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Minsmere. We've got the wildlife, we have got cameras and three extra | :00:13. | :00:16. | |
live spinning watch presenters. Because this is your show, we've | :00:17. | :00:22. | |
even got a live audience! CHEERING AND | :00:23. | :00:45. | |
really, it's a unique, Kong lopration of natural history, wisdom | :00:46. | :00:51. | |
and minds, we have got brilliant natralists here and this is very | :00:52. | :00:55. | |
accessible to you and you can ask us pretty much anything you like. Make | :00:56. | :00:59. | |
the most of this opportunity. Get in touch via the Springwatch website. | :01:00. | :01:02. | |
All the information is there on how to get in touch with us, and that is | :01:03. | :01:11. | |
www.bbc.co.uk/springwatch, in particular, there's that Twitter | :01:12. | :01:13. | |
thing. You can pretty much get in touch | :01:14. | :01:28. | |
with us almost instantaneously. Now, we've had an exciting first week. | :01:29. | :01:35. | |
It's been pretty good. Not bad! The bitterns! We'll get to that in a | :01:36. | :01:39. | |
minute. I'm going to ask the audience, have you had any favourite | :01:40. | :01:42. | |
moments, anything that's stood out for you? The rabbits. The rabbles. | :01:43. | :01:49. | |
The rabbits! Bitterns. Bitterns. Impersonations of the bits terns. | :01:50. | :01:53. | |
That was definitely one of my highlights. | :01:54. | :01:59. | |
All right, I'm going to run through your particular favourites. Martin? | :02:00. | :02:07. | |
Yesterday. What was your highlight? I liked being out on the sea last | :02:08. | :02:11. | |
night and was completely amazed that somebody had seen a hutch back whale | :02:12. | :02:15. | |
off the coast here. It seemed completely impossible. Funny you say | :02:16. | :02:20. | |
that. We were going to show that last night. We have that clip here, | :02:21. | :02:26. | |
so the clip of the actual whale that was seen off the coast back in | :02:27. | :02:29. | |
November. There it is. It's very brief. Whooa. Look at that! It leapt | :02:30. | :02:42. | |
out of the water. Yes. That's real. That was sent in by one | :02:43. | :02:47. | |
of our viewers, so that's pretty special. | :02:48. | :02:48. | |
Michaela, do you special. | :02:49. | :02:53. | |
I don't know if it's best, but it sticks in my mind, that spinning, | :02:54. | :02:58. | |
I don't know if it's best, but it extraordinary. You saw that a minute | :02:59. | :03:03. | |
ago and you can remember it? ! I happen to have a very good memory. I | :03:04. | :03:11. | |
want to just show you my chest. I've worn that specially. Bug Boy Baker, | :03:12. | :03:19. | |
I've done that for. We are almost having a bug-off here! I haven't | :03:20. | :03:27. | |
seen this yet because I had to duck out of the meeting this morning, but | :03:28. | :03:37. | |
wow, look at that! Whoa, it's drunk. She was looking the other way. It's | :03:38. | :03:46. | |
like Kylie Minogue "I'm spinning around". Fantastic stuff. | :03:47. | :03:53. | |
Now, bitterns. Yes. I just think a phenomenal bird. I know your | :03:54. | :03:57. | |
favourite is going to be the bittern. It is. It's a dream come | :03:58. | :04:02. | |
true because they are so shy. At this time of year, if you are lucky | :04:03. | :04:09. | |
enough to see a bittern, even here at Minsmere, all you see is a | :04:10. | :04:14. | |
bittern come up, look like a drunken owl and it falls back into the reeds | :04:15. | :04:23. | |
again. We never knew they would do that so it's good to see and the | :04:24. | :04:27. | |
cannibalism is something we have not seen before. It darks you out a | :04:28. | :04:31. | |
little bit. It's pretty graph I believe. -- graphic. | :04:32. | :04:38. | |
The colourations, one is gingery and one is dark. Any idea why? No. I | :04:39. | :04:42. | |
trawled through the literature on the Internet. Remember it's their | :04:43. | :04:46. | |
down, it's twoing to be interesting if we see what happens to their | :04:47. | :04:50. | |
mature feathers, there's nothing to say one is a male or a female or | :04:51. | :04:56. | |
anything like that. Again, this is possibly because it hasn't been seen | :04:57. | :05:00. | |
before. Last time we saw these, they were in black-and-white! We couldn't | :05:01. | :05:04. | |
tell what colour their down was. They are going to walk off into the | :05:05. | :05:09. | |
reed and we'll never know. Yes, it says in boobs, ten to 15 days, they | :05:10. | :05:15. | |
start branching, so they are back in the reeds. By the start of next | :05:16. | :05:19. | |
week, we might start to lose them. We will understand more about | :05:20. | :05:22. | |
bitterns by the end of the week. If you are one of those unlikely people | :05:23. | :05:27. | |
for whom the bitterns aren't doing it for you, we are going to try to | :05:28. | :05:31. | |
up the bittern love for you. A bit of a challenge for you. We want you | :05:32. | :05:36. | |
to tell us in 10 characters or less what it is about bitterns that you | :05:37. | :05:41. | |
like. You can help us by adding the hashtag at bittern's got talent. I | :05:42. | :05:45. | |
don't understand that at all, but it's quite catchy! We thought we'd | :05:46. | :05:48. | |
do that! Martin, job for you. We need your | :05:49. | :05:53. | |
help. Come with us over here. Thank you, chaps. | :05:54. | :06:01. | |
Going to leave you with Laura. You can help Laura there. Today's quiz - | :06:02. | :06:09. | |
my love of the little things is well known - I don't know what gives you | :06:10. | :06:14. | |
that idea, but we are going to do a quiz and talk about small is | :06:15. | :06:19. | |
beautiful. We have taken these various images, mystery macro shots | :06:20. | :06:24. | |
of some creatures that are featured on the show and I want you to guess | :06:25. | :06:28. | |
at what they might be. Mystery macro. Have a look at them audience, | :06:29. | :06:33. | |
but don't shout out the answer, wait until the end of the show for that. | :06:34. | :06:38. | |
But what tuning that is? -- but what do you think that is? | :06:39. | :06:42. | |
Look at the shape. That is the clue. This is a little easier but pay | :06:43. | :06:47. | |
attention as it may not be as easy as it thinks. -- as easy as you | :06:48. | :07:00. | |
think. If you have any ideas, do let us | :07:01. | :07:07. | |
know what this is. Threeite ens in today's quiz, so... There's a lot of | :07:08. | :07:11. | |
giggling going on. Let us know and we'll reveal the answers later on. | :07:12. | :07:18. | |
You can do that via the website. Right, over here, Chris. I know you | :07:19. | :07:22. | |
have been itching to get on and do this all week. This is your | :07:23. | :07:27. | |
opportunity. You have the floor. Yes. You have been talking about | :07:28. | :07:33. | |
cuckoo might races, you followed one all the way to Africa. Yes, don't | :07:34. | :07:41. | |
rub it in. We have had a Nightingale too. We have had a lot of the | :07:42. | :07:49. | |
audience getting in touch saying about the mechanisms. There is some | :07:50. | :07:54. | |
good news science. There is. Birds migrate from one part of the planet | :07:55. | :07:58. | |
to another and a mechanism they use is a compass. They can actually see | :07:59. | :08:02. | |
verbally, we know that they can visually see the earth's magnetic | :08:03. | :08:11. | |
field, so they can record electromagnetic raidration -- | :08:12. | :08:16. | |
radiation and record it. I read that German scientists had been doing | :08:17. | :08:19. | |
work with robins for about seven years and they were tested in which | :08:20. | :08:23. | |
direction they moved in. While boiling a Celt until the middle of | :08:24. | :08:28. | |
the room, the robins lost their ability to orientate themselves, so | :08:29. | :08:33. | |
any disturbance that we generate using electromagnetic force, can put | :08:34. | :08:36. | |
the birds off their ability to use this. If a bird is migrating over | :08:37. | :08:42. | |
cities, where we are boiling kettles and a lot more, they won't be able | :08:43. | :08:46. | |
to use that method. Will you luckily, they have other means of | :08:47. | :08:50. | |
migrating. We know they can use star maps, they are use the -- they can | :08:51. | :08:54. | |
use the stars and the position of the sun in the day time. They could | :08:55. | :08:59. | |
switch off the electromagnetic thing. Assuming they can see the | :09:00. | :09:04. | |
stars? Yes. The other thing is, they'll learn the landscape. Birds | :09:05. | :09:09. | |
which have long lived are frequently seen follow courses such as rivers, | :09:10. | :09:14. | |
railway lines, even motorway networks and they'll come back year | :09:15. | :09:17. | |
after year and navigate through perhaps the UK to get to their | :09:18. | :09:21. | |
favoured area. When it comes to finding the last spot, if you like, | :09:22. | :09:26. | |
other recent research has shown that certain species like song thrushes, | :09:27. | :09:31. | |
they are short-term migrants and don't go too far, but they'll come | :09:32. | :09:34. | |
back to the neighbourhood using the stars, or the sun, the magnetic | :09:35. | :09:38. | |
compass or even features on the ground. But when they get there, | :09:39. | :09:44. | |
they find their way back to your garden using smell. No, no, no. Yes. | :09:45. | :09:51. | |
You look like one of the cameramen for a brief moment there. Where's he | :09:52. | :09:56. | |
gone? Don't be so rude. They collected material from several | :09:57. | :10:00. | |
gardens and found they could smell the difference between one garden | :10:01. | :10:03. | |
and another. They are using a complete complex of things to get | :10:04. | :10:07. | |
back to precisely the same spot. The subtlety of that we shouldn't | :10:08. | :10:11. | |
underestimate and it makes you worry, if boiling a kettle can put a | :10:12. | :10:15. | |
robin off and confuse its direction, what are we doing with everything | :10:16. | :10:20. | |
else. Mobile phone antennae and all the rest of it. Thanks for that | :10:21. | :10:24. | |
insight. Wondering what the nose was about there, we had a surreal | :10:25. | :10:29. | |
collection of items there. Do we have any migration stuff or cuckoo | :10:30. | :10:34. | |
sightings? We had a few cuckoo sightings on the web. Laura, had any | :10:35. | :10:39. | |
good cuckoo sightings? Really good ones on the web. We gave people the | :10:40. | :10:45. | |
link to the BTO survey so they could track things. Lee Martin heard | :10:46. | :10:50. | |
cuckoos in Edenbridge in Kent this year. That's significant for me | :10:51. | :10:55. | |
because I grew up down the road from there and I used to hear them as a | :10:56. | :11:01. | |
child and I went to visit my dad recently and not a cuckoo to be | :11:02. | :11:06. | |
heard. It really is happening. I'm spoilt where live because I liven | :11:07. | :11:11. | |
Dartmoor, a cuckoo hotspot, it's like an island, amazing. Great | :11:12. | :11:14. | |
questions as well about bittern if you've got time? Not right now. | :11:15. | :11:22. | |
We'll come back to that. Haven't got time for a bittern. Ridiculous! What | :11:23. | :11:28. | |
have I started? We'll come back to you so we can do it properly. Your | :11:29. | :11:34. | |
lap's fallen off! -- your lamp! | :11:35. | :11:44. | |
Every now and again I like to find an hour to disappear off site and | :11:45. | :11:47. | |
this morning I headed to an hour to disappear off site and | :11:48. | :11:51. | |
Before we have even stepped into the treeses, just look at this. We have | :11:52. | :11:53. | |
got a perfect situation here, we treeses, just look at this. We have | :11:54. | :11:58. | |
have a track and this is very muddy with all this water and rain we have | :11:59. | :12:02. | |
been having, it's produced the perfect kind of mud. It's not too | :12:03. | :12:08. | |
coarse and not too slippy, it's just about right and already, this is for | :12:09. | :12:12. | |
real s hook, we have a fox footprint -- sloppy. How do I know it's a fox | :12:13. | :12:18. | |
print? You could draw a cross between the pads and it woulden | :12:19. | :12:22. | |
touch any other pad. If it was a doing, you couldn't do that. So | :12:23. | :12:29. | |
that's a fox. Then there are some footprints of a rabbit. It gets | :12:30. | :12:35. | |
better. A pheasant. Badger track. Last night's footprint. We have got | :12:36. | :12:46. | |
red deer tracks here as well. You can see the footprints of an animal | :12:47. | :12:51. | |
with cloven hoove. I could spend an hour alone just analysing the life | :12:52. | :12:58. | |
associated with what most of us would chas as a dead tree. Each hole | :12:59. | :13:04. | |
represents a life. A meaty, chunky beetle grubby life. You see the big | :13:05. | :13:09. | |
jagged holes around them, that is where a woodpecker's come and | :13:10. | :13:12. | |
smashed its way through the bark to extract the same grubs. | :13:13. | :13:19. | |
A little look down the bottom. These are brilliant. They are called | :13:20. | :13:29. | |
harvests, the big er erones tend to be out harvesting and mowing the | :13:30. | :13:33. | |
grass. They are found at all-times of the year. A very, very quick | :13:34. | :13:39. | |
glimpse of some red deer there. You know, very rarely when you are | :13:40. | :13:43. | |
tracking animals, do you see animal at the end of the journey. I imagine | :13:44. | :13:48. | |
they are the same ones that left the tracks further up at the beginning | :13:49. | :13:53. | |
of the trek. We have only gone, 50, 100 metres and already my time is | :13:54. | :13:59. | |
up. If you saw yesterday's show, you | :14:00. | :14:05. | |
will have already have met a Trina, but we have her again in the studio | :14:06. | :14:12. | |
-- Katrina. You have written a fabulous book called The Unfeathered | :14:13. | :14:17. | |
Bird and we have thrust it into that Kayla's hands. What do you think? | :14:18. | :14:22. | |
It's absolutely remarkable this book. It's called The Unfeathered | :14:23. | :14:30. | |
Bird. Katrina's drawn painstakingly pictures of skeletons of different | :14:31. | :14:35. | |
birds. They are totally accurate and she's done them, they are doing | :14:36. | :14:38. | |
something some of the bird, they are not just a skeleton. It shows you | :14:39. | :14:43. | |
why birds have evolved in different ways. You have lots of different | :14:44. | :14:55. | |
birds up there. You can see it is doing what a woodpecker would do. | :14:56. | :14:59. | |
How long does it take you to do a drawing like that? It depends if I | :15:00. | :15:05. | |
am in practice or not. If I was in good form, the skeleton would take | :15:06. | :15:10. | |
three or four days. How long did the book take? 25 years. 25 years! You | :15:11. | :15:20. | |
could have got your husband to build it for you. From the biologist's | :15:21. | :15:22. | |
could have got your husband to build it for you. From the point of view, | :15:23. | :15:25. | |
it's so unlike anything else, this book, it's not just art or science, | :15:26. | :15:30. | |
it meets in the middle. To give you an idea of what it is about, if you | :15:31. | :15:38. | |
take, and this is Steve, by the way, if I was to grab gizmo and compress | :15:39. | :15:48. | |
him, there's not much owl in there, it's mainly feathers, so if you | :15:49. | :15:52. | |
start intellectually plucking these birds, underneath, there are so many | :15:53. | :15:56. | |
other stories. Take this bittern here. A very talented bittern. | :15:57. | :16:05. | |
Remember these points. Well, once bitten. Don't give them ideas. It is | :16:06. | :16:13. | |
doing the sky pointing, you can't see me think. When you look at it | :16:14. | :16:19. | |
head-on, you can see how man of these things are. I'm doing a good | :16:20. | :16:23. | |
impression there, but see how narrow the body is -- how mannered these | :16:24. | :16:28. | |
things are. Other than being narrow, is there anything else going on? | :16:29. | :16:34. | |
They are narrow so they can squeeze through the reeds without disturbing | :16:35. | :16:38. | |
the vegetation. They have this interesting thing going on with the | :16:39. | :16:43. | |
two struts, and in most birds they are joined together like this on the | :16:44. | :16:47. | |
breast bones, but herons and the bittern overlap so they can | :16:48. | :16:54. | |
compress. This is interesting, and the heron has one as well. This | :16:55. | :17:01. | |
bone, this vertebrate, it's a bit longer. It actually joins the other | :17:02. | :17:07. | |
vertebrae so it meets at more of an angle. That is so it can shoot its | :17:08. | :17:12. | |
head forward quickly to grab things, like fish. Like a built-in catapult? | :17:13. | :17:22. | |
You can see as the neck of a snaky bird, but there's more to it. The | :17:23. | :17:27. | |
neck of the heron always has a kink. This is a work of love. What made | :17:28. | :17:34. | |
you want to do a book like this? It began when I was an art student, an | :17:35. | :17:38. | |
undergraduate fine art student. I did pictures of living birds. I felt | :17:39. | :17:45. | |
it was important to understand the app -- the insides so I could do the | :17:46. | :17:50. | |
outside is better. I found a dead duck on the beach which I stripped | :17:51. | :17:53. | |
down layer by layer, and if you're going to spend months grip -- | :17:54. | :17:59. | |
stripping a duck down, you give it a name, and this is a blog dedicated | :18:00. | :18:03. | |
to Amy. I thought this would be a really good idea for other artist to | :18:04. | :18:12. | |
produce a book about bird anatomy aimed at normal people and | :18:13. | :18:14. | |
bird-watchers so they can appreciate the living birds more. We are | :18:15. | :18:18. | |
dissecting birds, so you don't have to. It is unique. I've never seen | :18:19. | :18:26. | |
anything like it. Loads of good stuff, great inspiration. Look at | :18:27. | :18:33. | |
the massive great feat for treading over the reeds. Look at the feet of | :18:34. | :18:39. | |
the bittern. If any of these things have inspired you, extra talents | :18:40. | :18:44. | |
that we weren't aware of, thank you very much than that. Right now, all | :18:45. | :18:52. | |
week, we've been trying to help and inspire you in ways to get involved | :18:53. | :18:56. | |
with mass participation science projects. We are calling it Citizen | :18:57. | :19:02. | |
Science. But you have been helping us. I won't mention rabbits | :19:03. | :19:09. | |
distracting us, but some of you have helped us by watching the nest feeds | :19:10. | :19:13. | |
and counting your visits and looking at the sort of food coming in. We | :19:14. | :19:18. | |
are really grateful. Laura, do you have any name checks? David | :19:19. | :19:24. | |
Sanderson and Brian Goodall. They were up counting this morning. Thank | :19:25. | :19:31. | |
you very much indeed. The people who appreciate this more than anyone | :19:32. | :19:34. | |
else are a team of dedicated naturalists, and we are there in the | :19:35. | :19:40. | |
production village with them now. Not quite in the production village | :19:41. | :19:43. | |
but we're outside the technical area of the Spring watch village. There | :19:44. | :19:49. | |
are lovely green and blue ones, and some shiny red ones. Moving quickly | :19:50. | :19:56. | |
on, we will go into the BT truck, arguably the most important truck on | :19:57. | :19:59. | |
the whole operation, not just because this is where we do the | :20:00. | :20:05. | |
online and read about and show, but also because this is where the story | :20:06. | :20:09. | |
developers live -- red button. The story developers are a vital part of | :20:10. | :20:15. | |
the operation. URA story developer, Maddie, what do you do? -- you are | :20:16. | :20:22. | |
a. We have loads of cameras around the sites and we have to keep an eye | :20:23. | :20:26. | |
on them and we record the ones with the exciting action on so when it | :20:27. | :20:29. | |
comes to the show the next day, they can put the footage across. The | :20:30. | :20:34. | |
pressure is on you guys. If you missed something, it won't go to | :20:35. | :20:37. | |
air. You are logging everything that happens. Exactly. We have to record | :20:38. | :20:43. | |
the right channels so stuff goes wobbly on the screens. I am on the | :20:44. | :20:47. | |
night shift, so I have to keep an eye out for the badger action. What | :20:48. | :20:54. | |
is it like when a badger appears all you get some great wildlife action? | :20:55. | :20:57. | |
Do you get the surge of an adrenaline? Definitely. On the night | :20:58. | :21:04. | |
shift there is only two of us but one of us might suddenly see what is | :21:05. | :21:07. | |
happening and there is pressure to get on the right channel, but then | :21:08. | :21:12. | |
we can sit back and enjoy it. You got the short straw, the night | :21:13. | :21:15. | |
shift. I will be here until four in the morning. Well, you are doing a | :21:16. | :21:22. | |
fantastic job and we love you. On that happy note, we will go back to | :21:23. | :21:28. | |
Nick in the studio. Easy, made. Easy. Brilliant. Thanks that. -- | :21:29. | :21:35. | |
mate. We have Laura manning the computers and taking the tweeds and | :21:36. | :21:40. | |
e-mails and we also have Martin, who is very capable, I hasten to add. We | :21:41. | :21:44. | |
have been sent some fantastic video clips and Martin has not seen them. | :21:45. | :21:48. | |
Some pretty cool ones. What's the first one? This is called the great | :21:49. | :21:56. | |
escape by Andy Holden. He filmed it while he was filming fox cubs. What | :21:57. | :22:03. | |
you have is a bit little -- a beetle wrapped up by a garden spider. There | :22:04. | :22:08. | |
is a noise that the beetle is making. Futile clicks, but are they | :22:09. | :22:18. | |
futile? But are they? He has cocoon that cocoon that the spider thought | :22:19. | :22:21. | |
he had wrapped around him to store him. He has clicked his way out. And | :22:22. | :22:29. | |
he keeps clicking, and he is out. And it gets better, because the | :22:30. | :22:33. | |
spider comes back and you can imagine the disappointment. Look | :22:34. | :22:38. | |
what he does. Or she does, rather. He's gone! Where has it gone? Have | :22:39. | :22:48. | |
you seen the second Hobbit film? That's exactly what happens. I had | :22:49. | :22:53. | |
terrible trouble in rehearsals because there was lots of the B in | :22:54. | :22:59. | |
one sentence. A polluted versus bumblebee in a box. James is 18 and | :23:00. | :23:05. | |
he has gone to a lot of trouble to get as this clip -- a polluted. | :23:06. | :23:17. | |
There is a bluetit in a box, not that surprising, but look, there is | :23:18. | :23:27. | |
a B. Bumblebee. That bumblebee is not happy. It is freaking out. I | :23:28. | :23:34. | |
thought it was somebody outside with a lawn mower. That is an angry | :23:35. | :23:41. | |
bumblebee. That is pretty good. We think that is enough. But something | :23:42. | :23:46. | |
else happens. It carries on, this saga. Watch this. We will go back to | :23:47. | :23:52. | |
it. The bumblebee is on its back, Sting in the air. It might be trying | :23:53. | :24:01. | |
to be aggressive, not actually stinging, she is screaming away, and | :24:02. | :24:08. | |
the bluetit picks it. The bumblebee has had enough, and then the bluetit | :24:09. | :24:12. | |
does sidestep, and the bumblebee slaps it in the face and flies. That | :24:13. | :24:18. | |
is from James, and he wanted to know what kind of bumblebee was. It could | :24:19. | :24:24. | |
be a tree bumblebee who are spreading. They recently arrived in | :24:25. | :24:29. | |
the UK and I only saw the first one on Dartmoor the year before last, | :24:30. | :24:33. | |
but it's very recent. We will hopefully keep you posted, because I | :24:34. | :24:38. | |
want to know what happened. Did the bumblebee comeback, or did the | :24:39. | :24:42. | |
polluted family takeover? -- the bluetit family. Why do we have a | :24:43. | :24:50. | |
hornet on the table? One of the audience brought in. Shall we get it | :24:51. | :24:55. | |
out? See what happens? Here she comes. This is worth a quid. Chris | :24:56. | :25:04. | |
said it -- he would give you a quid if it's done you. The idea is, well, | :25:05. | :25:13. | |
Martin, I will leave you here. There we go! Now it will fly off into the | :25:14. | :25:20. | |
audience and there will be an immediate evacuation. They are not | :25:21. | :25:24. | |
aggressive at all, she's just very big. I'm going to get on with the | :25:25. | :25:35. | |
quiz. This is what happens when all of the present is what happens when | :25:36. | :25:38. | |
all the presenters are in the studios. Mystery objects. Pay | :25:39. | :25:42. | |
attention. Let's get them the right way up. What do you think that might | :25:43. | :25:46. | |
be? Any ideas? Anyone in the audience? Leg of a moth. Yes, but | :25:47. | :26:00. | |
let's look at the clip. There it is. You could look at the legs on the | :26:01. | :26:04. | |
moth and think it doesn't look like it, but it is the back legs. The | :26:05. | :26:12. | |
soccer legs. Very good who got -- to anyone who got that. Mystery object. | :26:13. | :26:18. | |
What do you think it might be? On the face of it, quite easy. Violet | :26:19. | :26:24. | |
Brown beetle, but I'm not sure about the thorax. It might not be a Violet | :26:25. | :26:33. | |
Brown. It is a beetle, but those striations make it problematic, | :26:34. | :26:39. | |
because it's easily confused with the Violet Brown. That is my hunch. | :26:40. | :26:43. | |
These are fantastic beetles, you can find them in the garden, and they | :26:44. | :26:46. | |
like slugs in particular, so they are good for the garden. Mystery | :26:47. | :26:53. | |
number three. Anybody know? The goose grass seed. It is! Goose grass | :26:54. | :27:04. | |
seed. Also known in my part of the world, as sticky Willy. I can't | :27:05. | :27:11. | |
imagine why. If you have a wildlife garden, these things grow really | :27:12. | :27:16. | |
quickly, something like 30 feet in a season. They have just come out of | :27:17. | :27:22. | |
nowhere. Do we have any more questions, any great questions? The | :27:23. | :27:33. | |
bittern has unusually low set eyes, so why? It's so they can see their | :27:34. | :27:38. | |
prey. Many birds have the capacity to look in their own beak, so the | :27:39. | :27:43. | |
bittern can move eyes in their socket, like the heroine -- Heron, | :27:44. | :27:50. | |
and they can judge distance to the point where the distance is just | :27:51. | :27:53. | |
beyond the beak or even inside, so that is why they are able to twist | :27:54. | :27:56. | |
their eyes like that. When it puts its head up and is doing the reading | :27:57. | :28:00. | |
thing, it can look underneath its peak to achieve the same thing. Yet | :28:01. | :28:07. | |
another talent for the bittern. Have we created a boom on THAT twitter? | :28:08. | :28:14. | |
There's a lot of puns stop but they are pretty bad. Have we got any? | :28:15. | :28:25. | |
It's mostly once bitten twice shy. Michaela will appreciate this, I was | :28:26. | :28:30. | |
handed this by Nigel, and look at that. Guess what it is. We are | :28:31. | :28:36. | |
running out of time. We will tell you next week. Chris, enjoy that for | :28:37. | :28:40. | |
a moment. We are about to go off air and we are going away to the | :28:41. | :28:44. | |
weekend, but you should not. The animals are here, the cameras on the | :28:45. | :28:51. | |
nests. Will there be a fledgling bluetit tomorrow? They should be. | :28:52. | :28:58. | |
Keep an eye on the bittern as well. We will see you on Monday. Goodbye! | :28:59. | :29:01. |