Browse content similar to Episode 9. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome back to the wonderful world of Springwatch Unsprung, | :00:22. | :00:25. | |
coming to you live from RSPB Minsmere in Suffolk, | :00:26. | :00:29. | |
along with our feisty audience of wildlife loving locals! | :00:30. | :00:36. | |
When we get here to Minsmere, we bugged this place with lots of | :00:37. | :00:45. | |
remote cameras. We have got no less than 29 cameras out on the reserve | :00:46. | :00:48. | |
at the moment, and this is what they are looking at. | :00:49. | :01:18. | |
That's the wildlife. We have also got a fine array of the human | :01:19. | :01:28. | |
species in here this evening! We'll also be meeting some | :01:29. | :01:31. | |
very special guests. Joining us tonight is a renowned | :01:32. | :01:34. | |
music producer, and founder of not one but two of the most revered | :01:35. | :01:37. | |
bands of the 1980s, who still tours regularly to sell-out shows, | :01:38. | :01:45. | |
but whose real passion is creating immersive soundscapes | :01:46. | :01:50. | |
reflecting the natural world. It's the musical genius | :01:51. | :01:53. | |
that is Martyn Ware! Also here to tell us | :01:54. | :01:56. | |
about some of the world's weirdest animal behaviours is a pigeon-loving | :01:57. | :02:07. | |
actress, writer, broadcaster Who produces a weekly podcast. She | :02:08. | :02:20. | |
will be telling us why sharks like heavy metal, and why pigeons make | :02:21. | :02:22. | |
good art critics. From the world of science, | :02:23. | :02:31. | |
it's Lliana Bird! I am emotionally drained after last | :02:32. | :02:49. | |
night on the live cameras. And it has been the same today. There is | :02:50. | :02:55. | |
more to come tonight. If you did not catch Springwatch last night, here's | :02:56. | :03:00. | |
a quick reminder of what was going on. It was predation everywhere. | :03:01. | :03:06. | |
This was the white throats' nest, and they all scattered out because | :03:07. | :03:10. | |
of female adder has appeared. The nest is only about one metre high in | :03:11. | :03:14. | |
the brambles. The young survived this onslaught. You could hear the | :03:15. | :03:18. | |
alarm call of the adult, which was to get them to burst out of the nest | :03:19. | :03:23. | |
and get away from the predator. And they managed to do it. We also had a | :03:24. | :03:29. | |
stoat on the great tips, and on the woodpecker as well. And there is a | :03:30. | :03:31. | |
lot more action coming up at eight o'clock tonight. Social media went | :03:32. | :03:37. | |
absolutely crazy. This one said - nature is brutal! Another one came | :03:38. | :03:43. | |
straight back and said - nature is brilliant! And this one went | :03:44. | :03:48. | |
straight in and said - blimey, Game Of Thrones has nothing on the mayhem | :03:49. | :03:55. | |
which is tonight's Springwatch! But we can't promise you dragons, | :03:56. | :03:59. | |
unfortunately. That is the one thing we are short of. And of course, this | :04:00. | :04:05. | |
is the natural world sober up predation is part of it. And our job | :04:06. | :04:09. | |
is to report on what we see and explain to you, relatively | :04:10. | :04:15. | |
dispassionately, why it occurs. It is all about the sustenance of life, | :04:16. | :04:18. | |
and sometimes that sustenance hums to the death of other things. It is | :04:19. | :04:23. | |
just the way it is. And predation has been going on right across the | :04:24. | :04:30. | |
country. This is a weasel with a lizard, from Graham Parry. And we | :04:31. | :04:33. | |
were sent this grass snake, eating a great crested newt. And finally, I | :04:34. | :04:39. | |
like this one, a cormorant trying to eat a fish! I think it will manage | :04:40. | :04:45. | |
it because they can eat enormous things. You think it will never go | :04:46. | :04:52. | |
down marble it does eventually get that fish down. Don't forget to | :04:53. | :04:58. | |
watch our live cameras, it is so easy to do. When you get to the | :04:59. | :05:03. | |
website at bbc.co.uk/springwatch, it looks like this... And when you | :05:04. | :05:10. | |
scroll down... There is a lovely blog, and if you hit live coverage, | :05:11. | :05:16. | |
you can see the four web streams that we have. It is fantastic. | :05:17. | :05:37. | |
Now, this month is 30 Days Wild. I went out to see some bats last | :05:38. | :05:42. | |
night. What have you been doing? I did some wild things in the shower! | :05:43. | :05:48. | |
Singing! Have a look at this one. This is from someone who has been | :05:49. | :05:55. | |
counting with her daughter. And this is a picture of a caterpillar in | :05:56. | :05:59. | |
someone's garden. And this one has been wearing a wild shirt at work. | :06:00. | :06:03. | |
It is botanically accurate as well so that it gets extra points! Bad | :06:04. | :06:12. | |
taste AND botanically accurate! I feel out done by that shirt! It is | :06:13. | :06:17. | |
time for tonight's quiz, which is set by Sophie, so here she is. I am | :06:18. | :06:27. | |
Sophie, and this is my quiz for you. This further is of a bird which is | :06:28. | :06:32. | |
mostly white, black and chestnut. Whose feather is this? And here is | :06:33. | :06:40. | |
the feather. There was a bit of a clue in the opening montage. Get in | :06:41. | :06:43. | |
touch now, using the hashtag #springwatch. That is quite of an | :06:44. | :06:54. | |
'80s bird, I would have to say. Which brings us neatly to Martyn! | :06:55. | :07:04. | |
Thank you very much for coming in! I'm not sure about the nostalgia, | :07:05. | :07:07. | |
but some say the '80sAPPL come those were the days. They were, it was the | :07:08. | :07:12. | |
last golden age of great music, I think. And we have got a couple of | :07:13. | :07:17. | |
shots of you from those days. The Human League, early days, Being | :07:18. | :07:22. | |
Boiled, I remember the singles. I have still got them. And then you | :07:23. | :07:29. | |
went on to Heaven 17. More chart success with Heaven 17. A bit like | :07:30. | :07:36. | |
Robert De Niro there. It must have been good fun? Oh, it was amazing. | :07:37. | :07:41. | |
It was party time nonstop, really. I think the music was really good, the | :07:42. | :07:46. | |
credible end of it all. It is not all fancy haircuts and stuff. But we | :07:47. | :07:50. | |
did dress nicely and I think people like that. You're still touring? | :07:51. | :07:54. | |
Yes, later this year, all over the country. We're still playing all the | :07:55. | :07:58. | |
great hits. Temptation, everybody knows that. Well, a few of you do! | :07:59. | :08:08. | |
None of you are old enough! You did some stuff... Yes, some of the young | :08:09. | :08:14. | |
artists really liked the stuff we did, and a lot of the electro DJs | :08:15. | :08:20. | |
really like our stuff. Well, you were known as the "crown prince of | :08:21. | :08:23. | |
the British synthesiser sound of the 1980s". My goodness, where did you | :08:24. | :08:28. | |
read that one?! It was an amazing time. We had been through punk, and | :08:29. | :08:31. | |
with the development of synthesisers, you were the guys, | :08:32. | :08:36. | |
along with a few others, like OMD and others, who developed it? Yes, | :08:37. | :08:45. | |
we developed it from Kraftwerk and other places. But you still like | :08:46. | :08:49. | |
your wildlife, you get out and about? Yes, I do. We see plenty of | :08:50. | :08:57. | |
foxes in Primrose Hill. And lots of birds, jays, blue kits, etc. And you | :08:58. | :09:01. | |
have got the park? The park is fantastic. The zoo is nearby, so I | :09:02. | :09:07. | |
wake up at four o'clock in the morning listening to lemurs calling, | :09:08. | :09:11. | |
of all things! And Robins. We get all of that stuff, yes. How did you | :09:12. | :09:17. | |
go from pop music into these soundscapes? You are involved with | :09:18. | :09:21. | |
the National Trust, and the Sounds Of Our Shores? That's right. I have | :09:22. | :09:28. | |
got a system which does realistic natural sound. And they approached | :09:29. | :09:33. | |
us. They said, would you be interested in recording people's | :09:34. | :09:35. | |
memories of the sea? And together with their recordings of the | :09:36. | :09:42. | |
wildlife from the sea come from the seaside. And I merged it all | :09:43. | :09:46. | |
together into a 3D soundscape which was played at Somerset house. Also | :09:47. | :09:49. | |
it is free to download on the website. So the purpose is to | :09:50. | :09:54. | |
generate an acoustic feeling of a place using natural sounds? | :09:55. | :09:58. | |
Precisely. It is like magic realism for sound, really. Well, we have put | :09:59. | :10:02. | |
some pictures to part of your soundscape. Let's have a look and | :10:03. | :10:10. | |
listen. Favourite sounds of our shores. I | :10:11. | :10:16. | |
would have to go back to our childhood, and it would be the sound | :10:17. | :10:17. | |
of skylarks in the air. Not just natural sounds, there was a | :10:18. | :10:51. | |
bit of shanty in there as well? Yes, of these were all contributed by | :10:52. | :10:54. | |
members of the public, via their smartphones. Which actually is a bit | :10:55. | :11:00. | |
of a lesson. Everybody probably has a smartphone, and you can go and | :11:01. | :11:04. | |
record your natural environment and upload it to various things on the | :11:05. | :11:08. | |
internet so that other people can hear it. And actually some of the | :11:09. | :11:11. | |
music in that was written by my son Gabriel as well. In your honour, | :11:12. | :11:18. | |
Martyn, we have put together a bit of a gallery from our Twitter | :11:19. | :11:25. | |
account of 80s-looking birds! This is my favourite, it is a great | :11:26. | :11:28. | |
crested grebe. Do you like the Herrera? Flock of seagulls, it is | :11:29. | :11:35. | |
quite good, really! And this one, the parakeet, for the colouring, | :11:36. | :11:42. | |
obviously. What are you thinking? Camden, where I live, we see this | :11:43. | :11:46. | |
stuff all the time! And this one as well, check out the Herrera on that! | :11:47. | :11:54. | |
Oh, my goodness! What is that?! I don't know, it is a bit of Duran on | :11:55. | :12:04. | |
a bad day. And have a look at this '80s icon... Very questionable phone | :12:05. | :12:18. | |
that you have got there! Just the phone, that's right. That's semi | :12:19. | :12:23. | |
adult plumage! Every one of our guests here is set a challenge, and | :12:24. | :12:30. | |
we call it Drawn To Be Wild. We give them art materials and just ten | :12:31. | :12:33. | |
minutes to reproduce something about Minsmere. You are accomplished at | :12:34. | :12:39. | |
soundscapes, we know that. And a terrible artist! I am appealing to | :12:40. | :12:43. | |
you! OK, well, let's see what you have done. Here it is. What it is, | :12:44. | :12:52. | |
in case you can't tell... Oh, I feel a justification coming on! I am | :12:53. | :12:56. | |
excited by the whole feeding thing, so this is just a giant big, really, | :12:57. | :13:01. | |
with an abstract nest and a bit of a bird in the background. It has got | :13:02. | :13:07. | |
energy, I think. It has got energy, I am drawn to it, I almost want to | :13:08. | :13:13. | |
put a worm into it. What is that at the bottom? It had a bit of a | :13:14. | :13:16. | |
scrawny neck so I put a bit of colour into it. Ten minutes is not | :13:17. | :13:18. | |
long, you know?! What do we think? You see, I am always drawn to the | :13:19. | :13:33. | |
unusual and the abstract, Martyn. I like the fact that you have got the | :13:34. | :13:38. | |
central point of colour, and the bird's big, I am drawn to it. As I | :13:39. | :13:43. | |
say, I do want to put a worm into it, so I'm going to score this one | :13:44. | :13:47. | |
really highly, actually. I'm going to demote this one and put you into | :13:48. | :13:50. | |
joint second. So, you have gone above Will Young | :13:51. | :14:04. | |
and Jason as well. Pretty good. What do you think? I like it, and we are | :14:05. | :14:09. | |
getting a lot of cheers over here as well. Springwatch presenter Michaela | :14:10. | :14:12. | |
Strachan is passionate about wildlife rehabilitation. She went to | :14:13. | :14:18. | |
one of the biggest rescue centres in the country to see what volunteers | :14:19. | :14:24. | |
do there. We went along with her. It is day two of my volunteering for | :14:25. | :14:32. | |
Stately Grange RSPCA. I learnt so much on the first day. I have done | :14:33. | :14:38. | |
rehabilitation and volunteering work before, but it makes you realise | :14:39. | :14:41. | |
that the more you do, the more useful you can be. I am ready to get | :14:42. | :14:45. | |
my hands dirty, and hopefully I can be really useful. Here, I have got a | :14:46. | :14:55. | |
gull for you. It has been moving in that box. I will get it out and just | :14:56. | :15:01. | |
see if it can walk. I am a bit worried about his spine. You can see | :15:02. | :15:06. | |
the way he was desperately trying to use his wings to move. We're going | :15:07. | :15:12. | |
to have to do an X-ray. All you need to do is hold his head lice and | :15:13. | :15:13. | |
still. How do you know when he has done | :15:14. | :15:26. | |
down. He will feel heavy, #234r507y. That looks good from that angle. The | :15:27. | :15:33. | |
legs look good. The good news is no obvious spinal fracture. -- that | :15:34. | :15:38. | |
looks good. Time to get on with my other duties. | :15:39. | :15:43. | |
Keeps you busy but all for a good cause. Make sure to wipe down. I | :15:44. | :15:51. | |
have sneaked out for a cup of tea. I tell you, it is so busy in there. If | :15:52. | :15:55. | |
you are hanging around, they will find a job for you. I thought I'd | :15:56. | :16:00. | |
get myself a cup of tea and have five minutes off. It's tiring. | :16:01. | :16:07. | |
Dressing up for the next task in hand. Time to meet my next customer. | :16:08. | :16:13. | |
What is next? We'll catch up with a group of fox cubs. We are going to | :16:14. | :16:18. | |
go to one of the outdoor enclosures to give them more space. Oh my gosh. | :16:19. | :16:23. | |
How many? There should be five here. They are gorgeous animals. Wow, they | :16:24. | :16:28. | |
really do smell, don't they? Yes. What will happen to the foxes now? | :16:29. | :16:33. | |
We will put them into the outdoor enclosures. So this is where the | :16:34. | :16:38. | |
foxes will stay for the next six months. We will make a bit of a den | :16:39. | :16:45. | |
here for them. Like that? Yes. Some places for them to hide. I quite | :16:46. | :16:50. | |
like the look of that den ie. ' Liking it. It needs more colour if | :16:51. | :16:56. | |
you ask me. Looking lovely. -- I'm liking it. I think we are just about | :16:57. | :17:02. | |
sorted. I think we are. I have had another great day's volunteering. It | :17:03. | :17:06. | |
has been fun getting to meet and help these wonderful wild animals | :17:07. | :17:09. | |
and it is incredibly rewarding to know you can really make a | :17:10. | :17:15. | |
difference. APPLAUSE | :17:16. | :17:24. | |
? Complaining about the smell. I think they smell nice. Really? I | :17:25. | :17:32. | |
used to have them in the house. I got used to t my mum didn't. | :17:33. | :17:39. | |
And of course, this spring and summer sees the launch | :17:40. | :17:42. | |
of the BBC Do Something Great season - if you want get involved, | :17:43. | :17:45. | |
And get in touch to tell us about your own | :17:46. | :17:48. | |
Lots getting in touch already. This is from David Richards. He has been | :17:49. | :17:59. | |
be planting and he has a pond. Hoping wildlife will come. Which it | :18:00. | :18:04. | |
will. Any outdoor water is a goot thing to do. Let's move offer to our | :18:05. | :18:10. | |
next guest. Lliana, come over and join us on the sofa. | :18:11. | :18:14. | |
APPLAUSE You have always been into wildlife. | :18:15. | :18:18. | |
And so has the rest of your family. Yes, I was interested when I was a | :18:19. | :18:23. | |
kid and my family shared in my obsession with wildlife. Even though | :18:24. | :18:26. | |
living in London, my mum used it take me and my sister to Portobello | :18:27. | :18:31. | |
and we used to visit Smarty the parrot. We have a picture. Me in the | :18:32. | :18:39. | |
'80s. We used to go to Devon on the weekends. My sister she was | :18:40. | :18:43. | |
obsessed. She wented on to do conservation work in Africa. I got | :18:44. | :18:48. | |
to visit her. I remember one time I came home and she was six and told | :18:49. | :18:53. | |
me not to go into her bedroom. I thought she hated me. I snuck in and | :18:54. | :18:58. | |
found out she was keeping an injured baby blackbird under the bed. We | :18:59. | :19:01. | |
started looking after it together. It brought us closer. You and your | :19:02. | :19:05. | |
sister? What about the blackbird? He was all right. Retallick leased him. | :19:06. | :19:10. | |
Not the best place to keep one, under the bed. You have to start | :19:11. | :19:14. | |
somewhere. I did equally unspeakal things to an matches you are now | :19:15. | :19:18. | |
keen on science and trying to get a new audience. I read you want to | :19:19. | :19:23. | |
make it as cool as rock 'n' roll. Science gets a bad wrap and some | :19:24. | :19:27. | |
people can say it is boring. I disagree, it is boring and funny. I | :19:28. | :19:32. | |
do a music show on Radio X and decided to bring in the science and | :19:33. | :19:37. | |
nature elements and do a segment with Dr Jack Lewis called geek chic | :19:38. | :19:42. | |
with science. We turned it into a podcast and into a book. We are in a | :19:43. | :19:46. | |
mission. If it is as cool as rock 'n' roll. We'll have to put up with | :19:47. | :19:52. | |
groupies and hedonism. It must have been terrible, Martyn. I don't know | :19:53. | :19:58. | |
how I dealt with it. You have put this book together. The Mice Who | :19:59. | :20:06. | |
Sing For Sex. I have reading some. Sharks who enjoy heavy metal. We | :20:07. | :20:12. | |
discovered by accident by a cage driver. They put cages there and | :20:13. | :20:19. | |
they would come up. He put in the speakers. Why would you be playing | :20:20. | :20:23. | |
it? He put it in the water and the first thing on the iPod was ACDC. He | :20:24. | :20:29. | |
discovered the sharks were coming up 209 cage and rubbing their faces up | :20:30. | :20:31. | |
off it. Did he 209 cage and rubbing their faces up | :20:32. | :20:39. | |
off it. Did he try -- to the cage. Did he try Heaven 17? And def metal. | :20:40. | :20:45. | |
It is to do with the sound. It mimics the sound of dying fish. What | :20:46. | :20:52. | |
about the mice who sing for sex. We know that mice and rats will sing, | :20:53. | :20:56. | |
don't we? They have known for 50 years now that male mice will sing | :20:57. | :21:03. | |
for sex and when they smell female's pee, they do ultrasonic love | :21:04. | :21:08. | |
squeaks. We cannot hear it. Great name for a band. Ultrasonic love | :21:09. | :21:13. | |
squeaks. We cannot hear it. It is too high pitched for us. Recently | :21:14. | :21:17. | |
they discovered the female mice sing back. It is a duet going on. They | :21:18. | :21:21. | |
take each other around and match songs to each other. It is a | :21:22. | :21:25. | |
boughtively thing. The most fascinating thing I read, I have a | :21:26. | :21:29. | |
keen interest in birds. Pigeons becoming art critics. Yes, I think | :21:30. | :21:34. | |
they get a bad wrap, pigeons, the underdogs of the dog world and | :21:35. | :21:37. | |
people think they cause problems in Trafalgar Square. Actually they are | :21:38. | :21:42. | |
super smart. They have a visual system, complex. It was discovered | :21:43. | :21:48. | |
by a were fesor that they can tell the difference between Monet and | :21:49. | :21:51. | |
Picasso and van goe and other artists. They can do it as well as | :21:52. | :21:55. | |
humans and they can tell the difference between good and bad art. | :21:56. | :21:58. | |
If they are trained well with hemp seed - we have to give them a reward | :21:59. | :22:04. | |
- he they can tell the difference between kids' art that we rate as | :22:05. | :22:07. | |
good or bad. Incredible. It didn't matter if they were upside down, the | :22:08. | :22:11. | |
paintings. Only the Picasso. They were able to look at the | :22:12. | :22:16. | |
construction of that. Explain why some people hang their paintings | :22:17. | :22:20. | |
upside down. I have seen a Rothco upside down in someone's house I | :22:21. | :22:25. | |
would like to see pigeons judging next year's Turner Prize. OK, you | :22:26. | :22:29. | |
think animals don't like you, despite the fact rather like them. I | :22:30. | :22:34. | |
know, it is an unrequited love. I have an affinity for them but they | :22:35. | :22:38. | |
don't seem to share that for me. I think it is because I'm needy. I'm | :22:39. | :22:43. | |
pleading with them to love me, they can sense that. I remember I was | :22:44. | :22:48. | |
travelling around and this monkey in a temple came up to me and I was | :22:49. | :22:53. | |
smug because it came up and sat on my shoulder. I thought - the monkey | :22:54. | :22:58. | |
loves me. It smacked me in the face and stole my camera and ran off. It | :22:59. | :23:01. | |
might have been something else. Maybe a signal you were sending out | :23:02. | :23:07. | |
to the monkey. I won't debt into the detail of that -- get into the | :23:08. | :23:11. | |
detail. Let's have a look, you have been out on the reserve with Martyn | :23:12. | :23:15. | |
this afternoon, enjoying the sunshine. Thank you. Oh, that's just | :23:16. | :23:21. | |
amazing. I have come all the way from London and I've just spotted a | :23:22. | :23:25. | |
pigeon. I think it has followed me up. Oh, look, the ducklings. They | :23:26. | :23:33. | |
make such a racket, don't they? Showing off now. Er That's amazing. | :23:34. | :23:43. | |
We would like to see unicorns next. Unicorns and rainbows next. An | :23:44. | :23:46. | |
amazing place up here. It is beautiful. I'm going to come back. | :23:47. | :23:53. | |
Everything we said we wanted to see magically appeared, except for | :23:54. | :23:57. | |
unicorns. And woodpeckers. You must stick around. Time to have a look at | :23:58. | :24:02. | |
your challenge now. Maybe we need a pigeon to judge it. Any pigeons in | :24:03. | :24:05. | |
the audience? OK, let's have a look. Here we are. | :24:06. | :24:09. | |
Oh my goodness me. This is pretty good. Look at this. I think it is | :24:10. | :24:19. | |
good. If in doubt, collage. That looks pretty good. Very good. I | :24:20. | :24:24. | |
have to say, in pigeon mode, looking at, that I don't recognise it as a | :24:25. | :24:31. | |
Monet or Picasso but I do recognise it as top of the board. | :24:32. | :24:35. | |
APPLAUSE I mean, look at that. | :24:36. | :24:44. | |
There is a fair degree of on tholing onical accuracy, and mixed media and | :24:45. | :24:48. | |
a message - feed me. Scoring multiple points and I'm not even a | :24:49. | :24:53. | |
pigeon. She said at the top of the show she was pretty competitive. | :24:54. | :24:57. | |
Good. In your honour I have had a look through all our pictures in | :24:58. | :25:01. | |
social media to find some weird and wonderful an ma.s you didn't | :25:02. | :25:03. | |
disappoint. Thank you so much. Have a look at this. These are from an | :25:04. | :25:08. | |
interesting perfective. A double-headed badger, as it were. | :25:09. | :25:13. | |
Oh, yes. A clever picture. #2w0 Badgers | :25:14. | :25:20. | |
squeezed together on a patio. I thought - what else can I find and I | :25:21. | :25:25. | |
found a double-headed gull. What do you think of that -- Two Badgers. | :25:26. | :25:30. | |
Conadvicing, until you count the legs. Finally, here we go, a | :25:31. | :25:39. | |
four-headed stoat. It is a really nice photograph. The light is on the | :25:40. | :25:43. | |
head there. All the others newsling around. All the background. Shame | :25:44. | :25:48. | |
about the leaf in the foreground. It is good. I would be happy. That's | :25:49. | :25:52. | |
our Minsmere stoat. That was taken here. Is it? It is our stoat. Next | :25:53. | :25:59. | |
to our cameraman. Time to resolve the quiz. At the top of the show we | :26:00. | :26:03. | |
asked you what you thought this feather belonged to. A few people | :26:04. | :26:08. | |
got in touch. A lot of people. A a lot thought it was an eyeder duck. | :26:09. | :26:15. | |
Jack, and some people thought it was a muskby duck. Any idea in the | :26:16. | :26:22. | |
audience? Shelduck. Shelduck the audience say. Let's find out. Here | :26:23. | :26:28. | |
is Sophie. This is the feather of a shelduck. | :26:29. | :26:37. | |
Very '80s. I like the colouring of a shelduck. | :26:38. | :26:43. | |
They are bold, aren't they? They are goo.d many people got it right. | :26:44. | :26:48. | |
Kathy, Sam Washington, Wendy, Paul high #2350e8d. -- Paul Highfield. | :26:49. | :26:55. | |
Amy Davis. Thank you for sending those in. Yesterday I mentioned at | :26:56. | :27:00. | |
the start of the show it was epic with predation. I thought I would | :27:01. | :27:04. | |
smother new cuteness. I hope it is OK. And I know how you like T have a | :27:05. | :27:09. | |
look at this first picture here. Awww. | :27:10. | :27:15. | |
Stop T Very cute. A water vole. I think this next picture is even | :27:16. | :27:16. | |
cuter. Looking supercute. Bulging eyes. | :27:17. | :27:31. | |
That puts me off the water vole. They have their eyes on the top of | :27:32. | :27:35. | |
their skull. They are predated by all sorts of things. I presume it is | :27:36. | :27:42. | |
an adaptation to that but exquis etly beautiful. I have done cute and | :27:43. | :27:46. | |
predation. Now gross. So if you are eating your tea get ready. This was | :27:47. | :27:49. | |
filmed earlier. It is our sparrowhawk. | :27:50. | :28:01. | |
It is Olympian. It really is. I hope that's | :28:02. | :28:08. | |
representing us in Rio. Absolutely. I will sneak a quick question in. I | :28:09. | :28:14. | |
never get to do them. Crawford asks - why are birds legs and mouths | :28:15. | :28:18. | |
often yellow. Just like the picture S there an advantage? An interesting | :28:19. | :28:23. | |
question -- is there an advantage? I don't think I can answer it. It | :28:24. | :28:27. | |
might be pigment in terms of which are available. We don't see many | :28:28. | :28:32. | |
blue, most of the substances that form blue is toxic but yellow is | :28:33. | :28:35. | |
frequent in the legs of birds of prey. There must be an adaptive | :28:36. | :28:40. | |
advantage. I think I will have to get back to you on that. If anyone | :28:41. | :28:44. | |
in the audience knows or at home, tell us. We are running out of time. | :28:45. | :28:48. | |
Thank you to my guests for coming. In a round of applause for them. I | :28:49. | :28:51. | |
will leave you with this, the bluetits, only two left in the nest. | :28:52. | :28:55. | |
What happened to the rest? Find out at 8.00pm. | :28:56. | :29:01. |