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This tiny trickle, | 0:00:04 | 0:00:06 | |
high in the mountains of Mourne, | 0:00:06 | 0:00:08 | |
is the birthplace of our longest river. | 0:00:08 | 0:00:12 | |
From humble beginnings, here on the slopes of Slieve Muck, | 0:00:12 | 0:00:14 | |
the mighty River Bann runs 80 miles out to the Atlantic Ocean, | 0:00:14 | 0:00:18 | |
and we're going to make that journey together. | 0:00:18 | 0:00:20 | |
'The Kingdom of Mourne, | 0:00:44 | 0:00:45 | |
'an Area of Outstanding Natural Beauty, | 0:00:45 | 0:00:48 | |
'famous for its majestic scenery - | 0:00:48 | 0:00:51 | |
'the perfect departure point for a fascinating journey. | 0:00:51 | 0:00:55 | |
'With me, 1,200 feet up and looking down on the Spelga Dam, | 0:00:55 | 0:00:59 | |
'is geologist Kirstin Lemon. | 0:00:59 | 0:01:01 | |
'She's my guide to the rocks and stones that determine | 0:01:01 | 0:01:04 | |
'where our rivers flow | 0:01:04 | 0:01:06 | |
'and ultimately where we live, work and play.' | 0:01:06 | 0:01:09 | |
So we're up at the source. | 0:01:09 | 0:01:11 | |
The river sweeps through, meanders down into the reservoir. | 0:01:11 | 0:01:15 | |
Once it gets out of the reservoir, why does it go where it goes? | 0:01:15 | 0:01:18 | |
It's simple gravity. All it's trying to do is get from the upland area, | 0:01:18 | 0:01:22 | |
so that's here in the Mourne Mountains, | 0:01:22 | 0:01:24 | |
right down to the lowest point, which is at Lough Neagh. | 0:01:24 | 0:01:28 | |
And as it goes, it goes from the granite that makes up | 0:01:28 | 0:01:30 | |
the majority of the Mourne Mountains, which is a really, really hard rock, | 0:01:30 | 0:01:33 | |
and it takes the path of least resistance. So, whenever it gets down | 0:01:33 | 0:01:36 | |
into the valley below us, it's going over a much softer rock | 0:01:36 | 0:01:39 | |
called graywacke, which is a type of sandstone. | 0:01:39 | 0:01:41 | |
And as you go along the course of the River Bann, you're going through | 0:01:41 | 0:01:44 | |
towns like Hilltown, Rathfriland, Katesbridge, Banbridge. | 0:01:44 | 0:01:47 | |
And if you just even think about those names, | 0:01:47 | 0:01:50 | |
like Banbridge and Katesbridge, they are along the River Bann, | 0:01:50 | 0:01:53 | |
they have grown because the River Bann was there in the first place. | 0:01:53 | 0:01:55 | |
Now for a canoe trip with a difference. | 0:01:55 | 0:01:59 | |
The Spelga Reservoir is one of the Mournes' best known landmarks. | 0:01:59 | 0:02:03 | |
The water level's so low this summer that the old Kilkeel Road and bridge | 0:02:03 | 0:02:07 | |
over the infant Bann are exposed. | 0:02:07 | 0:02:10 | |
They were submerged when the dam was built back in the '50s, | 0:02:10 | 0:02:13 | |
so this is a rare opportunity for the pair of us to paddle through... | 0:02:13 | 0:02:17 | |
if we ever get our act together. | 0:02:17 | 0:02:19 | |
HE LAUGHS | 0:02:20 | 0:02:22 | |
We've run aground. | 0:02:22 | 0:02:24 | |
We just couldn't resist it. | 0:02:27 | 0:02:29 | |
We got special permission to paddle on Spelga Reservoir | 0:02:29 | 0:02:33 | |
and we must be among the very few people | 0:02:33 | 0:02:37 | |
to have gone through that bridge | 0:02:37 | 0:02:39 | |
since it was first filled up in 1957. | 0:02:39 | 0:02:42 | |
It's absolutely astonishing to be able to do that. | 0:02:42 | 0:02:44 | |
You told me you were a really good paddler. | 0:02:49 | 0:02:52 | |
That might have been a couple of years ago. | 0:02:52 | 0:02:54 | |
-It's amazing what you forget. -For good or ill, | 0:02:54 | 0:02:58 | |
we're paddling on the River Bann. Well, really it is Spelga, isn't it? | 0:02:58 | 0:03:02 | |
It is. This is Spelga Dam. | 0:03:02 | 0:03:04 | |
It's one of several reservoirs in the Mourne Mountains. | 0:03:04 | 0:03:07 | |
The water from here supplies Banbridge and Portadown | 0:03:07 | 0:03:09 | |
with drinking water. And that's six million gallons of water every day. | 0:03:09 | 0:03:13 | |
And that's crazy to think. And that's without talking about | 0:03:13 | 0:03:16 | |
the other reservoirs in the Mournes. They must hold a lot more than that. | 0:03:16 | 0:03:19 | |
So, it must be absolutely hammering down on the high mountains here | 0:03:22 | 0:03:27 | |
and running off all that granite. | 0:03:27 | 0:03:29 | |
That's right, cos granite's really impermeable. | 0:03:29 | 0:03:32 | |
Granite's a rock that water just cannot get through. | 0:03:32 | 0:03:35 | |
So any rainfall that falls here, | 0:03:35 | 0:03:36 | |
which is quite a lot at any time of year, | 0:03:36 | 0:03:38 | |
will gather in these reservoirs and it's just used for drinking water | 0:03:38 | 0:03:41 | |
all the way across the eastern part of Northern Ireland. | 0:03:41 | 0:03:44 | |
After a long, dry summer, | 0:03:58 | 0:04:01 | |
the river cuts a scar across fields, farms and villages - | 0:04:01 | 0:04:05 | |
the patchwork of civilisation. | 0:04:05 | 0:04:07 | |
By Hilltown, the shallows make an ideal paddling pool, | 0:04:12 | 0:04:16 | |
a cool place for everyone in the neighbourhood. | 0:04:16 | 0:04:19 | |
On to Katesbridge, said to have been named after a Kate McKay | 0:04:23 | 0:04:27 | |
whose grandmother owned a lodging house where the workmen | 0:04:27 | 0:04:30 | |
who built the bridge stayed way back in the 1700s. | 0:04:30 | 0:04:33 | |
'I'm here to meet a young naturalist and wildlife photographer. | 0:04:35 | 0:04:38 | |
'James O'Neill is only 18 but he's able to spot the little things | 0:04:38 | 0:04:42 | |
'the rest of us would never see.' | 0:04:42 | 0:04:44 | |
Oh, here. Look at this. | 0:04:44 | 0:04:47 | |
It's a Burnished Brass moth. | 0:04:47 | 0:04:49 | |
And it's one of the nicest moths you can see at this time of year, | 0:04:49 | 0:04:52 | |
-I think, in my opinion, anyway. -Yeah, yeah. | 0:04:52 | 0:04:54 | |
Feeds on these nettles but if you look at it up close, | 0:04:54 | 0:04:58 | |
it's got this shining green. | 0:04:58 | 0:05:01 | |
These funny little lumps along its back, | 0:05:01 | 0:05:04 | |
they maybe sort of imitate the serrations on the leaf. | 0:05:04 | 0:05:08 | |
Yeah, they do indeed. | 0:05:08 | 0:05:10 | |
So, is this one worthy of being snapped and preserved in the memory? | 0:05:10 | 0:05:14 | |
This is good, I'll have a go at this. | 0:05:14 | 0:05:17 | |
James has loved the natural world since he was a youngster but, | 0:05:24 | 0:05:27 | |
amazingly, he's only been taking photographs for the past year. | 0:05:27 | 0:05:32 | |
His favourite subject is the kingfisher. | 0:05:32 | 0:05:35 | |
How do you get the majorly big, | 0:05:39 | 0:05:41 | |
beautiful photographs that you get of them, right next to the camera? | 0:05:41 | 0:05:44 | |
Well, that requires a little bit of effort and a lot of patience. | 0:05:44 | 0:05:48 | |
So, for that I would need my portable hide and, you know, | 0:05:48 | 0:05:53 | |
very careful consideration of where I'm going to do this. | 0:05:53 | 0:05:56 | |
I have to know where the kingfisher is, | 0:05:56 | 0:05:59 | |
I have to select a good place from the bank. | 0:05:59 | 0:06:01 | |
I have to think about where the light's coming from | 0:06:01 | 0:06:04 | |
and my background, so it's a very specific art. | 0:06:04 | 0:06:07 | |
And then once you've done all that, you just have to sit and wait | 0:06:07 | 0:06:10 | |
and wait and I waited up to six hours one day before the kingfisher came. | 0:06:10 | 0:06:16 | |
It's unpredictable. | 0:06:16 | 0:06:17 | |
If you had any kind of species that you really want to photograph | 0:06:19 | 0:06:25 | |
that you haven't yet, what is it? | 0:06:25 | 0:06:27 | |
The otters. I know that they're up and down this river. | 0:06:27 | 0:06:30 | |
I can see signs of them everywhere - | 0:06:30 | 0:06:33 | |
the prints on the bank and their entry points to the river, | 0:06:33 | 0:06:37 | |
but I just haven't got that shot yet. | 0:06:37 | 0:06:39 | |
What about your future, career-wise? | 0:06:56 | 0:06:59 | |
I've applied to Queen's to do marine zoology. | 0:06:59 | 0:07:04 | |
And we'll see where that takes me | 0:07:04 | 0:07:06 | |
but I do want to go on to do wildlife film-making. | 0:07:06 | 0:07:09 | |
Wow. I can't wish you enough success | 0:07:09 | 0:07:13 | |
-cos you've started amazingly. One year? -Yes. -Wow. | 0:07:13 | 0:07:17 | |
Skipping a few miles downstream, | 0:07:19 | 0:07:21 | |
beyond Banbridge, Tullylish and Gilford, | 0:07:21 | 0:07:24 | |
that chat with James reminded me of a passion of my own. | 0:07:24 | 0:07:28 | |
It's great to get the feet wet on a lovely warm summer's day. | 0:07:30 | 0:07:34 | |
And I had to stop here because this place is really special to me. | 0:07:34 | 0:07:38 | |
I learned to fish here. | 0:07:38 | 0:07:39 | |
And I remember, probably half a lifetime ago, | 0:07:39 | 0:07:42 | |
standing in there with my welly boots on, my shorts, | 0:07:42 | 0:07:46 | |
and a rod in my hand and catching roach in there. | 0:07:46 | 0:07:49 | |
Now, this really is the point at which the River Bann | 0:07:49 | 0:07:52 | |
begins to open up, becomes navigable. | 0:07:52 | 0:07:55 | |
And I'm going to take a cruise downstream to meet a man who knows | 0:07:55 | 0:07:58 | |
everything there is to know about the history of this place. | 0:07:58 | 0:08:02 | |
Drifting among dancing damsel flies, the journey downstream | 0:08:05 | 0:08:09 | |
offers a chance to go with the flow. | 0:08:09 | 0:08:11 | |
Slipping past Portadown Golf Course, | 0:08:13 | 0:08:16 | |
the banks here are popular with pike anglers. | 0:08:16 | 0:08:18 | |
And you'll meet fishermen all the way to the point of Whitecoat. | 0:08:21 | 0:08:25 | |
This where the Bann is joined by the River Cusher, | 0:08:30 | 0:08:33 | |
and it was also the start point for the Newry Canal - | 0:08:33 | 0:08:37 | |
the oldest in these islands opened away back in 1742. | 0:08:37 | 0:08:41 | |
Welcome to the point of Whitecoat. It's a beautiful day. | 0:08:43 | 0:08:47 | |
And a very iconic part of the river. | 0:08:47 | 0:08:50 | |
'Waiting for me is waterways historian Brian Cassells.' | 0:08:50 | 0:08:54 | |
Take me back 250-odd years to the sights, the sounds, | 0:08:55 | 0:09:00 | |
the smells of this place. What would it have been like back then? | 0:09:00 | 0:09:02 | |
This was a very busy part, being | 0:09:02 | 0:09:05 | |
the end and the start of the canal. | 0:09:05 | 0:09:08 | |
The lighters - they were | 0:09:08 | 0:09:10 | |
known as lighters here, | 0:09:10 | 0:09:11 | |
not really known as barges - | 0:09:11 | 0:09:13 | |
would have been leaving the river | 0:09:13 | 0:09:16 | |
and moving up about one and a half miles up to the first lock here, | 0:09:16 | 0:09:21 | |
to Money Penny's Lock. | 0:09:21 | 0:09:23 | |
What were these lighters or barges carrying into Portadown? | 0:09:28 | 0:09:33 | |
Well, the canal was built to carry coal from the newly-discovered pits | 0:09:33 | 0:09:38 | |
at Coalisland, eventually to Dublin via Newry. | 0:09:38 | 0:09:43 | |
But lots of farm produce, | 0:09:45 | 0:09:48 | |
products of the linen industry, | 0:09:48 | 0:09:50 | |
imports/exports to the area. | 0:09:50 | 0:09:53 | |
This was the motorway of the whole infrastructure of Ireland. | 0:09:53 | 0:09:59 | |
There were two foundries here in Portadown | 0:10:05 | 0:10:09 | |
and they constructed a lot of these lighters. | 0:10:09 | 0:10:12 | |
Bright Brothers was just before the bridge | 0:10:12 | 0:10:15 | |
as we go from here into Portadown. | 0:10:15 | 0:10:18 | |
The Portadown Foundry was the far side of the bridge. | 0:10:18 | 0:10:21 | |
What about the people that were on these lighters? | 0:10:22 | 0:10:25 | |
Well, lighters were old, rusted hulks. | 0:10:25 | 0:10:29 | |
The colour came from the characters that sailed them. | 0:10:29 | 0:10:33 | |
One individual character, he never washed for 17 years. | 0:10:33 | 0:10:38 | |
And worse than that, he never took his clothes off. | 0:10:38 | 0:10:42 | |
He ended up in Newry workhouse. | 0:10:42 | 0:10:46 | |
And they had to cut the clothes off him. | 0:10:46 | 0:10:48 | |
They had to cut the very boots off him. | 0:10:48 | 0:10:51 | |
His very toenails were growing into the leather of the boots. | 0:10:51 | 0:10:56 | |
Lovely stuff. These lightermen, did they live on the boats? | 0:10:56 | 0:10:59 | |
Often they lived on the boats. | 0:10:59 | 0:11:02 | |
Often they reared their families on the boat. | 0:11:02 | 0:11:04 | |
Sometimes they slept in the little bothies. | 0:11:04 | 0:11:07 | |
The horse would have been stabled down below | 0:11:07 | 0:11:10 | |
and the lighterman slept in the loft above. | 0:11:10 | 0:11:13 | |
When did the canal finally give up the ghosts and pass into history? | 0:11:17 | 0:11:21 | |
The canal was officially closed in 1939. | 0:11:21 | 0:11:25 | |
But really the closure began much earlier. | 0:11:25 | 0:11:30 | |
In the middle 1800s, with the coming of the railway, | 0:11:30 | 0:11:34 | |
that was the beginning of the death knell for waterway transport. | 0:11:34 | 0:11:38 | |
Kind of sad in its own way, we've been left with a lovely amenity. | 0:11:41 | 0:11:45 | |
There is still a highway there. | 0:11:45 | 0:11:47 | |
You can cycle it, you can walk it, | 0:11:47 | 0:11:49 | |
-you can make use of it as a natural space now. -You can. | 0:11:49 | 0:11:53 | |
When you think there was a proposal in the 1950s to build a motorway | 0:11:53 | 0:11:59 | |
from Portadown to Newry and it was to be | 0:11:59 | 0:12:02 | |
over on the bed of the Newry Canal, thank goodness that didn't happen. | 0:12:02 | 0:12:07 | |
Thank you! | 0:12:07 | 0:12:09 | |
I've been cruising the Bann for years | 0:12:09 | 0:12:11 | |
but Brian has really opened my eyes to the history that flows | 0:12:11 | 0:12:15 | |
with the river through Portadown. | 0:12:15 | 0:12:17 | |
And as Shillington's Quay glides by, | 0:12:17 | 0:12:20 | |
there are echoes of that past as I head five miles on, to Lough Neagh. | 0:12:20 | 0:12:25 | |
Locals of a certain age will still remember with great affection, | 0:12:32 | 0:12:36 | |
the Bannfoot ferry - a rickety contraption taking vehicles | 0:12:36 | 0:12:40 | |
across the river on a wooden platform, pulled by ropes. | 0:12:40 | 0:12:43 | |
Today's health and safety experts would faint at the sight of it! | 0:12:46 | 0:12:50 | |
I'm meeting up with Kirstin again at the old ferry crossing, | 0:12:53 | 0:12:57 | |
to find out why the Upper Bann spills into Lough Neagh | 0:12:57 | 0:13:00 | |
at this particular spot. | 0:13:00 | 0:13:02 | |
Well, to answer that question we have to take a bit of a look over towards | 0:13:02 | 0:13:05 | |
the west a couple of miles, and over towards the east a couple of miles. | 0:13:05 | 0:13:09 | |
Because we're actually surrounded by a rock called basalt. | 0:13:09 | 0:13:12 | |
Basalt is a really hard rock. It's formed some volcanoes | 0:13:12 | 0:13:15 | |
and it's very resistant to weathering and erosion. | 0:13:15 | 0:13:17 | |
But we're standing at a gap in that basalt, | 0:13:17 | 0:13:20 | |
a gap probably about five miles wide, | 0:13:20 | 0:13:22 | |
and that is filled in with clay material, which is very, very soft. | 0:13:22 | 0:13:25 | |
So, if you get a river coming along here, it's much easier to wear away | 0:13:25 | 0:13:29 | |
a channel within the clay than within the basalt | 0:13:29 | 0:13:31 | |
and that's why it's coming in at this point into Lough Neagh. | 0:13:31 | 0:13:35 | |
But what about the lake itself? | 0:13:35 | 0:13:36 | |
We've got the biggest lake in the UK and Ireland. Anything about it? | 0:13:36 | 0:13:41 | |
It's actually a really interesting feature | 0:13:41 | 0:13:43 | |
in the Northern Irish landscape. If you want to think about Lough Neagh, | 0:13:43 | 0:13:46 | |
think of it - literally - like a big basin. And the reason why that formed | 0:13:46 | 0:13:49 | |
is because around about 65 million years ago we were still near enough | 0:13:49 | 0:13:54 | |
connected to North America. So Europe was pulling away from North America | 0:13:54 | 0:13:57 | |
and whenever that happens, the land that we lived on stretched, | 0:13:57 | 0:14:00 | |
and whenever it stretched, a bit of that land sunk in and that formed | 0:14:00 | 0:14:03 | |
that basin, and that's the basin that Lough Neagh now occupies. | 0:14:03 | 0:14:07 | |
What about the River Bann whenever it leaves Lough Neagh? | 0:14:07 | 0:14:11 | |
How do you know that it's the River Bann? | 0:14:11 | 0:14:13 | |
The simple answer is you just don't. When you're talking about rivers, | 0:14:13 | 0:14:17 | |
if they go into a lake and they come out again, it's not the same river. | 0:14:17 | 0:14:20 | |
You just look at the biggest one that comes in | 0:14:20 | 0:14:22 | |
and that therefore makes the biggest one that goes out. | 0:14:22 | 0:14:24 | |
But chances are it's not actually the same river at all. | 0:14:24 | 0:14:27 | |
So it could be like the Lower Blackwater? | 0:14:27 | 0:14:29 | |
It could or it could be a different river altogether. | 0:14:29 | 0:14:31 | |
Why does it go out at Toome? | 0:14:31 | 0:14:33 | |
It's because there's a slight weakness in the rock. | 0:14:33 | 0:14:35 | |
It's what geologists call a "fault" | 0:14:35 | 0:14:37 | |
and a fault is a crack in the Earth along which there has been movement. | 0:14:37 | 0:14:40 | |
So, if you want to think of it | 0:14:40 | 0:14:41 | |
a bit like a fossil earthquake, | 0:14:41 | 0:14:43 | |
there was movement along that fault | 0:14:43 | 0:14:45 | |
around about 65 million years ago | 0:14:45 | 0:14:47 | |
and that's created a weakness in the Earth. The water from Lough Neagh has | 0:14:47 | 0:14:51 | |
simply just taken advance of that | 0:14:51 | 0:14:52 | |
and it's formed the exit channel for the River Bann. | 0:14:52 | 0:14:55 | |
And that's where I'm heading now, | 0:14:58 | 0:15:01 | |
to the weir that marks the birthplace of the Lower Bann. | 0:15:01 | 0:15:05 | |
It's a playground for extreme paddlers bravely riding the waves | 0:15:05 | 0:15:10 | |
below sluice gates that control the water level for the entire lough. | 0:15:10 | 0:15:15 | |
Even in summer, it's a seriously impressive current | 0:15:18 | 0:15:21 | |
but in winter, it's huge - | 0:15:21 | 0:15:24 | |
nearly half of all the rain that falls in Northern Ireland | 0:15:24 | 0:15:27 | |
gushes out this plughole. | 0:15:27 | 0:15:29 | |
The community here has a special link with the lough and the river, | 0:15:32 | 0:15:35 | |
and one particular species of fish, | 0:15:35 | 0:15:38 | |
best described by our most celebrated poet. | 0:15:38 | 0:15:42 | |
"Behind it all and underneath it all | 0:15:42 | 0:15:45 | |
"Like a silver thread holding together | 0:15:45 | 0:15:47 | |
"the whole history of the Bann there swims the silver eel." | 0:15:47 | 0:15:52 | |
Seamus Heaney knew the banks of the Bann like the back of his hand. | 0:15:52 | 0:15:57 | |
He was reared just up the road from the eel fishery at Toome. | 0:15:57 | 0:16:00 | |
"My first sight of the Bann came from the bridge at Toome. | 0:16:01 | 0:16:06 | |
"You looked out on one side towards the floodgates | 0:16:06 | 0:16:09 | |
"that lay like a gag on the mouth of Lough Neagh. | 0:16:09 | 0:16:13 | |
"And on the other side was the eel fishery." | 0:16:13 | 0:16:17 | |
Fergal Kearney is a neighbour and friend of the Heaney family. | 0:16:17 | 0:16:21 | |
One of my earliest fishing memories as a child was being | 0:16:21 | 0:16:25 | |
out on Lough Neagh with my dad. | 0:16:25 | 0:16:27 | |
And I remember, as Seamus Heaney wrote, | 0:16:27 | 0:16:30 | |
"pulling in the eel line hand over fist." | 0:16:30 | 0:16:32 | |
And eels were really important to him, weren't they? And this place. | 0:16:32 | 0:16:37 | |
All his writing, everything spiritually that came out | 0:16:37 | 0:16:40 | |
in his writing, is based on the place that we're standing now. | 0:16:40 | 0:16:44 | |
"I even found the sound of the name dark and mysterious now - | 0:16:44 | 0:16:48 | |
"Toome. It's like an echo of the past." | 0:16:48 | 0:16:53 | |
He lived just two miles up the road. | 0:16:53 | 0:16:54 | |
This was his playground as a child and it became the place | 0:16:54 | 0:16:58 | |
that was with him all of his life, right up the end. | 0:16:58 | 0:17:01 | |
The journey the eels made was incredibly important | 0:17:01 | 0:17:05 | |
and its symbolism - that great journey from the Sargasso Sea | 0:17:05 | 0:17:08 | |
all the way to Lough Neagh, in obscure little Northern Ireland. | 0:17:08 | 0:17:11 | |
What a journey. | 0:17:11 | 0:17:13 | |
And he used that symbolism almost as a metaphor for the journey of life. | 0:17:13 | 0:17:17 | |
And that was something he instilled throughout his work over the years, | 0:17:17 | 0:17:20 | |
using nature as a metaphor about the journey of life and death. | 0:17:20 | 0:17:25 | |
Seamus Heaney was an image maker, but it was the image of the mind. | 0:17:25 | 0:17:29 | |
It wasn't camera, it was the imagination. | 0:17:29 | 0:17:32 | |
"One of the fishermen said to me, | 0:17:32 | 0:17:34 | |
"they're as hard to get at as the stars in the sky." | 0:17:34 | 0:17:39 | |
The Lough Neagh Sequence, obviously, was a huge piece of work, | 0:17:39 | 0:17:41 | |
which I think he invested an awful lot of time in - | 0:17:41 | 0:17:44 | |
many months, if not years. | 0:17:44 | 0:17:46 | |
And it really was tracing almost in meticulous detail that journey | 0:17:46 | 0:17:49 | |
that the eel made from Sargasso Sea as an elver, | 0:17:49 | 0:17:53 | |
right through to arriving here at the eel fishery and Toome Bridge, | 0:17:53 | 0:17:58 | |
where, unfortunately, most of them ended their journey | 0:17:58 | 0:18:01 | |
and obviously were boxed up and sent off to Continental Europe. | 0:18:01 | 0:18:04 | |
But others were allowed to escape and propagate in the lough | 0:18:04 | 0:18:08 | |
to continue the journey, if you like, of life. | 0:18:08 | 0:18:11 | |
"They're busy in a high boat | 0:18:14 | 0:18:15 | |
"that stalks towards Antrim, the power cut. | 0:18:15 | 0:18:18 | |
"The line's a filament of smut drawn hand over fist, | 0:18:18 | 0:18:22 | |
"where every three yards a hook's missed or taken. | 0:18:22 | 0:18:25 | |
"And the smut thickens, wrist-thick, | 0:18:25 | 0:18:28 | |
"a flail lashed into the barrel with one swing. | 0:18:28 | 0:18:31 | |
"Each eel comes aboard to this welcome: | 0:18:31 | 0:18:34 | |
"the hook left in gill or gum, It's slapped into the barrel numb." | 0:18:34 | 0:18:38 | |
With his words hanging in the air I'm conscious of travelling | 0:18:46 | 0:18:50 | |
the same waters many years after Seamus Heaney took a boat journey | 0:18:50 | 0:18:55 | |
towards Lough Beg. | 0:18:55 | 0:18:57 | |
It was a place loved by the poet and by an old friend, Seamus Burns, | 0:18:57 | 0:19:02 | |
who's taking me bird watching. | 0:19:02 | 0:19:04 | |
There are so many herons along this stretch, Seamus. | 0:19:04 | 0:19:07 | |
There are indeed. It's the sign of a really good quality wetland habitat. | 0:19:07 | 0:19:14 | |
Herons are one of the many features that we get along the Lower Bann here | 0:19:14 | 0:19:19 | |
as we go up into Lough Beg. | 0:19:19 | 0:19:21 | |
And the whole connection with Lough Neagh really makes this place | 0:19:21 | 0:19:25 | |
quite special. It's just amazing the variety of nature | 0:19:25 | 0:19:28 | |
that you find along the river like this. | 0:19:28 | 0:19:31 | |
Especially in a day like today | 0:19:31 | 0:19:33 | |
where it just seems like life is in full flow here. | 0:19:33 | 0:19:37 | |
This is really special, this trip that we're taking here today. | 0:19:41 | 0:19:45 | |
This reminds me of a period of time - over 30 years ago - | 0:19:45 | 0:19:50 | |
as a very young boy at primary school. | 0:19:50 | 0:19:53 | |
I came up the river here with my Uncle Tommy on a boat from Toome. | 0:19:53 | 0:19:56 | |
I come round this corner and entered Lough Beg for the first time, | 0:19:58 | 0:20:02 | |
and that landscape opened up in front of me. | 0:20:02 | 0:20:05 | |
Now, this is a place that's only 15, 20 minutes from where I live, | 0:20:05 | 0:20:09 | |
and I didn't know this place existed. And I didn't realise at the time | 0:20:09 | 0:20:13 | |
but that was going to be a life-changing moment for me | 0:20:13 | 0:20:16 | |
and it led me into a career in nature conservation. | 0:20:16 | 0:20:21 | |
Lough Beg here is the central part of the work that I do for the RSPB. | 0:20:26 | 0:20:31 | |
It's about looking after landscapes like this, working with the people | 0:20:31 | 0:20:35 | |
that manage these areas, the people that own these landscapes. | 0:20:35 | 0:20:40 | |
On the western shore of Lough Beg here you've got 500 hectares | 0:20:40 | 0:20:44 | |
of pristine marshy grassland habitat. | 0:20:44 | 0:20:48 | |
And that's home to a range of nature. | 0:20:48 | 0:20:51 | |
Irish lady's-tresses orchids, | 0:20:51 | 0:20:53 | |
only a handful of places in Ireland do you find that rare plant growing. | 0:20:53 | 0:20:57 | |
Well, it's growing in here in its hundreds, | 0:20:57 | 0:21:00 | |
because of the quality of marshy grassland that we have here. | 0:21:00 | 0:21:03 | |
That's the lifeblood of this whole place. | 0:21:03 | 0:21:05 | |
We spent a very early morning together here | 0:21:07 | 0:21:10 | |
looking at whooper swans for Autumnwatch a few years back. | 0:21:10 | 0:21:14 | |
The moon's out. Dawn is creeping over the horizon. | 0:21:16 | 0:21:18 | |
What are we going to see here in the next half hour? | 0:21:18 | 0:21:21 | |
As the light breaks here, these birds are going to leave the water | 0:21:21 | 0:21:24 | |
and go to feed in the fields nearby. | 0:21:24 | 0:21:26 | |
BIRDS CALL | 0:21:26 | 0:21:29 | |
-They're on the move. -Oh, yeah, yeah, yeah. | 0:21:29 | 0:21:33 | |
They're the first to leave, they're heading straight for the fields now. | 0:21:33 | 0:21:36 | |
Wintertime this place is such an evocative place. | 0:21:38 | 0:21:42 | |
From Scandinavia come dabbling ducks and wigeon. | 0:21:42 | 0:21:47 | |
Shoveler, teal | 0:21:47 | 0:21:49 | |
come in here in their thousands. | 0:21:49 | 0:21:51 | |
And this place is really, really special right throughout the year. | 0:21:51 | 0:21:55 | |
Look at that view today over to Church Island | 0:22:02 | 0:22:05 | |
and all the birds, the lovely sunshine, | 0:22:05 | 0:22:09 | |
and you must say at times, "They're paying me to do this." | 0:22:09 | 0:22:13 | |
-I can't believe it. -You're a lucky man. -Very, very lucky." | 0:22:13 | 0:22:17 | |
It's time to leave the peace and tranquillity of Lough Beg behind | 0:22:27 | 0:22:31 | |
and it's only a stone's throw from Newferry to the Big Splash, | 0:22:31 | 0:22:35 | |
at Portglenone. | 0:22:35 | 0:22:36 | |
Three, two, one! | 0:22:37 | 0:22:39 | |
Try going forward! | 0:22:39 | 0:22:41 | |
It's the big event of the summer. | 0:22:41 | 0:22:43 | |
The locals love messing about on the water | 0:22:43 | 0:22:46 | |
and it's a lovely place, too, for tourists to explore. | 0:22:46 | 0:22:49 | |
We are getting more and more people coming down here parking overnight | 0:22:49 | 0:22:53 | |
with their boats, going up into the village, buying a meal, | 0:22:53 | 0:22:56 | |
buying food, buying different things in the village, | 0:22:56 | 0:22:59 | |
and that's helping the economy of the village alone. | 0:22:59 | 0:23:02 | |
Norman's a man of many parts - Big Splash organiser, | 0:23:04 | 0:23:08 | |
pastor in a local church, | 0:23:08 | 0:23:10 | |
and skipper of the community rescue service. | 0:23:10 | 0:23:13 | |
The villagers are a lot happier to use the river now, | 0:23:15 | 0:23:19 | |
from the point of view there is a rescue station in Portglenone. | 0:23:19 | 0:23:24 | |
Before that they were quite frightened of it | 0:23:24 | 0:23:26 | |
because a lot of locals had actually lost their life on the river. | 0:23:26 | 0:23:29 | |
We would like the river to be a lot more central | 0:23:29 | 0:23:32 | |
but we're working on that and we feel that already we've achieved a lot | 0:23:32 | 0:23:36 | |
in the last 10, 15 years. | 0:23:36 | 0:23:39 | |
Norman and his 22 volunteers are part of a much bigger organisation. | 0:23:41 | 0:23:46 | |
Community Rescue Service answers over 200 callouts | 0:23:48 | 0:23:52 | |
across Northern Ireland every year. | 0:23:52 | 0:23:54 | |
They have a fleet of fast boats. | 0:23:58 | 0:24:01 | |
And the man at the helm is my guide to the river in Coleraine. | 0:24:01 | 0:24:05 | |
I didn't realise that bridge was as old. | 0:24:05 | 0:24:08 | |
Yes, it's almost as old as I am. | 0:24:08 | 0:24:10 | |
-TOGETHER: -1844. | 0:24:10 | 0:24:12 | |
That's something that you never really associate with Coleraine | 0:24:16 | 0:24:19 | |
these days, the fact that it's a sea port with a great big ship in it. | 0:24:19 | 0:24:22 | |
Yeah. We still see the ships come up the harbour | 0:24:22 | 0:24:24 | |
but not as many as there used to be in years gone by. | 0:24:24 | 0:24:27 | |
When I first came to Coleraine when I was 16 | 0:24:27 | 0:24:30 | |
and started work in the harbour, which we're now going past, | 0:24:30 | 0:24:33 | |
I was a young, young man working with all these older dockers in Coleraine, | 0:24:33 | 0:24:37 | |
we heard all the stories of the many sailing ships used to come in | 0:24:37 | 0:24:40 | |
and they had many photographs of that and round the harbour opposite. | 0:24:40 | 0:24:43 | |
And Kelly's Coal and the famous coal yards here, the different ships | 0:24:43 | 0:24:47 | |
from that line were in and out of here every day most days of the week. | 0:24:47 | 0:24:50 | |
You can see we've got quite a large ship here. | 0:24:55 | 0:24:57 | |
This scrap that's being loaded here, which is | 0:24:57 | 0:25:00 | |
one of our exports now is probably going to Spain. | 0:25:00 | 0:25:02 | |
And you're saying 16-year-old, working at the harbour here. | 0:25:03 | 0:25:07 | |
You've a long association with this river. | 0:25:07 | 0:25:10 | |
-Is it a special place for you? -Absolutely. | 0:25:10 | 0:25:13 | |
I was only here a matter of days when I fell in love with the River Bann. | 0:25:13 | 0:25:17 | |
And I've been working on it most of the time ever since. | 0:25:17 | 0:25:20 | |
Always a full-time job. Sometimes in this job as a part-time volunteer. | 0:25:20 | 0:25:25 | |
So, it's not as busy now | 0:25:25 | 0:25:27 | |
but I suppose there'd be far more leisure activity on the river? | 0:25:27 | 0:25:31 | |
Oh, absolutely. As you've seen on your journey, I'm sure, that | 0:25:31 | 0:25:33 | |
the hidden gem in Ulster and Northern Ireland is actually the River Bann. | 0:25:33 | 0:25:38 | |
So what are the big challenges of operating in the longest, | 0:25:39 | 0:25:42 | |
biggest river in Northern Ireland? This has a huge amount of force | 0:25:42 | 0:25:46 | |
-in it, particularly in the winter, doesn't it? -Absolutely. | 0:25:46 | 0:25:48 | |
The largest volume of water of any river in the British Isles | 0:25:48 | 0:25:51 | |
is the River Bann. | 0:25:51 | 0:25:52 | |
It takes more water to sea any day and empties Lough Neagh, which is the | 0:25:52 | 0:25:56 | |
largest freshwater lake, so it has to get that water out to sea someway. | 0:25:56 | 0:25:59 | |
Then again we have the tidal challenge here, | 0:25:59 | 0:26:02 | |
and a very narrow waterway to work in. | 0:26:02 | 0:26:05 | |
Our teams are often responding at two and three in the morning in the | 0:26:05 | 0:26:08 | |
middle of winter and we've full-size trees floating down the river. | 0:26:08 | 0:26:11 | |
So, it's a lot of challenges here in trying to ensure people are safe. | 0:26:11 | 0:26:14 | |
But I'd want any viewers to understand that is | 0:26:14 | 0:26:17 | |
an extremely safe environment to work in. | 0:26:17 | 0:26:19 | |
It's an extremely safe environment to go out and have your leisure in. | 0:26:19 | 0:26:22 | |
Safe, challenging and endlessly fascinating. | 0:26:22 | 0:26:26 | |
MUSIC: At The River by Groove Armada | 0:26:29 | 0:26:32 | |
# If you're fond of sand dunes and salty air | 0:26:32 | 0:26:36 | |
# Quaint little villages... # | 0:26:36 | 0:26:40 | |
On a hot summer's evening, the Bann Estuary is a glimpse of paradise. | 0:26:40 | 0:26:44 | |
Wow, look at that for a view. | 0:26:56 | 0:26:57 | |
We started this journey up in the Mournes, | 0:26:57 | 0:27:00 | |
in an Area of Outstanding Natural Beauty | 0:27:00 | 0:27:02 | |
-and look at the view from here. -Absolutely stunning, isn't it? | 0:27:02 | 0:27:05 | |
Just to think the size of that wee river up in Slieve Muck | 0:27:05 | 0:27:08 | |
-and coming down to here. -I know. And that is the famous Barmouth. | 0:27:08 | 0:27:12 | |
We've got Portstewart there, | 0:27:12 | 0:27:14 | |
Castlerock here, and the river emptying into the sea here. | 0:27:14 | 0:27:19 | |
Anything geologically speaking that's spectacular | 0:27:19 | 0:27:22 | |
-or interesting at this point for us? -I think the most interesting for me | 0:27:22 | 0:27:25 | |
is think about the actual name. What does Barmouth mean? | 0:27:25 | 0:27:29 | |
Everyone who lives in this area has heard of the Barmouth | 0:27:29 | 0:27:31 | |
but do they really think about what it is? | 0:27:31 | 0:27:33 | |
The mouths of any river are active places, | 0:27:33 | 0:27:35 | |
they're really exciting. | 0:27:35 | 0:27:37 | |
You look at them and perhaps you think there's not much going on. | 0:27:37 | 0:27:40 | |
But think about that massive river that brings with it sand, silt, clay, | 0:27:40 | 0:27:43 | |
gets down here and, if you like, when it hits the sea, it's like a wall. | 0:27:43 | 0:27:46 | |
Hits that wall and everything's just dumped in a big pile, a big bar. | 0:27:46 | 0:27:50 | |
So at the mouth of the river there is a bar. | 0:27:50 | 0:27:53 | |
And that's where the name comes from. | 0:27:53 | 0:27:54 | |
In the winter whenever there's a great volume of water | 0:27:54 | 0:27:57 | |
coming down here, I imagine it would actually clear that bar away. | 0:27:57 | 0:28:00 | |
Well, it does a little bit. | 0:28:00 | 0:28:02 | |
But if you strip back the layers and you look on the sea floor | 0:28:02 | 0:28:05 | |
there isn't really much evidence of the River Bann. | 0:28:05 | 0:28:07 | |
You'd expect to have a huge big channel that was way out to sea. | 0:28:07 | 0:28:10 | |
-That's not the case here. -I always imagined you'd get something like | 0:28:10 | 0:28:13 | |
a big delta that stretched way out towards Scotland. | 0:28:13 | 0:28:16 | |
I'm afraid not in this case, but it is nice to think that a little bit | 0:28:16 | 0:28:19 | |
of the water of the Mourne Mountains is still in the Atlantic Ocean. | 0:28:19 | 0:28:22 | |
-I know. And a lovely mystery - where does the river end? -Absolutely. | 0:28:22 | 0:28:26 |