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'They say this is where it all began. | 0:00:07 | 0:00:10 | |
'That we are all children of Africa. | 0:00:14 | 0:00:16 | |
'But if so, why do look so different? | 0:00:20 | 0:00:24 | |
'And how on earth could a handful of African families become a whole world full of people? | 0:00:26 | 0:00:32 | |
'I'm Alice Roberts, medical doctor and anthropologist. | 0:00:45 | 0:00:49 | |
'I'm fascinated by what bones, stones | 0:00:49 | 0:00:55 | |
'and even our bodies can reveal about the distant past. | 0:00:55 | 0:01:00 | |
'I'm going in search of the traces left by our African ancestors | 0:01:00 | 0:01:05 | |
'and their journeys to populate the world. | 0:01:05 | 0:01:08 | |
'This time, Europe. | 0:01:09 | 0:01:12 | |
'A dangerous journey, | 0:01:13 | 0:01:16 | |
'and a formidable rival.' | 0:01:17 | 0:01:19 | |
We're excavating the sea bottom in search of Neanderthals. | 0:01:21 | 0:01:25 | |
'The unexpected weapons in our battle for survival.' | 0:01:25 | 0:01:30 | |
I don't think it would have even crossed my mind to mate with a Neanderthal. | 0:01:30 | 0:01:34 | |
'Spectacular new discoveries.' | 0:01:34 | 0:01:38 | |
I'm blown away by that. I mean, that is just amazing. | 0:01:38 | 0:01:41 | |
'And the surprising story of why Europeans turned white.' | 0:01:41 | 0:01:45 | |
Come with me in the footsteps of our ancestors, | 0:01:50 | 0:01:54 | |
on the most epic adventure ever undertaken. | 0:01:54 | 0:01:57 | |
'My journey begins in the remote forests of eastern Europe.' | 0:02:18 | 0:02:23 | |
OK, so you see the cave is down there. | 0:02:25 | 0:02:28 | |
'I'm being led to an ancient cave. | 0:02:30 | 0:02:34 | |
'Its location is only known to a handful of people, including Sylviu Constantin.' | 0:02:34 | 0:02:41 | |
I'm in Romania, somewhere to the south of Transylvania, | 0:02:56 | 0:03:00 | |
and I'm just about to enter the cave of Pestera cu Oase. | 0:03:00 | 0:03:05 | |
It's very remote, about a day-and-a-half's drive from the capital, Bucharest, | 0:03:05 | 0:03:10 | |
and then a trek through the woods. | 0:03:10 | 0:03:12 | |
But I've wanted to come to this place ever since I first heard what was found here, | 0:03:12 | 0:03:17 | |
because just a few years ago, an incredibly exciting discovery was made in this cave. | 0:03:17 | 0:03:25 | |
'Something had been hidden here for thousands of years, | 0:03:34 | 0:03:39 | |
'something extremely rare. | 0:03:39 | 0:03:41 | |
'In 2002, a group of divers exploring the furthest reaches of the cave | 0:03:45 | 0:03:52 | |
'discovered a hidden chamber. | 0:03:52 | 0:03:54 | |
'The cave became known as Pestera Cu Oase, the Cave of Bones.' | 0:03:56 | 0:04:02 | |
And how's it looking? | 0:04:06 | 0:04:07 | |
Are we going to have to go right under water? | 0:04:07 | 0:04:09 | |
No. | 0:04:09 | 0:04:10 | |
'We're following the course of an underground river | 0:04:16 | 0:04:20 | |
'through narrow tunnels.' | 0:04:21 | 0:04:23 | |
A bit tight. | 0:04:24 | 0:04:26 | |
Eventually we get close to where the discovery was made. | 0:04:37 | 0:04:42 | |
Sylviu, is that the end of the line? | 0:04:55 | 0:04:57 | |
And Sylviu, when you came to the cave, what did you find here? | 0:05:00 | 0:05:03 | |
And how old is it? | 0:05:18 | 0:05:19 | |
And 40,000 years old makes it the first human remains, | 0:05:21 | 0:05:26 | |
modern human remains, in Europe, and you must have been excited when you got that date. | 0:05:26 | 0:05:31 | |
And this is what they found, not in one piece like this, | 0:05:52 | 0:05:57 | |
but in hundreds of fragments which have been painstakingly glued back together | 0:05:57 | 0:06:02 | |
until we can look at the face of the first known modern European. | 0:06:02 | 0:06:08 | |
And we can be absolutely sure that this is a modern human. | 0:06:13 | 0:06:17 | |
The shape of the skull is unmistakable. | 0:06:17 | 0:06:20 | |
This lovely round brain case just gives it away. | 0:06:20 | 0:06:25 | |
But there are some bits of it that are distinctly less modern looking. | 0:06:25 | 0:06:29 | |
It's got enormous teeth. | 0:06:29 | 0:06:32 | |
They are massive compared with the teeth of people today. | 0:06:32 | 0:06:37 | |
Now, those huge teeth are also reflected | 0:06:37 | 0:06:40 | |
in the jawbone from the cave, | 0:06:40 | 0:06:42 | |
which is from another person, but it's also very robust, very chunky. | 0:06:42 | 0:06:47 | |
And so, when I look at the jawbone and the skull together, | 0:06:47 | 0:06:50 | |
I can start to imagine what those early Europeans looked like. | 0:06:50 | 0:06:55 | |
Much more rugged in the face than people do today. | 0:06:55 | 0:06:59 | |
'Who was this person? | 0:07:06 | 0:07:08 | |
'Forensic artist Richard Neave has helped the police solve murder cases | 0:07:20 | 0:07:26 | |
'by reconstructing faces from skulls. | 0:07:26 | 0:07:29 | |
'In the hope of discovering more about the first Europeans, | 0:07:31 | 0:07:36 | |
'we've asked him to reconstruct the face of the Oase skull.' | 0:07:36 | 0:07:41 | |
So this is Oase. | 0:07:42 | 0:07:44 | |
This is Oase. There we are. | 0:07:44 | 0:07:46 | |
It's wonderful to see him or her, we're not quite sure, are we... | 0:07:50 | 0:07:54 | |
-No. No. -..Fleshed out. | 0:07:54 | 0:07:56 | |
A touch androgynous, maybe, this one. | 0:07:56 | 0:07:58 | |
It's quite strange, actually, because this doesn't particularly | 0:07:58 | 0:08:01 | |
look like a European or African or Asian. | 0:08:01 | 0:08:04 | |
It looks sort of almost quite generic, | 0:08:04 | 0:08:07 | |
but then I suppose that's what you'd expect from one of the earliest Europeans. | 0:08:07 | 0:08:11 | |
You look at this and you can think to yourself it could go either way. | 0:08:11 | 0:08:15 | |
It's almost as though it's a face in flux. | 0:08:15 | 0:08:18 | |
It's got features which could go in any direction. | 0:08:18 | 0:08:21 | |
It could become negroid, | 0:08:21 | 0:08:24 | |
it could become south-east Asian, it could become European. | 0:08:24 | 0:08:30 | |
There's the potential for all those different directions and that's what I find so exciting about it. | 0:08:30 | 0:08:37 | |
Obviously you've made this in clay and that's why it's brown, but... | 0:08:37 | 0:08:40 | |
-Yes. -In fact, it's very likely that these earliest of Europeans were | 0:08:40 | 0:08:45 | |
quite dark skinned, much, much darker skinned than we think of Europeans being today. | 0:08:45 | 0:08:50 | |
-Yes. -Because at the end of day, you know, they're only just arriving in Europe. | 0:08:50 | 0:08:54 | |
They're coming from much more tropical places. | 0:08:54 | 0:08:56 | |
-Yes. -So I think, you know, we may be looking at something which is actually quite lifelike here. | 0:08:56 | 0:09:01 | |
-We're not too far from the... -No. -No. | 0:09:01 | 0:09:03 | |
I've been really excited to see what this face would end up looking like, | 0:09:06 | 0:09:11 | |
and I do feel as though I'm getting much closer to our ancestors. | 0:09:11 | 0:09:17 | |
'But where did these first European people come from? | 0:09:20 | 0:09:23 | |
'And why do we find their bones in a Romanian cave? | 0:09:26 | 0:09:30 | |
'Previously I found evidence that everyone outside Africa | 0:09:39 | 0:09:44 | |
'descends from one small group of people that left the continent around 70,000 years ago. | 0:09:44 | 0:09:51 | |
'Some of their descendants must have made it north, | 0:09:53 | 0:09:57 | |
'through the Middle East towards modern-day Turkey.' | 0:09:57 | 0:10:01 | |
This is border country. | 0:10:13 | 0:10:15 | |
30 miles away Turkey meets Syria and the Middle East. | 0:10:15 | 0:10:19 | |
Today everything in that direction might look alien and hostile, but 50,000 years ago it was Europe, | 0:10:19 | 0:10:26 | |
the land that lay ahead, which would be more dangerous than they could ever have imagined. | 0:10:26 | 0:10:32 | |
'Venturing this way, people would have been coming to lands far colder | 0:10:37 | 0:10:41 | |
'and more challenging than anything they had experienced before. | 0:10:41 | 0:10:46 | |
'Traces of their journey all that time ago are few and far between. | 0:10:48 | 0:10:54 | |
'But some important clues have been unearthed in southern Turkey.' | 0:10:58 | 0:11:04 | |
And this is how we know that people came through Turkey at this point in time. | 0:11:09 | 0:11:15 | |
Now, it might look utterly insignificant, | 0:11:15 | 0:11:17 | |
but shells like this one were found at a place called Ucagizli on the Turkish coast, | 0:11:17 | 0:11:21 | |
and they are vital clues. | 0:11:21 | 0:11:24 | |
The hole in them suggests that they were pendants, perhaps part of a necklace, | 0:11:24 | 0:11:29 | |
and the Ucagizli shell beads date back to around 42,000 years ago. | 0:11:29 | 0:11:35 | |
They are the first pieces of evidence that we have | 0:11:35 | 0:11:39 | |
as we follow the trail of our European ancestors. | 0:11:39 | 0:11:42 | |
'There may have been other routes into Europe, | 0:11:45 | 0:11:49 | |
'but the evidence we have seems to point in this direction. | 0:11:49 | 0:11:53 | |
'So I'm heading to Istanbul. | 0:11:57 | 0:12:00 | |
'Here, for a few Turkish lira, | 0:12:15 | 0:12:18 | |
'taxi drivers like Ishan Akhmer carry their passengers between two continents.' | 0:12:18 | 0:12:23 | |
-That's Golden Horn. -Right. | 0:12:23 | 0:12:25 | |
-And... -Tell you what, I'll hold that, you drive! | 0:12:25 | 0:12:27 | |
No, no, don't worry about that. | 0:12:27 | 0:12:29 | |
I don't kill anybody yet. Why you don't trust me?! | 0:12:29 | 0:12:34 | |
So, Ishan, as a taxi driver, do you cross over between Asia and Europe every day? | 0:12:34 | 0:12:39 | |
Most people live in Asian side, work in that side, | 0:12:39 | 0:12:44 | |
because most office and business here, more houses there. | 0:12:44 | 0:12:49 | |
Well, I'm here looking for traces | 0:12:49 | 0:12:52 | |
of people who crossed the Bosphorus, maybe 50, maybe 40,000 years ago. | 0:12:52 | 0:12:57 | |
My God, how can I know that time? | 0:12:57 | 0:13:00 | |
HE SPEAKS IN TURKISH | 0:13:00 | 0:13:02 | |
This is true. I don't know. | 0:13:02 | 0:13:05 | |
How can this generation, how can I know that generation, my God! | 0:13:05 | 0:13:08 | |
May be trouble that kind, but that's OK. | 0:13:08 | 0:13:12 | |
'I bail out of the taxi and catch the ferry to cross from one continent to another. | 0:13:17 | 0:13:24 | |
'This is the Bosphorus, and here it separates Asia from Europe. | 0:13:30 | 0:13:36 | |
'This is one challenge our ancestors would not have faced. | 0:13:47 | 0:13:52 | |
'When they came this way, sea levels were much lower and they could have walked across into Europe. | 0:13:54 | 0:14:00 | |
'But can we really retrace their steps using only a few shells and a scattering of artefacts?' | 0:14:16 | 0:14:24 | |
The good news is, we don't have to. | 0:14:24 | 0:14:27 | |
The evidence is all around us, or to be more precise, inside all of us. | 0:14:27 | 0:14:32 | |
'Our DNA tells us something incredible | 0:14:33 | 0:14:36 | |
'by revealing the existence of one very special woman.' | 0:14:36 | 0:14:42 | |
We don't know who she was or where she lived and, in fact, | 0:14:42 | 0:14:45 | |
we have no physical evidence of her at all. | 0:14:45 | 0:14:48 | |
No bones, no stone tools, no beads. | 0:14:48 | 0:14:52 | |
But we do know that she existed because of her genetic legacy. | 0:14:52 | 0:14:57 | |
And some scientists have felt moved to name her Europa, | 0:14:57 | 0:15:01 | |
because in one sense, hers is the founding lineage of Europe. | 0:15:01 | 0:15:06 | |
'Today, ten per cent of Europeans can trace their genes back to this one woman. | 0:15:09 | 0:15:15 | |
'Geneticists estimate that she lived around 40,000 years ago | 0:15:15 | 0:15:21 | |
'and that fits with the archaeological evidence, like those shell beads. | 0:15:21 | 0:15:25 | |
'It's incredible to think of Europa's descendants as a small wave | 0:15:26 | 0:15:31 | |
'of nomads making their way through this region all those years ago. | 0:15:31 | 0:15:36 | |
'But where might they have gone next?' | 0:15:40 | 0:15:43 | |
For our ancestors, where I'm going now would have been a journey into the unknown. | 0:15:56 | 0:16:01 | |
This is the River Danube, and today it flows through capital cities | 0:16:01 | 0:16:06 | |
like Budapest and Vienna, but 40,000 years ago, | 0:16:06 | 0:16:10 | |
it would have been a gateway to a whole new world. | 0:16:10 | 0:16:14 | |
I'm going to follow our ancestors upstream, right into the heart of Europe. | 0:16:14 | 0:16:18 | |
'North of Istanbul is the Black Sea and the mouth of the Danube. | 0:16:37 | 0:16:42 | |
'The river runs through Romania, | 0:16:42 | 0:16:45 | |
'very close to the Oase cave and the earliest known European. | 0:16:45 | 0:16:50 | |
'It looks like those first few colonisers | 0:16:50 | 0:16:53 | |
'may have been using the Danube as a superhighway, heading west.' | 0:16:53 | 0:16:59 | |
But as they followed the Danube's mighty, meandering course, they were in for a shock. | 0:17:08 | 0:17:14 | |
Something or someone had got there before them. | 0:17:14 | 0:17:19 | |
'Europa's descendants weren't entering virgin territory. | 0:17:29 | 0:17:33 | |
'For a quarter of a million years, another species of human had called Europe home. | 0:17:42 | 0:17:48 | |
'The Neanderthals.' | 0:17:51 | 0:17:54 | |
This is a reconstruction of a man who lived a very long time ago in Italy. | 0:18:01 | 0:18:08 | |
He's not a modern human, he's a Neanderthal. | 0:18:08 | 0:18:11 | |
And I think when you first look at his face, | 0:18:13 | 0:18:17 | |
the similarities probably strike you more than the differences, | 0:18:17 | 0:18:21 | |
so he looks quite human. | 0:18:21 | 0:18:23 | |
Would you notice him walking along in the street? | 0:18:23 | 0:18:26 | |
But then there are things which do look a bit odd. | 0:18:26 | 0:18:29 | |
The distance between his eyes, the breadth of his nose just here. | 0:18:29 | 0:18:33 | |
That looks a bit strange. | 0:18:33 | 0:18:35 | |
And he's got this amazing brow ridge | 0:18:35 | 0:18:39 | |
that really sticks out over his eyes. | 0:18:39 | 0:18:41 | |
'Neanderthals are our distant cousins. | 0:18:44 | 0:18:47 | |
'Their ancestors reached Europe hundreds of thousands of years before us. | 0:18:47 | 0:18:53 | |
'They spread across a huge region, from Siberia to Spain. | 0:18:54 | 0:18:59 | |
'So when Homo sapiens first arrived, around 40,000 years ago, | 0:19:01 | 0:19:06 | |
'Europe was already taken. | 0:19:06 | 0:19:09 | |
'What were our ancestors up against? | 0:19:16 | 0:19:19 | |
'The popular image of Neanderthals is lumbering and slow-witted.' | 0:19:21 | 0:19:25 | |
What do you think they would have thought of each other? | 0:19:34 | 0:19:37 | |
I think they would have been really scared of each other. | 0:19:37 | 0:19:40 | |
It's actually very hard to imagine | 0:19:40 | 0:19:42 | |
what they would have thought of each other. | 0:19:42 | 0:19:44 | |
I think it would have been a fascinating experience to watch | 0:19:44 | 0:19:47 | |
a contact like that between two very closely-related species | 0:19:47 | 0:19:51 | |
that are also clearly very different from each other, | 0:19:51 | 0:19:54 | |
both anatomically, as you can see, but also behaviourally. | 0:19:54 | 0:19:57 | |
And in terms of differences between Neanderthals and modern humans, | 0:19:57 | 0:20:00 | |
is there anything we can say about how that might have influenced behaviour? | 0:20:00 | 0:20:04 | |
OK. The one thing to point out is that Neanderthals were actually sophisticated hunters. | 0:20:04 | 0:20:10 | |
We know that they were top predators, | 0:20:10 | 0:20:11 | |
and actually they have very large brains. | 0:20:11 | 0:20:14 | |
On average, larger than ours. | 0:20:14 | 0:20:17 | |
'As well as big brains, | 0:20:19 | 0:20:21 | |
'the Neanderthals may have had another advantage. | 0:20:21 | 0:20:24 | |
'They had been in Europe long enough to adapt to the cold. | 0:20:24 | 0:20:28 | |
'Their stocky bodies and short limbs helped them to stay warm, | 0:20:29 | 0:20:35 | |
'and that's not all.' | 0:20:36 | 0:20:37 | |
This is a reconstructed Neanderthal skeleton, | 0:20:39 | 0:20:42 | |
and generally speaking, | 0:20:42 | 0:20:44 | |
the skeleton is very similar to ours. | 0:20:44 | 0:20:47 | |
Having said that, there are definite differences. | 0:20:47 | 0:20:50 | |
The shape of all the bones is subtly different, | 0:20:50 | 0:20:53 | |
and anywhere that muscles attach on this skeleton | 0:20:53 | 0:20:56 | |
is much more prominent than it would be in a modern human. | 0:20:56 | 0:21:00 | |
So this would have been a person who was much more heavily muscled, | 0:21:00 | 0:21:04 | |
generally much more rugged-looking, than us today. | 0:21:04 | 0:21:08 | |
They would have been formidable competitors. | 0:21:12 | 0:21:15 | |
So Neanderthals were tougher and better cold-adapted than us. | 0:21:32 | 0:21:35 | |
And some of them even had bigger brains than modern humans. | 0:21:35 | 0:21:39 | |
On the face of it, then, it seems quite surprising that our species lasted very long at all. | 0:21:39 | 0:21:45 | |
'So how did we overcome the Neanderthals? | 0:21:46 | 0:21:49 | |
'Maybe our tools and weapons were just better than theirs. | 0:21:52 | 0:21:57 | |
'Well, for decades, that's exactly what the experts thought. | 0:21:57 | 0:22:01 | |
'But this idea hadn't been thoroughly tested until now.' | 0:22:06 | 0:22:11 | |
So how are you doing? | 0:22:13 | 0:22:14 | |
We're doing all right. | 0:22:14 | 0:22:16 | |
'Bruce Bradley and Metin Eren spent over a year | 0:22:18 | 0:22:22 | |
'making thousands of basic cutting tools.' | 0:22:22 | 0:22:25 | |
So you've got these two tools. This one, a basic tool made by a Neanderthal, | 0:22:29 | 0:22:33 | |
-and this one a basic tool made by a modern human at the same sort of period. -Correct. | 0:22:33 | 0:22:38 | |
Now, they're obviously very different-looking. | 0:22:38 | 0:22:40 | |
This one's long and thin and this one's round, | 0:22:40 | 0:22:43 | |
but are they different in terms of function? | 0:22:43 | 0:22:46 | |
They were used for the same kind of tasks, mostly cutting tasks. | 0:22:46 | 0:22:50 | |
So, for example, both are really sharp. | 0:22:50 | 0:22:52 | |
If you want to use both of those to cut some pretty thick leather here... | 0:22:52 | 0:22:56 | |
This is a typical Neanderthal tool? | 0:22:56 | 0:22:58 | |
Exactly. You can see that it just cuts through this really thick leather very easily. | 0:22:58 | 0:23:03 | |
That is incredibly sharp. Look at that! Wow! | 0:23:03 | 0:23:06 | |
And this is really tough leather. | 0:23:06 | 0:23:08 | |
That's really effective, isn't it? That's brilliant. | 0:23:08 | 0:23:11 | |
Now let's try the blade. | 0:23:11 | 0:23:12 | |
Hold it very carefully because it's... | 0:23:12 | 0:23:14 | |
-This sort of thing was made by modern humans? -Exactly. | 0:23:14 | 0:23:18 | |
If anything, I would say that flake is a bit... | 0:23:21 | 0:23:23 | |
I mean, that's cutting, but just, you know, just picking up the tool | 0:23:23 | 0:23:27 | |
and using it immediately, I'd say the flake's actually easier to use. | 0:23:27 | 0:23:31 | |
When we created thousands of tools, | 0:23:31 | 0:23:35 | |
we found that the technology of the Neanderthals | 0:23:35 | 0:23:38 | |
actually produced more cutting edge overall, | 0:23:38 | 0:23:42 | |
it wasted less raw material, | 0:23:42 | 0:23:43 | |
and you could produce more tools than the blade cores of modern Homo sapiens. | 0:23:43 | 0:23:47 | |
That's very new, isn't it? | 0:23:47 | 0:23:49 | |
That's quite remarkable, because you're telling me that | 0:23:49 | 0:23:52 | |
the Neanderthal technology is just as good, in fact, if not better, than the modern humans. | 0:23:52 | 0:23:57 | |
That goes against everything that people have said for the last few decades. | 0:23:57 | 0:24:02 | |
That's true, and it was a very exciting result. | 0:24:02 | 0:24:04 | |
'It's just one study on one aspect of tool-making. | 0:24:07 | 0:24:12 | |
'But I still think it's important.' | 0:24:13 | 0:24:16 | |
This is fascinating, and it means that the longstanding theory | 0:24:18 | 0:24:24 | |
about modern human technology being superior to Neanderthal stone tools | 0:24:24 | 0:24:29 | |
just doesn't stand up. | 0:24:29 | 0:24:31 | |
'I want to see if there's another explanation for why we survived and Neanderthals didn't. | 0:24:39 | 0:24:47 | |
'I'm on my way to meet an expert, who thinks the answer may be much less obvious...' | 0:24:51 | 0:24:58 | |
OK, Alice, let's see if I can find everything. | 0:25:00 | 0:25:04 | |
'..thanks to some discoveries made here in Germany.' | 0:25:04 | 0:25:09 | |
This is a very unusual artefact because it's a flute, | 0:25:12 | 0:25:17 | |
and the strange thing about this is, what's really spectacular, | 0:25:17 | 0:25:21 | |
is that it's made of solid mammoth ivory. | 0:25:21 | 0:25:23 | |
It takes between 50 and 100 hours to make one, if you know how to do it. | 0:25:23 | 0:25:27 | |
Yeah. It's been carved down to that shape. | 0:25:27 | 0:25:29 | |
Yeah. It really takes talent and really genius, in the same sense that, | 0:25:29 | 0:25:33 | |
I don't know, Michelangelo or Rembrandt or something like that. | 0:25:33 | 0:25:36 | |
So it's the first sign we've had, | 0:25:36 | 0:25:39 | |
the first archaeological evidence we've had, | 0:25:39 | 0:25:42 | |
-of people making music. -Yeah. | 0:25:42 | 0:25:44 | |
Music was a part of their lives just like it's a part of our lives today. | 0:25:44 | 0:25:48 | |
-So what's in here? -OK. This is a very interesting piece. | 0:25:48 | 0:25:52 | |
This is... | 0:25:52 | 0:25:54 | |
the representation... | 0:25:54 | 0:25:56 | |
..of a phallus and it's not delicate at all. | 0:25:58 | 0:26:02 | |
-It won't break. You can hold it. -Right! | 0:26:02 | 0:26:04 | |
And if you look at it, the ring around here, you know, makes it, you know, a fairly obvious sexual image. | 0:26:04 | 0:26:10 | |
-Yeah! -One could, you know, easily imagine using it in ritual functions | 0:26:10 | 0:26:16 | |
or also, you know, straight sexual functions in one form or another. | 0:26:16 | 0:26:21 | |
So do you think this is the first archaeological evidence of smut? | 0:26:21 | 0:26:25 | |
I don't know. I wouldn't rule that out! | 0:26:27 | 0:26:29 | |
I can't believe I'm an anatomist, and you've made me blush with a bit of prehistoric phallic imagery! | 0:26:31 | 0:26:36 | |
It seems our ancestors were more like us than we might imagine. | 0:26:36 | 0:26:41 | |
But this doesn't really answer my question. | 0:26:44 | 0:26:48 | |
After all, what use is a flute against a Neanderthal? | 0:26:48 | 0:26:53 | |
'Nicholas takes me to see the cave where the artefacts were found. | 0:27:01 | 0:27:05 | |
'Our ancestors weren't the only people who lived here.' | 0:27:09 | 0:27:12 | |
This is the famous south-west entrance of the cave. | 0:27:15 | 0:27:19 | |
This is actually very close to where the human remains remained, | 0:27:19 | 0:27:23 | |
but there were definitely Neanderthals here. | 0:27:23 | 0:27:26 | |
There are a number of deposits in the lower sediments made by Neanderthals, | 0:27:26 | 0:27:29 | |
so Neanderthals and modern humans were definitely both here. | 0:27:29 | 0:27:32 | |
Both using these caves? | 0:27:32 | 0:27:34 | |
Both using this cave, but also using a number of other caves in the Lohner Valley, where we are. | 0:27:34 | 0:27:39 | |
Many beautiful objects have been found in this region. | 0:27:46 | 0:27:50 | |
Made by our ancestors, they reveal a crucial difference | 0:27:50 | 0:27:55 | |
between us and Neanderthals. | 0:27:55 | 0:27:59 | |
This figure of a lion man was made around 35,000 years ago, | 0:28:00 | 0:28:06 | |
but it's not a one-off. | 0:28:06 | 0:28:08 | |
Other strikingly similar pieces have been found in the region. | 0:28:08 | 0:28:13 | |
What's going on here? | 0:28:16 | 0:28:18 | |
The modern humans here and for instance in the neighbouring valley make the exact same artefacts, | 0:28:21 | 0:28:27 | |
and they're definitely part of the same group. | 0:28:27 | 0:28:30 | |
There's no way that it's chance that you get identical artefacts at sites 20, 30, 40 kilometres away. | 0:28:30 | 0:28:35 | |
And that tells us that populations with a shared identity were fairly large, covering fairly large areas, | 0:28:35 | 0:28:42 | |
presumably interacting, mating with one another, helping each other, and Neanderthals don't seem to have had | 0:28:42 | 0:28:48 | |
that kind of symbolic communication and seemed to have maintained | 0:28:48 | 0:28:52 | |
smaller social networks than modern humans. | 0:28:52 | 0:28:54 | |
So it seems that unlike Neanderthals, | 0:28:56 | 0:28:59 | |
the scattered tribes of our ancestors | 0:28:59 | 0:29:02 | |
were held together by a strong shared identity. | 0:29:02 | 0:29:06 | |
The great flowering of art suggests that people were reaching out | 0:29:13 | 0:29:18 | |
to each other across the landscape in a way they'd never done before. | 0:29:18 | 0:29:23 | |
Art wasn't just something they were doing in their spare time. | 0:29:23 | 0:29:27 | |
It was crucial to survival, a way of marking territory and identity. | 0:29:27 | 0:29:33 | |
A bit like national flags or football shirts today. | 0:29:33 | 0:29:37 | |
And in that competition with the Neanderthals, | 0:29:37 | 0:29:41 | |
it seems that art and what it stood for may have given us the edge. | 0:29:41 | 0:29:46 | |
These links between family groups may have been critical to our success. | 0:29:49 | 0:29:55 | |
And as we advanced, Neanderthals began to retreat | 0:29:59 | 0:30:06 | |
to the very edge of the continent. | 0:30:06 | 0:30:09 | |
'I'm heading to what may have been the last ever Neanderthal colony. | 0:30:17 | 0:30:21 | |
'And I am hoping to discover why they finally died out.' | 0:30:26 | 0:30:31 | |
I'm in Gibraltar, a naval stronghold for centuries, | 0:30:47 | 0:30:50 | |
and new evidence from these rocky shores | 0:30:50 | 0:30:54 | |
suggests that thousands of years after they disappeared from the rest of Europe, | 0:30:54 | 0:30:59 | |
the Neanderthals were clinging on here. | 0:30:59 | 0:31:02 | |
'When Neanderthals lived here, sea levels were up to 100 metres lower, | 0:31:03 | 0:31:09 | |
'so much of the evidence from that time could be underwater. | 0:31:09 | 0:31:13 | |
'A team of specialists is probing the ocean floor, | 0:31:16 | 0:31:20 | |
'looking for traces of the Gibraltar Neanderthals.' | 0:31:20 | 0:31:24 | |
We've come to a stop now because we are over the archaeological site. | 0:31:28 | 0:31:31 | |
It's about 20 metres below the surface of the sea below us. | 0:31:31 | 0:31:35 | |
The divers are all getting ready, and these are divers but also archaeologists, | 0:31:35 | 0:31:39 | |
so they're going to be excavating the sea bottom in search of Neanderthals. | 0:31:39 | 0:31:43 | |
'These divers are up against poor visibility with a limited oxygen supply. | 0:31:49 | 0:31:55 | |
'Underwater archaeology is always challenging. | 0:31:55 | 0:31:59 | |
'But Clive Finlayson has already made a series of significant discoveries | 0:32:02 | 0:32:08 | |
'in the sea caves nearby.' | 0:32:08 | 0:32:10 | |
This is where the last Neanderthals made their last stand, if you like, 24,000 years ago. | 0:32:10 | 0:32:15 | |
We get the feeling it's the nearest thing to a Neanderthal city you'll find anywhere. | 0:32:20 | 0:32:24 | |
We've got fossils, stone tools, animals that they'd have been butchering, | 0:32:24 | 0:32:28 | |
all kinds of evidence, hearts, Neanderthal barbecues, if you like. | 0:32:28 | 0:32:31 | |
It's a very, very special site. | 0:32:31 | 0:32:33 | |
'They think that Neanderthals may have held on here | 0:32:41 | 0:32:45 | |
'long after they had been wiped out in the rest of Europe. | 0:32:45 | 0:32:48 | |
'But after the Neanderthals finally disappeared from Gibraltar, | 0:32:53 | 0:32:57 | |
'there was a gap of 5,000 years before we turned up. | 0:32:57 | 0:33:02 | |
'So it looks as though whatever finally killed Neanderthals off, | 0:33:05 | 0:33:10 | |
'it wasn't us.' | 0:33:10 | 0:33:12 | |
What do you think eventually wiped them out? | 0:33:15 | 0:33:17 | |
It may have been a numbers game. | 0:33:17 | 0:33:19 | |
There were so few left, as would happen to populations of endangered species today, | 0:33:19 | 0:33:23 | |
like the panda or the tiger. | 0:33:23 | 0:33:24 | |
Just random fluctuation in numbers can bring it down to zero, | 0:33:24 | 0:33:28 | |
and there's no recovery from zero. | 0:33:28 | 0:33:29 | |
So it could have been that. It could have been disease, | 0:33:29 | 0:33:32 | |
inbreeding, a whole range of factors that can affect a small population and knock them over the edge. | 0:33:32 | 0:33:38 | |
I find it very moving to think that one day the last Neanderthal might have been sitting here, | 0:33:45 | 0:33:51 | |
staring out to sea, | 0:33:51 | 0:33:53 | |
and perhaps waiting for their companions to return. | 0:33:53 | 0:33:57 | |
Or maybe he or she knew that they were the last of their tribe or their family. | 0:33:57 | 0:34:02 | |
But they can't have known that they were the last of their entire species. | 0:34:02 | 0:34:07 | |
'So that was the end of the Neanderthals. | 0:34:11 | 0:34:14 | |
'Or was it?' | 0:34:16 | 0:34:18 | |
New evidence suggests their descendants | 0:34:21 | 0:34:24 | |
are still walking around today. | 0:34:24 | 0:34:26 | |
Because our species of human, homo sapiens, | 0:34:29 | 0:34:32 | |
interbred with Neanderthals. | 0:34:32 | 0:34:35 | |
Obviously, to Neanderthals, | 0:34:41 | 0:34:43 | |
a fine Neanderthal man must have been very handsome to a Neanderthal woman, | 0:34:43 | 0:34:47 | |
and a Neanderthal woman, despite her massive brows and very chunky face, | 0:34:47 | 0:34:52 | |
must have looked wonderful to a Neanderthal man. | 0:34:52 | 0:34:55 | |
But I think we look at them and think they look, I don't know... | 0:34:55 | 0:34:59 | |
yeah, just a bit ugly. | 0:34:59 | 0:35:01 | |
I don't think it would have even crossed my mind to fancy, or perhaps mate with, a Neanderthal. | 0:35:01 | 0:35:07 | |
But it seems that something like this must have happened | 0:35:11 | 0:35:15 | |
after we left Africa. | 0:35:15 | 0:35:16 | |
Researchers in Germany have sequenced the Neanderthal genome, | 0:35:18 | 0:35:23 | |
using DNA from bones tens of thousands of years old, | 0:35:23 | 0:35:27 | |
and compared it with our own. | 0:35:27 | 0:35:29 | |
The results suggested that many of us are, indeed, | 0:35:31 | 0:35:35 | |
a small part Neanderthal. | 0:35:35 | 0:35:37 | |
So the Neanderthals died out, | 0:35:44 | 0:35:46 | |
but a few of their genes lived on in our species, | 0:35:46 | 0:35:51 | |
a species which would eventually make Europe its own. | 0:35:51 | 0:35:56 | |
'Soon, descendants of the first pioneers would be joined by new arrivals.' | 0:36:02 | 0:36:08 | |
'I've come to the Czech Republic, | 0:36:32 | 0:36:35 | |
'to the small village of Dolni Vestonice, | 0:36:35 | 0:36:39 | |
'famous for some big archaeological discoveries. | 0:36:39 | 0:36:43 | |
'So what do they reveal?' | 0:36:45 | 0:36:47 | |
Oh, that's beautiful. | 0:36:56 | 0:36:57 | |
So, we've got several tusks like this | 0:36:57 | 0:37:01 | |
in central and eastern Europe, | 0:37:01 | 0:37:03 | |
which always have a very complex type of engraving. | 0:37:03 | 0:37:06 | |
And one thing that could be suggested | 0:37:06 | 0:37:09 | |
-is that this thing could be a meandering river. -Right. | 0:37:09 | 0:37:14 | |
The way how the tusk is decorated could have had some sort of a meaning, | 0:37:14 | 0:37:20 | |
like accessibility of the field, | 0:37:20 | 0:37:22 | |
or good for hunting, bad for hunting, | 0:37:22 | 0:37:25 | |
you can push mammoths through, or you cannot. | 0:37:25 | 0:37:28 | |
So it was a map? | 0:37:28 | 0:37:29 | |
A kind of a map. | 0:37:29 | 0:37:30 | |
And the whole strategy of an action could be planned | 0:37:30 | 0:37:34 | |
on a piece of ivory like that. | 0:37:34 | 0:37:37 | |
We'll never know for sure if it was a map, | 0:37:42 | 0:37:45 | |
but other artefacts found here are much more significant. | 0:37:46 | 0:37:51 | |
This is the Venus of Dolni Vestonice, | 0:37:55 | 0:38:00 | |
one of the earliest pieces of pottery in the world. | 0:38:00 | 0:38:04 | |
But the really exciting thing is that other Venus figurines have been unearthed all over the continent. | 0:38:12 | 0:38:20 | |
What this means is that for the first time, | 0:38:24 | 0:38:28 | |
people shared a distinct culture, right across Europe. | 0:38:28 | 0:38:33 | |
But in the next few thousand years, our European ancestors | 0:38:36 | 0:38:40 | |
would face a threat that would almost wipe them out. | 0:38:40 | 0:38:44 | |
Europe was about to experience devastating climate change, | 0:38:49 | 0:38:55 | |
the peak of the Ice Age. | 0:38:55 | 0:38:57 | |
Animals disappeared from the landscape and the ground froze over. | 0:38:59 | 0:39:04 | |
Our ancestors couldn't survive in these Arctic conditions. | 0:39:06 | 0:39:10 | |
By 24,000 years ago, Britain was uninhabitable, | 0:39:16 | 0:39:21 | |
covered in ice half-a-mile thick. | 0:39:21 | 0:39:24 | |
And still the ice sheets pushed further south, | 0:39:29 | 0:39:34 | |
squeezing life from the land, | 0:39:34 | 0:39:37 | |
and almost wiping out our ancestors in Europe. | 0:39:37 | 0:39:41 | |
This is the Vezere Valley in the Dordogne. | 0:39:45 | 0:39:49 | |
During the last Ice Age, the hills around here would have been bound tight by frost, and with wind chill | 0:39:49 | 0:39:56 | |
the temperature up there could be as much as 20 degrees | 0:39:56 | 0:39:59 | |
colder than down here in the valley, where a warmish micro-climate meant life could go on. | 0:39:59 | 0:40:06 | |
And small bands of hunter-gatherers would have huddled together to survive the long, bitter winters. | 0:40:06 | 0:40:14 | |
'But they may not have survived at all had it not been for this. | 0:40:18 | 0:40:23 | |
'The rock shelters and caves that riddle the landscape. | 0:40:27 | 0:40:31 | |
'And deep underground they left something that we still marvel at today.' | 0:40:35 | 0:40:40 | |
I'm in a cave called Pech Merle, which is stunningly beautiful naturally, but look at this. | 0:41:13 | 0:41:20 | |
This is real artistic expression, something that defines us and sets us apart as a species. | 0:41:20 | 0:41:27 | |
And Pech Merle is unusual because artists were coming here to paint these images | 0:41:27 | 0:41:32 | |
both before and after the peak of the last Ice Age, | 0:41:32 | 0:41:36 | |
generations of them returning to the cave as the world outside froze over. | 0:41:36 | 0:41:43 | |
This is a very beautiful image, | 0:41:45 | 0:41:48 | |
and it uses the contours of the rock. | 0:41:48 | 0:41:51 | |
The horse's back sort of curves along a bulge in the rock, | 0:41:51 | 0:41:56 | |
and there's an echo of the horse's head on this right side there. | 0:41:56 | 0:41:59 | |
And it's obviously a very stylised horse, as well, | 0:41:59 | 0:42:02 | |
and I love the way those spots carry on into the background | 0:42:02 | 0:42:05 | |
as though the horse is sort of camouflaged against the rock. | 0:42:05 | 0:42:09 | |
And there's a hand placed against the rock just above the horse's back. | 0:42:10 | 0:42:14 | |
I mean, that is amazing, isn't it? That's an Ice Age hand. | 0:42:14 | 0:42:18 | |
SHORT, REPEATED SPITTING | 0:42:20 | 0:42:22 | |
'Michel Lorblanchet has devoted his life to studying the art found in caves like Pech Merle.' | 0:42:23 | 0:42:31 | |
I think I naively imagined that you'd just take a mouthful of charcoal, | 0:42:41 | 0:42:44 | |
bit of water and just spit it at the wall, and that would be it. | 0:42:44 | 0:42:48 | |
But of course all that would happen would be that the mess would run down the wall | 0:42:48 | 0:42:52 | |
and obscure the stencil that you were trying to do. | 0:42:52 | 0:42:54 | |
So you have to do it like this, using an almost dry mouth | 0:42:54 | 0:42:58 | |
and just building it up, very gradually, with a fine spray. | 0:42:58 | 0:43:03 | |
HE SPITS REPEATEDLY | 0:43:03 | 0:43:04 | |
Monsieur Lorblanchet did a recreation of the horses at Pech Merle, using this technique. | 0:43:09 | 0:43:14 | |
It took him a whole week. | 0:43:14 | 0:43:16 | |
Is it finished? | 0:43:16 | 0:43:17 | |
-Yes. Yes. -It's finished? | 0:43:17 | 0:43:19 | |
Yes. That's right. | 0:43:19 | 0:43:21 | |
'But what drove these people, struggling just to survive, to paint?' | 0:43:21 | 0:43:27 | |
The vast majority of these images seem to be animals. | 0:43:27 | 0:43:31 | |
There don't seem to be many representations of humans. | 0:43:31 | 0:43:34 | |
No. That's true. They are mainly animal figures, | 0:43:34 | 0:43:38 | |
and for them, of course, animals were not only game but also spirits. | 0:43:38 | 0:43:46 | |
Symbolic, so the animal figure, are in fact, symbolic figures. | 0:43:46 | 0:43:51 | |
And going into Pech Merle, I mean, it's such a beautiful cave with all the stalactites hanging down. | 0:43:51 | 0:43:57 | |
-That's right, yes. -It does feel as though it was, I don't know, almost a temple. | 0:43:57 | 0:44:02 | |
Yes, that's right. It is a natural temple, if you like. | 0:44:02 | 0:44:05 | |
They are sacred sites. | 0:44:05 | 0:44:07 | |
They are not paintings just for fun. | 0:44:07 | 0:44:11 | |
By painting a cave and having a sanctuary, | 0:44:11 | 0:44:14 | |
it is a way for them to say, "Here is our sacred place." | 0:44:14 | 0:44:21 | |
The painted cave is symbolic of the whole tribe. | 0:44:21 | 0:44:25 | |
Being bound together in this way may have helped our ancestors survive | 0:44:28 | 0:44:34 | |
the kind of climate change that only haunts our imaginations today. | 0:44:34 | 0:44:38 | |
Nearly two-thirds of modern Europeans can trace their lineages | 0:44:46 | 0:44:51 | |
back to ancestors who held on in those southern refuges. | 0:44:51 | 0:44:55 | |
It would be more than 100 generations before the world would begin to warm again. | 0:45:02 | 0:45:07 | |
And it may have been around this time that something happened | 0:45:12 | 0:45:17 | |
which would stamp a new identity on the Europeans. | 0:45:17 | 0:45:21 | |
Since the birth of our species in Africa, | 0:45:21 | 0:45:25 | |
our ancestors' skin had almost certainly been dark. | 0:45:25 | 0:45:29 | |
Protection against the tropical sun. | 0:45:29 | 0:45:32 | |
But why in Europe did it turn from brown to white? | 0:45:32 | 0:45:37 | |
The surprising answer may lie with a single vitamin, | 0:45:40 | 0:45:45 | |
vitamin D. | 0:45:46 | 0:45:48 | |
A lack of vitamin D may not sound particularly significant, | 0:45:48 | 0:45:52 | |
but it can be life-threatening. | 0:45:52 | 0:45:54 | |
It can wreak havoc with the growing skeleton, causing bones to grow bent and misshapen. | 0:45:54 | 0:46:00 | |
These are all skeletons of patients with rickets, | 0:46:00 | 0:46:03 | |
and you can see how it's affected the bones. | 0:46:03 | 0:46:06 | |
These leg bones here are all curved, making walking difficult, | 0:46:06 | 0:46:12 | |
and the chest is deformed, | 0:46:12 | 0:46:13 | |
so breathing would be problematic as well. | 0:46:13 | 0:46:16 | |
And not only that, rickets can affect your chance of having children. | 0:46:16 | 0:46:20 | |
This is the pelvis of a woman who had rickets, | 0:46:20 | 0:46:23 | |
and you can see the way that the pelvic bones have collapsed together. | 0:46:23 | 0:46:28 | |
You just could not get a baby's head through this space. | 0:46:28 | 0:46:32 | |
It would have been impossible for her to give birth naturally. | 0:46:32 | 0:46:35 | |
So vitamin D is vital, and we make it in our skin in the presence of sunlight. | 0:46:38 | 0:46:46 | |
But dark skin blocks out the sun, | 0:46:46 | 0:46:49 | |
and in Europe, with its weaker sunlight, | 0:46:49 | 0:46:52 | |
this could have been a problem. | 0:46:52 | 0:46:54 | |
Our ancestors may have struggled to make enough vitamin D. | 0:46:54 | 0:46:59 | |
So this could be why Europeans turned white. | 0:46:59 | 0:47:04 | |
But this change in skin colour was nothing compared with the massive upheaval approaching. | 0:47:11 | 0:47:18 | |
'I'm heading back to Turkey, because a recent discovery here | 0:47:25 | 0:47:29 | |
'shows that after the Ice Age, | 0:47:29 | 0:47:32 | |
'our ancestors abandoned their way of life, | 0:47:32 | 0:47:35 | |
'one they had followed since our species first appeared in Africa. | 0:47:35 | 0:47:40 | |
'And what happened here still defines our world today. | 0:47:45 | 0:47:49 | |
'This final stage of my European journey | 0:47:59 | 0:48:02 | |
'leads to a remote hillside in the far south of the country.' | 0:48:02 | 0:48:07 | |
This is Gobekli Tepe, | 0:48:10 | 0:48:13 | |
an extraordinary site that I'm just so incredibly excited to look at. | 0:48:13 | 0:48:19 | |
-Hi, Alice. -Are you Klaus Schmidt? | 0:48:22 | 0:48:25 | |
-Nice to meet you, ya. -Hello, I'm Alice Roberts. | 0:48:25 | 0:48:27 | |
I heard from your visit, ya. | 0:48:27 | 0:48:29 | |
-I'm so... -Nice to meet you here in Gobekli Tepe. | 0:48:29 | 0:48:31 | |
I'm so excited about coming here. | 0:48:31 | 0:48:33 | |
It's such an amazing discovery you've made. | 0:48:33 | 0:48:35 | |
-It's amazing, that's true. -You must be very excited. | 0:48:35 | 0:48:38 | |
And just this season we have a lot of new findings, so it's worth to have a look. | 0:48:38 | 0:48:42 | |
Oh, come on, then, let's have a look! | 0:48:42 | 0:48:44 | |
'Gobekli Tepe is 12,000 years old, | 0:48:59 | 0:49:04 | |
'over twice as old as the pyramids. | 0:49:04 | 0:49:07 | |
'Already, Klaus has found dozens of standing stones. | 0:49:09 | 0:49:14 | |
'Each one carved with mysterious symbols. | 0:49:15 | 0:49:19 | |
'These stone circles are possibly the oldest purpose-built temples in the world.' | 0:49:23 | 0:49:30 | |
Sometimes there are arms and hands and fingers depicted, | 0:49:37 | 0:49:42 | |
so it's very clear that the T part is a human head in profile | 0:49:42 | 0:49:46 | |
and the shaft of the pillar is a human body. | 0:49:46 | 0:49:50 | |
Here we have an example of the depiction of an arm, | 0:49:51 | 0:49:55 | |
which is going down here and the fingers, the hand and the fingers | 0:49:55 | 0:49:59 | |
are not excavated yet, but it's clear they will appear when we continue to work here. | 0:49:59 | 0:50:04 | |
So you've got a circle of smaller T-shaped pillars and then two enormous ones in the centre. | 0:50:04 | 0:50:10 | |
It's always the same. There are two in the centre which are very big and freestanding, | 0:50:10 | 0:50:15 | |
surrounded by smaller but similar ones, | 0:50:15 | 0:50:18 | |
and we understand it as a meeting or gathering of these beings made of stone. | 0:50:18 | 0:50:23 | |
Here, now, we have some most interesting reliefs. | 0:50:31 | 0:50:35 | |
Oh, wow! | 0:50:35 | 0:50:36 | |
Ibis, snake and a vulture. | 0:50:36 | 0:50:40 | |
It's a story illustrated by these animals, | 0:50:40 | 0:50:42 | |
and the story is not a peaceful one. | 0:50:42 | 0:50:44 | |
A scorpion, snake and so on. | 0:50:44 | 0:50:47 | |
Our model for the function of all this installation is they have been made for burial reasons, | 0:50:47 | 0:50:52 | |
to bring the dead bodies to open places, | 0:50:52 | 0:50:56 | |
and the vultures are eating the flesh and other birds... | 0:50:56 | 0:51:00 | |
So you think this might have been a site for these sky burials, | 0:51:00 | 0:51:03 | |
where people are left out in the open to be picked clean by vultures. | 0:51:03 | 0:51:06 | |
-Ya, that's our model. -And these are the vultures. -These are the vultures, ya. | 0:51:06 | 0:51:10 | |
It almost looks like hieroglyphics. | 0:51:10 | 0:51:13 | |
Maybe pre-hieroglyphic messages, or Stone Age hieroglyphics. | 0:51:13 | 0:51:18 | |
'Klaus is anxious to show me his most spectacular discovery.' | 0:51:20 | 0:51:24 | |
And here we found, it is nice, animal. | 0:51:24 | 0:51:28 | |
This is incredibly beautiful. | 0:51:28 | 0:51:31 | |
I mean, this is sculpture, it's not just a relief, is it? | 0:51:31 | 0:51:34 | |
Ya, ya, it's true. It's wonderful. | 0:51:34 | 0:51:36 | |
Yes, it's clearly, it's a masterpiece of work. | 0:51:36 | 0:51:39 | |
It makes you rethink the Stone Age, doesn't it? | 0:51:39 | 0:51:42 | |
I mean, you tend to think of hunter-gatherers as being, I don't know, fairly crude in some ways, | 0:51:42 | 0:51:47 | |
and not necessarily capable of producing... | 0:51:47 | 0:51:51 | |
-Ya. -..artefacts that beautiful. | 0:51:51 | 0:51:53 | |
It's clear that in this society had specialists for stone working, at least. | 0:51:53 | 0:51:58 | |
So really, people who didn't do anything else has to produce | 0:51:58 | 0:52:01 | |
sculptures and pillars and reliefs from stone. | 0:52:01 | 0:52:04 | |
-These are such exciting finds, aren't they? -Ya. | 0:52:04 | 0:52:07 | |
'This place suggests a society that could support specialist craftsmen, | 0:52:09 | 0:52:14 | |
'and perhaps even a priesthood. | 0:52:14 | 0:52:17 | |
'It was the beginning of a totally new way of life.' | 0:52:19 | 0:52:23 | |
These are sites of settled hunters, | 0:52:23 | 0:52:25 | |
-so it was a high culture of hunters here... -Yeah. | 0:52:25 | 0:52:28 | |
..which was nearly exploding in the tenth millennium, | 0:52:28 | 0:52:31 | |
so it's still a hunter gatherer society in its structure and its buildings, its monuments. | 0:52:31 | 0:52:36 | |
'But there was another very important difference | 0:52:36 | 0:52:40 | |
'between these hunter-gatherers and any of their predecessors. | 0:52:40 | 0:52:43 | |
'They were settling down, | 0:52:43 | 0:52:45 | |
'abandoning their nomadic lifestyle. | 0:52:45 | 0:52:49 | |
'A huge shift which would help spark a Europe-wide revolution, | 0:52:49 | 0:52:56 | |
'and the evidence for this can be found growing in the surrounding fields.' | 0:52:56 | 0:53:01 | |
Locked inside this single stalk of wheat | 0:53:05 | 0:53:09 | |
is a story of how the world was transformed. | 0:53:09 | 0:53:13 | |
Geneticists have analysed DNA from domesticated wheat varieties from across the world, | 0:53:13 | 0:53:20 | |
and the staggering thing is they can all be traced back to grasses | 0:53:20 | 0:53:25 | |
which originally grew in this area. | 0:53:25 | 0:53:28 | |
Which means that farming as we know it in Europe was born around here. | 0:53:31 | 0:53:38 | |
Communities settled down and populations expanded. | 0:53:38 | 0:53:42 | |
This could have driven the need to start producing food. | 0:53:42 | 0:53:48 | |
And as farming spread, the landscape was transformed. | 0:53:48 | 0:53:53 | |
Forests were cleared and villages, then towns, then cities, would grow. | 0:53:56 | 0:54:04 | |
Founded by descendants of the small groups of pioneers, | 0:54:05 | 0:54:09 | |
who first entered Europe around 45,000 years ago. | 0:54:09 | 0:54:15 | |
Those early Europeans were people just like you and me, | 0:54:17 | 0:54:22 | |
but it is humbling when you see the challenges they faced. | 0:54:22 | 0:54:27 | |
They overcame the competition from Neanderthals | 0:54:30 | 0:54:35 | |
and made it through the Ice Age. | 0:54:35 | 0:54:38 | |
In fact, at the time it wasn't at all inevitable that | 0:54:41 | 0:54:44 | |
my ancestors, maybe yours, would have even survived, | 0:54:44 | 0:54:49 | |
and it makes me wonder what would happen if today's Europeans | 0:54:49 | 0:54:52 | |
were faced by such a harsh changing climate. | 0:54:52 | 0:54:56 | |
But having taken this long view, we've seen how ingenious and adaptable we are as a species, | 0:54:56 | 0:55:03 | |
and it gives me hope that we will be able to survive the changes of millennia to come. | 0:55:03 | 0:55:08 |