. | 0:31:54 | 0:31:58 | |
BARKING AND GROWLING | 0:31:58 | 0:32:02 | |
Just a couple of years ago, two grown men were ravaged | 0:32:04 | 0:32:07 | |
and killed by feral dogs. | 0:32:07 | 0:32:10 | |
A lone dog can take a joey quite easily. | 0:32:12 | 0:32:15 | |
Yet a pack of dogs can bring down someone as big as Roger. | 0:32:15 | 0:32:20 | |
Just them being on the outside of the sanctuary, | 0:32:25 | 0:32:28 | |
the kangaroos freak out. | 0:32:28 | 0:32:30 | |
It's that panic that the kangaroos go into that's really dangerous | 0:32:30 | 0:32:34 | |
and they could smash themselves up against the fence. | 0:32:34 | 0:32:37 | |
The first thing people say is, "Hey, get a shotgun." | 0:32:41 | 0:32:44 | |
"You want to borrow my gun?" It's like, no. I don't kill animals. | 0:32:44 | 0:32:49 | |
The dogs are only doing what they are designed to do. | 0:32:55 | 0:32:58 | |
The fact that they've gone wild | 0:33:00 | 0:33:02 | |
and returned to their natural instincts, I can understand that. | 0:33:02 | 0:33:05 | |
I have dog traps that are set. No harm comes to them. | 0:33:21 | 0:33:24 | |
If I ever trap a dog, | 0:33:27 | 0:33:30 | |
I take that dog into Alice Springs to the dog shelter, | 0:33:33 | 0:33:36 | |
and hopefully they'll be able to re-unite it with its original owner. | 0:33:36 | 0:33:40 | |
ENGINE REVS | 0:33:40 | 0:33:45 | |
In the wild up to 200 kangaroos, jacks, jills and joeys, | 0:33:52 | 0:33:58 | |
can live as a mob. | 0:33:58 | 0:33:59 | |
Strength in these numbers provide an early warning alarm call, | 0:34:01 | 0:34:05 | |
alerting the mob to the threat of predators. | 0:34:05 | 0:34:08 | |
Their long, hopping limbs give them the edge. | 0:34:15 | 0:34:18 | |
Kangaroos need company. | 0:34:30 | 0:34:32 | |
But at the moment William is lonely and not very well. | 0:34:33 | 0:34:38 | |
Since I bathed William he's not getting any better. | 0:34:38 | 0:34:42 | |
He's got a skin irritation and he's losing hair, I'm quite concerned. | 0:34:42 | 0:34:49 | |
Stress is the one thing that could possibly kill William, | 0:34:49 | 0:34:52 | |
because he's just not getting enough sleep. | 0:34:52 | 0:34:55 | |
Maybe the hair loss could be associated with stress of losing his mum, | 0:34:55 | 0:35:01 | |
and he still does call out during the night sometimes, | 0:35:01 | 0:35:04 | |
and he still is a sad little baby. | 0:35:04 | 0:35:06 | |
Sometimes you don't pick up on the stress levels, | 0:35:08 | 0:35:12 | |
you think everything's going great. | 0:35:12 | 0:35:15 | |
And then you wake up in the morning to make the milk | 0:35:15 | 0:35:19 | |
and you find one of the little babies dead in its pillowcase. | 0:35:19 | 0:35:23 | |
Living isolated, way out in the bush, with only very basic supplies, | 0:35:28 | 0:35:33 | |
there's little more Brolga can do for William. | 0:35:33 | 0:35:36 | |
He needs stronger medicine but, more than anything, | 0:35:40 | 0:35:44 | |
Brolga reckons William needs the comfort of kangaroo company. | 0:35:44 | 0:35:48 | |
Fortunately though, Brolga's not the only kangaroo mum in the outback. | 0:35:58 | 0:36:03 | |
-Come on, baby girl. -OK, come on, you little ratbag. | 0:36:03 | 0:36:06 | |
I need to change these bandages again. | 0:36:06 | 0:36:08 | |
In the nearby city of Alice Springs live his mates, Cynthia and Anne Marie, | 0:36:08 | 0:36:13 | |
who are on the frontline of kangaroo intensive care. | 0:36:13 | 0:36:17 | |
And her dressing. | 0:36:19 | 0:36:20 | |
She's probably not going to have the most beautiful tail | 0:36:20 | 0:36:23 | |
but I'm sure when she goes back to the wild the boys won't mind. | 0:36:23 | 0:36:27 | |
No, they're not going to worry too much. | 0:36:27 | 0:36:29 | |
Between them, Cynthia and Anne Marie | 0:36:29 | 0:36:31 | |
have patched up thousands of orphan roos. | 0:36:31 | 0:36:33 | |
Because it's so small it probably doesn't need the... | 0:36:33 | 0:36:36 | |
Oh, you're going to go to sleep, little darling. | 0:36:36 | 0:36:38 | |
I should hope you are, you madam. | 0:36:38 | 0:36:40 | |
Off you go. | 0:36:40 | 0:36:41 | |
You want to come in and have your bottle? | 0:36:41 | 0:36:44 | |
Oh, don't look so sad about it. | 0:36:44 | 0:36:47 | |
You're still eating other food, are you? OK. | 0:36:47 | 0:36:49 | |
There's just something about them, I've become... What's the word? | 0:36:57 | 0:37:03 | |
I don't know, addicted's the word I'm looking for. | 0:37:03 | 0:37:07 | |
Yes, totally addicted to them, yes. I think they're great. | 0:37:07 | 0:37:10 | |
Come on, guys. | 0:37:10 | 0:37:11 | |
Oh, golly. I don't know. | 0:37:15 | 0:37:17 | |
How many have I got at the moment? | 0:37:17 | 0:37:20 | |
I think it's about 12... But I'm not... | 0:37:20 | 0:37:22 | |
Oh, no, I just got another one in today, so that makes number 13. | 0:37:22 | 0:37:24 | |
So 13 at the moment. | 0:37:24 | 0:37:26 | |
Ah, ah, ah, ah, aaah! | 0:37:37 | 0:37:41 | |
Ouch! That wasn't very nice. | 0:37:41 | 0:37:44 | |
Some people just think that we're a bit eccentric, | 0:37:46 | 0:37:48 | |
I suppose you'd call it, | 0:37:48 | 0:37:49 | |
not that I really know what eccentric is. | 0:37:49 | 0:37:53 | |
I suppose having them in my house | 0:37:53 | 0:37:54 | |
with nappies on, | 0:37:54 | 0:37:55 | |
I am a bit eccentric. | 0:37:55 | 0:37:57 | |
There we go. | 0:37:59 | 0:38:01 | |
Put your tail in. | 0:38:01 | 0:38:03 | |
Nappies I think are more for hygiene, | 0:38:03 | 0:38:06 | |
more than having anything else, to have them in the house. | 0:38:06 | 0:38:09 | |
Good boy. | 0:38:09 | 0:38:10 | |
Just normal nappies from the supermarket that you'd buy for your kids, | 0:38:10 | 0:38:13 | |
you just cut a little hole in them. | 0:38:13 | 0:38:16 | |
Otherwise your house would be totalled with kangaroo poop and wee everywhere. | 0:38:16 | 0:38:23 | |
I just think that they're the most beautiful little creatures, | 0:38:25 | 0:38:30 | |
and I just like the thought that you can get them back to the wild. | 0:38:30 | 0:38:34 | |
There you go. Come on, Stu. | 0:38:34 | 0:38:37 | |
There you are. | 0:38:37 | 0:38:38 | |
Brolga has come to see | 0:38:43 | 0:38:45 | |
if Cynthia can find a way of making William get better. | 0:38:45 | 0:38:48 | |
Cynthia is a retired nurse | 0:38:50 | 0:38:52 | |
and now her skills are in demand for a new breed of patient. | 0:38:52 | 0:38:56 | |
-Have you used any ointments of any kind? -Nothing. | 0:38:56 | 0:38:59 | |
There's two here. Both anti-fungals. | 0:38:59 | 0:39:01 | |
This one's got a bit of cortisone in it as well. | 0:39:01 | 0:39:03 | |
-It's probably fungal. -Just put it in their milk? | 0:39:03 | 0:39:06 | |
-Yes, put it in their milk or give it to them three times a day. -All right, thanks. | 0:39:06 | 0:39:10 | |
William has new medicine to try, | 0:39:10 | 0:39:12 | |
but Cynthia and Brolga both know what he really needs. | 0:39:12 | 0:39:15 | |
In the last few weeks there's been carnage on the roads | 0:39:18 | 0:39:21 | |
and Cynthia is swamped. | 0:39:21 | 0:39:23 | |
It's good news for William though, | 0:39:23 | 0:39:25 | |
as Cynthia is giving Brolga two more babies to look after. | 0:39:25 | 0:39:29 | |
-OK, guys. There we are. -Beautiful little girls. | 0:39:29 | 0:39:32 | |
They're girls. Do they have names yet? | 0:39:32 | 0:39:34 | |
This one's Amy and you've got Daisy. | 0:39:34 | 0:39:37 | |
Cool. I'll give them a good home. | 0:39:37 | 0:39:39 | |
You never get sick of it. | 0:39:39 | 0:39:40 | |
50 years later, I'm still as silly as I was. | 0:39:40 | 0:39:43 | |
50 years?! | 0:39:43 | 0:39:44 | |
I think I'll be doing it till the day I die. | 0:39:44 | 0:39:46 | |
Back at the sanctuary, | 0:39:51 | 0:39:53 | |
William is being introduced to the company of some new friends. | 0:39:53 | 0:39:57 | |
I now have three little orphans. | 0:40:02 | 0:40:05 | |
William on my left here, is now joined by Daisy in the middle | 0:40:05 | 0:40:11 | |
and Amy on my right, little grey coloured one. | 0:40:11 | 0:40:15 | |
Amy's mother was hunted and eaten... | 0:40:16 | 0:40:20 | |
..while Daisy's mum was roadkill, out there on the highway. | 0:40:21 | 0:40:25 | |
I'm wrapped, I'm wrapped for William that he's got... | 0:40:27 | 0:40:31 | |
some girlfriends, he's got a mob. | 0:40:31 | 0:40:34 | |
That's important to help out with his loneliness. | 0:40:35 | 0:40:39 | |
I can be with him there as much as I can, | 0:40:39 | 0:40:42 | |
but I want to grow him up as a kangaroo | 0:40:42 | 0:40:44 | |
and I only ever release kangaroos back to the bush as a group. | 0:40:44 | 0:40:48 | |
It would be extremely unfair to release one animal. | 0:40:48 | 0:40:51 | |
Many eyes and ears look out for danger in the bush, | 0:40:51 | 0:40:54 | |
so to have a mob be released at the end, that's my ultimate goal. | 0:40:54 | 0:41:01 | |
But this means triple the amount of work for me. | 0:41:04 | 0:41:08 | |
# Daddy worked so hard | 0:41:08 | 0:41:13 | |
# While Momma give us all her love | 0:41:13 | 0:41:17 | |
# She made the food fill the table | 0:41:17 | 0:41:22 | |
# And we all thanked the God above | 0:41:22 | 0:41:27 | |
# If I could be What my daddy was to me | 0:41:27 | 0:41:29 | |
# I'd pretend nearly every day I'm as happy as could be | 0:41:29 | 0:41:32 | |
# If my wife was even half as loving as my mother... # | 0:41:32 | 0:41:35 | |
A lot more pouches to wash. | 0:41:35 | 0:41:38 | |
A lot more milk to prepare. | 0:41:40 | 0:41:42 | |
It'll be a lot of work, a lot of work. | 0:41:44 | 0:41:46 | |
# Let me hear everybody sing after me | 0:41:46 | 0:41:51 | |
# Momma, I love you | 0:41:51 | 0:41:53 | |
# And, Daddy, I love you | 0:41:53 | 0:41:55 | |
# I hope my children sing to me | 0:41:56 | 0:41:59 | |
# Daddy, I love you | 0:42:00 | 0:42:02 | |
# Momma, I love you... # | 0:42:02 | 0:42:04 | |
There's a saying of looking after baby kangaroos - | 0:42:07 | 0:42:10 | |
don't step backwards, because they're always at the back of your heels. | 0:42:10 | 0:42:15 | |
You never get a spare moment to relax. | 0:42:25 | 0:42:27 | |
The babies are following you everywhere, | 0:42:27 | 0:42:30 | |
just like they would their mum. | 0:42:30 | 0:42:32 | |
The only time we can get a bit of a relax is when we all sleep. | 0:42:32 | 0:42:36 | |
It's only been a couple of days since Daisy and Amy joined William | 0:42:39 | 0:42:44 | |
and they've already bonded like brothers and sisters. | 0:42:44 | 0:42:48 | |
William's "kangaroo medicine" is clearly working | 0:42:48 | 0:42:52 | |
and his skin condition is on the mend. | 0:42:52 | 0:42:55 | |
# Daddy worked so hard | 0:42:57 | 0:43:02 | |
# While Momma gave us all her love. | 0:43:02 | 0:43:06 | |
# She made the food fill the table | 0:43:06 | 0:43:11 | |
# And we all thanked the God above. # | 0:43:11 | 0:43:15 | |
It's not just Brolga's babies that are growing up fast. | 0:43:23 | 0:43:26 | |
Ella's baby's about four and a half months old now. | 0:43:35 | 0:43:38 | |
This is a really great time | 0:43:40 | 0:43:43 | |
as far as being able to look in on the baby | 0:43:43 | 0:43:46 | |
because the baby has really changed. | 0:43:46 | 0:43:49 | |
It's gone from what looked like an alien, | 0:43:49 | 0:43:52 | |
something that didn't even resemble a kangaroo | 0:43:52 | 0:43:56 | |
to now a few months later, | 0:43:56 | 0:43:58 | |
something that's slowly turning into a kangaroo. | 0:43:58 | 0:44:02 | |
I haven't seen Ella's baby for a while, | 0:44:10 | 0:44:12 | |
but I found her out there in the bush, | 0:44:12 | 0:44:15 | |
so decided to take up some carrots | 0:44:15 | 0:44:17 | |
and have a look in the pouch, and man, that baby's changed. | 0:44:17 | 0:44:22 | |
It's got dramatically bigger. | 0:44:32 | 0:44:34 | |
Its eyes are very close to opening, they're just little black slits | 0:44:39 | 0:44:43 | |
but you can see they're bulging, just ready to open. | 0:44:43 | 0:44:46 | |
Whiskers have grown, eyelashes are starting to come on. | 0:44:48 | 0:44:52 | |
Looking into Ella's pouch is like looking into a child's bedroom. | 0:44:56 | 0:45:01 | |
That baby is cosy, wrapped up in bed. | 0:45:02 | 0:45:06 | |
Over the progressing weeks and months, | 0:45:09 | 0:45:12 | |
this baby's going to get bigger and bigger. | 0:45:12 | 0:45:14 | |
He's going to outgrow this space that he's known as his mum's pouch | 0:45:16 | 0:45:21 | |
and he's going to have to venture out. | 0:45:21 | 0:45:23 | |
Mum can't keep carrying him forever. | 0:45:23 | 0:45:25 | |
So that's the future for him. | 0:45:27 | 0:45:29 | |
Now he looks like a kangaroo, Brolga's given him a name... | 0:45:34 | 0:45:38 | |
Nigel. | 0:45:40 | 0:45:41 | |
Like all the joeys born in Brolga's sanctuary, Nigel is Roger's son. | 0:45:44 | 0:45:49 | |
And as alpha male, Roger lives up to his name. | 0:45:52 | 0:45:57 | |
If you see Roger in action checking up on his girls, | 0:46:01 | 0:46:06 | |
the first thing he does is go to their cloaca, | 0:46:06 | 0:46:08 | |
which is right near the tail, | 0:46:08 | 0:46:10 | |
that's the private parts for the kangaroo. | 0:46:10 | 0:46:12 | |
Roger licks that area, it stimulates the girl to urinate. | 0:46:16 | 0:46:21 | |
He then tastes it. He sort of... "Mmmm." | 0:46:22 | 0:46:27 | |
What he's doing, he's seeing whether she's in season, | 0:46:28 | 0:46:32 | |
that she's ready to breed. | 0:46:32 | 0:46:33 | |
If she is in season, courtship happens. | 0:46:38 | 0:46:42 | |
It's not straight into sex - wham, bam, thank you, ma'am. | 0:46:42 | 0:46:45 | |
It's a bit of a courtship going on. | 0:46:45 | 0:46:47 | |
When you see Roger out in the bush | 0:46:51 | 0:46:53 | |
and he's courting one of the girls in the mob, | 0:46:53 | 0:46:56 | |
he's actually really gentle. | 0:46:56 | 0:46:59 | |
He's such a big dude, he's strong, he's massive! | 0:46:59 | 0:47:03 | |
I've seen him in fights, kick the butt out of a bigger bloke, | 0:47:03 | 0:47:06 | |
but he doesn't take that persona into his courtship, | 0:47:06 | 0:47:10 | |
he's gentle, which is fantastic. | 0:47:10 | 0:47:12 | |
He pats her on the bottom to say, "Are you ready yet?" | 0:47:20 | 0:47:23 | |
She goes, "No, not yet" and moves a bit forward. | 0:47:23 | 0:47:27 | |
Then he'll touch again, "You ready yet?" "No, not yet." | 0:47:27 | 0:47:30 | |
And this goes on, often for several hours. | 0:47:30 | 0:47:33 | |
If it's in the morning, it can go all the way through to sunset. | 0:47:33 | 0:47:37 | |
And then there comes a time he pats her on the bottom | 0:47:41 | 0:47:44 | |
and she doesn't move on. | 0:47:44 | 0:47:45 | |
And to him, that's like, "Yes, I'm ready." | 0:47:47 | 0:47:51 | |
He's now at the top, he's got his prize, | 0:48:03 | 0:48:07 | |
for years and years of fights. | 0:48:07 | 0:48:09 | |
That's what he's fought for his whole life. | 0:48:09 | 0:48:12 | |
It's amazing to think that William is going to be Roger's size one day. | 0:48:16 | 0:48:21 | |
When he's older, William will kickbox for the right to father | 0:48:25 | 0:48:29 | |
his own joeys, but that's a very long way off. | 0:48:29 | 0:48:33 | |
Time to go to bed. | 0:48:36 | 0:48:37 | |
In the wild, in the heat of the day, | 0:48:40 | 0:48:42 | |
these kids would be tucked up asleep in the security of mum's pouch, | 0:48:42 | 0:48:46 | |
growing bigger and stronger on her milk. | 0:48:46 | 0:48:49 | |
You girls want to go to bed? | 0:48:50 | 0:48:52 | |
Brolga's training his joeys to improve their skills | 0:48:52 | 0:48:55 | |
in the tricky art of getting into old pillow cases, | 0:48:55 | 0:48:59 | |
the next best thing. | 0:48:59 | 0:49:00 | |
Amy and William are pretty good at it... | 0:49:04 | 0:49:06 | |
..but Daisy needs a little more practice. | 0:49:08 | 0:49:10 | |
All is looking good on the home front | 0:49:19 | 0:49:22 | |
and the odds of returning all three joeys back to the wild | 0:49:22 | 0:49:25 | |
become more favourable with every passing day. | 0:49:25 | 0:49:28 | |
Since the orphans arrived, | 0:49:36 | 0:49:38 | |
it's been clear skies in the outback. | 0:49:38 | 0:49:41 | |
But now, barrel clouds roll over Brolga's shack. | 0:49:48 | 0:49:52 | |
This bizarre weather pattern is rarely seen. | 0:49:53 | 0:49:56 | |
A warning of stormy times ahead. | 0:49:57 | 0:50:00 | |
A lightning strike could set the desert on fire, | 0:50:15 | 0:50:18 | |
so Brolga's in a desperate rush | 0:50:18 | 0:50:21 | |
to cut fire breaks throughout his sanctuary. | 0:50:21 | 0:50:24 | |
THUNDER RUMBLES | 0:50:28 | 0:50:30 | |
What's really concerning me | 0:50:38 | 0:50:41 | |
is that there's a few bolts of lightning out there on the horizon... | 0:50:41 | 0:50:45 | |
And if one of them hits the ground, it will set this dry bush on fire. | 0:50:47 | 0:50:50 | |
Get a strong wind that might be associated with a bit of rain... | 0:50:53 | 0:50:58 | |
we are going to be in a lot of trouble. | 0:50:58 | 0:51:00 | |
This place is so tinder dry at the moment, it will go off like a bomb. | 0:51:03 | 0:51:07 | |
LIGHTNING CRACKS | 0:51:07 | 0:51:10 | |
Lightning has set the desert ablaze. | 0:51:11 | 0:51:14 | |
A fire like this is an uncontrollable monster. | 0:51:31 | 0:51:34 | |
No life stands a chance. | 0:51:36 | 0:51:38 | |
Wind whips the fire into a tornado over 30 metres tall. | 0:51:41 | 0:51:45 | |
It's no wonder people call this inferno a "fire devil." | 0:51:52 | 0:51:55 | |
With fires like this, Brolga and his kangaroos' fate | 0:52:01 | 0:52:05 | |
lies with the whim of the wind. | 0:52:05 | 0:52:07 | |
A big bush fire is the closest thing to hell | 0:52:28 | 0:52:32 | |
that you'll ever experience. | 0:52:32 | 0:52:34 | |
If a fire did get into the sanctuary, it'd be all over. | 0:52:40 | 0:52:44 | |
The animals would be trapped up against the fences, | 0:52:46 | 0:52:49 | |
burnt alive, Ella and Roger, the joeys... | 0:52:49 | 0:52:55 | |
That would be, that would be the worst thing I could ever imagine. | 0:52:56 | 0:53:00 | |
After days on the rampage, the fire slowly burns itself out. | 0:53:07 | 0:53:12 | |
For now, he and his mob have escaped unscathed. | 0:53:16 | 0:53:20 | |
In a worst case scenario, | 0:53:26 | 0:53:28 | |
if one day that fire comes to the sanctuary, | 0:53:28 | 0:53:31 | |
that big fire, that uncontrollable demon | 0:53:31 | 0:53:36 | |
that's just ravishing the bush and he's coming my way, | 0:53:36 | 0:53:39 | |
I will take him on. I will fight him. | 0:53:39 | 0:53:41 | |
He's Goliath and I'm David and I will take you on, | 0:53:42 | 0:53:46 | |
because you're going to take my family away from me. | 0:53:46 | 0:53:50 | |
And I'll go down with them if I have to, fighting you all the way. | 0:53:50 | 0:53:53 | |
This fire may have passed, | 0:54:10 | 0:54:12 | |
but windy conditions from the storm have spooked the roos. | 0:54:12 | 0:54:16 | |
They've been on edge all day | 0:54:19 | 0:54:21 | |
and a single strong gust has proven an ill wind for Daisy. | 0:54:21 | 0:54:25 | |
Daisy's had an accident. | 0:54:29 | 0:54:30 | |
I was out in the garden with the joeys, | 0:54:32 | 0:54:34 | |
three of them at my feet... | 0:54:34 | 0:54:36 | |
..and all of a sudden, it's been a windy day, | 0:54:38 | 0:54:42 | |
but a strong gust of wind came through | 0:54:42 | 0:54:45 | |
and that freaked out all three of them | 0:54:45 | 0:54:48 | |
and they were all running around madly. | 0:54:48 | 0:54:51 | |
Daisy was the worst though, she tried to push through that fence | 0:54:52 | 0:54:58 | |
that was in your way, wasn't it? | 0:54:58 | 0:55:00 | |
And she ended up hanging upside down by her leg and... | 0:55:00 | 0:55:05 | |
..now she's left with... | 0:55:07 | 0:55:08 | |
..what appears to be a serious injury, | 0:55:10 | 0:55:12 | |
she can't put any weight down on that leg at all. | 0:55:12 | 0:55:14 | |
Good girl, you're doing well. | 0:55:19 | 0:55:21 | |
I'm gutted now. | 0:55:25 | 0:55:27 | |
(It's all right, it's all right.) | 0:55:31 | 0:55:33 | |
(It's all right, it's all right.) | 0:55:33 | 0:55:35 | |
If it's serious though, you know, | 0:55:38 | 0:55:40 | |
the animal's probably got to be put to sleep. | 0:55:40 | 0:55:44 | |
A little orphan like Daisy and William and Amy... | 0:55:53 | 0:55:59 | |
I raised them as a group | 0:56:01 | 0:56:02 | |
so they can all go back to the bush together and... | 0:56:02 | 0:56:06 | |
..I don't want to send two back and not three. | 0:56:08 | 0:56:11 | |
Daisy will have to be 100% fit as all three of them will be | 0:56:15 | 0:56:19 | |
to be able to survive in the wild | 0:56:19 | 0:56:22 | |
and be able to outrun their predators. | 0:56:22 | 0:56:24 | |
If she's not capable of being 100% fit... | 0:56:26 | 0:56:30 | |
..she can't go back to the bush. | 0:56:33 | 0:56:35 | |
And that's what I work for, to get the animals back to the bush. | 0:56:41 | 0:56:45 | |
Brolga's reached the limits of what he can do for Daisy. | 0:57:05 | 0:57:08 | |
She needs urgent expert help. | 0:57:10 | 0:57:12 | |
So...is it positive? | 0:57:23 | 0:57:25 | |
-Look, it's a severe injury. -Mm. | 0:57:25 | 0:57:28 | |
It's... Well, I'll talk you through it. | 0:57:31 | 0:57:34 | |
-It looks like this whole joint is completely crushed. -Yeah. | 0:57:36 | 0:57:40 | |
She's just got so many injuries. | 0:57:40 | 0:57:42 | |
I know, what can we do? | 0:57:42 | 0:57:44 | |
Daisy's life hangs in the balance. | 0:57:47 | 0:57:49 | |
Join us in the final episode to see if she makes it. | 0:57:52 | 0:57:56 | |
Subtitles by Red Bee Media Ltd | 0:58:33 | 0:58:36 |