Browse content similar to Cornwall and Devon. Check below for episodes and series from the same categories and more!
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The Great British countryside. Beautiful, glorious. | 0:00:07 | 0:00:10 | |
And very, very old. | 0:00:10 | 0:00:13 | |
For 3 billion years, | 0:00:15 | 0:00:18 | |
these British Isles have been growing and changing. | 0:00:18 | 0:00:21 | |
They've never stood still. | 0:00:21 | 0:00:23 | |
If you love the British landscape the way we both do, | 0:00:23 | 0:00:25 | |
then you might be very familiar with it, | 0:00:25 | 0:00:28 | |
but there is another story to be told. | 0:00:28 | 0:00:29 | |
The story, that's always fascinated me, | 0:00:29 | 0:00:32 | |
of what happened here those millions of years ago. | 0:00:32 | 0:00:34 | |
And how that still affects our lives every day. | 0:00:34 | 0:00:37 | |
Whoa! | 0:00:37 | 0:00:39 | |
Hey, look out! | 0:00:39 | 0:00:41 | |
Look at that! | 0:00:41 | 0:00:43 | |
For a country of our size, we have a greater variety of landscapes | 0:00:43 | 0:00:46 | |
than anywhere else on earth. | 0:00:46 | 0:00:49 | |
It's all down to our dramatic history. | 0:00:49 | 0:00:53 | |
Over millions of years, | 0:00:53 | 0:00:55 | |
we've been flooded, frozen, | 0:00:55 | 0:00:57 | |
and ravaged by mighty earth movements. | 0:00:57 | 0:01:00 | |
What's even more astonishing | 0:01:02 | 0:01:04 | |
is how that distant past | 0:01:04 | 0:01:07 | |
still shapes the countryside today. | 0:01:07 | 0:01:09 | |
I'm alive! | 0:01:14 | 0:01:15 | |
We're going to all four corners of the country | 0:01:15 | 0:01:19 | |
to discover how Britain's epic past lives on | 0:01:19 | 0:01:22 | |
in the most surprising ways. | 0:01:22 | 0:01:24 | |
I'm ready for a bit of adventuring, but you're the geology buff. | 0:01:25 | 0:01:29 | |
-Where do you want to go first? -I want to go everywhere. | 0:01:29 | 0:01:31 | |
-Of course, you do. -I'm a boy. -Can I come with you? -Yes. | 0:01:31 | 0:01:34 | |
-Where are you going? -Is this a footpath? | 0:01:34 | 0:01:36 | |
We're in Cornwall and Devon, | 0:01:54 | 0:01:55 | |
and if you like your landscape tough and craggy, | 0:01:55 | 0:01:58 | |
it's paradise. | 0:01:58 | 0:02:00 | |
This part of Britain was shaped by violence, | 0:02:04 | 0:02:07 | |
by brutal weather, | 0:02:07 | 0:02:08 | |
and molten rock, and the result is very impressive. | 0:02:08 | 0:02:13 | |
I've always loved it for walks along the coast. | 0:02:19 | 0:02:22 | |
Scratch the surface, | 0:02:25 | 0:02:26 | |
and we'll see how the landscape has shaped the history, | 0:02:26 | 0:02:31 | |
modern industry, | 0:02:31 | 0:02:34 | |
even legends, | 0:02:34 | 0:02:37 | |
and brought danger to these shores. | 0:02:37 | 0:02:40 | |
The coastline that so many of us visit every summer | 0:02:45 | 0:02:49 | |
has been created by a massive tug-of-war - | 0:02:49 | 0:02:51 | |
a battle between the land, | 0:02:51 | 0:02:53 | |
the sea and the weather. | 0:02:53 | 0:02:55 | |
And it's proper weather when we arrive. | 0:02:57 | 0:03:00 | |
But that's what happens if you go in November. | 0:03:00 | 0:03:03 | |
It's a very British thing to be doing, isn't it? | 0:03:06 | 0:03:09 | |
Standing here, getting blown around by gale force winds. | 0:03:09 | 0:03:13 | |
It really shows how British I am because I actually love this. | 0:03:13 | 0:03:16 | |
-Look at everybody. -I'm confident it's going to brighten up later. | 0:03:16 | 0:03:20 | |
-That's the most British thing you could possibly say. -Yes. | 0:03:20 | 0:03:24 | |
That's not confidence. That's being completely misguided. | 0:03:24 | 0:03:27 | |
But this is Britain's top tourist destination, | 0:03:27 | 0:03:29 | |
Devon and Cornwall. | 0:03:29 | 0:03:31 | |
-More people come here than anywhere else. -About 10 million a year. | 0:03:31 | 0:03:34 | |
You can see why - you're never very far from the sea. | 0:03:34 | 0:03:37 | |
We are uncomfortably close to it, er, | 0:03:37 | 0:03:40 | |
if I'm honest, at the moment. | 0:03:40 | 0:03:41 | |
But, up there, you've got the moors, | 0:03:41 | 0:03:43 | |
fantastic countryside. There's something for everyone. | 0:03:43 | 0:03:46 | |
And that's because it this geological jigsaw, | 0:03:46 | 0:03:49 | |
-a landscape for every family. -Do you want to play that game | 0:03:49 | 0:03:53 | |
where you have to lean into the wind? | 0:03:53 | 0:03:55 | |
-See how far forward you can lean. -When I was about 12, I did that. | 0:03:55 | 0:03:58 | |
-Yeah, that's all right. -Like this? | 0:03:58 | 0:04:01 | |
-I'm just getting wetter, though. -Like this. | 0:04:01 | 0:04:04 | |
That doesn't count if you do that. That's not leaning into the wind! | 0:04:04 | 0:04:08 | |
-That's just odd. -It is odd, yeah. | 0:04:08 | 0:04:10 | |
It is definitely odd. | 0:04:10 | 0:04:12 | |
The wind and the sea pound this coastline. | 0:04:14 | 0:04:16 | |
This corner of Britain sticks straight out into the Atlantic. | 0:04:16 | 0:04:21 | |
Only the toughest of tough rocks | 0:04:21 | 0:04:23 | |
can survive the harsh conditions of Land's End. | 0:04:23 | 0:04:27 | |
I want to see how this bit of the country stands up to such a pounding | 0:04:28 | 0:04:33 | |
Yo! | 0:04:33 | 0:04:35 | |
PILOT MAKES CHECKS | 0:04:35 | 0:04:37 | |
So, I've hitched a ride to what must be one of | 0:04:37 | 0:04:40 | |
the toughest rocks in Britain - Wolf Rock. | 0:04:40 | 0:04:43 | |
This is like mowing the grass at really high speed. | 0:04:43 | 0:04:47 | |
Now, we've got ten miles to run. | 0:04:49 | 0:04:51 | |
This isolated lighthouse was built on a tiny outcrop of rock | 0:05:03 | 0:05:07 | |
in order to protect our busy Atlantic shipping lanes. | 0:05:07 | 0:05:10 | |
I'm with the maintenance team, who fly out regularly | 0:05:10 | 0:05:13 | |
to keep it working, if they can land the helicopter. | 0:05:13 | 0:05:17 | |
That's the landing pad. | 0:05:19 | 0:05:22 | |
It's tiny. Little. | 0:05:22 | 0:05:24 | |
That is, effectively, the size of a basketball hoop. | 0:05:24 | 0:05:27 | |
And we're going to land on it. | 0:05:27 | 0:05:29 | |
It all seems a bit precarious, to me. | 0:05:31 | 0:05:34 | |
OK, running in, forward six, straight ahead. | 0:05:34 | 0:05:36 | |
I've lost sight of it. | 0:05:39 | 0:05:41 | |
It makes me feel a bit nervous. | 0:05:41 | 0:05:43 | |
Forward three, dead ahead. | 0:05:43 | 0:05:45 | |
This is ridiculous. | 0:05:45 | 0:05:47 | |
Wow! | 0:06:09 | 0:06:10 | |
Look at this! | 0:06:13 | 0:06:14 | |
I love this. | 0:06:14 | 0:06:16 | |
And so do the seagulls. | 0:06:17 | 0:06:19 | |
It's a hell of a way to change a light bulb. | 0:06:22 | 0:06:26 | |
But the risks have to be taken, | 0:06:26 | 0:06:27 | |
because those hard rocks down below | 0:06:27 | 0:06:29 | |
are a danger to shipping. | 0:06:29 | 0:06:32 | |
It may seem fairly calm now, | 0:06:37 | 0:06:39 | |
but principal engineer Ron Blakeley faces the very worst of the weather. | 0:06:39 | 0:06:45 | |
So, sometimes if we come here | 0:06:45 | 0:06:46 | |
after a winter period, | 0:06:46 | 0:06:48 | |
we find half the helipad missing. | 0:06:48 | 0:06:50 | |
That's amazing that we're only about a third of the way up, | 0:06:50 | 0:06:53 | |
but it feels really high, here, | 0:06:53 | 0:06:55 | |
but the sea gets so high that it takes out bits of the helipad out. | 0:06:55 | 0:06:58 | |
That's correct. | 0:06:58 | 0:07:00 | |
The helipad is at 41 metres, | 0:07:00 | 0:07:02 | |
so the sea just rolls up the tower and just punches the pads out. | 0:07:02 | 0:07:07 | |
So, if the sea is powerful enough to punch out the helipad, | 0:07:07 | 0:07:10 | |
how come this stubborn lump of rock | 0:07:10 | 0:07:12 | |
that the light house stands on | 0:07:12 | 0:07:13 | |
is still here? | 0:07:13 | 0:07:15 | |
Time to step back over a hundred million years. | 0:07:19 | 0:07:23 | |
Back then, Wolf Rock was the molten core | 0:07:23 | 0:07:26 | |
at the heart of an active volcano. | 0:07:26 | 0:07:29 | |
The North Atlantic was dry land, | 0:07:32 | 0:07:34 | |
and you could have walked from here to America. | 0:07:34 | 0:07:38 | |
When the volcano became extinct, | 0:07:38 | 0:07:40 | |
the molten rock inside solidified into igneous rock - hard rock formed from magma. | 0:07:40 | 0:07:48 | |
Outside, the volcanic cone then suffered 130 million years worth of erosion. | 0:07:48 | 0:07:54 | |
Finally, a succession of Ice Ages flooded the land with meltwater, | 0:07:55 | 0:07:59 | |
which washed away the last of the cone, | 0:07:59 | 0:08:02 | |
leaving only the harder inner core lurking amongst the waves. | 0:08:02 | 0:08:06 | |
We're sitting on a big lump that's been left after everything else has been washed away. | 0:08:09 | 0:08:13 | |
That's correct. | 0:08:13 | 0:08:14 | |
It's amazing, though, isn't it? Cos all this was once dry land. | 0:08:14 | 0:08:17 | |
And now it's, you know... | 0:08:17 | 0:08:20 | |
Things got eroded so quickly apart from igneous rock. | 0:08:20 | 0:08:23 | |
It just stays here, wrecking ships. | 0:08:23 | 0:08:25 | |
Which leaves me with one nagging question. | 0:08:31 | 0:08:34 | |
What's the lighthouse built of? | 0:08:34 | 0:08:37 | |
The answer, of course, is granite. | 0:08:37 | 0:08:40 | |
Tough enough for lighthouses, kerbstones, | 0:08:40 | 0:08:43 | |
and industrial-strength kitchen worktops. | 0:08:43 | 0:08:46 | |
And every piece of this granite also comes form Cornwall. | 0:08:46 | 0:08:50 | |
Tough rocks define Cornwall and Devon, | 0:08:57 | 0:09:00 | |
from the granite that dominates the wild moors | 0:09:00 | 0:09:03 | |
to the great jumble of rock on the craggy coastline. | 0:09:03 | 0:09:07 | |
That's where I'm heading first. | 0:09:10 | 0:09:12 | |
The resistant rocks | 0:09:14 | 0:09:16 | |
that protect Devon and Cornwall from the Atlantic | 0:09:16 | 0:09:18 | |
might prove a bit of a headache for ships, | 0:09:18 | 0:09:21 | |
but there's a whole community here | 0:09:21 | 0:09:23 | |
that take full advantage of that very same geology. | 0:09:23 | 0:09:26 | |
And if it wasn't for that geology, life for them would be pretty dull. | 0:09:26 | 0:09:31 | |
I'm in Newquay, on the north coast of Cornwall. | 0:09:38 | 0:09:41 | |
Here, the hard Cornish rock, the soft sand, | 0:09:45 | 0:09:48 | |
and the Atlantic rollers create a surfer's paradise. | 0:09:48 | 0:09:51 | |
Surf school tutor Aidan Salmon is master of the waves. | 0:09:57 | 0:10:01 | |
When we look out here, | 0:10:03 | 0:10:05 | |
what's happening underneath that's having an impact | 0:10:05 | 0:10:08 | |
on the waves and the pattern of the waves? | 0:10:08 | 0:10:11 | |
OK, so, you've got the sandbanks, | 0:10:11 | 0:10:12 | |
which are ever-changing. Wherever you've got rock formations | 0:10:12 | 0:10:16 | |
you'll have sand that'll build up around those rocks, | 0:10:16 | 0:10:20 | |
and that'll cause the waves to break. | 0:10:20 | 0:10:23 | |
As a wave comes in, it hits shallower water, | 0:10:23 | 0:10:26 | |
the bottom part of the wave slows down, | 0:10:26 | 0:10:28 | |
whereas the top part of the wave keeps moving. | 0:10:28 | 0:10:30 | |
As that crashes over and breaks, | 0:10:30 | 0:10:33 | |
that's when you get your riding. | 0:10:33 | 0:10:34 | |
That's what you can see. The wave goes from green to white. | 0:10:34 | 0:10:37 | |
So, what is it about this place | 0:10:37 | 0:10:39 | |
that makes it such a Mecca for surfers in the UK? | 0:10:39 | 0:10:41 | |
The main thing is that there's waves almost every day, | 0:10:41 | 0:10:44 | |
and that there's so many different features | 0:10:44 | 0:10:47 | |
that make the waves break in different manners | 0:10:47 | 0:10:49 | |
that are, sort of, for everyone. | 0:10:49 | 0:10:51 | |
The shallow sandy bays of the north coast | 0:11:01 | 0:11:04 | |
are protected by headlands of hard rock. | 0:11:04 | 0:11:06 | |
When the Atlantic rolls into the bays, the rocks can create giant waves. | 0:11:09 | 0:11:14 | |
When a big wave hits the rocks at the side of the bay, | 0:11:17 | 0:11:20 | |
it bounces back into the wave behind it | 0:11:20 | 0:11:22 | |
and pushes that second wave up even higher. | 0:11:22 | 0:11:25 | |
If you're really nasty, | 0:11:37 | 0:11:38 | |
you call your friend into the first wave, because that's the rubbish one, | 0:11:38 | 0:11:42 | |
-and you wait for the second. -You can be the best surfer, | 0:11:42 | 0:11:45 | |
-but if you don't know when the wave's coming... -Yeah. -..you're stuffed. | 0:11:45 | 0:11:48 | |
You probably won't be the best, unless you know that. | 0:11:48 | 0:11:51 | |
I'll take his word for it. | 0:11:56 | 0:11:58 | |
The rocks along the rugged coastline of Cornwall and Devon | 0:12:20 | 0:12:23 | |
were all created by power struggles, millions of years ago. | 0:12:23 | 0:12:27 | |
But they are not the only bits with a violent past. | 0:12:30 | 0:12:33 | |
I'm heading to the wild moors. | 0:12:36 | 0:12:39 | |
I'm on Dartmoor. | 0:12:52 | 0:12:54 | |
I'm not so sure about this. | 0:12:57 | 0:13:00 | |
It also has a reputation that doesn't encourage visitors | 0:13:02 | 0:13:06 | |
to hang around when it gets dark. | 0:13:06 | 0:13:08 | |
These moors are famous for weird animal sightings and legends. | 0:13:11 | 0:13:16 | |
It was Dartmoor that inspired Sherlock Holmes's terrifying | 0:13:16 | 0:13:20 | |
Hound Of The Baskervilles. | 0:13:20 | 0:13:22 | |
'Nick Groom lectures in Landscape And Literature. | 0:13:25 | 0:13:29 | |
'He knows these moors well, and he reckons' | 0:13:29 | 0:13:31 | |
he knows why they're so spooky. | 0:13:31 | 0:13:34 | |
Why is this place the home to so many mysterious legends, | 0:13:36 | 0:13:40 | |
especially revolving around dogs and beasties? | 0:13:40 | 0:13:44 | |
I think, because it's a depopulated landscape. | 0:13:44 | 0:13:47 | |
Years ago, it was a very busy landscape. | 0:13:47 | 0:13:49 | |
There were tinners here. There were stonecutters. | 0:13:49 | 0:13:53 | |
There were many more farmers. | 0:13:53 | 0:13:55 | |
But all these people generally migrated off the land, | 0:13:55 | 0:13:57 | |
so they left this vacuum. They left this space. | 0:13:57 | 0:14:00 | |
This is a savage, untamed country that you can walk across all day | 0:14:00 | 0:14:04 | |
and not see another soul alive or dead. | 0:14:04 | 0:14:06 | |
And rather like the mist arising from a mere, | 0:14:06 | 0:14:12 | |
these legends and these myths developed. | 0:14:12 | 0:14:14 | |
And you get these abiding images of beasts, of dogs, large cats. | 0:14:17 | 0:14:22 | |
It is, to our eyes, a wilderness, I think, | 0:14:26 | 0:14:28 | |
and these huge tors, with their broken granite masonry, | 0:14:28 | 0:14:31 | |
look like the remains of some ancient civilisation. | 0:14:31 | 0:14:33 | |
Dartmoor didn't always look like this. | 0:14:36 | 0:14:40 | |
Years ago, it was covered in dense woodland. | 0:14:40 | 0:14:43 | |
Then, when people moved into this area, | 0:14:43 | 0:14:45 | |
they cut down the trees for building and firewood. | 0:14:45 | 0:14:49 | |
The landscape was devastated. All the trees were gone. | 0:14:50 | 0:14:55 | |
The people moved out, leaving the ancient rocks | 0:14:56 | 0:14:59 | |
to create this eerie landscape. | 0:14:59 | 0:15:02 | |
"Standing over Hugo and plucking at his throat, | 0:15:05 | 0:15:08 | |
"there stood a foul thing. | 0:15:08 | 0:15:09 | |
"A great black beast shaped like a hound | 0:15:09 | 0:15:13 | |
"yet larger than any hound that ever mortal eye has rested upon." | 0:15:13 | 0:15:18 | |
Not exactly a bedtime read, is it? | 0:15:19 | 0:15:23 | |
"The three shrieked with fear and rode for dear life, | 0:15:23 | 0:15:26 | |
"still screaming, across the moor." | 0:15:26 | 0:15:29 | |
Shall we go home now? | 0:15:30 | 0:15:32 | |
Let's go home. | 0:15:32 | 0:15:33 | |
Wisely, perhaps, I've chosen to come to Dartmoor in daylight. | 0:15:47 | 0:15:51 | |
But where did these massive granite peaks come from? | 0:15:51 | 0:15:55 | |
What's astonishing about this landscape is that it was once | 0:15:58 | 0:16:02 | |
all underground. A huge area of granite was formed, | 0:16:02 | 0:16:06 | |
a huge layer of it, kilometres thick, and enormously wide, | 0:16:06 | 0:16:09 | |
stretching from way over there in Devon, | 0:16:09 | 0:16:12 | |
right off the end of Britain - Land's End - out to the Scilly Isles. | 0:16:12 | 0:16:16 | |
And it's this granite that gives us these tors, | 0:16:16 | 0:16:18 | |
it gives us the moors... | 0:16:18 | 0:16:20 | |
It's fantastic to look at, to walk past, to jump off, to build with... | 0:16:20 | 0:16:24 | |
It really shapes the lives of everybody who lives here. | 0:16:24 | 0:16:28 | |
This rocky high ground started life as giant boils | 0:16:34 | 0:16:37 | |
under the skin of Cornwall and Devon. | 0:16:37 | 0:16:40 | |
They began brewing 300 million years ago, | 0:16:41 | 0:16:45 | |
under a thick layer of rock. | 0:16:45 | 0:16:48 | |
But seven kilometres underground, something was stirring. | 0:16:53 | 0:16:56 | |
Hot magma rising from the Earth's molten reservoirs, | 0:17:00 | 0:17:03 | |
trying to force its way upwards. | 0:17:03 | 0:17:05 | |
But the rock above was too thick. | 0:17:08 | 0:17:10 | |
And instead of allowing the magma to erupt in volcanoes, | 0:17:10 | 0:17:13 | |
like it did elsewhere, | 0:17:13 | 0:17:15 | |
it was forced to gather in giant underground domes. | 0:17:15 | 0:17:20 | |
With no volcanoes to release the pressure, | 0:17:20 | 0:17:22 | |
the surface rock strained as it was pushed up. | 0:17:22 | 0:17:26 | |
The underground magma eventually cooled | 0:17:28 | 0:17:30 | |
into permanent domes of hard granite. | 0:17:30 | 0:17:33 | |
The broken, softer rocks at the peaks were easily weathered away. | 0:17:34 | 0:17:38 | |
Now, we're left with the exposed underground granite | 0:17:42 | 0:17:47 | |
in the form of granite tors. | 0:17:47 | 0:17:50 | |
But the tors aren't the only thing that makes Dartmoor famous. | 0:17:52 | 0:17:55 | |
There are lots of high areas of moorland in Britain, | 0:18:03 | 0:18:08 | |
but something about this place has lodged it in the national consciousness. | 0:18:08 | 0:18:12 | |
That's partly to do with the landscape, partly to do with the prison, | 0:18:12 | 0:18:16 | |
but it's also down to another set of inhabitants of this area, | 0:18:16 | 0:18:19 | |
who are not residing at Her Majesty's pleasure, | 0:18:19 | 0:18:22 | |
Dartmoor ponies! | 0:18:22 | 0:18:23 | |
This ancient breed of ponies has evolved | 0:18:27 | 0:18:29 | |
to be as tough as the moors they thrive on. | 0:18:29 | 0:18:32 | |
You go back 3,500 years ago, we know there was ponies, | 0:18:33 | 0:18:36 | |
there was cattle and there was sheep, | 0:18:36 | 0:18:39 | |
and that's exactly how farming today is carried out on Dartmoor. | 0:18:39 | 0:18:42 | |
It works. | 0:18:42 | 0:18:43 | |
Dru Butterfield runs the Dartmoor Pony Heritage Trust. | 0:18:43 | 0:18:47 | |
She's helping a local farmer round up his ponies from common land on the moor. | 0:18:47 | 0:18:51 | |
Each farmer will own so many ponies depending on the number of rights | 0:18:56 | 0:19:00 | |
that they have to graze the common. | 0:19:00 | 0:19:02 | |
And this particular farmer has got about 20 mares | 0:19:02 | 0:19:05 | |
running with the stallion, and we're bringing them in, now, | 0:19:05 | 0:19:09 | |
because we're going to pick out some ponies to be sold to the Norfolk Wildlife Trust. | 0:19:09 | 0:19:13 | |
The ponies help preserve the landscape that our ancestors created, | 0:19:16 | 0:19:20 | |
by grazing. | 0:19:20 | 0:19:22 | |
If we didn't graze the area, if we didn't keep the gorse | 0:19:26 | 0:19:30 | |
under control, it would just turn into a huge scrub area. | 0:19:30 | 0:19:33 | |
People wouldn't be able to access the moor. | 0:19:33 | 0:19:36 | |
It would look a totally different place. | 0:19:36 | 0:19:39 | |
They graze in such a different way to cattle and sheep. | 0:19:42 | 0:19:46 | |
They browse the moor and they're eating up | 0:19:46 | 0:19:49 | |
for 18 hours a day, so they're our organic scrub cutters. | 0:19:49 | 0:19:52 | |
They are integral to this area. | 0:19:59 | 0:20:03 | |
To lose them is like losing your family silver. It's unthinkable, actually. | 0:20:03 | 0:20:09 | |
Back in the 1930's, Dartmoor's ponies worked in the mines | 0:20:14 | 0:20:18 | |
and quarries that were here then. | 0:20:18 | 0:20:21 | |
And there were 30,000 of them on the moor. | 0:20:21 | 0:20:25 | |
Nowadays, about a thousand ponies are enough to conserve it. | 0:20:25 | 0:20:30 | |
Now all that mining's gone, they have a rather more sedate life, | 0:20:30 | 0:20:34 | |
if you can say that about living in this harsh moorland environment. | 0:20:34 | 0:20:39 | |
But they're still vital. | 0:20:39 | 0:20:40 | |
Because they keep this moor looking exactly how we like it. | 0:20:40 | 0:20:45 | |
But the powerful forces that created the moors | 0:20:53 | 0:20:56 | |
did more than just build up this high ground. | 0:20:56 | 0:21:00 | |
They also created a giant mash-up on what is now Cornwall's north coast. | 0:21:02 | 0:21:08 | |
I've come to Tintagel, where nothing is where it should be. | 0:21:14 | 0:21:17 | |
All rocks are higgledy-piggledy. | 0:21:19 | 0:21:22 | |
And it's all rather magical. | 0:21:23 | 0:21:25 | |
Which maybe why it's such a centre of folklore and legend. | 0:21:28 | 0:21:31 | |
King Arthur was supposedly conceived here. | 0:21:31 | 0:21:34 | |
So, in spite of the fact that you don't get this landscape | 0:21:34 | 0:21:37 | |
anywhere else in these islands, | 0:21:37 | 0:21:39 | |
you can't really get much more British than this. | 0:21:39 | 0:21:42 | |
The reason for Tintagel's extraordinary landscape is, well, | 0:21:47 | 0:21:51 | |
delightfully complicated. | 0:21:51 | 0:21:53 | |
As Geologist Jane Anderson will explain, these rocks are interlopers, | 0:21:56 | 0:22:01 | |
Johnny-come-latelys, | 0:22:01 | 0:22:02 | |
brought here by the massive forces that shaped Cornwall and Devon. | 0:22:02 | 0:22:07 | |
These rocks have not come from here. | 0:22:07 | 0:22:08 | |
It's at least Bodmin Moor, | 0:22:08 | 0:22:11 | |
and maybe further beyond that. | 0:22:11 | 0:22:13 | |
So that's, like, 30 miles or something is it? | 0:22:13 | 0:22:16 | |
At least. | 0:22:16 | 0:22:17 | |
And the drag associated with them has folded and faulted them, | 0:22:17 | 0:22:20 | |
and when they've come to rest here, they've been uplifted to angles of 45 degrees, | 0:22:20 | 0:22:26 | |
but it's all weakened the rock. | 0:22:26 | 0:22:28 | |
Incredibly, millions of years ago, | 0:22:30 | 0:22:32 | |
even before the sea was here, | 0:22:32 | 0:22:35 | |
great chunks of ground from inland were dumped here at Tintagel. | 0:22:35 | 0:22:40 | |
A giant lasagne of hard and soft rocks. | 0:22:40 | 0:22:44 | |
Volcanic rock, slate, sandstone, slid down hill | 0:22:44 | 0:22:49 | |
and concertina-ed into this folded and jumbled landscape. | 0:22:49 | 0:22:53 | |
And when the sea arrived, it got in wherever it could. | 0:22:54 | 0:22:58 | |
At the end of each fault, the sea has got in at the base. | 0:23:02 | 0:23:06 | |
It produces these wonderful landforms, caves, | 0:23:06 | 0:23:09 | |
and even a waterfall here. | 0:23:09 | 0:23:11 | |
And one of these is Merlin's Cave, isn't it? | 0:23:11 | 0:23:13 | |
That one, there. Yep. | 0:23:13 | 0:23:15 | |
And you can, at low tide, you can walk all the way through. | 0:23:15 | 0:23:18 | |
So, it basically, | 0:23:18 | 0:23:20 | |
it is fantastically weird, | 0:23:20 | 0:23:21 | |
because it's fantastically weird. | 0:23:21 | 0:23:24 | |
Yeah, exactly it, yeah. Very, sort of, mystic, | 0:23:24 | 0:23:27 | |
and craggy and... | 0:23:27 | 0:23:28 | |
It's great, isn't it? | 0:23:28 | 0:23:29 | |
Tintagel is a chaotic mix of rocks, | 0:23:49 | 0:23:52 | |
and I'm on the lookout for one rock in particular. | 0:23:52 | 0:23:55 | |
The rock formations here are really strange. | 0:24:01 | 0:24:04 | |
Now, normally you would expect to get younger rocks, sheets of them, | 0:24:04 | 0:24:08 | |
on top of older rocks. Here, there's so much buckling and twisting, | 0:24:08 | 0:24:12 | |
that you sometimes get older rocks, and sheets of that, | 0:24:12 | 0:24:15 | |
on top of younger rocks. It's very bizarre. | 0:24:15 | 0:24:18 | |
But if you want proof of how bizarre it really is, | 0:24:18 | 0:24:20 | |
you want to have a look at this compass. | 0:24:20 | 0:24:23 | |
Now, at the moment, it's telling me that north is over there, | 0:24:23 | 0:24:28 | |
but when I hold it up to this rock here... | 0:24:28 | 0:24:30 | |
..it spins right round. Whoa! | 0:24:32 | 0:24:34 | |
That's cos this is a mineral called magnetite. | 0:24:34 | 0:24:38 | |
It's the most magnetic mineral on Earth, | 0:24:38 | 0:24:41 | |
and it makes your compass go crazy. | 0:24:41 | 0:24:44 | |
You actually have no idea where you are. | 0:24:44 | 0:24:47 | |
So, next time you lose your bearings in Tintagel, | 0:24:51 | 0:24:54 | |
maybe outside the pub, you can blame it on the rocks. | 0:24:54 | 0:24:58 | |
We've really begun to get a sense of the powerful forces that shape | 0:25:12 | 0:25:16 | |
this dramatic, beautiful landscape | 0:25:16 | 0:25:18 | |
and the lives of the people that live here. | 0:25:18 | 0:25:21 | |
But there's even more for me and Hugh to discover. | 0:25:21 | 0:25:26 | |
-That's a proper "we woz here" mark. -Certainly is. | 0:25:26 | 0:25:28 | |
-From deep underground... -Big wave! | 0:25:28 | 0:25:31 | |
..to the craggy coastline. | 0:25:31 | 0:25:32 | |
That was fantastic! | 0:25:35 | 0:25:37 | |
Before that, we're off to a very special bit of the coast. | 0:25:42 | 0:25:45 | |
How many people do you think know that Devon gave its name | 0:25:47 | 0:25:51 | |
to one of the great geological periods? | 0:25:51 | 0:25:54 | |
Well, not very many, I don't suppose, but it did. | 0:25:54 | 0:25:56 | |
It's called the Devonian. | 0:25:56 | 0:25:58 | |
I suspect more people know that this | 0:25:58 | 0:26:00 | |
swathe of coast, from here right through to Dorset, | 0:26:00 | 0:26:05 | |
is called the Jurassic Coast. | 0:26:05 | 0:26:07 | |
-Well, you can't forget that, can you? -Well because of Jurassic Park. | 0:26:07 | 0:26:11 | |
And it's the same thing, it is the time of the dinosaurs. | 0:26:11 | 0:26:14 | |
Which goes back a long time. Older than you, even! | 0:26:14 | 0:26:16 | |
Considerably older than me, and thank you for that. | 0:26:16 | 0:26:18 | |
If you combine the age of Bruce Forsyth, | 0:26:18 | 0:26:21 | |
Michael Parkinson, | 0:26:21 | 0:26:23 | |
and the entire cast of Last Of The Summer Wine, | 0:26:23 | 0:26:26 | |
you would get nowhere near it. | 0:26:26 | 0:26:29 | |
It's About 150-200 million years ago. | 0:26:29 | 0:26:32 | |
It's good, though. Look! | 0:26:32 | 0:26:34 | |
This is the magnificent Jurassic Coast. | 0:26:37 | 0:26:42 | |
95 miles long and one of the best places in Britain | 0:26:42 | 0:26:46 | |
to look for prehistoric fossils. | 0:26:46 | 0:26:48 | |
Which is what I'm doing, with dedicated fossil hunter | 0:26:48 | 0:26:51 | |
Mike Harrison. | 0:26:51 | 0:26:53 | |
Most people start off looking for small bones, | 0:26:55 | 0:26:59 | |
small backbones off ichthyosaurs, vertebras. | 0:26:59 | 0:27:02 | |
'But do most people start on a stormy beach at low tide | 0:27:04 | 0:27:09 | |
'just before nightfall?' | 0:27:09 | 0:27:10 | |
So, this isn't great weather for fossil hunting, presumably? | 0:27:13 | 0:27:16 | |
-This is perfect condition for fossil hunting! -Is it? -Perfect. | 0:27:16 | 0:27:20 | |
Lots of rain, rough sea. Rain washes down the clay, | 0:27:20 | 0:27:23 | |
washes the face of the cliffs. The sea erodes what's washed out. | 0:27:23 | 0:27:28 | |
'In Jurassic times, this was the seabed of a warm tropical ocean, | 0:27:28 | 0:27:33 | |
'filled with prehistoric creatures.' | 0:27:33 | 0:27:35 | |
-Is that...? -This is something from the Cretaceous, right at the very top. | 0:27:35 | 0:27:39 | |
'When storms come in, more fossils come to light. | 0:27:39 | 0:27:43 | |
'Though, not where I am, it seems.' | 0:27:45 | 0:27:47 | |
'All it takes is time and patience - more than I've got - | 0:27:51 | 0:27:54 | |
'especially for the big finds, | 0:27:54 | 0:27:56 | |
'of which Mike has plenty, and one in particular.' | 0:27:56 | 0:28:01 | |
A fossil discovery of huge scientific interest. | 0:28:01 | 0:28:04 | |
Oh, that is ridiculous! | 0:28:10 | 0:28:12 | |
-You found that? -I did. Yep. -And what is that? | 0:28:12 | 0:28:16 | |
-It's an ichthyosaur skull. -It's a marine reptile, is it? | 0:28:16 | 0:28:19 | |
-Marine reptile. Top predator at its time. -And this is just its head! | 0:28:19 | 0:28:23 | |
So, how big was an ichthyosaur? | 0:28:23 | 0:28:26 | |
This one would have probably been about 25 to 30 foot. | 0:28:26 | 0:28:30 | |
So, there's a lot more to collect. | 0:28:30 | 0:28:32 | |
What are you going to do? You're going to run out of room. Have it right to the front door. | 0:28:32 | 0:28:36 | |
Well, it would be, wouldn't it? Except for...it's going to take me a few years to get it all. | 0:28:36 | 0:28:40 | |
'Mike first discovered parts of this huge reptile in 2008 | 0:28:41 | 0:28:46 | |
'after the coast's biggest landslip in 100 years. | 0:28:46 | 0:28:49 | |
'The trouble is, he'll have to wait for more storms | 0:28:49 | 0:28:52 | |
'to reveal the rest of it, piece by piece.' | 0:28:52 | 0:28:54 | |
How did you feel when you found it? | 0:28:56 | 0:28:59 | |
Like winning a very big scratch card. | 0:28:59 | 0:29:02 | |
Massive scratch card, like the Euro lottery, | 0:29:02 | 0:29:04 | |
I would have thought, really. | 0:29:04 | 0:29:05 | |
Well, you spend years looking for this sort of thing, | 0:29:05 | 0:29:08 | |
and people don't realise | 0:29:08 | 0:29:10 | |
that you go out time and time again and, you know, | 0:29:10 | 0:29:13 | |
pretty fruitlessly, so these things don't come up very often. | 0:29:13 | 0:29:18 | |
But that's fantastic because | 0:29:18 | 0:29:20 | |
-you're not a professional fossil hunter are you? -No, no. | 0:29:20 | 0:29:23 | |
-So, what do you do most of the time? -I work at Tesco's. -Do you? | 0:29:23 | 0:29:27 | |
How did you get that in your trolley? | 0:29:27 | 0:29:30 | |
There's incredible detail in this find. | 0:29:31 | 0:29:34 | |
It's thought the silt on the Jurassic Coast seabed | 0:29:34 | 0:29:37 | |
was so fine there was very little oxygen in it. | 0:29:37 | 0:29:41 | |
So, this whole creature decomposed slowly enough to become a perfect fossil. | 0:29:41 | 0:29:47 | |
And what a journey this thing has had, then, if you think about it. | 0:29:51 | 0:29:54 | |
-Well, it is fascinating. -It popped out of the cliff. -Yes. | 0:29:54 | 0:29:57 | |
In Dorset. | 0:29:57 | 0:29:59 | |
Mow it's heading back to the sea. | 0:29:59 | 0:30:01 | |
And now it heading back to the, well, it's heading to your kitchen. | 0:30:01 | 0:30:04 | |
That's the most unexpected bit of its journey. | 0:30:04 | 0:30:07 | |
-It didn't see that, did it? No-one saw that coming. -It didn't see that coming, no. -No, no. | 0:30:07 | 0:30:12 | |
Mike knows there are many other prehistoric creatures hidden here. | 0:30:15 | 0:30:19 | |
If he finds any more big ones, he might just need a bigger kitchen. | 0:30:21 | 0:30:26 | |
There are many other hidden treasures here. | 0:30:35 | 0:30:39 | |
These are Cornwall's famous tin mines. | 0:30:41 | 0:30:44 | |
For centuries, they brought wealth to the area, | 0:30:44 | 0:30:49 | |
then the industry fell on hard times. | 0:30:49 | 0:30:52 | |
All the mines were closed. | 0:30:52 | 0:30:54 | |
But now, preparations are underway to reopen one ancient Cornish mine. | 0:30:56 | 0:31:01 | |
These rocks don't surrender their rewards | 0:31:01 | 0:31:04 | |
without a lot of hard work, dirt, and some risk taking. | 0:31:04 | 0:31:08 | |
Glynn, we've got a situation. Need the team ready as soon as possible. | 0:31:08 | 0:31:13 | |
This is the South Crofty Rescue Team. | 0:31:16 | 0:31:19 | |
Like firefighters, every member of the team has to be on call 24/7. | 0:31:23 | 0:31:27 | |
Just be aware, Keith, of team safety. | 0:31:27 | 0:31:29 | |
And, like firefighters, they have to be prepared for anything. | 0:31:29 | 0:31:33 | |
We have a vehicle that's crashed and there are reports of smoke. | 0:31:33 | 0:31:36 | |
But unlike firefighters, these men do it all underground. | 0:31:36 | 0:31:40 | |
Air On. | 0:31:42 | 0:31:44 | |
South Crofty Tin Mine is about to re-open | 0:31:44 | 0:31:46 | |
after a shutdown that's lasted more than a decade. | 0:31:46 | 0:31:50 | |
Mine Rescue. Can you hear us? | 0:31:51 | 0:31:54 | |
Practice drills like this are essential. | 0:31:54 | 0:31:57 | |
-Got a simulated fire in the engine bay! -Right hold it there! | 0:31:58 | 0:32:02 | |
Normal emergency services aren't trained to deal with the extreme conditions. | 0:32:04 | 0:32:08 | |
Johnny, air? 217! | 0:32:09 | 0:32:11 | |
If things go wrong down here, they can go wrong fast. | 0:32:11 | 0:32:15 | |
Can you hear us? He's not responding. | 0:32:15 | 0:32:18 | |
We've got to get him out of here quickly. | 0:32:18 | 0:32:20 | |
The team must be ready to deal with situations up to a kilometre underground - | 0:32:20 | 0:32:24 | |
fire, floods, tunnel collapse, or total darkness. | 0:32:26 | 0:32:32 | |
We're almost out, OK? | 0:32:32 | 0:32:34 | |
All this effort to prepare the mine should be worth it. | 0:32:41 | 0:32:43 | |
South Crofty's geologist, Gareth Joseph | 0:32:46 | 0:32:48 | |
wants to show me what's still down there. | 0:32:48 | 0:32:50 | |
He's discovered new veins of metals, | 0:32:52 | 0:32:54 | |
like copper, that were previously ignored. | 0:32:54 | 0:32:57 | |
OK, so we can look here, and this tells us | 0:33:02 | 0:33:05 | |
we've got some copper here. 1% And then tin. Just over 4%. | 0:33:05 | 0:33:09 | |
-That's pretty good. -Very good. | 0:33:09 | 0:33:11 | |
If we had a few tons of that I'd be very happy. | 0:33:11 | 0:33:13 | |
So, basically, you need to get back to that seam. | 0:33:13 | 0:33:17 | |
-This would be a good place to be working. -That's right. | 0:33:17 | 0:33:19 | |
With this drilling, is we've identified a zone. | 0:33:19 | 0:33:22 | |
So, we now have to put some more holes into that, | 0:33:22 | 0:33:25 | |
and, eventually, connect those points together, | 0:33:25 | 0:33:27 | |
and then we know exactly where we can go on mine. | 0:33:27 | 0:33:30 | |
Super hot liquid carried | 0:33:32 | 0:33:34 | |
these valuable metals from deep underground, | 0:33:34 | 0:33:38 | |
and left them behind in the rock. | 0:33:38 | 0:33:40 | |
There is such a variety of rock here, isn't there? | 0:33:42 | 0:33:45 | |
-That's right. -It's a geologist's dream, really. | 0:33:45 | 0:33:48 | |
It is, a geologist's dream. Some might say, | 0:33:48 | 0:33:50 | |
at times, it can be a geologist's nightmare. | 0:33:50 | 0:33:52 | |
It all makes it very challenging to piece it all together | 0:33:52 | 0:33:56 | |
and work out the best way to find the metals. | 0:33:56 | 0:33:58 | |
It's well worth the effort. | 0:33:58 | 0:34:00 | |
Metals like copper and tin have rocketed in value again | 0:34:02 | 0:34:06 | |
because they are essential components | 0:34:06 | 0:34:08 | |
of our electronic gadgets. | 0:34:08 | 0:34:10 | |
South Crofty mine is poised to re-open | 0:34:12 | 0:34:14 | |
for its fifth century of business. | 0:34:14 | 0:34:17 | |
I bet when you studied geology, you didn't think you'd end up here. | 0:34:17 | 0:34:23 | |
I didn't. I grew up in this area. | 0:34:23 | 0:34:25 | |
The mine closed the year that I left 6th form. | 0:34:25 | 0:34:28 | |
So, to actually be here, 10, 12 years later, | 0:34:28 | 0:34:31 | |
being involved with helping to re-open it. | 0:34:31 | 0:34:34 | |
You couldn't imagine it. So, it's a real opportunity. | 0:34:34 | 0:34:37 | |
It's quite exciting. | 0:34:37 | 0:34:38 | |
It's not just the geologists who are excited. | 0:34:40 | 0:34:44 | |
Local miners like Chief Health And Safety Officer, Robin Whale, | 0:34:46 | 0:34:50 | |
look forward to a whole new era of mining. | 0:34:50 | 0:34:52 | |
I've yet to meet a miner who isn't truly passionate about their job. | 0:34:54 | 0:34:58 | |
I mean, what is it | 0:34:58 | 0:35:00 | |
about spending hour upon hour | 0:35:00 | 0:35:03 | |
underground in dark, wet, cold conditions? | 0:35:03 | 0:35:06 | |
What goes on in your head? | 0:35:06 | 0:35:08 | |
It's a bit of a strange thing. | 0:35:08 | 0:35:10 | |
I remember when I was a teenager, my doctor told me | 0:35:10 | 0:35:12 | |
if you spend six months underground, your brain turns to granite. | 0:35:12 | 0:35:15 | |
That was his official medical opinion. | 0:35:15 | 0:35:18 | |
-And is he right? -Oh, yes. | 0:35:18 | 0:35:20 | |
The Cornish miners have travelled all over the world. | 0:35:20 | 0:35:23 | |
-Oh, yes. -Delivering their expertise to mines everywhere. | 0:35:23 | 0:35:26 | |
There's a saying - if the hole is deep enough, you'll find a Cornishman at the bottom of it. | 0:35:26 | 0:35:30 | |
And one of the main reasons is, | 0:35:30 | 0:35:33 | |
in Cornwall our geology is so different, | 0:35:33 | 0:35:35 | |
one week you can be drilling rock so hard your drill bounces off it, | 0:35:35 | 0:35:40 | |
the next week, you can hit a patch of granite so soft you can push your finger in. | 0:35:40 | 0:35:44 | |
So, we have lots of different geologies, rock types, and problems. | 0:35:44 | 0:35:48 | |
Precious metals and fossils aren't the only things | 0:35:53 | 0:35:57 | |
that the violent past of Cornwall and Devon have given us. | 0:35:57 | 0:36:01 | |
I'm en route to discover another ancient treasure, | 0:36:12 | 0:36:15 | |
in a tiny valley tucked away near the village of Beer in Devon. | 0:36:15 | 0:36:19 | |
It's not metal ore, | 0:36:22 | 0:36:23 | |
it's a very special kind of stone. | 0:36:23 | 0:36:27 | |
A rock that has built some of the greatest buildings in Britain. | 0:36:28 | 0:36:33 | |
People started carving through this rock 2,000 years ago. | 0:36:36 | 0:36:40 | |
And these are not natural grooves, they're tool marks. | 0:36:40 | 0:36:43 | |
This labyrinth of underground stone quarries | 0:36:46 | 0:36:49 | |
was first dug out centuries ago. | 0:36:49 | 0:36:52 | |
You can find rounded arches carved by the Romans, | 0:36:57 | 0:37:01 | |
square Saxon tunnels, | 0:37:01 | 0:37:05 | |
even Norman pillars. | 0:37:05 | 0:37:07 | |
'Owner John Scott explains what's so great about the stone down here.' | 0:37:10 | 0:37:15 | |
What attracted the Romans to this stone? | 0:37:15 | 0:37:17 | |
Well, they realised that it was perfect | 0:37:17 | 0:37:20 | |
for very fine detail carving. | 0:37:20 | 0:37:23 | |
But when you take it in the outside world it dries, | 0:37:23 | 0:37:25 | |
then it becomes five times harder. | 0:37:25 | 0:37:27 | |
So, it is the perfect building material. | 0:37:27 | 0:37:30 | |
You can still find reminders of the lives | 0:37:33 | 0:37:35 | |
of the quarrymen who worked here. | 0:37:35 | 0:37:37 | |
To think, these candle holes were first blackened | 0:37:39 | 0:37:43 | |
by Saxon candles over 1,000 years ago. | 0:37:43 | 0:37:46 | |
Julia, we always say that every pillar here tells a story centuries later. | 0:37:47 | 0:37:52 | |
You can actually see where two men, who were quarrying Beer stone, here, | 0:37:52 | 0:37:57 | |
wrote their names in 1750. | 0:37:57 | 0:37:59 | |
You can tell they were quarrymen because they always wrote with charcoal, | 0:37:59 | 0:38:03 | |
whereas every Stonemason who worked here throughout the centuries carved his name with pride. | 0:38:03 | 0:38:08 | |
So, even a signature, to this day, will tell you what trade a man was, all those years ago. | 0:38:08 | 0:38:12 | |
That is an incredible thought. | 0:38:12 | 0:38:15 | |
John Hayes and George... | 0:38:15 | 0:38:17 | |
-Kofsiter Senior. -Ah. | 0:38:17 | 0:38:20 | |
1750. | 0:38:20 | 0:38:21 | |
That's a proper "we woz here" mark. | 0:38:23 | 0:38:25 | |
Certainly is. | 0:38:25 | 0:38:26 | |
The fine quality limestone from Beer has always been in great demand. | 0:38:30 | 0:38:35 | |
Four-ton blocks were hauled hundreds of miles | 0:38:40 | 0:38:43 | |
to decorate some of the most important buildings in Britain - | 0:38:43 | 0:38:48 | |
the Tower of London, | 0:38:49 | 0:38:51 | |
St Paul's Cathedral, | 0:38:51 | 0:38:52 | |
and Westminster Abbey, | 0:38:52 | 0:38:54 | |
And, close by, | 0:38:57 | 0:38:59 | |
there's Exeter Cathedral. | 0:38:59 | 0:39:00 | |
Resident master mason | 0:39:02 | 0:39:03 | |
Gary Morley is still using stone from Beer | 0:39:03 | 0:39:06 | |
to maintain this magnificent building. | 0:39:06 | 0:39:09 | |
Why is this stone, Beer stone, so magical to work with? | 0:39:10 | 0:39:15 | |
Well, we've got a very fine grain, for a start, | 0:39:15 | 0:39:18 | |
and you can get very fine detail carved into the stone. | 0:39:18 | 0:39:21 | |
And it also gives a good sharpness in the cut of the stone, | 0:39:21 | 0:39:26 | |
and also forms shadow and so gives it that crisp look. | 0:39:26 | 0:39:29 | |
And that really is unique. That is different from any other stone. | 0:39:29 | 0:39:33 | |
In Exeter Cathedral, Beer stone was reserved | 0:39:41 | 0:39:43 | |
for the most delicate carving work. | 0:39:43 | 0:39:46 | |
These carvings are hundreds of years old. | 0:39:51 | 0:39:54 | |
Limestone is usually soft and erodes easily. | 0:39:56 | 0:40:00 | |
But, when the damp lime in Beer stone eventually dries in the air, | 0:40:00 | 0:40:03 | |
it forms a hard skin, like cement setting. | 0:40:03 | 0:40:07 | |
So, what you're doing is taking level by level. | 0:40:13 | 0:40:16 | |
And as you're working, you then follow the same | 0:40:16 | 0:40:18 | |
chisel line, what you've just done, and then work the next line in. | 0:40:18 | 0:40:21 | |
Right, can I have a go? | 0:40:21 | 0:40:22 | |
'This is a great stone for a great craftsman to work with. | 0:40:22 | 0:40:25 | |
'And, apparently, even I can't mess it up.' | 0:40:25 | 0:40:29 | |
So, let's have a go. | 0:40:29 | 0:40:32 | |
Oh, it's not easy. | 0:40:39 | 0:40:41 | |
What I'm frightened to do is to go too far down. | 0:40:45 | 0:40:48 | |
I'm trying to follow the line. | 0:40:50 | 0:40:52 | |
That's OK. | 0:40:52 | 0:40:54 | |
-Right, I've done a bit. Let's have a look. -All right. That's all right. | 0:40:55 | 0:41:00 | |
-How's that? -That's OK. -It's not a big block, | 0:41:00 | 0:41:03 | |
not a big lump out of there, is there? | 0:41:03 | 0:41:05 | |
That's ideal. | 0:41:05 | 0:41:07 | |
I'll take you on. OK, all right? | 0:41:07 | 0:41:09 | |
The limestone of Beer has been used all over Britain. | 0:41:14 | 0:41:18 | |
Another treasure from Cornwall and Devon is even more widespread. | 0:41:22 | 0:41:26 | |
It's not as grand, | 0:41:26 | 0:41:27 | |
and you've probably got some on your kitchen table right now. | 0:41:27 | 0:41:31 | |
We associate mining and quarrying with serious industrial activity | 0:41:34 | 0:41:38 | |
and it's not difficult to imagine | 0:41:38 | 0:41:40 | |
where those heavy-duty raw materials end up. | 0:41:40 | 0:41:42 | |
Although, you might be surprised. | 0:41:42 | 0:41:44 | |
Mysterious landscapes that look like distant planets... | 0:41:53 | 0:41:58 | |
..are actually much closer to home. | 0:42:01 | 0:42:03 | |
This is not the birthplace of extra-terrestrial life. | 0:42:11 | 0:42:15 | |
It's actually the birthplace of millions of teacups. | 0:42:15 | 0:42:19 | |
These are the china clay deposits near St Austell in Cornwall. | 0:42:24 | 0:42:28 | |
And they're even a source of inspiration for artists. | 0:42:28 | 0:42:31 | |
Whenever I come into the clay pits, | 0:42:33 | 0:42:35 | |
it's a heightening of the senses, completely. | 0:42:35 | 0:42:39 | |
Jenny Beavan is Artist In Residence, | 0:42:39 | 0:42:42 | |
well, artist knee-deep in clay and water, anyway. | 0:42:42 | 0:42:46 | |
I think, to any outsider, it might seem quite a crazy thing | 0:42:47 | 0:42:52 | |
to do on a day like this, | 0:42:52 | 0:42:55 | |
which is, for me, just great fun, actually. | 0:42:55 | 0:42:57 | |
Jenny uses china clay for her ceramics, | 0:42:59 | 0:43:01 | |
because it's uniquely strong and delicate. | 0:43:01 | 0:43:04 | |
That's why it makes such fabulously good tea pots, cups and saucers. | 0:43:04 | 0:43:09 | |
But, unlike some artists, Jenny likes to get hands-on with her raw materials. | 0:43:09 | 0:43:13 | |
Well, just being here, | 0:43:13 | 0:43:15 | |
you can see the graduation between the rock | 0:43:15 | 0:43:18 | |
and then something that's a bit softer, | 0:43:18 | 0:43:21 | |
and it gets softer and softer until you can really, | 0:43:21 | 0:43:24 | |
you know, dig it. | 0:43:24 | 0:43:26 | |
And it's quite nice taking it in layers | 0:43:28 | 0:43:30 | |
because the kind of transition from hard to soft is quite inspiring. | 0:43:30 | 0:43:35 | |
Being so pliable is one of the things | 0:43:35 | 0:43:39 | |
that makes china clay great to use. | 0:43:39 | 0:43:41 | |
It was created in an act of unbelievable alchemy. | 0:43:41 | 0:43:44 | |
These hills were originally granite | 0:43:46 | 0:43:48 | |
until a corrosive chemical cocktail attacked the rock. | 0:43:48 | 0:43:52 | |
It was so powerful, | 0:43:54 | 0:43:56 | |
it transformed parts of the rock | 0:43:56 | 0:43:59 | |
into a substance called kaolin. | 0:43:59 | 0:44:01 | |
When it's fired, this soft clay goes rock hard. | 0:44:01 | 0:44:06 | |
Perfect for the finest quality china. | 0:44:06 | 0:44:09 | |
And, in its raw form, lots of other things in our homes. | 0:44:09 | 0:44:14 | |
Of course, you find china clay in things like plates and cups, | 0:44:15 | 0:44:18 | |
but what about paper? | 0:44:18 | 0:44:19 | |
Plastic toys? Toilet seats? Even indigestion remedies? | 0:44:19 | 0:44:23 | |
You've probably come into contact with china clay today. | 0:44:23 | 0:44:26 | |
If all this clay is in Cornwall, why is it known as china clay? | 0:44:33 | 0:44:38 | |
Well, China was the first to use kaolin successfully. | 0:44:38 | 0:44:41 | |
But Cornwall became the world's biggest producer over 200 years ago. | 0:44:41 | 0:44:46 | |
So far, £15 billion worth of this glorified mud has been sluiced out. | 0:44:48 | 0:44:54 | |
But that's worth more than all of Cornwall's tin and copper put together. | 0:44:55 | 0:45:00 | |
MALE CHOIR SINGS | 0:45:04 | 0:45:08 | |
And like many of Britain's mining communities, | 0:45:15 | 0:45:17 | |
the clay pits have inspired a strong musical tradition. | 0:45:17 | 0:45:21 | |
Some say the singing helped to clear out the lungs | 0:45:25 | 0:45:28 | |
after a hard day's work in the mines, | 0:45:28 | 0:45:30 | |
in the days when it was all a lot dustier. | 0:45:30 | 0:45:33 | |
We've had a good look at the rocks hidden underground. | 0:46:07 | 0:46:10 | |
But, above ground, one thing you notice | 0:46:10 | 0:46:12 | |
is that the fields of Cornwall | 0:46:12 | 0:46:15 | |
are divided by these very distinctive hedges. | 0:46:15 | 0:46:18 | |
Distinctive, mainly, | 0:46:20 | 0:46:22 | |
because they're not hedges at all. | 0:46:22 | 0:46:25 | |
We all know what a hedge is. It's a hedge. | 0:46:26 | 0:46:30 | |
It's a long row of plants separating fields or gardens. | 0:46:30 | 0:46:34 | |
Not in Cornwall. | 0:46:35 | 0:46:36 | |
Down here, the hedges are, in fact, made from rock. | 0:46:42 | 0:46:46 | |
And making them is an ancient tradition. | 0:46:47 | 0:46:49 | |
-Hi, John. -Oh, hiya. | 0:47:01 | 0:47:03 | |
'John Wakefield is a member of the Guild Of Cornish Hedges.' | 0:47:03 | 0:47:06 | |
Will he show me how to build a hedge? | 0:47:06 | 0:47:09 | |
Oh, that doesn't sound right. | 0:47:09 | 0:47:11 | |
Why is it called a hedge, then, when it's quite obviously a wall? | 0:47:11 | 0:47:15 | |
Because it's a living thing. | 0:47:15 | 0:47:17 | |
You've obviously got grass growing on the top, | 0:47:17 | 0:47:21 | |
or any other shrubs, gorse, any local vegetation. | 0:47:21 | 0:47:26 | |
It's different to the dry stone walling | 0:47:26 | 0:47:28 | |
because the dry stone has stones from one side to the other | 0:47:28 | 0:47:31 | |
whereas this has two independent sides. | 0:47:31 | 0:47:34 | |
-There's Earth in the middle. -Massive stones in the bottom. | 0:47:34 | 0:47:36 | |
-Yup - the grounders. -That makes sense. | 0:47:36 | 0:47:39 | |
It's like that, isn't it? | 0:47:39 | 0:47:40 | |
It's thicker at the bottom than it is at the top. | 0:47:40 | 0:47:42 | |
Yeah, it's thicker at the bottom, so, the way it's angled will tighten itself. | 0:47:42 | 0:47:47 | |
The design of the Cornish hedge is actually very clever. | 0:47:48 | 0:47:51 | |
It makes a solid windbreak for farming. | 0:47:51 | 0:47:55 | |
It also prevents soil erosion | 0:47:55 | 0:47:56 | |
and reduces flash flooding, | 0:47:56 | 0:47:58 | |
which is just the thing in a landscape | 0:47:58 | 0:48:01 | |
as weather-beaten as this one. | 0:48:01 | 0:48:04 | |
And how fast can you do this, then? | 0:48:06 | 0:48:08 | |
On a double-sided hedge, a meter long, | 0:48:08 | 0:48:10 | |
would take about a day. | 0:48:10 | 0:48:13 | |
-Do you want me to do a bit? -If you like. There's a hammer. | 0:48:14 | 0:48:16 | |
I will not have weird-looking stones in my wall. | 0:48:23 | 0:48:27 | |
Listen, there are standards. | 0:48:27 | 0:48:31 | |
Some of these walls - | 0:48:33 | 0:48:35 | |
sorry, hedges - were first laid down in the Bronze Age. | 0:48:35 | 0:48:39 | |
Loose stones from the fields have been used to top them up ever since. | 0:48:39 | 0:48:44 | |
If a wall is built properly, like this one, how long would it last? | 0:48:54 | 0:48:57 | |
Oh, hundreds of years, yeah. | 0:48:57 | 0:49:00 | |
The Guild of Cornish Hedges guarantee them 100 years | 0:49:00 | 0:49:04 | |
-You guarantee 100 years. -Yeah, yeah. | 0:49:04 | 0:49:06 | |
-That's without the extended warranty. -Yeah. Without, yeah. | 0:49:06 | 0:49:09 | |
'As the sun sets on a satisfying bit of proper manly work, | 0:49:14 | 0:49:17 | |
'it's good to know there is a little piece of Cornwall | 0:49:17 | 0:49:21 | |
'that will for ever be Hugh Dennis, | 0:49:21 | 0:49:24 | |
'until the cameras have gone, and John builds it again, properly.' | 0:49:24 | 0:49:27 | |
Devon and Cornwall bear all the scars of the continual battle | 0:49:34 | 0:49:38 | |
between the landscape and the relentless forces of nature. | 0:49:38 | 0:49:42 | |
And if you want to feel close to them, there's no better place. | 0:49:42 | 0:49:45 | |
Wild weather and merciless winds scour the hills. | 0:49:45 | 0:49:51 | |
But the coastline is still the biggest battleground. | 0:49:52 | 0:49:56 | |
So, I'm going back to the front line for one last bit of Cornish fun. | 0:49:56 | 0:50:01 | |
Coasteering! A daring mix of jumping, swimming and climbing. | 0:50:07 | 0:50:13 | |
And, apparently, it's sufficiently dangerous | 0:50:13 | 0:50:15 | |
that I have to look like I'm going to a fancy dress party | 0:50:15 | 0:50:18 | |
dressed as Tinky Winky. | 0:50:18 | 0:50:21 | |
We'll stop here, have a quick chat about safety. | 0:50:21 | 0:50:25 | |
'For adrenaline junkies Sam Starkie and Dave Rainbird - | 0:50:25 | 0:50:29 | |
'even their names are out there - | 0:50:29 | 0:50:31 | |
'the wild coast of Cornwall is the perfect venue for coasteering. | 0:50:31 | 0:50:36 | |
'I wonder if it began as some sort of dance craze.' | 0:50:36 | 0:50:39 | |
Roman handshake, OK? | 0:50:40 | 0:50:41 | |
And it's November. I said I wanted to look at what was underneath Britain, | 0:50:45 | 0:50:49 | |
but this isn't really what I meant. | 0:50:49 | 0:50:52 | |
Yeah, try and keep your mouth closed. | 0:50:52 | 0:50:55 | |
So, try get your feet nice and high up against the rocks. | 0:50:55 | 0:50:58 | |
'And it's feet first. My only defence against being dashed on the rocks.' | 0:51:01 | 0:51:05 | |
So, whenever we are around the rocks, this is the position we want you to be in. | 0:51:09 | 0:51:13 | |
So, that way, you can just fend it off quite happily. | 0:51:13 | 0:51:17 | |
If you can try and get used to just relaxing and floating around. | 0:51:17 | 0:51:20 | |
'Oh, yeah. I'm really relaxed now.' | 0:51:20 | 0:51:23 | |
Big wave! | 0:51:23 | 0:51:24 | |
'There's nothing more likely to take your mind off things | 0:51:26 | 0:51:29 | |
'than being tossed around in the world's second biggest ocean.' | 0:51:29 | 0:51:33 | |
Stand back a little bit. | 0:51:37 | 0:51:38 | |
Just waiting for it to get nice and calm. | 0:51:38 | 0:51:40 | |
'The Cornish coast has been standing up to the sea | 0:51:40 | 0:51:44 | |
'for over 50 million years. | 0:51:44 | 0:51:46 | |
'I, by contrast, am finding five minutes a bit of a challenge.' | 0:51:46 | 0:51:49 | |
Swim in! | 0:51:49 | 0:51:51 | |
Grab those rocks. | 0:52:09 | 0:52:11 | |
Well done, Hugh. That's brilliant. | 0:52:20 | 0:52:23 | |
'Just to cling on to these jagged rocks is really difficult, | 0:52:23 | 0:52:26 | |
'because they are a razor-sharp mixture of hard slates | 0:52:26 | 0:52:29 | |
'and soft clays, laid down over millions of years.' | 0:52:29 | 0:52:33 | |
Some areas can be quite fragile and break off in your hands, | 0:52:33 | 0:52:36 | |
so you've got to be a little bit careful. Watch out for the waves splashing up. | 0:52:36 | 0:52:40 | |
'Yes, the trouble with following Sam and Dave up here, | 0:52:43 | 0:52:46 | |
'is that you know what's going to have to happen.' | 0:52:46 | 0:52:49 | |
Nice big step out of here, Hugh. | 0:52:53 | 0:52:56 | |
Whenever you're ready, you can go for it. | 0:52:56 | 0:52:59 | |
OK. | 0:52:59 | 0:53:00 | |
'Common sense tells you not to try swimming, | 0:53:04 | 0:53:08 | |
'climbing, or jumping around here.' | 0:53:08 | 0:53:11 | |
I'm alive. | 0:53:15 | 0:53:17 | |
'But once you've mastered doing all three safely, | 0:53:17 | 0:53:19 | |
'you can do things like this.' | 0:53:19 | 0:53:22 | |
-Ready? -Ready. | 0:53:23 | 0:53:25 | |
Whoop! | 0:53:25 | 0:53:26 | |
I imagine they are thinking an awful lot about the geology, at the moment. | 0:53:30 | 0:53:34 | |
I think it's probably the thing that really excites them. | 0:53:36 | 0:53:39 | |
One, two, three. | 0:53:44 | 0:53:45 | |
'Coasteering gives you access to parts of the coastline | 0:53:47 | 0:53:51 | |
'that you would never find in any other way. | 0:53:51 | 0:53:53 | |
'Like the caves that once made perfect hiding places for smugglers.' | 0:53:55 | 0:53:59 | |
They've just been in a group of caves called the Tea Taverns. | 0:54:03 | 0:54:07 | |
They're called that because a lot of tea was smuggled here. There was a very high tax on tea at one point. | 0:54:07 | 0:54:13 | |
So, all the contraband was put into those caves | 0:54:13 | 0:54:16 | |
and then horses would wait at the top of the hill. | 0:54:16 | 0:54:18 | |
And then they'd take all that contraband away. | 0:54:18 | 0:54:21 | |
Pretty good swimmers, aren't they? | 0:54:21 | 0:54:24 | |
Do you not think you'd be happier, maybe, working in an office? | 0:54:26 | 0:54:29 | |
Yee-ha! | 0:54:33 | 0:54:35 | |
Whoop! | 0:54:38 | 0:54:40 | |
After all that, Sam and I will share a moment of geological contemplation. | 0:54:46 | 0:54:51 | |
That is a real proper mixture, isn't it? Of soft and hard. | 0:54:51 | 0:54:55 | |
Yeah, as you can see behind us, totally burrowed out by the sea, | 0:54:55 | 0:54:58 | |
drawn out and leaving some amazing little features. | 0:54:58 | 0:55:02 | |
-This is fantastic, isn't it? That arch is great. -Yeah, it's amazing. | 0:55:02 | 0:55:06 | |
-And to think that... -And that's scary, isn't it? | 0:55:06 | 0:55:09 | |
Tons of rock is just being held up by this foot diameter of... | 0:55:09 | 0:55:12 | |
OK, do don't go on about it! | 0:55:12 | 0:55:14 | |
It's not something you're really going to think about | 0:55:29 | 0:55:32 | |
when you're lying on a beach here, but for centuries, | 0:55:32 | 0:55:34 | |
from piracy and smuggling, right through to the present day | 0:55:34 | 0:55:37 | |
with coasteering and the whole tourist industry, | 0:55:37 | 0:55:41 | |
in these beaches and in these coves, | 0:55:41 | 0:55:44 | |
life in Devon and Cornwall has been determined, really, | 0:55:44 | 0:55:48 | |
by this fantastic landscape, | 0:55:48 | 0:55:50 | |
by this intricate jumble of rocks and water, | 0:55:50 | 0:55:56 | |
and by the jigsaw of its geology. | 0:55:56 | 0:55:58 | |
Picture postcard views are just the cover page of the story of Britain. | 0:56:13 | 0:56:17 | |
Scratch the surface in an area like Cornwall and Devon, | 0:56:17 | 0:56:21 | |
and you see how much geology is part of who we are, | 0:56:21 | 0:56:26 | |
and how the tough rocks | 0:56:26 | 0:56:28 | |
created millions of years ago still shape our lives today. | 0:56:28 | 0:56:31 | |
There's an iceberg melting | 0:56:33 | 0:56:35 | |
and a volcano erupting somewhere. | 0:56:35 | 0:56:38 | |
It's changing everything, as we speak. | 0:56:38 | 0:56:41 | |
-It all changes all the time, in fact, doesn't it? -But so slowly. | 0:56:41 | 0:56:45 | |
Yeah, and this coast is going, and, you know, | 0:56:45 | 0:56:48 | |
in hundreds of millions of years it's not going to look like this. | 0:56:48 | 0:56:51 | |
Nothing will be, like, the same. | 0:56:51 | 0:56:53 | |
I think it's my favourite toe of Britain. | 0:56:53 | 0:56:57 | |
Sort of stuck into the Atlantic. | 0:56:57 | 0:56:59 | |
You're thinking of Britain as someone sitting down with their legs out, | 0:56:59 | 0:57:02 | |
-sticking out the front, aren't you? -Yeah, with bits, with dangly bits. | 0:57:02 | 0:57:06 | |
Very oddly shaped person. | 0:57:06 | 0:57:09 | |
The landscapes of Cornwall and Devon have had a tough upbringing, | 0:57:17 | 0:57:20 | |
but they wear it well. | 0:57:20 | 0:57:23 | |
And we get breathtaking scenery that's world-class in its variety. | 0:57:24 | 0:57:30 | |
Next time, Hugh and I are deep in Britain's biggest county, | 0:57:39 | 0:57:43 | |
getting a taste of Yorkshire's rocky past. | 0:57:43 | 0:57:47 | |
And discovering its spectacular landscape. | 0:57:47 | 0:57:49 | |
How fantastic is that! | 0:57:49 | 0:57:52 | |
Subtitles by Red Bee Media Ltd | 0:58:12 | 0:58:14 |