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This programme contains some strong language. | 0:00:02 | 0:00:03 | |
Britain's railway. | 0:00:03 | 0:00:04 | |
-TANNOY: -We are sorry to announce that the 18... | 0:00:04 | 0:00:07 | |
-The oldest and one of the busiest in the world. -It's OK! | 0:00:07 | 0:00:10 | |
Just slow down! | 0:00:10 | 0:00:12 | |
Surely this is illegal to be packed in like this? | 0:00:12 | 0:00:15 | |
A huge network under constant pressure. | 0:00:17 | 0:00:19 | |
Absolutely mental today. | 0:00:21 | 0:00:23 | |
-No driver? -Come on, guys! Look for the driver and guard! | 0:00:23 | 0:00:27 | |
Where anything and everything... | 0:00:27 | 0:00:29 | |
Start tamping it, son! | 0:00:30 | 0:00:31 | |
..can mean delay and chaos for thousands. | 0:00:31 | 0:00:34 | |
Backs against the wall. | 0:00:34 | 0:00:35 | |
He's got a suicidal female on board. | 0:00:35 | 0:00:38 | |
Train now 90 late owing to hitting a pheasant. | 0:00:38 | 0:00:41 | |
I've heard everything now! | 0:00:41 | 0:00:43 | |
Filmed over a year across the nation... | 0:00:43 | 0:00:47 | |
That one. There's a seat next to the banana. | 0:00:47 | 0:00:50 | |
..we go behind the scenes of an industry we love to complain about. | 0:00:50 | 0:00:54 | |
Do you want a hand? | 0:00:54 | 0:00:55 | |
That's £323.50. | 0:00:55 | 0:00:58 | |
Oi! | 0:00:59 | 0:01:01 | |
With the railway people determined to keep Britain moving. | 0:01:02 | 0:01:05 | |
To infinity and beyond! | 0:01:05 | 0:01:08 | |
It's a battle. | 0:01:08 | 0:01:09 | |
Of all the routes in Britain, | 0:01:19 | 0:01:20 | |
the West Coast Main Line is the busiest, | 0:01:20 | 0:01:23 | |
with trains running back to back. | 0:01:23 | 0:01:25 | |
Woo hoo! Here they come! | 0:01:25 | 0:01:28 | |
It stretches the length of the country. | 0:01:28 | 0:01:30 | |
From London to Glasgow. | 0:01:30 | 0:01:33 | |
See all tickets, please. See all tickets, please. | 0:01:33 | 0:01:36 | |
Early start for you. | 0:01:36 | 0:01:38 | |
With an infrastructure that's still being modernised, | 0:01:39 | 0:01:41 | |
this is a line that's so full just a small problem can have big ripple effects. | 0:01:41 | 0:01:46 | |
The good old railway saying. | 0:01:46 | 0:01:49 | |
When it goes tits up, it really does go tits up. | 0:01:49 | 0:01:52 | |
And now after 15 years... | 0:01:52 | 0:01:54 | |
Hello. This is Richard Branson. I've always wanted to do this. | 0:01:54 | 0:01:57 | |
..Virgin's franchise to run the long distance trains is up for grabs. | 0:01:57 | 0:02:01 | |
It's literally been six years that we've been going, | 0:02:01 | 0:02:04 | |
"Do you think we'll win it? Who do you think will win it?" | 0:02:04 | 0:02:07 | |
Not knowing has become the norm. | 0:02:07 | 0:02:09 | |
This is a line that's under pressure | 0:02:09 | 0:02:12 | |
and this morning the pinch is at Liverpool Lime Street. | 0:02:12 | 0:02:15 | |
Can I just get through? | 0:02:17 | 0:02:18 | |
It's 5.20am | 0:02:19 | 0:02:21 | |
and Virgin security manager Owen Brunton is starting his day. | 0:02:21 | 0:02:25 | |
-MEN SING: -Oh when the reds go marching in! | 0:02:25 | 0:02:29 | |
Everyone's full of hope. Early doors. | 0:02:29 | 0:02:32 | |
In just a few hours, Liverpool will play Everton | 0:02:36 | 0:02:39 | |
in the FA Cup semi-final at Wembley. | 0:02:39 | 0:02:41 | |
It's Owen's job to get the thousands of fans on a train by 9am | 0:02:43 | 0:02:47 | |
if they're to make it to the match in time. | 0:02:47 | 0:02:49 | |
Ten times more passengers than a typical Saturday morning. | 0:02:50 | 0:02:53 | |
The trains are busy anyway | 0:02:53 | 0:02:55 | |
and you then throw in a major sporting event. | 0:02:55 | 0:02:57 | |
It so happens that Liverpool have drawn Everton. | 0:02:57 | 0:03:00 | |
They've both got 31, 32 thousand. | 0:03:00 | 0:03:03 | |
We're looking at 64,000 people roughly travelling to Wembley. | 0:03:03 | 0:03:06 | |
A large proportion of those | 0:03:06 | 0:03:07 | |
are going to travel with us on the railway. | 0:03:07 | 0:03:10 | |
Seat reservations only here. | 0:03:12 | 0:03:14 | |
You won't get on it there, mate. You're probably on the 7.48. | 0:03:15 | 0:03:18 | |
It's non stop today. There's no break at all today for anyone. | 0:03:18 | 0:03:23 | |
Busiest day of the year. | 0:03:23 | 0:03:24 | |
Just slow it down, stop pushing through! | 0:03:24 | 0:03:28 | |
Owen's scheduled two extra trains to ease overcrowding | 0:03:30 | 0:03:34 | |
but with over 4,000 trains on the West Coast Main Line every day, | 0:03:34 | 0:03:38 | |
it's hard to squeeze many more on to this already jam-packed route. | 0:03:38 | 0:03:42 | |
In an ideal world if we could just go to a large cupboard | 0:03:42 | 0:03:45 | |
and pull a train out, that we just happened to have spare, | 0:03:45 | 0:03:48 | |
and say, "Let's pull another one out the train sheds." | 0:03:48 | 0:03:50 | |
Yeah, it'd be lovely but it doesn't work like that any more. | 0:03:50 | 0:03:54 | |
Don't let anyone come down the middle and start bunking in at the front. | 0:03:57 | 0:04:00 | |
Go towards the front of the train! | 0:04:00 | 0:04:03 | |
It's exactly as usual. Bloody chaos! | 0:04:03 | 0:04:06 | |
Now just slow down, slow down! | 0:04:06 | 0:04:10 | |
Slow down! | 0:04:11 | 0:04:12 | |
Steven! I can't get on! | 0:04:15 | 0:04:17 | |
Reckon we can get another 20, 25 on this. Quickly. | 0:04:17 | 0:04:21 | |
Thin people only! | 0:04:22 | 0:04:24 | |
Go to the front of the train! | 0:04:26 | 0:04:27 | |
WHISTLE | 0:04:33 | 0:04:35 | |
30 miles down the track at Manchester Piccadilly, | 0:04:52 | 0:04:54 | |
around 83,000 passengers pass through the station every day. | 0:04:54 | 0:04:58 | |
Many are obliged to meet 20-year-old Chris, | 0:04:58 | 0:05:02 | |
the font of all knowledge in the information pod. | 0:05:02 | 0:05:05 | |
Hello! | 0:05:05 | 0:05:06 | |
Can you tell me what time the 14.46 gets into Blackpool, please? | 0:05:06 | 0:05:10 | |
-Can I get a train to Hayton? -I thought I'd go to Shrewsbury. | 0:05:10 | 0:05:14 | |
-CHRIS SINGS: -Oh, try and keep happy, happy, happy! Hello! | 0:05:14 | 0:05:18 | |
Can you tell me when the next train is to Stockport? | 0:05:18 | 0:05:20 | |
13.43, platform 13. | 0:05:20 | 0:05:22 | |
Go to platform 10, up the travelators. | 0:05:22 | 0:05:24 | |
Think I've pulled. There we go. | 0:05:25 | 0:05:27 | |
It's usually the regular questions. Doncaster, Peterborough, Leeds. | 0:05:28 | 0:05:32 | |
Stockport. Is the 43 faster than the 45? | 0:05:32 | 0:05:35 | |
When's the next train to Sheffield? Is that not the next one? | 0:05:35 | 0:05:38 | |
And the monotony eventually bears down on you. | 0:05:38 | 0:05:40 | |
And you go home and cry yourself to sleep. | 0:05:40 | 0:05:42 | |
Up in Cumbria, on a line off the main route, | 0:05:59 | 0:06:02 | |
Simon works the Blea Moor signal box. | 0:06:02 | 0:06:05 | |
A world away from the rest of the West Coast Main Line. | 0:06:05 | 0:06:09 | |
Only trains I like keep going with red lights at the back. | 0:06:10 | 0:06:12 | |
They don't give me any grief. | 0:06:12 | 0:06:14 | |
Wave to the driver and that's good enough for Simon. | 0:06:14 | 0:06:17 | |
Almost unchanged since it was first built 120 years ago, | 0:06:18 | 0:06:23 | |
today it controls the four trains an hour that cross the Ribble Head viaduct. | 0:06:23 | 0:06:27 | |
It's an enjoyable job if you can stand your own company which I can. | 0:06:27 | 0:06:31 | |
I listen to the radio and that's about it. | 0:06:31 | 0:06:34 | |
Read. | 0:06:34 | 0:06:35 | |
You find you get a loathing of people, to be honest. | 0:06:35 | 0:06:38 | |
Certainly beats being stuck in an office or whatever. | 0:06:39 | 0:06:42 | |
In the rat race. | 0:06:43 | 0:06:45 | |
If I come by road, it's 17 miles to here. | 0:06:45 | 0:06:47 | |
My commute is I turn left in three miles | 0:06:47 | 0:06:49 | |
and I turn right in five and that's it. | 0:06:49 | 0:06:51 | |
No traffic lights, no roundabouts, no nobody. That's it. | 0:06:51 | 0:06:55 | |
It can get a bit hectic in summer when you get stuck behind a couple of tractors | 0:06:56 | 0:07:00 | |
but that's about your lot, you know. | 0:07:00 | 0:07:02 | |
Gridlock. | 0:07:03 | 0:07:04 | |
BELL RINGS | 0:07:05 | 0:07:06 | |
People don't believe that somewhere like this exists in the 21st century, do they? | 0:07:09 | 0:07:13 | |
But like all this old engineering, | 0:07:13 | 0:07:15 | |
it's fantastic but it all works, you know. | 0:07:15 | 0:07:18 | |
Guys, I need help here! | 0:07:24 | 0:07:26 | |
Where's my team? | 0:07:27 | 0:07:28 | |
Nearly 300 miles way, at London Euston, | 0:07:30 | 0:07:32 | |
the FA Cup semi-final has finished. | 0:07:32 | 0:07:35 | |
A 2-1 victory to Liverpool. | 0:07:35 | 0:07:38 | |
Red men, go all the way! | 0:07:38 | 0:07:40 | |
And now ticket inspector Jeannie and her colleagues | 0:07:40 | 0:07:44 | |
have just four hours to get 7,000 fans back home. | 0:07:44 | 0:07:47 | |
Have your tickets out, please! | 0:07:49 | 0:07:51 | |
Oi! | 0:07:51 | 0:07:53 | |
Tickets, guys, tickets! Thank you. | 0:08:00 | 0:08:02 | |
Before moving from America two years ago, | 0:08:02 | 0:08:04 | |
Virgin revenue inspector Jeannie was a wedding planner. | 0:08:04 | 0:08:08 | |
-Thank you. -Nightmare! -I know. Go on, buddy. | 0:08:08 | 0:08:12 | |
I dealt with a lot of brides. | 0:08:12 | 0:08:14 | |
I'm zen-like when people start yelling at me cos I've been yelled at by so many brides in my life. | 0:08:14 | 0:08:19 | |
He's been escorted out under Section 27 by our guys, all right? | 0:08:20 | 0:08:24 | |
Excellent. | 0:08:24 | 0:08:25 | |
Down on platform 1 is security manager Owen, who's banned alcohol on the Liverpool trains. | 0:08:25 | 0:08:31 | |
-TANNOY: -Information for customers travelling on Virgin train services this evening. | 0:08:32 | 0:08:36 | |
Please note that alcohol is not permitted on any Virgin train service. | 0:08:36 | 0:08:40 | |
The British transport police have been drafted in to help enforce the ban. | 0:08:40 | 0:08:44 | |
Sorry, mate, can you put that in the bin? | 0:08:45 | 0:08:47 | |
-I'm not drinking it now. -I don't care. It's a dry train. | 0:08:47 | 0:08:50 | |
It's been advertised on the main station. | 0:08:50 | 0:08:53 | |
Where? Do you know what I mean? | 0:08:53 | 0:08:55 | |
They'll try hiding places they think we haven't seen before. | 0:09:01 | 0:09:05 | |
They'll be some in their pockets. | 0:09:05 | 0:09:07 | |
Unsightly bulges is what you're looking for. Down their socks. | 0:09:07 | 0:09:10 | |
He touched my bum! | 0:09:12 | 0:09:13 | |
All right. Nice try. | 0:09:15 | 0:09:18 | |
Children's rucksacks. | 0:09:18 | 0:09:20 | |
A small child who's got a very severe lean. | 0:09:20 | 0:09:23 | |
Cos their rucksack's full of six cans of ale. | 0:09:23 | 0:09:27 | |
Sorry, mate. | 0:09:32 | 0:09:33 | |
Why you giving drink to your daughter? It's a simple question. | 0:09:36 | 0:09:40 | |
Soft lad. | 0:09:40 | 0:09:41 | |
On you go, mate, come on. | 0:09:46 | 0:09:48 | |
It's 8pm and down on platform 4 behind the police line | 0:09:53 | 0:09:57 | |
Jeannie and her colleagues are preparing to face the rush for the last Liverpool train. | 0:09:57 | 0:10:01 | |
Including fans who've been in the pub for several hours now. | 0:10:01 | 0:10:05 | |
Do we have a large enough team? | 0:10:05 | 0:10:08 | |
It makes me nervous we only have four. | 0:10:08 | 0:10:11 | |
I feel kind of like I'm in battle and war. | 0:10:11 | 0:10:14 | |
And I'm like, "You're not going down without me! I'm coming for you!" | 0:10:14 | 0:10:18 | |
CHANTING AND SINGING | 0:10:18 | 0:10:21 | |
OK. Are you ready? | 0:10:21 | 0:10:23 | |
-Slow down, please. -Any alcohol in the bins, please. | 0:10:27 | 0:10:30 | |
I got a funny vibe about this train. | 0:10:30 | 0:10:32 | |
It's weird how it all of a sudden changes. | 0:10:32 | 0:10:36 | |
The vibe, like it's really happy and genial and now all of a sudden... | 0:10:36 | 0:10:41 | |
CHANTING AND SINGING | 0:10:41 | 0:10:43 | |
Stop pushing! | 0:10:48 | 0:10:50 | |
Totally out of order. | 0:10:50 | 0:10:52 | |
Sober up, catch a later train. | 0:10:54 | 0:10:55 | |
We just bought £60 worth of beer and these little Hitlers, I don't care what they think. | 0:10:55 | 0:11:01 | |
Excuse me, what's your name? Excuse me! | 0:11:01 | 0:11:03 | |
Excuse me, you're not listening to what I'm saying! | 0:11:03 | 0:11:06 | |
The way you people can talk to cops is shocking. | 0:11:06 | 0:11:09 | |
You'd never be able to get away with that in America. | 0:11:09 | 0:11:12 | |
Never! | 0:11:12 | 0:11:13 | |
You would not talk to a cop. You'd just be thrown on the ground and taken away. | 0:11:13 | 0:11:17 | |
It's like an animal mentality. | 0:11:17 | 0:11:19 | |
Come on, mate. | 0:11:21 | 0:11:22 | |
WHISTLE | 0:11:23 | 0:11:25 | |
In just four hours, thousands have headed back up north. | 0:11:25 | 0:11:28 | |
And at 8.11 the last train leaves, packed with fans. | 0:11:28 | 0:11:32 | |
And a police escort. | 0:11:32 | 0:11:34 | |
To ease overcrowding, fans have been allowed to sit in first class. | 0:11:40 | 0:11:44 | |
When we buy first class tickets, we expect a relatively quiet carriage, I suppose. | 0:11:44 | 0:11:49 | |
-I was really quite scared. -People were dancing up and down. | 0:11:49 | 0:11:53 | |
I just was really worried that someone might be sick | 0:11:53 | 0:11:57 | |
while I was sitting here, on top of my head or something. | 0:11:57 | 0:12:01 | |
SINGING | 0:12:01 | 0:12:03 | |
I'm arresting you for drunk and disorderly behaviour on board this service to Liverpool, OK? | 0:12:06 | 0:12:11 | |
With 25 years' experience on the trains, | 0:12:13 | 0:12:15 | |
Gary has learned a few tricks of the trade to keep fans quiet. | 0:12:15 | 0:12:19 | |
Once you've had a beer, you do find you sleep much better | 0:12:20 | 0:12:23 | |
once the heating's turned up just a little bit. | 0:12:23 | 0:12:25 | |
All I need now is a light switch. | 0:12:27 | 0:12:29 | |
Switch the lights off, turn the heating up, wake them up in Liverpool. | 0:12:29 | 0:12:32 | |
Fantastic. | 0:12:32 | 0:12:34 | |
Monday morning at Manchester Piccadilly. | 0:12:50 | 0:12:53 | |
Train manager Matt Pickering is preparing for his first train of the day. | 0:12:54 | 0:12:59 | |
The 7am to London. | 0:12:59 | 0:13:00 | |
Weekly operating notices are just any changes on the track speeds | 0:13:01 | 0:13:05 | |
or any last-minute line speed restrictions, engineering works. | 0:13:05 | 0:13:09 | |
That's the most important board. | 0:13:09 | 0:13:11 | |
If you've excelled in your job, | 0:13:11 | 0:13:14 | |
you get your name in a special coloured font! | 0:13:14 | 0:13:16 | |
Just one stop to pick up at Stockport | 0:13:22 | 0:13:24 | |
and then straight through to London Euston. | 0:13:24 | 0:13:26 | |
It's a peak time train. | 0:13:27 | 0:13:28 | |
It tends to be people travelling with companies and businesses. | 0:13:28 | 0:13:32 | |
Always the last stragglers. | 0:13:35 | 0:13:37 | |
And that's me happy with the doors closed. | 0:13:37 | 0:13:40 | |
Can I request that you now have your tickets and any relevant railcards ready for inspection. Thank you. | 0:13:47 | 0:13:52 | |
Thank you. | 0:13:53 | 0:13:54 | |
Thank you. | 0:13:55 | 0:13:57 | |
They go together anyway so you're halfway there. | 0:13:57 | 0:13:59 | |
So all in all, that's £323.50. | 0:14:01 | 0:14:03 | |
It's an absolute rip-off, isn't it? | 0:14:04 | 0:14:06 | |
My business is paying. I wouldn't pay it personally. | 0:14:08 | 0:14:10 | |
I mean, the trains are still regularly late | 0:14:11 | 0:14:14 | |
so is it value for money? No. It's an absolute rip-off. | 0:14:14 | 0:14:18 | |
That's £174.50. | 0:14:19 | 0:14:21 | |
Company purchase. | 0:14:23 | 0:14:25 | |
-INTERVIEWER: -Does that make it easier? -Does for me! | 0:14:25 | 0:14:28 | |
Makes it easier for me for them to have a business account. | 0:14:28 | 0:14:31 | |
I always prefer a credit card that ends in L-T-D. | 0:14:31 | 0:14:35 | |
Than a Jones. | 0:14:35 | 0:14:37 | |
Cos you don't feel as guilty! | 0:14:38 | 0:14:40 | |
What did the gentleman look like? | 0:14:44 | 0:14:46 | |
A red top of some sort. | 0:14:46 | 0:14:48 | |
A passenger in first class says his ticket has been stolen | 0:14:48 | 0:14:52 | |
by someone on the train. | 0:14:52 | 0:14:54 | |
He said, "I can actually describe the person who I think's taken it." | 0:14:55 | 0:14:58 | |
Because he's got a specific type of ticket which was through a company warrant, | 0:14:58 | 0:15:02 | |
it's quite easy to identify because that warrant will have a reference. | 0:15:02 | 0:15:06 | |
A discreet hunt! | 0:15:06 | 0:15:08 | |
See all tickets, please. | 0:15:11 | 0:15:12 | |
See your ticket, please? | 0:15:13 | 0:15:14 | |
Cheers, that's great, thank you. | 0:15:15 | 0:15:17 | |
OK, do you have any ID on you, please, sir? | 0:15:19 | 0:15:21 | |
You don't? Nothing to match the name on this ticket? | 0:15:23 | 0:15:27 | |
Cos I was in a rush, that's everything. | 0:15:27 | 0:15:29 | |
I have to inform you that the gentleman in first class | 0:15:30 | 0:15:34 | |
who's reported having his ticket stolen | 0:15:34 | 0:15:36 | |
has these details on his ticket. | 0:15:36 | 0:15:39 | |
I've got two passengers that witnessed you taking them. | 0:15:39 | 0:15:41 | |
This ticket is at the moment stolen property, sir, that you've handed me. | 0:15:41 | 0:15:46 | |
I didn't take anybody's ticket. I probably made a mistake with this. | 0:15:46 | 0:15:50 | |
So what you're saying is there is another ticket belonging to you | 0:15:50 | 0:15:53 | |
and you've picked up an incorrect ticket. | 0:15:53 | 0:15:55 | |
So I'll leave you to find me the correct ticket then, all right. | 0:15:55 | 0:15:59 | |
I'll be back with you in ten minutes. | 0:15:59 | 0:16:01 | |
Sorry to wake you. | 0:16:02 | 0:16:04 | |
The passenger eventually produces another ticket, | 0:16:04 | 0:16:07 | |
but it's only valid with a young person's railcard. | 0:16:07 | 0:16:10 | |
Have you got a young person's card as well? | 0:16:10 | 0:16:13 | |
I don't have my railcard. | 0:16:13 | 0:16:15 | |
I don't think this is his ticket, I really don't! | 0:16:15 | 0:16:18 | |
You just know when you're being had over. | 0:16:18 | 0:16:21 | |
I don't take it too personally. | 0:16:21 | 0:16:22 | |
I'm not going to restrain him and throw him in the luggage rack | 0:16:22 | 0:16:25 | |
till we get to somewhere where I can get the armed police to him, | 0:16:25 | 0:16:29 | |
but it is unfair, especially on these peak time trains. | 0:16:29 | 0:16:33 | |
Because people have forked out a lot of money. | 0:16:33 | 0:16:35 | |
Matt can't prove the man really did steal the first-class ticket. | 0:16:35 | 0:16:40 | |
And he's reluctant to delay the train by waiting for the British Transport Police. | 0:16:40 | 0:16:44 | |
But without a railcard, the man has no valid ticket, | 0:16:44 | 0:16:49 | |
so Matt can ask him to leave. | 0:16:49 | 0:16:51 | |
What you need to do is get off at Crewe. | 0:16:51 | 0:16:53 | |
And that is doing you a favour. | 0:16:54 | 0:16:56 | |
Butch voice, three, two, one. | 0:16:57 | 0:16:59 | |
The train now approaching Crewe. | 0:17:00 | 0:17:02 | |
Customers should change here for North Wales services and services to Liverpool Lime Street. | 0:17:02 | 0:17:06 | |
I've met you in the middle. There's many militant train managers out there. | 0:17:11 | 0:17:16 | |
There are probably some train managers who would scream at that and go, | 0:17:20 | 0:17:23 | |
"Oh my God! What's he doing? Get him off!" | 0:17:23 | 0:17:26 | |
At the end of the day, don't sweat the small stuff, I think, | 0:17:26 | 0:17:30 | |
so you've just got to keep a nice calm and relaxed atmosphere. | 0:17:30 | 0:17:35 | |
He says, wiping his brow. | 0:17:35 | 0:17:38 | |
Having to reapply the bronzer! | 0:17:38 | 0:17:39 | |
HE LAUGHS | 0:17:39 | 0:17:41 | |
The railway industry says rising ticket prices means more money for improvements. | 0:17:43 | 0:17:48 | |
Including hi-tech Pendolino trains | 0:17:48 | 0:17:51 | |
designed to speed around the corners of this Victorian line | 0:17:51 | 0:17:54 | |
and cut journey times. | 0:17:54 | 0:17:56 | |
I call them the Ferrari of the railways. | 0:17:59 | 0:18:01 | |
This is Mac 2. This is full speed. | 0:18:02 | 0:18:05 | |
Train driver Ross has been driving the West Coast Main Line for the past 12 years. | 0:18:07 | 0:18:13 | |
Some days I think, right, fuck it, I'm going to do 125 | 0:18:13 | 0:18:16 | |
and I'm going to full brake, full speed, | 0:18:16 | 0:18:19 | |
then other days I might chill out, give the passengers a good ride. | 0:18:19 | 0:18:24 | |
Luckily I'm in a good mood today! | 0:18:26 | 0:18:28 | |
Hello! Like anything to eat, sir? | 0:18:33 | 0:18:35 | |
We have the chilli beef or the goats cheese tart | 0:18:35 | 0:18:38 | |
or we have the cold options. | 0:18:38 | 0:18:40 | |
Chilli beef. | 0:18:40 | 0:18:41 | |
It's one o'clock in first class and customer service manager Jo Costello | 0:18:41 | 0:18:46 | |
is on lunch duty. | 0:18:46 | 0:18:49 | |
Hi honey, I'm home! | 0:18:49 | 0:18:50 | |
Jo and her team serve several hot and cold options | 0:18:52 | 0:18:54 | |
along with pudding and a cheese board. | 0:18:54 | 0:18:57 | |
There's different types of people in first class. | 0:18:58 | 0:19:00 | |
But all of them are first class to us! | 0:19:00 | 0:19:02 | |
HE LAUGHS | 0:19:02 | 0:19:04 | |
No, erm, business travellers that do it all time | 0:19:05 | 0:19:09 | |
you don't see any sort of reaction from what we offer in first class. | 0:19:09 | 0:19:12 | |
It's at weekends and off-peak times, | 0:19:12 | 0:19:15 | |
especially in school holidays when you've got leisure travellers on, | 0:19:15 | 0:19:18 | |
you can hear people just like, "Isn't it posh?" | 0:19:18 | 0:19:21 | |
"You get crisps! They're free!" | 0:19:21 | 0:19:23 | |
And you know straightaway, obviously you don't say anything, | 0:19:23 | 0:19:26 | |
but you just think, Oh bless. | 0:19:26 | 0:19:27 | |
That's your return one. | 0:19:29 | 0:19:31 | |
Sorry to disturb you if you're eating. Thank you. | 0:19:31 | 0:19:34 | |
Did you notice... | 0:19:35 | 0:19:37 | |
My accent! Thank you! | 0:19:37 | 0:19:40 | |
I think I've got different voices for different... | 0:19:40 | 0:19:44 | |
Not that I speak to people like "Y'all right?" in standard but... | 0:19:44 | 0:19:49 | |
Before she joined the railways, Jo worked in a factory. | 0:19:54 | 0:19:57 | |
Enjoy your dinner. | 0:19:59 | 0:20:01 | |
It's given me a second lease of life, this job. | 0:20:01 | 0:20:03 | |
Because I had my children young. | 0:20:03 | 0:20:05 | |
I've been married 25 years. I was married at 19. | 0:20:05 | 0:20:08 | |
I started a job like this, it was like, Whoa! | 0:20:11 | 0:20:13 | |
It was like a new wide world! | 0:20:13 | 0:20:16 | |
I'd never been on a train to London before I worked here. | 0:20:16 | 0:20:18 | |
All I knew was trains went to Blackpool! | 0:20:18 | 0:20:21 | |
SHE LAUGHS | 0:20:21 | 0:20:22 | |
I didn't know they went there. | 0:20:22 | 0:20:24 | |
I put the two ladies down cos they're sat together so you want 29. | 0:20:24 | 0:20:27 | |
When I first started, I wouldn't have said boo to a goose. | 0:20:27 | 0:20:30 | |
And now look at me! I don't care who I talk to. When. Where. | 0:20:30 | 0:20:34 | |
Oops! What is wrong with you? Leaving your stuff out! | 0:20:34 | 0:20:37 | |
Hello! Any dessert this evening? | 0:20:38 | 0:20:40 | |
-Can I get a banana? -Yeah. | 0:20:40 | 0:20:42 | |
Where can you look out the window and see scenes like that? | 0:20:42 | 0:20:46 | |
From nobody's office can you see that. | 0:20:47 | 0:20:49 | |
Only ours. | 0:20:49 | 0:20:50 | |
You know the rule. All for one, one for all. | 0:20:58 | 0:21:01 | |
Get it made! | 0:21:03 | 0:21:05 | |
There's not many train managers you would see making other staff a brew. | 0:21:05 | 0:21:09 | |
That's why I'm loved. | 0:21:09 | 0:21:12 | |
LAUGHTER | 0:21:12 | 0:21:13 | |
A few minutes to spare for tea is a luxury on the West Coast Main Line. | 0:21:14 | 0:21:19 | |
Our day is set out to the minute. | 0:21:21 | 0:21:24 | |
I don't book on at 1500, I book on at 1501. | 0:21:24 | 0:21:28 | |
I'm given so many minutes to walk to the train. | 0:21:28 | 0:21:31 | |
To prep the train. | 0:21:31 | 0:21:33 | |
I find I'm obsessed with time myself. | 0:21:34 | 0:21:36 | |
The last thing I do when I go to bed at night is look at my watch. | 0:21:36 | 0:21:40 | |
Ross's Pendolino is one of the fastest trains on the network. | 0:21:42 | 0:21:45 | |
But travelling at 125 miles per hour | 0:21:45 | 0:21:48 | |
means it can take the length of 15 football pitches to stop. | 0:21:48 | 0:21:52 | |
I killed a magpie recently. | 0:21:53 | 0:21:56 | |
I'm not superstitious but I did have a bit of a "Ooh, magpie", you know. | 0:21:56 | 0:22:01 | |
I've ran over some sheep. | 0:22:02 | 0:22:04 | |
The mess, the smell! | 0:22:04 | 0:22:06 | |
My other half, he killed a llama once. | 0:22:08 | 0:22:10 | |
South West Trains down that way, there's a llama farm. | 0:22:10 | 0:22:14 | |
And he ran a llama over. | 0:22:14 | 0:22:18 | |
But they name llamas, they give them names. | 0:22:18 | 0:22:21 | |
So he killed something with a name! | 0:22:21 | 0:22:22 | |
You hit a pigeon, it's a pigeon. | 0:22:22 | 0:22:24 | |
But he killed Larry or Louise or whatever they call llamas, you know. | 0:22:25 | 0:22:30 | |
Lucky I'm not Buddhist. | 0:22:30 | 0:22:32 | |
Trains on the West Coast Main Line are controlled by 38 signal boxes. | 0:22:42 | 0:22:46 | |
And around half still use an old bells and levers system. | 0:22:46 | 0:22:50 | |
BELL | 0:22:50 | 0:22:52 | |
Just south of Manchester, Stockport 2 signal box | 0:22:53 | 0:22:56 | |
is one of the busiest in the country. | 0:22:56 | 0:22:58 | |
Signaller Martin is on the morning rush-hour shift. | 0:23:00 | 0:23:03 | |
These are your levers. | 0:23:05 | 0:23:06 | |
Black is normally points. | 0:23:06 | 0:23:09 | |
And blue is a lock bar traditionally. | 0:23:09 | 0:23:11 | |
The red ones are your signals. | 0:23:12 | 0:23:14 | |
The white ones are redundant now, | 0:23:14 | 0:23:16 | |
they're for bits of railway that don't exist any more. | 0:23:16 | 0:23:18 | |
On this giant train set, Martin uses the Victorian levers to switch the points | 0:23:21 | 0:23:26 | |
and signal trains into each section of the line. | 0:23:26 | 0:23:28 | |
It's probably one of the safest systems we've got. | 0:23:29 | 0:23:33 | |
It looks old fashioned but it works. | 0:23:33 | 0:23:35 | |
BELL | 0:23:35 | 0:23:37 | |
Martin communicates with signal boxes up the line by bell. | 0:23:38 | 0:23:42 | |
BELLS | 0:23:42 | 0:23:44 | |
Bit of sarcastic bell ringing there. | 0:23:48 | 0:23:50 | |
You can often tell who's on at a certain signal box by the way they ring bells. | 0:23:50 | 0:23:54 | |
Believe it or not. You can tell who's in a good mood, a bad mood. | 0:23:54 | 0:23:57 | |
-INTERVIEWER: -How could you tell that was a sarcastic bell? | 0:23:57 | 0:24:00 | |
Cos it was a two and a very long pause and a one. | 0:24:00 | 0:24:03 | |
So I've obviously done something somewhere to upset him | 0:24:03 | 0:24:05 | |
and he's letting me know. | 0:24:05 | 0:24:07 | |
BELL | 0:24:07 | 0:24:08 | |
He's all right now, he's back in a good mood again. | 0:24:11 | 0:24:14 | |
In time, Martin's signal box | 0:24:17 | 0:24:19 | |
will be replaced by a computerised control room. | 0:24:19 | 0:24:22 | |
I've been in them and sat in them and had a look at them. | 0:24:23 | 0:24:26 | |
And it looks artificial to me. | 0:24:26 | 0:24:29 | |
It looks very sterile environment. | 0:24:29 | 0:24:31 | |
This is more organic, if that's the right word. | 0:24:31 | 0:24:34 | |
This to me is like real signalling, what's left of it, anyway. | 0:24:34 | 0:24:38 | |
This is proper railway. | 0:24:38 | 0:24:40 | |
London's Euston Station, and it's the day before the Easter Bank Holiday. | 0:24:50 | 0:24:55 | |
Passengers are waiting for the first off-peak train of the evening. | 0:24:57 | 0:25:00 | |
With fares that can be hundreds of pounds cheaper. | 0:25:00 | 0:25:03 | |
I can feel it, though, the tension. | 0:25:04 | 0:25:06 | |
I can feel them standing there, looking up at the board. | 0:25:06 | 0:25:08 | |
Ready to go either way. | 0:25:08 | 0:25:10 | |
Taking off their high heels so they can run quicker to get a seat! | 0:25:10 | 0:25:14 | |
Here they come! You can hear them coming around that corner. | 0:25:15 | 0:25:19 | |
It's a rumbling. | 0:25:19 | 0:25:20 | |
Thank you. Do you hear it? | 0:25:20 | 0:25:22 | |
If you had safari music to rush hour at Euston. | 0:25:24 | 0:25:27 | |
People running, scrapping, grabbing a seat. | 0:25:27 | 0:25:30 | |
Not being embarrassed to react. | 0:25:30 | 0:25:33 | |
You'd be like, Oh my gosh. If your mother was here. | 0:25:33 | 0:25:36 | |
That's all I want to say. If your mother was here, young man! | 0:25:36 | 0:25:39 | |
We've got families travelling to holidays. Thank you. | 0:25:41 | 0:25:43 | |
We've got the commuters that travel up every day. | 0:25:43 | 0:25:47 | |
And they just keep on coming. | 0:25:47 | 0:25:49 | |
Is anybody travelling to Manchester? | 0:25:57 | 0:26:00 | |
I have the 18.57 going out off of 16. | 0:26:00 | 0:26:04 | |
This is going to be standing room only for many of you. | 0:26:04 | 0:26:07 | |
I'm just going to run ahead and see if I can find you some seats real quick. OK? | 0:26:09 | 0:26:14 | |
This is jam packed. | 0:26:15 | 0:26:16 | |
Shit! | 0:26:16 | 0:26:18 | |
It's so busy. | 0:26:18 | 0:26:20 | |
And there's already buggies. | 0:26:21 | 0:26:22 | |
Guys, there's already buggies in all the areas that we have buggies. | 0:26:22 | 0:26:26 | |
If you don't have a seat reservation we can't let you on. | 0:26:26 | 0:26:29 | |
It's past standing room only. | 0:26:29 | 0:26:31 | |
WHISTLE | 0:26:31 | 0:26:32 | |
Tucked away in an office upstairs, staff are overseeing the exodus. | 0:26:39 | 0:26:43 | |
From Euston control room. | 0:26:43 | 0:26:45 | |
Yes, please. Thanks very much. Thanks, bye. | 0:26:45 | 0:26:48 | |
Hello, Euston. | 0:26:48 | 0:26:50 | |
Maundy Thursday is the busiest day of the year. Busier than Christmas. | 0:26:50 | 0:26:54 | |
Busier than New Year. | 0:26:54 | 0:26:55 | |
It's an awful lot of trains to run. | 0:26:55 | 0:26:57 | |
And it just takes one minor problem | 0:26:57 | 0:27:00 | |
and just throws everything out. | 0:27:00 | 0:27:02 | |
Yeah, one tango 38. | 0:27:02 | 0:27:05 | |
So that's thrown us a bit as well. | 0:27:05 | 0:27:07 | |
It has to stay on that diagram come what may. | 0:27:07 | 0:27:10 | |
Thank you. Hi there. | 0:27:10 | 0:27:13 | |
I have to stop. I have to unpack. | 0:27:13 | 0:27:16 | |
I have to get out all my tickets and show them | 0:27:16 | 0:27:19 | |
rather than sitting there on the train | 0:27:19 | 0:27:20 | |
showing them as they go by. | 0:27:20 | 0:27:22 | |
-Thank you. Thanks very much. -Thanks. | 0:27:22 | 0:27:25 | |
They're upset they have to show us their tickets. | 0:27:26 | 0:27:28 | |
If we ask for any supporting documents | 0:27:28 | 0:27:31 | |
like there's a railcard discount so we ask for railcards, | 0:27:31 | 0:27:33 | |
people get grumpy about that. | 0:27:33 | 0:27:35 | |
Hi, sir. Come on over. | 0:27:36 | 0:27:38 | |
-I'm in a rush. -No, come back! Sir! | 0:27:38 | 0:27:41 | |
Please come back here! | 0:27:41 | 0:27:43 | |
Where's your railcard? Thanks. | 0:27:46 | 0:27:48 | |
Little stinker. | 0:27:50 | 0:27:51 | |
I think when people enter the rail station | 0:27:51 | 0:27:54 | |
they think time ticks quicker than it does. | 0:27:54 | 0:27:56 | |
Like they come down, and they're like, "It's leaving!" | 0:27:56 | 0:28:00 | |
And you're like, "You've got ten minutes! It's all right! You'll make it!" | 0:28:00 | 0:28:05 | |
Sometimes the common sense gets left at the door unfortunately. | 0:28:06 | 0:28:11 | |
The 18.40 service to Manchester is about to leave. | 0:28:14 | 0:28:18 | |
-Is that your seat reservation? 6.36? -Yes. | 0:28:18 | 0:28:22 | |
I don't know why it's not on the screen. I figured it was the 6.40. | 0:28:22 | 0:28:25 | |
Because it was 6.36 this morning, my love. | 0:28:25 | 0:28:28 | |
You're joking? | 0:28:28 | 0:28:29 | |
That's 18.40. We work in train time. | 0:28:30 | 0:28:33 | |
-Sorry. I'm just a bit stressed. -That's OK. We'll get it figured out. | 0:28:34 | 0:28:38 | |
OK, let's talk to the train manager. OK? | 0:28:38 | 0:28:41 | |
Bummer, huh? | 0:28:42 | 0:28:44 | |
Was wondering why the 6.36 wasn't showing on the board. | 0:28:44 | 0:28:47 | |
-I've explained the 24 hour clock. -You know what you've done? | 0:28:47 | 0:28:50 | |
OK, yeah, jump on this one. | 0:28:50 | 0:28:52 | |
-You've come at the right time. -Thank you so much. | 0:28:52 | 0:28:55 | |
-Just 12 hours late. -I'm just 12 hours late. | 0:28:55 | 0:28:58 | |
I'm stupid! | 0:28:58 | 0:28:59 | |
-Thank you. -No problem. Have a good trip. | 0:29:01 | 0:29:03 | |
No worries. Oopsi-doodle. | 0:29:04 | 0:29:07 | |
For me it's just a ticket. For that person they might be seeing their mom | 0:29:08 | 0:29:11 | |
for the first time in six months. | 0:29:11 | 0:29:13 | |
They're either going home or they're going someplace where | 0:29:13 | 0:29:16 | |
their family is or their friends are. | 0:29:16 | 0:29:19 | |
It's not mundane for them. | 0:29:19 | 0:29:20 | |
So I just try to remember that for everybody. | 0:29:20 | 0:29:23 | |
While passengers start their Bank Holiday weekend, | 0:29:31 | 0:29:33 | |
35 miles up the track at Leighton Buzzard, | 0:29:33 | 0:29:36 | |
railway workers start the night shift. | 0:29:36 | 0:29:39 | |
Engineering work is necessary every night of the year | 0:29:44 | 0:29:47 | |
to keep the West Coast Main Line in working order. | 0:29:47 | 0:29:50 | |
See what you're up to. See what you're doing to my railway. | 0:29:50 | 0:29:53 | |
It's Network Rail manager Jane Simpson who has to ensure the entire line is up to scratch. | 0:29:53 | 0:29:59 | |
There's more trains, the heavy trains, | 0:29:59 | 0:30:01 | |
they're fast trains, they're tilting trains. | 0:30:01 | 0:30:04 | |
It's hammered and we have less and less time to maintain the track. | 0:30:04 | 0:30:08 | |
All works have strict deadlines and Jane risks paying heavy compensation | 0:30:09 | 0:30:13 | |
to the train companies if they overrun. | 0:30:13 | 0:30:15 | |
Where do you want us to stop? | 0:30:17 | 0:30:18 | |
But with more trains on the West Coast Main Line than ever before, | 0:30:18 | 0:30:22 | |
the window for maintenance is smaller. | 0:30:22 | 0:30:25 | |
Tonight they have just seven hours 20 minutes | 0:30:26 | 0:30:29 | |
to replace a section of worn-out rail. | 0:30:29 | 0:30:31 | |
It's like the orange underworld. | 0:30:31 | 0:30:33 | |
It's like that funny little club where you each have a wave. | 0:30:33 | 0:30:36 | |
But work can't begin until the last Euston train passes through. | 0:30:36 | 0:30:40 | |
And the team have just heard it's running late. | 0:30:42 | 0:30:44 | |
We've got to cut in by ten to one. | 0:30:44 | 0:30:47 | |
It's absolutely essential we need to cut in by ten to one. | 0:30:47 | 0:30:49 | |
If we don't hit that time it's dangerous to continue | 0:30:49 | 0:30:52 | |
because it means a guaranteed overrun. | 0:30:52 | 0:30:54 | |
So there's a whole critical path of activities that need to be done | 0:30:54 | 0:30:57 | |
so one missed T2 | 0:30:57 | 0:30:59 | |
results in a whole domino effect of problems further down the line. | 0:30:59 | 0:31:04 | |
So we've got 20 minutes to sort this out now? | 0:31:04 | 0:31:06 | |
Er, yes, roughly. | 0:31:06 | 0:31:07 | |
If it gets to a point where it is an hour late, | 0:31:09 | 0:31:13 | |
we may just say we can't get the work done. | 0:31:13 | 0:31:15 | |
It costs us about £175,000 a shift. | 0:31:16 | 0:31:20 | |
So if I lose a shift it's very costly. | 0:31:20 | 0:31:23 | |
At Euston, staff know that holding a train for just two extra minutes | 0:31:27 | 0:31:32 | |
can throw the schedule for the rest of the night. | 0:31:32 | 0:31:34 | |
WHISTLE | 0:31:34 | 0:31:36 | |
-One more minute! -Let's see your ticket. | 0:31:39 | 0:31:41 | |
I just buy the tickets so I'm late! Only 30 minutes! Please! I need... | 0:31:41 | 0:31:48 | |
The doors are locked, the train's about to go. | 0:31:48 | 0:31:50 | |
OK! | 0:31:50 | 0:31:53 | |
No, no, can't go on it. The train's going. Can't go on it. | 0:31:53 | 0:31:58 | |
-But I have arrived here before. -You've missed this one completely. | 0:31:58 | 0:32:03 | |
You should have been here two or three minutes ago. | 0:32:03 | 0:32:05 | |
I have been here, talking to him! One minute here before! | 0:32:05 | 0:32:09 | |
Madam, the doors close two minutes before the train's due to go | 0:32:09 | 0:32:13 | |
to allow the train to leave on time. | 0:32:13 | 0:32:15 | |
So why you sell the tickets then? | 0:32:15 | 0:32:17 | |
We can sell the ticket to anyone at any time, madam. | 0:32:17 | 0:32:20 | |
You'll refund my tickets then. | 0:32:20 | 0:32:23 | |
Go to the ticket office. | 0:32:23 | 0:32:24 | |
They'll refund your ticket and let you know what the best way to go is. | 0:32:24 | 0:32:28 | |
-Oh! Coming back! -Can you come with me, please? | 0:32:33 | 0:32:36 | |
To refund my tickets! | 0:32:36 | 0:32:38 | |
Do you have a place to stay here in town? | 0:32:38 | 0:32:41 | |
Do you want my help cos I'm happy to help but I need you to talk to me. | 0:32:43 | 0:32:46 | |
So you can get your discount or you can get your refund, OK? | 0:32:47 | 0:32:51 | |
And then you have the Caledonian going out tonight if you want to take that. | 0:32:51 | 0:32:54 | |
You can sleep on the train then you'll get in tomorrow morning. | 0:32:54 | 0:32:57 | |
Or we have a train going out tomorrow morning. | 0:32:57 | 0:32:59 | |
And if you catch that you'll get in tomorrow afternoon. OK? | 0:32:59 | 0:33:03 | |
I have two babies. One is two years old. | 0:33:03 | 0:33:07 | |
One is six months. | 0:33:07 | 0:33:09 | |
And I miss them and I cannot go home tonight. | 0:33:10 | 0:33:15 | |
It's hard, I understand. I can only imagine. Miserable feeling. | 0:33:17 | 0:33:21 | |
At Leighton Buzzard, the last train passes Jane and the team | 0:33:27 | 0:33:31 | |
just in time to make the start of the shift. | 0:33:31 | 0:33:33 | |
It's like Thunderbirds! | 0:33:33 | 0:33:35 | |
It does look like Thunderbirds are go, doesn't it! | 0:33:35 | 0:33:38 | |
-It's going to be tight but we should be OK. -Yeah. | 0:33:40 | 0:33:44 | |
Just made the ten to one cut-off. | 0:33:47 | 0:33:50 | |
So that's really good news that the shift can go ahead tonight. | 0:33:50 | 0:33:53 | |
That is the track relaying train. | 0:33:56 | 0:33:58 | |
It's picking up old sleepers and old rails | 0:33:58 | 0:34:01 | |
and putting in new sleepers and new rail. | 0:34:01 | 0:34:03 | |
It'll take 40 men until dawn to replace the section of track. | 0:34:08 | 0:34:12 | |
If we had to do this manually or by conventional methods, | 0:34:15 | 0:34:18 | |
we'd only get half if half of what we achieve tonight. | 0:34:18 | 0:34:22 | |
My ten-year-old would love this! | 0:34:23 | 0:34:25 | |
When I bought him the little wooden Brio train set when he was a child, | 0:34:27 | 0:34:31 | |
he had these Playmobile people standing round it. | 0:34:31 | 0:34:34 | |
I said, "What are all those doing?" | 0:34:34 | 0:34:35 | |
He said, "Mummy, they're working on the railway like you do." | 0:34:35 | 0:34:38 | |
Cool! | 0:34:38 | 0:34:39 | |
There'll be another 100 nights like this before all the worn out rail is replaced | 0:34:43 | 0:34:47 | |
between Northampton and London. | 0:34:47 | 0:34:49 | |
-TANNOY: -The 09.15 Northern service to Hadfield will now depart from platform 4. | 0:34:56 | 0:35:02 | |
It's morning rush hour at Manchester Piccadilly. | 0:35:03 | 0:35:06 | |
Bristol train, platform 6. Which is that one just there. | 0:35:08 | 0:35:11 | |
Next set of stairs, downstairs. | 0:35:11 | 0:35:13 | |
As much as some people moan about being in here sometimes, | 0:35:17 | 0:35:19 | |
I genuinely love my job and enjoy it | 0:35:19 | 0:35:22 | |
which, on the record, you know, I do quite like the odd train. | 0:35:22 | 0:35:25 | |
-Do you know where I can buy ticket? -Ticket office. | 0:35:26 | 0:35:30 | |
Yeah. OK. | 0:35:30 | 0:35:32 | |
You're welcome(!) | 0:35:34 | 0:35:35 | |
-Hello! -Hi, mate. The next train to Euston? | 0:35:35 | 0:35:37 | |
Will be at 13.55 if you're sharpish, platform 7. | 0:35:37 | 0:35:40 | |
It does irritate me. | 0:35:43 | 0:35:45 | |
I wouldn't dream of asking anybody for anything and not utilising some manners at least. | 0:35:45 | 0:35:51 | |
You're seen as a uniform, not actually a person. | 0:35:51 | 0:35:54 | |
Next train to Darlington? | 0:35:54 | 0:35:56 | |
To Darlington? 17.56. Platform numero 3. | 0:35:56 | 0:36:00 | |
-Thank you very much. -No worries, pal. | 0:36:00 | 0:36:03 | |
See? Why can't everybody be like that? | 0:36:03 | 0:36:05 | |
Just be, "You know what, mate. Nice one. Thank you for doing the job you do." | 0:36:05 | 0:36:10 | |
Everybody just wants to go home now. Nobody's bothered about anyone else. | 0:36:16 | 0:36:20 | |
You can make as many announcements as you want | 0:36:20 | 0:36:22 | |
to say shuffle back from the platform edge, let people off first. | 0:36:22 | 0:36:25 | |
No, they just want to get on and go home. Not bothered. | 0:36:25 | 0:36:28 | |
WHISTLE | 0:36:30 | 0:36:31 | |
-Hello. -I bought this ticket. Is this what I need to get on the train? | 0:36:31 | 0:36:34 | |
It is indeed. 19.15. Platform 5. | 0:36:34 | 0:36:36 | |
Which end will the first class be on? | 0:36:36 | 0:36:39 | |
-It'll be the far end. -The far end. Thank you. | 0:36:39 | 0:36:41 | |
Did he sound like Kermit the Frog or is it just me? | 0:36:43 | 0:36:46 | |
Kermit the Frog! Hello! | 0:36:46 | 0:36:48 | |
-Do you know when the next train to Wigan is? -Twenty past eight. | 0:36:50 | 0:36:54 | |
-What? -You've just missed one. | 0:36:54 | 0:36:56 | |
-Is there not one at quarter to? -Hello. | 0:36:56 | 0:36:58 | |
-Going to Wilmslow, please. -Wilmslow. | 0:36:58 | 0:37:00 | |
I keep doing them burps. 19.30. Platform number 8. | 0:37:01 | 0:37:05 | |
Oh my God. Isn't there no train before that? | 0:37:05 | 0:37:07 | |
-No, it's the next one. -Sorry? -That's the next one. | 0:37:07 | 0:37:10 | |
-I'm pretty certain, yeah. -I thought there was one earlier. | 0:37:10 | 0:37:14 | |
-Not another train or anything? -It's only 24 minutes! | 0:37:14 | 0:37:17 | |
-Honest to God? -Yeah. You just missed one. | 0:37:17 | 0:37:20 | |
OK? | 0:37:20 | 0:37:22 | |
It's not that much of a shock. Christ! | 0:37:22 | 0:37:24 | |
Everybody's in such a rush. | 0:37:26 | 0:37:27 | |
"I've got to be there now, man! I've got to go!" | 0:37:27 | 0:37:30 | |
I avoid queuing up and asking people for things now. | 0:37:30 | 0:37:33 | |
Because I know what it's like to be sat here. | 0:37:33 | 0:37:35 | |
Did you say there was one from Victoria at quarter to? | 0:37:35 | 0:37:38 | |
No, not at quarter to. | 0:37:38 | 0:37:41 | |
It's at ten past the hour. | 0:37:43 | 0:37:44 | |
So... | 0:37:44 | 0:37:46 | |
Saying I once heard, it's nice to be important but it's important to be nice. | 0:37:50 | 0:37:53 | |
I've had enough of the lot of you! | 0:37:55 | 0:37:58 | |
HE LAUGHS | 0:37:58 | 0:37:59 | |
Matt is on the 13.06 Birmingham service to London. | 0:38:09 | 0:38:12 | |
All tickets, please. | 0:38:16 | 0:38:18 | |
As train manager, his role involves more than checking tickets. | 0:38:18 | 0:38:22 | |
He's also responsible for the safety of all passengers and crew. | 0:38:22 | 0:38:27 | |
And he's the first port of call when there's a problem on board. | 0:38:27 | 0:38:30 | |
That's very hard braking, that one. | 0:38:30 | 0:38:33 | |
When the brakes go on like that, you expect the driver to bing bong you. | 0:38:33 | 0:38:38 | |
If it does then... Fingers crossed. | 0:38:38 | 0:38:40 | |
Hi, driver. You all right? | 0:38:44 | 0:38:46 | |
Oh, right, thank you, cheers. | 0:38:47 | 0:38:49 | |
The driver has got a dragging brake in coach G. | 0:38:51 | 0:38:55 | |
So that might mean I have to do rotation tests | 0:38:55 | 0:38:58 | |
which means going on to the track. | 0:38:58 | 0:39:00 | |
This is Matt, your train manager speaking. | 0:39:00 | 0:39:02 | |
I've just spoken to the driver of the train. | 0:39:02 | 0:39:04 | |
He's currently investigating a possible technical problem with the train at the moment. | 0:39:04 | 0:39:08 | |
We'd like to apologise for the delay that's incurred today | 0:39:08 | 0:39:12 | |
and any inconvenience this may cause. | 0:39:12 | 0:39:14 | |
Please await further announcements. Thank you. | 0:39:14 | 0:39:16 | |
-INTERVIEWER: -How's that going to go down? | 0:39:19 | 0:39:21 | |
Er, we're only on minute two so fine now. | 0:39:22 | 0:39:25 | |
And then it just goes like... It's like a boiling kettle. | 0:39:25 | 0:39:29 | |
Can you imagine I've just turned the kettle on. | 0:39:29 | 0:39:31 | |
It's just fizzing. | 0:39:31 | 0:39:33 | |
As it goes towards the end of the cycle, big bubbles! | 0:39:33 | 0:39:37 | |
I'll just pop this on anyway. Or I'll take it with me. | 0:39:40 | 0:39:43 | |
And then hang around the driver | 0:39:43 | 0:39:46 | |
should he require me to do some exciting trackside challenge! | 0:39:46 | 0:39:51 | |
Hello! | 0:39:53 | 0:39:54 | |
OK, on my way. Thanks. | 0:39:55 | 0:39:57 | |
Driver requires my assistance. | 0:39:59 | 0:40:01 | |
And I'm thinking it's not to make him a brew. | 0:40:03 | 0:40:07 | |
Obviously I feel sorry for people that are being delayed | 0:40:09 | 0:40:12 | |
but I do like a bit of drama sometimes. | 0:40:12 | 0:40:15 | |
Is that bad? | 0:40:15 | 0:40:16 | |
Thank you. | 0:40:18 | 0:40:19 | |
I've got to do this rotational test. | 0:40:20 | 0:40:22 | |
I'll watch you out, I'll shut my door. | 0:40:22 | 0:40:24 | |
I'll look out the window here. | 0:40:24 | 0:40:26 | |
You've got to mark the wheel, make sure they're turning. | 0:40:26 | 0:40:28 | |
Both wheels if you can. | 0:40:28 | 0:40:30 | |
And once we've done that I'll put my head back out. | 0:40:30 | 0:40:32 | |
I'll move about ten yards. | 0:40:32 | 0:40:34 | |
It's the first ever, first ever. | 0:40:34 | 0:40:35 | |
-With a running line. Well, not a running line. -It's mine as well! | 0:40:35 | 0:40:40 | |
Mind the step there, OK? | 0:40:40 | 0:40:43 | |
Do you want me to come with you? | 0:40:43 | 0:40:44 | |
Which wheels? Yeah, please, yeah. | 0:40:44 | 0:40:48 | |
From trackside Matt can check whether the brakes are working. | 0:40:50 | 0:40:53 | |
Why would someone move the train about 20 inches? | 0:40:59 | 0:41:03 | |
We're going from Coventry to the capital city, yeah? | 0:41:03 | 0:41:07 | |
And it ain't working, is it? | 0:41:07 | 0:41:10 | |
Hi there, it's Matt the train manager on 1-Bravo-4-6. | 0:41:10 | 0:41:13 | |
I know! I'm enjoying it, though, it's dead exciting! | 0:41:13 | 0:41:16 | |
-TANNOY: -Once again apologies to customers travelling on the Virgin services today. | 0:41:20 | 0:41:25 | |
150 miles away at Euston, | 0:41:26 | 0:41:28 | |
Matt's broken down train is already causing chaos. | 0:41:28 | 0:41:31 | |
With trains scheduled so tightly together, | 0:41:33 | 0:41:35 | |
a massive traffic jam quickly builds. | 0:41:35 | 0:41:38 | |
And this afternoon, Matt's train isn't the only problem on the West Coast Main Line. | 0:41:39 | 0:41:44 | |
There's a track circuit failure outside the station. | 0:41:44 | 0:41:46 | |
There's two failed trains further up the line and a points failure. | 0:41:46 | 0:41:49 | |
-Oh good (!) -How long do you reckon it's going to be? | 0:41:49 | 0:41:52 | |
-So far it's been 15 minutes to an hour. -An hour?! | 0:41:52 | 0:41:55 | |
33 is cancelled. | 0:41:55 | 0:41:57 | |
Euston. | 0:42:00 | 0:42:01 | |
Absolutely mental today. | 0:42:01 | 0:42:03 | |
I came in, it was all simmering nicely, it was calm. Suddenly, bang. | 0:42:03 | 0:42:07 | |
You just announced that the 14 minutes past was going to all the stations as the 54 one. | 0:42:07 | 0:42:14 | |
On the screens it's not saying that so I don't want to get on it. | 0:42:14 | 0:42:17 | |
Bravo 2 to all Virgin platform staff. | 0:42:19 | 0:42:21 | |
Please advise all departing drivers | 0:42:21 | 0:42:23 | |
not to go above notch 3 between Euston and... | 0:42:23 | 0:42:25 | |
Ring back in ten minutes, we might have something for you. | 0:42:25 | 0:42:28 | |
Just got a message to run like a maniac to platform 16 for the Hemel Hempstead train. | 0:42:29 | 0:42:33 | |
Loads of us run down there to see the guard letting a half-empty train go. | 0:42:33 | 0:42:39 | |
We said, "What are you doing?" He said, "It's running late." | 0:42:39 | 0:42:41 | |
It's a farce! | 0:42:41 | 0:42:43 | |
Very busy. Disruptions always cause busy-ness. | 0:42:46 | 0:42:49 | |
It's been challenging to say the least. | 0:42:49 | 0:42:51 | |
Platforms are occupied so everything's getting re-platformed. | 0:42:53 | 0:42:56 | |
So everyone's trying to juggle it all at once. | 0:42:56 | 0:42:58 | |
Then you've got staff not knowing where they're supposed to go. | 0:42:58 | 0:43:01 | |
Where the drivers and TMs should be. | 0:43:01 | 0:43:04 | |
You've got to get them in the right place so it's a pain in the... | 0:43:04 | 0:43:08 | |
What we looking for? | 0:43:08 | 0:43:09 | |
I need to get to Shrewsbury. Is there no way? | 0:43:09 | 0:43:12 | |
It is a relatively awful service, isn't it? I do feel sorry for you. | 0:43:12 | 0:43:17 | |
They're probably not paying you enough anyway. | 0:43:17 | 0:43:19 | |
On Matt's train, the driver has confirmed the brakes are fine | 0:43:22 | 0:43:25 | |
and it was just a computer glitch. | 0:43:25 | 0:43:28 | |
And they're finally on their way. | 0:43:28 | 0:43:29 | |
I have got a bit of an adrenalin buzz over that, I really have! | 0:43:29 | 0:43:32 | |
But passengers are now over an hour late getting to London. | 0:43:34 | 0:43:38 | |
-We're going to the palace. -To the tea party. -The tea party. | 0:43:38 | 0:43:43 | |
-You can't be late for the queen, can you? -Goodness me, no! | 0:43:43 | 0:43:47 | |
She won't start without us, she's very good. | 0:43:48 | 0:43:50 | |
Ladies and gentlemen, you won't believe this but this service is now arriving into London Euston. | 0:43:52 | 0:43:56 | |
I do apologise for the severe delay to your journey. | 0:43:56 | 0:43:59 | |
Thanks for travelling with us, hopefully in better circumstances next time. | 0:43:59 | 0:44:03 | |
The train's arrived but the knock-on delays will continue for the rest of the evening. | 0:44:05 | 0:44:09 | |
Hold ups in one part of the country | 0:44:18 | 0:44:20 | |
cause ripple effects that can be felt hundreds of miles away. | 0:44:20 | 0:44:23 | |
Birmingham New Street is Britain's busiest interchange station. | 0:44:25 | 0:44:29 | |
Today, passengers are waiting for late-running trains. | 0:44:29 | 0:44:33 | |
And staff in the signal box | 0:44:33 | 0:44:35 | |
think an incident over 100 miles away is to blame. | 0:44:35 | 0:44:38 | |
1-0-4-7. | 0:44:42 | 0:44:43 | |
Due to a fatality somewhere down Exeter. | 0:44:44 | 0:44:47 | |
A fatality. | 0:44:47 | 0:44:49 | |
Exeter. OK. | 0:44:49 | 0:44:51 | |
That's affected all the trains in Exeter and the trains that are now affecting us. | 0:44:51 | 0:44:56 | |
But Exeter, what are you looking at? 150 miles away? | 0:44:56 | 0:44:58 | |
So an incident that's happened in Exeter | 0:44:58 | 0:45:01 | |
is now affecting us in the Birmingham area at 12 o'clock already. | 0:45:01 | 0:45:05 | |
It's Satnam's job to find out the reason behind every single delay. | 0:45:06 | 0:45:10 | |
Not just to keep the passengers informed | 0:45:10 | 0:45:13 | |
but because for every minute a train is delayed, | 0:45:13 | 0:45:15 | |
there's a fine of up to £200. | 0:45:15 | 0:45:18 | |
And there are complex rules about whether the train company | 0:45:18 | 0:45:22 | |
or Network Rail, in charge of track and signalling, foots the bill. | 0:45:22 | 0:45:26 | |
It's all in monetary terms because the train operating company, | 0:45:26 | 0:45:30 | |
if it's their fault, they have to pay. | 0:45:30 | 0:45:32 | |
If it's Network Rail's fault, i.e. infrastructure problems, | 0:45:32 | 0:45:35 | |
then we have to pay. | 0:45:35 | 0:45:36 | |
So the end cause is to try to save money. | 0:45:36 | 0:45:40 | |
-INTERVIEWER: -So who's the fatality down to? | 0:45:40 | 0:45:43 | |
At the moment, a fatality, that's going to be down to Network Rail. | 0:45:43 | 0:45:46 | |
So Network Rail will take the cost. | 0:45:46 | 0:45:49 | |
This is the bible and this tells you all the reasons that the trains are late. | 0:45:50 | 0:45:54 | |
The easiest one, signal failure. | 0:45:55 | 0:45:57 | |
Which is IA. And I think everybody knows that one. | 0:45:57 | 0:46:01 | |
Trespass, young children, in holiday times. | 0:46:01 | 0:46:05 | |
Network Rail get the costs for that. | 0:46:05 | 0:46:07 | |
Animal incursion, animals on the line, | 0:46:07 | 0:46:10 | |
lightning strikes, you can have lightning strikes. | 0:46:10 | 0:46:12 | |
Bird strikes. It all depends on the size of the bird. | 0:46:12 | 0:46:16 | |
If a bird is bigger than a pheasant, obviously, | 0:46:16 | 0:46:19 | |
then Network Rail will pay for costs | 0:46:19 | 0:46:21 | |
and if it's smaller than a pheasant they'll hit the train operating companies | 0:46:21 | 0:46:24 | |
because Network Rail can't be accountable for flying birds. | 0:46:24 | 0:46:28 | |
The pheasant is the benchmark. | 0:46:28 | 0:46:30 | |
Anything that's bigger than a pheasant, we'll take the hit. | 0:46:30 | 0:46:35 | |
-INTERVIEWER: -Literally! -Yes! | 0:46:35 | 0:46:38 | |
So you've got 12 pages. | 0:46:38 | 0:46:40 | |
That is... It's been nicknamed... There's two names on it. | 0:46:45 | 0:46:48 | |
It's a Dennis and Beech beating stick. | 0:46:48 | 0:46:51 | |
So if they make mistakes, the signal men, I've got the use of this, | 0:46:51 | 0:46:56 | |
to make sure that they do correctly. | 0:46:56 | 0:46:58 | |
Dennis is on the middle screen but he's done pretty good today. | 0:46:58 | 0:47:00 | |
I haven't had to beat him today so he's been working well today. | 0:47:00 | 0:47:04 | |
HE LAUGHS | 0:47:04 | 0:47:06 | |
BELL | 0:47:08 | 0:47:11 | |
Some people would say it's a culture of blame, | 0:47:13 | 0:47:15 | |
some would say a culture of accountability, | 0:47:15 | 0:47:17 | |
depending what they're getting out of it or what they stand to lose. | 0:47:17 | 0:47:20 | |
You've got a table of people all trying to apportion blame to each other. | 0:47:21 | 0:47:26 | |
And then the bottom man, me, or the driver, | 0:47:26 | 0:47:28 | |
or the guard or some other signal man, | 0:47:28 | 0:47:31 | |
he gets his bum kicked. | 0:47:31 | 0:47:34 | |
We're just easy people to blame when something goes wrong. | 0:47:36 | 0:47:39 | |
We're all aware of that and all watching our backs now | 0:47:39 | 0:47:42 | |
in a way that we never used to have to. | 0:47:42 | 0:47:44 | |
It can be more than stress sometimes, it can be serious anxiety. | 0:47:46 | 0:47:49 | |
I've lost a lot of sleep over it. | 0:47:49 | 0:47:52 | |
BELL | 0:47:54 | 0:47:55 | |
Delayed minutes aren't the only change Martin's noticed | 0:47:57 | 0:48:00 | |
during his nearly 30 years on the railway. | 0:48:00 | 0:48:02 | |
In the house as a kid, we never wore shoes and socks. | 0:48:04 | 0:48:07 | |
But my boss now, Dave, he had a long-winded campaign against me | 0:48:07 | 0:48:11 | |
not wearing shoes and socks for health and safety issue. | 0:48:11 | 0:48:15 | |
He started sending spies up to check up on me. | 0:48:15 | 0:48:18 | |
So eventually I had to bite the bullet and wear shoes and socks. | 0:48:18 | 0:48:23 | |
As you can see, I always wear shoes and socks in the signal box. | 0:48:23 | 0:48:27 | |
It's May Bank Holiday and the West Coast main line is closed. | 0:48:38 | 0:48:42 | |
There was a train running across that a few hours ago. | 0:48:42 | 0:48:44 | |
HORN | 0:48:44 | 0:48:47 | |
Sounds like Thomas the Tank. Beep beep! | 0:48:47 | 0:48:49 | |
Sounds like Gordon shunting in the yard. | 0:48:50 | 0:48:51 | |
Major planned engineering works here at Hertford junction | 0:48:51 | 0:48:55 | |
mean no trains will run south from Manchester or Liverpool | 0:48:55 | 0:48:58 | |
for the next two days. | 0:48:58 | 0:49:00 | |
-Can we drop any machines in yet? -I'll ask them how long. | 0:49:00 | 0:49:03 | |
-We can start dropping in, though, can't we? -As soon as it goes past. | 0:49:03 | 0:49:06 | |
This fucking... That rail's in the way. | 0:49:06 | 0:49:09 | |
-That's in the fucking way. -The ladders? -Yeah. | 0:49:09 | 0:49:11 | |
Working around the clock, Andy and the team have just 56 hours | 0:49:12 | 0:49:16 | |
to overhaul the layout of this complex junction. | 0:49:16 | 0:49:19 | |
Lads! Lads! Right! | 0:49:19 | 0:49:22 | |
Once finished, trains will run faster over the points. | 0:49:24 | 0:49:27 | |
Andy, how far we got to go, mate? | 0:49:27 | 0:49:30 | |
Squeezing a few extra minutes from the schedule. | 0:49:30 | 0:49:32 | |
Just move them whackers over a bit, please. | 0:49:32 | 0:49:35 | |
Just jump on this, quick. Will you jump on that for us quick? | 0:49:35 | 0:49:38 | |
That'll do. Drop them there, son. Cheers, Keith, ta. | 0:49:40 | 0:49:43 | |
Network Rail has spent months planning and giving advance warning there'd be no trains. | 0:49:43 | 0:49:48 | |
Keep it coming, nice and slow. | 0:49:48 | 0:49:50 | |
Might have to lift it a bit more there, mate. | 0:49:52 | 0:49:54 | |
To get over them whackers. | 0:49:54 | 0:49:56 | |
But despite the closures, the FA chose this weekend for the cup final at Wembley | 0:49:56 | 0:50:00 | |
between Liverpool and Chelsea. | 0:50:00 | 0:50:03 | |
Much to the dismay of the Liverpudlians. | 0:50:03 | 0:50:05 | |
I don't want to talk about it. | 0:50:05 | 0:50:07 | |
Couldn't get leave and all the other lads got leave. | 0:50:07 | 0:50:10 | |
Couple have gone. I just spoke to my mate then, gone to Wembley. | 0:50:10 | 0:50:13 | |
So I'm here. | 0:50:13 | 0:50:15 | |
I've got two phones. One of my mates is going to ring me, | 0:50:15 | 0:50:17 | |
and tell me how it's getting on. | 0:50:17 | 0:50:19 | |
Come on, Liverpool's biggest fan. | 0:50:21 | 0:50:23 | |
-Here when his side's in the cup final. -Fuck off, knobhead. | 0:50:24 | 0:50:27 | |
At Euston, it's an unusually quiet Saturday night. | 0:50:31 | 0:50:36 | |
Not everyone has heard the West Coast Main Line is closed. | 0:50:36 | 0:50:39 | |
-I don't think there's any trains for tomorrow to Manchester. -What? | 0:50:40 | 0:50:43 | |
-There's no trains to Manchester tonight. -Not tonight. | 0:50:44 | 0:50:47 | |
Liverpool fans arrive after the match expecting to catch a train home. | 0:50:48 | 0:50:53 | |
Their team's just lost the FA Cup. And now they're stranded. | 0:50:53 | 0:50:58 | |
-No trains tonight, sir. -Are you serious? | 0:50:58 | 0:51:00 | |
Yes, sir. | 0:51:00 | 0:51:02 | |
-You are serious, aren't you? -No more trains. | 0:51:03 | 0:51:05 | |
Now I'm fucked! | 0:51:05 | 0:51:07 | |
There's no trains. It's been advertised for ages. | 0:51:07 | 0:51:09 | |
We can't get home. | 0:51:11 | 0:51:13 | |
So now we've got to pay mega millions of pounds to stay in London. | 0:51:13 | 0:51:17 | |
And we've just had a lousy Chinese. | 0:51:17 | 0:51:19 | |
LAUGHTER | 0:51:19 | 0:51:21 | |
It gets worse as the night goes on! | 0:51:21 | 0:51:23 | |
That's all we've got to show for today. | 0:51:23 | 0:51:25 | |
They don't care about Scousers. | 0:51:27 | 0:51:29 | |
They just go, you get on with it. | 0:51:29 | 0:51:32 | |
Got no more money left, nowhere to stay. | 0:51:33 | 0:51:35 | |
So it looks like I'm going to have to stay at yours. | 0:51:35 | 0:51:39 | |
You'll have to put us up. | 0:51:39 | 0:51:41 | |
It's Sunday morning. | 0:51:51 | 0:51:53 | |
All clear at the back. All clear at the back. | 0:51:53 | 0:51:55 | |
The team are halfway through the engineering work. | 0:51:55 | 0:51:59 | |
All clear at the back. All clear at the back. | 0:51:59 | 0:52:02 | |
At Euston, passengers still arrive oblivious to the limited train schedule. | 0:52:06 | 0:52:10 | |
Going to Warrington Bank Quay. | 0:52:11 | 0:52:13 | |
-You've got a journey and a half. -Oh no. | 0:52:15 | 0:52:17 | |
Can you tell me what the first train out to Hemel Hempstead is today? | 0:52:17 | 0:52:20 | |
Your next train to Hemel won't be until after two o'clock. | 0:52:20 | 0:52:25 | |
Why could I buy tickets for £121? And then not get on a train. | 0:52:25 | 0:52:30 | |
I would have flown otherwise. | 0:52:31 | 0:52:32 | |
Bank Holiday engineering work is never popular. | 0:52:34 | 0:52:37 | |
But packed train schedules during working days mean there's no other option. | 0:52:37 | 0:52:42 | |
Bravo 2 receiving. | 0:52:43 | 0:52:46 | |
In theory, fewer people travel. | 0:52:46 | 0:52:48 | |
And yes, it's a massive inconvenience | 0:52:48 | 0:52:50 | |
for customers who want to travel. | 0:52:50 | 0:52:52 | |
It's one of those things. It has to be done. | 0:52:52 | 0:52:54 | |
And it's very hard trying to get it done without inconveniencing somebody, | 0:52:54 | 0:52:59 | |
and it's trying to do it at the best possible time. | 0:52:59 | 0:53:01 | |
There's no easy way without inconveniencing somebody. | 0:53:01 | 0:53:05 | |
Hello! You look really distressed. | 0:53:05 | 0:53:08 | |
I'm massively distressed. What's the deal with the Manchester trains? | 0:53:08 | 0:53:11 | |
Manchester, you have to change at Nuneaton. | 0:53:11 | 0:53:13 | |
You'll get there by ten to four. | 0:53:13 | 0:53:15 | |
Going via Nuneaton. That's a four-hour journey. | 0:53:15 | 0:53:18 | |
Fuck off! | 0:53:18 | 0:53:20 | |
We can't go. They cancelled all the trains. | 0:53:22 | 0:53:25 | |
OK. | 0:53:25 | 0:53:27 | |
I blame the unions. How about working at night, lazy fucks! | 0:53:27 | 0:53:31 | |
People think we're lazy. | 0:53:38 | 0:53:39 | |
We have a job to do, we do it to the best of our ability, I'm afraid. | 0:53:39 | 0:53:43 | |
Sometimes that means holding the public up but... | 0:53:43 | 0:53:46 | |
What would you rather have, a train that runs properly or... | 0:53:46 | 0:53:50 | |
one over in that field? | 0:53:50 | 0:53:52 | |
At Hertford junction, work is running two hours behind schedule. | 0:53:52 | 0:53:56 | |
The team know that if they don't reopen the line on time, | 0:53:56 | 0:53:59 | |
the delays could be so big they'll become headline news. | 0:53:59 | 0:54:02 | |
Are you ready to start tamping now? | 0:54:02 | 0:54:04 | |
-As soon as it's profiled, yeah. -Backs against the wall! | 0:54:04 | 0:54:08 | |
A lot of these guys will understand about delay and what it causes. | 0:54:10 | 0:54:13 | |
You know, they all feel the pressure at some point. | 0:54:13 | 0:54:16 | |
Start tamping it to lift them off the fucking clips! | 0:54:17 | 0:54:20 | |
The clips will be fucking shown! | 0:54:20 | 0:54:22 | |
Watch yourselves here, lads! | 0:54:25 | 0:54:26 | |
There's only another eight hours to go tonight. Plenty of time. | 0:54:26 | 0:54:30 | |
In just a few hours, | 0:54:30 | 0:54:33 | |
the 5.58 from Glasgow will be speeding through here | 0:54:33 | 0:54:36 | |
on its way to London. | 0:54:36 | 0:54:37 | |
Tonight, the fairies will be in. | 0:54:38 | 0:54:40 | |
Doing everything with a sprinkling of fairy dust. | 0:54:40 | 0:54:43 | |
Hopefully be back running at half past nine in the morning. | 0:54:44 | 0:54:47 | |
Hopefully. | 0:54:48 | 0:54:49 | |
HE LAUGHS | 0:54:50 | 0:54:51 | |
Up at Blea Moor, Simon knows it's only a matter of time | 0:55:02 | 0:55:05 | |
before his box is also modernised | 0:55:05 | 0:55:08 | |
and moved to a hi-tech signalling centre in the city. | 0:55:08 | 0:55:11 | |
I can't see me having to relocate to somewhere like that. | 0:55:13 | 0:55:16 | |
Looking at panels and stuff. | 0:55:16 | 0:55:19 | |
It's not for me, that, I don't think. | 0:55:20 | 0:55:22 | |
There's no one about, it's great. | 0:55:23 | 0:55:25 | |
You can go where you want without blooming people annoying you. | 0:55:25 | 0:55:28 | |
You're in your own little world. | 0:55:34 | 0:55:36 | |
You can't be more in your own little world than all these idiots with mobile phones | 0:55:36 | 0:55:39 | |
with these things in their ears talking all the time. | 0:55:39 | 0:55:42 | |
They're in a different planet. You can't any conversation out of anyone. | 0:55:42 | 0:55:46 | |
So to me it's a different version of that. | 0:55:46 | 0:55:49 | |
You're in your own little world. You don't want disturbing. | 0:55:49 | 0:55:52 | |
That's how I look at it. | 0:55:52 | 0:55:54 | |
I wish it were a mile or so further to really put people off! | 0:55:56 | 0:55:59 | |
Bit further. Totally inaccessible would be even better, like. | 0:55:59 | 0:56:02 | |
It suits someone just like me. | 0:56:04 | 0:56:06 | |
It's the end of the summer and at Euston there've been big changes for Jeannie. | 0:56:24 | 0:56:29 | |
WHISTLE | 0:56:29 | 0:56:30 | |
She's no longer checking tickets and is now working on the platforms despatching trains. | 0:56:30 | 0:56:35 | |
It's been a massive change. But it's been a good change. | 0:56:37 | 0:56:42 | |
Making sure that bad boy gets out on time. | 0:56:43 | 0:56:45 | |
If a train goes out late, we will have people knocking on our door | 0:56:45 | 0:56:48 | |
saying, "Why did that go out late?" | 0:56:48 | 0:56:50 | |
Cos every minute counts. | 0:56:50 | 0:56:52 | |
So it's a different type of stress. | 0:56:52 | 0:56:55 | |
I would see it as promotion. I like to think of it as a promotion! | 0:56:58 | 0:57:02 | |
But Jeannie's promotion hasn't brought as much security as she'd hoped. | 0:57:05 | 0:57:09 | |
Virgin's franchise to run the long-distance trains has expired | 0:57:09 | 0:57:13 | |
and no one knows who'll run it next. | 0:57:13 | 0:57:15 | |
Least of all the staff on the front line. | 0:57:15 | 0:57:18 | |
It's just the unknown. | 0:57:19 | 0:57:21 | |
So I suppose it's a case of feeling a bit numb at the moment | 0:57:21 | 0:57:24 | |
because you're not sure what's happening | 0:57:24 | 0:57:27 | |
and whether to feel ecstatic or upset or whatever. | 0:57:27 | 0:57:31 | |
It's a really strange mixed bag of emotion. | 0:57:31 | 0:57:34 | |
The only certainty is they'll be handling more passengers wanting more trains | 0:57:34 | 0:57:38 | |
on the West Coast Main Line. | 0:57:38 | 0:57:40 | |
Whoever gets it, they're going to want us driving a lot. | 0:57:40 | 0:57:46 | |
They're going to want a pound of flesh out of us. | 0:57:46 | 0:57:48 | |
The trains are already faster. | 0:57:50 | 0:57:52 | |
Bigger. They just want more. | 0:57:52 | 0:57:54 | |
WHISTLE | 0:57:55 | 0:57:57 | |
Change is scary. We don't know which way it'll go. | 0:57:57 | 0:58:01 | |
So because of that I think there's some very nervous energy around the station right now. | 0:58:01 | 0:58:06 | |
WHISTLE | 0:58:06 | 0:58:07 | |
Time's kind of ticking away slowly. | 0:58:07 | 0:58:10 | |
And normally on the railway it ticks by pretty fast. | 0:58:10 | 0:58:13 | |
We always hope that the best man wins, don't we? So we'll see. | 0:58:15 | 0:58:19 | |
Subtitles by Red Bee Media Ltd | 0:58:30 | 0:58:32 |