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Who are we? | 0:00:02 | 0:00:04 | |
What makes us tick? | 0:00:06 | 0:00:08 | |
How do our minds work? | 0:00:10 | 0:00:12 | |
For centuries, these questions were largely left | 0:00:13 | 0:00:17 | |
to philosophers and theologians. | 0:00:17 | 0:00:19 | |
Then, around 100 years ago, | 0:00:21 | 0:00:23 | |
a new science opened a window on the inner workings of the mind. | 0:00:23 | 0:00:28 | |
It was called experimental psychology. | 0:00:28 | 0:00:31 | |
In this series, I will explore the history of how this new science | 0:00:36 | 0:00:40 | |
revealed things about human nature that were surprising, | 0:00:40 | 0:00:43 | |
and often profoundly shocking. | 0:00:43 | 0:00:45 | |
ELECTRICAL CRACKLE | 0:00:45 | 0:00:47 | |
-The experiment requires that we continue... -But he might be dead! | 0:00:47 | 0:00:50 | |
Ever since I was a medical student, | 0:00:50 | 0:00:52 | |
I have been fascinated by psychology, by its brutal history, | 0:00:52 | 0:00:56 | |
and by how far some researchers have been prepared to go | 0:00:56 | 0:01:00 | |
in the search for answers. | 0:01:00 | 0:01:02 | |
This time, I'm investigating how studying the abnormal brain | 0:01:11 | 0:01:15 | |
has shone a bright light on to the workings of the normal brain. | 0:01:15 | 0:01:20 | |
It got totally out of control, | 0:01:20 | 0:01:23 | |
he's smacking me and hitting me and pulling my hair out. | 0:01:23 | 0:01:26 | |
When the brain is damaged by natural causes, | 0:01:28 | 0:01:31 | |
or by operations that go wrong, | 0:01:31 | 0:01:33 | |
the bizarre symptoms that sometimes then result | 0:01:33 | 0:01:37 | |
are often extremely illuminating. | 0:01:37 | 0:01:40 | |
< Can you tell me that number? | 0:01:42 | 0:01:44 | |
Five. > | 0:01:44 | 0:01:45 | |
What we've learnt from experiments done on these unique, | 0:01:47 | 0:01:51 | |
unfortunate individuals, has implications for us all. | 0:01:51 | 0:01:55 | |
It's taught us astonishing things, | 0:01:56 | 0:01:59 | |
not just how the brain works, but its hidden potential. | 0:01:59 | 0:02:03 | |
I'm actually using it pretty much like I would use vision. | 0:02:03 | 0:02:07 | |
Excellent. | 0:02:09 | 0:02:10 | |
Angela, a 45-year-old mother, has been having epileptic fits. | 0:02:23 | 0:02:29 | |
-NURSE: -One, two, three. | 0:02:29 | 0:02:31 | |
Her temporal lobe is damaged, | 0:02:31 | 0:02:33 | |
creating of electrical impulses that spread across her brain | 0:02:33 | 0:02:37 | |
causing frequent, uncontrollable seizures. | 0:02:37 | 0:02:41 | |
Drugs haven't worked, so she's opted for a more radical treatment. | 0:02:42 | 0:02:46 | |
We're going to take out roughly a line like... | 0:02:50 | 0:02:54 | |
-A line like that. -Right. | 0:02:54 | 0:02:56 | |
Her surgeon, Paul Eldridge, is about to remove part of her brain. | 0:02:56 | 0:03:02 | |
The damage lies deep inside the brain, beneath the temporal lobe. | 0:03:02 | 0:03:07 | |
Paul has to open her skull and navigate | 0:03:07 | 0:03:10 | |
through critical regions of her brain to reach the area. | 0:03:10 | 0:03:15 | |
It is an extremely delicate procedure. | 0:03:15 | 0:03:18 | |
It should end Angela's fits, but there are significant risks. | 0:03:18 | 0:03:23 | |
The knowledge to make this operation possible has been hard-won. | 0:03:28 | 0:03:32 | |
Success relies on a detailed understanding | 0:03:32 | 0:03:36 | |
of what different parts of the brain do. | 0:03:36 | 0:03:39 | |
We all know that thoughts, ideas, beliefs, | 0:03:39 | 0:03:42 | |
the things that make us human, are somehow generated | 0:03:42 | 0:03:46 | |
within this lump of grey porridge up here in our heads. | 0:03:46 | 0:03:50 | |
But until relatively recently, that wasn't fully understood. | 0:03:50 | 0:03:54 | |
In fact, up until about 150 years ago, | 0:03:54 | 0:03:58 | |
we knew very little about what the human brain actually did. | 0:03:58 | 0:04:02 | |
MECHANICAL WHIRRING | 0:04:03 | 0:04:05 | |
So, how did doctors begin to put it all together? | 0:04:07 | 0:04:11 | |
How did they first start to map the brain? | 0:04:11 | 0:04:15 | |
I've come to Paris to see a very special brain, | 0:04:29 | 0:04:33 | |
because it kick-started the whole of modern neuroscience | 0:04:33 | 0:04:36 | |
and it also utterly transformed our understanding | 0:04:36 | 0:04:39 | |
of how our own brains work. | 0:04:39 | 0:04:41 | |
The brain I'm looking for should be in this room here. | 0:04:45 | 0:04:49 | |
Ha! Wow. | 0:04:49 | 0:04:51 | |
Wow... | 0:04:53 | 0:04:54 | |
Anatomists in the 19th century made great strides in understanding | 0:05:06 | 0:05:11 | |
how the key organs in the body work. | 0:05:11 | 0:05:14 | |
And through studying deformed and diseased specimens, | 0:05:14 | 0:05:17 | |
such as these at the Dupuytren Museum, | 0:05:17 | 0:05:20 | |
they were able to learn how our organs develop. | 0:05:20 | 0:05:24 | |
But by far the hardest organ to study was the brain. | 0:05:24 | 0:05:27 | |
Unlike other organs, you cannot guess which bits of the brain do | 0:05:27 | 0:05:31 | |
what simply by looking at them. | 0:05:31 | 0:05:34 | |
Then, in 1861, a surgeon was called to the bedside of a dying man. | 0:05:34 | 0:05:40 | |
His name was Leborgne, and we know relatively little about him. | 0:05:41 | 0:05:46 | |
Legend has it that as a young man he contracted syphilis, | 0:05:46 | 0:05:49 | |
rather like this unfortunate over here. | 0:05:49 | 0:05:52 | |
And as a result of that, he lost the power of speech, | 0:05:52 | 0:05:55 | |
apart from the ability to say one word, "tan". | 0:05:55 | 0:05:58 | |
Leborgne had gangrene in his right leg, | 0:06:01 | 0:06:04 | |
and local surgeon Paul Broca was asked to examine him. | 0:06:04 | 0:06:07 | |
Broca became intrigued by Leborgne's unusual speech impediment. | 0:06:07 | 0:06:13 | |
His voice box was undamaged, and he clearly understood questions, | 0:06:13 | 0:06:18 | |
so why could he only say "tan"? | 0:06:18 | 0:06:21 | |
Broca could do nothing for Leborgne. | 0:06:25 | 0:06:27 | |
The gangrene spread, and he died two days later. | 0:06:27 | 0:06:30 | |
The important thing is, Broca knew he had a unique opportunity | 0:06:30 | 0:06:34 | |
and he seized it with both hands. | 0:06:34 | 0:06:36 | |
He got out his saw, he cut open Leborgne's head, | 0:06:36 | 0:06:40 | |
and he extracted his brain, this brain. | 0:06:40 | 0:06:44 | |
This is the brain that Broca removed. | 0:06:44 | 0:06:48 | |
It's in pretty manky condition, but then again, it's 150 years old. | 0:06:48 | 0:06:53 | |
And it is fairly obvious, when you look at it, where the damage lies, | 0:06:53 | 0:06:57 | |
it's this region over here. | 0:06:57 | 0:07:00 | |
Broca was able to put two and two together. | 0:07:00 | 0:07:04 | |
Leborgne had suffered from a severe problem with his speech - | 0:07:04 | 0:07:08 | |
he could only say, "tan, tan". | 0:07:08 | 0:07:09 | |
There's a big chunk of his brain missing here. | 0:07:09 | 0:07:12 | |
Well, that suggested to Broca that this area here | 0:07:12 | 0:07:16 | |
must be responsible for speech. | 0:07:16 | 0:07:18 | |
When news of his discovery got out, Broca became extremely famous. | 0:07:20 | 0:07:26 | |
He modestly lent his own name to the region he'd uncovered. | 0:07:26 | 0:07:30 | |
It's known as "Broca's area". | 0:07:30 | 0:07:32 | |
Whatever caused Leborgne's unfortunate brain damage, | 0:07:34 | 0:07:39 | |
his life and then death | 0:07:39 | 0:07:40 | |
helped Paul Broca establish a important principle, | 0:07:40 | 0:07:43 | |
that different parts of the brain have different skills, | 0:07:43 | 0:07:46 | |
they do different things. | 0:07:46 | 0:07:48 | |
It's something called localisation. | 0:07:48 | 0:07:51 | |
Localisation is at the heart of our understanding | 0:07:53 | 0:07:57 | |
of how the brain works. | 0:07:57 | 0:07:58 | |
Today, scientists are still trying to work out, in ever finer detail, | 0:07:58 | 0:08:03 | |
exactly what different parts of the brain do. | 0:08:03 | 0:08:07 | |
And it is still patients with damaged brains who offer | 0:08:07 | 0:08:11 | |
the greatest insights. | 0:08:11 | 0:08:13 | |
An area that continues to fascinate is the area | 0:08:13 | 0:08:17 | |
that Paul Broca himself studied - language. | 0:08:17 | 0:08:20 | |
SHE SPEAKS IN GERMAN | 0:08:24 | 0:08:27 | |
Julia Sedera is fluent in German, Spanish and English. | 0:08:27 | 0:08:32 | |
She used to work as a management consultant. | 0:08:32 | 0:08:35 | |
I used to be on the phone all the time. I used to talk, talk, talk. | 0:08:39 | 0:08:43 | |
But then, three years ago, she had a massive stroke. | 0:08:43 | 0:08:48 | |
I could say absolutely nothing. | 0:08:48 | 0:08:51 | |
When I had to say something, I couldn't even say my... | 0:08:51 | 0:08:55 | |
Um, my husband's man - name, his name, I couldn't even say his name. | 0:08:55 | 0:08:59 | |
The only thing I knew was Sophia. | 0:08:59 | 0:09:01 | |
She seems to have recovered well, | 0:09:06 | 0:09:09 | |
but when her speech is tested at University College, London, | 0:09:09 | 0:09:13 | |
a very different picture emerges. | 0:09:13 | 0:09:16 | |
-You're going to look at the picture. -OK. -And tell me what it is. | 0:09:16 | 0:09:20 | |
Pi, pi, pe, pa, perry, pa, pike, perry, peak. | 0:09:20 | 0:09:26 | |
That's it. | 0:09:26 | 0:09:28 | |
-Pi? -Pi, perry, pay, | 0:09:28 | 0:09:32 | |
pa, no. | 0:09:32 | 0:09:35 | |
Can you tell me anything about it? | 0:09:35 | 0:09:37 | |
It's hot, it's very good, in Brazil loads of people eat that a lot. | 0:09:37 | 0:09:41 | |
Julia is unable to name things. | 0:09:43 | 0:09:47 | |
You can buy them, they're called, le, be, ah, bet. | 0:09:47 | 0:09:53 | |
What do you do with it? | 0:09:54 | 0:09:56 | |
Put it in there, paper. | 0:09:56 | 0:09:59 | |
Envel? | 0:09:59 | 0:10:01 | |
-Again. -Envelope. -Elephone? | 0:10:01 | 0:10:04 | |
Envelope. | 0:10:04 | 0:10:06 | |
For neurologist Cathy Price, | 0:10:06 | 0:10:08 | |
rare cases like Julia are an invaluable opportunity | 0:10:08 | 0:10:11 | |
to learn more about the intricacies of speech. | 0:10:11 | 0:10:15 | |
It's very clear when you're speaking to her, | 0:10:15 | 0:10:18 | |
that she understands what is happening, what she's looking at. | 0:10:18 | 0:10:23 | |
Rum, brum, brum, tummel. | 0:10:23 | 0:10:26 | |
She's also able to generate a lot of speech that sounds very fluent. | 0:10:26 | 0:10:30 | |
The problem that she has is linking up. | 0:10:30 | 0:10:35 | |
Finding the right words to describe the meanings she's thinking of. | 0:10:35 | 0:10:39 | |
Jur, juri, du, jury, | 0:10:39 | 0:10:41 | |
jury, ah, jury. | 0:10:41 | 0:10:45 | |
-Are you talking about Egypt? -Yes, that one. | 0:10:45 | 0:10:48 | |
-Tell me how you feel when you're doing this. -I just... | 0:10:48 | 0:10:53 | |
I've no idea how to say it, I can't even think about it. | 0:10:53 | 0:10:58 | |
I know exactly what it is, but there is no idea what I can say, | 0:10:58 | 0:11:01 | |
I don't know what I should say, I just can't say it. | 0:11:01 | 0:11:04 | |
Unlike Broca, who could only study his patients after they died, | 0:11:06 | 0:11:10 | |
Cathy can look at Julia's brain | 0:11:10 | 0:11:12 | |
while it's processing language, to see what's gone wrong. | 0:11:12 | 0:11:16 | |
"Dome". | 0:11:16 | 0:11:17 | |
"Cow". | 0:11:18 | 0:11:20 | |
Looking at Julia's scan, | 0:11:22 | 0:11:23 | |
the first surprise is her Broca's area is completely intact. | 0:11:23 | 0:11:28 | |
The damage is further back in her brain. | 0:11:31 | 0:11:34 | |
This is a picture of the structure of Julia's brain. | 0:11:36 | 0:11:39 | |
We can see a dark area here, in the parietal cortex, | 0:11:39 | 0:11:43 | |
where the stroke has caused quite a lot of damage. | 0:11:43 | 0:11:47 | |
This is one of many areas of the brain | 0:11:49 | 0:11:52 | |
which are now known to be involved in creating speech. | 0:11:52 | 0:11:56 | |
The scan also shows Cathy which areas light up | 0:11:56 | 0:12:00 | |
when Julia tries to speak, which she can compare to a healthy brain. | 0:12:00 | 0:12:04 | |
The red signal shows that the undamaged Broca's area is active. | 0:12:04 | 0:12:10 | |
The adjacent blue area is where the damage lies. | 0:12:10 | 0:12:15 | |
What you can see here in the blue area | 0:12:15 | 0:12:17 | |
is that she's got less activation than normal. | 0:12:17 | 0:12:20 | |
And this fits in with her symptoms, in so far as this area here | 0:12:20 | 0:12:24 | |
is important for, for translating visual information into speech. | 0:12:24 | 0:12:31 | |
It's because this blue area is damaged | 0:12:31 | 0:12:33 | |
that Julia can't say "pineapple", even though she knows what it is. | 0:12:33 | 0:12:38 | |
But there's one other fascinating finding. | 0:12:38 | 0:12:42 | |
What's interesting is that this yellow area here, | 0:12:42 | 0:12:45 | |
in the anterior part of the temporal lobe, | 0:12:45 | 0:12:48 | |
and this is an area of the brain that's associated with meaning, | 0:12:48 | 0:12:51 | |
this area's more activated, | 0:12:51 | 0:12:53 | |
which suggests that she's relying more on the meaning of the word | 0:12:53 | 0:12:57 | |
to work out how to say it. | 0:12:57 | 0:12:59 | |
Julia is one of hundreds of stroke victims who are contributing | 0:12:59 | 0:13:04 | |
to Cathy's ambitious project to produce a detailed map | 0:13:04 | 0:13:08 | |
of brain areas we use for language. | 0:13:08 | 0:13:11 | |
We now know that there are many, many regions of the brain | 0:13:11 | 0:13:14 | |
that are involved in language. | 0:13:14 | 0:13:15 | |
We could probably label half the brain "involved in language". | 0:13:15 | 0:13:20 | |
And the new research is trying to break those areas down | 0:13:20 | 0:13:23 | |
into smaller and smaller components, | 0:13:23 | 0:13:26 | |
where we understand how different areas of the brain | 0:13:26 | 0:13:29 | |
respond in a much more precise way. | 0:13:29 | 0:13:31 | |
I think that's very good. | 0:13:33 | 0:13:35 | |
This picture of language ability spread right across the brain | 0:13:35 | 0:13:39 | |
helps explain Julia's partial recovery. | 0:13:39 | 0:13:42 | |
Although she's lost a big chunk of brain, Julia communicates | 0:13:46 | 0:13:50 | |
by using some of the remaining, undamaged language areas. | 0:13:50 | 0:13:55 | |
I can't say this and that, but I can say, "Can you help me, please?" | 0:13:56 | 0:14:00 | |
that way or that way, and it, like playing around what I have to say. | 0:14:00 | 0:14:04 | |
And I'm so much more myself again, | 0:14:04 | 0:14:06 | |
And I think, "I can't say all these things, so what?" | 0:14:06 | 0:14:09 | |
I can help with that. I can do what I think I need. | 0:14:09 | 0:14:15 | |
Taking off the top bit will give me... | 0:14:21 | 0:14:24 | |
It's an hour into Angela's operation. | 0:14:24 | 0:14:26 | |
Paul is carefully cutting his way through an area | 0:14:26 | 0:14:29 | |
called the anterior temporal lobe. | 0:14:29 | 0:14:32 | |
He's about a centimetre from the area that's triggering her epilepsy. | 0:14:32 | 0:14:37 | |
Temporal lobe down here, so that's going to be coming out. | 0:14:37 | 0:14:42 | |
He's picked his way through Angela's brain | 0:14:42 | 0:14:46 | |
without doing her serious harm, thanks to maps. | 0:14:46 | 0:14:48 | |
Maps based on years of painstaking experimentation. | 0:14:48 | 0:14:52 | |
It means Paul knows which areas are safe to pass through. | 0:14:52 | 0:14:56 | |
What should that bit of brain be doing? | 0:14:56 | 0:14:59 | |
Not much, so that if you take it out, not much seems to happen. | 0:14:59 | 0:15:04 | |
It's hard to believe there are bits of brain that don't do anything. | 0:15:04 | 0:15:07 | |
-They used to be known as the "silent areas". -Right. | 0:15:07 | 0:15:10 | |
Now Paul really has an excellent idea of where he is, | 0:15:13 | 0:15:18 | |
he's got all this technology around him. | 0:15:18 | 0:15:20 | |
But in the early days of neuroscience, | 0:15:20 | 0:15:22 | |
they had very imprecise maps | 0:15:22 | 0:15:25 | |
and as a result, mistakes were made and terrible tragedies occurred. | 0:15:25 | 0:15:30 | |
But from those tragedies, the greatest lessons were learned. | 0:15:30 | 0:15:36 | |
Perhaps the most notorious example of a surgical intervention | 0:15:44 | 0:15:48 | |
that went horribly wrong occurred in 1953. | 0:15:48 | 0:15:51 | |
For a long time, the patient, Henry Molaison, | 0:15:54 | 0:15:59 | |
was one of psychology's most closely guarded secrets - | 0:15:59 | 0:16:04 | |
known only by his initials, HM. | 0:16:04 | 0:16:08 | |
-TAPE: -Do you know what you did yesterday? -No, I don't. | 0:16:15 | 0:16:18 | |
How about this morning? | 0:16:18 | 0:16:21 | |
I don't even remember that. | 0:16:21 | 0:16:23 | |
Can you tell me what day of the week it is? | 0:16:27 | 0:16:31 | |
No, I can't. | 0:16:31 | 0:16:33 | |
An accident when he was young triggered a chain of events | 0:16:37 | 0:16:41 | |
that robbed Henry of a normal life, | 0:16:41 | 0:16:43 | |
but helped science unravel one of the great mysteries of the mind, | 0:16:43 | 0:16:48 | |
how our memories work. | 0:16:48 | 0:16:50 | |
When he was seven years old, Henry was playing in the street. | 0:16:54 | 0:16:59 | |
Something caught his eye and he ran out onto the road. | 0:16:59 | 0:17:03 | |
He was knocked to the ground by a passing bicycle. | 0:17:09 | 0:17:13 | |
A trivial-sounding accident, the sort that happens all the time. | 0:17:13 | 0:17:17 | |
Young Henry needed a number of stitches in his head, | 0:17:20 | 0:17:23 | |
but seemed otherwise OK. | 0:17:23 | 0:17:25 | |
Yet this trivial incident would shape his entire life, | 0:17:25 | 0:17:30 | |
and would eventually lead to his becoming the most studied person | 0:17:30 | 0:17:33 | |
in the whole history of psychology. | 0:17:33 | 0:17:36 | |
At first, things carried on normally, Henry played with friends, | 0:17:38 | 0:17:43 | |
went on trips with his father. | 0:17:43 | 0:17:46 | |
But increasingly, he found himself having vacant periods | 0:17:46 | 0:17:50 | |
that he couldn't account for. | 0:17:50 | 0:17:52 | |
On his 16th birthday, Henry got into his parents' car | 0:17:56 | 0:18:00 | |
and prepared to head off to town to celebrate. | 0:18:00 | 0:18:04 | |
As they crossed the bridge into Hartford, | 0:18:07 | 0:18:10 | |
Henry's body seized up, his limbs and head jerking violently. | 0:18:10 | 0:18:16 | |
The childhood head injury had left a terrible legacy - epilepsy. | 0:18:16 | 0:18:22 | |
From then on, Henry's life was dominated by his illness. | 0:18:22 | 0:18:26 | |
In the 1940s, attitudes were less enlightened. | 0:18:26 | 0:18:30 | |
His father turned his back on him, | 0:18:30 | 0:18:32 | |
saying it was "shameful to have a mental in the family". | 0:18:32 | 0:18:37 | |
By age 27, he was having massive seizures on a weekly basis. | 0:18:40 | 0:18:45 | |
Something had to be done. | 0:18:45 | 0:18:47 | |
He was referred to a local surgeon, William Scoville, | 0:18:51 | 0:18:55 | |
whose chief specialities were ruptured discs and lobotomies. | 0:18:55 | 0:19:00 | |
A colleague of Scoville's described him as a free spirit, | 0:19:02 | 0:19:06 | |
unfettered by rules or regulations. | 0:19:06 | 0:19:08 | |
Probably not the sort of man you'd want operating on your son. | 0:19:08 | 0:19:12 | |
Scoville thought an area of the brain called the hippocampus | 0:19:14 | 0:19:18 | |
might be causing Henry's epilepsy. | 0:19:18 | 0:19:20 | |
Little was known about this region, | 0:19:20 | 0:19:23 | |
and surgeons hadn't dared penetrate that deeply into the brain. | 0:19:23 | 0:19:27 | |
So, on no more than a hunch, | 0:19:27 | 0:19:29 | |
Scoville decided to remove Henry's hippocampus and see what happened. | 0:19:29 | 0:19:35 | |
With Henry anaesthetised, but fully awake, | 0:19:35 | 0:19:39 | |
Scoville drilled into his skull, then pulled out his favourite tool. | 0:19:39 | 0:19:44 | |
He inserted a silver straw deep into Henry's brain | 0:19:44 | 0:19:48 | |
and then started to suck. | 0:19:48 | 0:19:51 | |
Since Henry was awake throughout, you wonder what he made of it. | 0:19:51 | 0:19:55 | |
By the time Scoville paused for breath, | 0:19:55 | 0:19:58 | |
he had sucked out the entire structure known as the hippocampus, | 0:19:58 | 0:20:02 | |
and some of the cells around it. | 0:20:02 | 0:20:03 | |
Not surprisingly, Henry emerged from the operation a changed man. | 0:20:10 | 0:20:15 | |
He still had his personality and his IQ, | 0:20:15 | 0:20:18 | |
but he could no longer form new memories. | 0:20:18 | 0:20:22 | |
It was like he was lost in a deep fog. | 0:20:22 | 0:20:24 | |
He could remember his childhood, | 0:20:24 | 0:20:26 | |
and up to the operation, but nothing after that. | 0:20:26 | 0:20:30 | |
-TAPE: Well, I possibly had an operation or something. -Uh-huh? | 0:20:34 | 0:20:38 | |
-Tell me about that. -I don't remember it. | 0:20:38 | 0:20:41 | |
Do you remember your doctor's name? | 0:20:41 | 0:20:44 | |
No, I don't. | 0:20:44 | 0:20:46 | |
-Does the name Doctor Scoville sound familiar? -Yes, that does. | 0:20:46 | 0:20:50 | |
Tell me about Doctor Scoville. | 0:20:50 | 0:20:53 | |
Well, he did medical research on people. | 0:20:53 | 0:20:57 | |
At first, Doctor Scoville seemed unconcerned by his error. | 0:20:59 | 0:21:05 | |
Apparently, he went home to his wife and said, | 0:21:05 | 0:21:08 | |
"Guess what? I tried to cut the epilepsy out of a patient, | 0:21:08 | 0:21:12 | |
"and instead took his memory. What a trade!" | 0:21:12 | 0:21:16 | |
He admitted that the surgery had been frankly experimental, | 0:21:17 | 0:21:22 | |
and urged other surgeons not to repeat his dreadful mistake. | 0:21:22 | 0:21:26 | |
One thing Scoville did get right was he kept meticulous notes | 0:21:36 | 0:21:40 | |
of exactly what he had removed. | 0:21:40 | 0:21:43 | |
His clean surgical strike meant he had created the perfect amnesiac. | 0:21:43 | 0:21:49 | |
Henry's surgically altered brain was a potential gold mine | 0:21:49 | 0:21:53 | |
for psychologists keen to understand | 0:21:53 | 0:21:56 | |
exactly how it is we build memories. | 0:21:56 | 0:21:59 | |
For the next 50 years, Henry was visited almost daily | 0:21:59 | 0:22:02 | |
by a stream of eager researchers, keen to try out their ideas. | 0:22:02 | 0:22:07 | |
One of the last academics to come here to Henry's care home | 0:22:08 | 0:22:12 | |
and investigate his brain was Professor Elizabeth Kensinger, | 0:22:12 | 0:22:16 | |
from the Massachusetts Institute of Technology. | 0:22:16 | 0:22:20 | |
-Good morning. Hello. -Good morning. | 0:22:20 | 0:22:23 | |
-Hello. -Hi, it's very nice to meet you. | 0:22:23 | 0:22:25 | |
Do you think he minded at all, people coming in and | 0:22:25 | 0:22:29 | |
probing around inside his head, or asking him questions all the time? | 0:22:29 | 0:22:33 | |
I don't think so! Of course, he would have no idea | 0:22:33 | 0:22:36 | |
that people had come with him to this frequency. | 0:22:36 | 0:22:39 | |
We would have a natural banter and he would know what was going on. | 0:22:39 | 0:22:43 | |
But if there was a knock at the door, | 0:22:43 | 0:22:45 | |
and I had to talk to that person, | 0:22:45 | 0:22:47 | |
when I looked back at Henry, he no longer had any idea | 0:22:47 | 0:22:51 | |
of what we'd been talking about before. | 0:22:51 | 0:22:54 | |
Why was there so much interest in Henry? | 0:22:54 | 0:22:57 | |
We suddenly understood that there was a particular part of the brain, | 0:22:57 | 0:23:01 | |
the hippocampus and the tissues surrounding the hippocampus, | 0:23:01 | 0:23:04 | |
that was important, and that if you didn't have that tissue, | 0:23:04 | 0:23:08 | |
you weren't going to be able to record new memories | 0:23:08 | 0:23:11 | |
that you would have conscious access to. | 0:23:11 | 0:23:13 | |
Now they knew that the hippocampus was crucial for creating memories | 0:23:16 | 0:23:20 | |
from the events of our lives, | 0:23:20 | 0:23:22 | |
researchers could begin to explore the details of how it did this. | 0:23:22 | 0:23:27 | |
Memories require a diffuse association between many areas. | 0:23:29 | 0:23:34 | |
If you think about your conscious memory of having breakfast, | 0:23:36 | 0:23:40 | |
it'll the sight of the food, the smell, the taste of the food, | 0:23:40 | 0:23:44 | |
it's going to involve all of these different elements. | 0:23:44 | 0:23:48 | |
You need some part of the brain that can bind together elements | 0:23:49 | 0:23:53 | |
and have it be a representation that comes back to you | 0:23:53 | 0:23:56 | |
and that feels complete. | 0:23:56 | 0:23:58 | |
It's astonishing how much research was generated from this one man. | 0:24:02 | 0:24:09 | |
He generated an awful lot of research, didn't he? | 0:24:09 | 0:24:11 | |
There have been over 100 scientists that have worked with him, | 0:24:11 | 0:24:15 | |
and more than 10,000 articles that have cited studies | 0:24:15 | 0:24:18 | |
that have been done with him. | 0:24:18 | 0:24:21 | |
Everything that we know about memory | 0:24:21 | 0:24:24 | |
began with the study of Henry. | 0:24:24 | 0:24:26 | |
Down the years, every aspect of Henry's mind was examined, | 0:24:27 | 0:24:31 | |
from the content of his dreams to his memory for pain. | 0:24:31 | 0:24:36 | |
OK, so if you want to come on in here, this is a... | 0:24:36 | 0:24:40 | |
But a simple experiment, involving nothing more than a mirror, | 0:24:40 | 0:24:44 | |
was perhaps the most surprising and revealing of them all. | 0:24:44 | 0:24:48 | |
So what I'd like for you to do in this task | 0:24:48 | 0:24:51 | |
is to just look at the reflection in the mirror, | 0:24:51 | 0:24:54 | |
and use that to try to trace along the outline of the star | 0:24:54 | 0:24:57 | |
that you see there in the mirror. | 0:24:57 | 0:24:59 | |
OK, so a very simple task. | 0:24:59 | 0:25:01 | |
I'm going away, therefore I'm coming toward. | 0:25:01 | 0:25:05 | |
Damn! The opposite doesn't, | 0:25:07 | 0:25:10 | |
the opposite takes me off in that direction, | 0:25:10 | 0:25:12 | |
so I need to do the inverse opposite. | 0:25:12 | 0:25:14 | |
Now I just think, OK, I just go that way! | 0:25:14 | 0:25:18 | |
But you don't go that way... No, not that way. | 0:25:18 | 0:25:21 | |
Cor, blimey, I'm done, I'll take my hand out. | 0:25:21 | 0:25:23 | |
-All right. -How long did that take? | 0:25:23 | 0:25:26 | |
-Not very impressive, I don't think. -That's it. | 0:25:26 | 0:25:29 | |
This is pretty typical of a first trial, actually. | 0:25:29 | 0:25:32 | |
When Henry was given the mirror test to do, over a series of days, | 0:25:32 | 0:25:37 | |
he quickly became very good at it, | 0:25:37 | 0:25:40 | |
despite insisting each time that he had never done the test before. | 0:25:40 | 0:25:45 | |
This revealed that Henry's surgery | 0:25:45 | 0:25:47 | |
had removed his ability to form new conscious memories, | 0:25:47 | 0:25:50 | |
or episodic memories, but it hadn't disrupted his ability | 0:25:50 | 0:25:53 | |
to show learning on these types of motor tasks. | 0:25:53 | 0:25:56 | |
Since he had no hippocampus, remembering physical skills | 0:25:56 | 0:26:01 | |
must be processed in a different part of the brain. | 0:26:01 | 0:26:04 | |
-And this was big? -This was huge. | 0:26:04 | 0:26:06 | |
Before this time, we didn't really understand | 0:26:06 | 0:26:09 | |
that there were different forms of memory. | 0:26:09 | 0:26:12 | |
Henry had unwittingly contributed to a major discovery, | 0:26:12 | 0:26:16 | |
that there are two types of memory. | 0:26:16 | 0:26:19 | |
One allows us to unconsciously remember physical skills, | 0:26:19 | 0:26:23 | |
like riding a bike. | 0:26:23 | 0:26:25 | |
The other, to consciously recall the moments of our life. | 0:26:25 | 0:26:30 | |
Henry died in 2008, at the grand old age of 82. | 0:26:30 | 0:26:36 | |
Many people came to his funeral, mostly academics. | 0:26:36 | 0:26:40 | |
He had transformed our understanding of memory, | 0:26:40 | 0:26:43 | |
but he had no idea of the part he'd played. | 0:26:43 | 0:26:46 | |
-TAPE: -How long have you had trouble remembering things? | 0:26:46 | 0:26:50 | |
That I don't know myself. | 0:26:50 | 0:26:52 | |
I can't tell you, because I don't remember. | 0:26:52 | 0:26:55 | |
What do you think you'll do tomorrow? | 0:26:57 | 0:27:00 | |
-Whatever's beneficial. -Good answer. | 0:27:00 | 0:27:06 | |
The story of Henry's brain didn't end with his death. | 0:27:12 | 0:27:17 | |
His brain was considered so important to neuroscience, | 0:27:17 | 0:27:20 | |
it was removed within hours of his death, and taken on a long journey. | 0:27:20 | 0:27:25 | |
Henry's brain ended up here in San Diego, | 0:27:29 | 0:27:32 | |
at a specially built facility, | 0:27:32 | 0:27:35 | |
thousands of miles away from where he had lived and died. | 0:27:35 | 0:27:39 | |
This multi-million pound brain observatory | 0:27:42 | 0:27:45 | |
was set up specially so scientists could continue to learn from Henry. | 0:27:45 | 0:27:50 | |
Henry's became the first brain to undergo an experimental procedure, | 0:27:52 | 0:27:56 | |
devised by Professor Jacopo Annese. | 0:27:56 | 0:27:59 | |
It's been shaved forensically into 2,401 micro-thin segments | 0:28:01 | 0:28:08 | |
and put through a chemical process to preserve every detail. | 0:28:08 | 0:28:12 | |
"Brain Observatory", I think I'm in the right place. | 0:28:14 | 0:28:17 | |
-Come in. -Hello, there. | 0:28:20 | 0:28:22 | |
-Michael Mosley, how do you do? -Jacopo. -What a fantastic office! | 0:28:22 | 0:28:26 | |
-Thank you. -I've come to see Henry's brain. | 0:28:26 | 0:28:28 | |
OK. It's the only brain that I keep in my office. | 0:28:28 | 0:28:31 | |
-OK. -So we're going to show you some slides. | 0:28:31 | 0:28:36 | |
To Jacopo, these slides are not research, | 0:28:37 | 0:28:40 | |
they are the essence of Henry. | 0:28:40 | 0:28:43 | |
-It's not just a specimen, it's a person. -Yes, he had a life. | 0:28:43 | 0:28:47 | |
Even calling them by name, you know, knowing who they were, | 0:28:47 | 0:28:51 | |
everybody here just feels very...more reverent. | 0:28:51 | 0:28:55 | |
-We're continuing the biography of HM, based on these images. -Yes. | 0:28:55 | 0:29:00 | |
The new technique involves taking very high resolution images | 0:29:03 | 0:29:06 | |
of each slice of brain, which can then be examined in all dimensions. | 0:29:06 | 0:29:12 | |
It's brain-mapping on a micro level, | 0:29:12 | 0:29:15 | |
the most precise ever attempted. | 0:29:15 | 0:29:18 | |
The goal was to be able to navigate everywhere in the brain, | 0:29:18 | 0:29:21 | |
to look at single neurons. | 0:29:21 | 0:29:23 | |
Now, this is the resolution that we need to understand | 0:29:23 | 0:29:26 | |
-exactly what structures were affected by the lesion. -OK. | 0:29:26 | 0:29:30 | |
This new data can be cross-referenced | 0:29:30 | 0:29:33 | |
to the psychological research collected on Henry over the years. | 0:29:33 | 0:29:38 | |
The aim is to build a complete picture of how the memory works, | 0:29:38 | 0:29:42 | |
right down to the level of the neuron. | 0:29:42 | 0:29:46 | |
-This is massively detailed. -This is a massive amount of data too. | 0:29:46 | 0:29:50 | |
But you see, you can recognise individual cells. | 0:29:50 | 0:29:54 | |
So we're zooming in now. | 0:29:54 | 0:29:56 | |
You can resolve individual neurons in the cortex, individual fibres. | 0:29:56 | 0:30:01 | |
-You can go in the little alleyways, not just the big freeways. -Yes. | 0:30:01 | 0:30:06 | |
The brain observatory is expanding, | 0:30:07 | 0:30:10 | |
opening its doors to other extraordinary individuals | 0:30:10 | 0:30:14 | |
who have been studied in life, and will now be studied in death. | 0:30:14 | 0:30:18 | |
They have a hugely ambitious goal, | 0:30:18 | 0:30:21 | |
to find physical traces in the brain of all our memories. | 0:30:21 | 0:30:26 | |
Do you think ultimately we'll be able to make more sense of this? | 0:30:26 | 0:30:30 | |
We're trying to find out if there is, indeed, like clues left behind. | 0:30:30 | 0:30:35 | |
Like of this conversation - | 0:30:35 | 0:30:36 | |
will there be something in these images in our brains. | 0:30:36 | 0:30:42 | |
That it's a testimony of what happened. | 0:30:42 | 0:30:44 | |
-That's what is fascinating to me. -Are we getting closer to that? | 0:30:44 | 0:30:48 | |
It seems to me that you're getting to ever greater complexity. | 0:30:48 | 0:30:52 | |
We don't know what's relevant, that's the big question mark. | 0:30:52 | 0:30:55 | |
That's why we're trying to catalogue and to make a registry | 0:30:55 | 0:30:59 | |
that will catalogue every little detail in the brain. | 0:30:59 | 0:31:02 | |
Jacopo is carefully preserving unusual brains, | 0:31:02 | 0:31:06 | |
in the hope that scholars in the future | 0:31:06 | 0:31:09 | |
will be able to study them using technologies we cannot yet imagine. | 0:31:09 | 0:31:14 | |
The Latins used to say, "what's in writing stays". | 0:31:14 | 0:31:18 | |
So, this is what was written in the brain, and you cannot change that. | 0:31:18 | 0:31:23 | |
So, a story which begins with a boy being hit by a bicycle | 0:31:27 | 0:31:31 | |
nearly 80 years ago ends with his brain being preserved | 0:31:31 | 0:31:35 | |
in this building in the form of thousands of slices, | 0:31:35 | 0:31:39 | |
but also terabytes of data. | 0:31:39 | 0:31:42 | |
It is a form of immortality | 0:31:42 | 0:31:43 | |
that I'm sure Henry himself would never have dreamt of. | 0:31:43 | 0:31:47 | |
I'll check some... | 0:31:56 | 0:31:58 | |
It's now 90 minutes into Angela's epilepsy operation, | 0:31:58 | 0:32:02 | |
and Paul has succeeded in exposing the scarred area | 0:32:02 | 0:32:05 | |
within her temporal lobe that he wants to remove. | 0:32:05 | 0:32:08 | |
-This is the source of her epilepsy? -Yeah. | 0:32:08 | 0:32:11 | |
So when you remove that, | 0:32:11 | 0:32:13 | |
what's the chance that will cure her epilepsy? | 0:32:13 | 0:32:17 | |
The stated figures are around... | 0:32:17 | 0:32:21 | |
a 70% seizure-free rate. | 0:32:21 | 0:32:24 | |
'Angela is fortunate. | 0:32:25 | 0:32:27 | |
'Paul has identified the focus of her seizures. | 0:32:27 | 0:32:30 | |
'When that isn't possible, a more drastic form of surgery, | 0:32:30 | 0:32:34 | |
'pioneered more than 60 years ago, may be called for.' | 0:32:34 | 0:32:38 | |
Back in the 1940s, surgeons decided to try a radical new approach. | 0:32:38 | 0:32:44 | |
Instead of, as with Angela, cutting out a small section of the brain, | 0:32:44 | 0:32:48 | |
they decided it would be a good idea to cut the corpus callosum, | 0:32:48 | 0:32:52 | |
the highway that connects the two hemispheres of the brain. | 0:32:52 | 0:32:57 | |
The effect of doing this was utterly unexpected. | 0:32:57 | 0:33:01 | |
-TV: -'Put your left hand through the screen. OK. | 0:33:01 | 0:33:04 | |
'I'm going to put a number in your hand now. | 0:33:04 | 0:33:07 | |
'He observes what happens when the housewife cannot see her hands. | 0:33:07 | 0:33:11 | |
'Can you tell me what that number was? | 0:33:11 | 0:33:13 | |
'Four?' | 0:33:13 | 0:33:15 | |
The corpus callosum is a band of 55 million nerve fibres | 0:33:19 | 0:33:24 | |
which connect the two halves of the brain and keep them in contact. | 0:33:24 | 0:33:28 | |
OK, Dave, I'm going to start to divide the corpus callosum. | 0:33:30 | 0:33:34 | |
In the new operation, surgeons slice through this superhighway, | 0:33:36 | 0:33:40 | |
disconnecting the two halves of the brain. | 0:33:40 | 0:33:42 | |
This halted the electrical activity that caused seizures. | 0:33:42 | 0:33:47 | |
After they had recovered from their operation, | 0:33:47 | 0:33:49 | |
they appeared to be normal. | 0:33:49 | 0:33:51 | |
Which was amazing, given the extent to which | 0:33:53 | 0:33:56 | |
the whole architecture of their brains had been altered. | 0:33:56 | 0:34:00 | |
This 12-year-old boy is doing some pretty impressive subdivision, | 0:34:00 | 0:34:06 | |
and his spelling isn't bad either. | 0:34:06 | 0:34:08 | |
But in psychology circles, they became legends. | 0:34:12 | 0:34:15 | |
And that is because these patients would, in time, | 0:34:15 | 0:34:19 | |
reveal something that to me is truly astonishing. | 0:34:19 | 0:34:23 | |
The two halves of our brain contain a sort of separate consciousness. | 0:34:23 | 0:34:28 | |
Each hemisphere is capable of its own independent action. | 0:34:28 | 0:34:33 | |
This sensational finding came about by accident. | 0:34:33 | 0:34:37 | |
A group of scientists in California recognised | 0:34:37 | 0:34:41 | |
the experimental potential of the split-brain patients. | 0:34:41 | 0:34:45 | |
As their brains had been separated, it was a unique opportunity | 0:34:45 | 0:34:48 | |
to find out if the different hemispheres had different abilities, | 0:34:48 | 0:34:53 | |
and if so, what? | 0:34:53 | 0:34:55 | |
To do this, they had to devise ingenious experiments | 0:34:57 | 0:35:01 | |
that would test each hemisphere in isolation. | 0:35:01 | 0:35:04 | |
Neurobiologist Roger Sperry set to work. | 0:35:04 | 0:35:08 | |
The results were bizarre, for the patients and for the researchers. | 0:35:08 | 0:35:12 | |
I remember seeing this footage nearly 30 years ago, | 0:35:12 | 0:35:16 | |
and being completely blown away. | 0:35:16 | 0:35:19 | |
Sperry's experiments made use of the fact that the right hand | 0:35:19 | 0:35:24 | |
is controlled by the left hemisphere, and vice versa. | 0:35:24 | 0:35:28 | |
-RESEARCHER: -Put your left hand through the screen, OK. | 0:35:28 | 0:35:32 | |
I'm going to put a number in your hand now. | 0:35:32 | 0:35:35 | |
And what I want you to do is signal the answer. | 0:35:35 | 0:35:38 | |
So here's the first number. | 0:35:38 | 0:35:40 | |
So far, no great surprises. | 0:35:45 | 0:35:47 | |
But then the researcher asks her to name out loud | 0:35:47 | 0:35:50 | |
the number that she's got in her hand. | 0:35:50 | 0:35:53 | |
Can you tell me what that number was? | 0:35:53 | 0:35:56 | |
Four? > | 0:35:56 | 0:35:57 | |
OK. Now let me give you another number. | 0:35:57 | 0:36:00 | |
She gestures eight, which is the correct answer. | 0:36:10 | 0:36:13 | |
-Can you tell me again what the number was? -Six? | 0:36:13 | 0:36:17 | |
But she says "six", which is of course completely wrong. | 0:36:17 | 0:36:21 | |
So what's going on? | 0:36:21 | 0:36:23 | |
What was happening is the numbers were put in her left hand, | 0:36:23 | 0:36:27 | |
which is controlled by the right hemisphere. | 0:36:27 | 0:36:30 | |
The right hemisphere can't speak, so the left hand communicated | 0:36:30 | 0:36:33 | |
with researchers by waving fingers up like that. | 0:36:33 | 0:36:38 | |
The left hemisphere meanwhile is completely in the dark. | 0:36:38 | 0:36:41 | |
It cannot see or feel what the left hand is doing, so it guesses. | 0:36:41 | 0:36:49 | |
Five. | 0:36:49 | 0:36:51 | |
This was the first proof of what people had previously suspected, | 0:36:51 | 0:36:55 | |
that language resides solely in the left hemisphere. | 0:36:55 | 0:37:00 | |
Sperry now decided to find out just what the right hemisphere could do. | 0:37:02 | 0:37:07 | |
So what's happening here is the left hand, | 0:37:11 | 0:37:13 | |
controlled by the right hemisphere, is being given a puzzle to solve. | 0:37:13 | 0:37:18 | |
The puzzle required rearranging blocks so they matched the picture. | 0:37:18 | 0:37:24 | |
And it's pretty good, it gets the puzzle solved pretty damn fast. | 0:37:24 | 0:37:29 | |
So now it's the turn of the other hemisphere, | 0:37:32 | 0:37:37 | |
and I have to say it's making a real pig's ear of it. | 0:37:37 | 0:37:42 | |
The left hemisphere hasn't got a clue how to solve this puzzle. | 0:37:42 | 0:37:48 | |
The other hand decides to come in and help. | 0:37:48 | 0:37:51 | |
No, never going to get there. | 0:37:53 | 0:37:57 | |
This is pretty convincing evidence that although the left hemisphere | 0:37:57 | 0:38:00 | |
may have language, the right hemisphere has spatial skills. | 0:38:00 | 0:38:05 | |
The discovery that the right side | 0:38:06 | 0:38:08 | |
is responsible for spatial awareness, | 0:38:08 | 0:38:11 | |
was followed up by other discoveries, | 0:38:11 | 0:38:13 | |
such as the fact that the right side can recognise faces. | 0:38:13 | 0:38:18 | |
But more than that, Sperry was convinced that, as he put it, | 0:38:18 | 0:38:22 | |
each hemisphere is a conscious system in its own right, | 0:38:22 | 0:38:26 | |
perceiving, thinking, remembering, | 0:38:26 | 0:38:30 | |
reasoning, willing and emoting. | 0:38:30 | 0:38:34 | |
In 1981, Sperry received a Nobel Prize for his work, | 0:38:36 | 0:38:41 | |
but in a cruel twist of fate, by then he was suffering | 0:38:41 | 0:38:44 | |
from a degenerative brain disease called Kuru, | 0:38:44 | 0:38:47 | |
probably picked up in the early days of his research splitting brains. | 0:38:47 | 0:38:52 | |
The split-brain experiments | 0:39:01 | 0:39:03 | |
had revealed the characteristics of each hemisphere. | 0:39:03 | 0:39:06 | |
The next question was, how did the two halves interact with each other? | 0:39:06 | 0:39:12 | |
Most people who have had their corpus callosum cut, | 0:39:12 | 0:39:17 | |
who've had the split-brain operation, are normal afterwards. | 0:39:17 | 0:39:20 | |
Cross them in the street and you wouldn't know anything had happened. | 0:39:20 | 0:39:24 | |
But in some cases, the end results are particularly dramatic. | 0:39:24 | 0:39:29 | |
From childhood, Karen Byrne suffered from daily epileptic seizures. | 0:39:31 | 0:39:37 | |
She decided that having her brain surgically split | 0:39:37 | 0:39:41 | |
was her best chance of a normal life. | 0:39:41 | 0:39:44 | |
Hello, Karen? | 0:39:44 | 0:39:46 | |
-Hi, how are you? Nice to meet you. -How do you do? Nice to meet you. | 0:39:46 | 0:39:51 | |
I did have a little trepidation, | 0:39:51 | 0:39:54 | |
as to what kind of condition I was going to be in after the surgery. | 0:39:54 | 0:40:00 | |
I woke up and I'm telling you, | 0:40:00 | 0:40:03 | |
I was not the same girl I was 48 hours before that day, | 0:40:03 | 0:40:09 | |
that's for sure. | 0:40:09 | 0:40:11 | |
I was not the same person. | 0:40:11 | 0:40:14 | |
And I never would be again. | 0:40:14 | 0:40:17 | |
Surgery resolved the epilepsy, but created a new problem. | 0:40:19 | 0:40:25 | |
Dr O'Connor said, "Karen, what are you doing?" | 0:40:25 | 0:40:28 | |
I just looked at him and I said, "What are you talking about?" | 0:40:28 | 0:40:32 | |
He said, "Your hand's undressing you." | 0:40:32 | 0:40:34 | |
-And I had no idea, my hand was opening up the buttons. -Right. | 0:40:34 | 0:40:38 | |
And so I'm rebuttoning them with the right hand, | 0:40:38 | 0:40:42 | |
and the left hand's unbuttoning them. | 0:40:42 | 0:40:44 | |
And he put in an emergency call through to Dr Sprung, | 0:40:44 | 0:40:47 | |
said, "Mike, you've got to get here right away. | 0:40:47 | 0:40:50 | |
"You've got to get here, we've got a problem." | 0:40:50 | 0:40:53 | |
-DOCTOR: -Can you lift your hands up in the air? | 0:40:53 | 0:40:56 | |
How about the other hand, can you lift your left hand in the air? | 0:40:56 | 0:40:59 | |
Karen emerged from the operation | 0:40:59 | 0:41:01 | |
with a left hand that had a mind of its own. | 0:41:01 | 0:41:04 | |
An extremely rare condition known as alien hand syndrome. | 0:41:04 | 0:41:08 | |
You look almost possessed there. | 0:41:08 | 0:41:09 | |
Yep, that's how you do look, yes. It's terrible, it's terrible. | 0:41:09 | 0:41:15 | |
She was eventually discharged from hospital, | 0:41:15 | 0:41:18 | |
but she had to live with a wayward, wilful hand. | 0:41:18 | 0:41:22 | |
This hand would do one thing, and this hand would do the opposite. | 0:41:22 | 0:41:25 | |
So you're trying to have a cigarette... | 0:41:25 | 0:41:27 | |
Yes, this hand would put it out. | 0:41:27 | 0:41:29 | |
The phone would ring and I would answer it, | 0:41:29 | 0:41:32 | |
and the left hand would hit the clicker. | 0:41:32 | 0:41:36 | |
The thing on the phone, to hang up the phone. | 0:41:36 | 0:41:39 | |
It is just like an annoying five-year-old, isn't it? | 0:41:39 | 0:41:42 | |
Definitely. Definitely, and it got so frustrating. | 0:41:42 | 0:41:48 | |
And then you couldn't get mad at it, because it was you. | 0:41:48 | 0:41:53 | |
Karen's alien hand syndrome was caused | 0:41:54 | 0:41:57 | |
by a power struggle going on in her brain. | 0:41:57 | 0:42:01 | |
Our brains normally function smoothly, | 0:42:01 | 0:42:03 | |
because the analytical left hemisphere dominates, | 0:42:03 | 0:42:06 | |
having the final say in what actions we perform. | 0:42:06 | 0:42:09 | |
And this was certainly true of the bulk of the split-brain patients. | 0:42:09 | 0:42:14 | |
Karen was extremely unlucky. After the operation, | 0:42:14 | 0:42:18 | |
the right side of her brain refused to be dominated by the left, | 0:42:18 | 0:42:21 | |
leaving her hands in near constant conflict. | 0:42:21 | 0:42:25 | |
It's very strange, isn't it, the thought that all of us, within us, | 0:42:25 | 0:42:29 | |
have these two hemispheres, | 0:42:29 | 0:42:31 | |
and that they are wrestling, to some extent, for dominance. | 0:42:31 | 0:42:35 | |
-Yes, yes, yes. -And that normally the left is in control, | 0:42:35 | 0:42:38 | |
but in your case, after the split-brain, | 0:42:38 | 0:42:41 | |
the right became very powerful. | 0:42:41 | 0:42:43 | |
Oh, defintely. It's so dominant! Oh, my gosh! | 0:42:43 | 0:42:47 | |
And, for a short period of time, it frightened me, it really did, | 0:42:47 | 0:42:52 | |
because I just didn't understand why it was fighting so hard | 0:42:52 | 0:42:58 | |
to have such power over the other side. | 0:42:58 | 0:43:01 | |
'Finally, her doctors found a medication that restrained | 0:43:01 | 0:43:05 | |
'her impulsive right hemisphere, | 0:43:05 | 0:43:08 | |
'bringing her alien hand back under her conscious control.' | 0:43:08 | 0:43:13 | |
If you really think about it, a lot of it is just horrific, | 0:43:13 | 0:43:16 | |
and yet, you know, it's also tremendously funny. | 0:43:16 | 0:43:19 | |
Yes, it really is. You've got to admit it! | 0:43:19 | 0:43:22 | |
How could you not think it's funny? | 0:43:22 | 0:43:24 | |
Psychiatrists are not encouraged to laugh at their patients, are they? | 0:43:24 | 0:43:29 | |
BOTH LAUGH | 0:43:29 | 0:43:33 | |
Karen, thank you, it's been an absolute pleasure. | 0:43:33 | 0:43:36 | |
-I appreciate everything, thank you. -Lovely to see you. -Thank you. | 0:43:36 | 0:43:40 | |
-Maybe I should shake both hands. -Yes, I think you should! | 0:43:40 | 0:43:43 | |
Now see, that's the way to do it. That's the way to do it. | 0:43:43 | 0:43:46 | |
-Thank you, thank you. -Thank you. | 0:43:46 | 0:43:49 | |
Life with two warring hemispheres would be impossible. | 0:43:54 | 0:43:58 | |
Scientists now believe it was the evolution of a left hemisphere | 0:43:58 | 0:44:03 | |
that was dominant with its human attributes of logic and language | 0:44:03 | 0:44:07 | |
that helped us become what we are today. | 0:44:07 | 0:44:10 | |
'It's now a couple of hours into Angela's surgery. | 0:44:20 | 0:44:23 | |
'Paul is about to remove the scarred area of her temporal lobe | 0:44:25 | 0:44:29 | |
'that has been triggering her seizures.' | 0:44:29 | 0:44:31 | |
This is the temporal lobe, | 0:44:34 | 0:44:35 | |
so this is giving us access to it. | 0:44:35 | 0:44:38 | |
-There it is. -That is quite a big chunk of brain, isn't it? | 0:44:38 | 0:44:40 | |
Paul's now removed the damaged area, | 0:44:45 | 0:44:47 | |
and he's hopeful that she'll now make a full recovery. | 0:44:47 | 0:44:52 | |
The success of an operation like this, the fact that a surgeon | 0:44:57 | 0:45:01 | |
can take out a big chunk of brain without damaging the patient, | 0:45:01 | 0:45:05 | |
is dramatic proof of just how far we have come | 0:45:05 | 0:45:08 | |
in understanding the anatomy of the brain. | 0:45:08 | 0:45:12 | |
Angela, open your eyes for me? > | 0:45:12 | 0:45:16 | |
Hopefully, Angela will now be given a new lease of life. | 0:45:16 | 0:45:21 | |
There was a final discovery | 0:45:32 | 0:45:34 | |
that sprang from the study of damaged brains. | 0:45:34 | 0:45:37 | |
It turns out that the map of brain function | 0:45:37 | 0:45:40 | |
is not as rigid as scientists had always believed, | 0:45:40 | 0:45:43 | |
and that has some astonishing implications. | 0:45:43 | 0:45:48 | |
This new way of thinking was triggered by a personal tragedy, | 0:45:48 | 0:45:52 | |
one that changed our understanding of what the brain is capable of. | 0:45:52 | 0:45:58 | |
In 1960, a poet called Pedro Bach-y-Rita | 0:45:58 | 0:46:02 | |
had a massive paralysing stroke. | 0:46:02 | 0:46:06 | |
At the time, it was widely believed that once brain tissue is dead, | 0:46:06 | 0:46:11 | |
there is no real scope for recovery. | 0:46:11 | 0:46:14 | |
The family were told there was nothing more that could be done. | 0:46:14 | 0:46:18 | |
Pedro's eldest son George decided to ignore the doctor's advice. | 0:46:18 | 0:46:23 | |
He took his father home and began a series of exercises | 0:46:23 | 0:46:27 | |
to see how far he could push his recovery. | 0:46:27 | 0:46:30 | |
Pedro couldn't talk or walk, so George made him crawl. | 0:46:30 | 0:46:34 | |
The neighbours were horrified with the idea that the son | 0:46:34 | 0:46:38 | |
was making this elderly man crawl like a dog. | 0:46:38 | 0:46:41 | |
But, he started to recover, | 0:46:41 | 0:46:42 | |
and then George made him do tasks all around the house, | 0:46:42 | 0:46:45 | |
like washing up, and when he broke the plates, | 0:46:45 | 0:46:48 | |
he simply replaced them with metal ones. | 0:46:48 | 0:46:50 | |
He kept at it for three long years, | 0:46:50 | 0:46:52 | |
by the end of which Pedro had made an almost miraculous recovery. | 0:46:52 | 0:46:56 | |
He went back to work, got remarried and when he eventually died, | 0:46:58 | 0:47:01 | |
it was not from a stroke but from a heart attack, | 0:47:01 | 0:47:05 | |
following a climb up a mountain. | 0:47:05 | 0:47:07 | |
By that time, Pedro's younger son Paul was a neurologist. | 0:47:09 | 0:47:14 | |
Because his father had made such a good recovery, he assumed | 0:47:14 | 0:47:17 | |
the stroke must have affected a small area of his brain. | 0:47:17 | 0:47:22 | |
Paul took the unusual decision to go to his father's autopsy. | 0:47:22 | 0:47:26 | |
What he saw was a complete surprise. | 0:47:26 | 0:47:29 | |
Paul was absolutely stunned. | 0:47:29 | 0:47:31 | |
There were huge areas of damage in his father's brain. | 0:47:31 | 0:47:34 | |
97% of the nerves connecting the cortex to the spinal cord | 0:47:34 | 0:47:38 | |
had been destroyed. So how had Pedro learned to walk again? | 0:47:38 | 0:47:44 | |
Paul decided that his father's brain | 0:47:44 | 0:47:47 | |
must have learnt to reorganise itself, | 0:47:47 | 0:47:50 | |
replacing the dead tissue with other sections of living brain. | 0:47:50 | 0:47:55 | |
Pedro's example showed that with the right support, | 0:47:58 | 0:48:02 | |
stroke victims can sometimes make amazing recoveries. | 0:48:02 | 0:48:06 | |
It helped transform how stroke victims are treated. | 0:48:07 | 0:48:11 | |
Paul decided to dedicate his life | 0:48:14 | 0:48:16 | |
to trying to understand what had happened to his father's brain. | 0:48:16 | 0:48:20 | |
It's a concept we now call neuroplasticity. | 0:48:20 | 0:48:24 | |
The idea is that your brain can, given the right stimulation, | 0:48:24 | 0:48:28 | |
reconfigure itself, even in late adulthood. | 0:48:28 | 0:48:31 | |
Paul wondered just how far this concept could be pushed. | 0:48:39 | 0:48:43 | |
Just how flexible is the adult brain? | 0:48:43 | 0:48:46 | |
Can it be trained to work in completely new ways? | 0:48:46 | 0:48:50 | |
Many of his fellow neurologists did not believe this was possible. | 0:48:52 | 0:48:57 | |
Paul decided that the best way to convince his sceptical colleagues | 0:48:59 | 0:49:02 | |
was to build a machine that was able to demonstrate | 0:49:02 | 0:49:06 | |
just what he was talking about. | 0:49:06 | 0:49:08 | |
Paul was convinced that the blind can be taught | 0:49:10 | 0:49:13 | |
to harness the part of the brain that is normally devoted to vision. | 0:49:13 | 0:49:18 | |
They can literally learn to see, | 0:49:18 | 0:49:21 | |
using a completely different sense, touch. | 0:49:21 | 0:49:25 | |
The important point here is that the brain is able to use information | 0:49:25 | 0:49:29 | |
coming from the skin as if it were coming from the eyes. | 0:49:29 | 0:49:33 | |
He designed a chair containing a series of vibrating pins | 0:49:35 | 0:49:40 | |
that made contact with the backs of his blind subjects. | 0:49:40 | 0:49:43 | |
An image picked up by a camera was then translated into a crude outline by the vibrating pins. | 0:49:51 | 0:49:59 | |
OK, it's a telephone, | 0:50:03 | 0:50:05 | |
and the receiver is to the right. | 0:50:07 | 0:50:09 | |
Bach-y-Rita was something of a maverick. | 0:50:12 | 0:50:14 | |
His supervisor, a Nobel Prize winner, | 0:50:14 | 0:50:17 | |
told him to stop playing around with toys. | 0:50:17 | 0:50:20 | |
But Bach-y-Rita was convinced that his research would demonstrate | 0:50:20 | 0:50:24 | |
that the brain is far more flexible and far more plastic | 0:50:24 | 0:50:28 | |
than people gave it credit for. | 0:50:28 | 0:50:30 | |
So he ignored the well-meant advice and carried on his research, | 0:50:33 | 0:50:38 | |
here at the University of Wisconsin. | 0:50:38 | 0:50:40 | |
He died four years ago, | 0:50:40 | 0:50:42 | |
just as the prototype of an even more ambitious device was completed. | 0:50:42 | 0:50:47 | |
-This is the thing, is it? -Yes, it is. | 0:50:47 | 0:50:51 | |
That's a Stephen Hawking box. | 0:50:51 | 0:50:53 | |
'It's called the brain port, | 0:50:53 | 0:50:55 | |
'and the idea is it will help the blind see using their tongues. | 0:50:55 | 0:51:01 | |
'I'm having a go under the instruction of Paul's protege, Aimee Arnoldussen.' | 0:51:01 | 0:51:06 | |
Looking very stylish. | 0:51:06 | 0:51:08 | |
'The lenses are blackened so I can't see anything, | 0:51:08 | 0:51:11 | |
'and there's a camera that translates images to a device | 0:51:11 | 0:51:14 | |
'that goes in my mouth.' | 0:51:14 | 0:51:15 | |
-This is going to go on my tongue? -You are correct. | 0:51:15 | 0:51:18 | |
There are 400 electrodes, | 0:51:18 | 0:51:20 | |
so each of those electrodes will act like a pixel. | 0:51:20 | 0:51:23 | |
If you were to increase the intensity, as you do, | 0:51:23 | 0:51:26 | |
you see the pixilation on the tongue. | 0:51:26 | 0:51:29 | |
And so any pixel that's white is a strong stimulation, | 0:51:29 | 0:51:32 | |
any pixel that's black is no stimulation, | 0:51:32 | 0:51:35 | |
and then with training, | 0:51:35 | 0:51:36 | |
people feel the grey as medium stimulation. | 0:51:36 | 0:51:39 | |
I'm going to put something in front of you, to set the intensity. | 0:51:41 | 0:51:44 | |
You can turn the intensity down, or take it out of your mouth. | 0:51:47 | 0:51:52 | |
Ooh, that's very, very tickly. | 0:51:52 | 0:51:56 | |
-I am intensely ticklish, I should have warned you. -I didn't know! OK. | 0:51:56 | 0:52:01 | |
It looks bizarre, but I'm told you can learn how to use it very fast. | 0:52:04 | 0:52:09 | |
It's going to go to the front of the tongue. | 0:52:09 | 0:52:12 | |
This is what a horizontal line feels like, OK. | 0:52:12 | 0:52:15 | |
It's in the field of view of the camera. | 0:52:15 | 0:52:18 | |
You're no longer laughing. Are you becoming accustomed to it? | 0:52:20 | 0:52:23 | |
-Now you know what to expect? -Hmm. | 0:52:23 | 0:52:26 | |
Whatever I'm looking at now, I feel a stimulation on the left hand side, | 0:52:27 | 0:52:33 | |
and it's sort of going like that. Don't what I'm looking at, but... | 0:52:33 | 0:52:37 | |
The contrast that you felt at a diagonal | 0:52:37 | 0:52:40 | |
is where my shirt and my skin intersect. | 0:52:40 | 0:52:44 | |
So, I'm just looking at your cleavage! | 0:52:44 | 0:52:46 | |
I know! I was trying to say that a little bit more delicately! | 0:52:46 | 0:52:50 | |
-Right, OK. -HE LAUGHS | 0:52:50 | 0:52:53 | |
Oh, dear, yes... | 0:52:53 | 0:52:55 | |
'Once I immersed myself in the task and really focused, | 0:52:57 | 0:53:01 | |
'I was surprised by how quickly I made progress.' | 0:53:01 | 0:53:05 | |
On that side it's rounded, yes, very good. | 0:53:05 | 0:53:08 | |
What kind of things have that kind of shape? | 0:53:08 | 0:53:11 | |
-A spoon. -Very good. Why don't you touch it? | 0:53:11 | 0:53:14 | |
It's long and thin, and more circular at the end. | 0:53:14 | 0:53:17 | |
Excellent, that was impressive, | 0:53:22 | 0:53:24 | |
I wasn't sure you'd even get the key features, but you did. | 0:53:24 | 0:53:28 | |
What's happening is, it's like a torch which I'm using | 0:53:28 | 0:53:32 | |
to illuminate an object, you know, and feel round an object, | 0:53:32 | 0:53:35 | |
and then I get a general sense of its shape. | 0:53:35 | 0:53:37 | |
I'm using it like I would use vision, I suppose in a funny way. | 0:53:37 | 0:53:43 | |
Yes, that's exactly what I'm doing. | 0:53:43 | 0:53:45 | |
'Scanning studies have confirmed that the sensations on the tongue | 0:53:46 | 0:53:50 | |
'are indeed passing through to the visual cortex, | 0:53:50 | 0:53:54 | |
'something that wasn't previously thought possible.' | 0:53:54 | 0:53:57 | |
You're getting good at reaching for and grabbing the objects. | 0:53:57 | 0:54:01 | |
-Very good. Oh! -HE GIGGLES | 0:54:01 | 0:54:03 | |
Proof of brain plasticity, | 0:54:05 | 0:54:07 | |
that the brain, even in adulthood, can reconfigure itself, | 0:54:07 | 0:54:13 | |
is turning the idea that its structure is unchanging on its head. | 0:54:13 | 0:54:17 | |
There is a map, but it isn't necessarily fixed. | 0:54:18 | 0:54:22 | |
The original thought of the brain not being plastic, | 0:54:24 | 0:54:28 | |
or being very fixed is an old notion. | 0:54:28 | 0:54:30 | |
Now that you also think that maybe the brain has capabilities | 0:54:30 | 0:54:34 | |
that we haven't been able to measure yet. | 0:54:34 | 0:54:36 | |
It responds to its environment. | 0:54:36 | 0:54:38 | |
It changes as a result of the experiences it gets. | 0:54:38 | 0:54:42 | |
-Which is rather encouraging. -It sure is, it sure is. | 0:54:42 | 0:54:45 | |
In the last few decades, we have learned so much that is novel | 0:54:51 | 0:54:55 | |
and surprising about the workings of our own brains. | 0:54:55 | 0:54:59 | |
And that, in no small part, | 0:55:03 | 0:55:05 | |
is thanks to those individuals with damaged brains, | 0:55:05 | 0:55:09 | |
who played such a crucial role in the history of psychology. | 0:55:09 | 0:55:13 | |
They were operated and experimented on in the name of science, | 0:55:13 | 0:55:17 | |
and often with little personal gain. | 0:55:17 | 0:55:21 | |
Unusual individuals will continue to be prised and probed | 0:55:23 | 0:55:28 | |
but I do hope that in the future they will also benefit | 0:55:28 | 0:55:33 | |
from the insights they help uncover. | 0:55:33 | 0:55:35 | |
We owe them so much, | 0:55:37 | 0:55:38 | |
because it is from them that we have gleaned the knowledge | 0:55:38 | 0:55:42 | |
of how our own minds work. | 0:55:42 | 0:55:44 | |
They've opened a window into who we really are. | 0:55:44 | 0:55:48 |