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There's one season that's more anticipated and loved | 0:00:02 | 0:00:05 | |
than any other on the planet - spring. | 0:00:05 | 0:00:08 | |
So, for the first time ever, Springwatch is travelling | 0:00:09 | 0:00:13 | |
to a country where they celebrate this prettiest of natural events | 0:00:13 | 0:00:17 | |
like nowhere else on Earth. | 0:00:17 | 0:00:20 | |
Hello, and welcome to Japan! | 0:00:20 | 0:00:22 | |
We've come here to experience one of the most spectacular, | 0:00:22 | 0:00:25 | |
the most anticipated and, as you can see, most celebrated | 0:00:25 | 0:00:30 | |
springtime events in the world - | 0:00:30 | 0:00:32 | |
the emergence of the sakura, Japan's cherry blossom. | 0:00:32 | 0:00:37 | |
We've come to Tokyo, one of the world's busiest cities, | 0:00:37 | 0:00:41 | |
to experience this explosion of pink, along with millions | 0:00:41 | 0:00:46 | |
of other locals and tourists that have also come here to celebrate | 0:00:46 | 0:00:50 | |
the start of spring. | 0:00:50 | 0:00:52 | |
And as spring erupts through Japan, we're going to follow it | 0:00:52 | 0:00:55 | |
step-by-step to explain this phenomenon in terms of the impact | 0:00:55 | 0:00:58 | |
that it has on all of the people, which you can see, and, | 0:00:58 | 0:01:01 | |
of course, the wildlife too. | 0:01:01 | 0:01:03 | |
We're going to explore sakura, in Japan's ancient capital, Kyoto | 0:01:03 | 0:01:08 | |
and its modern capital, Tokyo. | 0:01:08 | 0:01:11 | |
I'm going in search of an exquisite little bird | 0:01:11 | 0:01:14 | |
that I've never seen before, | 0:01:14 | 0:01:16 | |
and it absolutely loves cherry blossom. | 0:01:16 | 0:01:19 | |
It's a very busy tree but this tree at this time of year is a sugar factory. | 0:01:19 | 0:01:25 | |
While Chris is bird-watching, I'll be meeting some streetwise bees | 0:01:25 | 0:01:29 | |
making honey from the city's blossom. | 0:01:29 | 0:01:32 | |
Oh! That is so good. | 0:01:32 | 0:01:34 | |
And ethnobotanist James Wong has also joined us to explore | 0:01:36 | 0:01:39 | |
the cultural and spiritual links with sakura - | 0:01:39 | 0:01:42 | |
visiting the hidden Buddha on Mount Yoshino. | 0:01:42 | 0:01:46 | |
They are only on show to the public when the sakura are blossoming. | 0:01:46 | 0:01:50 | |
And, if all that isn't enough, we've just about crashed one | 0:01:51 | 0:01:54 | |
of the biggest nature festivals on the planet. | 0:01:54 | 0:01:57 | |
And I've heard, Michaela, that after dark, after a day of drinking sake, | 0:01:57 | 0:02:01 | |
-things can get really wild here. -Really wild. -Really wild! | 0:02:01 | 0:02:04 | |
So welcome to Springwatch in Japan. | 0:02:04 | 0:02:08 | |
It's cherry blossom time. | 0:02:08 | 0:02:10 | |
TRADITIONAL MUSIC | 0:02:10 | 0:02:13 | |
Welcome to Ueno Park in Tokyo, where blossom is in full bloom. | 0:02:33 | 0:02:38 | |
I've got to say, 1,200 trees here, Michaela, | 0:02:38 | 0:02:40 | |
and they are looking fantastic. | 0:02:40 | 0:02:42 | |
We're here to celebrate what has to be one of the most | 0:02:42 | 0:02:44 | |
hotly anticipated and, let's face it, prettiest festivals of spring in the world. | 0:02:44 | 0:02:49 | |
And you can follow what's going on live on our website, | 0:02:49 | 0:02:52 | |
not only in Japan, of course, but all across the UK. | 0:02:52 | 0:02:55 | |
Across Japan there are about a million cherry trees, | 0:02:55 | 0:02:58 | |
and as the blossom blooms, it marks the arrival of spring | 0:02:58 | 0:03:02 | |
in a sort of pink wave across the country from south to north. | 0:03:02 | 0:03:06 | |
The Japanese archipelago covers about 2,000 miles across 20 latitudes | 0:03:06 | 0:03:11 | |
so it takes the cherry blossom, or sakura, as it's called | 0:03:11 | 0:03:15 | |
here in Japan, about 15 weeks to make its appearance | 0:03:15 | 0:03:19 | |
throughout the country. | 0:03:19 | 0:03:21 | |
And it opens when daytime temperatures reach somewhere | 0:03:21 | 0:03:23 | |
between 17 and 20 degrees Centigrade. | 0:03:23 | 0:03:26 | |
What temperature do you think it is today? | 0:03:26 | 0:03:29 | |
-I'm quite hot. I'm a little bit overdressed. -It's not 20 degrees. -It is! | 0:03:29 | 0:03:32 | |
-No, it's not. -You feel the cold. | 0:03:32 | 0:03:33 | |
It's still quite chilly, to be quite honest with you. | 0:03:33 | 0:03:35 | |
Hey, listen, hold on to this map, will you? Let's sit down | 0:03:35 | 0:03:38 | |
and make ourselves comfortable here, | 0:03:38 | 0:03:40 | |
because I can show you how the blossom moves south to north across this archipelago. | 0:03:40 | 0:03:45 | |
So, it started down here on 14th January and, possibly, | 0:03:45 | 0:03:49 | |
the prediction says that it will end up here, on Hokkaido, | 0:03:49 | 0:03:52 | |
close to this little spot here on 9th May. | 0:03:52 | 0:03:56 | |
Now, at the moment we're in Tokyo, here, and, as you can see, | 0:03:56 | 0:03:59 | |
it's pretty much at its prime, but it isn't a simple | 0:03:59 | 0:04:01 | |
south to north relationship. There are a few little discrepancies | 0:04:01 | 0:04:04 | |
and we'll be talking about those later. | 0:04:04 | 0:04:06 | |
But every year is different. | 0:04:06 | 0:04:08 | |
And so, it's a real gamble as to which week you pick to come here. | 0:04:08 | 0:04:12 | |
Come here too early, ahead of the blossom, | 0:04:12 | 0:04:14 | |
come here too late and all you'll see is a carpet of pink. | 0:04:14 | 0:04:17 | |
I think we're spot-on here in Tokyo. | 0:04:17 | 0:04:20 | |
I mean, look at it! It's out in bloom, it's looking absolutely gorgeous. | 0:04:20 | 0:04:24 | |
How long do you think it's going to last? | 0:04:24 | 0:04:26 | |
Well, typically, it goes through a 14 day cycle from bud | 0:04:26 | 0:04:30 | |
to the petals on the ground. | 0:04:30 | 0:04:32 | |
At the moment, I'd say we were possibly on about day ten or 12. | 0:04:32 | 0:04:37 | |
There's still a few more buds to open but there are some that | 0:04:37 | 0:04:40 | |
are already shedding their petals. | 0:04:40 | 0:04:42 | |
We are at peak time. We've hit the mark on this occasion. | 0:04:42 | 0:04:45 | |
But so many people come here to celebrate this festival. | 0:04:45 | 0:04:48 | |
Tokyo is absolutely packed. | 0:04:48 | 0:04:50 | |
Everywhere you go in this park, people are staring up | 0:04:50 | 0:04:53 | |
at the pink blossom. | 0:04:53 | 0:04:55 | |
Hotels are booked months, if not a year, in advance. | 0:04:55 | 0:04:58 | |
It's a fantastic celebration of pink and spring. | 0:04:58 | 0:05:01 | |
It's quite heartening, isn't it? | 0:05:01 | 0:05:03 | |
Millions of people coming out in response to nature. | 0:05:03 | 0:05:06 | |
And millions of them do, not just here in Tokyo | 0:05:06 | 0:05:09 | |
but throughout Japan, and not just Japanese people, people come from overseas too. | 0:05:09 | 0:05:12 | |
That said, it's not just about humans, | 0:05:12 | 0:05:15 | |
it's not just about the blossom, it's about wildlife too, | 0:05:15 | 0:05:18 | |
because this time of year is also known as keichitsu - | 0:05:18 | 0:05:21 | |
the awakening of the creatures. | 0:05:21 | 0:05:23 | |
Japan's long string of Pacific islands | 0:05:27 | 0:05:30 | |
has an extraordinary climate range. | 0:05:30 | 0:05:32 | |
From mid-January, the cherry blossom, or sakura, as it's known, | 0:05:37 | 0:05:41 | |
starts to open in the southern islands where temperatures can | 0:05:41 | 0:05:44 | |
reach a balmy 20 degrees Celsius. | 0:05:44 | 0:05:47 | |
Whilst 2,000 miles away in Japan's far north, | 0:05:50 | 0:05:54 | |
the island of Hokkaido is still gripped by ice and snow. | 0:05:54 | 0:05:57 | |
Only found on Hokkaido, Japanese red-crowned cranes gather | 0:06:01 | 0:06:05 | |
to strengthen their social bonds, | 0:06:05 | 0:06:08 | |
in anticipation of their breeding season when spring finally arrives. | 0:06:08 | 0:06:12 | |
By late March, on the main island of Honshu, in the middle | 0:06:16 | 0:06:19 | |
of the country, spring is in its infancy. | 0:06:19 | 0:06:22 | |
Sakura is replacing the snow | 0:06:24 | 0:06:26 | |
but daytime temperatures are only just drifting into double figures, | 0:06:26 | 0:06:30 | |
and the blossom makes a welcome snack for the Japanese macaques. | 0:06:30 | 0:06:34 | |
But it's at the foot of the archipelago, on Okinawa, | 0:06:38 | 0:06:42 | |
where spring is well underway. | 0:06:42 | 0:06:44 | |
The subtropical waters of the Pacific are teeming | 0:06:48 | 0:06:50 | |
with life, fuelled by Japan's own Gulf Stream, | 0:06:50 | 0:06:54 | |
the Kuroshio Current. | 0:06:54 | 0:06:58 | |
These warm waters draw visitors, large and small, | 0:06:58 | 0:07:01 | |
throughout the year, | 0:07:01 | 0:07:03 | |
but in spring perhaps the most reliable are female green turtles | 0:07:03 | 0:07:07 | |
returning to lay their eggs. | 0:07:07 | 0:07:09 | |
And here is where it all begins. | 0:07:11 | 0:07:14 | |
The warm waters create warm air currents which hit the land, | 0:07:14 | 0:07:18 | |
triggering a wave of pink sakura to sweep up the country, | 0:07:18 | 0:07:23 | |
announcing the arrival of spring. | 0:07:23 | 0:07:26 | |
But, of course, accurately forecasting that journey isn't | 0:07:28 | 0:07:31 | |
as predictable as you might think. | 0:07:31 | 0:07:34 | |
And there's a good geographical reason for that. | 0:07:37 | 0:07:40 | |
There's a warm water current which typically helps spread | 0:07:40 | 0:07:43 | |
the blossom from south to north, but another factor is involved. | 0:07:43 | 0:07:48 | |
A range of mountains that runs down here and they shelter places | 0:07:48 | 0:07:52 | |
like Tokyo from the cold air coming off the Asiatic continental landmass, | 0:07:52 | 0:07:56 | |
which would come across here. | 0:07:56 | 0:07:59 | |
So Tokyo is sheltered. | 0:07:59 | 0:08:00 | |
However Kyoto, down here, no mountains, plenty of cold air | 0:08:00 | 0:08:04 | |
and it suffers from what I'm calling blossom lag. | 0:08:04 | 0:08:07 | |
I don't know what the Japanese for "blossom lag" is but I'm going to look it up. | 0:08:07 | 0:08:11 | |
I've introduced a whole new factor to this festival - blossom lag. | 0:08:11 | 0:08:14 | |
But, despite all that, preparations are still well underway. | 0:08:14 | 0:08:17 | |
So, James went to Nijo Castle, one of the most sacred places in the ancient city, | 0:08:17 | 0:08:22 | |
to look at the history of this spectacular festival. | 0:08:22 | 0:08:25 | |
GENTLE TRADITIONAL MUSIC | 0:08:28 | 0:08:32 | |
Surrounded by magnificent gardens, Kyoto's impressive Nijo Castle | 0:08:38 | 0:08:43 | |
was built over 400 years ago, | 0:08:43 | 0:08:46 | |
but the history of cherry blossom viewing, or hanami, as it's known, | 0:08:46 | 0:08:50 | |
dates back far further here in Japan's ancient capital, | 0:08:50 | 0:08:55 | |
with records going back as far as the eighth century. | 0:08:55 | 0:08:58 | |
But it wasn't always about cherry blossom. | 0:09:00 | 0:09:05 | |
Look at this spectacular plum blossom, | 0:09:05 | 0:09:09 | |
peaking just before the sakura come into flower. | 0:09:09 | 0:09:12 | |
It was originally this guy that the Japanese celebrated. | 0:09:12 | 0:09:16 | |
In fact, it was their national flower. | 0:09:16 | 0:09:18 | |
It was only changed to the sakura later because its blossoming | 0:09:18 | 0:09:21 | |
ties-in perfectly with spring rice planting. | 0:09:21 | 0:09:25 | |
Therefore, the success of the blossom was used to predict | 0:09:25 | 0:09:28 | |
the fortunes of the harvest. | 0:09:28 | 0:09:31 | |
As the symbolism grew, the aristocracy started planting | 0:09:32 | 0:09:36 | |
cherries in their own private gardens. | 0:09:36 | 0:09:39 | |
With the Emperor Saga popularising hanami in the ninth century | 0:09:39 | 0:09:43 | |
by having parties under the blossom at his Imperial Court, | 0:09:43 | 0:09:47 | |
here in Kyoto. | 0:09:47 | 0:09:49 | |
Then, after centuries of being celebrated, | 0:09:50 | 0:09:53 | |
in only the gardens of the elite, a very special | 0:09:53 | 0:09:56 | |
sakura was discovered. | 0:09:56 | 0:09:59 | |
And this is him right here. The somei-yoshino. | 0:09:59 | 0:10:01 | |
It's considered the most beautiful of all cherry blossom. | 0:10:01 | 0:10:05 | |
It's a hybrid that's discovered in the 19th century | 0:10:05 | 0:10:08 | |
and then massively propagated, cloned, so it's | 0:10:08 | 0:10:11 | |
absolutely everywhere, | 0:10:11 | 0:10:13 | |
and for that reason, this single variety makes up 80% of sakura trees in Japan. | 0:10:13 | 0:10:19 | |
And because it's a clone, it's showy blooms are guaranteed | 0:10:19 | 0:10:23 | |
to blossom at the same time as its neighbours, | 0:10:23 | 0:10:25 | |
providing the visual spectacle that is modern hanami. | 0:10:25 | 0:10:30 | |
Finally, a cherry tree for the masses. | 0:10:30 | 0:10:33 | |
Japan's adulation for this blossom brought with it | 0:10:39 | 0:10:42 | |
a commercial explosion. | 0:10:42 | 0:10:44 | |
The sakura season has become big business. | 0:10:44 | 0:10:47 | |
So I'm taking Michaela on a Kyoto shopping trip, where the streets | 0:10:47 | 0:10:51 | |
are quite literally dripping with sakura souvenirs. | 0:10:51 | 0:10:54 | |
We've come into the heart of Kyoto now, to the region they call Gion, | 0:10:55 | 0:10:59 | |
and it's where traditional and modern really do collide, | 0:10:59 | 0:11:02 | |
and there's not a single somei-yoshino cherry tree in sight. | 0:11:02 | 0:11:06 | |
That said, Michaela, there's blossom everywhere. | 0:11:06 | 0:11:09 | |
It's beautiful. It's so pink - and we should have a look! | 0:11:09 | 0:11:12 | |
And blossom is big business. BIG business. | 0:11:12 | 0:11:15 | |
The sakura season is worth billions and billions of dollars to the Japanese economy, | 0:11:20 | 0:11:26 | |
and March and April is the peak time where everyone's looking | 0:11:26 | 0:11:30 | |
for something with sakura in it, with it smelling of sakura, | 0:11:30 | 0:11:34 | |
or basically, something that's just pink! | 0:11:34 | 0:11:36 | |
These are pickled radish flavoured with sakura leaves. | 0:11:38 | 0:11:42 | |
OK. Let's give it a go. Taste that! | 0:11:42 | 0:11:44 | |
Oh! I quite like that. | 0:11:46 | 0:11:48 | |
That's a good taste. | 0:11:48 | 0:11:50 | |
I like the fact that here, Chris, look, we've got sort of sakura | 0:11:52 | 0:11:55 | |
season and Christmas all in one sort of cracker. | 0:11:55 | 0:11:58 | |
-The artwork is amazing! -Look at the little tray that they put it on, | 0:11:58 | 0:12:01 | |
as if it's some sort of valuable watch or something like that, | 0:12:01 | 0:12:04 | |
not something you'd eat. | 0:12:04 | 0:12:06 | |
Look at this! They are presented like jewels! | 0:12:08 | 0:12:11 | |
Like valuable jewels. | 0:12:11 | 0:12:13 | |
Each of these is made by a different confectioner in Kyoto. | 0:12:13 | 0:12:17 | |
They deliver them in the morning and when they're sold in the evening, it's all over. | 0:12:17 | 0:12:20 | |
They've gone forever. And look at this one. It's perfect. | 0:12:20 | 0:12:23 | |
It's like a little blossom. I'd like one of these, please. | 0:12:23 | 0:12:26 | |
That's a sakura leaf, | 0:12:26 | 0:12:28 | |
sakura blossom and inside it's sticky, sweet rice, | 0:12:28 | 0:12:32 | |
all coming in a beautifully packaged box. Of course, it's pink! | 0:12:32 | 0:12:38 | |
So I think I'll have this, please. | 0:12:38 | 0:12:40 | |
This is where the packaging goes to like, er, Love Actually. | 0:12:40 | 0:12:44 | |
Yeah. | 0:12:44 | 0:12:47 | |
It's everything, the whole works. | 0:12:47 | 0:12:49 | |
Matching bag. | 0:12:50 | 0:12:52 | |
Maybe just a little sprinkle of something in there. | 0:12:52 | 0:12:55 | |
If you've got a sweet tooth, the choice of things you could buy | 0:12:55 | 0:12:58 | |
in this supermarket is unbelievable and it all has a sakura theme. | 0:12:58 | 0:13:01 | |
I mean, look at that. That's sweet pink rice. | 0:13:01 | 0:13:03 | |
It's a box within a bag within a bag - and within the box are two of the most | 0:13:03 | 0:13:08 | |
beautiful sweets that I've ever seen in the whole world. | 0:13:08 | 0:13:11 | |
-Well, I'm very pleased with my purchase. -Yes. | 0:13:15 | 0:13:18 | |
You know, there's a Japanese phrase which is that | 0:13:27 | 0:13:30 | |
the first bite is with the eye. | 0:13:30 | 0:13:32 | |
What they mean is, as soon as you see something, | 0:13:32 | 0:13:35 | |
you make a judgment of it. | 0:13:35 | 0:13:37 | |
Therefore, they're really keen on their presentation. | 0:13:37 | 0:13:41 | |
I'm very excited about trying these, I've got to tell you. | 0:13:41 | 0:13:43 | |
Look, come on, take your pick. These look absolutely remarkable. | 0:13:43 | 0:13:48 | |
They really... That is a work of art. | 0:13:48 | 0:13:50 | |
Right, I'm going for the more brightly coloured one. | 0:13:50 | 0:13:55 | |
GENTLE MUSIC PLAYS | 0:13:55 | 0:13:59 | |
CAMERAS CLICK | 0:14:02 | 0:14:05 | |
I know all those sweets were beautifully presented but I have | 0:14:07 | 0:14:11 | |
to say, having tasted them, given the choice now, | 0:14:11 | 0:14:14 | |
-I think I'd prefer a chocolate bar. -No, no, no, no. | 0:14:14 | 0:14:17 | |
The presentation, the presentation was immaculate. It was beautiful! | 0:14:17 | 0:14:21 | |
I love all those sort of clinical shops, everything laid out in tanks. | 0:14:21 | 0:14:24 | |
But it was too much packaging. | 0:14:24 | 0:14:25 | |
Beautiful, but way too much packaging. | 0:14:25 | 0:14:28 | |
It's time to talk blossom now, and of course, all of this | 0:14:28 | 0:14:31 | |
stuff isn't just thrown together willy-nilly. | 0:14:31 | 0:14:33 | |
This takes planning. | 0:14:33 | 0:14:35 | |
It does take planning, but how on earth do you plan a party | 0:14:35 | 0:14:38 | |
if you can't know the date? | 0:14:38 | 0:14:40 | |
If each year the timing of the blossom changes? | 0:14:40 | 0:14:43 | |
Well, as we know from Springwatch, nature has very much an objective | 0:14:43 | 0:14:46 | |
to run to its own schedule, so what we need now is a bit | 0:14:46 | 0:14:50 | |
of a science lesson. Join me as I go back to Kyoto | 0:14:50 | 0:14:53 | |
for a bit of blossom biology. | 0:14:53 | 0:14:56 | |
Let's be frank about it. | 0:15:06 | 0:15:07 | |
In this wonderful avenue of ancient trees at Nijo Castle, | 0:15:07 | 0:15:11 | |
things are still pretty brown at the moment. | 0:15:11 | 0:15:14 | |
And I'm no expert, but I'd say it's going to be a few more days | 0:15:14 | 0:15:18 | |
before this is transformed into an avenue of blossom. | 0:15:18 | 0:15:23 | |
But then the whole process is almost impossible to predict. | 0:15:23 | 0:15:26 | |
And the reason that it's almost impossible to predict is that it | 0:15:29 | 0:15:32 | |
comes down to the vagaries of nature and the weather. | 0:15:32 | 0:15:35 | |
You see, some of these cherry trees need to go through a process | 0:15:35 | 0:15:38 | |
called vernalisation. All sorts of plants do. | 0:15:38 | 0:15:41 | |
The seeds, bulbs and the trees themselves, | 0:15:41 | 0:15:44 | |
and it's all to do with chilling. | 0:15:44 | 0:15:46 | |
Some of these species need to be below freezing | 0:15:46 | 0:15:50 | |
for at least 1,200 hours. | 0:15:50 | 0:15:52 | |
Only then is there any chance at all that they might | 0:15:52 | 0:15:55 | |
open their buds and bloom. | 0:15:55 | 0:15:57 | |
So quite clearly, this tree here has gone through that | 0:15:57 | 0:16:01 | |
vernalisation process, and this one is fully open | 0:16:01 | 0:16:04 | |
and it's looking splendid. | 0:16:04 | 0:16:07 | |
HE SNIFFS And it's got a very delicate aroma. | 0:16:07 | 0:16:10 | |
And of course, the unpredictable nature of this generates a real | 0:16:10 | 0:16:13 | |
sense of anticipation. | 0:16:13 | 0:16:15 | |
And here, even in the rain now, people have got their brollies up | 0:16:15 | 0:16:18 | |
and their hoods up, but they're all standing here taking | 0:16:18 | 0:16:21 | |
photographs of this tree, | 0:16:21 | 0:16:23 | |
and I feel compelled to join in, I have to say. | 0:16:23 | 0:16:25 | |
That's very kind. Thank you very much. Thank you. | 0:16:31 | 0:16:33 | |
Look at that. | 0:16:35 | 0:16:36 | |
Kyoto, cherry blossom in bloom. Chris Packham. | 0:16:36 | 0:16:40 | |
Superb. | 0:16:40 | 0:16:42 | |
BIRDS CHIRP | 0:16:42 | 0:16:44 | |
Chris, you've gone all cheesy on us with your cherry blossom photo. | 0:16:55 | 0:16:57 | |
What do you mean, cheesy? I was just joining in. Everyone was taking photos! | 0:16:57 | 0:17:01 | |
I was just trying to become part of the festival and the culture. | 0:17:01 | 0:17:03 | |
You'll be getting a selfie stick next. | 0:17:03 | 0:17:05 | |
-I feel compelled to join in! -I will not be getting a selfie stick. | 0:17:05 | 0:17:08 | |
-What do you want? -A photo. -This one's more appropriate. | 0:17:08 | 0:17:10 | |
The blossom matches the colour of your coat better. | 0:17:10 | 0:17:13 | |
There we are. Smile. Brilliant. | 0:17:13 | 0:17:16 | |
Thanks! As Chris was saying, the anticipation of the celebration | 0:17:16 | 0:17:20 | |
just adds to the excitement, but of course it's not | 0:17:20 | 0:17:23 | |
all left to chance. | 0:17:23 | 0:17:25 | |
There's a lot of time, effort and money that goes | 0:17:25 | 0:17:27 | |
into getting the timing of the sakura spot-on. | 0:17:27 | 0:17:30 | |
And as you can imagine here in Japan, technology plays its part. | 0:17:30 | 0:17:33 | |
So a few days ago I went to one of the weather agencies | 0:17:33 | 0:17:36 | |
here in Tokyo to see just how exact they can get their predictions. | 0:17:36 | 0:17:41 | |
This is the headquarters of WNI. | 0:17:51 | 0:17:53 | |
It's the largest private weather news agency in Japan. | 0:17:53 | 0:17:57 | |
As you can see, it's all very technical. | 0:17:57 | 0:17:59 | |
Lots of screens with maps and graphs and things on it. | 0:17:59 | 0:18:02 | |
Now, just to give you an idea of how important this whole operation is, | 0:18:02 | 0:18:06 | |
on one side of this room they monitor storms, | 0:18:06 | 0:18:09 | |
hurricanes and earthquakes, and on the other they monitor | 0:18:09 | 0:18:12 | |
the cherry blossom prediction. | 0:18:12 | 0:18:14 | |
And at this time of the year, that's just as important. | 0:18:14 | 0:18:18 | |
They look at temperature, wind conditions and light, | 0:18:18 | 0:18:20 | |
and they also rely heavily on input from the public, who send | 0:18:20 | 0:18:24 | |
in photographs of how their local blossom is progressing. | 0:18:24 | 0:18:28 | |
They can receive up to 3,000 photographs in just one day. | 0:18:28 | 0:18:32 | |
Analysing all that data is Yuri. | 0:18:34 | 0:18:37 | |
Yuri, it's so important for you to get it right. | 0:18:37 | 0:18:40 | |
Do you get nervous at this time of year? | 0:18:40 | 0:18:43 | |
SHE SPEAKS JAPANESE | 0:18:43 | 0:18:46 | |
Well, yes, I feel pressure because it's only one week that | 0:18:52 | 0:18:57 | |
people can see the beautiful sakura tree for a whole year, | 0:18:57 | 0:19:02 | |
so the pressure is on. | 0:19:02 | 0:19:04 | |
Is the bloom later this year? | 0:19:06 | 0:19:08 | |
SHE SPEAKS JAPANESE | 0:19:08 | 0:19:11 | |
It started blooming very early in Tokyo, but afterwards, | 0:19:21 | 0:19:25 | |
the temperature went down, and so it's now very slow, | 0:19:25 | 0:19:29 | |
and in Kyoto it's really late this year, unfortunately. | 0:19:29 | 0:19:32 | |
'Yuri explains that the buds go through seven stages | 0:19:34 | 0:19:37 | |
'before they blossom. | 0:19:37 | 0:19:38 | |
'Over in Kyoto, they've reached stage six, | 0:19:39 | 0:19:42 | |
'so theoretically, in three days, the blossoms should arrive.' | 0:19:42 | 0:19:48 | |
-Thank you so much, thank you. -Arigato gozaimasu. | 0:19:48 | 0:19:51 | |
CHRIS: Sakura forecasting may be a hi-tech affair today, | 0:19:52 | 0:19:55 | |
but traditionally it depended on a few expert individuals, | 0:19:55 | 0:19:59 | |
and the predictability of Japan's prized cherry tree, | 0:19:59 | 0:20:03 | |
the cloned somei-yoshino. | 0:20:03 | 0:20:06 | |
Now, over here, just here, is a cherry tree like no others. | 0:20:06 | 0:20:11 | |
It's more important than this cherry tree here, | 0:20:11 | 0:20:13 | |
and indeed this cherry tree and this cherry tree | 0:20:13 | 0:20:15 | |
because this is the indicator tree for Kyoto. | 0:20:15 | 0:20:19 | |
There are 90 indicator trees spread across Japan, | 0:20:19 | 0:20:21 | |
and it's these trees which determine whether the hanami season | 0:20:21 | 0:20:26 | |
will start here or not. | 0:20:26 | 0:20:28 | |
So, someone has to make that judgment, | 0:20:28 | 0:20:31 | |
and that person is in attendance this morning. | 0:20:31 | 0:20:34 | |
This is Mr Hatoka, and his job is to determine | 0:20:34 | 0:20:38 | |
whether this tree is bursting into bloom or not. | 0:20:38 | 0:20:42 | |
This job is a huge responsibility. | 0:20:42 | 0:20:45 | |
It involves recording the temperature | 0:20:45 | 0:20:47 | |
and checking the tree twice a day, | 0:20:47 | 0:20:49 | |
once in the morning and again in the afternoon. | 0:20:49 | 0:20:53 | |
And he needs at least five buds to have opened | 0:20:53 | 0:20:56 | |
before he can announce the start of Kyoto's sakura season. | 0:20:56 | 0:21:00 | |
No wonder he arrives early and works diligently | 0:21:00 | 0:21:05 | |
because trying to find just five open buds | 0:21:05 | 0:21:09 | |
in amongst this tree of thousands is quite tricky. | 0:21:09 | 0:21:14 | |
-Ah, here, just here. I see. -Yeah, yeah. -Thank you, yeah. | 0:21:17 | 0:21:19 | |
-There were two flowers there. -Two. -Two flowers. | 0:21:19 | 0:21:23 | |
Two flowers completely open, and a few others partially open. | 0:21:23 | 0:21:27 | |
'But is that enough? | 0:21:29 | 0:21:32 | |
'I'm dying to ask the million dollar question.' | 0:21:32 | 0:21:36 | |
Mr Hatoka, is today going to be the day? | 0:21:37 | 0:21:41 | |
HE SPEAKS JAPANESE | 0:21:41 | 0:21:45 | |
-Yes, he thinks. -He thinks it is! | 0:21:45 | 0:21:47 | |
He thinks it is. He thinks it is! Yes! | 0:21:47 | 0:21:50 | |
-The man from Kyoto said yes. -Was he right? | 0:21:57 | 0:22:01 | |
Well, of course he was right. | 0:22:01 | 0:22:02 | |
I wouldn't argue with an expert on that account. | 0:22:02 | 0:22:04 | |
But I was surprised that he announced the start so early, | 0:22:04 | 0:22:07 | |
because the first few partygoers are going to be partying | 0:22:07 | 0:22:10 | |
under trees with very little blossom on them. | 0:22:10 | 0:22:12 | |
I mean, we were there, weren't we? | 0:22:12 | 0:22:13 | |
-And it really wasn't like it is here. -No, nothing like this. | 0:22:13 | 0:22:16 | |
This is absolutely gorgeous. | 0:22:16 | 0:22:17 | |
This is definitely the time to picnic and party. | 0:22:17 | 0:22:20 | |
And on that note, Chris, I have bought a bento box. | 0:22:20 | 0:22:23 | |
I mean, again, beautifully packaged. Look at that. | 0:22:23 | 0:22:26 | |
Shall we open it up? | 0:22:26 | 0:22:28 | |
I love these, though. | 0:22:29 | 0:22:31 | |
This is very different to our cheese and pickle sandwiches | 0:22:31 | 0:22:34 | |
that we get for our takeaway lunch. | 0:22:34 | 0:22:37 | |
Look at that. | 0:22:37 | 0:22:39 | |
They really are like the sort of things | 0:22:39 | 0:22:40 | |
that my mum would have put together in the 1960s | 0:22:40 | 0:22:42 | |
in a Tupperware container. | 0:22:42 | 0:22:44 | |
So this is the equivalent of | 0:22:44 | 0:22:45 | |
sort of white bread, jam and banana sandwiches. | 0:22:45 | 0:22:48 | |
Over here is some Angel Delight. | 0:22:48 | 0:22:50 | |
-I'm going to help myself to a little bit of veg. -Have a carrot. | 0:22:50 | 0:22:53 | |
I am going to try some of this carrot. | 0:22:53 | 0:22:54 | |
It is interesting, though, | 0:22:54 | 0:22:56 | |
they do like a lot of colour in their bento boxes. | 0:22:56 | 0:22:58 | |
And they've certainly fulfilled that with this. | 0:22:58 | 0:23:00 | |
The other thing is that during the season, of course, they are sakura themed, | 0:23:00 | 0:23:03 | |
and they sell millions of these things. | 0:23:03 | 0:23:06 | |
They certainly do. | 0:23:06 | 0:23:07 | |
What do you reckon that is? | 0:23:07 | 0:23:09 | |
I think it's curd or nerd or something. | 0:23:09 | 0:23:12 | |
OK, well, this is definitely fish, | 0:23:12 | 0:23:14 | |
so I'm going to eat some of that. | 0:23:14 | 0:23:17 | |
I quite like bean curd. That's very me. I'm a bit of a tofu girl. | 0:23:17 | 0:23:22 | |
Well, the companies certainly make the most of the sakura season, | 0:23:22 | 0:23:25 | |
but then again, so does some of the wildlife, | 0:23:25 | 0:23:27 | |
as I found out a few days ago. | 0:23:27 | 0:23:29 | |
Thank you. | 0:23:40 | 0:23:43 | |
Now, you may be wondering why I'm sitting in a cafe in Tokyo | 0:23:43 | 0:23:46 | |
having what looks like a latte and a mini pizza | 0:23:46 | 0:23:49 | |
when surely I should be trying something more Japanese | 0:23:49 | 0:23:52 | |
like sushi and sake. | 0:23:52 | 0:23:54 | |
Well, let me tell you. | 0:23:54 | 0:23:55 | |
This is very Japanese because there's a very special, | 0:23:55 | 0:23:59 | |
local, highly sought-after ingredient used in this meal. | 0:23:59 | 0:24:03 | |
And it is this, honey. | 0:24:03 | 0:24:06 | |
And yes, you've guessed it, | 0:24:06 | 0:24:07 | |
at this time of the year, it's made from sakura. | 0:24:07 | 0:24:11 | |
Made by Tokyo's urban bees, | 0:24:11 | 0:24:14 | |
sakura honey only has a very short season. | 0:24:14 | 0:24:17 | |
So each year only a limited amount of this liquid gold is produced, | 0:24:17 | 0:24:22 | |
which means it's in high demand. | 0:24:22 | 0:24:25 | |
I've come to the fashionable Ginza district to meet Mr Tanaka, | 0:24:26 | 0:24:31 | |
the founder of the local honeybee project, | 0:24:31 | 0:24:33 | |
at one of his rooftop honey farms to see what all the buzz is about. | 0:24:33 | 0:24:38 | |
Wow, this is what you call hives at height. | 0:24:41 | 0:24:44 | |
Bees and a view of the city. It's fantastic. | 0:24:44 | 0:24:46 | |
-Mr Tanaka, hello. -Nice to meet you. -And you. And your bees. | 0:24:46 | 0:24:49 | |
-Can I come in? -Slowly and slowly. -Walk slowly and gently. | 0:24:49 | 0:24:53 | |
How many hives do you have here? | 0:24:53 | 0:24:55 | |
Five hives. | 0:24:55 | 0:24:58 | |
'Whilst the sakura season has only just started, | 0:24:58 | 0:25:01 | |
'the bees are already busy.' | 0:25:01 | 0:25:03 | |
This one you can clearly see that it's been out collecting pollen, | 0:25:03 | 0:25:08 | |
in those pollen sacs on its leg. | 0:25:08 | 0:25:10 | |
It must be quite difficult for them to fly with all that. | 0:25:10 | 0:25:13 | |
Yes, for me, two watermelons. | 0:25:13 | 0:25:15 | |
It's like us having two watermelons on your legs! | 0:25:15 | 0:25:18 | |
You can see that. | 0:25:18 | 0:25:20 | |
What species of bee do you have? | 0:25:20 | 0:25:22 | |
European. | 0:25:22 | 0:25:24 | |
They are European bees? OK. | 0:25:24 | 0:25:27 | |
-So these are the workers. -Yes. | 0:25:27 | 0:25:29 | |
They collect the pollen, they look after the brood. | 0:25:29 | 0:25:32 | |
-Ah, this is queen bee. -Oh, yes, you can see. | 0:25:32 | 0:25:36 | |
You can clearly see that that's the queen bee. It's much bigger. | 0:25:36 | 0:25:39 | |
-There's only one queen in each hive. -Yes. -Laying all of the eggs. | 0:25:39 | 0:25:44 | |
Just a moment. | 0:25:46 | 0:25:48 | |
-Is that a baby bee? -Baby, yes. -Oh, look at that! | 0:25:48 | 0:25:52 | |
-Happy birthday. -Happy birthday, Mrs Bee! | 0:25:52 | 0:25:55 | |
Oh, that's fantastic to see that. | 0:25:55 | 0:25:58 | |
Shall I hold it? OK. | 0:25:58 | 0:26:00 | |
I'm not going to upset the queen. I don't want to upset the queen. | 0:26:00 | 0:26:04 | |
So, why do you not use Japanese bees? | 0:26:04 | 0:26:07 | |
Western bees are creating honey. | 0:26:07 | 0:26:10 | |
So they produce more honey? | 0:26:10 | 0:26:12 | |
-They are better workers? -Yes. | 0:26:12 | 0:26:16 | |
'Whilst the Japanese honeybees may not be as good at producing honey, | 0:26:16 | 0:26:20 | |
'they have some other pretty impressive skills, | 0:26:20 | 0:26:24 | |
'especially when faced with their nemesis, | 0:26:24 | 0:26:26 | |
'the Japanese giant hornet. | 0:26:26 | 0:26:29 | |
'It's the largest species of hornet in the world, | 0:26:29 | 0:26:32 | |
'and this aggressive predator can kill up to 40 honeybees a minute. | 0:26:32 | 0:26:38 | |
'However, the native bees have developed | 0:26:38 | 0:26:41 | |
'a successful defence mechanism called bee balling. | 0:26:41 | 0:26:45 | |
'When a hornet tries to invade the hive, | 0:26:46 | 0:26:48 | |
'several hundred bees form a ball around it | 0:26:48 | 0:26:51 | |
'and vibrate their flight muscles to produce heat. | 0:26:51 | 0:26:54 | |
'As the temperature rises, carbon dioxide levels rise too, | 0:26:56 | 0:27:00 | |
'basically cooking and suffocating the hornet | 0:27:00 | 0:27:03 | |
'without harming the bees.' | 0:27:03 | 0:27:06 | |
'It's rare for the European bees to protect themselves in the same way, | 0:27:06 | 0:27:10 | |
'so these high-flyers have their own man-made security system - | 0:27:10 | 0:27:14 | |
'a wire mesh cage letting the small bees in | 0:27:14 | 0:27:17 | |
'and keeping the large hornets out.' | 0:27:17 | 0:27:20 | |
How do you know that it's sakura honey? | 0:27:22 | 0:27:25 | |
-Very easy. -Is it? | 0:27:25 | 0:27:26 | |
-Open the hive... -Yeah. -..strong smell. | 0:27:26 | 0:27:30 | |
-Really? -Yeah. -You can tell from the smell? -Yes. -OK. | 0:27:30 | 0:27:34 | |
OK. | 0:27:34 | 0:27:37 | |
Oh, just put my finger in? | 0:27:37 | 0:27:39 | |
Oh, wow, wow, wow. OK. | 0:27:39 | 0:27:41 | |
Oh, I've got it all over there. | 0:27:41 | 0:27:43 | |
Mmm. | 0:27:43 | 0:27:45 | |
Oh, that is so good. | 0:27:46 | 0:27:49 | |
-Good? -That is so good! | 0:27:49 | 0:27:51 | |
-Really sweet. So that has in it sakura blossom? -Mm. | 0:27:51 | 0:27:56 | |
Mmm, that is really nice, | 0:27:56 | 0:27:59 | |
-and it smells so floral, as well, doesn't it? -Mm. | 0:27:59 | 0:28:02 | |
And that sakura fragrance captured in the honey can be smelt everywhere | 0:28:03 | 0:28:09 | |
at this time of year. | 0:28:09 | 0:28:10 | |
As it percolates through the streets of this modern metropolis, | 0:28:10 | 0:28:14 | |
helping to guide the bees to the best cherry blossom hotspots, | 0:28:14 | 0:28:18 | |
it's a perfume that can guide us, too. | 0:28:18 | 0:28:22 | |
-Wow, look at this! -Many bees. | 0:28:22 | 0:28:23 | |
Yes, where are the bees? | 0:28:23 | 0:28:25 | |
Oh, look here. Here. Here's a bee. | 0:28:25 | 0:28:28 | |
-Pollen. -Oh, yeah. You can see the pollen on the legs. | 0:28:28 | 0:28:33 | |
Why do you love the bees so much? | 0:28:33 | 0:28:35 | |
Because bee connected nature and human. | 0:28:35 | 0:28:40 | |
And not only nature, connecting human to human. | 0:28:40 | 0:28:48 | |
-So the bees connect people to nature and people to people? -Yes. | 0:28:48 | 0:28:53 | |
It's fantastic to have it in the middle of the city. | 0:28:53 | 0:28:56 | |
-Not only buildings. -Yeah. | 0:28:56 | 0:28:58 | |
Buildings and bees! | 0:28:58 | 0:29:00 | |
To the wildlife in Japan, | 0:29:11 | 0:29:13 | |
one cherry tree is pretty much the same as another, | 0:29:13 | 0:29:16 | |
but to the Japanese, they have a hands-down favourite. | 0:29:16 | 0:29:20 | |
The somei yoshino. | 0:29:21 | 0:29:23 | |
There are hundreds of thousands of this one variety across the country | 0:29:26 | 0:29:30 | |
making up these eye-catching displays, | 0:29:30 | 0:29:33 | |
but it's not a natural phenomenon, it's a man-made miracle, | 0:29:33 | 0:29:36 | |
and it's all to do with the way these trees reproduce. | 0:29:36 | 0:29:39 | |
Let me explain. | 0:29:39 | 0:29:42 | |
So here we are. Got to love an anatomical diagram. | 0:29:42 | 0:29:44 | |
So what happens is you have this little thing called a pollen grain | 0:29:44 | 0:29:48 | |
that's floating around, | 0:29:48 | 0:29:49 | |
usually attached to the surface of an insect, | 0:29:49 | 0:29:51 | |
and it gets deposited right here, the surface of the stigma. | 0:29:51 | 0:29:56 | |
When that happens, eventually it starts germinating a structure | 0:29:56 | 0:30:00 | |
called a pollen tube. | 0:30:00 | 0:30:02 | |
That snakes its way down this long corridor called the style, | 0:30:02 | 0:30:07 | |
and for fertilisation to happen, | 0:30:07 | 0:30:09 | |
that actually has to get to the ovary | 0:30:09 | 0:30:11 | |
and deposit its payload of sperm. | 0:30:11 | 0:30:13 | |
The problem is, in this variety | 0:30:13 | 0:30:15 | |
the pollen tube is not quite long enough, | 0:30:15 | 0:30:19 | |
and so fertilisation never takes place. | 0:30:19 | 0:30:21 | |
In this variety the male and female parts just don't fit together. | 0:30:21 | 0:30:25 | |
It's as simple as that. | 0:30:25 | 0:30:26 | |
So the reason this tree has spread throughout the country | 0:30:28 | 0:30:32 | |
is because of cloning. | 0:30:32 | 0:30:34 | |
The method used is called grafting, | 0:30:38 | 0:30:41 | |
where a carefully selected cutting from one plant | 0:30:41 | 0:30:45 | |
is grafted onto the surrogate root of another. | 0:30:45 | 0:30:49 | |
The two form a living bond, continuing to grow as one. | 0:30:50 | 0:30:55 | |
Because there's only one parent tree, | 0:30:57 | 0:31:00 | |
all of these plants look exactly the same. | 0:31:00 | 0:31:03 | |
They're, essentially, just one genetic individual - | 0:31:03 | 0:31:05 | |
a sort of cloned army of physical perfection - | 0:31:05 | 0:31:10 | |
and that's why, although they can't breed, | 0:31:10 | 0:31:12 | |
80% of the sakura trees in Japan look identical, | 0:31:12 | 0:31:16 | |
because they are identical. | 0:31:16 | 0:31:19 | |
But the Japanese passion for sakura isn't just limited | 0:31:19 | 0:31:22 | |
to this one modern variety. | 0:31:22 | 0:31:24 | |
There are dedicated sakura guardians | 0:31:24 | 0:31:27 | |
that care for cherry trees of all types. | 0:31:27 | 0:31:30 | |
They travel all over Japan safeguarding treasured specimens | 0:31:30 | 0:31:33 | |
like the famous 1,000-year-old Takizakura in central Fukushima. | 0:31:33 | 0:31:38 | |
So, I've come to meet one of the most celebrated sakura guardians... | 0:31:42 | 0:31:45 | |
HE SPEAKS JAPANESE | 0:31:45 | 0:31:47 | |
..Mr Sano. | 0:31:47 | 0:31:49 | |
He's the 16th generation in a gardening dynasty | 0:31:49 | 0:31:52 | |
that stretches back to samurai times. | 0:31:52 | 0:31:54 | |
At 89 years old, | 0:31:54 | 0:31:56 | |
he's the most distinguished sakura guardian in Kyoto, | 0:31:56 | 0:32:00 | |
possibly the whole of Japan. | 0:32:00 | 0:32:02 | |
'His lifelong passion is to conserve | 0:32:04 | 0:32:06 | |
'the country's species of wild cherry.' | 0:32:06 | 0:32:09 | |
This one's really beautiful, Mr Sano. What's this one called? | 0:32:11 | 0:32:14 | |
HE SAYS JAPANESE NAME | 0:32:14 | 0:32:17 | |
JAMES REPEATS NAME | 0:32:17 | 0:32:20 | |
When you see a tree like this, | 0:32:20 | 0:32:22 | |
how do you decide whether it's healthy? What do you look for? | 0:32:22 | 0:32:25 | |
You have a hammer? | 0:32:26 | 0:32:29 | |
HOLLOW TAPPING | 0:32:30 | 0:32:32 | |
IN JAPANESE: | 0:32:32 | 0:32:35 | |
Oh! There's a completely different sound. | 0:32:38 | 0:32:42 | |
TAPPING | 0:32:42 | 0:32:45 | |
Wow! It's like a doctor using a stethoscope. | 0:32:45 | 0:32:47 | |
You're using audible signals | 0:32:47 | 0:32:49 | |
to detect which parts of the tree are alive and which parts are dead, | 0:32:49 | 0:32:53 | |
just by tapping and listening to the sound. | 0:32:53 | 0:32:55 | |
And what are you looking for there? | 0:33:01 | 0:33:04 | |
So the more nectar it's producing, it's a sign of good health. | 0:33:10 | 0:33:14 | |
That makes sense. | 0:33:14 | 0:33:15 | |
'Mr Sano doesn't just care for the trees, | 0:33:20 | 0:33:23 | |
'his family have been collecting rare cherry varieties | 0:33:23 | 0:33:26 | |
'and planting them in their cherry orchards for generations. | 0:33:26 | 0:33:30 | |
'He has 150 types, and thousands of individual trees. | 0:33:30 | 0:33:35 | |
'It's a botanical ark.' | 0:33:35 | 0:33:38 | |
The way you talk about cherry trees sometimes, | 0:33:38 | 0:33:41 | |
it's almost like they have spirits. | 0:33:41 | 0:33:44 | |
Japanese people love sakura, | 0:34:02 | 0:34:05 | |
but what is it they love so much about it? | 0:34:05 | 0:34:07 | |
JAMES LAUGHS | 0:34:11 | 0:34:14 | |
I guess it's impossible to explain. | 0:34:14 | 0:34:16 | |
Do you mean that's a difficult question? | 0:34:16 | 0:34:18 | |
What I love is your answer about why you love sakura. | 0:34:31 | 0:34:34 | |
People ask me all the time why I love plants, | 0:34:34 | 0:34:37 | |
and there's no answer - you just love them or you don't. | 0:34:37 | 0:34:40 | |
You can't explain it. | 0:34:40 | 0:34:42 | |
We're in Ueno Park in Tokyo, | 0:34:57 | 0:34:59 | |
and just the other side of that temple is where | 0:34:59 | 0:35:01 | |
everyone is having their picnics and parties. | 0:35:01 | 0:35:04 | |
And, you know, that will go on well into the evening | 0:35:04 | 0:35:07 | |
and apparently it can get really wild after dark. | 0:35:07 | 0:35:10 | |
Wild after dark, but what about wildlife itself? | 0:35:10 | 0:35:12 | |
In particular, birds. | 0:35:12 | 0:35:14 | |
There is one species that has a very close relationship | 0:35:14 | 0:35:17 | |
with the cherry blossom. | 0:35:17 | 0:35:18 | |
In fact, in springtime, for a short period, | 0:35:18 | 0:35:20 | |
it's pretty much dependent upon it. | 0:35:20 | 0:35:22 | |
I wanted to find these birds, so I went off to Kyoto Botanical Garden | 0:35:22 | 0:35:26 | |
in search of them. | 0:35:26 | 0:35:28 | |
Mention Japanese white-eye to anyone here in Japan, | 0:35:36 | 0:35:39 | |
they'll know exactly what you're talking about - | 0:35:39 | 0:35:42 | |
the little green bird in the blossom. | 0:35:42 | 0:35:45 | |
They're a common songbird. | 0:35:45 | 0:35:47 | |
People find them in their gardens, | 0:35:47 | 0:35:48 | |
but they are absolutely synonymous with the sakura. | 0:35:48 | 0:35:52 | |
You'll see them in Japanese paintings, | 0:35:52 | 0:35:54 | |
hanging acrobatically to one of these branches covered in blossom. | 0:35:54 | 0:35:58 | |
Well, you'll see them in the paintings, | 0:35:58 | 0:36:00 | |
but seeing them out here is sometimes a lot more difficult. | 0:36:00 | 0:36:03 | |
You see, they are quite small and they are very fast-moving, | 0:36:03 | 0:36:07 | |
so this could take some time. | 0:36:07 | 0:36:09 | |
Early morning is a good time to look for them | 0:36:13 | 0:36:16 | |
because overnight the blossoms have refilled with nectar. | 0:36:16 | 0:36:20 | |
There are so many different species in these gardens. | 0:36:21 | 0:36:24 | |
Japanese Pygmy woodpeckers... | 0:36:24 | 0:36:28 | |
..Japanese grosbeak, | 0:36:30 | 0:36:32 | |
and dusky thrush. | 0:36:32 | 0:36:35 | |
But still no white-eyes. | 0:36:35 | 0:36:39 | |
Or are there? | 0:36:39 | 0:36:41 | |
There are two. | 0:36:48 | 0:36:50 | |
There are two here. | 0:36:51 | 0:36:52 | |
They are exquisite little birds. | 0:36:59 | 0:37:01 | |
They are very nimble and very acrobatic. | 0:37:05 | 0:37:10 | |
They've got relatively short but very rounded wings | 0:37:12 | 0:37:15 | |
so they can twist and turn, | 0:37:15 | 0:37:17 | |
and you see them doing this as they hop through the bush. | 0:37:17 | 0:37:23 | |
I've seen a lot of white-eyes, | 0:37:23 | 0:37:25 | |
different species around the world | 0:37:25 | 0:37:27 | |
but never Japanese white-eye before, | 0:37:27 | 0:37:29 | |
so this is a tick, a tick for me. | 0:37:29 | 0:37:32 | |
I tell you what else is in here, though, great tit, | 0:37:32 | 0:37:37 | |
and there's a couple of brown or chestnut-eared bulbuls. | 0:37:37 | 0:37:42 | |
It's a very busy tree. | 0:37:43 | 0:37:44 | |
But this tree at this time of year is a sugar factory, | 0:37:44 | 0:37:47 | |
and that resource is not going to be wasted by nature. | 0:37:47 | 0:37:50 | |
So all of these birds have come into this one particularly candy-floss tree | 0:37:50 | 0:37:56 | |
to have their breakfast. | 0:37:56 | 0:37:58 | |
There may be lots of birds feasting on the nectar here, | 0:38:00 | 0:38:04 | |
but few can match the white-eye's efficient design. | 0:38:04 | 0:38:07 | |
And I'm able to perfectly illustrate that | 0:38:09 | 0:38:11 | |
using the ancient Japanese art of origami. | 0:38:11 | 0:38:15 | |
Here we have a white-eye in 400 folds. | 0:38:15 | 0:38:19 | |
And here is a model of the blossom itself. | 0:38:19 | 0:38:24 | |
Now, what you can see is that when the bird is foraging for nectar, | 0:38:24 | 0:38:28 | |
it sticks its beak down here into the flower's nectary | 0:38:28 | 0:38:32 | |
and it's able to reach it, | 0:38:32 | 0:38:34 | |
and inside its mouth, it has a tongue | 0:38:34 | 0:38:36 | |
with a little frilly brush on the end of it | 0:38:36 | 0:38:38 | |
with which it withdraws the nectar very neatly, | 0:38:38 | 0:38:41 | |
like this, without damaging the flower. | 0:38:41 | 0:38:44 | |
From the flower's point of view there's a benefit to this | 0:38:44 | 0:38:47 | |
because it deposits the pollen on the bird's forehead | 0:38:47 | 0:38:50 | |
so that when it flies away | 0:38:50 | 0:38:52 | |
and then comes to the next tree with blossom and it inserts its beak, | 0:38:52 | 0:38:57 | |
it transfers the pollen, effects fertilisation, | 0:38:57 | 0:39:00 | |
and both species are happy. | 0:39:00 | 0:39:03 | |
All explained in paper. | 0:39:03 | 0:39:05 | |
Fantastic. | 0:39:05 | 0:39:06 | |
For the Japanese, the arrival of sakura signals the start of hanami. | 0:39:12 | 0:39:18 | |
Hanami literally translated means looking at flowers, | 0:39:19 | 0:39:24 | |
and for generations it's also been synonymous | 0:39:24 | 0:39:28 | |
with picnics under the blooms. | 0:39:28 | 0:39:31 | |
The sakura season also coincides | 0:39:31 | 0:39:33 | |
with the start of the financial year, | 0:39:33 | 0:39:36 | |
a perfect reason for Japan's hard-working businessmen | 0:39:36 | 0:39:40 | |
to let their hair down and party. | 0:39:40 | 0:39:42 | |
-Hanami! -ALL: -Hanami! | 0:39:44 | 0:39:47 | |
And there is no more prestigious addition to any celebration | 0:39:47 | 0:39:51 | |
than the attendance of Japan's most ancient and enchanting entertainers, | 0:39:51 | 0:39:56 | |
the geisha. | 0:39:56 | 0:39:58 | |
But for the majority it's still very much a family affair, | 0:40:01 | 0:40:05 | |
with most Japanese celebrating with their relatives. | 0:40:05 | 0:40:08 | |
UPBEAT STRING MUSIC PLAYS | 0:40:08 | 0:40:12 | |
James has been invited to join some families | 0:40:19 | 0:40:22 | |
at Kyoto's Daitoku-ji Temple, | 0:40:22 | 0:40:24 | |
where the festivities are also in full swing. | 0:40:24 | 0:40:28 | |
-Hello, everyone. -Hello! -Don't start without me. | 0:40:28 | 0:40:32 | |
Ken, I've got you this. | 0:40:32 | 0:40:33 | |
I've got to confess, I don't know what it is. | 0:40:33 | 0:40:35 | |
Oh, that is a sakura dango. This is dango. | 0:40:35 | 0:40:38 | |
-Oh, so I've got you something you like? -Yeah. | 0:40:38 | 0:40:40 | |
And I've noticed, is that a sakura petal on the top there? | 0:40:40 | 0:40:44 | |
Yeah. That is sakura flower and this is sakura leaf. | 0:40:44 | 0:40:48 | |
I've noticed, Ken, these little adorable characters. | 0:40:48 | 0:40:53 | |
What are these? Explain that to me. | 0:40:53 | 0:40:55 | |
That is for my children. It is, kind of, bear... | 0:40:55 | 0:40:58 | |
-You've it made yourself? -Yes. | 0:40:58 | 0:41:01 | |
So these are very traditional Japanese foods. | 0:41:01 | 0:41:03 | |
Sometimes the children don't like that traditional old taste. | 0:41:03 | 0:41:09 | |
Children like it - pretty shapes. | 0:41:09 | 0:41:12 | |
It seems like children are the same all over the world. | 0:41:12 | 0:41:15 | |
Why is hanami important to you? | 0:41:20 | 0:41:23 | |
Hanami is a New Year event. | 0:41:23 | 0:41:25 | |
-OK. -So, this is special. Very special. | 0:41:25 | 0:41:28 | |
We come together with all my family and join to have a picnic. | 0:41:28 | 0:41:33 | |
That's the most important. | 0:41:33 | 0:41:34 | |
-So, food is... -Secondary. -Secondary, yeah. | 0:41:34 | 0:41:39 | |
-You have three generations. -Yeah. | 0:41:39 | 0:41:40 | |
And you say food is secondary, | 0:41:40 | 0:41:42 | |
but this is the most perfect picnic I've ever seen, | 0:41:42 | 0:41:45 | |
so I'm getting jealous. I want to be part of your family. | 0:41:45 | 0:41:47 | |
THEY LAUGH | 0:41:47 | 0:41:50 | |
-Kanpai. ALL: -Kanpai. | 0:41:50 | 0:41:53 | |
Darkness has fallen here in Ueno Park | 0:42:04 | 0:42:07 | |
and, I have to say, with the blossom fully out, | 0:42:07 | 0:42:09 | |
the parties are in full swing, | 0:42:09 | 0:42:11 | |
and some of these people have been drinking sake, | 0:42:11 | 0:42:14 | |
I think, since about lunchtime. | 0:42:14 | 0:42:15 | |
It's beginning to get a little bit lairy. | 0:42:15 | 0:42:17 | |
I must say, it's a very different feel to the one James was enjoying | 0:42:17 | 0:42:21 | |
which was much more of a family atmosphere. | 0:42:21 | 0:42:23 | |
This is a lot of young people, a lot of students. | 0:42:23 | 0:42:25 | |
As you can see, the cherry blossom is illuminated. | 0:42:25 | 0:42:28 | |
Everyone is trying to get in our shot. | 0:42:28 | 0:42:30 | |
So, Chris said, the sake is flowing | 0:42:30 | 0:42:32 | |
and I think it's about time we joined in. | 0:42:32 | 0:42:34 | |
-I've got a sake in my backpack. -Have you? -Come on, Chris. | 0:42:34 | 0:42:37 | |
I'm going to meet the people. | 0:42:37 | 0:42:39 | |
Well, you meet the people, I'm going to find a sober corner | 0:42:39 | 0:42:42 | |
to hang out with some businessmen, I think. | 0:42:42 | 0:42:44 | |
Obviously, I'm going to look for somebody | 0:42:44 | 0:42:45 | |
that speaks a little bit of English cos my Japanese is terrible. | 0:42:45 | 0:42:49 | |
These guys look nice. | 0:42:49 | 0:42:51 | |
Can I join? | 0:42:54 | 0:42:55 | |
THEY CHEER AND SHOUT | 0:42:55 | 0:42:58 | |
MICHAELA LAUGHS | 0:42:58 | 0:43:00 | |
Oh, my goodness, I've made friends very quickly. | 0:43:01 | 0:43:04 | |
-Do you speak English? -Yes! | 0:43:04 | 0:43:06 | |
OK, look, I have some sake. | 0:43:06 | 0:43:08 | |
One cup! One cup! | 0:43:08 | 0:43:11 | |
Very good. Very good. | 0:43:11 | 0:43:14 | |
Are you all enjoying yourselves? | 0:43:14 | 0:43:16 | |
Oh, my goodness! Sake. | 0:43:18 | 0:43:21 | |
-OK, Cheers! -THEY CHEER | 0:43:21 | 0:43:23 | |
Here's a quieter corner. | 0:43:25 | 0:43:27 | |
I'm not entirely sure this is business going on over here, | 0:43:27 | 0:43:30 | |
but at least it's not a riot. | 0:43:30 | 0:43:31 | |
I'm going to see what they make of this. | 0:43:31 | 0:43:33 | |
-Good evening. -Hi, good evening. | 0:43:36 | 0:43:37 | |
-May I interrupt you briefly? -OK. | 0:43:37 | 0:43:39 | |
-Chris. -Hi. My name is Oka. -Oka? -Yes. | 0:43:39 | 0:43:43 | |
-May I ask you a couple of questions about your picnic? -Yeah, sure. Yeah. | 0:43:43 | 0:43:46 | |
Firstly, why picnic under the blossom? | 0:43:46 | 0:43:48 | |
-A kind of party, you know? -So a good place to party? -Yes. | 0:43:58 | 0:44:01 | |
Will you come tomorrow night? | 0:44:01 | 0:44:03 | |
You're working? | 0:44:08 | 0:44:10 | |
-We can do weekends. -Weekends. | 0:44:10 | 0:44:13 | |
But it's quite cold. | 0:44:13 | 0:44:15 | |
Ah, no, drink! | 0:44:15 | 0:44:16 | |
Oh, you drink and then you get warm. | 0:44:16 | 0:44:18 | |
-MICHAELA LAUGHS -Drink. | 0:44:18 | 0:44:20 | |
-Drink more sake and we get warm. -Much more. -Yes. | 0:44:20 | 0:44:22 | |
That's a good idea. OK. | 0:44:22 | 0:44:24 | |
Will you be at work on time in the morning? | 0:44:26 | 0:44:28 | |
-From nine. -From nine? -Yes. | 0:44:28 | 0:44:31 | |
And all of your friends too? | 0:44:31 | 0:44:33 | |
-Yes, I guess all my friends have work tomorrow, I guess. -OK. | 0:44:33 | 0:44:36 | |
And will this be your only picnic, or will you come back for more? | 0:44:36 | 0:44:39 | |
It's absolutely fantastic, and you know what? | 0:44:43 | 0:44:47 | |
I think this could be a late night, | 0:44:47 | 0:44:50 | |
and it won't be Chris's first on this trip. | 0:44:50 | 0:44:52 | |
Not because he's been out drinking and partying, | 0:44:52 | 0:44:55 | |
but he's been on a mission to find another night-time reveller | 0:44:55 | 0:44:58 | |
that also might make the most of these hanami parties. | 0:44:58 | 0:45:03 | |
I'm on the prowl for a prowler. | 0:45:09 | 0:45:12 | |
It's got a bandit mask, velvet paws, | 0:45:12 | 0:45:15 | |
sneaks around in the shadows. | 0:45:15 | 0:45:17 | |
You might think that I'm talking about a manga character | 0:45:17 | 0:45:20 | |
or even a burglar, | 0:45:20 | 0:45:22 | |
but, no, I'm talking about an animal, the Japanese raccoon dog, | 0:45:22 | 0:45:27 | |
or tanuki, as they call them here. | 0:45:27 | 0:45:29 | |
And what I'm particularly interested in is what they eat | 0:45:29 | 0:45:32 | |
in these urban areas, | 0:45:32 | 0:45:34 | |
and if they take advantage of any of those hanami picnics | 0:45:34 | 0:45:38 | |
taking place under the blossom. | 0:45:38 | 0:45:41 | |
But I have got a problem. | 0:45:41 | 0:45:43 | |
Namely, they're very difficult to find. | 0:45:43 | 0:45:46 | |
They're said to have magical, shape-shifting powers, | 0:45:47 | 0:45:51 | |
and bring good fortune to all of those they meet, | 0:45:51 | 0:45:54 | |
but they are extremely shy. | 0:45:54 | 0:45:57 | |
So, to see one, we've set up an infrared camera | 0:45:57 | 0:46:00 | |
in a piece of woodland quite close by, | 0:46:00 | 0:46:02 | |
and we're tucked away out of sight | 0:46:02 | 0:46:05 | |
so that, hopefully, we don't scare them. | 0:46:05 | 0:46:07 | |
That's if they turn up, of course. | 0:46:07 | 0:46:10 | |
Do you know, I first started waiting to see animals | 0:46:10 | 0:46:14 | |
when I was five years old. | 0:46:14 | 0:46:16 | |
I'm now 55 years old, and guess what, | 0:46:17 | 0:46:20 | |
I'm still waiting to see animals. | 0:46:20 | 0:46:22 | |
But with a little bit of luck, or a tanuki, | 0:46:22 | 0:46:26 | |
tonight could be the night. | 0:46:26 | 0:46:28 | |
Tanuki are a unique subspecies of raccoon dog found only in Japan, | 0:46:31 | 0:46:36 | |
and at this time of year, they start to become more active. | 0:46:36 | 0:46:40 | |
Despite their name and their masked appearance, | 0:46:42 | 0:46:45 | |
they are not a raccoon and they're not a dog. | 0:46:45 | 0:46:47 | |
But they are a member of the canid family, | 0:46:47 | 0:46:50 | |
very distantly related to things like wolves, foxes and jackals. | 0:46:50 | 0:46:54 | |
And just like foxes back at home in the UK | 0:46:55 | 0:46:58 | |
monopolising the ready food supply, | 0:46:58 | 0:47:00 | |
they've taken comfortably to life on the street, | 0:47:00 | 0:47:03 | |
meaning our best chance of spotting one | 0:47:03 | 0:47:06 | |
is actually in the suburbs of Tokyo. | 0:47:06 | 0:47:09 | |
Earlier today I met up with Dr Sekei Takatsuki, | 0:47:11 | 0:47:15 | |
or Taka to his friends, | 0:47:15 | 0:47:17 | |
and he's been studying the local population here | 0:47:17 | 0:47:19 | |
to discover how diverse their feeding habits are. | 0:47:19 | 0:47:23 | |
The thing is, this latrine, Taka, is very close to those houses. | 0:47:23 | 0:47:27 | |
If you were on this balcony later this evening, | 0:47:27 | 0:47:29 | |
there is a good chance you might see them. | 0:47:29 | 0:47:32 | |
Yeah. One day the lady living here told me | 0:47:32 | 0:47:37 | |
she often find raccoon dog walking around here. | 0:47:37 | 0:47:40 | |
-Really? -Yeah. -Yeah. | 0:47:40 | 0:47:41 | |
Taka, I see you've got cameras set-up on the tree here, | 0:47:41 | 0:47:44 | |
-trip cameras. -Yeah. -Do they tell you how many animals are visiting here? | 0:47:44 | 0:47:48 | |
Are you able to identify them as individuals? | 0:47:48 | 0:47:50 | |
-At least three. -At least three? | 0:47:50 | 0:47:52 | |
Because the camera took video, | 0:47:52 | 0:47:55 | |
and two tanuki came and defecated. | 0:47:55 | 0:48:01 | |
Then after that, just after that, another one came, | 0:48:01 | 0:48:05 | |
a different individual. | 0:48:05 | 0:48:08 | |
So I guess at least three, | 0:48:08 | 0:48:11 | |
and probably more use this latrine. | 0:48:11 | 0:48:14 | |
Do we have enough samples, or do you need a couple more? | 0:48:14 | 0:48:16 | |
-One or two more. -One or two more. -Mm-hm. -OK. | 0:48:16 | 0:48:19 | |
-Let's go for this. -Maybe enough. | 0:48:19 | 0:48:22 | |
Some plastic. | 0:48:30 | 0:48:32 | |
-Plastic? -Mm. | 0:48:32 | 0:48:34 | |
This is the seed of dogwood. | 0:48:35 | 0:48:40 | |
-Dogwood? -Yes. | 0:48:40 | 0:48:42 | |
So we've got a mix here of food that they forage for themselves, | 0:48:42 | 0:48:45 | |
like the dogwood, | 0:48:45 | 0:48:46 | |
-and there's more vegetable material in there, as well. -Yeah. | 0:48:46 | 0:48:49 | |
But it looks to me like they've also been scavenging | 0:48:49 | 0:48:51 | |
-around human food remains there. -Yes, right. Yeah. | 0:48:51 | 0:48:55 | |
Taka, given that so many people picnic underneath the cherry trees, | 0:48:55 | 0:48:59 | |
where they then tie up their bags and they leave it behind, | 0:48:59 | 0:49:03 | |
do you think that the tanuki might be tempted | 0:49:03 | 0:49:05 | |
to have a little cherry blossom festival of their own? | 0:49:05 | 0:49:09 | |
In general, yes. | 0:49:09 | 0:49:10 | |
But cherries are planted in parks, | 0:49:10 | 0:49:13 | |
and I don't think raccoon dogs prefer such habitat. | 0:49:13 | 0:49:17 | |
You see, I've seen raccoon dogs in zoos, | 0:49:17 | 0:49:20 | |
but I've never seen one in the wild. | 0:49:20 | 0:49:21 | |
Is there any chance that you might mark some bait | 0:49:21 | 0:49:24 | |
for me to put out tonight | 0:49:24 | 0:49:26 | |
-so that I might get a chance of seeing a tanuki? -Yes. | 0:49:26 | 0:49:29 | |
-Is that possible? -Let's do that, yes. | 0:49:29 | 0:49:32 | |
-I have sausage, so we can do that. -Excellent. | 0:49:32 | 0:49:35 | |
I like a strategically placed sausage myself. | 0:49:37 | 0:49:41 | |
Some are little higher up where we can see that. | 0:49:41 | 0:49:46 | |
-This means for good luck. -Good luck. -Yes. | 0:49:46 | 0:49:49 | |
We are going to need it! | 0:49:49 | 0:49:51 | |
So, as darkness falls, all we can do is wait. | 0:49:56 | 0:50:00 | |
-Yes! Yes! Yes! -Oh, yeah, yeah. | 0:50:15 | 0:50:18 | |
Very nice. | 0:50:20 | 0:50:21 | |
What about that? | 0:50:21 | 0:50:23 | |
-Bang on cue. -Yeah, yeah. | 0:50:23 | 0:50:25 | |
Smelling. | 0:50:25 | 0:50:27 | |
Look at that. | 0:50:27 | 0:50:29 | |
Wow. | 0:50:29 | 0:50:30 | |
THEY LAUGH | 0:50:31 | 0:50:33 | |
What about that? | 0:50:33 | 0:50:35 | |
If I had all the time I'd spent waiting to see animals, | 0:50:38 | 0:50:42 | |
I'd spend all the time I had waiting to see animals, | 0:50:42 | 0:50:45 | |
because when they show up, it's fantastic! | 0:50:45 | 0:50:48 | |
Yes. | 0:50:48 | 0:50:50 | |
THEY LAUGH What about that? | 0:50:54 | 0:50:56 | |
That was great, wasn't it? | 0:50:56 | 0:50:58 | |
Oh, Chris, I'd love to see those tanuki. | 0:50:59 | 0:51:02 | |
They looked so cool. | 0:51:02 | 0:51:04 | |
In fact, do you think if I stay in this park long enough | 0:51:04 | 0:51:06 | |
until it gets really dark - | 0:51:06 | 0:51:07 | |
I could go back and party with those guys - | 0:51:07 | 0:51:09 | |
then I might see one in this park? | 0:51:09 | 0:51:11 | |
I think if you drink as much sake as they've had, | 0:51:11 | 0:51:13 | |
you could see anything in this park, to be quite honest with you! | 0:51:13 | 0:51:15 | |
But unlikely a tanuki. | 0:51:15 | 0:51:17 | |
Although having said that, | 0:51:17 | 0:51:18 | |
Taka did tell me that they do occur right in the centre of Tokyo, | 0:51:18 | 0:51:22 | |
but they like it a little bit quieter, | 0:51:22 | 0:51:24 | |
somewhere where there's plenty of undergrowth for them to hide. | 0:51:24 | 0:51:27 | |
Probably far too many people here. | 0:51:27 | 0:51:29 | |
Although having said that, it has started to quieten down, | 0:51:29 | 0:51:32 | |
-partly because it's got a little bit chilly, hasn't it? -Very nippy. | 0:51:32 | 0:51:35 | |
But, you know, I've absolutely loved being part | 0:51:35 | 0:51:38 | |
of this natural celebration of spring, | 0:51:38 | 0:51:41 | |
and I love the fact that it's all ages that join in. | 0:51:41 | 0:51:44 | |
You know, from the families that James was partying with | 0:51:44 | 0:51:47 | |
to students, to businessmen, to people our age and above, | 0:51:47 | 0:51:52 | |
all generations enjoy this arrival of spring. | 0:51:52 | 0:51:55 | |
And I like the degree of effort they put in to making sure | 0:51:55 | 0:51:58 | |
that they get all of the timing, | 0:51:58 | 0:52:00 | |
all of the predictions exactly right. | 0:52:00 | 0:52:02 | |
I mean, it's big business - that comes into it too - | 0:52:02 | 0:52:04 | |
but you get a real sense of anticipation here. | 0:52:04 | 0:52:06 | |
Everyone's waiting for this blossom, so they can go out and get happy. | 0:52:06 | 0:52:10 | |
Very happy, in some cases. | 0:52:10 | 0:52:11 | |
Do you know what I like, Chris? | 0:52:11 | 0:52:12 | |
I like the fact that this is a very organised, formal society, | 0:52:12 | 0:52:17 | |
but the time to party is dictated by nature. | 0:52:17 | 0:52:20 | |
-It's brilliant. -It is brilliant. | 0:52:20 | 0:52:22 | |
And we've saved perhaps the most brilliant thing till last, | 0:52:22 | 0:52:25 | |
because quite a few hours south of here is a very special spot | 0:52:25 | 0:52:29 | |
where nature and spirituality combine | 0:52:29 | 0:52:32 | |
to produce the world's greatest blossom spectacle, | 0:52:32 | 0:52:35 | |
and James has been lucky enough to go and see it. | 0:52:35 | 0:52:38 | |
Over 300 miles south of Tokyo, | 0:52:42 | 0:52:45 | |
Mount Yoshino is an extraordinary sight. | 0:52:45 | 0:52:49 | |
Covered in 30,000 cherry trees, | 0:52:53 | 0:52:56 | |
it isn't difficult to see why it's known as the pink mountain. | 0:52:56 | 0:53:00 | |
But the spectacle we see today owes its beauty | 0:53:08 | 0:53:11 | |
to a very special relationship. | 0:53:11 | 0:53:13 | |
Mount Yoshino has been a centre of pilgrimage for over 1,000 years, | 0:53:15 | 0:53:21 | |
and Kinpusen Temple is the main site of worship on the mountain. | 0:53:21 | 0:53:25 | |
It's arguably the most important temple in Shugendo, | 0:53:25 | 0:53:29 | |
a Japanese religion of mountain worship. | 0:53:29 | 0:53:32 | |
A religion that largely blends Buddhism and Shintoism. | 0:53:38 | 0:53:42 | |
This head temple was founded in the mid-7th century, | 0:53:42 | 0:53:46 | |
and is listed as a World Heritage Site. | 0:53:46 | 0:53:49 | |
It's home to these magnificent carvings of Zao Gongen, | 0:53:52 | 0:53:58 | |
the mountain deity, | 0:53:58 | 0:54:00 | |
one of the most important figures in the whole of Shegundo, | 0:54:00 | 0:54:04 | |
representing the past, present, and future of Buddha, | 0:54:04 | 0:54:09 | |
and it's such a privilege to be here and able to see them, | 0:54:09 | 0:54:13 | |
because they're only on show to the public | 0:54:13 | 0:54:15 | |
when the sakura are blossoming. | 0:54:15 | 0:54:18 | |
Just a couple of weeks, once a year. | 0:54:18 | 0:54:20 | |
CHANTING AND DRUMMING | 0:54:20 | 0:54:23 | |
The temple was established by En-no-Gyoja, | 0:54:27 | 0:54:30 | |
the fabled founder of the Shugendo religion, | 0:54:30 | 0:54:34 | |
and it's been associated with cherry blossom ever since. | 0:54:34 | 0:54:38 | |
So I'm meeting one of the most important monks here | 0:54:38 | 0:54:41 | |
to find out why. | 0:54:41 | 0:54:43 | |
Goja San, it's such a beautiful temple | 0:54:43 | 0:54:45 | |
right at the top of the mountain, | 0:54:45 | 0:54:47 | |
but why build a temple so high up? | 0:54:47 | 0:54:49 | |
IN JAPANESE: | 0:54:49 | 0:54:51 | |
This mountain in front of us is just incredible, covered in cherry trees. | 0:55:02 | 0:55:07 | |
Is there a reason for that? | 0:55:07 | 0:55:08 | |
People still plant sakura, I'm imagining. | 0:55:42 | 0:55:45 | |
Have you ever planted sakura? | 0:55:45 | 0:55:46 | |
What does sakura mean to you? | 0:55:57 | 0:55:59 | |
The relationship with sakura is so interwoven, | 0:56:46 | 0:56:50 | |
both spiritually and culturally, with people here, | 0:56:50 | 0:56:53 | |
that this sacred tree will be planted for generations to come, | 0:56:53 | 0:56:58 | |
ensuring that Mount Yoshino continues to turn pink | 0:56:58 | 0:57:01 | |
for another thousand years. | 0:57:01 | 0:57:04 | |
What a thing. | 0:57:12 | 0:57:13 | |
What a thing! That was amazing. | 0:57:13 | 0:57:15 | |
Absolutely stunning. | 0:57:15 | 0:57:17 | |
Stunning indeed, but you know, Michaela, | 0:57:17 | 0:57:20 | |
I've been thinking about the Japanese | 0:57:20 | 0:57:21 | |
and their obsession with this blossom, | 0:57:21 | 0:57:23 | |
and it's highlighted, for me, a real contrast | 0:57:23 | 0:57:26 | |
in the country and its culture. | 0:57:26 | 0:57:27 | |
I mean, some aspects of it I find incredibly confusing, | 0:57:27 | 0:57:30 | |
desperately frustrating. | 0:57:30 | 0:57:32 | |
Others are very exciting and alluring. | 0:57:32 | 0:57:34 | |
I would love to come back | 0:57:34 | 0:57:36 | |
and witness and enjoy this fantastic spring festival again. | 0:57:36 | 0:57:40 | |
Chris, have you noticed how the blossom looks down? | 0:57:40 | 0:57:43 | |
It's almost as if it appreciates and thrives | 0:57:43 | 0:57:46 | |
on people looking up at it. | 0:57:46 | 0:57:47 | |
Or do you think I've had too much sake? | 0:57:47 | 0:57:49 | |
You might have had a little bit too much sake there! | 0:57:49 | 0:57:52 | |
But what I do love is the fact that the blossom has | 0:57:52 | 0:57:54 | |
a short, showy, spectacular life that people applaud and celebrate, | 0:57:54 | 0:58:00 | |
and it's all in glorious pink. | 0:58:00 | 0:58:02 | |
I mean, what's not to love? | 0:58:02 | 0:58:04 |