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is. With his brushes working away. Take a bird of prey. A beautiful | :00:32. | :00:35. | |
Take a bird of prey. A beautiful British snake, a very attractive | :00:35. | :00:40. | |
audience and a little dash of level headed joe, mix it altogether and | :00:40. | :00:50. | |
:00:50. | :00:51. | ||
simmer for the next half-hour. You have Springwatch Unsprung. YEAH! | :00:51. | :00:58. | |
CHEERING AND APPLAUSE Now, what is Springwatch Unsprung? | :00:58. | :01:02. | |
We try to answer some of your questions and observations on the | :01:02. | :01:06. | |
wonderful world of wildlife. We throw-in things of our owns. We ask | :01:06. | :01:10. | |
you for questions. Look at what we have? We will try to get through as | :01:10. | :01:16. | |
many as we can. You have sent us lots of things as well. We will be | :01:16. | :01:23. | |
examining some of those later on. Right. Our world-class artist, we | :01:23. | :01:29. | |
will come back to him. It's Darren Woodhead. We will look at his work. | :01:29. | :01:34. | |
We have set him a task. He is trying to produce a fabulous work of art. | :01:34. | :01:40. | |
There he is, work of art, while the programme is on. He has started | :01:40. | :01:44. | |
earlier. He is looking at the birds he is painting through his telescope | :01:44. | :01:49. | |
as he works. We will go back to him in a minute. We received a | :01:49. | :01:53. | |
photograph from Charlotte, she was inspired by wildlife she has had a | :01:53. | :01:59. | |
tattoo. There it is. It's a long-tailed tit on her wrist. | :01:59. | :02:09. | |
:02:09. | :02:11. | ||
Lovely. It inspired us for our quiz tonight. Our quiz is - Whose | :02:11. | :02:16. | |
Tattoos. It is slight slightly risque. Look at these pictures. Now, | :02:16. | :02:23. | |
you have to match the tattoos to the faces underneath. You will see that | :02:24. | :02:30. | |
it's me. We have Kirstie, who works on the programme and Chris Packham. | :02:30. | :02:33. | |
These tattoos have to be matched to these people. That is the quiz. | :02:33. | :02:39. | |
There is a supplementary quiz, that tattoo, which may or may not be my | :02:39. | :02:43. | |
tattoo. That tattoo has a special significance that tattoo. You have | :02:43. | :02:50. | |
to tell us what is that special significants? Level-head headed Joe | :02:50. | :03:00. | |
are you standing by to receive the answers. Yes.Will you ring the bell | :03:00. | :03:05. | |
when the first correct answer comes on. Do we need to guess where they | :03:05. | :03:13. | |
are. You said wrist, it looks like a arm. Isn't the wrist part of the | :03:13. | :03:22. | |
arm? I beg to differ. We will have quick-fire questions. This has come | :03:23. | :03:31. | |
from Joffy Hill in Moray. Will you, please, Chris examine the object. He | :03:31. | :03:39. | |
says, "we have a wildlife pond, frogs, newts with a healthy | :03:39. | :03:44. | |
population of snails. We find half a dozen caches of 50 snail shells | :03:44. | :03:49. | |
buried under the grass at the side of the pond. Who is eating them? | :03:49. | :03:56. | |
These are ram horns snails. They are rams horned shape. They are nice big | :03:56. | :03:59. | |
snails. That is a healthy pond, that is good. They have been opened on | :03:59. | :04:05. | |
the side here. Had they been broken up by a song thrush she would not be | :04:05. | :04:08. | |
buried under the ground, they would be smashed to pieces. These have | :04:08. | :04:11. | |
been opened by a mammal that chewed through the side here. Just to the | :04:11. | :04:16. | |
point where it is able to get a grip on the animal's body and pull the | :04:16. | :04:22. | |
remainder of the flesh out of it. In the past, I have found water volves | :04:22. | :04:27. | |
that have eaten snails and hidden them in their runs and rats will | :04:27. | :04:33. | |
that eat these. I'm going for rodent. Without the context of | :04:33. | :04:40. | |
seeing where the pond is, I'm going for brown rrat. Answered it. Now, a | :04:40. | :04:46. | |
sound one. We have a question from Martin Barber about this glorious | :04:46. | :04:56. | |
:04:56. | :04:56. | ||
sound. Everyone know what it is? Come on, don't be shy what is it? | :04:57. | :05:03. | |
Skylark. Knows, skylarks. If you notice, it seems to go on and on and | :05:03. | :05:10. | |
on. We have noticed birds right here in Ynys-hir doing the same thing. | :05:10. | :05:20. | |
:05:20. | :05:30. | ||
"how do skylarks sing so constantly?" In simple terms they | :05:30. | :05:33. | |
can sing whilst they are breathing in and breathing out at the same | :05:33. | :05:39. | |
time. We normally speak as we breathe out. We can speak as we | :05:39. | :05:43. | |
breathe in, it doesn't work well for us. Birds can sing as an equal | :05:43. | :05:48. | |
volume when they breathe in and out. They have a different structure in | :05:48. | :05:58. | |
:05:58. | :06:03. | ||
their throat we have a larynx, they have something called a sirynx. They | :06:03. | :06:09. | |
are produce two parts of a song at the same time. If we had one we | :06:09. | :06:14. | |
could talk to yourselves. It would be disastrous in some instances, I | :06:14. | :06:19. | |
would have to say. They have a different structure. The muscles | :06:19. | :06:25. | |
there are the fastest record recorded vertebra muscles ever, not | :06:25. | :06:31. | |
as fast as the frog happener, faster than the blinking eye. They can use | :06:31. | :06:34. | |
one to sing at one point whilst they are using the other breathing in to | :06:34. | :06:43. | |
sing at the same time. Wonderful People can do circular breathing. It | :06:43. | :06:53. | |
:06:53. | :06:55. | ||
takes practice. Tell me you can?I can't. It's really hard. A lot of | :06:55. | :07:00. | |
practice. Nick. This is one for you. We have been sent some wonderful | :07:00. | :07:10. | |
:07:10. | :07:13. | ||
footage. This is from Neil and Caroline Smith. What is this? Under | :07:13. | :07:18. | |
snow. There it is.It's a mole running around. They saw it. They | :07:18. | :07:24. | |
were going ice climb climbing in the Cairngorms in spring and they | :07:24. | :07:29. | |
managed to film that mole. We know it's a mole, what is it doing in the | :07:29. | :07:34. | |
snow? I can only guess. It sometimes happens in the summer for the same | :07:34. | :07:39. | |
reason. You see them on the surface, it's what they feed on. They feed on | :07:39. | :07:43. | |
invert bras, mainly worms. They live in the soil. If the soil is frozen | :07:43. | :07:47. | |
these animals aren't going to move anywhere. They will be hide hiding | :07:47. | :07:52. | |
out. The mole needs them. They are desperate. They will bust out of the | :07:52. | :07:58. | |
soil and find a new site. It happens in the summer when the soil is dry. | :07:58. | :08:02. | |
Worms will hibernate in the summer because it's dry. The worms aren't | :08:02. | :08:07. | |
active. That is what we are seeing there. A desperate mole looking for | :08:07. | :08:15. | |
food. Ah. The Ground is frozen, can't get food. A white mole... A | :08:15. | :08:22. | |
black mole on white snow... I have gone completely negative. Nothing | :08:22. | :08:32. | |
:08:32. | :08:34. | ||
unusual there. Stuart Robinson says, "is the kestrel the only bird of | :08:34. | :08:44. | |
prey that can hover? " This us see a kestrel. This is Greaves. She is | :08:44. | :08:48. | |
five years old. You answer that question. Is the kestrel the only | :08:48. | :08:55. | |
bird of prey who hovers? No barn owls will hover. You will see | :08:55. | :09:01. | |
buzzards doing a short hover. They can't do a long hover as these can. | :09:01. | :09:07. | |
We have footage. We never get tired of watching this. Absolutely | :09:07. | :09:15. | |
beautiful. Head is rock solid. When you take Greaves out, presumably she | :09:16. | :09:21. | |
will fly like this? She will hover. She is a bit lazy. She will hover | :09:21. | :09:27. | |
and get lower and lower and lower. You know exactly what you want, she | :09:28. | :09:33. | |
will do it. Birds of prey have to Mott, they have to change their | :09:33. | :09:39. | |
feathers. The bird of prey like a kes reif they Mott they won't go | :09:39. | :09:43. | |
hunting. How do they do it? It's really cool. When the female starts | :09:43. | :09:49. | |
to lay eggs, once she has start started sitting she will throw out | :09:50. | :09:54. | |
as many feathers as she can. Her husband will work hard to bring in | :09:54. | :10:00. | |
food to feed her. She has 31 to 33 days of incubation. While the babies | :10:00. | :10:05. | |
are getting their secondary down and keeping warm. She is through the | :10:06. | :10:11. | |
Mott by then. She joins hubby, helps getting food for the kids. He starts | :10:11. | :10:15. | |
to Mott when the things he is going to catch have got young, which are | :10:15. | :10:21. | |
easier to catch. How amazing.It is cool. Fascinating. She is not very | :10:21. | :10:25. | |
good at hunting she is Motting, he looks after her while she is in the | :10:26. | :10:32. | |
nest all that time? Absolutely.How do they Mott? They don't chuck out | :10:32. | :10:42. | |
:10:42. | :10:43. | ||
all the feathers -- Mott. The first feathers are the centre two tail | :10:43. | :10:47. | |
feathers. That carries her bell. It does. She drops those two. They come | :10:47. | :10:52. | |
half way down. The next two go. The first two are fully down, the next | :10:52. | :10:57. | |
two half way down. The next two go. The same thing happens in the wings, | :10:57. | :11:03. | |
it happens in pairs all the way across. Fascinating. We. We have a | :11:03. | :11:07. | |
question from the audience. Where is Maureen. I wanted to know. What do | :11:07. | :11:15. | |
we have to do to encourage kestrels to nest in our gardens? Nestboxes | :11:15. | :11:21. | |
are really important. Birds are having a bad time at the moment. Not | :11:21. | :11:25. | |
just kestrels. If you put up nestboxes it is great. There are | :11:25. | :11:30. | |
tonnes of different designs on Google. If you Google bird nestboxes | :11:30. | :11:35. | |
there is lots there. It is where you put them. Don't damage the tree. | :11:35. | :11:39. | |
Face them into your warmest wind, probably south or South West. Put a | :11:39. | :11:44. | |
perch on the outside so when they do have babies, the babies can come out | :11:44. | :11:48. | |
onto the perch and practice flapping. It's important to put | :11:48. | :11:55. | |
something in the base of the nestbox because kestrels don't build a nest, | :11:55. | :12:02. | |
neither do owls, they dig a hole in the bottom of a tree. Put in dry | :12:02. | :12:07. | |
mole hill soil, dry leaves about that deep. They dig a little and lay | :12:08. | :12:11. | |
the eggs. Imagine having one of those in your garden it would be | :12:11. | :12:15. | |
fantastic. They need your help at the moment. Absolutely.Insects need | :12:15. | :12:21. | |
our help. A young man, Connall Rhodes, has decided on his bat to go | :12:21. | :12:31. | |
:12:31. | :12:37. | ||
out and try to help our insects. years old. I have made an insect | :12:37. | :12:46. | |
hotel. An insect hotel is where where insects can go and live safe | :12:46. | :12:54. | |
from birds and all of those animals who would eat insects. My grandma | :12:54. | :12:59. | |
got a booklet to plan the insect hotel. It took two months to build | :12:59. | :13:09. | |
:13:09. | :13:13. | ||
it. I filled it in with cones, wood with holes in, bricks with holes in. | :13:13. | :13:20. | |
Bamboo. The holes are for the insects to go in and live in there. | :13:20. | :13:26. | |
Some of the holes I have things in that the insects can eat. I think | :13:26. | :13:32. | |
it's quite big for some insects. It looks more like someone who is about | :13:32. | :13:41. | |
five could fit in it if they had big enough doors. I think that wood lice | :13:41. | :13:48. | |
would go in and live on the wood, beetles would as well. Spiders would | :13:48. | :13:55. | |
go in and live there in some holes and make webs in the big ones. So | :13:55. | :14:00. | |
far, I've seen a beetle and some flying insects. Martin, I would like | :14:00. | :14:06. | |
to know how to attract hedgehogs to come and live in my insect hotel. | :14:06. | :14:16. | |
:14:16. | :14:26. | ||
I've put signs by the hedgehog Brilliant. Really good. But I guess, | :14:26. | :14:29. | |
there was a bit of round the entrance already, but you want to | :14:29. | :14:33. | |
put logs and twigs round the entrance, not only does it stop the | :14:33. | :14:37. | |
wind going in, but they like to sneak into their houses, so that | :14:37. | :14:41. | |
will be my first tip. Second tip is try and draw them in by feeding | :14:41. | :14:46. | |
them. Never put milk out, but dog food out. Mincemeat. Chopped egg, | :14:46. | :14:52. | |
and see what happens. Good luck, but you are doing a very good job at | :14:52. | :14:58. | |
encouraging wildlife. Level-headed. First time of the | :14:58. | :15:03. | |
tinkly bell. A few people have it right. The whole thing?Nearly. I | :15:03. | :15:08. | |
think a flash of flesh has sent everyone into a frenzy. Hundreds of | :15:08. | :15:11. | |
answers. There is a few wrong answers for C. | :15:11. | :15:16. | |
A few people, good guesses. Shall I give you some wrong answers. | :15:16. | :15:22. | |
Sam thinks it is the left overs from a bunch of grapes. Julia thinks it | :15:22. | :15:28. | |
could be a poodle. Is that a hint? And Vicky says it looks like a maths | :15:28. | :15:33. | |
equation. None of them quite right. Somebody has it right. We will come | :15:33. | :15:37. | |
back to this in a minute. OK. Shall we remind ourselves what the quiz | :15:37. | :15:43. | |
is. Here you go. I wonder how the audience are doing in here. That is | :15:43. | :15:49. | |
it, you have to match the faces to the tattoo. Whose tattoos? Lovely. | :15:49. | :15:57. | |
That is a beauty, isn't it. Now, let us move on. I love this | :15:57. | :16:03. | |
one. We have been sent some of these lovely objects, this has come from | :16:03. | :16:08. | |
Mrs Vine, she said no poo for Chris to play with, but I found this skull | :16:08. | :16:11. | |
on a National Trust volunteer holiday. We are going to pass it | :16:11. | :16:18. | |
over to Nick. I thought it was a pie! I was looking forward to that. | :16:18. | :16:23. | |
What is it? The give away is the fact the jaw is still articulated to | :16:23. | :16:29. | |
the skull. The tooth just fell out. The weasel family do that, they have | :16:29. | :16:34. | |
a jaw that, well not, it will won't love the top part of the skull. That | :16:34. | :16:40. | |
big crest on the back is where the jaw muscles attach. Lions have that. | :16:40. | :16:46. | |
You think this is going to be a big vicious predator but it eats, earth | :16:46. | :16:53. | |
worms. This is a badger skull. Very good find. One of my favourite, the | :16:53. | :16:57. | |
most sculptural skulls. You don't have to have a fox skull with you? | :16:57. | :17:02. | |
Funny you should mention this. I have this one here, I have a one | :17:02. | :17:06. | |
here, the jaw has fallen off. That wouldn't happen with the badger. You | :17:06. | :17:11. | |
have a fox skull. You have an idea of the size difference. If it had | :17:11. | :17:15. | |
teeth I would have show you, none of them have teeth, so I give up. There | :17:15. | :17:19. | |
is no point in talking about it! Beautifully done mate. Let us take | :17:19. | :17:25. | |
in a spot of art. Excuse me. Darren. Look at this. Absolutely fantastic. | :17:25. | :17:29. | |
Round of applause for this. Look at them. | :17:29. | :17:35. | |
APPLAUSE Darren, you like to do these, how | :17:35. | :17:41. | |
long do they take do? Everything I do outside, so less than a day, it | :17:41. | :17:45. | |
happens in that one day. It happens in one day? Sometimes less than | :17:45. | :17:51. | |
that, the studies are quicker than that. Some of them may take a | :17:51. | :17:56. | |
winter's day. Everything is done outside and it is direct in brush. | :17:56. | :18:01. | |
Some are splodged. Yeah.And why is that? It is because it is done | :18:01. | :18:07. | |
outside, I am out in all weathers so rain, snow, if the paint freezes, it | :18:07. | :18:10. | |
is something to work with, when something like that happens it is | :18:10. | :18:14. | |
excitement. It is part of the day, it is what was happening then, the | :18:14. | :18:19. | |
environment has come into the paintings. So that, if it rains that | :18:19. | :18:24. | |
that runs a bit, that is part and parcel. The texture is caused by | :18:24. | :18:29. | |
rain. They are beautiful. Long tail tit family, the wax wing, beautiful. | :18:29. | :18:33. | |
You have been out on the reserve. Yes. We have a film of you out | :18:33. | :18:38. | |
there. Let us look at you at work on the reserve. There you are. | :18:38. | :18:43. | |
Take us through it. Here you are. When I am out, for me it is about, I | :18:43. | :18:48. | |
am out, I am looking, observering, I am finding subjects, but I like to | :18:48. | :18:52. | |
be in one place, I like to know my environment, so here on the reserve | :18:52. | :18:56. | |
I found this one spot where the pied flycatcher, I don't see them much at | :18:56. | :19:01. | |
home. I was there, pied fly catch evers great. I was there for the | :19:01. | :19:05. | |
whole day. -- catchers. I saw another one fledge this morning. | :19:05. | :19:09. | |
is magical. It is amazing how a couple of these strokes from your | :19:10. | :19:15. | |
brush and it just, it just appear, just comes to life on the page. | :19:15. | :19:20. | |
brush itself is fascinating, you can do, line, colour, shape, form, just | :19:20. | :19:25. | |
with the flick of the hand. But you keep looking as well. You keep | :19:25. | :19:33. | |
watching, just to get the feel of the bird itself. As natural laze we | :19:33. | :19:36. | |
observer, we look to understand, we look to learn. It's the same with | :19:36. | :19:41. | |
art and drawing, you are looking to observer and learn. That is | :19:41. | :19:46. | |
fantastic. It is hard to portray a bluetit head unless you draw it then | :19:46. | :19:50. | |
you can recognise the markings. we got that picture, the picture, so | :19:50. | :19:55. | |
this is the one we saw you doing. That is right. Look at that.The | :19:55. | :20:00. | |
white of the paper is the key. I want it to move round. We can | :20:00. | :20:03. | |
suggest, we don't have to pick out everything on the bird. We can | :20:03. | :20:07. | |
suggest an outline. I love the way. It is what you don't put paint on | :20:07. | :20:13. | |
that brings it to light. You are working in negative in many ways. | :20:13. | :20:18. | |
Are you still working? We will see that one, thank you for joining us. | :20:18. | :20:25. | |
Round of applause. APPLAUSE | :20:25. | :20:30. | |
Thank you. Now, talking of observering nature, | :20:31. | :20:35. | |
we quite often on Springwatch sea birds mating -- see birds mating. It | :20:35. | :20:45. | |
:20:45. | :20:46. | ||
is not an elegant thing to watch. Of course, birds don't have a proper | :20:46. | :20:53. | |
penis. So it is really difficult for them, as you can see to ensure they | :20:53. | :21:00. | |
mate. And... My friend Greg the climber would, he looks pleased with | :21:00. | :21:06. | |
himself. Greg the climber wants to know, how do birds do it? It looks | :21:06. | :21:13. | |
very ungainly. It is hit-and-miss, because they don't have what we call | :21:13. | :21:22. | |
organs that will ensure the sperm gets into the female. They have a | :21:22. | :21:26. | |
cloaca. They literally have to put the two | :21:26. | :21:30. | |
orifices together. When you are wobbling round on the back of a bird | :21:30. | :21:35. | |
and you are trying to squeeze round and it is windy, it is unsuccessful, | :21:35. | :21:40. | |
that is why we see bird mating so often. When it came to kestrel, in | :21:40. | :21:47. | |
order the fertilise one egg they may have to cop late up to 25 times. Now | :21:47. | :21:51. | |
evolution works in devious ways, when it becomes difficult, when you | :21:51. | :21:57. | |
have water involved, some of the ducks they have begun to develop | :21:57. | :22:00. | |
rudimentary penis, I have read somewhere in proportion to its body | :22:00. | :22:05. | |
size the Ruddy duck has the largest pee ni, it is a small bird but it | :22:05. | :22:10. | |
has to guarantee to deliver that sperm. Fascinating. There you go | :22:10. | :22:14. | |
Greg the climber. This complicated business. We promised you grass | :22:14. | :22:18. | |
snakes, we have them. Let us go to the grass snakes immediately. | :22:18. | :22:24. | |
brilliant. It is gorgeous. We have noticed, I was under | :22:24. | :22:29. | |
misapprehension. Has it pooed on you? Yes. Timing in Springwatch, we | :22:29. | :22:33. | |
struggle a it be. Look at this for good timing. It is shedding its | :22:34. | :22:41. | |
skin. In one nice bit. It looks at its brightest. I have got to ask | :22:41. | :22:48. | |
though, literally, was that poo? is skin. It is shedding live on | :22:48. | :22:54. | |
television. Crikey. Chris, very quickly, we, we saw, I thought that | :22:54. | :22:58. | |
snakes either were constrictors that squeeze their pre-or they were like | :22:58. | :23:05. | |
an add adder they were venomous, when the adder took the chicks it | :23:05. | :23:09. | |
was neither It was brute strength. They will grab it by the head. The | :23:09. | :23:13. | |
further or the feathers will be facing in the opposite direction. In | :23:13. | :23:17. | |
order to get the animal down, if it is larger than them, they have a | :23:17. | :23:21. | |
skull which can virtually disconnect. Held together. The | :23:21. | :23:26. | |
plates with lack us the fibre, the only bits that don't separate are | :23:26. | :23:31. | |
the brain case and eye, they can open their mouth and they produce an | :23:31. | :23:36. | |
excess of saliva so it slides down easily, they don't need a pint of | :23:36. | :23:43. | |
beer! Back do you, Nick, how do you get snake, Nigel, sorry. I am being | :23:43. | :23:48. | |
told I should ask you this. How do you manage to get them, I | :23:48. | :23:56. | |
want them in my garden. How can you encourage them in? You have to be | :23:56. | :24:01. | |
connected to habitat. Putting a pond in because you attract amphibians | :24:01. | :24:07. | |
they eat. Refuge piles for them to go into, but also as they are the | :24:07. | :24:12. | |
only egg laying snake, a compost heap. Lovely. Have you got them in | :24:12. | :24:18. | |
your garden. Sadly not. We have had two of my favourite animals snakes | :24:18. | :24:23. | |
and dresses. You love that smell, don't you? I don't mind I I remind | :24:23. | :24:30. | |
me of my childhood. Let us leave that quickly! Let us go outside and | :24:30. | :24:34. | |
see how Darren is getting on. Thank you for bringing them in, the snakes | :24:34. | :24:40. | |
are gorgeous. Look at that. What have you seen out here, now, | :24:40. | :24:47. | |
that you have been watching? willow warblers in the hawthorn. The | :24:47. | :24:51. | |
flower are dying down, the greens, the dampness we have got, for me is | :24:51. | :24:54. | |
what painting outside is about, it is the environment, and the way the | :24:54. | :25:01. | |
paint is reacting with the dampness. And, it hasn't been raining on you? | :25:01. | :25:06. | |
It was drizzling a bit. If it rains too hard it will give you trouble? | :25:06. | :25:10. | |
The paper is working for me, which is great. It is lovely. Beautiful. | :25:10. | :25:14. | |
That bird is magically, like, again, you have left out, it is the white | :25:14. | :25:19. | |
isn't it. The paper you leave behind. You say, the paper moves | :25:19. | :25:23. | |
round, the weather conditions affect the paper. Exactly. When I brought | :25:23. | :25:28. | |
it out this morning it weighed qlefr than it normally does because of the | :25:28. | :25:33. | |
moisture absorbed. As soon as I put paint on it behave behaves | :25:33. | :25:38. | |
differently. It is a wonderful things. Such a complex thing.Water | :25:38. | :25:42. | |
colour is the simplest of mediums but it is so complex at the same | :25:42. | :25:47. | |
time. I will speak to you about that later on. After the show. Thank you | :25:47. | :25:51. | |
Darren. It is now time to resolve our | :25:51. | :25:55. | |
mystery quiz. Let us remind ourselves, what the | :25:55. | :26:02. | |
questions really were, once again. I might ask the audience. Here are | :26:02. | :26:10. | |
the tattoo, which tattoo, this ugly person has? Any ideas? Any advance | :26:10. | :26:14. | |
on sun? I would like to think you were a wall creeper kind of man. | :26:14. | :26:24. | |
are right. What about this fellow here? ? Got to be bird?A bit on the | :26:24. | :26:31. | |
end? Chris has got that beautiful, can you tell us what it is? A wall | :26:31. | :26:37. | |
creeper. One of my favourite species of birds. Not a UK species, you find | :26:37. | :26:43. | |
it all over Asia as well. Now, Kirstie has got perhaps the most | :26:43. | :26:47. | |
fascinating one. Kirstie, can you, well, hang on a minute. Let me get | :26:47. | :26:54. | |
this right. Did, who got that, any other odd Suiing suggestions as to | :26:54. | :26:59. | |
what it was? Part of river maps, and... That is a good one. I could | :27:00. | :27:06. | |
be a river. DNA, there was a lot of DNA. OK. Kirstie, will you tell us | :27:06. | :27:11. | |
what this curious tattoo is? It is a copy of the tree of life drawn by | :27:11. | :27:18. | |
Charles Darwin in 1837. You can see, it says I think, and why did you go | :27:18. | :27:22. | |
for that momentous thing? I am interested in biology and natural | :27:22. | :27:27. | |
history, I think Darwin, his work and life are really interesting, and | :27:27. | :27:31. | |
inspirational. Fascinating, you were spot on. We won't ask to see it | :27:31. | :27:37. | |
live. Thank you very much indeed. Where it is. Well done. | :27:37. | :27:45. | |
APPLAUSE We have just got time, I have lost | :27:45. | :27:49. | |
all the question, they have been blown over, we have time for another | :27:50. | :27:56. | |
one, Robin says spider, Why don't they stick to their webs? This is | :27:56. | :28:02. | |
one filmed in our wonderful macro studio. Why don't they stick to | :28:02. | :28:10. | |
their own ewebs? They make three different types of silk. They make a | :28:10. | :28:14. | |
silk that radiates out. That holds the web, that is the basic | :28:14. | :28:20. | |
foundation, then they make spiral silk, which will give it further | :28:20. | :28:25. | |
structure, last they spin something called capture silk. That is sticky | :28:25. | :28:29. | |
stuff they put in a certain part of the web where they hope to catch the | :28:29. | :28:34. | |
insect, that is how... Why don't they stick to it? Because they have | :28:34. | :28:37. | |
tiny hairs on their feet which stop them from sticking to it. | :28:37. | :28:42. | |
Fascinating. There is more to that. Thank you very much indeed. It has | :28:42. | :28:47. |