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This is the newest habitat on Earth. | 0:00:33 | 0:00:36 | |
It's here that animals have to contend with the greatest change | 0:00:40 | 0:00:44 | |
that is happening to the face of our planet. | 0:00:44 | 0:00:46 | |
In this decade, | 0:00:53 | 0:00:54 | |
the urban environment is predicted to grow by nearly 30%. | 0:00:54 | 0:00:59 | |
It may appear hostile to animal life... | 0:01:02 | 0:01:06 | |
..but for the bold, this is a world of surprising opportunity. | 0:01:07 | 0:01:12 | |
Jodhpur, India. | 0:01:24 | 0:01:27 | |
A gang of bachelor male langurs | 0:01:33 | 0:01:35 | |
has come to challenge the resident alpha male. | 0:01:35 | 0:01:39 | |
LANGUR GROWLS | 0:01:39 | 0:01:40 | |
This alpha rules over a valuable urban territory. | 0:01:45 | 0:01:49 | |
But maintaining dominance here is a constant struggle. | 0:01:54 | 0:01:57 | |
The bachelors have united to try and overthrow him. | 0:02:04 | 0:02:07 | |
If they win, one of the challengers | 0:02:14 | 0:02:17 | |
will take over the alpha's troop of females... | 0:02:17 | 0:02:21 | |
and may kill his infants. | 0:02:21 | 0:02:23 | |
There are 15 males in this bachelor group. | 0:02:27 | 0:02:30 | |
The alpha must evict every single one of them from his territory. | 0:02:32 | 0:02:36 | |
He has chased half the bachelors away... | 0:02:51 | 0:02:54 | |
..but a splinter group has looped back and is harassing his females. | 0:02:55 | 0:02:59 | |
Once again, he has to battle. | 0:03:04 | 0:03:06 | |
Finally, he manages to expel them all. | 0:03:42 | 0:03:45 | |
He returns home victorious, | 0:03:49 | 0:03:51 | |
but with a serious wound on his right leg. | 0:03:51 | 0:03:54 | |
It's a hard life for him in the city. | 0:04:00 | 0:04:03 | |
Keeping the intruders away is a daily challenge. | 0:04:04 | 0:04:08 | |
But it's worth it. | 0:04:12 | 0:04:14 | |
For these urban territories | 0:04:14 | 0:04:16 | |
are probably the best langur territories in the world. | 0:04:16 | 0:04:20 | |
They're filled with rich feeding grounds. | 0:04:22 | 0:04:25 | |
Here in the temple gardens, the langurs have, over centuries, | 0:04:31 | 0:04:36 | |
developed a surprising relationship. | 0:04:36 | 0:04:38 | |
One that guarantees them | 0:04:43 | 0:04:45 | |
a constantly replenished source of food. | 0:04:45 | 0:04:48 | |
The people here associate langurs | 0:05:04 | 0:05:07 | |
with the Hindu god Lord Hanuman and revere them. | 0:05:07 | 0:05:11 | |
They're given all the food they can eat. | 0:05:17 | 0:05:20 | |
And this high-energy diet has led to a baby boom. | 0:05:32 | 0:05:37 | |
Female langurs in this city give birth to twice as many young | 0:05:41 | 0:05:45 | |
as their forest counterparts. | 0:05:45 | 0:05:47 | |
This mother is so well fed | 0:05:49 | 0:05:51 | |
that her rich milk can support something rarely seen in the wild - | 0:05:51 | 0:05:56 | |
twins. | 0:05:56 | 0:05:57 | |
And all these babies can create troops | 0:06:02 | 0:06:05 | |
that are far larger than those found in the forest nearby. | 0:06:05 | 0:06:09 | |
With less time spent looking for food, | 0:06:11 | 0:06:13 | |
there is more time for play. | 0:06:13 | 0:06:15 | |
The rewards of living in a city can be huge. | 0:06:27 | 0:06:30 | |
The challenge is to find your niche. | 0:06:31 | 0:06:34 | |
POLICE SIREN WAILS | 0:06:35 | 0:06:39 | |
New York City. | 0:06:43 | 0:06:44 | |
This densely built-up landscape is as unnatural as anywhere on Earth. | 0:06:49 | 0:06:54 | |
And yet this wild peregrine falcon looks out onto an ideal habitat. | 0:06:59 | 0:07:05 | |
Strange as it may seem, | 0:07:15 | 0:07:17 | |
this vastly altered landscape replicates the conditions | 0:07:17 | 0:07:21 | |
in which peregrines evolved. | 0:07:21 | 0:07:23 | |
The towering buildings have a multitude of ledges | 0:07:28 | 0:07:31 | |
on which falcons can nest... | 0:07:31 | 0:07:34 | |
..and the high perches that they need to catch the wind. | 0:07:35 | 0:07:39 | |
New York City has the highest density of nesting peregrines | 0:07:43 | 0:07:47 | |
anywhere on the planet. | 0:07:47 | 0:07:50 | |
Winds striking the sides of the skyscrapers are deflected upwards | 0:07:57 | 0:08:02 | |
and can help the birds gain height. | 0:08:02 | 0:08:04 | |
And the great areas of concrete roasting in the sun create thermals | 0:08:08 | 0:08:13 | |
so that, with very little effort, the birds can soar over the city. | 0:08:13 | 0:08:18 | |
And so many peregrines can live here | 0:08:26 | 0:08:29 | |
because, down at street level, there is a lot of potential prey. | 0:08:29 | 0:08:34 | |
Diving from height, the falcons can reach speeds of over 200mph. | 0:08:51 | 0:08:56 | |
But their prey stay down low and close to the buildings. | 0:09:01 | 0:09:05 | |
Too risky, the peregrine pulls out of his stoop. | 0:09:12 | 0:09:16 | |
But the effort is not wasted. | 0:09:19 | 0:09:22 | |
The falcons need to flush their prey into the open. | 0:09:22 | 0:09:26 | |
And Manhattan is surrounded by water. | 0:09:28 | 0:09:30 | |
Out here, the odds change, | 0:09:33 | 0:09:36 | |
and in the peregrines' favour. | 0:09:36 | 0:09:38 | |
With abundant prey here all year round, | 0:10:29 | 0:10:33 | |
it has taken only 40 years | 0:10:33 | 0:10:36 | |
for these falcons to establish themselves here. | 0:10:36 | 0:10:39 | |
And now, among skyscrapers, | 0:10:44 | 0:10:46 | |
they are more successful than their cousins living in the wilderness. | 0:10:46 | 0:10:51 | |
Mumbai in India is home to over 20 million people. | 0:10:58 | 0:11:03 | |
And there are predators here that, though rarely seen, | 0:11:04 | 0:11:08 | |
are rightly feared. | 0:11:08 | 0:11:10 | |
Carnivores, lured by the prospect of plentiful unsuspecting prey, | 0:11:15 | 0:11:20 | |
are on the prowl. | 0:11:20 | 0:11:22 | |
A leopard. | 0:11:33 | 0:11:34 | |
Every night, under the cover of darkness, they come out to hunt. | 0:11:34 | 0:11:39 | |
These are big animals | 0:11:42 | 0:11:44 | |
and they're looking for large prey to satisfy their hunger. | 0:11:44 | 0:11:48 | |
TELEVISION PLAYS IN BACKGROUND | 0:11:50 | 0:11:52 | |
To catch more than a glimpse of them and reveal their hunting behaviour, | 0:11:56 | 0:12:00 | |
you need night-vision cameras. | 0:12:00 | 0:12:02 | |
Leopards have attacked almost 200 people here | 0:12:13 | 0:12:17 | |
in the last 25 years. | 0:12:17 | 0:12:19 | |
But humans are not their usual prey. | 0:12:38 | 0:12:41 | |
These leopards are on the hunt for something else. | 0:12:43 | 0:12:46 | |
Pigs. | 0:13:04 | 0:13:05 | |
These leopards prefer to hunt the domestic animals | 0:13:09 | 0:13:13 | |
that people have brought to the city in considerable numbers. | 0:13:13 | 0:13:17 | |
PIG GRUNTS | 0:13:21 | 0:13:23 | |
The pigs keep their family close. | 0:13:35 | 0:13:38 | |
The ceaseless noise of the city plays to their advantage. | 0:14:10 | 0:14:14 | |
It conceals their approach. | 0:14:15 | 0:14:17 | |
And the leopards are using this cover to hunt all over the city. | 0:14:18 | 0:14:23 | |
PIGS SQUEAL | 0:14:23 | 0:14:26 | |
This is a thriving population. | 0:14:43 | 0:14:46 | |
In fact, the highest concentration of leopards in the world | 0:14:46 | 0:14:50 | |
is right here. | 0:14:50 | 0:14:51 | |
BELL TOLLS | 0:14:57 | 0:14:59 | |
It's not only the abundance of food | 0:14:59 | 0:15:02 | |
that attracts wild animals to cities. | 0:15:02 | 0:15:04 | |
They're usually several degrees warmer | 0:15:12 | 0:15:15 | |
than the surrounding countryside. | 0:15:15 | 0:15:17 | |
And here in Rome in December, | 0:15:17 | 0:15:20 | |
one animal is taking full advantage of this extra heat. | 0:15:20 | 0:15:24 | |
And it's leaving its mark. | 0:15:24 | 0:15:26 | |
In a single winter's day, | 0:15:29 | 0:15:31 | |
ten tonnes of its droppings rain down on the city. | 0:15:31 | 0:15:36 | |
Starlings. | 0:15:43 | 0:15:44 | |
In the evening, they come back to the warmth of the city | 0:15:47 | 0:15:50 | |
after feeding in the neighbouring countryside. | 0:15:50 | 0:15:53 | |
They must return to their roosting trees, | 0:15:55 | 0:15:58 | |
but the first to do so are at the highest risk | 0:15:58 | 0:16:02 | |
of being caught by birds of prey. | 0:16:02 | 0:16:04 | |
So they wait for others to arrive. | 0:16:07 | 0:16:11 | |
There's safety in numbers. | 0:16:11 | 0:16:12 | |
As daylight fades, | 0:16:15 | 0:16:17 | |
the sky fills with a staggering one million starlings. | 0:16:17 | 0:16:21 | |
And then follows one of nature's great spectaculars. | 0:16:24 | 0:16:29 | |
How, or indeed why, they perform these marvellous aerobatics, | 0:17:10 | 0:17:15 | |
we still do not fully understand. | 0:17:15 | 0:17:18 | |
Eventually, en masse, they brave the descent | 0:17:29 | 0:17:32 | |
and fill the branches of their favourite trees. | 0:17:32 | 0:17:36 | |
On these cold winter nights, | 0:17:40 | 0:17:43 | |
the city's extra warmth can mean the difference | 0:17:43 | 0:17:45 | |
between life and death. | 0:17:45 | 0:17:48 | |
A city, of course, can provide not only shelter and abundant food, | 0:18:01 | 0:18:05 | |
but glamour. | 0:18:05 | 0:18:07 | |
These varied objects have been carefully chosen by a bird | 0:18:09 | 0:18:13 | |
for their brightness and their colour. | 0:18:13 | 0:18:16 | |
This great bowerbird has spent over a decade | 0:18:18 | 0:18:21 | |
building this collection of mostly man-made objects. | 0:18:21 | 0:18:25 | |
Out on a golf course in Townsville, Australia, | 0:18:29 | 0:18:32 | |
he's putting the final touches to his enormous bower | 0:18:32 | 0:18:36 | |
that he hopes will impress a visiting female. | 0:18:36 | 0:18:39 | |
He spends two hours each day rearranging his prized objects. | 0:18:45 | 0:18:50 | |
Perhaps that would look a little better over there. | 0:18:56 | 0:19:00 | |
But it seems that something is missing. | 0:19:02 | 0:19:05 | |
Instead of going into town to collect new objects, | 0:19:08 | 0:19:11 | |
he's decided to raid his neighbour's bower. | 0:19:11 | 0:19:14 | |
A clothes peg - excellent. | 0:19:17 | 0:19:19 | |
And a shiny toy car. | 0:19:25 | 0:19:27 | |
It's a risky game if you get caught. | 0:19:31 | 0:19:33 | |
The owner is back. | 0:19:36 | 0:19:38 | |
BIRDS SCREECH | 0:19:38 | 0:19:40 | |
There is one bower where the risk is worth it. | 0:19:46 | 0:19:50 | |
A particular object has caught his eye. | 0:19:51 | 0:19:54 | |
You'll have to wait for the owner to leave. | 0:19:57 | 0:20:00 | |
This is his chance. | 0:20:12 | 0:20:14 | |
A real treasure - a scarlet heart. | 0:20:15 | 0:20:18 | |
Got it! | 0:20:24 | 0:20:26 | |
The stage is now set for female visitors. | 0:20:28 | 0:20:31 | |
His luck may be in. | 0:20:39 | 0:20:41 | |
The seduction can now begin. | 0:20:49 | 0:20:52 | |
He's showing off his best goods. | 0:20:56 | 0:20:59 | |
Perhaps a little plastic piping? | 0:21:03 | 0:21:06 | |
Or maybe a bit of coloured string? | 0:21:09 | 0:21:11 | |
But his guest doesn't seem to be paying much attention. | 0:21:15 | 0:21:19 | |
A fork... | 0:21:27 | 0:21:29 | |
madam? | 0:21:29 | 0:21:30 | |
Nothing seems to be working. | 0:21:33 | 0:21:35 | |
Something is just not quite right here. | 0:21:39 | 0:21:41 | |
But he still has one trick up his sleeve - | 0:21:47 | 0:21:52 | |
the scarlet heart. | 0:21:52 | 0:21:53 | |
As a final thrill, he expands the pink crest on the back of his head, | 0:22:18 | 0:22:24 | |
the sign of his adulthood. | 0:22:24 | 0:22:26 | |
But he's made a mistake. | 0:22:27 | 0:22:29 | |
This is not a female, | 0:22:31 | 0:22:33 | |
but a young male who hasn't yet developed that head crest. | 0:22:33 | 0:22:37 | |
And he's making off with the scarlet heart. | 0:22:37 | 0:22:40 | |
It's not easy finding sex in the city. | 0:22:42 | 0:22:46 | |
Raising a family in the city is not easy either. | 0:22:50 | 0:22:54 | |
It's springtime in Toronto | 0:22:56 | 0:22:58 | |
and this mother raccoon has exchanged | 0:22:58 | 0:23:01 | |
her native treetops for rooftops. | 0:23:01 | 0:23:04 | |
Since giving birth two months ago, | 0:23:13 | 0:23:16 | |
she's kept her offspring safe and warm inside a chimney. | 0:23:16 | 0:23:20 | |
Now, her young have outgrown their nursery. | 0:23:25 | 0:23:28 | |
This is her first major challenge as a mother. | 0:23:28 | 0:23:32 | |
The time has come to move to a new home. | 0:23:34 | 0:23:38 | |
She needs to get her youngster to ground level. | 0:23:39 | 0:23:42 | |
But, instead of an easy climb down a tree, | 0:23:44 | 0:23:47 | |
she is faced with a vertical drop with little to cling onto. | 0:23:47 | 0:23:52 | |
Her baby's first glimpse of the urban world... | 0:23:57 | 0:24:01 | |
..from a terrifying 30 feet up. | 0:24:03 | 0:24:06 | |
RACCOON CUB WHINES | 0:24:25 | 0:24:28 | |
This is the last of her litter to be brought down. | 0:24:37 | 0:24:40 | |
Its siblings are already busy exploring the area. | 0:24:41 | 0:24:45 | |
And they have much to learn. | 0:24:46 | 0:24:47 | |
This one has fallen into a back alley and is trapped. | 0:24:51 | 0:24:55 | |
Mother comes to the rescue and demonstrates what must be done. | 0:24:57 | 0:25:01 | |
CUBS CHITTER | 0:25:18 | 0:25:20 | |
That's the way. | 0:25:24 | 0:25:25 | |
Raccoons are opportunists. | 0:25:31 | 0:25:33 | |
And they're eager to explore. | 0:25:35 | 0:25:37 | |
But they'll have to learn very quickly | 0:25:43 | 0:25:45 | |
how to get along in this strange new environment, | 0:25:45 | 0:25:49 | |
so full of hazards. | 0:25:49 | 0:25:51 | |
Mother comes to the rescue once more. | 0:25:57 | 0:26:00 | |
Urban raccoons are now demonstrably better at problem-solving | 0:26:03 | 0:26:07 | |
than their country cousins. | 0:26:07 | 0:26:09 | |
When the feeding opportunities are this good, | 0:26:16 | 0:26:18 | |
the time spent working out how to get to it is well worth it. | 0:26:18 | 0:26:22 | |
The complexity of urban life... | 0:26:33 | 0:26:36 | |
..favours the clever. | 0:26:37 | 0:26:39 | |
But to compete with humanity during daylight hours | 0:26:47 | 0:26:51 | |
takes more than just intelligence. | 0:26:51 | 0:26:53 | |
It takes nerve. | 0:26:58 | 0:26:59 | |
One enterprising species of monkey | 0:27:02 | 0:27:04 | |
has moved into the city of Jaipur in India... | 0:27:04 | 0:27:08 | |
..the rhesus macaque. | 0:27:11 | 0:27:13 | |
But how to get a share of all this juicy fruit? | 0:27:17 | 0:27:21 | |
Every morning, the troop make the same journey | 0:27:30 | 0:27:33 | |
through the urban jungle, just as human commuters do. | 0:27:33 | 0:27:37 | |
Sometimes, inevitably, there are traffic jams. | 0:27:59 | 0:28:03 | |
Once they get to the market, trouble begins. | 0:28:27 | 0:28:31 | |
Being both intelligent and brazen | 0:28:52 | 0:28:54 | |
is the key to beating human beings on their home turf. | 0:28:54 | 0:28:59 | |
MAN SHOUTS | 0:29:20 | 0:29:22 | |
It's daylight robbery. | 0:29:36 | 0:29:38 | |
There are some animals that most would consider too dangerous | 0:29:48 | 0:29:52 | |
to tolerate in the city. | 0:29:52 | 0:29:54 | |
Spotted hyenas. | 0:29:58 | 0:30:00 | |
HYENAS HOWL | 0:30:00 | 0:30:03 | |
They're feared throughout their range. | 0:30:03 | 0:30:06 | |
In the outskirts of Harar in Ethiopia, | 0:30:13 | 0:30:16 | |
two clans are coming face-to-face to battle over a prized resource. | 0:30:16 | 0:30:21 | |
There are about 60 hyenas in each clan | 0:30:27 | 0:30:30 | |
and they're well matched. | 0:30:30 | 0:30:32 | |
After three hours of posturing back and forth, | 0:30:57 | 0:31:01 | |
the losers retreat and the victors head to claim their prize. | 0:31:01 | 0:31:05 | |
They have been fighting over access to the city. | 0:31:12 | 0:31:16 | |
Once inside the city walls, they head for one place. | 0:31:29 | 0:31:33 | |
And they know exactly how to get there. | 0:31:42 | 0:31:45 | |
HYENA GROWLS | 0:32:12 | 0:32:13 | |
The ancient meat market. | 0:32:17 | 0:32:20 | |
The scent of all these carcasses lies heavy in the air. | 0:32:23 | 0:32:28 | |
This tradition goes back over 400 years. | 0:32:50 | 0:32:54 | |
The human butchers put out the bones they don't need | 0:32:54 | 0:32:58 | |
and these hyenas deal with them. | 0:32:58 | 0:33:01 | |
They're the only animals that can. | 0:33:03 | 0:33:06 | |
No other here has such powerful, bone-crushing jaws. | 0:33:06 | 0:33:10 | |
And this relationship between man and beast | 0:33:13 | 0:33:16 | |
has now been taken a step further. | 0:33:16 | 0:33:18 | |
HE WHISTLES | 0:33:20 | 0:33:22 | |
Yusuf is calling the hyenas to his house. | 0:33:22 | 0:33:26 | |
He and his forefathers, going back five generations, | 0:33:34 | 0:33:38 | |
have been feeding the hyenas... | 0:33:38 | 0:33:41 | |
..by hand. | 0:33:41 | 0:33:43 | |
The inhabitants of this town believe that hyenas provide | 0:33:45 | 0:33:49 | |
another very important service - | 0:33:49 | 0:33:51 | |
eating the bad spirits that haunt the streets. | 0:33:51 | 0:33:56 | |
These are wild and ferocious animals, | 0:34:02 | 0:34:06 | |
but once within these city walls, | 0:34:06 | 0:34:08 | |
they behave in a completely different way. | 0:34:08 | 0:34:11 | |
Throughout the rest of Africa, | 0:34:13 | 0:34:15 | |
spotted hyenas are feared because they kill livestock, | 0:34:15 | 0:34:19 | |
sometimes even children. | 0:34:19 | 0:34:20 | |
They are, perhaps, the most vilified animal on our planet. | 0:34:22 | 0:34:26 | |
However, here in Harar, | 0:34:31 | 0:34:33 | |
their relationship with people is entirely peaceful. | 0:34:33 | 0:34:36 | |
They have won the trust of man. | 0:34:39 | 0:34:42 | |
Losing its fear of humans | 0:34:51 | 0:34:53 | |
has enabled one animal to spread into cities everywhere, | 0:34:53 | 0:34:57 | |
and in huge numbers. | 0:34:57 | 0:34:59 | |
Pigeons are by far the most successful urban bird. | 0:35:07 | 0:35:11 | |
BELL TOLLS | 0:35:13 | 0:35:16 | |
Here in Albi in the South of France, | 0:35:17 | 0:35:20 | |
the pigeons come to the river to bathe. | 0:35:20 | 0:35:23 | |
They need to preen their flight feathers, | 0:35:23 | 0:35:26 | |
clean off the city dust... | 0:35:26 | 0:35:28 | |
and cool themselves down. | 0:35:28 | 0:35:30 | |
DRAMATIC MUSIC | 0:35:37 | 0:35:39 | |
But death lies in wait. | 0:35:51 | 0:35:53 | |
A predator that has taken advantage of the very thing | 0:35:56 | 0:35:59 | |
that has led to the pigeon's success... | 0:35:59 | 0:36:01 | |
..their lack of fear. | 0:36:03 | 0:36:04 | |
As the pigeons bathe, | 0:36:08 | 0:36:09 | |
oil from their plumage flows downstream and is detected. | 0:36:09 | 0:36:14 | |
A monstrous wels catfish. | 0:36:25 | 0:36:28 | |
Introduced here just 40 years ago, they have proliferated... | 0:36:30 | 0:36:36 | |
..virtually exterminated the local fish stocks... | 0:36:37 | 0:36:40 | |
..and they've now developed a taste for pigeon. | 0:36:42 | 0:36:45 | |
Their eyesight is poor, | 0:36:48 | 0:36:50 | |
so they use their barbels to sense the movements of their victims. | 0:36:50 | 0:36:54 | |
This is a radical new hunting strategy | 0:37:49 | 0:37:53 | |
for what is normally a bottom-dwelling fish. | 0:37:53 | 0:37:56 | |
After 1,000 years of living in this city, | 0:38:10 | 0:38:14 | |
pigeons are now having to learn to avoid a fish. | 0:38:14 | 0:38:18 | |
Our cities are always changing, sometimes very swiftly. | 0:38:24 | 0:38:29 | |
And animals must cope with the changes... | 0:38:31 | 0:38:35 | |
or disappear. | 0:38:35 | 0:38:36 | |
One of the greatest changes in recent times | 0:38:38 | 0:38:41 | |
has come from a single invention made less than 140 years ago. | 0:38:41 | 0:38:46 | |
Electric light. | 0:38:51 | 0:38:52 | |
It has become more and more powerful... | 0:38:55 | 0:38:57 | |
..filling our streets with light. | 0:39:00 | 0:39:02 | |
It's everywhere in the city. | 0:39:13 | 0:39:15 | |
It even goes underground. | 0:39:17 | 0:39:19 | |
The difference between day and night | 0:39:38 | 0:39:41 | |
is becoming less and less perceptible. | 0:39:41 | 0:39:43 | |
And that has a profound effect on the activities of wildlife. | 0:39:53 | 0:39:57 | |
In the wilderness, light triggers all kinds of behaviour. | 0:40:02 | 0:40:07 | |
On the night of the full moon, | 0:40:12 | 0:40:14 | |
hundreds of tiny hawksbill turtle hatchlings | 0:40:14 | 0:40:18 | |
emerge from the safety of their nests deep in the sand. | 0:40:18 | 0:40:21 | |
Their instinct is to reach the sea as quickly as possible. | 0:40:24 | 0:40:28 | |
And their guide is the light of the full moon reflected on the water. | 0:40:30 | 0:40:35 | |
But this young hatchling is confused. | 0:40:42 | 0:40:46 | |
It's going in the wrong direction. | 0:40:54 | 0:40:57 | |
Bright light is coming from the land... | 0:41:01 | 0:41:04 | |
LOUD MUSIC PLAYS IN DISTANCE | 0:41:04 | 0:41:06 | |
..and all these hatchlings are travelling up the beach towards it. | 0:41:07 | 0:41:12 | |
Predators are ready to take advantage. | 0:41:18 | 0:41:21 | |
Crabs now make their burrows directly beneath the beach lights | 0:41:22 | 0:41:27 | |
and wait for their prey to come to them. | 0:41:27 | 0:41:30 | |
Even if a hatchling escapes, they're still in peril. | 0:41:52 | 0:41:57 | |
The lights become more and more bewildering. | 0:42:05 | 0:42:09 | |
80% of all hatchlings on this beach | 0:42:32 | 0:42:36 | |
are now disorientated by the lights of the town. | 0:42:36 | 0:42:39 | |
Roads bring many to their end. | 0:42:59 | 0:43:02 | |
Hundreds get trapped in storm drains every night. | 0:43:17 | 0:43:21 | |
Exhausted by the effort | 0:43:35 | 0:43:37 | |
of travelling such a distance on land... | 0:43:37 | 0:43:39 | |
..this hatchling's chances of surviving the night are slim. | 0:43:42 | 0:43:46 | |
This turtle is one of the countless species | 0:43:58 | 0:44:01 | |
that have been unable to adapt to the change | 0:44:01 | 0:44:04 | |
brought about by the urban environment. | 0:44:04 | 0:44:07 | |
Only a small number of animals | 0:44:19 | 0:44:21 | |
have managed to find ways of living alongside us. | 0:44:21 | 0:44:24 | |
And every ten years, an area the size of Britain | 0:44:27 | 0:44:31 | |
disappears under a jungle of concrete. | 0:44:31 | 0:44:34 | |
But it doesn't have to be like this. | 0:44:43 | 0:44:46 | |
Could it not be possible to build cities more in harmony with nature? | 0:44:49 | 0:44:54 | |
How, and whether, we decide to invite the wildlife back | 0:45:01 | 0:45:06 | |
is up to us. | 0:45:06 | 0:45:07 | |
This tree is rising nearly 30 storeys. | 0:45:11 | 0:45:14 | |
It's one of almost 800 being planted | 0:45:14 | 0:45:17 | |
to create a vertical forest in Milan. | 0:45:17 | 0:45:20 | |
This number of living trees | 0:45:26 | 0:45:28 | |
would normally fill two hectares of woodland | 0:45:28 | 0:45:31 | |
but here, they occupy one tenth of that area. | 0:45:31 | 0:45:34 | |
Greening the walls and roofs of our buildings | 0:45:36 | 0:45:39 | |
could create a rich and extensive habitat if we wanted it to do so. | 0:45:39 | 0:45:44 | |
There is one city where that idea is being applied on a major scale - | 0:45:47 | 0:45:52 | |
Singapore. | 0:45:52 | 0:45:54 | |
Two million trees have been planted here in the last 45 years. | 0:45:55 | 0:46:00 | |
This city is now richer in species than any other in the world. | 0:46:02 | 0:46:07 | |
And this practice extends to all parts of the city. | 0:46:13 | 0:46:17 | |
The waterways have been cleaned up | 0:46:19 | 0:46:21 | |
and smooth-coated otters are coming back. | 0:46:21 | 0:46:23 | |
But perhaps the most spectacular example of city greening | 0:46:29 | 0:46:34 | |
is this grove of super trees. | 0:46:34 | 0:46:37 | |
These 150-feet-high metal structures are now full of life. | 0:46:40 | 0:46:47 | |
Creepers have been planted to grow over the outermost branches. | 0:46:48 | 0:46:52 | |
This is a new urban world | 0:46:55 | 0:46:58 | |
that we have now designed and built | 0:46:58 | 0:47:01 | |
with others in mind. | 0:47:01 | 0:47:03 | |
Create the space | 0:47:06 | 0:47:08 | |
and the animals will come. | 0:47:08 | 0:47:10 | |
Is this a vision of our cities of the future? | 0:47:18 | 0:47:21 | |
It could be possible to see wildlife thriving within our cities | 0:47:30 | 0:47:35 | |
across the planet. | 0:47:35 | 0:47:37 | |
We, after all, are the architects of the urban world. | 0:47:39 | 0:47:44 | |
Now, over half of us live in an urban environment. | 0:47:45 | 0:47:49 | |
My home, too, is here in the city of London. | 0:47:49 | 0:47:52 | |
Looking down on this great metropolis, | 0:47:53 | 0:47:56 | |
the ingenuity with which we continue to reshape the surface of our planet | 0:47:56 | 0:48:00 | |
is very striking. | 0:48:00 | 0:48:02 | |
But it's also sobering. | 0:48:02 | 0:48:05 | |
It reminds me of just how easy it is for us | 0:48:05 | 0:48:08 | |
to lose our connection with the natural world. | 0:48:08 | 0:48:11 | |
Yet it's on this connection that the future of both humanity | 0:48:12 | 0:48:17 | |
and the natural world will depend. | 0:48:17 | 0:48:19 | |
It's surely our responsibility to do everything within our power | 0:48:20 | 0:48:25 | |
to create a planet that provides a home not just for us, | 0:48:25 | 0:48:30 | |
but for all life on Earth. | 0:48:30 | 0:48:33 | |
For a wildlife film crew, | 0:49:17 | 0:49:19 | |
working in the urban environment was an altogether different experience. | 0:49:19 | 0:49:24 | |
Two crews set off on two very different missions. | 0:49:24 | 0:49:28 | |
It's Mark and Louis's first time in India. | 0:49:28 | 0:49:31 | |
Bus, there's mopeds, and we're not stopping, we're going... | 0:49:31 | 0:49:34 | |
Oh, my God! | 0:49:34 | 0:49:36 | |
Yep, we're in India. | 0:49:36 | 0:49:38 | |
Along with the rest of the team, | 0:49:40 | 0:49:42 | |
they hope to film up close and personal | 0:49:42 | 0:49:44 | |
with the monkeys that have come from the wild | 0:49:44 | 0:49:47 | |
to live in the hustle and bustle of the city. | 0:49:47 | 0:49:49 | |
I can't believe these macaques have left the peace and quiet | 0:49:51 | 0:49:54 | |
for this mayhem, but they're fine here. | 0:49:54 | 0:49:56 | |
In fact, they're probably a bit more comfortable | 0:49:56 | 0:49:58 | |
than I am with this noise. | 0:49:58 | 0:49:59 | |
-CAR HORN BLARES -Yeah, yeah. | 0:49:59 | 0:50:01 | |
And to get into the monkey's world, Mark will be using a new rig | 0:50:03 | 0:50:07 | |
that stabilises the camera | 0:50:07 | 0:50:09 | |
and allows him to get right into the action. | 0:50:09 | 0:50:11 | |
I think Mark and Louis have got a big challenge | 0:50:13 | 0:50:16 | |
to be wielding thousands of pounds' worth of camera equipment | 0:50:16 | 0:50:19 | |
down at the street level. | 0:50:19 | 0:50:21 | |
Rather them than me! | 0:50:21 | 0:50:23 | |
You've got a lady with cauliflowers passing on your left, Mark. | 0:50:23 | 0:50:27 | |
-Just pull me aside. -On your left. | 0:50:27 | 0:50:30 | |
I'm more used to a jungle, if I'm honest! | 0:50:30 | 0:50:32 | |
But this is a jungle all of its own, just with people instead of trees. | 0:50:34 | 0:50:37 | |
It's impossible! | 0:50:37 | 0:50:39 | |
700 miles south in Mumbai, | 0:50:40 | 0:50:43 | |
cameraman Gordon Buchanan will have to take on | 0:50:43 | 0:50:45 | |
a completely different filming approach | 0:50:45 | 0:50:48 | |
if he's to capture an urban leopard hunt. | 0:50:48 | 0:50:51 | |
It's amazing to think that standing here, surrounded by people, | 0:50:54 | 0:50:56 | |
all this kind of human activity, that within... | 0:50:56 | 0:51:01 | |
half a mile, maybe even less, there will be leopards. | 0:51:01 | 0:51:04 | |
Only glimpses of these cats have been caught on camera | 0:51:04 | 0:51:09 | |
and just to locate them, he'll need new infrared camera traps. | 0:51:09 | 0:51:13 | |
Are you happy with the composition? | 0:51:13 | 0:51:14 | |
Good. What about you? | 0:51:14 | 0:51:16 | |
Right. Correct shutter speed? | 0:51:16 | 0:51:18 | |
CHILD LAUGHS | 0:51:18 | 0:51:20 | |
Gordon is hoping that these camera traps will reveal | 0:51:20 | 0:51:23 | |
where they're on the prowl. | 0:51:23 | 0:51:25 | |
For the monkey team, finding the animals seems easy... | 0:51:30 | 0:51:33 | |
Rob, Rob, Rob. | 0:51:33 | 0:51:35 | |
..but keeping up with them is a different matter. | 0:51:35 | 0:51:38 | |
Almost started on that. | 0:51:41 | 0:51:42 | |
Ooh! They didn't put that on the hazard assessment! | 0:51:42 | 0:51:46 | |
-They did as a matter of fact. -Cow in the groin? | 0:51:46 | 0:51:47 | |
Cow in the groin. | 0:51:47 | 0:51:49 | |
They're much tougher and more granitey than the monkeys | 0:51:49 | 0:51:52 | |
I've filmed in the wild. They're not frightened of us. | 0:51:52 | 0:51:56 | |
They're, um, I mean look at this. | 0:51:56 | 0:51:58 | |
He's taking on pigs, he's taking on goats, he's taking on cows, | 0:51:59 | 0:52:03 | |
he's taking on me any time he wants to. | 0:52:03 | 0:52:05 | |
But with monkeys this brazen, | 0:52:05 | 0:52:08 | |
Mark is able to follow the troop at street level. | 0:52:08 | 0:52:11 | |
To capture their movements in their rooftop world, | 0:52:14 | 0:52:17 | |
they need to run a cable between buildings and fly a camera along it | 0:52:17 | 0:52:22 | |
and that calls for some inventive rigging. | 0:52:22 | 0:52:25 | |
I've got this soft satsuma here | 0:52:28 | 0:52:30 | |
and I've got to lob it to the team on the other side over there. | 0:52:30 | 0:52:34 | |
We're going to lob it from rooftop to rooftop. | 0:52:34 | 0:52:36 | |
We've made sure there's no-one on the rooftops and it's safe to do it. | 0:52:36 | 0:52:41 | |
Are you ready? OK. | 0:52:41 | 0:52:43 | |
OK. Good. | 0:52:48 | 0:52:49 | |
That's good. I got it into the courtyard. | 0:52:49 | 0:52:52 | |
So, that's perfect. | 0:52:52 | 0:52:53 | |
I think our cable run at the moment is about 60 metres. | 0:52:55 | 0:52:58 | |
We can travel the whole length while panning and tilting | 0:52:59 | 0:53:02 | |
and really looking at everything we want to. | 0:53:02 | 0:53:04 | |
It should give us some really dynamic, stunning shots. | 0:53:04 | 0:53:06 | |
The team is getting an insight at all levels | 0:53:06 | 0:53:10 | |
into the monkeys' mischievous lives... | 0:53:10 | 0:53:12 | |
..and are starting to figure out the routes they use to cross the city. | 0:53:21 | 0:53:26 | |
And over the course of weeks, | 0:53:27 | 0:53:29 | |
the macaques become all too familiar with the crew. | 0:53:29 | 0:53:32 | |
All right, little monkey! | 0:53:32 | 0:53:35 | |
All right, little monkey. All right. | 0:53:35 | 0:53:37 | |
They're now fully embedded in the troop | 0:53:38 | 0:53:41 | |
and Mark is able to film right amongst them. | 0:53:41 | 0:53:44 | |
These guys at the moment are magic. | 0:53:44 | 0:53:46 | |
We've got monkeys behaving naturally, it's fantastic. | 0:53:46 | 0:53:49 | |
-That's good, Louis. -Very nice, guys. -Thank you. -Very nice. | 0:53:52 | 0:53:55 | |
Back in Mumbai, the camera traps are revealing | 0:53:56 | 0:53:59 | |
where the leopards are coming out. | 0:53:59 | 0:54:01 | |
But to stand any chance of capturing them hunting in the city, | 0:54:03 | 0:54:07 | |
Gordon will need to use the latest thermal camera technology. | 0:54:07 | 0:54:11 | |
BAND PLAYS | 0:54:15 | 0:54:18 | |
FIREWORK EXPLODES | 0:54:25 | 0:54:26 | |
-(WHISPERING) -I can't imagine that leopard's going to come | 0:54:27 | 0:54:30 | |
with all this going on. | 0:54:30 | 0:54:31 | |
Relative silence eventually descends. | 0:54:33 | 0:54:37 | |
OK, I picked up some movement behind some bushes on the camera. | 0:54:37 | 0:54:41 | |
It's just a sort of a twinkling of light. | 0:54:41 | 0:54:43 | |
It's something warm-blooded. | 0:54:43 | 0:54:45 | |
There we go. | 0:54:47 | 0:54:49 | |
A leopard. | 0:54:51 | 0:54:53 | |
You dancer! Look at that! | 0:54:53 | 0:54:55 | |
It definitely knows that I'm here. | 0:54:57 | 0:55:00 | |
That's a type of sighting that you'd have to wait | 0:55:01 | 0:55:04 | |
for weeks and weeks to get a leopard that close. | 0:55:04 | 0:55:07 | |
And so early on. | 0:55:07 | 0:55:09 | |
Over the next month, | 0:55:11 | 0:55:12 | |
this camera enables Gordon to see into the darkness | 0:55:12 | 0:55:15 | |
and be the first person to film an urban leopard hunt. | 0:55:15 | 0:55:20 | |
But it's only at the end of the trip | 0:55:23 | 0:55:25 | |
that he has his most memorable encounter. | 0:55:25 | 0:55:28 | |
-(WHISPERING) -Look at the size of him! | 0:55:28 | 0:55:30 | |
He's coming up. He's coming up. He's coming up. | 0:55:31 | 0:55:34 | |
My goodness, look at that! | 0:55:36 | 0:55:39 | |
He's about three metres in front of me. | 0:55:39 | 0:55:42 | |
Jesus! | 0:55:44 | 0:55:46 | |
My heart is racing! | 0:56:12 | 0:56:14 | |
That was close! | 0:56:15 | 0:56:17 | |
That's the closest I've ever been to a leopard. | 0:56:20 | 0:56:23 | |
That's often the case with urban wildlife, | 0:56:28 | 0:56:31 | |
is that it's the presence of human beings | 0:56:31 | 0:56:34 | |
that allows certain animals to do well. | 0:56:34 | 0:56:38 | |
And I suppose it's just incredible | 0:56:39 | 0:56:42 | |
that one of those animals is the leopard. | 0:56:42 | 0:56:45 | |
It isn't just Gordon getting an insight | 0:56:51 | 0:56:54 | |
into the surprising wildlife encounters possible in the city. | 0:56:54 | 0:56:58 | |
It's in Jodhpur, filming the langurs, | 0:56:59 | 0:57:01 | |
that the monkey team really see the extraordinary relationship | 0:57:01 | 0:57:06 | |
between humans and animals in Indian cities. | 0:57:06 | 0:57:09 | |
They're so tolerant, they're amazing. | 0:57:09 | 0:57:11 | |
And it makes a strong impression on them. | 0:57:16 | 0:57:19 | |
Oh, it's beautiful. | 0:57:19 | 0:57:21 | |
Yeah, that is beautiful. | 0:57:22 | 0:57:23 | |
I mean, coming to India, this is what you realise, | 0:57:25 | 0:57:28 | |
that if you let your wildlife into the city and you really embrace it, | 0:57:28 | 0:57:33 | |
then this is the reward you get. | 0:57:33 | 0:57:35 | |
I mean, this phenomenal connection with incredible creatures, | 0:57:35 | 0:57:41 | |
and that...that just feels wonderful. | 0:57:41 | 0:57:44 | |
It was a surprising revelation | 0:57:45 | 0:57:47 | |
that it was in cities where the film crews | 0:57:47 | 0:57:50 | |
had some of their most extraordinary encounters with wild animals. | 0:57:50 | 0:57:54 |