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Britain's railway... | 0:00:03 | 0:00:05 | |
OVER TANNOY: 'We are sorry to announce that the 18...' | 0:00:05 | 0:00:07 | |
..the oldest and one of the busiest in the world. | 0:00:07 | 0:00:09 | |
-Thank you. Thank you. -Just slow down! Slow down! | 0:00:09 | 0:00:12 | |
Surely this is illegal, to be packed in like this! | 0:00:12 | 0:00:15 | |
A huge network under constant pressure. | 0:00:16 | 0:00:20 | |
Absolutely mental today. | 0:00:21 | 0:00:23 | |
-No driver. -No driver? | 0:00:23 | 0:00:24 | |
Come on, guys! Look for the driver and guard! | 0:00:24 | 0:00:27 | |
Where anything and everything... | 0:00:27 | 0:00:30 | |
SHOUTS ORDER | 0:00:30 | 0:00:31 | |
..can mean delay and chaos for thousands. | 0:00:31 | 0:00:34 | |
Backs against the wall. | 0:00:34 | 0:00:35 | |
He's got a suicidal female on board. | 0:00:35 | 0:00:38 | |
Train now 90 late, owing to hitting a pheasant. | 0:00:38 | 0:00:41 | |
I've heard everything now. | 0:00:41 | 0:00:43 | |
Filmed over a year across the nation... | 0:00:44 | 0:00:47 | |
-That one, fella? -That one. There's a seat next to t'banana. | 0:00:47 | 0:00:50 | |
..we go behind the scenes of an industry | 0:00:50 | 0:00:52 | |
we all love to complain about... | 0:00:52 | 0:00:54 | |
Do you want a hand? | 0:00:54 | 0:00:55 | |
So...oh, no. That's £323.50. | 0:00:55 | 0:00:57 | |
Oi! Right, right, right! | 0:00:59 | 0:01:02 | |
..with the railway people determined to keep Britain moving. | 0:01:02 | 0:01:05 | |
To infinity and beyond! | 0:01:05 | 0:01:08 | |
Into battle. | 0:01:08 | 0:01:10 | |
HORN BLARES | 0:01:11 | 0:01:13 | |
This programme contains strong language. | 0:01:16 | 0:01:20 | |
All the way down! Come on! | 0:01:21 | 0:01:23 | |
Every inch counts! | 0:01:23 | 0:01:26 | |
-And yous all look gorgeous! -Thank you. | 0:01:26 | 0:01:29 | |
They're phenomenal. I've seen some lovely Christian Louboutins today. | 0:01:29 | 0:01:33 | |
I've been a bit jealous of them, to be honest. | 0:01:33 | 0:01:35 | |
I love Christian Louboutins. | 0:01:35 | 0:01:39 | |
Ladies' Day at Aintree Racecourse... | 0:01:39 | 0:01:43 | |
Feel lucky today? | 0:01:43 | 0:01:44 | |
..and the railways of Merseyside are awash with colour. | 0:01:45 | 0:01:49 | |
I can't pronounce that top one. | 0:01:49 | 0:01:52 | |
"Absolutely Fantastic"? That'll do me. | 0:01:52 | 0:01:55 | |
Absolutely Fantastic. | 0:01:55 | 0:01:57 | |
For this one day every year, | 0:01:59 | 0:02:01 | |
Merseyrail's 59 electric trains take the strain of 50,000 race-goers. | 0:02:01 | 0:02:06 | |
-TANNOY: -Welcome to Aintree. Welcome to Aintree. | 0:02:06 | 0:02:08 | |
Please have your tickets ready for inspection in order to leave the station. | 0:02:08 | 0:02:12 | |
Have your tickets in your hand for a speedy exit. | 0:02:12 | 0:02:14 | |
Speedy exit from the station guaranteed | 0:02:14 | 0:02:16 | |
with your tickets in your hand. | 0:02:16 | 0:02:18 | |
All of them guarded smoothly through | 0:02:18 | 0:02:21 | |
by the voice of station announcer Chris Bowden-Smith. | 0:02:21 | 0:02:25 | |
They think it's a mirror, and we have a lot of fun | 0:02:25 | 0:02:28 | |
where they adjust their hair and adjust their lipstick | 0:02:28 | 0:02:30 | |
whilst looking into the window, because they think it's a mirror. | 0:02:30 | 0:02:33 | |
They are particularly nice. | 0:02:33 | 0:02:35 | |
But I'm afraid it's rather lost on me because I'm gay. | 0:02:35 | 0:02:38 | |
I'm looking at the men. | 0:02:38 | 0:02:40 | |
And if there's a problem with the trains, I can slip in a mad word, | 0:02:41 | 0:02:45 | |
like, "The trains are late due to choffspotification", | 0:02:45 | 0:02:49 | |
and nobody will have any idea what it means, but it sounds convincing. | 0:02:49 | 0:02:52 | |
I'm sorry. I'll have to take that from you. You can't drink. | 0:02:52 | 0:02:55 | |
-TANNOY: -We hope you have a great time today, but would like to remind you | 0:02:55 | 0:02:58 | |
that no alcohol can be consumed on the Merseyrail Network. | 0:02:58 | 0:03:01 | |
If we consider you to be unfit to travel later, | 0:03:01 | 0:03:04 | |
we may refuse you access to our network for a return journey. | 0:03:04 | 0:03:09 | |
Move all the way down, please! | 0:03:09 | 0:03:12 | |
Right to the end of the platform, please! | 0:03:12 | 0:03:14 | |
We don't allow drunks on the railway. It's a no-go situation. | 0:03:14 | 0:03:19 | |
Come on, all the way down. Squidge, squidge, squidge. | 0:03:19 | 0:03:21 | |
'A young girl died just a few months ago. | 0:03:21 | 0:03:24 | |
'She fell between the train and the platform,' | 0:03:24 | 0:03:26 | |
and that's not something we ever want to happen again to anybody. | 0:03:26 | 0:03:30 | |
All right, calm down! Don't push! You'll get on! | 0:03:30 | 0:03:35 | |
On days like this, you can feel the pressure. | 0:03:35 | 0:03:38 | |
You've got a lot of people's safety in your care. | 0:03:38 | 0:03:41 | |
They're your passengers. | 0:03:41 | 0:03:43 | |
You've got to look after them and look out for them. | 0:03:43 | 0:03:46 | |
-You're wonderful. -Thank you. | 0:03:46 | 0:03:48 | |
Guys, if you just speed it up a bit! Left or right for Liverpool! | 0:03:48 | 0:03:51 | |
Go either way, left or right! | 0:03:51 | 0:03:54 | |
Passengers must remain behind the yellow lines at all times | 0:03:54 | 0:03:57 | |
until the train has come to a complete stand. | 0:03:57 | 0:04:00 | |
'Please do not cross the yellow line until the train has stopped.' | 0:04:00 | 0:04:04 | |
I end up, after all this time, feeling a little bit like a robot. | 0:04:04 | 0:04:07 | |
As long as it sounds convincing, that's the important part. | 0:04:07 | 0:04:11 | |
It's got to get across as sincere. | 0:04:11 | 0:04:13 | |
I wouldn't want it to sound like I was being completely false. | 0:04:13 | 0:04:17 | |
So, if you can fake sincerity, you've got it made. | 0:04:17 | 0:04:21 | |
150 miles away in south Wales, | 0:04:31 | 0:04:34 | |
Mobile Operations Manager Joel Morris is trackside near Bargoed. | 0:04:34 | 0:04:39 | |
Seem to have made a mess in here, don't they? | 0:04:46 | 0:04:49 | |
They've broken in and cut every bit of cable that's in here. | 0:04:49 | 0:04:52 | |
Quite a lot of damage, as you can see. | 0:04:52 | 0:04:54 | |
Joel's part of Network Rail's Incident Response Team | 0:04:54 | 0:04:57 | |
in the Welsh Valleys. He's checking out damage by vandals | 0:04:57 | 0:05:01 | |
to this newly installed telecommunications box. | 0:05:01 | 0:05:04 | |
They must have forced their way in through the door first, | 0:05:04 | 0:05:07 | |
and just ripped out everything that was of value. | 0:05:07 | 0:05:10 | |
Copper is nearly £3,000 a ton. | 0:05:10 | 0:05:13 | |
I should imagine that's the incentive. | 0:05:13 | 0:05:15 | |
Even though there's lots of power going through these cables, | 0:05:15 | 0:05:19 | |
they'll risk it for the outcome, for the money. | 0:05:19 | 0:05:21 | |
The air-conditioning unit has been taken as well. | 0:05:23 | 0:05:26 | |
Everything of value. | 0:05:26 | 0:05:27 | |
It's 70, 80, £100,000, I should imagine, | 0:05:27 | 0:05:30 | |
to redo this all out again. | 0:05:30 | 0:05:32 | |
Decades of industrial decline | 0:05:37 | 0:05:39 | |
have led to high levels of deprivation | 0:05:39 | 0:05:41 | |
and crime in the Valleys, | 0:05:41 | 0:05:43 | |
and with more than a million pounds lost | 0:05:43 | 0:05:45 | |
to opportunist thieves and criminal gangs every year, | 0:05:45 | 0:05:48 | |
the railway is one of the biggest victims. | 0:05:48 | 0:05:51 | |
But trains are crucial to the region's revival. | 0:05:55 | 0:05:58 | |
Does anybody want to mention the mighty Manchester United? | 0:05:58 | 0:06:01 | |
No, no? You don't want to mention...? | 0:06:01 | 0:06:02 | |
Do you want to mention the mighty Manchester? | 0:06:02 | 0:06:05 | |
Yeah. | 0:06:05 | 0:06:07 | |
Roll in again. Number 20 coming up. | 0:06:07 | 0:06:10 | |
THEY SPEAK WELSH | 0:06:10 | 0:06:12 | |
Five years ago, the Ebbw Valley didn't even have a railway. | 0:06:12 | 0:06:17 | |
The line was cut in the 1960s. | 0:06:17 | 0:06:20 | |
We're late. A minute late. Not good. | 0:06:21 | 0:06:24 | |
But now the area has been thrown a lifeline - | 0:06:24 | 0:06:28 | |
an hourly service that connects passengers | 0:06:28 | 0:06:31 | |
from more than ten communities to jobs in Cardiff. | 0:06:31 | 0:06:35 | |
-Return, yeah? -Yeah. | 0:06:35 | 0:06:37 | |
When we first came up here on the route, and were going through the stations, | 0:06:37 | 0:06:41 | |
and they're like watching you, | 0:06:41 | 0:06:43 | |
and they can't believe they've seen a train, | 0:06:43 | 0:06:45 | |
cos it's been 40-odd years since they've had a train, you know? | 0:06:45 | 0:06:49 | |
Lovely. Thanks very much. | 0:06:49 | 0:06:50 | |
Train conductor David Williams has worked the line since it reopened. | 0:06:50 | 0:06:54 | |
-Morning, fellas. -Morning. All right? Aye. | 0:06:54 | 0:06:57 | |
'A lot of these people know me on here.' | 0:06:57 | 0:06:58 | |
-Lovely. Thank you both. Good morning! -Morning. | 0:06:58 | 0:07:02 | |
You could walk through that door and make or break someone's day. | 0:07:02 | 0:07:04 | |
You can go through there with a foul mood, | 0:07:04 | 0:07:06 | |
and they're in a bad mood then. | 0:07:06 | 0:07:08 | |
-All right, lovely. Thanks a lot. Hello! -Hello there. | 0:07:08 | 0:07:11 | |
-All right, buddy? -That was down the seats. | 0:07:11 | 0:07:14 | |
Whereabouts was it? | 0:07:14 | 0:07:15 | |
On the floor, in the seat quite close to the second door, yeah. | 0:07:15 | 0:07:18 | |
Right. Better hand that in at Cardiff. | 0:07:18 | 0:07:21 | |
Valley life, you see it all. | 0:07:21 | 0:07:24 | |
There was a lovely lady down Romsey, | 0:07:24 | 0:07:26 | |
who used to sunbathe topless out the back. | 0:07:26 | 0:07:28 | |
That was very nice. | 0:07:28 | 0:07:29 | |
But again, you only get a passing glimpse. You're not there forever. | 0:07:29 | 0:07:32 | |
You can't put the emergency brake in and just stop the train. | 0:07:32 | 0:07:35 | |
See the state on certain people's back gardens. | 0:07:37 | 0:07:39 | |
I'm not kidding you, honestly. | 0:07:39 | 0:07:41 | |
I thought my back garden was bad, | 0:07:41 | 0:07:43 | |
but I've seen the state on some of them. | 0:07:43 | 0:07:45 | |
The return of the railway has had a huge impact on the local economy. | 0:07:48 | 0:07:51 | |
In Ebbw Vale, new hospitals and schools have been built | 0:07:51 | 0:07:55 | |
and the hourly trains now carry 55,000 passengers a month, | 0:07:55 | 0:08:00 | |
more than double expectations. | 0:08:00 | 0:08:03 | |
When I was working in Cardiff, | 0:08:04 | 0:08:06 | |
driving back and forwards cost £200 a month. | 0:08:06 | 0:08:08 | |
So, from that aspect, it's a lot cheaper than what that is. | 0:08:08 | 0:08:10 | |
To be fair, it's a lot less stressful, | 0:08:10 | 0:08:12 | |
than driving to Cardiff. Yeah. | 0:08:12 | 0:08:15 | |
There we go. | 0:08:15 | 0:08:16 | |
We need a trolley dolly, someone serving food. | 0:08:16 | 0:08:18 | |
THEY LAUGH | 0:08:18 | 0:08:20 | |
They're just lovely, lovely, down-to-earth people | 0:08:20 | 0:08:23 | |
and no problems when it comes to paying. | 0:08:23 | 0:08:26 | |
They're just really nice, good, solid people. | 0:08:26 | 0:08:29 | |
Ladies and gentlemen, good morning. | 0:08:30 | 0:08:32 | |
'Your next station stop will be Cardiff Central, | 0:08:32 | 0:08:35 | |
'where this service will terminate.' | 0:08:35 | 0:08:36 | |
There we go. See a lot of smiling faces coming off now. | 0:08:36 | 0:08:40 | |
As well as taking care of 1.3 billion passengers every year, | 0:08:47 | 0:08:51 | |
the railway has a responsibility to five million people | 0:08:51 | 0:08:54 | |
who live next to its tracks. | 0:08:54 | 0:08:56 | |
In the Midlands, trains pass over and through city life, | 0:08:57 | 0:09:02 | |
across one of the biggest stretches of urban railway in the UK. | 0:09:02 | 0:09:06 | |
You put a call in recently regarding a wall | 0:09:07 | 0:09:10 | |
or an issue with loose unsafe bricks on a wall on the railway, | 0:09:10 | 0:09:13 | |
to Network Rail. | 0:09:13 | 0:09:15 | |
Maintenance manager Alan Edge has a tough job | 0:09:15 | 0:09:17 | |
keeping trackside neighbours happy. | 0:09:17 | 0:09:20 | |
-Mr Cozier. -Yeah, thank you. Bless you. -Mr Shepherd. | 0:09:20 | 0:09:23 | |
Thank you very much. | 0:09:23 | 0:09:24 | |
I deal with fencing, fly-tipping, | 0:09:24 | 0:09:27 | |
issues with trees overhanging people's gardens. | 0:09:27 | 0:09:29 | |
Vandalism. | 0:09:29 | 0:09:30 | |
I've had people ring up and they've wanted | 0:09:30 | 0:09:33 | |
to spread their relatives' ashes on the railway line. | 0:09:33 | 0:09:36 | |
You name it, we get them all. So it's never a dull day for me. | 0:09:36 | 0:09:40 | |
Have you got all the gloves, Ian, please? | 0:09:42 | 0:09:44 | |
Have you got all the gear? | 0:09:44 | 0:09:46 | |
Fly-tipping is a constant problem, | 0:09:46 | 0:09:49 | |
and today's task is to remove rubbish | 0:09:49 | 0:09:51 | |
from this railway bridge in Handsworth. | 0:09:51 | 0:09:53 | |
The people come from all over the place and dump their rubbish there. | 0:09:54 | 0:09:58 | |
-All over the city, I think. -Yeah. -Well, we'll do the best we can, yeah? | 0:09:58 | 0:10:02 | |
OK, then. | 0:10:02 | 0:10:03 | |
OK. As you can see on the side of the wall, | 0:10:03 | 0:10:07 | |
there's a lot of fly-tipping that's been chucked over the fence, | 0:10:07 | 0:10:10 | |
and our intention today is to remove that. | 0:10:10 | 0:10:12 | |
But the most important thing is we do it safely, OK? | 0:10:12 | 0:10:14 | |
So, if you see anything like a needle or anything like that, you stop the job immediately. | 0:10:14 | 0:10:19 | |
Say "needle", step away, OK? | 0:10:19 | 0:10:21 | |
Pull. | 0:10:21 | 0:10:22 | |
Yeah. | 0:10:22 | 0:10:23 | |
This is the line from Soho to Perry Barr. | 0:10:23 | 0:10:26 | |
It's quite a heavily used route. | 0:10:26 | 0:10:29 | |
I mean, if people can see that, | 0:10:29 | 0:10:30 | |
they'd have a pretty dim view of Network Rail. | 0:10:30 | 0:10:33 | |
What we've got to be mindful of in this area is, | 0:10:33 | 0:10:35 | |
it's a known drug-use area, so we do find a lot of sort of, | 0:10:35 | 0:10:38 | |
you know, drug paraphernalia, if you like. | 0:10:38 | 0:10:40 | |
That is a wretched stench. | 0:10:40 | 0:10:42 | |
Alan and his team are responsible | 0:10:45 | 0:10:47 | |
for 300 miles of land next to the track, | 0:10:47 | 0:10:50 | |
and the theft of vital signalling cables is a major headache. | 0:10:50 | 0:10:54 | |
They've stripped the wire out, and by taking the sheathing off | 0:10:54 | 0:10:57 | |
it increases the cost of the copper. | 0:10:57 | 0:10:59 | |
They rob it off the track, which is why we have track problems, | 0:10:59 | 0:11:02 | |
and they've just lobbed it over the fence. | 0:11:02 | 0:11:04 | |
Look at that needle in it and all. There we go. | 0:11:04 | 0:11:07 | |
That's the hazards that we face | 0:11:07 | 0:11:09 | |
when we're out doing this sort of stuff. | 0:11:09 | 0:11:11 | |
Network Rail spends two and a half million pounds every year | 0:11:11 | 0:11:15 | |
on clearing rubbish that's been dumped on the railways. | 0:11:15 | 0:11:19 | |
It's not just about the track, it's the whole railway. | 0:11:19 | 0:11:21 | |
We need to maintain all of that, and that's what we do. | 0:11:21 | 0:11:24 | |
But it's like painting the Forth Road Bridge. | 0:11:24 | 0:11:27 | |
"Test all tools are working prior to accessing the track." | 0:11:31 | 0:11:34 | |
Done. Ha-ha-ha! | 0:11:36 | 0:11:37 | |
The tracks near RAF Cosford | 0:11:40 | 0:11:42 | |
are another problem area for Alan and his colleague Daz. | 0:11:42 | 0:11:46 | |
-OK, look out! -Clear! -Thank you. | 0:11:47 | 0:11:50 | |
We've got a sports field here, and there's quite a lot of signage, | 0:11:50 | 0:11:53 | |
er...telling people to not let their dogs foul the area. | 0:11:53 | 0:11:57 | |
They are going to the trouble of bagging it all up. | 0:11:57 | 0:11:59 | |
Unfortunately, they're discarding it on the railway, | 0:11:59 | 0:12:02 | |
throwing it up the bank. Quite a good throwing arm. | 0:12:02 | 0:12:06 | |
Quite impressive, until you have to go and pick it up. | 0:12:06 | 0:12:09 | |
You've got to love this job, man. I love my job. | 0:12:11 | 0:12:14 | |
Ha-ha! What do you reckon, Daz? | 0:12:14 | 0:12:15 | |
Our guys have got to work on the track, | 0:12:15 | 0:12:18 | |
and they're going to be working in and around this sort of stuff. | 0:12:18 | 0:12:21 | |
That's not good. It's got to be sorted. | 0:12:21 | 0:12:24 | |
Of course, the annoying thing is | 0:12:24 | 0:12:25 | |
you'll never find out who's doing this. | 0:12:25 | 0:12:27 | |
And I wouldn't mind betting | 0:12:27 | 0:12:29 | |
that the dog walking community are a bit of a close-knit thing | 0:12:29 | 0:12:32 | |
and they'll defend themselves. | 0:12:32 | 0:12:33 | |
We'd rather be doing other things, keeping the trains moving. | 0:12:33 | 0:12:36 | |
That's our main job. | 0:12:36 | 0:12:38 | |
It's frustrating. It's a piddly job, isn't it? | 0:12:38 | 0:12:40 | |
That smells nice, Darrell. | 0:12:43 | 0:12:45 | |
Ugh. | 0:12:46 | 0:12:48 | |
Have your tickets and passes, please. Thank you very much. | 0:12:55 | 0:13:00 | |
-Did you bring mine? -Er... | 0:13:00 | 0:13:03 | |
You've got to purchase your ticket before you get on the train, OK? | 0:13:03 | 0:13:06 | |
You can't get on our network... you can't just jump on a train | 0:13:06 | 0:13:09 | |
and purchase your ticket on the train, right? | 0:13:09 | 0:13:11 | |
There's posters all on every station. | 0:13:11 | 0:13:13 | |
As well as restricting alcohol on the network, | 0:13:13 | 0:13:16 | |
Merseyrail apply a zero tolerance policy towards fare evasion. | 0:13:16 | 0:13:21 | |
Do I really look as if I need jump on the train? | 0:13:21 | 0:13:23 | |
You don't put a ticket machine on that side of the.. | 0:13:23 | 0:13:26 | |
-Don't need to, sir, cos it's signposted. -It's not signposted. | 0:13:26 | 0:13:29 | |
-I'll take £1.50... -When was the last time you couldn't get on a train | 0:13:29 | 0:13:32 | |
-and buy a ticket? -Nine years ago. | 0:13:32 | 0:13:34 | |
This is crap. | 0:13:37 | 0:13:39 | |
Here, I'll tell you what. I'll pay the fine. I don't want to write in. | 0:13:39 | 0:13:42 | |
OK. The full fine's £20, love. | 0:13:42 | 0:13:45 | |
-There's 20 quid. -OK. Do you want to sign there, love? | 0:13:47 | 0:13:50 | |
-Not really. -OK, thank you. -A load of shite. | 0:13:50 | 0:13:54 | |
Last year they handed out 15,000 penalties and prosecutions | 0:13:55 | 0:13:58 | |
to passengers travelling without tickets. | 0:13:58 | 0:14:01 | |
Everyone gets treated the same way, and fairly. | 0:14:02 | 0:14:05 | |
There's no discrimination against anybody. | 0:14:05 | 0:14:08 | |
It doesn't matter if you're wearing a tracksuit or a suit. | 0:14:08 | 0:14:10 | |
-You get treated the same way. -Everyone's the same, yeah. -Yeah. | 0:14:10 | 0:14:13 | |
At Merseyside's Ellesmere Port station, some passengers | 0:14:13 | 0:14:17 | |
are claiming that the station's ticket machine isn't working. | 0:14:17 | 0:14:19 | |
Your machines aren't working. | 0:14:19 | 0:14:21 | |
Why don't you go and get a proper lady to stand there | 0:14:21 | 0:14:24 | |
and write tickets out instead of a fucking shitty machine? | 0:14:24 | 0:14:27 | |
Do you want to stop your language? | 0:14:27 | 0:14:28 | |
-We're recording you. -You're calling us liars. -I'm not calling you liars. | 0:14:28 | 0:14:31 | |
The lady knows I've got a procedure to follow | 0:14:31 | 0:14:34 | |
and I'm following the procedure. | 0:14:34 | 0:14:36 | |
Are you fucking walking with me? Come on. | 0:14:36 | 0:14:38 | |
-Get your hands off me. -Leave the station, please. Leave the station. | 0:14:38 | 0:14:42 | |
Stay away from my bird! Get your fucking off hands off her now! | 0:14:42 | 0:14:46 | |
-Yous are saying it's working? -Yeah. -Yeah? -I've found out it's working. | 0:14:46 | 0:14:49 | |
-That's what the appeal process is, my love. -Full of fucking crap! | 0:14:49 | 0:14:52 | |
-There's your fucking money. -Listen, am I swearing? | 0:14:52 | 0:14:54 | |
-Cos you're stressing me out, that's why. -You paying the full fare? | 0:14:54 | 0:14:57 | |
-No, I'm paying the cheap fare. -The £1.50? OK. Sound. | 0:14:57 | 0:15:00 | |
But if you just calm down we'll get it done quicker, won't we? | 0:15:00 | 0:15:03 | |
The last 15 years, I've only ever had confrontational jobs. | 0:15:03 | 0:15:06 | |
Yeah? I've only ever worked in security firms. | 0:15:06 | 0:15:10 | |
I've only ever done door work, door supervisor work. | 0:15:10 | 0:15:13 | |
And I don't mind a bit of confrontation every now and then, | 0:15:13 | 0:15:17 | |
because I feel like, I'm not the biggest fella in the world | 0:15:17 | 0:15:20 | |
so my mouth generally has to be my biggest asset, | 0:15:20 | 0:15:22 | |
do you know what I mean? Talk my way out of it, | 0:15:22 | 0:15:25 | |
or bluff my way out of it. One of the two. | 0:15:25 | 0:15:27 | |
It's not that I don't pay. | 0:15:27 | 0:15:29 | |
Yeah, no, and I'm not disputing that you don't, my love. | 0:15:29 | 0:15:32 | |
Unfortunately, though, I have to issue you a penalty fare notice. | 0:15:32 | 0:15:35 | |
There's an appeal process. 'I've got a little four-year-old girl' | 0:15:35 | 0:15:38 | |
at the moment, and I've got another one on the way. | 0:15:38 | 0:15:41 | |
You had to walk past a ticket machine to get onto the station. | 0:15:41 | 0:15:44 | |
I will penalty-fare people with kids. I don't enjoy it. | 0:15:44 | 0:15:46 | |
If they genuinely haven't got the money to pay, I can understand that, | 0:15:46 | 0:15:50 | |
but if I don't do my job, I'll end up not having a job. | 0:15:50 | 0:15:54 | |
-Where are you travelling to? -Birkenhead. | 0:15:54 | 0:15:56 | |
Keira worked as a mental health nurse | 0:15:56 | 0:15:59 | |
before she joined the railways. | 0:15:59 | 0:16:01 | |
Just sign there for me, sweetheart, please. | 0:16:01 | 0:16:03 | |
-So, this is going to cover you to Birkenhead Central. -OK. | 0:16:03 | 0:16:06 | |
OK. No need to get upset. There you go. All right. | 0:16:06 | 0:16:10 | |
Some people will put waterworks on to see if you've got a heart or not, | 0:16:11 | 0:16:16 | |
and then other people are just genuinely upset. | 0:16:16 | 0:16:19 | |
You have to weigh each situation up as it comes. Everyone's different. | 0:16:19 | 0:16:23 | |
You get told every different story. | 0:16:23 | 0:16:25 | |
Basically, I was running late for the train so I had to peg it down... | 0:16:25 | 0:16:28 | |
'My job is to be as sympathetic as I can | 0:16:28 | 0:16:31 | |
'but also get the job done, make it look fair.' | 0:16:31 | 0:16:34 | |
Cos some people just do lie, just to try and get off of it, | 0:16:34 | 0:16:36 | |
and that's not fair on the passengers that pay. | 0:16:36 | 0:16:39 | |
Address check, please? | 0:16:39 | 0:16:41 | |
I've had a gentleman that his dad's died | 0:16:41 | 0:16:44 | |
every day for nearly six months, so... | 0:16:44 | 0:16:47 | |
and he cries, but he can't die every day, can he? | 0:16:47 | 0:16:50 | |
Each year, more than 600 million passengers | 0:16:54 | 0:16:57 | |
use London's 357 stations, | 0:16:57 | 0:16:59 | |
and at the heart of the capital's network stands King's Cross, | 0:16:59 | 0:17:04 | |
gateway to destinations across England and Scotland. | 0:17:04 | 0:17:08 | |
All right, as quick as you like! | 0:17:13 | 0:17:15 | |
HE BLOWS WHISTLE | 0:17:16 | 0:17:19 | |
Late afternoon, and staff on the East Coast route | 0:17:19 | 0:17:21 | |
to Leeds and Edinburgh are limbering up for another evening rush hour... | 0:17:21 | 0:17:26 | |
..but 20 miles north, there's a problem. | 0:17:28 | 0:17:32 | |
A drunk trespasser has jumped on to the tracks at Welwyn North station | 0:17:33 | 0:17:38 | |
and is heading towards tunnels at the end of the platforms. | 0:17:38 | 0:17:42 | |
We've got the person, they're just checking the tunnels at the moment. | 0:17:44 | 0:17:48 | |
There's a problem with the tunnels. They're checking the tunnels. | 0:17:48 | 0:17:51 | |
For King's Cross control room, it's the worst possible news. | 0:17:51 | 0:17:55 | |
A trespasser's walking to the Welwyn tunnel. | 0:17:55 | 0:17:57 | |
Obviously, we don't want somebody hit so all lines | 0:17:57 | 0:18:00 | |
are stopped at the moment until they say it's all clear. | 0:18:00 | 0:18:02 | |
It's our peak-time trains that we're concerned about now. | 0:18:02 | 0:18:04 | |
The 17:00, 17:03, 17:30 are all stuck north of the area. | 0:18:04 | 0:18:10 | |
It's already 25 past 4, so we need | 0:18:10 | 0:18:12 | |
those trains heading towards King's Cross very quickly. | 0:18:12 | 0:18:14 | |
-TANNOY: -..to Leeds has been cancelled. | 0:18:14 | 0:18:16 | |
We apologise for the inconvenience... | 0:18:16 | 0:18:18 | |
As well as delaying trains arriving into London, trains can't leave, | 0:18:18 | 0:18:22 | |
and the 16:30, which is now full and ready to depart, | 0:18:22 | 0:18:25 | |
has just been cancelled. | 0:18:25 | 0:18:27 | |
In relation to your question, | 0:18:27 | 0:18:30 | |
it should be possible to catch another service with that ticket. | 0:18:30 | 0:18:35 | |
Once this train's left, we're going to inform all the train guards | 0:18:35 | 0:18:38 | |
for all the other services, to let them know what's happened here. | 0:18:38 | 0:18:41 | |
Hopefully, they should allow all these other tickets to be voided. | 0:18:41 | 0:18:43 | |
I don't like... I don't like the word "hopefully". | 0:18:43 | 0:18:46 | |
Neil, they've given us an all-clear on one of the tunnels, | 0:18:46 | 0:18:49 | |
but the person's been reported. | 0:18:49 | 0:18:51 | |
They may have entered another tunnel, | 0:18:51 | 0:18:52 | |
so there's a DTEM down at the moment checking the area. | 0:18:52 | 0:18:55 | |
There are 28 million incidents of railway trespass every year, | 0:18:55 | 0:19:00 | |
resulting in 15 days' worth of train delays. | 0:19:00 | 0:19:04 | |
When a train doesn't run, like we've just cancelled one, | 0:19:04 | 0:19:06 | |
I have to seek permission for a train to stop additionally, | 0:19:06 | 0:19:10 | |
so we can get people home a bit quicker. | 0:19:10 | 0:19:12 | |
Anyway, they've agreed that I can add two stops extra on the 17:03, | 0:19:12 | 0:19:17 | |
and basically I have to write out a bit of paper | 0:19:17 | 0:19:19 | |
that gives the driver permission to stop at these extra stops. | 0:19:19 | 0:19:22 | |
At the moment, these trains I have here are subject to delays. | 0:19:22 | 0:19:25 | |
-What if it's cancelled? -If it's cancelled, | 0:19:25 | 0:19:29 | |
they'll allow you on one train before and one train after. | 0:19:29 | 0:19:32 | |
You know, we have to recognise the fact that people come for a train | 0:19:32 | 0:19:35 | |
and when it gets cancelled, it means that they're going to be | 0:19:35 | 0:19:38 | |
half an hour late home. | 0:19:38 | 0:19:39 | |
So, if we can make that any better for them, we will do. | 0:19:39 | 0:19:42 | |
...86. | 0:19:42 | 0:19:44 | |
Yes, OK. All right, great, thank you. | 0:19:44 | 0:19:47 | |
An hour later, news finally comes through | 0:19:47 | 0:19:49 | |
that rail staff in Welwyn have located their man - | 0:19:49 | 0:19:51 | |
sound asleep by the tracks in one of the tunnels. | 0:19:51 | 0:19:55 | |
The stops are already on, | 0:19:56 | 0:19:58 | |
so as soon as you're ready to board, let us know. | 0:19:58 | 0:20:01 | |
That's an additional stop order. Can you make sure that the driver gets that, please? | 0:20:01 | 0:20:04 | |
-All...all lines are open again on the main line, all right? -Thank you. | 0:20:04 | 0:20:08 | |
After more than 2,500 minutes of delay to 168 train journeys, | 0:20:10 | 0:20:14 | |
evening rush hour can begin. | 0:20:14 | 0:20:17 | |
TANNOY: Good afternoon, ladies and gentlemen. | 0:20:17 | 0:20:19 | |
Due to a earlier trespass incident in the Welwyn area, | 0:20:19 | 0:20:23 | |
this service will call additionally at Grantham and Retford. | 0:20:23 | 0:20:27 | |
HE BLOWS WHISTLE | 0:20:27 | 0:20:30 | |
There are 6,500 level crossings on the rail network - | 0:20:41 | 0:20:44 | |
barriers designed to keep cars and pedestrians | 0:20:44 | 0:20:47 | |
safe from high-speed trains. | 0:20:47 | 0:20:49 | |
In the last ten years they've been the scene of 200 vehicle collisions | 0:20:50 | 0:20:54 | |
and more than 80 deaths. | 0:20:54 | 0:20:56 | |
And in 2012, | 0:20:58 | 0:20:59 | |
Network Rail was fined £1 million for health and safety breaches | 0:20:59 | 0:21:02 | |
after the death of two schoolgirls at a level crossing in Essex. | 0:21:02 | 0:21:07 | |
As a result, they've embarked on a major drive to reduce the risks. | 0:21:10 | 0:21:15 | |
The safest form of level crossing is a level crossing that's closed. | 0:21:15 | 0:21:18 | |
If you're putting a person in front of a train, it's a risky business, | 0:21:18 | 0:21:22 | |
so the safer we can make that by closing it or building a bridge, | 0:21:22 | 0:21:25 | |
the better. | 0:21:25 | 0:21:27 | |
Where bridges can't be built, crossings are being modernised, | 0:21:29 | 0:21:32 | |
and here at Mitcham in South London, | 0:21:32 | 0:21:34 | |
new road barriers have been installed. | 0:21:34 | 0:21:37 | |
VEHICLE SOUNDS HORN | 0:21:37 | 0:21:38 | |
But one thing the technology can't change | 0:21:38 | 0:21:41 | |
is the behaviour of the public. | 0:21:41 | 0:21:42 | |
Here we go. | 0:21:44 | 0:21:45 | |
And that one's just jumped straight through the lights. | 0:21:45 | 0:21:48 | |
They could potentially be looking at a prosecution | 0:21:50 | 0:21:52 | |
for careless and inconsiderate driving. | 0:21:52 | 0:21:54 | |
Chris Shepherd, of the British Transport Police, | 0:21:54 | 0:21:58 | |
monitors the crossing from a surveillance van. | 0:21:58 | 0:22:01 | |
Someone's running across when the lights are flashing, | 0:22:01 | 0:22:03 | |
so you've got people that obviously know they shouldn't be doing it, | 0:22:03 | 0:22:07 | |
because they're running across purposefully. | 0:22:07 | 0:22:10 | |
And there we go, the cyclist as well. | 0:22:10 | 0:22:13 | |
You get people jumping the light, weaving round the barriers, | 0:22:14 | 0:22:17 | |
you get people trying to scoot underneath the barriers. | 0:22:17 | 0:22:20 | |
We've had people lifting pushchairs over. | 0:22:20 | 0:22:23 | |
Actually, that could have been a really nasty incident. | 0:22:23 | 0:22:25 | |
If they'd mistimed that, | 0:22:25 | 0:22:27 | |
it's quite easy that they could have potentially been hit by a train. | 0:22:27 | 0:22:31 | |
Next in line for modernisation | 0:22:36 | 0:22:38 | |
is the causeway crossing in the Oxfordshire village of Steventon. | 0:22:38 | 0:22:42 | |
At full speed, they're anything up to 125 miles an hour through here. | 0:22:46 | 0:22:50 | |
You don't want to be in contact with any trains going that speed. | 0:22:54 | 0:22:57 | |
-Hello, Dolly. -All right? -Yeah, very well, thank you. | 0:22:59 | 0:23:03 | |
At the moment, Alan Wadley manages the crossing from his box, | 0:23:03 | 0:23:07 | |
making sure it's clear of vehicles and people | 0:23:07 | 0:23:10 | |
before he lowers the barriers so that trains can pass. | 0:23:10 | 0:23:13 | |
But in two months' time, Alan and the crossing box | 0:23:14 | 0:23:18 | |
will be replaced by CCTV. | 0:23:18 | 0:23:21 | |
Staff will monitor and operate the crossing | 0:23:21 | 0:23:24 | |
from a control centre 30 miles away. | 0:23:24 | 0:23:27 | |
Network Rail argue this will reduce the risk of error | 0:23:27 | 0:23:30 | |
and improve crossing safety. | 0:23:30 | 0:23:32 | |
Right, Ethan? | 0:23:37 | 0:23:39 | |
But the Steventon villagers aren't convinced. | 0:23:39 | 0:23:43 | |
I use it all the time with small children, who can sneak out there. | 0:23:43 | 0:23:46 | |
It would be nice to know that there was somebody in the box | 0:23:46 | 0:23:49 | |
kind of looking over us. | 0:23:49 | 0:23:51 | |
I just want to make sure it continues to be safe... | 0:23:51 | 0:23:54 | |
-Train. -Train, that's right! | 0:23:54 | 0:23:56 | |
The signalman just gives us that...that comfort, | 0:23:56 | 0:24:00 | |
that we don't think we'll be able to rely on somebody, you know, | 0:24:00 | 0:24:05 | |
viewing a television screen from 30 miles up the road in Swindon. | 0:24:05 | 0:24:09 | |
DOG BARKS | 0:24:09 | 0:24:10 | |
I think she wants you to throw a stick. | 0:24:10 | 0:24:13 | |
Goodbye. | 0:24:13 | 0:24:14 | |
No, you're not going to make it. Ah, you're not going to make it! | 0:24:14 | 0:24:18 | |
The signalman would have seen what she was doing, | 0:24:27 | 0:24:30 | |
known exactly where the train was, | 0:24:30 | 0:24:32 | |
and if necessary could have stopped it. | 0:24:32 | 0:24:35 | |
We're all set in our ways, and we like our village the way it is, | 0:24:35 | 0:24:38 | |
and to have an organisation as big as Network Rail | 0:24:38 | 0:24:41 | |
just come in and upheave everything, | 0:24:41 | 0:24:44 | |
it's united the village in a...a common cause. | 0:24:44 | 0:24:46 | |
There's nothing like having a common enemy. | 0:24:46 | 0:24:49 | |
CHATTER | 0:24:59 | 0:25:02 | |
BLOWS WHISTLE | 0:25:05 | 0:25:06 | |
-Are you getting on or getting off? -Yeah, Phil! Come on, quick. | 0:25:06 | 0:25:09 | |
Right, inside now, lads. | 0:25:09 | 0:25:11 | |
BLOWS WHISTLE | 0:25:11 | 0:25:13 | |
It's the weekend in Wales, but there's no respite for the railways. | 0:25:15 | 0:25:19 | |
Exits to the right, please, guys. | 0:25:20 | 0:25:23 | |
Today the usual throng of commuters | 0:25:23 | 0:25:26 | |
has been replaced by 65,000 rugby fans, | 0:25:26 | 0:25:28 | |
heading to an international match in Cardiff. | 0:25:28 | 0:25:31 | |
Thank you very much. | 0:25:31 | 0:25:33 | |
It's a bit hectic, as you can see. It's...it's a busy day. | 0:25:33 | 0:25:36 | |
Thank you very much. | 0:25:36 | 0:25:38 | |
As well as regular staff, an army of volunteers have been drafted in, | 0:25:38 | 0:25:42 | |
along with every train available. | 0:25:42 | 0:25:45 | |
OK, folks. Er...welcome to the one o'clock brief. | 0:25:45 | 0:25:49 | |
Inward services, we've had 1,700 Newports, | 0:25:49 | 0:25:53 | |
1,200 Ebbw Vales, 1,400 Londons, 1,200 off the Midlands. | 0:25:53 | 0:25:59 | |
To co-ordinate getting tens of thousands of fans | 0:25:59 | 0:26:02 | |
across Wales and from England, | 0:26:02 | 0:26:03 | |
train managers, station staff and the British Transport Police | 0:26:03 | 0:26:07 | |
have set up a control centre for the day at Cardiff station. | 0:26:07 | 0:26:11 | |
-That's it, end of the match. -That's it, game over. | 0:26:11 | 0:26:14 | |
First of all, radio, just to say the game has now finished | 0:26:14 | 0:26:18 | |
and we're in full event operation. Thank you. | 0:26:18 | 0:26:21 | |
-Anyone waiting? -Next, please. -Next, please. | 0:26:23 | 0:26:25 | |
There you go. Thanks a lot. | 0:26:25 | 0:26:27 | |
-Thank you very much. -Next, please. | 0:26:27 | 0:26:29 | |
-27, Swansea. Hitchers team. -600. | 0:26:29 | 0:26:32 | |
16.32, Pompey four-car. | 0:26:32 | 0:26:34 | |
400. | 0:26:34 | 0:26:35 | |
So, we allocate 100 persons per car, | 0:26:35 | 0:26:38 | |
so a Paddington service, we know is a high-speed train, | 0:26:38 | 0:26:41 | |
takes 600 people so we can call 600 people from the queue | 0:26:41 | 0:26:45 | |
so that we're not overloading the platform and making it unsafe. | 0:26:45 | 0:26:48 | |
We've got 200 west Wales platform 4. | 0:26:48 | 0:26:51 | |
Can you release the west Wales queue, 2-0-0 to platform 4? Over. | 0:26:51 | 0:26:57 | |
Please confirm, West Wales 2-0-0, platform 4. | 0:26:58 | 0:27:03 | |
Swansea! | 0:27:03 | 0:27:06 | |
...200 Bristol, platform 1, please. | 0:27:06 | 0:27:09 | |
Can you release the Bristol queue? | 0:27:09 | 0:27:11 | |
-OVER TANNOY: -Go to platform 1. | 0:27:11 | 0:27:14 | |
Platform 1, please. | 0:27:14 | 0:27:16 | |
We don't know the platform. We're right on the water! | 0:27:16 | 0:27:18 | |
SHOUTING | 0:27:18 | 0:27:21 | |
There's a bit more space down that end, right down the front. | 0:27:21 | 0:27:25 | |
Hello, signaller Cardiff. CMC at Cardiff Central. | 0:27:25 | 0:27:27 | |
We're now ready to go on platform 2B from 1 Whiskey 29 for Manchester | 0:27:27 | 0:27:31 | |
and we're also good to go, please, on platform 3 | 0:27:31 | 0:27:34 | |
with One Bravo Four Zero for Swansea as well, please. | 0:27:34 | 0:27:37 | |
BLOWS WHISTLE | 0:27:37 | 0:27:40 | |
MARCHING BAND PLAYS | 0:27:45 | 0:27:48 | |
Southport, Merseyside. | 0:27:52 | 0:27:53 | |
And for the last six hours thousands have been attending | 0:27:54 | 0:27:58 | |
the town's annual Orange Lodge parade... | 0:27:58 | 0:28:00 | |
..the biggest Protestant parade in England. | 0:28:02 | 0:28:04 | |
Arrests for violence and criminal damage happen every year, | 0:28:04 | 0:28:09 | |
and as the crowds head back to Liverpool from Southport station, | 0:28:09 | 0:28:14 | |
they're proving to be a handful | 0:28:14 | 0:28:16 | |
for rail staff and the British Transport Police. | 0:28:16 | 0:28:19 | |
-Try not to rub it, though. -Don't rub your head. -Don't rub it. | 0:28:19 | 0:28:22 | |
He slipped and missed his footing | 0:28:22 | 0:28:24 | |
and he's fell headfirst onto the platform. | 0:28:24 | 0:28:27 | |
WHISTLE BLOWS | 0:28:27 | 0:28:29 | |
Oh, man! I want to go home! | 0:28:29 | 0:28:30 | |
All the boys are waiting for me there, aren't yous? | 0:28:30 | 0:28:34 | |
CHANTING: Hello! Hello! | 0:28:34 | 0:28:36 | |
How many fingers? | 0:28:36 | 0:28:38 | |
Er...22! | 0:28:38 | 0:28:39 | |
Can you have your tickets and passes ready? Cheers, love. | 0:28:41 | 0:28:44 | |
-Ticket and passes, please! -Thank you very much. | 0:28:44 | 0:28:47 | |
To relieve pressure on the station, | 0:28:47 | 0:28:49 | |
Merseyrail's Revenue Protection team have set up shop at the entrance | 0:28:49 | 0:28:52 | |
in order to check tickets, confiscate alcohol, | 0:28:52 | 0:28:55 | |
and turn away excessively drunk passengers. | 0:28:55 | 0:28:59 | |
Four cans of beer in the baby's trolley. | 0:28:59 | 0:29:02 | |
-I forgot they were there. Sorry. -It's all right. See you later. Ta-ra. | 0:29:02 | 0:29:06 | |
MUSIC PLAYS | 0:29:06 | 0:29:08 | |
Have you had a bit to drink today, my love? Have you had a bit to drink today, my love? | 0:29:11 | 0:29:15 | |
Yeah. All right. No problem. What I'm going to do is, | 0:29:15 | 0:29:17 | |
I'm not going to refuse you travel, all right? | 0:29:17 | 0:29:19 | |
But go and grab yourselves a coffee | 0:29:19 | 0:29:21 | |
and come back in a little while, all right? | 0:29:21 | 0:29:23 | |
-What? -If he puts his shirt on, is he all right? -Put my top on, you mean? -No, no. | 0:29:23 | 0:29:27 | |
Go and sober up a little bit and come back in a bit. | 0:29:27 | 0:29:29 | |
Oh, behave will you? I don't need...I don't need lectures. | 0:29:29 | 0:29:32 | |
I'm not here to lecture, my love. | 0:29:32 | 0:29:33 | |
I'm merely asking you to come back and sober up a little bit. | 0:29:33 | 0:29:36 | |
25-year-old Kat McGrowety drove prison vans | 0:29:36 | 0:29:39 | |
before she joined Merseyrail. | 0:29:39 | 0:29:41 | |
I'm going to have to ask you to go and get yourselves a strong coffee | 0:29:41 | 0:29:44 | |
-and then come back in about half an hour. -I'm all right. -OK, no problem. | 0:29:44 | 0:29:47 | |
-You are, but... -Yeah. -...I can't allow him to travel... -Yeah. | 0:29:47 | 0:29:50 | |
-...in the state that he is, unfortunately. -All right. | 0:29:50 | 0:29:52 | |
What I'm going to ask you to do, my love, is, I'm just going to go and ask you to sober up for a few... | 0:29:52 | 0:29:57 | |
-You're having a laugh, aren't you? -No. | 0:29:57 | 0:29:59 | |
Oh, my God. I've come here to enjoy myself. | 0:29:59 | 0:30:02 | |
And it looks like you have really enjoyed yourself today, but... | 0:30:02 | 0:30:05 | |
I have, and I want to get home. | 0:30:05 | 0:30:06 | |
So, I'm asking you to go and sober yourself up. | 0:30:06 | 0:30:09 | |
Tempers flaring. | 0:30:09 | 0:30:11 | |
You know, they've had a bit to drink. It's not them, is it? | 0:30:12 | 0:30:14 | |
It's just the situation. It's not personal. | 0:30:14 | 0:30:16 | |
They're just having a go at you for the uniform. They want to get home, and... | 0:30:16 | 0:30:19 | |
Let it all go over your head. Water off a duck's back. | 0:30:19 | 0:30:22 | |
That's all you can do. Don't take it too personally. | 0:30:22 | 0:30:25 | |
MUSIC PLAYING | 0:30:25 | 0:30:28 | |
Go and have a sit outside there on the bench. | 0:30:37 | 0:30:39 | |
Go and get yourself a brew. | 0:30:39 | 0:30:41 | |
Go and get a coffee or something, please, come on. | 0:30:41 | 0:30:43 | |
-You can understand my point of view, love. -SHOUTING | 0:30:43 | 0:30:46 | |
-I want to get home. -I know. I know you think you're all right, honey. | 0:30:46 | 0:30:50 | |
-That's your opinion, love. -Ah! | 0:30:50 | 0:30:52 | |
I've got a duty of care for you, all right? | 0:30:52 | 0:30:54 | |
Four times today I've stopped you. | 0:30:54 | 0:30:57 | |
Tickets, please. | 0:30:57 | 0:30:58 | |
-Have you had a bit to drink today? -I have. -Just a bit. | 0:31:00 | 0:31:02 | |
-Honestly, just a bit. -Just a smidge. -Just a little bit. -All right, love. | 0:31:02 | 0:31:06 | |
People want to talk to you when they're drunk, but they're not... | 0:31:06 | 0:31:09 | |
They might be talking to you, but they're not listening to you. | 0:31:09 | 0:31:11 | |
-I'm getting on the train. -Just a bit unsteady, just a bit. | 0:31:11 | 0:31:15 | |
In a couple of hours when people are more intoxicated | 0:31:15 | 0:31:19 | |
they're going to be more hard work. | 0:31:19 | 0:31:20 | |
It's going to get worse before it gets better. | 0:31:20 | 0:31:23 | |
In the Valleys, Arriva Trains Wales | 0:31:29 | 0:31:31 | |
is looking to the next generation of train conductors to work the lines. | 0:31:31 | 0:31:34 | |
Lovely. Thank you very much. Thank you. Yeah, big time. | 0:31:34 | 0:31:38 | |
Excuse me. | 0:31:38 | 0:31:40 | |
Obviously, this is going to be your office. | 0:31:40 | 0:31:42 | |
As part of their four-month training course, | 0:31:42 | 0:31:45 | |
Lucas, Holly and Alex are at Canton Depot for some practical tuition. | 0:31:45 | 0:31:51 | |
-The doors should be closing. -That's a great start. | 0:31:55 | 0:31:59 | |
HOLLY LAUGHS | 0:31:59 | 0:32:01 | |
A broken door. | 0:32:01 | 0:32:03 | |
The Ebbw Valley line and stations might be new, | 0:32:03 | 0:32:06 | |
but the trains are almost 30 years old. | 0:32:06 | 0:32:09 | |
Bear with me for two seconds. | 0:32:19 | 0:32:22 | |
Ah! | 0:32:27 | 0:32:28 | |
Fucking typical! None of this bastard thing is working. | 0:32:28 | 0:32:33 | |
THEY CHEER AND CHUCKLE | 0:32:34 | 0:32:36 | |
That's what I'm talking about. | 0:32:36 | 0:32:38 | |
-So, do you want to have a go at the doors? -OK. -Excellent. | 0:32:38 | 0:32:41 | |
1,600 applicants applied for just nine places on the course. | 0:32:43 | 0:32:47 | |
Six years ago, I came from Slovakia, | 0:32:47 | 0:32:51 | |
I came for two weeks' holiday and decided to stay. | 0:32:51 | 0:32:54 | |
-Try and squeeze on in. -'I find Welsh people always welcoming.' | 0:32:54 | 0:32:58 | |
So, I do feel like a big part of the family when I'm with Welsh people. | 0:32:58 | 0:33:02 | |
Guards' heater. OK. It literally is slow, off or fast, OK? | 0:33:02 | 0:33:06 | |
-Where's the air conditioning? -The air conditioning is... | 0:33:06 | 0:33:09 | |
Is there air conditioning? I thought it was just | 0:33:09 | 0:33:12 | |
boiling hot or freezing cold. | 0:33:12 | 0:33:14 | |
-Just like that, OK? Air conditioning off. -Open the window. -Air conditioning on. | 0:33:14 | 0:33:18 | |
You do kind of transfer from being a passenger | 0:33:18 | 0:33:22 | |
to almost being a trainspotter. | 0:33:22 | 0:33:24 | |
A bit like, "Oh, that's 142 units! Oh, that's 150!" | 0:33:24 | 0:33:28 | |
and telling your friends and family | 0:33:28 | 0:33:29 | |
all about the railway, what you learn. | 0:33:29 | 0:33:32 | |
So, yeah, I would say becoming a railman pretty quickly. | 0:33:32 | 0:33:35 | |
Into its locking device. | 0:33:35 | 0:33:37 | |
Let go. Good. | 0:33:37 | 0:33:39 | |
The new recruits learn emergency procedures, | 0:33:39 | 0:33:41 | |
like how to manually operate points in the event of track failures. | 0:33:41 | 0:33:46 | |
That's going to be hard. If you don't want to do it, I'll do it. | 0:33:47 | 0:33:50 | |
-I can't. -Leave it, leave it, leave it. | 0:33:50 | 0:33:52 | |
For 25-year-old Valley girl Holly Fly, it's a huge life change. | 0:33:52 | 0:33:57 | |
I did an art degree. Took a gap year to have a baby. | 0:33:57 | 0:34:01 | |
Went back, finished it. Started looking for jobs straight after. | 0:34:01 | 0:34:05 | |
You know, I think a lot of people that I speak to who aren't employed, | 0:34:05 | 0:34:09 | |
it's really hard at the minute so I feel really lucky and happy. | 0:34:09 | 0:34:15 | |
Just given the release. Thank you very much. Bye. | 0:34:15 | 0:34:18 | |
My mum thinks it's brilliant. She calls me Thomas the Tank. | 0:34:18 | 0:34:21 | |
SHE LAUGHS | 0:34:21 | 0:34:23 | |
MARCHING BAND PLAYING | 0:34:23 | 0:34:25 | |
CROWD SHOUTING | 0:34:29 | 0:34:32 | |
CROWD CHANTING | 0:34:34 | 0:34:36 | |
5pm in Southport, and the Orange Lodge parade is finally over. | 0:34:36 | 0:34:41 | |
CROWD SHOUTING | 0:34:41 | 0:34:43 | |
To prevent overcrowding on the platforms, | 0:34:43 | 0:34:46 | |
the 2,000 stragglers wanting to get home are being held back | 0:34:46 | 0:34:50 | |
and released in stages. | 0:34:50 | 0:34:52 | |
95% of them don't even know what they're marching for. | 0:34:52 | 0:34:55 | |
It's just a big piss-up, isn't it? | 0:34:55 | 0:34:57 | |
RAISED VOICES | 0:34:57 | 0:35:00 | |
Get ready. Here we go, here we go. I hope they've all got tickets. | 0:35:00 | 0:35:04 | |
RAISED VOICES | 0:35:04 | 0:35:06 | |
THEY SING | 0:35:08 | 0:35:10 | |
-Whoa, whoa, whoa, whoa, whoa! Shut up, you! -Yeah? What have I done? | 0:35:13 | 0:35:16 | |
-Look, shut up! Shut up, you! -Hey, hey, hey, hey! | 0:35:16 | 0:35:20 | |
I've done nothing wrong. | 0:35:20 | 0:35:22 | |
-You're arseholes! -Right, you're going with me now. | 0:35:22 | 0:35:26 | |
-Ah, you're arseholes! -Watch, careful! -Shut up! | 0:35:26 | 0:35:30 | |
-You need a ticket, darling. -I've got a fucking ticket! | 0:35:30 | 0:35:33 | |
-Excuse me. -Yeah, don't you fuck with me. | 0:35:33 | 0:35:35 | |
My son's a fucking sergeant at Liverpool. | 0:35:35 | 0:35:37 | |
Well, you ain't travelling. You don't swear at me, pal. Ta-ra. | 0:35:37 | 0:35:42 | |
CROWD SHOUTING | 0:35:42 | 0:35:44 | |
All right, girls. Thanks very much. Move on. | 0:35:44 | 0:35:47 | |
-I'm so sorry. -Do you want a tissue? -I'm so sorry. | 0:35:47 | 0:35:51 | |
All right, love. | 0:35:51 | 0:35:53 | |
Sorry. | 0:35:54 | 0:35:56 | |
Hand gel! | 0:35:59 | 0:36:01 | |
I tell you what, Jeremy Kyle must have no audience today. | 0:36:08 | 0:36:11 | |
I know. Yeah, they're all here! | 0:36:11 | 0:36:13 | |
WHISTLE BLOWS | 0:36:15 | 0:36:17 | |
I've only been in the job just over 12 months. | 0:36:17 | 0:36:19 | |
I still come into work with a smile on my face. | 0:36:19 | 0:36:22 | |
Ask me in another 25 years what I feel about the job, | 0:36:22 | 0:36:26 | |
but up to now, yeah, I do enjoy it. | 0:36:26 | 0:36:28 | |
PHONE RINGS | 0:36:39 | 0:36:42 | |
RINGING | 0:36:42 | 0:36:44 | |
-'Hello?' -Mr Gibbs? -'Yes.' | 0:36:44 | 0:36:46 | |
Hello, it's Alan Edge speaking, from Network Rail. | 0:36:46 | 0:36:49 | |
You've put a call through to our national helpline | 0:36:49 | 0:36:52 | |
regarding something you want us to help you out with | 0:36:52 | 0:36:54 | |
-in the Gorsebrook area of Wolverhampton, is that correct? -'That's right, yeah.' | 0:36:54 | 0:36:58 | |
Alan Edge has been contacted by the son of a former railway worker, | 0:36:58 | 0:37:02 | |
who wants to retrieve his father's ashes | 0:37:02 | 0:37:04 | |
that were buried by the side of the tracks. | 0:37:04 | 0:37:07 | |
'There should be a plaque on the wall and a circle of stones, | 0:37:07 | 0:37:09 | |
'and they should be under the circle of stones.' | 0:37:09 | 0:37:12 | |
Right, OK. When were they put there, do you know? | 0:37:12 | 0:37:15 | |
'Well, 18 years ago now, probably.' | 0:37:15 | 0:37:17 | |
-That's excellent. Thank you very much, Mr Gibbs. -'Thank you. Bye.' -Thank you. Bye-bye. | 0:37:17 | 0:37:21 | |
We have had requests before, but mainly to distribute ashes on the railway | 0:37:21 | 0:37:25 | |
of former railwaymen who've passed away. | 0:37:25 | 0:37:29 | |
Erm...we've never had to sort of recover any before. | 0:37:29 | 0:37:31 | |
I didn't know what to put in the job description. | 0:37:38 | 0:37:40 | |
So, I've had to put down, "recovering railway artefacts" - | 0:37:40 | 0:37:45 | |
probably not the right description | 0:37:45 | 0:37:47 | |
but it's the best one I could think of. | 0:37:47 | 0:37:48 | |
Although it's not something that's affecting the running of the trains, | 0:37:49 | 0:37:53 | |
Mr Gibbs wants the ashes retrieved | 0:37:53 | 0:37:55 | |
so that they can be buried next to his mother, who's critically ill. | 0:37:55 | 0:37:59 | |
It's quite an important issue to Mr Gibbs, | 0:37:59 | 0:38:01 | |
so it's quite crucial we try and sort of help him out if we can. | 0:38:01 | 0:38:04 | |
We're supposed to be neighbourly, | 0:38:05 | 0:38:07 | |
and this is the sort of neighbourly thing to do. | 0:38:07 | 0:38:10 | |
Right. Let's have a look at the picture. | 0:38:12 | 0:38:15 | |
Oh. | 0:38:15 | 0:38:17 | |
Oh. | 0:38:17 | 0:38:19 | |
They're there. Oh, dear. | 0:38:19 | 0:38:22 | |
We can see from the picture. | 0:38:22 | 0:38:25 | |
There's the...the plaque. | 0:38:26 | 0:38:29 | |
The ashes should be in this area here. | 0:38:29 | 0:38:31 | |
Unfortunately, there's a new troughing route been installed | 0:38:31 | 0:38:35 | |
and hopefully they're deep enough so that they haven't been disturbed | 0:38:35 | 0:38:39 | |
by the work that's been carried on here. | 0:38:39 | 0:38:41 | |
Right, let's get to it. | 0:38:41 | 0:38:43 | |
It's a special tool we use quite a lot on the railway. | 0:38:50 | 0:38:53 | |
It's called a piece of wood. | 0:38:53 | 0:38:55 | |
I think I've found them. Something sounds hollow. | 0:38:59 | 0:39:02 | |
-There. -Yeah. | 0:39:04 | 0:39:06 | |
Oh, it's Roman vintage. Er...India tonic water. | 0:39:11 | 0:39:15 | |
Quinine, apparently. Good for you. | 0:39:15 | 0:39:17 | |
I'm determined to find it. I just... | 0:39:18 | 0:39:20 | |
I'm hoping it's still in one piece, to be perfectly honest with you. | 0:39:20 | 0:39:23 | |
In Steventon, the switch from a level crossing box | 0:39:31 | 0:39:35 | |
to CCTV is well under way. | 0:39:35 | 0:39:37 | |
LOW CHATTER | 0:39:37 | 0:39:39 | |
But villagers facing the inevitable are digging their heels in | 0:39:39 | 0:39:42 | |
over the look of their new crossing, | 0:39:42 | 0:39:45 | |
and they've invited a team from Network Rail | 0:39:45 | 0:39:48 | |
to come and hear their grievances. | 0:39:48 | 0:39:50 | |
The mechanism for this used to be behind | 0:39:52 | 0:39:56 | |
and to the left of that warning sign. | 0:39:56 | 0:39:59 | |
So, it's moved...that's probably about four or five feet over, | 0:39:59 | 0:40:03 | |
-which has...has dramatically affected this view. -OK. | 0:40:03 | 0:40:08 | |
You know, now you're looking at the grey mechanism. ALARM BLARING | 0:40:08 | 0:40:12 | |
As you can see, we've got a floodlight | 0:40:12 | 0:40:13 | |
more akin to an international football stadium, | 0:40:13 | 0:40:17 | |
and totally out of place. | 0:40:17 | 0:40:18 | |
A lot of the arguments have been arguments of aesthetics | 0:40:18 | 0:40:21 | |
and those arguments would not exist | 0:40:21 | 0:40:23 | |
if the measures that we'd taken weren't there for safety reasons. | 0:40:23 | 0:40:28 | |
So, for example, we've got fencing that has to be there | 0:40:28 | 0:40:31 | |
because it prevents reflective glare | 0:40:31 | 0:40:34 | |
and it prevents shadows being cast on the CCTV area, | 0:40:34 | 0:40:36 | |
but people don't like the appearance of that fencing. | 0:40:36 | 0:40:39 | |
But if we didn't have that standard, then it wouldn't be safe. | 0:40:39 | 0:40:42 | |
You could actually look at | 0:40:42 | 0:40:43 | |
relocating the warning trespass sign so that's not on a pole. | 0:40:43 | 0:40:46 | |
Oh, yeah, yeah. Absolutely, yeah. Absolutely, yeah. | 0:40:46 | 0:40:49 | |
People don't like losing their crossing-keeper. | 0:40:49 | 0:40:52 | |
People feel reassured by the presence of a man | 0:40:52 | 0:40:54 | |
who's operating the level crossing for them. | 0:40:54 | 0:40:56 | |
They think that it's safer, rightly or... | 0:40:56 | 0:40:59 | |
Well, wrongly, as actually is the case, | 0:40:59 | 0:41:01 | |
and therefore any changes we make | 0:41:01 | 0:41:03 | |
are going to be met with that kind of criticism, | 0:41:03 | 0:41:05 | |
just as they would be if... | 0:41:05 | 0:41:07 | |
You know, if somebody tried to do something to the school or the pub. | 0:41:07 | 0:41:11 | |
Not every resident has come to the meeting. | 0:41:14 | 0:41:18 | |
Dolly Rivers has lived in the village all her life, | 0:41:19 | 0:41:22 | |
and her concerns about the level crossing | 0:41:22 | 0:41:24 | |
have nothing to do with safety or aesthetics. | 0:41:24 | 0:41:27 | |
It's nice to have somebody to say hello to when you go over. | 0:41:29 | 0:41:32 | |
They're always there to, you know, have a word with you, | 0:41:32 | 0:41:36 | |
make you feel a bit better. | 0:41:36 | 0:41:38 | |
'It's never been without a man in the box, | 0:41:39 | 0:41:42 | |
'from year to year from the old days up to now. | 0:41:42 | 0:41:46 | |
'It won't be the same, will it?' | 0:41:46 | 0:41:48 | |
I don't see why they should take them away from us. | 0:41:49 | 0:41:53 | |
Despite his best efforts, | 0:42:11 | 0:42:13 | |
Alan's been unable to locate Mr Gibbs' ashes. | 0:42:13 | 0:42:16 | |
Sorry, Stanley, we tried our best. | 0:42:20 | 0:42:22 | |
PHONE RINGING | 0:42:22 | 0:42:24 | |
-Mr Gibbs? -'Hello.' -It's Alan Edge. -'Oh, hello, Alan.' | 0:42:26 | 0:42:31 | |
There has been quite a lot of work gone on on the railway in that area | 0:42:31 | 0:42:35 | |
over the last few years, I suppose, erm... | 0:42:35 | 0:42:37 | |
-'Yeah.' -..but unfortunately I've been unable to find anything. | 0:42:37 | 0:42:40 | |
'Are the stones still there?' | 0:42:40 | 0:42:43 | |
The stones weren't there at all, no. | 0:42:43 | 0:42:45 | |
'OK, I appreciate everything you've tried anyway.' | 0:42:47 | 0:42:49 | |
-OK, Mr Gibbs. Well, thank you very much. -'You're welcome.' | 0:42:49 | 0:42:52 | |
-Thank... 'Thanks for everything.' -No worries. Thank you very much. | 0:42:52 | 0:42:56 | |
-'Thank you. Bye.' -Bye-bye. Bye-bye. | 0:42:56 | 0:42:58 | |
PHONE BEEPS | 0:42:58 | 0:42:59 | |
Oh, I wish I'd have given him some better news. | 0:42:59 | 0:43:02 | |
Ah, never mind. At least we tried. What more can we do? | 0:43:02 | 0:43:06 | |
HORN BLARES | 0:43:10 | 0:43:13 | |
Think exactly what you need to tell the customers. | 0:43:14 | 0:43:18 | |
-Why don't you announce for customers to ensure to take with them... -OK. | 0:43:18 | 0:43:22 | |
-all their personal luggage... -OK. -..and belongings | 0:43:22 | 0:43:25 | |
and mind the gap between the trains and the platform edge. | 0:43:25 | 0:43:27 | |
-As you alight. -Yes, as you alight. | 0:43:27 | 0:43:30 | |
-OVER TANNOY: -'Good afternoon, ladies and gentlemen. | 0:43:30 | 0:43:33 | |
'Our next station stop will be Cardiff Central. | 0:43:33 | 0:43:36 | |
'Could all passengers please, um... | 0:43:36 | 0:43:38 | |
ensure that they've got their... Oh!' | 0:43:38 | 0:43:40 | |
-Oh, no! -Alex! | 0:43:40 | 0:43:42 | |
That was fine to the halfway stage, then. | 0:43:42 | 0:43:44 | |
'Please make sure you've got all your bags with you. Bye!' | 0:43:44 | 0:43:47 | |
LAUGHTER | 0:43:47 | 0:43:49 | |
-No. -Not very good that, Alex, at all. Not professional. | 0:43:49 | 0:43:54 | |
Good morning, this is your Arriva Trains Wales service, | 0:43:54 | 0:43:57 | |
calling at Cathays, Queen Street and final destination Cardiff. | 0:43:57 | 0:44:01 | |
Please take care as you... train, minding the gap between... | 0:44:01 | 0:44:05 | |
SHE LAUGHS ..the train and the platform. | 0:44:05 | 0:44:08 | |
Erm... | 0:44:08 | 0:44:10 | |
That wasn't very good, was it? | 0:44:10 | 0:44:12 | |
It's hard to know what you're going to say. | 0:44:12 | 0:44:14 | |
Good morning, ladies and gentlemen. | 0:44:16 | 0:44:18 | |
Welcome on board Arriva Trains service. | 0:44:18 | 0:44:19 | |
The next station will be Cardiff Central. | 0:44:19 | 0:44:21 | |
-OVER TANNOY: -'Please change for any main line. Thank you.' | 0:44:21 | 0:44:25 | |
THEY CHEER | 0:44:25 | 0:44:27 | |
That was very good. | 0:44:27 | 0:44:28 | |
To think you've done it for the very, very first time, | 0:44:28 | 0:44:32 | |
you've done pretty well, really. | 0:44:32 | 0:44:34 | |
But you need to put a bit more thought into what | 0:44:34 | 0:44:36 | |
you're going to tell customers on board the train, don't you? | 0:44:36 | 0:44:39 | |
-Try and avoid laughing and things like that. -Yeah. | 0:44:39 | 0:44:42 | |
We'll all do mistakes, but if you start making an announcement | 0:44:42 | 0:44:46 | |
and you feel you've done an error, | 0:44:46 | 0:44:48 | |
stop, pause and think. | 0:44:48 | 0:44:50 | |
Redo it again. | 0:44:50 | 0:44:52 | |
In just a few more weeks, | 0:44:54 | 0:44:56 | |
the new recruits will be working on the Valley railways for real. | 0:44:56 | 0:45:00 | |
You'll be fine, but just do the job by the book. | 0:45:00 | 0:45:03 | |
That's all we're asking of you. | 0:45:03 | 0:45:05 | |
Just do the job by the book | 0:45:05 | 0:45:07 | |
and you'll be fine, no problems at all. | 0:45:07 | 0:45:09 | |
'This is what keeps me feeling young. | 0:45:09 | 0:45:12 | |
'Working with young people has definitely made me feel really...' | 0:45:12 | 0:45:15 | |
Oh, not getting old, if you know what I mean. | 0:45:15 | 0:45:18 | |
I'm going to miss some, obviously, | 0:45:18 | 0:45:20 | |
but, as a trainer, one lot goes, | 0:45:20 | 0:45:23 | |
I'm looking forward then to the next lot, if you know what I mean. | 0:45:23 | 0:45:26 | |
And that's what we need, future generations, | 0:45:26 | 0:45:28 | |
to keep the railway infrastructure going | 0:45:28 | 0:45:30 | |
within areas like the Valleys and south Wales. | 0:45:30 | 0:45:33 | |
King's Cross station, London. | 0:45:42 | 0:45:44 | |
-I'm booked on the 11 o'clock? So, it's going to be approximately 11? -Yeah. | 0:45:44 | 0:45:47 | |
Everything's late coming in, so it's going to be late going out. | 0:45:47 | 0:45:50 | |
That's why you've got all the delays. | 0:45:50 | 0:45:52 | |
We haven't got a platform for it yet, cos it's not in the station, | 0:45:52 | 0:45:54 | |
so we're waiting for it to come in to the station at the minute, | 0:45:54 | 0:45:57 | |
it's just outside here. | 0:45:57 | 0:45:58 | |
After a Bank Holiday weekend, hundreds of passengers | 0:45:58 | 0:46:02 | |
are travelling back up to the northeast and Scotland... | 0:46:02 | 0:46:05 | |
Any indication of how long that is going to be? | 0:46:05 | 0:46:09 | |
..but dangerously high winds are playing havoc | 0:46:09 | 0:46:12 | |
with the East Coast main line. | 0:46:12 | 0:46:14 | |
We're waiting, as I said, for the 10.35. A half-hour out. | 0:46:14 | 0:46:17 | |
Don't know what we're using yet. | 0:46:17 | 0:46:19 | |
The problem we've got today is that a lot of our trains from up north are running severely late, | 0:46:19 | 0:46:23 | |
which means that we've had to use trains from the depot | 0:46:23 | 0:46:26 | |
that we wouldn't normally have used. | 0:46:26 | 0:46:28 | |
So now we haven't got anything left in the depot, | 0:46:28 | 0:46:30 | |
we are now having to wait for all these late trains to come in. | 0:46:30 | 0:46:33 | |
Where's the nearest one? Potters Bar, FO7. | 0:46:33 | 0:46:35 | |
'We've only got to lose one train' | 0:46:35 | 0:46:37 | |
and then we play catch-up from then onwards all the time. | 0:46:37 | 0:46:40 | |
At the top here, train One Yankee Zero Eight, which was due here 9:32, | 0:46:40 | 0:46:45 | |
is running 101 minutes late. | 0:46:45 | 0:46:47 | |
Red denotes anything over ten minutes, | 0:46:47 | 0:46:50 | |
yellow between five minutes late and ten minutes late, | 0:46:50 | 0:46:54 | |
and green means on time. | 0:46:54 | 0:46:55 | |
So, I will definitely get there today, but with delay? | 0:46:55 | 0:46:59 | |
At some point. I can't tell you what time, but at some point you will. | 0:46:59 | 0:47:03 | |
-OK. -OK, I apologise. | 0:47:03 | 0:47:04 | |
-What was you booked on? -The half twelve one, so I could get... -Right. | 0:47:04 | 0:47:07 | |
Wait till near enough the time, but one comes in, just get on it anyway. | 0:47:07 | 0:47:10 | |
-Excuse me... -Just say I told you. | 0:47:10 | 0:47:12 | |
If I'm on the train that's cancelled, 11:05... | 0:47:12 | 0:47:15 | |
-Yeah, get any one. Where are you going to? -To Doncaster. | 0:47:15 | 0:47:17 | |
Right, get any one you can, right, once it comes up. | 0:47:17 | 0:47:21 | |
I don't think it's worth cancelling that as yet. | 0:47:21 | 0:47:24 | |
Hi. I just sent you an email. We've got advice for passengers. | 0:47:24 | 0:47:27 | |
Can you get Derek to announce it, please? | 0:47:27 | 0:47:30 | |
Brilliant. Thank you. Bye-bye. | 0:47:30 | 0:47:31 | |
With the regular timetable abandoned, | 0:47:31 | 0:47:34 | |
it's the job of 28-year-old station manager Katie Frost | 0:47:34 | 0:47:39 | |
to explain to passengers what's going on. | 0:47:39 | 0:47:41 | |
-On the hour and half past. -The 9:30... -To Newcastle. -To Newcastle. | 0:47:41 | 0:47:45 | |
-Yeah, calling where? -And... I don't know that yet. | 0:47:45 | 0:47:48 | |
-Graham is writing the train plan now. -OK. -And the 35 to Leeds. -OK. | 0:47:48 | 0:47:51 | |
Obviously, because we don't know the stopping patterns, | 0:47:51 | 0:47:53 | |
we can't make that much detail, | 0:47:53 | 0:47:55 | |
but can you make an announcement saying, | 0:47:55 | 0:47:57 | |
"Please be advised, trains will be leaving King's Cross. | 0:47:57 | 0:48:00 | |
"You will be able to travel." | 0:48:00 | 0:48:02 | |
-Brilliant, thank you. -No worries. | 0:48:02 | 0:48:04 | |
Right, East Coast, with the 11.30... | 0:48:04 | 0:48:06 | |
I'm going to break the blue vest out. Go on the concourse | 0:48:06 | 0:48:10 | |
and see how much abuse I get from passengers. | 0:48:10 | 0:48:12 | |
Hopefully, it won't be too bad. They all seem in reasonably high spirits. | 0:48:12 | 0:48:16 | |
This is information for passengers travelling with East Coast train services this morning. | 0:48:16 | 0:48:21 | |
TANNOY: 'Network Rail and East Coast would like to severely apologise | 0:48:21 | 0:48:25 | |
'for the delays and disruption you are facing today...' | 0:48:25 | 0:48:28 | |
It is from the heart when I say it. | 0:48:28 | 0:48:30 | |
I don't... You know, I do mean I'm sorry. | 0:48:30 | 0:48:32 | |
I've got to get home, I travel to Peterborough, | 0:48:32 | 0:48:35 | |
so the apology applies to myself as well. | 0:48:35 | 0:48:37 | |
Unfortunately, I've just got to stay here and work through it. | 0:48:37 | 0:48:40 | |
OK, what happens tomorrow? | 0:48:40 | 0:48:42 | |
You can use your ticket tomorrow if you don't need to travel today. | 0:48:42 | 0:48:45 | |
Will there be seats? | 0:48:45 | 0:48:46 | |
-You'll get your seat tomorrow, yeah. OK? -OK. Thank you. | 0:48:46 | 0:48:49 | |
I've come to find out a bit more about what's happening in Edinburgh. | 0:48:49 | 0:48:53 | |
The weather in Scotland has gone from bad to worse. | 0:48:53 | 0:48:57 | |
Passengers travelling north of Newcastle | 0:48:57 | 0:48:59 | |
are advised to travel tomorrow. | 0:48:59 | 0:49:01 | |
-Tickets will be valid tomorrow. -Right. | 0:49:01 | 0:49:03 | |
With high winds threatening to bring the roof off Edinburgh Station, | 0:49:03 | 0:49:07 | |
it's forced to close. | 0:49:07 | 0:49:09 | |
All train movements north of Newcastle have been stopped. | 0:49:09 | 0:49:11 | |
-Have they given any estimate on this? -It's going to last all day. -Right. | 0:49:11 | 0:49:16 | |
Anybody going to Edinburgh, | 0:49:16 | 0:49:18 | |
the trains are only going as far as Newcastle this morning. | 0:49:18 | 0:49:22 | |
If you don't need to travel, travel tomorrow. Your tickets are valid. | 0:49:22 | 0:49:26 | |
So it's not going to run today. | 0:49:26 | 0:49:28 | |
I would suggest your best bet is to go home, come tomorrow. | 0:49:28 | 0:49:32 | |
I think you should give people a refund of money. | 0:49:32 | 0:49:35 | |
I can take you to see the Grand Central representative. | 0:49:35 | 0:49:37 | |
I think there's refund forms, if I take you over. | 0:49:37 | 0:49:40 | |
-Do you want to get another ticket? -I'll take you over. | 0:49:40 | 0:49:43 | |
Take one of these, right? You're not going to get a three-course meal | 0:49:43 | 0:49:46 | |
but they'll give you something back. | 0:49:46 | 0:49:48 | |
-You want to go to the Tower of London now? -Yeah. | 0:49:48 | 0:49:51 | |
I want to go Tower of London, mate. Take me with you. | 0:49:51 | 0:49:53 | |
We've run out of catering crew now. We've run out of drivers. | 0:49:53 | 0:49:56 | |
They're all stuck up north at the moment | 0:49:56 | 0:49:58 | |
so we've got serious problems today. | 0:49:58 | 0:50:01 | |
-You've no idea how long? -No. | 0:50:01 | 0:50:02 | |
We really are in not too good a state at the moment. | 0:50:02 | 0:50:05 | |
-Definitely no chance of making it to Scotland? -No. | 0:50:05 | 0:50:08 | |
-Could I make it to Durham? -No, you're only going as far as Newcastle. | 0:50:08 | 0:50:13 | |
-So, you couldn't go the extra stop to Durham? -Just for you? Course we can. | 0:50:13 | 0:50:16 | |
-TANNOY: -'..being suspended beyond Newcastle.' | 0:50:16 | 0:50:19 | |
OK, love. | 0:50:34 | 0:50:36 | |
Check your ticket, please. | 0:50:36 | 0:50:38 | |
-Who do you support? -Rangers, but they're fucked. -Not doing well, are they? | 0:50:39 | 0:50:43 | |
-Oh, you're kidding. -Any scars or tattoos? -Yeah. | 0:50:43 | 0:50:46 | |
-You've got plen.. Bloody hell. -Stabbing wounds. -Where do we start? | 0:50:46 | 0:50:50 | |
-Stabbing wounds a lot. -Stabbing wounds? -Bullet wounds. | 0:50:50 | 0:50:53 | |
-Bullet wounds? Have you had a hard life? -Yeah. | 0:50:53 | 0:50:56 | |
-What's this one here? This one. -Mum. -Mum. Mum, right hand. | 0:50:56 | 0:51:00 | |
-Tracey on my willy. -Tracey on your willy. -Yes. | 0:51:00 | 0:51:04 | |
-And if I hadn't stopped you today... -I walk past. -...how would you have paid? | 0:51:04 | 0:51:07 | |
-You'd have walked past? -Yeah. -At least you're honest, mate. | 0:51:07 | 0:51:12 | |
At Birkenhead Central station on Merseyside | 0:51:12 | 0:51:15 | |
it's a busy but cordial morning | 0:51:15 | 0:51:17 | |
for Revenue Protection staff John and Aaron. | 0:51:17 | 0:51:20 | |
What's happened? | 0:51:20 | 0:51:22 | |
Who was it? | 0:51:23 | 0:51:24 | |
As long as you're all right, mate, I'll give you a bell in a bit. | 0:51:24 | 0:51:28 | |
-All right, mate, see you in a bit. Ta-ra, mate. -Is he OK? -Yeah. | 0:51:28 | 0:51:33 | |
Just covered in spit. | 0:51:33 | 0:51:34 | |
-What did the lad look like? -He said he'd never seen him before. | 0:51:34 | 0:51:37 | |
-He's got off now though, so.. -Disgusting, isn't it? | 0:51:37 | 0:51:41 | |
At a nearby station, a colleague's been spat at | 0:51:41 | 0:51:44 | |
after stopping a traveller without a ticket. | 0:51:44 | 0:51:47 | |
We all have a spit kit, unfortunately, | 0:51:47 | 0:51:50 | |
DNA saliva recovery kit. | 0:51:50 | 0:51:52 | |
A glove, | 0:51:52 | 0:51:54 | |
your little swab, | 0:51:54 | 0:51:57 | |
and your bag to put it in, | 0:51:57 | 0:51:59 | |
and then pass it over to the police, | 0:51:59 | 0:52:01 | |
and then they will, erm...do a test to see if they're on the database. | 0:52:01 | 0:52:09 | |
You can catch all kinds off it, | 0:52:09 | 0:52:11 | |
especially if it goes in your eyeball. | 0:52:11 | 0:52:13 | |
-I'd definitely rather be punched than spat at. -Yeah. | 0:52:13 | 0:52:16 | |
It's just the way it is. It's life, isn't it? Unfortunately. | 0:52:16 | 0:52:20 | |
As well as spit kits, Revenue staff are fitted with body cameras. | 0:52:22 | 0:52:25 | |
They come in handy if an assault takes place. | 0:52:25 | 0:52:30 | |
This was an incident from last year at Liverpool South Parkway. | 0:52:30 | 0:52:33 | |
One of our stations. A young couple travelling on child tickets. | 0:52:33 | 0:52:37 | |
'You can't travel...' | 0:52:37 | 0:52:39 | |
He's just not listening to anything I say to him. | 0:52:39 | 0:52:43 | |
I mean, he gets quite irate, quite aggressive. | 0:52:43 | 0:52:45 | |
He gets right up in my face. I've got nowhere to go, with the barriers behind me. | 0:52:45 | 0:52:49 | |
He comes...comes for me, as it were, and my colleague gets in the way. | 0:52:49 | 0:52:53 | |
But his girlfriend, who hadn't said a word up to that point, | 0:52:53 | 0:52:56 | |
suddenly, er...turns out to be like a Muhammad Ali | 0:52:56 | 0:53:00 | |
and connects with two right hooks to my jaw, so... | 0:53:00 | 0:53:02 | |
so, bang. Bang. | 0:53:02 | 0:53:05 | |
-'Who the fuck do you think you are?' -'Who the fuck are you pushing?' | 0:53:05 | 0:53:08 | |
So, I mean, it's quite admirable Stand By Your Man kind of stuff, | 0:53:08 | 0:53:12 | |
but they're both completely in the wrong. | 0:53:12 | 0:53:14 | |
SHOUTING | 0:53:14 | 0:53:18 | |
We issue, on a personal basis probably, you know, | 0:53:18 | 0:53:21 | |
about 1,500 fines, individual fines a year I probably issue. | 0:53:21 | 0:53:25 | |
If this happens maybe ten times then, you know, it's been a good year, | 0:53:25 | 0:53:30 | |
I would say. | 0:53:30 | 0:53:32 | |
-TANNOY: -'We would like to thank you for your continued patience | 0:53:33 | 0:53:37 | |
'and your continued understanding...' | 0:53:37 | 0:53:40 | |
-Straight down to platform 2. -Thank you. -Platform 2. | 0:53:40 | 0:53:42 | |
-TANNOY: -'..the situation we are facing today.' | 0:53:42 | 0:53:45 | |
Please note, passengers travelling stations to Newcastle, | 0:53:45 | 0:53:49 | |
the train boarding on platform 0, platform 0, | 0:53:49 | 0:53:52 | |
is the 13:00 East Coast service for Newcastle. | 0:53:52 | 0:53:56 | |
The delayed trains into King's Cross start to arrive. | 0:53:58 | 0:54:02 | |
It's just come in literally only five minutes ago, | 0:54:02 | 0:54:04 | |
so we've just been working hard to turn it around quickly, | 0:54:04 | 0:54:07 | |
clean it, de-stock it and get it away. | 0:54:07 | 0:54:10 | |
And despite Scotland being off-limits, | 0:54:10 | 0:54:12 | |
the job of clearing the backlog of Bank Holiday passengers | 0:54:12 | 0:54:17 | |
heading for the Northeast begins. | 0:54:17 | 0:54:19 | |
As soon as we know, it will be announced on the main... | 0:54:19 | 0:54:22 | |
-Is this going to Leeds, mate? -We're going to start sending them out soon. | 0:54:22 | 0:54:25 | |
As soon as we've got drivers and guards for those trains, they'll be announced | 0:54:25 | 0:54:29 | |
and the station will be cleared probably in about two trains. | 0:54:29 | 0:54:32 | |
As soon as the train's announced, you'll be able to jump on it with that ticket. | 0:54:32 | 0:54:36 | |
Just get on any train to where you're going. | 0:54:38 | 0:54:40 | |
-Any train to Newark? -Yeah, that's no problem. | 0:54:40 | 0:54:42 | |
-Yes, you will be able to. -Is that all right? -Yeah, that's no problem. -Thank you. | 0:54:45 | 0:54:49 | |
WHISTLE BLOWS | 0:54:49 | 0:54:52 | |
Right, next plan. | 0:54:55 | 0:54:58 | |
-Coffee, tea. What about it? -White, two sugars. | 0:54:58 | 0:55:01 | |
Right, I'm cracking on. I'm going to Information. | 0:55:01 | 0:55:04 | |
1am, at Canton train depot in Cardiff. | 0:55:11 | 0:55:15 | |
Arriva cleaners Andrew and Lynne | 0:55:18 | 0:55:22 | |
are about to start on the first of 35 trains | 0:55:22 | 0:55:24 | |
they'll need to finish before their shift ends at 7. | 0:55:24 | 0:55:29 | |
You'll be surprised what you do find under the seats, | 0:55:29 | 0:55:31 | |
and you think "My word, if that's how they treat their home, I dread to think", | 0:55:31 | 0:55:36 | |
because this is for public use | 0:55:36 | 0:55:39 | |
so they should have a bit more respect. | 0:55:39 | 0:55:42 | |
You have your faeces on the toilet, on the floor. | 0:55:42 | 0:55:47 | |
In here you can have people's dirty pants, where they've taken them off. | 0:55:47 | 0:55:51 | |
Tampax, we've had on the floor. There's all sorts. | 0:55:51 | 0:55:56 | |
This is a paper mask, OK? | 0:55:59 | 0:56:02 | |
Obviously, we have to use this if there's any sick on the set. | 0:56:02 | 0:56:05 | |
This is a paper suit that will go all over my clothes. | 0:56:05 | 0:56:09 | |
Obviously, it's to stop all the sick going onto my clothes. | 0:56:09 | 0:56:12 | |
And, obviously, this is my goggles for... | 0:56:12 | 0:56:16 | |
to stop the sick splashing into my face. | 0:56:16 | 0:56:18 | |
When you're thinking about it, | 0:56:20 | 0:56:21 | |
I think about the children that could be sat on the trains | 0:56:21 | 0:56:23 | |
and, you know, when people have got their nice clothes on | 0:56:23 | 0:56:26 | |
so, you do the best job you can for the customers, you know. | 0:56:26 | 0:56:32 | |
I've been doing this now for... | 0:56:32 | 0:56:34 | |
I think it'll be my ninth year this year. | 0:56:34 | 0:56:37 | |
I really do enjoy the job that I do, | 0:56:37 | 0:56:39 | |
and that's what gets me through cleaning the sick | 0:56:39 | 0:56:43 | |
and it gets me through the night, you know. | 0:56:43 | 0:56:46 | |
When you see a train, and it comes in really bad, | 0:56:46 | 0:56:48 | |
and then it's going out in the morning, | 0:56:48 | 0:56:51 | |
and it looks very good, very clean, | 0:56:51 | 0:56:54 | |
you've just got a bit of pride in yourself. | 0:56:54 | 0:56:56 | |
Let's just go and see what's expected in the toilet. | 0:56:59 | 0:57:04 | |
Thanks to the reintroduction of the Ebbw Vale line, | 0:57:15 | 0:57:19 | |
the Welsh Valley railways are thriving once again, | 0:57:19 | 0:57:23 | |
and for the last four weeks, | 0:57:23 | 0:57:25 | |
Lucas Secal has been looking after thousands of passengers | 0:57:25 | 0:57:29 | |
that use them every day. | 0:57:29 | 0:57:30 | |
That's great. Thank you very much. There we go. Thank you very much. | 0:57:32 | 0:57:35 | |
'I haven't had a day when I didn't enjoy myself, actually.' | 0:57:35 | 0:57:38 | |
That's great. Thank you. | 0:57:38 | 0:57:40 | |
'In the month I've been out on my own, every day is different.' | 0:57:40 | 0:57:43 | |
-Thank you. -That's all right. | 0:57:43 | 0:57:45 | |
BABY CRIES | 0:57:45 | 0:57:47 | |
That's amazing. | 0:57:47 | 0:57:49 | |
'If somebody had said to me this time last year, "You're going to work on the railway", | 0:57:49 | 0:57:52 | |
I'd laugh, I would laugh with them, | 0:57:52 | 0:57:54 | |
I'd go, "No way, that's not me at all." | 0:57:54 | 0:57:57 | |
-Hello. -You all right? | 0:57:57 | 0:57:58 | |
I can't think of anything else I would want to do. | 0:58:01 | 0:58:03 | |
Good evening, ladies and gentlemen. This is your Cardiff Central service. | 0:58:03 | 0:58:06 | |
We will shortly be arriving at Cardiff Central, where this train will terminate. | 0:58:06 | 0:58:10 | |
TANNOY: 'Thank you.' | 0:58:10 | 0:58:12 | |
I'm slowly becoming a Welsh person. | 0:58:12 | 0:58:14 | |
Subtitles by Red Bee Media Ltd | 0:58:39 | 0:58:42 |