Browse content similar to Hotel Armadillo. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
In the heart of Brazil lives an animal so elusive | 0:00:12 | 0:00:16 | |
few have ever seen it in the wild. | 0:00:16 | 0:00:19 | |
It's an armadillo. | 0:00:23 | 0:00:25 | |
Some kinds of armadillo are no bigger than an orange. | 0:00:25 | 0:00:28 | |
But this rare one is the size of a pig. | 0:00:28 | 0:00:31 | |
This is the giant armadillo. | 0:00:31 | 0:00:34 | |
For the first time, | 0:00:35 | 0:00:36 | |
one man is shining a light into their mysterious world. | 0:00:36 | 0:00:40 | |
In some ways, giant armadillos can be considered a ghost species. | 0:00:40 | 0:00:45 | |
People do not know that they exist. | 0:00:46 | 0:00:48 | |
Now, at last, their lives are being revealed. | 0:00:50 | 0:00:53 | |
Just to be able to see this right now is just amazing. | 0:00:56 | 0:00:59 | |
Nobody gets to see this. | 0:00:59 | 0:01:01 | |
There's the baby. | 0:01:03 | 0:01:05 | |
And their most intimate moments shared. | 0:01:05 | 0:01:08 | |
But these animals have been hiding an even bigger secret. | 0:01:10 | 0:01:14 | |
One that could be vital to the survival | 0:01:15 | 0:01:17 | |
of much other wildlife around here. | 0:01:17 | 0:01:19 | |
Can you hear that? There's an animal inside. | 0:01:19 | 0:01:22 | |
It's a six-banded armadillo, using the giant armadillo burrow. | 0:01:24 | 0:01:28 | |
These extraordinary animals could well hold the key | 0:01:29 | 0:01:32 | |
to saving one of the wildest places on earth. | 0:01:32 | 0:01:35 | |
Welcome to Hotel Armadillo. | 0:01:38 | 0:01:40 | |
Brazil's Pantanal is a place unlike any other. | 0:01:54 | 0:01:58 | |
Covering more than 140,000 square kilometres, | 0:01:59 | 0:02:03 | |
this is the largest tropical wetland in the world. | 0:02:03 | 0:02:06 | |
Unlike the lands around the Amazon, which are covered by high forest, | 0:02:15 | 0:02:20 | |
the Pantanal consists of vast expanses of flooded grassland... | 0:02:20 | 0:02:24 | |
..with only here or there a patch of dry savannah or a stretch of trees. | 0:02:28 | 0:02:33 | |
Prone to intense drought and severe floods, | 0:02:35 | 0:02:39 | |
this is a landscape of extremes. | 0:02:39 | 0:02:41 | |
A huge diversity of species live here. | 0:02:45 | 0:02:48 | |
Including the secretive giant armadillo. | 0:02:56 | 0:03:00 | |
Solitary, nocturnal, and extremely rare... | 0:03:07 | 0:03:11 | |
..it digs huge underground burrows up to six metres deep... | 0:03:12 | 0:03:16 | |
..and spends three quarters of its life in them, underground. | 0:03:18 | 0:03:22 | |
Until recently, we knew virtually nothing of their lives in the wild. | 0:03:25 | 0:03:30 | |
But Arnaud Desbiez, the founder of the Giant Armadillo Project, | 0:03:41 | 0:03:46 | |
has changed that. | 0:03:46 | 0:03:47 | |
When I started the Giant Armadillo Project, | 0:03:47 | 0:03:50 | |
I'd already been working and living in the Pantanal for eight years. | 0:03:50 | 0:03:55 | |
But during those eight years I had never seen a giant armadillo. | 0:03:55 | 0:03:59 | |
It was a species I really wanted to see. | 0:04:00 | 0:04:03 | |
Even finding signs of giant armadillos is extremely difficult. | 0:04:04 | 0:04:08 | |
But gradually, Arnaud started to build up a picture | 0:04:10 | 0:04:13 | |
of their hidden world. | 0:04:13 | 0:04:15 | |
We couldn't leave any stone unturned. | 0:04:16 | 0:04:18 | |
And little by little, yes, we did start finding evidence. | 0:04:20 | 0:04:24 | |
And it was so exciting when we got our first picture. | 0:04:27 | 0:04:30 | |
That was an indescribable moment because, there it was. | 0:04:30 | 0:04:34 | |
'The species we were working so hard to find. | 0:04:36 | 0:04:40 | |
'We couldn't believe it. | 0:04:40 | 0:04:42 | |
'It's so hard to believe that this magnificent giant | 0:04:42 | 0:04:47 | |
'is living right beside us.' | 0:04:47 | 0:04:49 | |
It's right there. | 0:04:49 | 0:04:51 | |
But you don't see it. | 0:04:53 | 0:04:55 | |
It's May, the start of Arnaud's research year. | 0:05:00 | 0:05:04 | |
But this season's expedition could be different. | 0:05:07 | 0:05:10 | |
He has used camera traps before, | 0:05:12 | 0:05:14 | |
but they have only given him brief glimpses of an animal | 0:05:14 | 0:05:18 | |
in which he's so interested. | 0:05:18 | 0:05:20 | |
Now, Arnaud has newly developed gear that could give him | 0:05:20 | 0:05:24 | |
more continuous pictures from both above and below ground. | 0:05:24 | 0:05:28 | |
The team has found the burrow of a female that they've named Tracy, | 0:05:30 | 0:05:34 | |
in honour of the first giant armadillo researcher, Tracy Carter. | 0:05:34 | 0:05:39 | |
The new camera rig can record pictures by day and by night. | 0:05:49 | 0:05:54 | |
It's switched on by the tiniest movements | 0:05:56 | 0:05:59 | |
and the team are hoping the animals themselves will trigger recordings | 0:05:59 | 0:06:03 | |
that will reveal new things about themselves. | 0:06:03 | 0:06:06 | |
There are good reasons why giant armadillos are so rarely seen. | 0:06:23 | 0:06:28 | |
Their senses of smell and hearing are acute. | 0:06:29 | 0:06:32 | |
And they're exceptionally wary of people, and cameras. | 0:06:34 | 0:06:38 | |
The locals still consider that these animals are supernatural beings. | 0:06:40 | 0:06:44 | |
Monsters that come up from deep within the earth. | 0:06:46 | 0:06:49 | |
The cameras are rigged, but will Tracy appear? | 0:06:57 | 0:07:01 | |
OK, OK, Tracy is coming out. | 0:07:13 | 0:07:16 | |
Ah. | 0:07:19 | 0:07:20 | |
It's beautiful. | 0:07:22 | 0:07:23 | |
Armadillos are one of the most ancient of living mammals | 0:07:28 | 0:07:32 | |
and first appeared some 50 million years ago. | 0:07:32 | 0:07:35 | |
The giant species is still found in many parts of South America. | 0:07:42 | 0:07:46 | |
But there are so few of them that images like these are truly rare. | 0:07:47 | 0:07:52 | |
It's a major achievement for Arnaud and his team. | 0:07:54 | 0:07:58 | |
So Tracy's investigating her surroundings. | 0:08:01 | 0:08:05 | |
Scent is the key sense for giant armadillos. | 0:08:05 | 0:08:09 | |
So she's sniffing the air around her. | 0:08:10 | 0:08:12 | |
The burrow is her safety net. | 0:08:30 | 0:08:32 | |
So if anything goes wrong, if she smells anything out of place... | 0:08:32 | 0:08:38 | |
..if she has any concern... | 0:08:39 | 0:08:41 | |
..she can just run back. | 0:08:43 | 0:08:45 | |
Just to be able to see this right now is just amazing. | 0:08:47 | 0:08:51 | |
Wow. | 0:08:54 | 0:08:55 | |
Arnaud's research is starting to suggest something quite unexpected. | 0:08:58 | 0:09:02 | |
He has discovered that the huge holes they dig | 0:09:05 | 0:09:08 | |
are quickly taken over by other creatures | 0:09:08 | 0:09:11 | |
living in the neighbourhood. | 0:09:11 | 0:09:12 | |
So they could be critical to the survival | 0:09:12 | 0:09:15 | |
of the whole Pantanal ecosystem. | 0:09:15 | 0:09:17 | |
The giants dig a new burrow about every two days | 0:09:19 | 0:09:22 | |
and so provide ready-made hotels for dozens of other creatures. | 0:09:22 | 0:09:27 | |
And now, as Tracy checks out to spend the night feeding, | 0:09:30 | 0:09:34 | |
a whole army of guests are ready to check in. | 0:09:34 | 0:09:38 | |
The team has now recorded 77 different species | 0:09:42 | 0:09:45 | |
visiting Hotel Armadillo. | 0:09:45 | 0:09:48 | |
Small rodents are almost always the first to turn up. | 0:09:49 | 0:09:53 | |
It's not only the quality of the accommodation | 0:10:02 | 0:10:04 | |
that attracts the lodgers. | 0:10:04 | 0:10:06 | |
The food is good, too. | 0:10:07 | 0:10:09 | |
For the newly excavated earth is rich with insects and roots. | 0:10:09 | 0:10:14 | |
Lowland tapirs are too big to get into an armadillo burrow... | 0:10:21 | 0:10:25 | |
..but that's not a problem for small anteaters called tamanduas. | 0:10:26 | 0:10:30 | |
They visit them more frequently than any other animal. | 0:10:37 | 0:10:41 | |
Tamanduas spend most of their time up in the trees, | 0:10:44 | 0:10:48 | |
but they use giant armadillo burrows as nurseries. | 0:10:48 | 0:10:51 | |
Safe, cool places where they can leave a baby. | 0:10:51 | 0:10:55 | |
For them, a family room in Hotel Armadillo is perfect accommodation. | 0:10:58 | 0:11:03 | |
The Giant Armadillo Project is supported by more than 40 zoos | 0:11:20 | 0:11:24 | |
and aquariums worldwide. | 0:11:24 | 0:11:27 | |
But it has its base at the Baia das Pedras ranch | 0:11:27 | 0:11:30 | |
in the heart of the Pantanal. | 0:11:30 | 0:11:32 | |
Here, Arnaud's team work out how best to track the armadillos | 0:11:34 | 0:11:39 | |
and log the great range of other animals | 0:11:39 | 0:11:42 | |
that make use of the hotels they create. | 0:11:42 | 0:11:44 | |
The project currently has four individual animals | 0:11:48 | 0:11:51 | |
under surveillance. | 0:11:51 | 0:11:53 | |
Each has been fitted with a tiny transmitter | 0:12:00 | 0:12:03 | |
that allows Arnaud and the team to find and then track them. | 0:12:03 | 0:12:07 | |
An individual can have a home range of up to ten square kilometres. | 0:12:09 | 0:12:14 | |
And in a single year it may excavate more than 150 burrows. | 0:12:17 | 0:12:22 | |
Sometimes old burrows can produce a surprise. | 0:12:25 | 0:12:28 | |
Did you hear that? There's an animal inside. | 0:12:28 | 0:12:31 | |
It's a six-banded armadillo using the giant armadillo burrow. | 0:12:32 | 0:12:36 | |
That's why we call armadillos ecosystem engineers. | 0:12:36 | 0:12:39 | |
So when we say giant armadillos provide homes for other species, | 0:12:39 | 0:12:43 | |
this is it, look, here he is. | 0:12:43 | 0:12:45 | |
But it's giant armadillos the team are searching for | 0:12:47 | 0:12:50 | |
and soon they pick up a signal from a female they've named Isabel. | 0:12:50 | 0:12:54 | |
Isabel is really an armadillo that introduced us | 0:12:56 | 0:13:00 | |
to the giant armadillo world. | 0:13:00 | 0:13:02 | |
Things that now we take sometimes for granted, | 0:13:02 | 0:13:05 | |
things we know about giant armadillos, we learned from Isabel. | 0:13:05 | 0:13:08 | |
Isabel's offspring, Alex, became the first baby giant armadillo | 0:13:12 | 0:13:17 | |
ever studied scientifically. | 0:13:17 | 0:13:19 | |
The team followed his story for almost two years. | 0:13:20 | 0:13:23 | |
Through Alex we learned a lot about giant armadillo parental care. | 0:13:25 | 0:13:30 | |
So lots of discoveries we made... | 0:13:30 | 0:13:32 | |
We had no idea that giant armadillos, | 0:13:32 | 0:13:34 | |
the females were such dedicated mothers. | 0:13:34 | 0:13:36 | |
But then, when Alex was still less than two-years-old, | 0:13:37 | 0:13:42 | |
he was killed by a hungry puma. | 0:13:42 | 0:13:44 | |
So we all felt devastated by Alex's loss. | 0:13:47 | 0:13:50 | |
So the whole team was very, very sad. | 0:13:50 | 0:13:53 | |
And on a scientific point of view, for the project it was a huge loss | 0:13:55 | 0:13:58 | |
because there was lots of data we still wanted to collect. | 0:13:58 | 0:14:01 | |
There were still lots of questions we had. | 0:14:01 | 0:14:03 | |
The team are desperately hoping that Isabel will produce another baby | 0:14:06 | 0:14:10 | |
so that they can continue their research. | 0:14:10 | 0:14:13 | |
But the battery of Isabel's transmitter is running low. | 0:14:15 | 0:14:19 | |
So the time they have to study her at close hand is running out. | 0:14:19 | 0:14:23 | |
She's been tracked to a fresh burrow. | 0:14:25 | 0:14:28 | |
Once she emerges after dark, she'll be held in a mesh tube... | 0:14:29 | 0:14:34 | |
..while an alarm signal alerts the waiting team. | 0:14:36 | 0:14:39 | |
At giant armadillo Tracy's old burrow, | 0:14:48 | 0:14:51 | |
it's an hour before dawn. | 0:14:51 | 0:14:53 | |
Deep in the basement suite, the tamanduas are still in residence. | 0:14:55 | 0:15:00 | |
Upstairs in the lobby, a visitor is passing through. | 0:15:09 | 0:15:13 | |
It's a Brazilian porcupine. | 0:15:13 | 0:15:15 | |
A guest never recorded before | 0:15:15 | 0:15:18 | |
and one that brings the list of different species to 78. | 0:15:18 | 0:15:22 | |
Another indication of the Pantanal's amazing biodiversity. | 0:15:23 | 0:15:27 | |
As dawn breaks, the female tamandua heads out to feed. | 0:15:45 | 0:15:50 | |
Ants and termites make up more than 90% of their diet. | 0:15:51 | 0:15:55 | |
And an adult needs to consume thousands of them every day. | 0:15:57 | 0:16:01 | |
But while the mother feeds, the baby is vulnerable. | 0:16:12 | 0:16:16 | |
A pair of tayras have picked up the scent of the youngster. | 0:16:19 | 0:16:22 | |
Baby tamanduas are sometimes killed | 0:16:30 | 0:16:32 | |
by these metre-long relatives of the weasel. | 0:16:32 | 0:16:35 | |
But the tayras have come to Hotel Armadillo for a different reason. | 0:16:40 | 0:16:44 | |
The open ground and the soft earth makes this an ideal spot for mating. | 0:16:47 | 0:16:52 | |
The tayras move on, and mother tamandua returns. | 0:17:02 | 0:17:06 | |
But the infant seems to have been alarmed | 0:17:12 | 0:17:15 | |
by the scent of these predators and it's behaving aggressively. | 0:17:15 | 0:17:18 | |
TAMANDUA SNICKERS | 0:17:22 | 0:17:24 | |
Not the warmest of welcome homes. | 0:17:36 | 0:17:38 | |
But the powerful defensive display | 0:17:41 | 0:17:43 | |
has shown that the youngster is able to fend for itself | 0:17:43 | 0:17:47 | |
and is now ready to leave the safety of Hotel Armadillo. | 0:17:47 | 0:17:51 | |
ALARM BEEPS | 0:17:58 | 0:18:00 | |
The alarm is sounding. | 0:18:00 | 0:18:02 | |
Isabel is in the trap. | 0:18:06 | 0:18:08 | |
Once dawn breaks, | 0:18:18 | 0:18:21 | |
she's transferred to a large box and taken to a clearing. | 0:18:21 | 0:18:25 | |
The Giant Armadillo Project employs two vets | 0:18:29 | 0:18:32 | |
who have developed specialist knowledge of this rare creature. | 0:18:32 | 0:18:36 | |
-WHISPERS: -Camilla just applied the anaesthetic and now we have to wait. | 0:18:38 | 0:18:41 | |
Arnaud has worked out | 0:18:46 | 0:18:48 | |
that a giant armadillo's gestation period is five months. | 0:18:48 | 0:18:52 | |
But he has no way of telling whether or not Isabel is expecting a baby. | 0:18:52 | 0:18:57 | |
However, he takes the chance to check her general health | 0:19:02 | 0:19:05 | |
and collect samples of her hair and blood and other tissues. | 0:19:05 | 0:19:10 | |
A giant armadillo can weigh an astonishing 50 kilos. | 0:19:14 | 0:19:18 | |
The armour-plated skin is made of a combination of horn and bone. | 0:19:21 | 0:19:26 | |
Flexible and strong, | 0:19:32 | 0:19:33 | |
it makes an adult giant armadillo almost predator proof. | 0:19:33 | 0:19:38 | |
HE SPEAKS HIS OWN LANGUAGE | 0:19:42 | 0:19:44 | |
They are superbly equipped for digging. | 0:19:53 | 0:19:56 | |
Giant armadillo front claws can be more than 20cm long. | 0:19:58 | 0:20:03 | |
They give Isabel the ability to rip open termite mounds | 0:20:05 | 0:20:08 | |
and excavate burrows in really hard ground. | 0:20:08 | 0:20:11 | |
She is a living bulldozer. | 0:20:14 | 0:20:16 | |
Her back feet are shovel shaped and so efficient that, | 0:20:21 | 0:20:25 | |
big though she is, | 0:20:25 | 0:20:27 | |
she can disappear below ground in less than 20 minutes. | 0:20:27 | 0:20:30 | |
Every single part of a giant armadillo is fascinating for Arnaud. | 0:20:34 | 0:20:38 | |
I'm collecting hair off a giant armadillo. | 0:20:41 | 0:20:43 | |
They have tiny little hairs between the scales. | 0:20:43 | 0:20:46 | |
So little is known about giant armadillos | 0:20:50 | 0:20:53 | |
that every piece of data is precious. | 0:20:53 | 0:20:55 | |
As the mother of Alex, | 0:20:59 | 0:21:01 | |
Isabel helped Arnaud to discover a great deal about her secret world. | 0:21:01 | 0:21:06 | |
I know you're not supposed to have favourites... | 0:21:08 | 0:21:10 | |
..but we learned so much with her | 0:21:12 | 0:21:14 | |
and spent so much time with her... | 0:21:14 | 0:21:16 | |
..she holds a really special place in my heart. | 0:21:18 | 0:21:21 | |
As the final samples are collected, Isabel starts to recover. | 0:21:28 | 0:21:32 | |
The armadillos are always released | 0:21:39 | 0:21:41 | |
into the same burrows where they were caught. | 0:21:41 | 0:21:44 | |
Because this is an animal we've been monitoring already for a while, | 0:21:46 | 0:21:49 | |
the transmitter's going to stop working soon, she's losing her batteries. | 0:21:49 | 0:21:53 | |
So we're a little bit sad and a little bit emotional | 0:21:53 | 0:21:55 | |
because I think this is probably the last time we see her physically | 0:21:55 | 0:21:59 | |
or get a chance to put our hands on her. | 0:21:59 | 0:22:01 | |
So it's kind of like saying goodbye to her now. | 0:22:01 | 0:22:04 | |
She's still a little unsteady from the anaesthetic. | 0:22:05 | 0:22:08 | |
But she'll have plenty of time to sleep it off | 0:22:10 | 0:22:13 | |
once she's got back underground. | 0:22:13 | 0:22:15 | |
Beautiful. | 0:22:35 | 0:22:37 | |
The team may never see Isabel again. | 0:22:38 | 0:22:41 | |
But, with luck, the new camera traps will enable them | 0:22:53 | 0:22:56 | |
to monitor her progress in detail. | 0:22:56 | 0:22:59 | |
One day she may even be seen with a new baby | 0:23:00 | 0:23:03 | |
and then the work they started with Alex will continue. | 0:23:03 | 0:23:06 | |
But that remains a dream for the team, | 0:23:08 | 0:23:11 | |
one that sometimes seems almost impossible. | 0:23:11 | 0:23:14 | |
The Pantanal may be rich with wildlife, | 0:23:18 | 0:23:20 | |
but this place is also home to people. | 0:23:20 | 0:23:23 | |
The traditional way of cattle ranching here, however, | 0:23:29 | 0:23:33 | |
gives wildlife plenty of room to thrive. | 0:23:33 | 0:23:36 | |
Throughout the seasons, cowboys move the herds around the Pantanal | 0:23:41 | 0:23:46 | |
from pasture to pasture. | 0:23:46 | 0:23:48 | |
It's a system that has been used here for over 250 years. | 0:23:50 | 0:23:54 | |
The edges of the pastures are dotted with the termite mounds | 0:24:02 | 0:24:06 | |
that are crucial food stores for the giant armadillos. | 0:24:06 | 0:24:10 | |
Arnaud is also rigging these with cameras. | 0:24:22 | 0:24:25 | |
The team are hoping that footage they capture | 0:24:41 | 0:24:44 | |
will confirm their suspicion that the armadillos | 0:24:44 | 0:24:47 | |
are providing something more than accommodation in their hotels. | 0:24:47 | 0:24:51 | |
Could it be that they're also in the restaurant business? | 0:24:51 | 0:24:55 | |
It's 11am. | 0:25:03 | 0:25:05 | |
The hottest part of the day is approaching. | 0:25:05 | 0:25:08 | |
Soon, temperatures will reach more than 40 Celsius. | 0:25:13 | 0:25:17 | |
But deep underground, in the basement of Hotel Armadillo, | 0:25:20 | 0:25:25 | |
the baby tamandua is enjoying a more tolerable 24 degrees. | 0:25:25 | 0:25:29 | |
Having been alone now for more than 12 hours, it's very hungry. | 0:25:31 | 0:25:35 | |
It's not the only animal that needs a meal. | 0:25:41 | 0:25:44 | |
On the pasture near the burrow, | 0:26:03 | 0:26:05 | |
a family party of coatis are looking for food. | 0:26:05 | 0:26:09 | |
These close relatives of the raccoon | 0:26:12 | 0:26:14 | |
are also occasional visitors to Hotel Armadillo. | 0:26:14 | 0:26:18 | |
As the sun reaches its highest point, | 0:26:28 | 0:26:30 | |
they head towards the burrow and the shady forest. | 0:26:30 | 0:26:34 | |
They're followed closely by a group of peccaries. | 0:26:40 | 0:26:43 | |
Peccaries often follow coatis | 0:26:51 | 0:26:53 | |
to collect the fruit that the coatis knock from the trees. | 0:26:53 | 0:26:57 | |
But today the choicest morsels on offer | 0:27:04 | 0:27:07 | |
are the exposed roots and shoots around the burrow entrance. | 0:27:07 | 0:27:11 | |
Unfortunately, a 30-kilo peccary | 0:27:13 | 0:27:16 | |
can easily create major structural damage to the hotel. | 0:27:16 | 0:27:20 | |
A collapsed roof would be a disaster for any resident. | 0:27:25 | 0:27:29 | |
Once they've gone, the baby tamandua makes its move. | 0:27:41 | 0:27:45 | |
It's now out on its own. | 0:27:53 | 0:27:56 | |
Hotel Armadillo has vacancies. | 0:28:00 | 0:28:04 | |
Back at the termite mound, | 0:28:09 | 0:28:10 | |
Arnaud is keen to check the camera trap for visitors. | 0:28:10 | 0:28:14 | |
Bang on cue, at half past seven, the first visitor. | 0:28:19 | 0:28:24 | |
It's a big male giant armadillo. | 0:28:24 | 0:28:26 | |
That's crazy, the strength of these animals is absolutely insane. | 0:28:36 | 0:28:40 | |
Termite mounds are extremely hard. | 0:28:43 | 0:28:45 | |
And the giant armadillo is one of the few animals | 0:28:47 | 0:28:50 | |
able to tear into them like this. | 0:28:50 | 0:28:53 | |
But once it's collected enough termites | 0:28:54 | 0:28:57 | |
with its long, sticky tongue, it will move on. | 0:28:57 | 0:28:59 | |
Their powerful claws open up big holes in the mound. | 0:29:06 | 0:29:09 | |
Which means other animals can benefit from the efforts | 0:29:11 | 0:29:14 | |
of the ecosystem's chief digger. | 0:29:14 | 0:29:16 | |
And here, half an hour after, a giant anteater comes. | 0:29:18 | 0:29:22 | |
This is fantastic, it's perfect, it just illustrates, you know, | 0:29:30 | 0:29:33 | |
how both these two giants of the Pantanal feed on the same resources. | 0:29:33 | 0:29:38 | |
The relationship between giant anteaters and giant armadillos | 0:29:58 | 0:30:02 | |
has become increasingly interesting to the team. | 0:30:02 | 0:30:06 | |
Both animals exploit the same food sources, | 0:30:09 | 0:30:13 | |
so how do these two giants coexist? | 0:30:13 | 0:30:16 | |
The team are planning to catch and radio tag an anteater | 0:30:24 | 0:30:29 | |
so that its movements can be plotted alongside that | 0:30:29 | 0:30:32 | |
of the tagged armadillos. | 0:30:32 | 0:30:34 | |
But first, you need to catch your animal. | 0:30:38 | 0:30:41 | |
And that's best done at dusk. | 0:30:42 | 0:30:44 | |
It's getting a little too dark, | 0:30:45 | 0:30:47 | |
so we probably have maybe five more minutes of light | 0:30:47 | 0:30:50 | |
where we can actually see what we're doing | 0:30:50 | 0:30:52 | |
and after that, we have to call it a day. | 0:30:52 | 0:30:54 | |
The light has almost gone, | 0:31:02 | 0:31:04 | |
but vet Danilo has spotted an anteater in the shadows. | 0:31:04 | 0:31:08 | |
HE PANTS | 0:31:31 | 0:31:33 | |
One giant anteater successfully in the bag. | 0:31:38 | 0:31:40 | |
That's quite a run. | 0:31:42 | 0:31:44 | |
Fitting a radio transmitter on a giant anteater | 0:31:55 | 0:31:58 | |
is every bit as challenging | 0:31:58 | 0:32:00 | |
as doing so on an anaesthetised giant armadillo. | 0:32:00 | 0:32:04 | |
They have just one hour in which to fit the anteater | 0:32:07 | 0:32:10 | |
with the special collar. | 0:32:10 | 0:32:12 | |
Once on, it'll give the team a GPS reading every 20 minutes. | 0:32:14 | 0:32:19 | |
The data will then reveal exactly how this other giant | 0:32:24 | 0:32:28 | |
fits into the armadillo's world. | 0:32:28 | 0:32:30 | |
Perhaps this season, | 0:32:45 | 0:32:47 | |
giant anteaters will appear for the first time at Hotel Armadillo. | 0:32:47 | 0:32:52 | |
Just 5km away, there's a freshly dug burrow. | 0:32:56 | 0:33:00 | |
Beneath the surface, giant armadillo Tracy is stirring. | 0:33:03 | 0:33:07 | |
Soon she'll head off to feed, | 0:33:18 | 0:33:21 | |
leaving behind more vacant accommodation available | 0:33:21 | 0:33:25 | |
for use by other animals. | 0:33:25 | 0:33:27 | |
A single giant armadillo creating 15 new hotels every month | 0:33:33 | 0:33:38 | |
must have a major effect on the housing market in the Pantanal | 0:33:38 | 0:33:42 | |
and benefit hundreds of other animals. | 0:33:42 | 0:33:45 | |
Tracy will be vacating a pristine, luxury establishment, | 0:33:53 | 0:33:58 | |
with only one previous owner. | 0:33:58 | 0:34:00 | |
But after the damage done by the peccaries, | 0:34:06 | 0:34:08 | |
her older burrow now has something of a budget hotel atmosphere. | 0:34:08 | 0:34:13 | |
But that hasn't reduced its popularity with visitors. | 0:34:13 | 0:34:17 | |
Over the last three days, the guestbook has recorded agouti... | 0:34:19 | 0:34:23 | |
..lowland tapir... | 0:34:25 | 0:34:27 | |
..brocket deer... | 0:34:31 | 0:34:32 | |
..bare-faced curassow... | 0:34:36 | 0:34:38 | |
..and the giant's pint-size cousin, the six-banded armadillo. | 0:34:40 | 0:34:45 | |
It's now an important hiding place for lizards and snakes. | 0:34:52 | 0:34:56 | |
And they, in turn, attract a specialist hunter. | 0:35:02 | 0:35:05 | |
Red-legged seriemas eat reptiles. | 0:35:12 | 0:35:16 | |
And now Hotel Armadillo becomes transformed into Tracy's Diner. | 0:35:19 | 0:35:25 | |
The total number of different species recorded at burrows | 0:35:34 | 0:35:37 | |
now stands at 79. | 0:35:37 | 0:35:40 | |
Whether you're a crab-eating fox or an ocelot, | 0:35:47 | 0:35:50 | |
Hotel Armadillo has something for everyone. | 0:35:50 | 0:35:53 | |
With such extraordinary numbers of animals | 0:35:58 | 0:36:00 | |
relying on the giant armadillo, | 0:36:00 | 0:36:02 | |
it's not surprising that Arnaud and his team | 0:36:02 | 0:36:05 | |
consider the animal to be an ambassador for biodiversity. | 0:36:05 | 0:36:09 | |
But astonishingly, | 0:36:12 | 0:36:14 | |
many of the local people don't even realise that the animals exist. | 0:36:14 | 0:36:18 | |
So getting the message out there in the community | 0:36:20 | 0:36:23 | |
is a critical part of the Giant Armadillo Project. | 0:36:23 | 0:36:26 | |
How can you care about a species you don't even know you have? | 0:36:28 | 0:36:32 | |
My kids at school have projects on Arctic mammals. | 0:36:33 | 0:36:39 | |
On the African Savannah. | 0:36:41 | 0:36:43 | |
Somehow we forget to celebrate | 0:36:44 | 0:36:47 | |
the amazing animals and plants in our own backyard. | 0:36:47 | 0:36:51 | |
We're worried about what is going to be left for our children. | 0:36:54 | 0:36:57 | |
And most importantly, will they care? | 0:36:58 | 0:37:01 | |
'That's what's really scary. | 0:37:02 | 0:37:04 | |
'We need to show them the incredible role | 0:37:07 | 0:37:10 | |
'this species plays in the ecosystem.' | 0:37:10 | 0:37:13 | |
THEY SPEAK IN THEIR OWN LANGUAGE | 0:37:15 | 0:37:18 | |
'I love seeing the faces of kids | 0:37:18 | 0:37:21 | |
'when they see their first picture of a giant armadillo. | 0:37:21 | 0:37:24 | |
'We need these kids to grow up and care. | 0:37:30 | 0:37:33 | |
'For biodiversity. For nature.' | 0:37:34 | 0:37:36 | |
And the giant armadillo's future ultimately depends on them caring. | 0:37:39 | 0:37:44 | |
There's intriguing news from the field. | 0:37:55 | 0:37:58 | |
While Arnaud was visiting the school, | 0:37:59 | 0:38:02 | |
project biologist Gabriel has made a remarkable discovery. | 0:38:02 | 0:38:06 | |
A freshly dug armadillo burrow with the entrance firmly earthed up. | 0:38:09 | 0:38:15 | |
It was close to the spot where the team released Isabel, | 0:38:18 | 0:38:22 | |
the female who lost her baby, Alex. | 0:38:22 | 0:38:24 | |
Hotel Armadillo would only close like this for one sort of guest. | 0:38:28 | 0:38:33 | |
A baby giant armadillo. | 0:38:34 | 0:38:37 | |
Gabriel was able to set up cameras but, frustratingly, | 0:38:42 | 0:38:46 | |
he had to leave the area before he could check the images. | 0:38:46 | 0:38:50 | |
Seeing Isabel with another baby is very important to the project. | 0:38:51 | 0:38:54 | |
I want to pick up where we left off with Alex. | 0:38:54 | 0:38:58 | |
There are so many questions we still have. | 0:39:00 | 0:39:02 | |
Arnaud and the team are back in their Pantanal headquarters | 0:39:03 | 0:39:06 | |
within 24 hours. | 0:39:06 | 0:39:08 | |
We just arrived last night. | 0:39:10 | 0:39:12 | |
And we're going to go straight to Isabel's territory. | 0:39:13 | 0:39:15 | |
And it's almost too good to be true, it's hard to believe, | 0:39:15 | 0:39:18 | |
so I want to see it with my own eyes. | 0:39:18 | 0:39:20 | |
The burrow is quickly located. | 0:39:46 | 0:39:49 | |
And the recording played back. | 0:39:51 | 0:39:53 | |
It is definitely Isabel. | 0:39:55 | 0:39:57 | |
But where's the baby? | 0:39:59 | 0:40:01 | |
OK then, at night at 6pm, she leaves on the 31st | 0:40:02 | 0:40:06 | |
and nothing has come into the burrow, nothing has happened. | 0:40:06 | 0:40:09 | |
2nd of September. | 0:40:11 | 0:40:13 | |
This is where it should happen now. She opens the burrow. | 0:40:14 | 0:40:17 | |
We could not see any image of a baby. | 0:40:22 | 0:40:25 | |
We both checked together, Daniel and I, | 0:40:27 | 0:40:29 | |
'we looked at the cameras several times.' | 0:40:29 | 0:40:31 | |
The images show nothing. | 0:40:35 | 0:40:37 | |
There was no baby giant armadillo. | 0:40:40 | 0:40:42 | |
Even more frustratingly, she's moved to a new burrow. | 0:40:44 | 0:40:49 | |
And with her transmitter now completely dead, | 0:40:50 | 0:40:53 | |
it's not possible to follow her by radio. | 0:40:53 | 0:40:56 | |
I think one of the biggest challenges through this project | 0:40:57 | 0:41:00 | |
is the species itself. | 0:41:00 | 0:41:02 | |
Giant armadillos occur at such low densities and are so hard to find. | 0:41:03 | 0:41:08 | |
The secret, I think, is persistence. | 0:41:11 | 0:41:14 | |
Never giving up and being in this for the long run. | 0:41:16 | 0:41:19 | |
It may be a lean period for Arnaud and the team, | 0:41:22 | 0:41:26 | |
but back at Hotel Armadillo, | 0:41:26 | 0:41:28 | |
business is booming by day and night. | 0:41:28 | 0:41:31 | |
Since the team first located Tracy in May, | 0:41:34 | 0:41:37 | |
she's excavated more than 50 new burrows. | 0:41:37 | 0:41:40 | |
Recent visitors caught on camera include crab-eating fox, | 0:41:51 | 0:41:56 | |
ocelot, | 0:41:56 | 0:41:58 | |
and exactly what the team were hoping for, a giant anteater. | 0:41:58 | 0:42:03 | |
That brings the total guest list to 80 species. | 0:42:06 | 0:42:10 | |
Baby giant anteaters are now appearing in the Pantanal, | 0:42:20 | 0:42:24 | |
each clinging tightly to its mother's back. | 0:42:24 | 0:42:27 | |
They're relatively easy to see, | 0:42:34 | 0:42:37 | |
making the search for the baby giant armadillo even more frustrating. | 0:42:37 | 0:42:41 | |
The team have travelled almost 100km in the last few days. | 0:42:46 | 0:42:51 | |
But they didn't find a telltale closed burrow. | 0:42:54 | 0:42:58 | |
And, even more worryingly, part of Isabel's territory is in flames. | 0:43:01 | 0:43:06 | |
CRACKLING | 0:43:09 | 0:43:10 | |
Fire is a natural part of life in the Pantanal. | 0:43:19 | 0:43:22 | |
It's used by the ranchers | 0:43:22 | 0:43:23 | |
to encourage new growth when the rains arrive. | 0:43:23 | 0:43:27 | |
But with the growing intensity of ranching, | 0:43:28 | 0:43:31 | |
the frequency of fires has increased. | 0:43:31 | 0:43:34 | |
And they may now burn out of control... | 0:43:40 | 0:43:42 | |
..destroying giant armadillo habitat | 0:43:44 | 0:43:46 | |
and therefore undermining the part the species plays | 0:43:46 | 0:43:50 | |
in maintaining the wonderful diversity of this place. | 0:43:50 | 0:43:53 | |
At a local level, and sometimes international level, | 0:44:01 | 0:44:05 | |
it really feels like biodiversity does not stand a chance. | 0:44:05 | 0:44:09 | |
And we see this with our own eyes all around us. | 0:44:12 | 0:44:15 | |
The changes, impacts and cascading effects of our actions | 0:44:20 | 0:44:26 | |
are becoming bigger and bigger. | 0:44:26 | 0:44:29 | |
And seeing these vast expanses of cash crops... | 0:44:34 | 0:44:38 | |
..where you cannot even hear a single bird sing... | 0:44:41 | 0:44:44 | |
..and you see the number of animals killed on our roads... | 0:44:49 | 0:44:51 | |
..you sometimes feel like a fool for thinking | 0:44:54 | 0:44:56 | |
you're going to make a difference. | 0:44:56 | 0:44:58 | |
You feel powerless. | 0:45:00 | 0:45:02 | |
It feels impossible. | 0:45:03 | 0:45:05 | |
I think what keeps us going is that we love what we do. | 0:45:08 | 0:45:11 | |
I love the life I lead, I love what I do. | 0:45:15 | 0:45:18 | |
Sheer persistence has led Arnaud to a burrow deep in the forest. | 0:45:23 | 0:45:28 | |
This is it, this is it. This is what we're looking for. | 0:46:05 | 0:46:08 | |
HE WHISTLES | 0:46:10 | 0:46:11 | |
The burrow entrance is firmly earthed up. | 0:46:16 | 0:46:19 | |
It must be Isabel. | 0:46:20 | 0:46:22 | |
This is definitely the burrow with the baby. | 0:46:26 | 0:46:29 | |
What's typical of it is this sand that's on top of the burrow | 0:46:29 | 0:46:31 | |
and that's because she closes the burrow, | 0:46:31 | 0:46:34 | |
something she never does unless she's protecting a baby. | 0:46:34 | 0:46:36 | |
So she left to go forage and she leaves the baby in here. | 0:46:36 | 0:46:39 | |
Now, it should be a simple case of setting up the remote cameras | 0:46:41 | 0:46:45 | |
around the sealed burrow to capture pictures of Isabel's return. | 0:46:45 | 0:46:49 | |
But they'll have to wait until dawn to see the results. | 0:46:51 | 0:46:54 | |
Yeah, so we're very curious to see... | 0:47:28 | 0:47:30 | |
We just saw footprints of Isabel going to the burrow, | 0:47:30 | 0:47:34 | |
so we believe that she's inside. | 0:47:34 | 0:47:37 | |
And let's just make sure that she hasn't taken the baby out. | 0:47:38 | 0:47:41 | |
So we're going to go and check it out. | 0:47:41 | 0:47:44 | |
There, she's coming out. | 0:48:04 | 0:48:06 | |
She carefully builds a ramp. | 0:48:51 | 0:48:53 | |
If there was a baby, this is where it would happen, here. | 0:48:56 | 0:48:58 | |
No, I don't have the baby. | 0:49:03 | 0:49:05 | |
There's the baby. I have the baby, yeah. | 0:49:11 | 0:49:14 | |
Oh, this is amazing. | 0:49:40 | 0:49:42 | |
Wow! | 0:49:46 | 0:49:48 | |
She's leaving, she's taking the baby out. | 0:50:35 | 0:50:38 | |
She took him out right here. These are their tracks. | 0:50:38 | 0:50:41 | |
The team's discovery of Isabel's baby | 0:51:02 | 0:51:05 | |
confirms that giant armadillos only produce a single infant | 0:51:05 | 0:51:09 | |
once every three years. | 0:51:09 | 0:51:12 | |
So each new birth is even more precious than anyone realised. | 0:51:12 | 0:51:17 | |
Not just for giant armadillos but for the whole ecosystem. | 0:51:18 | 0:51:22 | |
The more Arnaud and his team discover | 0:51:29 | 0:51:31 | |
about this extraordinary creature, | 0:51:31 | 0:51:33 | |
the better they will be able to protect it. | 0:51:33 | 0:51:36 | |
And the more homes there will be for all the other creatures | 0:51:36 | 0:51:39 | |
that habitually live in the accommodation | 0:51:39 | 0:51:42 | |
that the armadillos create. | 0:51:42 | 0:51:44 | |
And the team's commitment to doing just that remains unwavering. | 0:51:46 | 0:51:50 | |
The battle to save the giant armadillo... | 0:51:51 | 0:51:54 | |
..is the battle to save biodiversity. | 0:51:55 | 0:51:58 | |
It's all the same. | 0:51:58 | 0:52:00 | |
It's all together. | 0:52:01 | 0:52:02 | |
We have a pact with giant armadillos | 0:52:04 | 0:52:07 | |
and we are in this for the long run. | 0:52:07 | 0:52:10 | |
I really feel that we can make a difference. | 0:52:12 | 0:52:16 | |
I don't think you could ask for much more than that. | 0:52:16 | 0:52:19 | |
For Hotel Armadillo's camera assistant, Fergus Gill, | 0:52:36 | 0:52:40 | |
filming in the Pantanal was a completely new experience. | 0:52:40 | 0:52:44 | |
It's really a world away from anywhere else I've ever been. | 0:52:44 | 0:52:47 | |
It's almost like something from Jurassic Park. | 0:52:49 | 0:52:52 | |
Nearly got you. | 0:52:53 | 0:52:55 | |
He joined director cameraman Justin Purefoy | 0:52:55 | 0:52:57 | |
and wildlife cameraman Lindsay McCrae | 0:52:57 | 0:52:59 | |
to film the elusive giant armadillo | 0:52:59 | 0:53:02 | |
and the animals that visit their burrows. | 0:53:02 | 0:53:05 | |
Soon as we put our camera traps out, of course we're going to see | 0:53:05 | 0:53:08 | |
some of these amazing creatures visiting daily. | 0:53:08 | 0:53:11 | |
Quite quickly we realised the reality was not so straightforward. | 0:53:14 | 0:53:18 | |
Our entire first trip, | 0:53:29 | 0:53:31 | |
we didn't get anything other than rats on our camera traps. | 0:53:31 | 0:53:35 | |
We set our camera trap and the cameras would fall over. | 0:53:37 | 0:53:40 | |
We'd set up cameras and they would be knocked over by animals. | 0:53:42 | 0:53:45 | |
Really, everything we tried came up short. | 0:53:52 | 0:53:55 | |
That's great, I wonder if we can get it even further down? | 0:53:56 | 0:54:00 | |
You may have longer arms than me, but that's as far as I could reach. | 0:54:00 | 0:54:04 | |
I've got tiny, wee short arms. I'm like a T-Rex! | 0:54:04 | 0:54:06 | |
It's so bright. | 0:54:17 | 0:54:19 | |
And once again... | 0:54:23 | 0:54:25 | |
Rats. It could only be rats. | 0:54:26 | 0:54:29 | |
Oh, no. | 0:54:31 | 0:54:32 | |
If it was easy, people would have done it by now. | 0:54:34 | 0:54:38 | |
WHIRRING | 0:54:38 | 0:54:39 | |
And there was worse to come. | 0:54:39 | 0:54:41 | |
We were flying our drone down at the wetland one morning and it was going fine, | 0:54:44 | 0:54:48 | |
we were getting some really nice shots actually, | 0:54:48 | 0:54:50 | |
probably our best aerials so far. | 0:54:50 | 0:54:52 | |
Then all of a sudden, we noticed the drone started dropping a little bit. | 0:54:52 | 0:54:57 | |
It crashed into the water and it's tried to recover itself. | 0:55:00 | 0:55:03 | |
We were watching it slowly sink into the flood plain. | 0:55:10 | 0:55:13 | |
We rushed out, got in a boat, and we tried to find it as best we could, | 0:55:19 | 0:55:23 | |
but it was a needle in a haystack. | 0:55:23 | 0:55:25 | |
There were caiman, at times, just tens of feet away. | 0:55:31 | 0:55:34 | |
Not only them, but there's the animals you can't see. | 0:55:38 | 0:55:40 | |
There are piranhas, there are stingrays. | 0:55:40 | 0:55:42 | |
You really had to be careful where to place your feet. | 0:55:42 | 0:55:45 | |
Then suddenly, Arnaud said he felt something. | 0:55:48 | 0:55:51 | |
Yay! | 0:55:55 | 0:55:56 | |
By that point, it must have been in the water for five hours. | 0:55:59 | 0:56:02 | |
We took it back and we dried it out and the footage was there. | 0:56:03 | 0:56:07 | |
Back at Hotel Armadillo, | 0:56:11 | 0:56:12 | |
the proprietor and the guests finally started to arrive. | 0:56:12 | 0:56:17 | |
So we'd been camera trapping an individual call Tracy for a number of days. | 0:56:41 | 0:56:45 | |
And she seemed like quite a good armadillo | 0:56:45 | 0:56:47 | |
to try and take another step with. | 0:56:47 | 0:56:49 | |
And we really just threw everything at it, | 0:56:49 | 0:56:52 | |
hoping to film a giant armadillo in colour, | 0:56:52 | 0:56:55 | |
something no-one has ever been able to do before. | 0:56:55 | 0:56:57 | |
We took a gamble. | 0:56:59 | 0:57:01 | |
We set up a lighting rig outside a burrow we knew Tracy was in. | 0:57:01 | 0:57:06 | |
We put Lindsay as close as we dared let him go to the burrow. | 0:57:09 | 0:57:13 | |
So really, what we want to get, probably for the first time ever, | 0:57:15 | 0:57:19 | |
a giant armadillo on camera with a cameraman there operating it. | 0:57:19 | 0:57:23 | |
We had no idea what was going to happen. | 0:57:28 | 0:57:31 | |
This giant armadillo just emerges from underground. | 0:57:35 | 0:57:39 | |
Even from where we were, you could see these amazing claws, | 0:57:50 | 0:57:53 | |
this relic almost of a time of dinosaurs. | 0:57:53 | 0:57:56 | |
We were able to film them in a way | 0:57:58 | 0:58:00 | |
that no-one ever has before and it was extraordinary. | 0:58:00 | 0:58:02 | |
I'll never forget it. | 0:58:04 | 0:58:06 |