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Bones... | 0:00:05 | 0:00:08 | |
They offer structure... | 0:00:08 | 0:00:10 | |
support | 0:00:10 | 0:00:12 | |
and strength. | 0:00:12 | 0:00:14 | |
But they have a much bigger story to tell. | 0:00:14 | 0:00:17 | |
Vertebrates may look very different on the outside, | 0:00:23 | 0:00:26 | |
but one crucial thing unites them all... | 0:00:26 | 0:00:31 | |
the skeleton. | 0:00:31 | 0:00:32 | |
I'm Ben Garrod, an evolutionary biologist, | 0:00:36 | 0:00:39 | |
with a very unusual passion. | 0:00:39 | 0:00:42 | |
This is unbelievable. | 0:00:42 | 0:00:44 | |
There are too many skeletons for me to look at all at once. | 0:00:44 | 0:00:48 | |
As a child I was fascinated by bones. | 0:00:48 | 0:00:51 | |
And now skeletons have become my life. | 0:00:51 | 0:00:54 | |
And I put them together for museums and universities | 0:00:58 | 0:01:03 | |
all over the world. | 0:01:03 | 0:01:04 | |
I'm going to explore the natural world | 0:01:07 | 0:01:11 | |
from the inside out | 0:01:11 | 0:01:13 | |
to see how the skeleton has enabled animals to move... | 0:01:13 | 0:01:18 | |
..hunt | 0:01:19 | 0:01:21 | |
and even sense the world. | 0:01:21 | 0:01:24 | |
I will take you on a very personal journey to discover how this | 0:01:24 | 0:01:27 | |
one bony blueprint has shaped such massive diversity across the | 0:01:27 | 0:01:32 | |
animal kingdom and how it's come to dominate life on planet Earth | 0:01:32 | 0:01:35 | |
This time, we'll discover the way the skeleton has | 0:01:37 | 0:01:40 | |
adapted for vertebrates to move on land. | 0:01:40 | 0:01:43 | |
For speed on the ground... | 0:01:43 | 0:01:45 | |
You can see all these adaptations coming into one very sleek, | 0:01:45 | 0:01:48 | |
fast animal right here. | 0:01:48 | 0:01:50 | |
Agility in the treetops... | 0:01:50 | 0:01:53 | |
And for moving underground, driving one animal to evolve, possibly, | 0:01:53 | 0:01:57 | |
the oddest bone in the natural world. | 0:01:57 | 0:02:00 | |
What you can see, instantly, | 0:02:00 | 0:02:02 | |
is just the weirdness of this bone. | 0:02:02 | 0:02:05 | |
Although bone might seem like an unchanging and hard structure, | 0:02:13 | 0:02:16 | |
to me it isn't that at all. | 0:02:16 | 0:02:17 | |
Instead it's a living, flexing, | 0:02:17 | 0:02:20 | |
ever-changing framework that makes every single species | 0:02:20 | 0:02:23 | |
just what it is. | 0:02:23 | 0:02:25 | |
Bones have adapted in an enormous number of ways for movement on land. | 0:02:27 | 0:02:31 | |
Animals can swing in the highest trees, | 0:02:35 | 0:02:38 | |
slide on the forest floor, dig through subterranean worlds | 0:02:38 | 0:02:43 | |
and run at speed across the savannahs. | 0:02:43 | 0:02:46 | |
This is a story of survival. | 0:02:47 | 0:02:50 | |
Each bone telling us how animals have evolved for locomotion, | 0:02:50 | 0:02:54 | |
allowing them to exploit any habitat on the surface of the earth. | 0:02:54 | 0:02:58 | |
Whenever I build a skeleton, any skeleton, | 0:02:58 | 0:03:00 | |
I always start with the vertebrae. | 0:03:00 | 0:03:03 | |
These are the bones of a gorilla which I'm assembling | 0:03:03 | 0:03:06 | |
to form the whole skeleton. | 0:03:06 | 0:03:08 | |
The vertebrae themselves go together | 0:03:08 | 0:03:10 | |
to make up the spine and it's this spinal column which is | 0:03:10 | 0:03:13 | |
shared by every single vertebrate on earth. | 0:03:13 | 0:03:15 | |
To really understand movement, the spine is where it all begins. | 0:03:18 | 0:03:22 | |
It's the central support for the body and it's also flexible. | 0:03:23 | 0:03:28 | |
That's mainly down to the way these individual bones work together. | 0:03:28 | 0:03:32 | |
If you look at these ones here, | 0:03:32 | 0:03:35 | |
You can see that they have an incredible structure, | 0:03:35 | 0:03:38 | |
allowing each one to perfectly interlock with the one before it. | 0:03:38 | 0:03:43 | |
More than that, it allows also to interlock, perfectly, | 0:03:43 | 0:03:45 | |
with the one behind and so on and so on. | 0:03:45 | 0:03:48 | |
This is what gives the spine, the spinal column, this flexibility. | 0:03:48 | 0:03:53 | |
And more than that, an incredible range of movement. | 0:03:55 | 0:03:59 | |
So the spine gives rigidity, flexibility, | 0:04:00 | 0:04:04 | |
and provides anchor points for muscles. | 0:04:04 | 0:04:07 | |
It also protects a whole mass of nerves that need to run | 0:04:07 | 0:04:10 | |
the length of the body. | 0:04:10 | 0:04:12 | |
But whilst the spine might be the constant in all vertebrates, | 0:04:12 | 0:04:15 | |
its structure varies significantly between species. | 0:04:15 | 0:04:19 | |
And it's that change in structure which has had a dramatic | 0:04:21 | 0:04:25 | |
effect on how those animals are able to move. | 0:04:25 | 0:04:27 | |
Take the fastest animal on land - the cheetah, | 0:04:29 | 0:04:32 | |
capable of speeds of nearly 70mph over short bursts. | 0:04:32 | 0:04:38 | |
The secret to its speed is in the spine. | 0:04:38 | 0:04:42 | |
Here we have a cheetah which is hunting Thomson's gazelle | 0:04:44 | 0:04:47 | |
in the Great Rift Plains of East Africa. | 0:04:47 | 0:04:50 | |
These Thomson's gazelles or tommies, as they're known, | 0:04:50 | 0:04:53 | |
are incredibly fast and agile animals and can turn | 0:04:53 | 0:04:57 | |
and change direction, almost in an instant. | 0:04:57 | 0:05:00 | |
Cheetahs have had to evolve constantly throughout | 0:05:03 | 0:05:06 | |
the millions of years in order to stand any chance of capturing | 0:05:06 | 0:05:10 | |
this very agile prey. | 0:05:10 | 0:05:12 | |
It's an evolutionary arms race with each animal adapting to | 0:05:12 | 0:05:16 | |
move in ways that give it an advantage. | 0:05:16 | 0:05:19 | |
A finely balanced fight for survival. | 0:05:19 | 0:05:22 | |
The cheetah can go from 0 to 60mph in only three seconds. | 0:05:23 | 0:05:29 | |
Truly phenomenal! | 0:05:29 | 0:05:31 | |
If I just pause it here, if we look at the tommie here, you can | 0:05:31 | 0:05:34 | |
see this incredibly flat, straight, inflexible back. | 0:05:34 | 0:05:39 | |
It's almost horizontal. | 0:05:39 | 0:05:41 | |
Now compare this to the cheetah. | 0:05:41 | 0:05:43 | |
This is a beautiful curve there. | 0:05:43 | 0:05:48 | |
It curves so much that the back legs | 0:05:48 | 0:05:52 | |
and the front legs overlap to such an extent that it creates | 0:05:52 | 0:05:56 | |
almost a spring motion and gives the cheetah a seven-metre stride. | 0:05:56 | 0:06:00 | |
And if I press play again, you can see the spine flexing | 0:06:02 | 0:06:05 | |
and extending, giving the cheetah that huge stride length. | 0:06:05 | 0:06:10 | |
And that's how it can reach those extraordinary top speeds. | 0:06:10 | 0:06:13 | |
The cheetah's spine is so flexible because the joints are simple | 0:06:15 | 0:06:18 | |
and open, allowing for a wider range of movement. | 0:06:18 | 0:06:22 | |
And a flexible spine also means the cheetah can change direction, | 0:06:26 | 0:06:30 | |
suddenly, helping to make it one of the most successful | 0:06:30 | 0:06:33 | |
hunters of all the big cats. | 0:06:33 | 0:06:35 | |
In some animals, the vertebrae have adapted to the extreme... | 0:06:43 | 0:06:46 | |
..and the spine is practically the only thing left | 0:06:49 | 0:06:52 | |
to generate movement. | 0:06:52 | 0:06:53 | |
This is a milk snake, and like all snakes, | 0:06:57 | 0:06:59 | |
it has one of the simplest skeletons in the Animal Kingdom. | 0:06:59 | 0:07:03 | |
If I put him down now... | 0:07:03 | 0:07:05 | |
Then if he decides to move! | 0:07:08 | 0:07:11 | |
Come on. | 0:07:11 | 0:07:12 | |
Then you can see straight away that beautiful, | 0:07:14 | 0:07:16 | |
S-curve here as the snake moves. | 0:07:16 | 0:07:20 | |
Now this is seven-time movement or undulatory locomotion. | 0:07:23 | 0:07:26 | |
But how is the snake just so flexible? | 0:07:26 | 0:07:29 | |
Snakes lost their limbs over 100 million years ago | 0:07:30 | 0:07:33 | |
and now they're essentially one long, very flexible spine with ribs. | 0:07:33 | 0:07:39 | |
But unlike our vertebrae, which work together to allow movement | 0:07:40 | 0:07:44 | |
backwards and forwards, the snakes vertebrae have evolved to | 0:07:44 | 0:07:48 | |
work in a very different way altogether. | 0:07:48 | 0:07:50 | |
Professor Susan Evans from University College London | 0:07:53 | 0:07:56 | |
works on snake vertebrae. | 0:07:56 | 0:07:57 | |
If we look at a couple of vertebrae here, you can see that what | 0:07:59 | 0:08:03 | |
you've actually got is a ball at one end | 0:08:03 | 0:08:06 | |
and a cup at the other. | 0:08:06 | 0:08:07 | |
We've effectively got a ball and a socket joint. | 0:08:07 | 0:08:09 | |
In the same way that we've got one in our shoulder and our hips? | 0:08:09 | 0:08:12 | |
-Exactly. -So is this what gives the snake the flexibility? | 0:08:12 | 0:08:15 | |
You would think so because you can rotate them very well. | 0:08:15 | 0:08:19 | |
But if the snake did that, with its spinal cord going through | 0:08:19 | 0:08:23 | |
the middle, it would damage its spinal cord. | 0:08:23 | 0:08:25 | |
-Not a good idea. -Not a good idea. | 0:08:25 | 0:08:28 | |
To stop this happening, the snake vertebrae have evolved a double | 0:08:28 | 0:08:32 | |
set of joints which allow lateral or side-to-side movement, | 0:08:32 | 0:08:37 | |
but stop the twisting | 0:08:37 | 0:08:38 | |
so the snake can move with no harm to the spinal cord. | 0:08:38 | 0:08:41 | |
These individual joints allow for some flexibility | 0:08:44 | 0:08:47 | |
but not as much as you might imagine when you see a snake move. | 0:08:47 | 0:08:50 | |
What gives the snake its flexibility | 0:08:51 | 0:08:54 | |
is not so much the individual joints between the vertebrae, | 0:08:54 | 0:08:57 | |
but the fact that you've got so many vertebrae. | 0:08:57 | 0:09:00 | |
If you take a little bit of a snake's spine, | 0:09:00 | 0:09:03 | |
like this, for example, | 0:09:03 | 0:09:05 | |
you can see that, although you just get a small amount | 0:09:05 | 0:09:07 | |
of movement between the individual vertebrae, | 0:09:07 | 0:09:10 | |
when you multiply that by a length of several vertebrae, | 0:09:10 | 0:09:14 | |
then you're getting that flexibility. | 0:09:14 | 0:09:17 | |
The key thing here is the repetition of the vertebrae, | 0:09:17 | 0:09:20 | |
-the increase in number of vertebrae, up to 500 in a snake. -Mm-hm. | 0:09:20 | 0:09:25 | |
It's an amazing adaptation. | 0:09:25 | 0:09:27 | |
It may seem like an obvious, maybe silly question, | 0:09:27 | 0:09:30 | |
-but why have snakes lost their legs? -It may seem an obvious question | 0:09:30 | 0:09:33 | |
but it's actually one of the ones that's debated quite a lot. | 0:09:33 | 0:09:36 | |
It's clearly a very adaptive shape, particularly | 0:09:36 | 0:09:40 | |
if you're moving in small spaces, in confined spaces, | 0:09:40 | 0:09:44 | |
or if you want to burrow, you can keep your body size | 0:09:44 | 0:09:48 | |
relatively large but it's now become very thin | 0:09:48 | 0:09:52 | |
so that it can get into small spaces, or it can burrow. | 0:09:52 | 0:09:55 | |
By burrowing, or at least being able to crawl into tight spaces, | 0:09:58 | 0:10:01 | |
snakes were able to avoid predators | 0:10:01 | 0:10:03 | |
and exploit new sources of food underground. | 0:10:03 | 0:10:06 | |
Their spine really is a fantastic adaptation - allowing them | 0:10:10 | 0:10:14 | |
to travel practically everywhere. | 0:10:14 | 0:10:16 | |
They can slither up trees... | 0:10:17 | 0:10:19 | |
..inch themselves along in a straight line... | 0:10:21 | 0:10:24 | |
..glide. | 0:10:25 | 0:10:27 | |
One can even jump. | 0:10:27 | 0:10:29 | |
But being limbless does have its limitations. | 0:10:32 | 0:10:35 | |
Snakes can't move in the numerous, | 0:10:36 | 0:10:38 | |
highly specialised ways of vertebrates with arms and legs. | 0:10:38 | 0:10:42 | |
It's those limbs that really do allow animals to exploit | 0:10:49 | 0:10:52 | |
every environment on land to its full potential. | 0:10:52 | 0:10:56 | |
And all vertebrate limbs are based on the same ancestral blueprint. | 0:10:56 | 0:11:00 | |
You can see here with the gorilla's fore limb, or its arm, | 0:11:02 | 0:11:04 | |
that it's made up of several parts. | 0:11:04 | 0:11:06 | |
You've got the one large bone here, the humerus, | 0:11:06 | 0:11:09 | |
follow down to the two smaller bones, the radius and ulna | 0:11:09 | 0:11:12 | |
and in the hand you've got a group of bones here, the carpals. | 0:11:12 | 0:11:15 | |
This then leads down into the five very distinct digits. | 0:11:15 | 0:11:19 | |
It's called the pentadactyl limb | 0:11:19 | 0:11:22 | |
because each one ends in five digits. | 0:11:22 | 0:11:25 | |
And it's the same basic pattern in the hind limb or leg, | 0:11:25 | 0:11:28 | |
this time it's the femur, the tibia and fibula, | 0:11:28 | 0:11:32 | |
bones in the feet and five toes. | 0:11:32 | 0:11:35 | |
Any of my limbs, such as my arm, are exactly the same. | 0:11:35 | 0:11:39 | |
The one bone, the two bones, | 0:11:39 | 0:11:42 | |
the collection of little bones and the five digits. | 0:11:42 | 0:11:44 | |
As animals have evolved to move through every environment on earth, | 0:11:48 | 0:11:53 | |
so this basic pentadactyl limb has adapted and specialised. | 0:11:53 | 0:11:57 | |
Up in the trees, one animal has a limb that sets it apart | 0:12:05 | 0:12:09 | |
from all other canopy dwellers. | 0:12:09 | 0:12:12 | |
I think this is one of the most spectacular locomotors of them all. | 0:12:15 | 0:12:19 | |
The gibbon. | 0:12:19 | 0:12:22 | |
Acrobats of the primate world, | 0:12:22 | 0:12:23 | |
perfectly adapted to life in the trees. | 0:12:23 | 0:12:27 | |
First off, they've got these incredibly specialised hands | 0:12:27 | 0:12:30 | |
with elongated fingers. | 0:12:30 | 0:12:32 | |
They've got the same sort of thing in their feet | 0:12:32 | 0:12:34 | |
and this, effectively, makes the hands and feet really long, | 0:12:34 | 0:12:37 | |
grasping hooks, which is perfect if you're swinging through the canopy. | 0:12:37 | 0:12:41 | |
They've also got these incredibly long arms. | 0:12:43 | 0:12:45 | |
They're so long that they are 1.5 times the length of their own legs. | 0:12:45 | 0:12:49 | |
This is actually not that unusual for an animal which is arboreal. | 0:12:49 | 0:12:53 | |
What really sets them apart is their special way of moving | 0:12:53 | 0:12:57 | |
called brachiation, using just their arms to swing through the canopy. | 0:12:57 | 0:13:01 | |
In this way, they can reach speeds of 35mph. | 0:13:02 | 0:13:06 | |
One of the reasons the gibbon can do this is | 0:13:06 | 0:13:09 | |
down to a particular part of the pentadactyl limb, the wrist. | 0:13:09 | 0:13:14 | |
We can't rotate our hands at the wrist joint at all. | 0:13:14 | 0:13:17 | |
Any twisting comes from movement in our forearms. | 0:13:17 | 0:13:20 | |
But the gibbon has a ball and socket-like joint | 0:13:21 | 0:13:24 | |
allowing it to rotate its hand at the wrist joint by 80 degrees. | 0:13:24 | 0:13:29 | |
This adaptation means the gibbon can turn its body | 0:13:29 | 0:13:32 | |
as it swings, building up momentum to propel it through the trees, | 0:13:32 | 0:13:36 | |
without losing its grip on the branches. | 0:13:36 | 0:13:38 | |
Having this specialised type of joint allows the gibbon not | 0:13:38 | 0:13:41 | |
only to save loads of energy, it makes it incredibly flexible | 0:13:41 | 0:13:45 | |
and ultimately makes it almost limitlessly agile. | 0:13:45 | 0:13:48 | |
By moving in this fast, efficient way, | 0:13:50 | 0:13:52 | |
the gibbon can cover a huge territory, | 0:13:52 | 0:13:55 | |
a great advantage to an animal whose food is usually dispersed | 0:13:55 | 0:13:59 | |
over a wide area. | 0:13:59 | 0:14:00 | |
So it's the specialised wrist joint of the gibbon which gives us | 0:14:08 | 0:14:12 | |
the clue that it's such a remarkable locomotor. | 0:14:12 | 0:14:15 | |
And every individual bone of the pentadactyl limb, | 0:14:19 | 0:14:22 | |
its shape, its size, its weight, | 0:14:22 | 0:14:25 | |
can tell us so much about how that animal | 0:14:25 | 0:14:28 | |
has evolved and, in particular, how it moves. | 0:14:28 | 0:14:32 | |
I've got three bones here from three very different animals. | 0:14:34 | 0:14:37 | |
These are actually all the same bone, they're the humerus, | 0:14:37 | 0:14:40 | |
the largest home in the upper limb | 0:14:40 | 0:14:41 | |
and what these bones really tell me is everything about the animals' | 0:14:41 | 0:14:45 | |
locomotion, so how they move, how they get about. | 0:14:45 | 0:14:48 | |
The first one is this thing here. This is from a cow. | 0:14:48 | 0:14:52 | |
As you would expect, it's very large, robust, heavy and stocky. | 0:14:52 | 0:14:56 | |
Cows can weigh up to 500kg, that's a lot of animal. | 0:14:56 | 0:15:00 | |
Because you don't see cows gracefully | 0:15:00 | 0:15:02 | |
running down the street, instead they're heavy, bulky things, | 0:15:02 | 0:15:06 | |
and they need big, heavyweight bones in order to support this weight. | 0:15:06 | 0:15:10 | |
On the opposite end of the scale, you've got something like this. | 0:15:10 | 0:15:15 | |
This is a long, slender, thin, graceful humerus. | 0:15:15 | 0:15:19 | |
This is actually from a human and fits around here somewhere. | 0:15:19 | 0:15:23 | |
Unlike the cow, we're not four-legged | 0:15:23 | 0:15:25 | |
so we don't weight bear on our fore limbs. | 0:15:25 | 0:15:28 | |
Then we get this little thing. | 0:15:29 | 0:15:31 | |
This is the humerus of a mole and it doesn't actually | 0:15:31 | 0:15:33 | |
look like a humerus at all, it looks like a tooth. | 0:15:33 | 0:15:36 | |
Because it's quite hard to see, I've actually scaled one up. | 0:15:36 | 0:15:40 | |
I've had a 3D print made which is ten times the size | 0:15:40 | 0:15:43 | |
of the real mole humerus so that this is now comparable to the human | 0:15:43 | 0:15:48 | |
and cow bone. | 0:15:48 | 0:15:49 | |
What you can see instantly is just the weirdness of this bone. | 0:15:49 | 0:15:53 | |
That's because there are so many special adaptations | 0:15:53 | 0:15:56 | |
for the underground lifestyle the mole has. | 0:15:56 | 0:15:58 | |
The bone is very squat, very short, | 0:15:58 | 0:16:00 | |
very flat, what we call spatulate. | 0:16:00 | 0:16:02 | |
This allows the whole fore limb to act like a paddle. | 0:16:02 | 0:16:06 | |
More importantly, you can see these incredible projections here, | 0:16:06 | 0:16:09 | |
all over the side of the humerus. | 0:16:09 | 0:16:11 | |
Having a larger surface area, | 0:16:11 | 0:16:13 | |
and having all these little projections and grooves | 0:16:13 | 0:16:15 | |
and flanges and holes, really allows for much larger muscle attachment | 0:16:15 | 0:16:20 | |
and ultimately much stronger muscle attachments, as well. | 0:16:20 | 0:16:23 | |
This is a perfect adaptation for a mole which spends | 0:16:23 | 0:16:26 | |
its entire life tunnelling underground. | 0:16:26 | 0:16:29 | |
This European mole is able to move its own body weight in soil | 0:16:35 | 0:16:38 | |
every minute, | 0:16:38 | 0:16:40 | |
searching for worms, beetle larvae and slugs to eat. | 0:16:40 | 0:16:43 | |
Each mole has its own tunnel network, | 0:16:45 | 0:16:47 | |
sometimes over 100 metres long. | 0:16:47 | 0:16:49 | |
They really are super-powered burrowers. | 0:16:51 | 0:16:53 | |
But their ability to dig isn't just down to their oddly shaped humerus. | 0:16:55 | 0:17:00 | |
There's an adaptation to the hand of the mole | 0:17:01 | 0:17:03 | |
which has been puzzling scientists for years. | 0:17:03 | 0:17:07 | |
I absolutely love mole hands. | 0:17:07 | 0:17:10 | |
They are very personal to me, actually. | 0:17:10 | 0:17:11 | |
I was given one when I was about three from my granddad. | 0:17:11 | 0:17:14 | |
he used to be a mole catcher. | 0:17:14 | 0:17:16 | |
I kept her with me for ages in a matchbox | 0:17:16 | 0:17:19 | |
There's something I know now that I didn't know, 30 odd years ago. | 0:17:19 | 0:17:24 | |
That's that they have something that resembles an extra digit. | 0:17:24 | 0:17:29 | |
And that's strange because, as far as we know, | 0:17:29 | 0:17:31 | |
no living species normally has more than the five digits | 0:17:31 | 0:17:35 | |
of the pentadactyl limb. | 0:17:35 | 0:17:36 | |
When you look at a X-ray of the mole hand it starts to become | 0:17:38 | 0:17:41 | |
clear what's going on. | 0:17:41 | 0:17:42 | |
You can see really clearly they've got these five distinct digits. | 0:17:42 | 0:17:47 | |
Each one made up of lots of little bones, just like my hand. | 0:17:47 | 0:17:51 | |
But then stuck on the end, there is this whacking great bone here. | 0:17:51 | 0:17:55 | |
It's a solid piece of bone that sits on the side of the hand. | 0:17:55 | 0:17:58 | |
Whereas these five are true digits, | 0:17:58 | 0:18:02 | |
this thing here looks like an impostor. | 0:18:02 | 0:18:06 | |
Scientists recently found out that this impostor | 0:18:08 | 0:18:11 | |
grows from a sesamoid bone in the mole's wrist. | 0:18:11 | 0:18:14 | |
Sesamoid bones are found where a tendon passes over a joint, | 0:18:17 | 0:18:21 | |
the kneecap, for instance, is a sesamoid bone. | 0:18:21 | 0:18:24 | |
They both protect the joint | 0:18:25 | 0:18:27 | |
and increase tension in the tendon, | 0:18:27 | 0:18:30 | |
making movement much more effective. | 0:18:30 | 0:18:34 | |
This sesamoid bone has evolved | 0:18:34 | 0:18:36 | |
to massively increase the surface area of the mole's hand, | 0:18:36 | 0:18:40 | |
allowing it to dig through the soil much more effectively. | 0:18:40 | 0:18:44 | |
The mole is not alone in using a sesamoid bone for other purposes. | 0:18:47 | 0:18:51 | |
The elephant has also co-opted one to act like an extra | 0:18:53 | 0:18:57 | |
toe in its foot. | 0:18:57 | 0:19:00 | |
By studying the fossil evidence, | 0:19:00 | 0:19:02 | |
scientists have worked out that this evolved when elephants were getting | 0:19:02 | 0:19:05 | |
larger, becoming more land-based and needing the additional support. | 0:19:05 | 0:19:10 | |
All these pentadactyl limbs have been | 0:19:13 | 0:19:15 | |
modified for movement on land, | 0:19:15 | 0:19:18 | |
but there's one animal which has taken that adaptation | 0:19:18 | 0:19:21 | |
to the extreme. | 0:19:21 | 0:19:23 | |
Here we've got a horse's fore limb. | 0:19:28 | 0:19:31 | |
This equates to being the same series of bones | 0:19:31 | 0:19:33 | |
that I have in my arm here. | 0:19:33 | 0:19:34 | |
When you have a look at it, you think, yeah, | 0:19:34 | 0:19:36 | |
I probably know where most of these bones are. | 0:19:36 | 0:19:39 | |
It sounds reasonable to say this is the shoulder area. | 0:19:39 | 0:19:41 | |
It's pretty much there, isn't it? | 0:19:41 | 0:19:43 | |
Then you look down, this is probably the elbow. | 0:19:43 | 0:19:46 | |
I guess this must be the wrist. | 0:19:46 | 0:19:48 | |
But you're wrong. | 0:19:48 | 0:19:49 | |
If you have a good look, you can see that this is the shoulder area. | 0:19:49 | 0:19:53 | |
It means this is the elbow | 0:19:53 | 0:19:55 | |
and this is the wrist. | 0:19:55 | 0:19:57 | |
That means from here on down, | 0:19:57 | 0:19:59 | |
this is all hand and digit. | 0:19:59 | 0:20:02 | |
But the bones haven't just become longer. | 0:20:02 | 0:20:04 | |
Below the elbow, they've reduced in number as well. | 0:20:04 | 0:20:08 | |
If you look at an area such as the radius and ulna, | 0:20:08 | 0:20:11 | |
you can see it has got a very large prominent radius here. | 0:20:11 | 0:20:14 | |
When you look for the ulna, it's this little projection | 0:20:14 | 0:20:17 | |
that sticks on the back. | 0:20:17 | 0:20:19 | |
It's still functional but it actually fuses into the body | 0:20:19 | 0:20:22 | |
of the radius. | 0:20:22 | 0:20:23 | |
You've also got the same sort of thing happening in this area here. | 0:20:23 | 0:20:26 | |
This is the cannon bone, | 0:20:26 | 0:20:28 | |
which is the equivalent of this little bone | 0:20:28 | 0:20:30 | |
that sits in the middle of my hand here. | 0:20:30 | 0:20:32 | |
It's technically called metacarpal number three - | 0:20:32 | 0:20:34 | |
rolls off the tongue, doesn't it? | 0:20:34 | 0:20:36 | |
So where are the others? | 0:20:36 | 0:20:37 | |
Well, metacarpals two and four are here. | 0:20:37 | 0:20:40 | |
As for metacarpals one and five, they've actually gone | 0:20:40 | 0:20:43 | |
The horse has evolved to lose these. | 0:20:43 | 0:20:45 | |
As you follow the cannon bone right to its end, | 0:20:45 | 0:20:48 | |
you can see the end of the limb itself | 0:20:48 | 0:20:51 | |
finishes in this one digit. The rest have gone. | 0:20:51 | 0:20:53 | |
Effectively, the horse is walking around on one toe, or one finger, | 0:20:53 | 0:20:59 | |
on each leg. All of this reduction in the numbers of bones | 0:20:59 | 0:21:03 | |
really serves to make the whole horse limb incredibly lightweight. | 0:21:03 | 0:21:08 | |
Only the horse and its closest relatives, | 0:21:08 | 0:21:11 | |
including the zebra and the donkey, | 0:21:11 | 0:21:13 | |
have this adaptation with just one digit at the end of each limb. | 0:21:13 | 0:21:17 | |
Lengthening and lightening the limb has meant horses can reach | 0:21:20 | 0:21:23 | |
speeds of over 40mph. | 0:21:23 | 0:21:26 | |
To really appreciate this wonder of evolution, | 0:21:30 | 0:21:33 | |
I want to see the horse's limbs in action, close up. | 0:21:33 | 0:21:37 | |
Here in the Structure and Motion laboratory | 0:21:39 | 0:21:42 | |
at the Royal Veterinary College outside London, | 0:21:42 | 0:21:44 | |
Professor John Hutchinson has been studying horse locomotion | 0:21:44 | 0:21:48 | |
to understand more about how horse bones are adapted for speed. | 0:21:48 | 0:21:52 | |
Why has a horse evolved to run just so quickly? | 0:21:57 | 0:22:00 | |
Well, horses evolved as prey animals, and certainly a prey animal | 0:22:00 | 0:22:03 | |
needs to be fast to escape predators, | 0:22:03 | 0:22:05 | |
so a horse has just taken that to an extreme. | 0:22:05 | 0:22:08 | |
You can see all these adaptations coming into one very sleek, | 0:22:11 | 0:22:14 | |
-fast animal right here. -You absolutely can. | 0:22:14 | 0:22:17 | |
That leg length is coming into play to lengthen the stride, | 0:22:17 | 0:22:20 | |
and the lightening in the limb enables the horse to swing that limb | 0:22:20 | 0:22:24 | |
really fast and achieve a high stride rate. | 0:22:24 | 0:22:27 | |
An animal's speed is the product of its stride length | 0:22:28 | 0:22:31 | |
multiplied by its stride rate. | 0:22:31 | 0:22:34 | |
To run faster you need to increase one or the other. | 0:22:34 | 0:22:37 | |
In most animals, if one of these elements is increased, | 0:22:40 | 0:22:43 | |
the other one is compromised. | 0:22:43 | 0:22:45 | |
The giraffe has a long stride length but not a high stride rate. | 0:22:46 | 0:22:51 | |
The horse has managed to increase both, with its long and light limbs, | 0:22:54 | 0:22:59 | |
a combination which is thought to boost speed and efficiency. | 0:22:59 | 0:23:03 | |
But these elongated limbs also have to cope with immense forces. | 0:23:09 | 0:23:13 | |
When galloping, a horse often has just one hoof | 0:23:17 | 0:23:20 | |
in contact with the ground. | 0:23:20 | 0:23:22 | |
This effectively exerts around 600kg of force on that one digit. | 0:23:22 | 0:23:28 | |
John has been studying how the bones have adapted | 0:23:31 | 0:23:34 | |
to deal with such forces. | 0:23:34 | 0:23:36 | |
If we look inside the foot and look at the bones, | 0:23:38 | 0:23:40 | |
which we can see here in an X-ray that I've taken, | 0:23:40 | 0:23:43 | |
you can see how there are lots of little bones that move together | 0:23:43 | 0:23:47 | |
and give a lot of flexibility, | 0:23:47 | 0:23:49 | |
and that flexibility allows the bones to move | 0:23:49 | 0:23:51 | |
with respect to one another and deform and handle a lot of weight, | 0:23:51 | 0:23:55 | |
so that when the foot hits the ground, like we see here, | 0:23:55 | 0:23:58 | |
this foot coming down, boom! | 0:23:58 | 0:24:00 | |
You can see that juddering that provides a lot of shock absorption. | 0:24:00 | 0:24:04 | |
The adaptations to the horse's pentadactyl limb show us | 0:24:06 | 0:24:10 | |
what an extraordinary material bone really is. | 0:24:10 | 0:24:14 | |
How it can be lengthened, lightened, | 0:24:14 | 0:24:16 | |
moulded by the evolutionary drive for animals to move. | 0:24:16 | 0:24:21 | |
And every skeleton has adapted to allow each animal | 0:24:24 | 0:24:27 | |
to move in particular environments. | 0:24:27 | 0:24:30 | |
If you know what to look for, | 0:24:35 | 0:24:37 | |
these adaptations can reveal surprising stories. | 0:24:37 | 0:24:40 | |
And there's no better example than with my mole. | 0:24:44 | 0:24:47 | |
Dr Nick Crumpton, a mammal expert from Cambridge University, | 0:24:48 | 0:24:52 | |
has brought a different mole, native to South Africa, | 0:24:52 | 0:24:55 | |
for comparison with my European version. | 0:24:55 | 0:24:59 | |
-This is one of my favourite animals, this is a golden mole. -Yeah. | 0:24:59 | 0:25:03 | |
-It's quite similar to the European mole... -Mm-hm. | 0:25:03 | 0:25:05 | |
..cos they both live in very similar environments. | 0:25:05 | 0:25:08 | |
Looking at their skeletons, we can kind of see that they have | 0:25:08 | 0:25:12 | |
a skeleton adapted to a life under the ground. | 0:25:12 | 0:25:14 | |
So they're quite small, they have almost like a tubular-shaped body. | 0:25:14 | 0:25:18 | |
They've got much, much larger fore limbs than hind limbs, | 0:25:18 | 0:25:23 | |
-exactly the same as your mole right here. -Yep. | 0:25:23 | 0:25:25 | |
And they also have these huge, elongated scapulae, | 0:25:25 | 0:25:28 | |
like the shoulder blades. | 0:25:28 | 0:25:29 | |
Initially they seem similar. | 0:25:30 | 0:25:33 | |
But a closer look reveals that each one has evolved very differently. | 0:25:33 | 0:25:38 | |
-On your mole, you have that really strange-shaped humerus. -Yep. | 0:25:38 | 0:25:42 | |
But on golden moles, it's still fairly strange, | 0:25:42 | 0:25:45 | |
but it looks not as radically peculiar | 0:25:45 | 0:25:48 | |
as you find in European moles. | 0:25:48 | 0:25:50 | |
Instead, we find an ulna, one of these bones in our forearms here, | 0:25:50 | 0:25:55 | |
-that actually extends a lot further back. -It does, doesn't it? | 0:25:55 | 0:25:59 | |
-That part there, that's called the olecranon process. -Right. | 0:25:59 | 0:26:01 | |
We have those as well, that's just like... | 0:26:01 | 0:26:03 | |
-It's pretty much our elbow. -Elbow isn't it, yeah. | 0:26:03 | 0:26:06 | |
The muscle attaches to that olecranon process, | 0:26:06 | 0:26:09 | |
and so if you have a sort of bar coming | 0:26:09 | 0:26:11 | |
out of the bottom of your arm, and you pull on that with a muscle, | 0:26:11 | 0:26:14 | |
that's going to whip your arm down really fast and powerfully. | 0:26:14 | 0:26:18 | |
And that's fascinating because | 0:26:18 | 0:26:19 | |
that's a completely different way of digging to your European moles. | 0:26:19 | 0:26:24 | |
It's these variations in the bones between the two species that helped | 0:26:24 | 0:26:28 | |
scientists make an astonishing discovery about their evolution. | 0:26:28 | 0:26:32 | |
For hundreds of years, people thought that these guys | 0:26:32 | 0:26:35 | |
were really closely related. | 0:26:35 | 0:26:37 | |
But when we started using genetic and molecular techniques, | 0:26:37 | 0:26:41 | |
in the 1990s, especially, | 0:26:41 | 0:26:43 | |
we actually found that they're really not closely related at all. | 0:26:43 | 0:26:46 | |
So whereas the European moles are more closely related to shrews | 0:26:46 | 0:26:51 | |
-and hedgehogs... -Yep. | 0:26:51 | 0:26:53 | |
..the golden mole is more closely related to elephants and manatees | 0:26:53 | 0:26:58 | |
than it is any of those sorts of mammals. | 0:26:58 | 0:27:02 | |
And this is a fantastic example of convergent evolution. | 0:27:02 | 0:27:05 | |
So these things are really, remarkably unrelated. | 0:27:05 | 0:27:08 | |
Natural selection has favoured certain aspects, | 0:27:08 | 0:27:12 | |
certain shapes of their anatomy, | 0:27:12 | 0:27:14 | |
and it just so happens that they look so similar | 0:27:14 | 0:27:16 | |
because looking like this means you can do a really good job | 0:27:16 | 0:27:19 | |
of digging under the ground. | 0:27:19 | 0:27:21 | |
So the challenge of moving through the various environments on land | 0:27:22 | 0:27:27 | |
has meant that some skeletons have adapted in very similar ways, | 0:27:27 | 0:27:31 | |
even though they have a completely different evolutionary heritage. | 0:27:31 | 0:27:35 | |
And the way the skeleton, this extraordinary collection of bones, | 0:27:39 | 0:27:43 | |
has adapted to move on land, | 0:27:43 | 0:27:45 | |
is just one reason I find bones endlessly fascinating. | 0:27:45 | 0:27:50 | |
Be that the flexible spine of the cheetah, | 0:27:52 | 0:27:55 | |
the beautifully elegant limb of the horse | 0:27:55 | 0:27:58 | |
or the bulky squat frame of the European mole | 0:27:58 | 0:28:01 | |
with its specially adapted hand. | 0:28:01 | 0:28:05 | |
It's meant that vertebrates have been able | 0:28:05 | 0:28:07 | |
to move into the trees, the soil and across the land | 0:28:07 | 0:28:12 | |
to exploit those environments to their full potential. | 0:28:12 | 0:28:15 | |
But that's not all. | 0:28:17 | 0:28:18 | |
Next time we'll look at how bones have also allowed vertebrates | 0:28:18 | 0:28:22 | |
to make the most remarkable move of all... | 0:28:22 | 0:28:25 | |
into the air. | 0:28:25 | 0:28:26 | |
Oh, wow, that's absolutely amazing! | 0:28:29 | 0:28:31 | |
The biggest pterosaurs had a wingspan of over ten metres. | 0:28:31 | 0:28:37 | |
This bird can travel for 15,000kms | 0:28:37 | 0:28:40 | |
from the moment it leaves the ground | 0:28:40 | 0:28:42 | |
until the moment it lands again. | 0:28:42 | 0:28:45 |