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Humans are an incredible species. | 0:00:05 | 0:00:08 | |
We've found ways to talk to each other | 0:00:08 | 0:00:10 | |
on opposite sides of the world. | 0:00:10 | 0:00:11 | |
We've discovered cures for terrible diseases, | 0:00:11 | 0:00:14 | |
and some of us have even left this planet to explore space. | 0:00:14 | 0:00:18 | |
But there's still so much left to find out. | 0:00:18 | 0:00:21 | |
I'm Greg Foot. Ever since I was a kid, I've been into science. | 0:00:21 | 0:00:24 | |
I've always been asking questions and taking things apart | 0:00:24 | 0:00:27 | |
to understand how they work. | 0:00:27 | 0:00:29 | |
I was the kid trawling through the rock pools | 0:00:29 | 0:00:31 | |
and the one that tried to turn his bike into an aeroplane. | 0:00:31 | 0:00:35 | |
I even went on to do a science degree. | 0:00:35 | 0:00:38 | |
And I'm still asking questions. | 0:00:38 | 0:00:40 | |
-This is going to hurt, right? -Yeah. | 0:00:40 | 0:00:42 | |
And I reckon a lot of you are too. | 0:00:42 | 0:00:44 | |
And that's what this series is all about, | 0:00:44 | 0:00:46 | |
getting to the bottom of all those questions | 0:00:46 | 0:00:48 | |
that never get properly answered, to reveal the secrets of everything. | 0:00:48 | 0:00:52 | |
This time on The Secrets Of Everything... | 0:01:00 | 0:01:03 | |
Can a loud noise kill you? | 0:01:03 | 0:01:04 | |
I want to see the effect of sound on these massive pig lungs. | 0:01:04 | 0:01:09 | |
The Doc and I launch our own space probe | 0:01:09 | 0:01:12 | |
to find out why the sky is blue... | 0:01:12 | 0:01:14 | |
Pick up the pace a bit, Doc, or we'll lose it. | 0:01:14 | 0:01:16 | |
We're up to 33mph now. | 0:01:16 | 0:01:18 | |
Come on, Harold. Come on, Harold. | 0:01:18 | 0:01:21 | |
And I find out if it's ever OK | 0:01:21 | 0:01:23 | |
to drink your own bodily fluids. | 0:01:23 | 0:01:26 | |
Bottoms up! | 0:01:26 | 0:01:28 | |
But first - | 0:01:29 | 0:01:31 | |
the secrets of survival. | 0:01:31 | 0:01:33 | |
You're walking down a dark alley, and you're set upon | 0:01:33 | 0:01:36 | |
by a group of thugs. If you were in a film, | 0:01:36 | 0:01:38 | |
you'd heroically finish them all off. | 0:01:38 | 0:01:41 | |
But this is real life. | 0:01:41 | 0:01:43 | |
Could you survive an unfair fight? | 0:01:43 | 0:01:46 | |
The first guy, I'd distract him | 0:01:46 | 0:01:49 | |
by showing him a picture of something incredibly ugly. | 0:01:49 | 0:01:53 | |
I'd probably run around screaming a lot | 0:01:53 | 0:01:55 | |
and just dodge them through speed. | 0:01:55 | 0:01:57 | |
And then the other two guys that are standing next to the first guy, | 0:01:57 | 0:02:00 | |
I'd slam their heads together. | 0:02:00 | 0:02:02 | |
I would make sure I'm fighting with my hands and my legs. | 0:02:02 | 0:02:05 | |
You can't just fight with hands. | 0:02:05 | 0:02:06 | |
Try and beat them all up. And I reckon I'd do quite a good job. | 0:02:06 | 0:02:10 | |
Now, in the absence of a bunch of Hollywood stuntmen, | 0:02:17 | 0:02:20 | |
I've settled for a group of cage fighters from Liverpool. | 0:02:20 | 0:02:23 | |
Leader of the gang is current mixed martial arts champion Rosi Sexton. | 0:02:24 | 0:02:30 | |
She's hard as nails. | 0:02:30 | 0:02:31 | |
That looked impressive. | 0:02:31 | 0:02:33 | |
Just a bit of fun, really. | 0:02:33 | 0:02:35 | |
Before Rosi has "a bit of fun" with me, | 0:02:37 | 0:02:40 | |
I'd like to get some idea of just how unfair | 0:02:40 | 0:02:43 | |
this fight is going to turn out. | 0:02:43 | 0:02:45 | |
You're going to need these. | 0:02:45 | 0:02:47 | |
Er, great. Cheers, thanks. | 0:02:47 | 0:02:48 | |
So, go and get changed and we'll see you back here in a minute. | 0:02:48 | 0:02:51 | |
Now, I've not done a lot of punching before, | 0:02:51 | 0:02:54 | |
but how hard can it be? | 0:02:54 | 0:02:56 | |
So what we got? | 0:03:01 | 0:03:02 | |
Got over eight there, so we've got 80G. | 0:03:02 | 0:03:07 | |
80G. All right. Happy with that. | 0:03:07 | 0:03:10 | |
'G is a way to look at force. | 0:03:10 | 0:03:13 | |
'100Gs is what you'd experience in a 60-mile-per-hour car crash, | 0:03:13 | 0:03:17 | |
'so 80's not a bad punch. | 0:03:17 | 0:03:19 | |
'Beat that, Rosi.' | 0:03:19 | 0:03:20 | |
Good. That's a 12G there, Rosi, so 120. | 0:03:24 | 0:03:27 | |
Wow! 120G. | 0:03:27 | 0:03:30 | |
And I'm going to be on the receiving end of that. | 0:03:30 | 0:03:32 | |
'This is looking less and less like fun to me, | 0:03:32 | 0:03:35 | |
'but those Hollywood heroes never back out, | 0:03:35 | 0:03:38 | |
'and as it happens, I've got a secret weapon.' | 0:03:38 | 0:03:41 | |
We all do. Adrenaline. | 0:03:41 | 0:03:43 | |
It's the same thing that makes your heart race in extreme situations. | 0:03:43 | 0:03:46 | |
'The scene is set, | 0:03:51 | 0:03:52 | |
'the camera's rolling, | 0:03:52 | 0:03:54 | |
'cue the adrenaline.' | 0:03:54 | 0:03:56 | |
I reckon the adrenaline's shooting up already. | 0:03:58 | 0:04:00 | |
I don't think I need to go in. | 0:04:00 | 0:04:02 | |
'Adrenaline increases your breathing and your heart rate. | 0:04:05 | 0:04:09 | |
'But it also triggers a sudden release of stored sugar... | 0:04:15 | 0:04:20 | |
'..your body's source of instant energy. | 0:04:22 | 0:04:24 | |
'It's all part of the body's fight or flight response, | 0:04:24 | 0:04:28 | |
'because in situations like this, | 0:04:28 | 0:04:30 | |
'you're either going to need to fight your best fight ever | 0:04:30 | 0:04:34 | |
'or run the fastest you possibly can. | 0:04:34 | 0:04:37 | |
'To be honest, I've felt on better form.' | 0:04:37 | 0:04:41 | |
Ahhhh! | 0:04:41 | 0:04:42 | |
It's like being in a food processor. | 0:04:42 | 0:04:44 | |
'I might feel utterly rubbish, | 0:04:46 | 0:04:48 | |
'but in theory, the adrenaline surge means I should be meaner, | 0:04:48 | 0:04:51 | |
'faster and stronger than normal.' | 0:04:51 | 0:04:53 | |
Let's check out the power while this adrenaline's going through. | 0:04:53 | 0:04:57 | |
Yes, so that's, what, 110? | 0:05:01 | 0:05:03 | |
-110G? -Yeah. | 0:05:03 | 0:05:05 | |
So there you go. That test shows that I went up from 80G before | 0:05:05 | 0:05:09 | |
to 110G after the fight, | 0:05:09 | 0:05:11 | |
with all that adrenaline racing through my body, | 0:05:11 | 0:05:14 | |
so my response to that fear was | 0:05:14 | 0:05:17 | |
to release all that adrenaline, make you stronger. | 0:05:17 | 0:05:21 | |
'It's starting to look like the movies | 0:05:24 | 0:05:26 | |
'aren't quite as daft as they seem. | 0:05:26 | 0:05:27 | |
'Adrenaline has turned me into a superman after all. | 0:05:27 | 0:05:31 | |
'Taking on mere humans, even two at a time, | 0:05:31 | 0:05:33 | |
'is beginning to look a whole lot easier.' | 0:05:33 | 0:05:36 | |
In the films, the hero's always being attacked | 0:05:37 | 0:05:40 | |
by opponents from all sides. | 0:05:40 | 0:05:42 | |
So what happens if I punch both of these at the same time? You ready? | 0:05:42 | 0:05:47 | |
It's weak. | 0:05:52 | 0:05:53 | |
2G. That's rubbish. | 0:05:54 | 0:05:56 | |
If you're punching two directions at once, | 0:05:56 | 0:05:59 | |
you've only got the strength of your arms, | 0:05:59 | 0:06:01 | |
and, relatively speaking, that's not very much. | 0:06:01 | 0:06:04 | |
You can't put any of your large core muscles | 0:06:04 | 0:06:06 | |
or the strength of your legs and your hips into it. | 0:06:06 | 0:06:09 | |
You're just like that. It's just... | 0:06:09 | 0:06:12 | |
-it's rubbish. -Yep. | 0:06:12 | 0:06:13 | |
You're right. | 0:06:13 | 0:06:15 | |
'So unless you're in a movie, or you can persuade | 0:06:15 | 0:06:18 | |
'your attackers to take it in turns, | 0:06:18 | 0:06:19 | |
'you're going to get hit, and that really is rubbish.' | 0:06:19 | 0:06:22 | |
Now, it's not the punch but the shock wave that's going to get you. | 0:06:24 | 0:06:27 | |
If you imagine that this bucket is your skull, | 0:06:27 | 0:06:30 | |
and the water inside is your brain, | 0:06:30 | 0:06:32 | |
if I hit there, | 0:06:32 | 0:06:34 | |
you get waves. | 0:06:34 | 0:06:35 | |
The impact spreads out from the point that I hit it, | 0:06:35 | 0:06:38 | |
and waves travel across. | 0:06:38 | 0:06:40 | |
They're called compression waves. | 0:06:40 | 0:06:42 | |
Now, the real problem comes when those waves | 0:06:42 | 0:06:44 | |
bounce off your skull, and when they collide | 0:06:44 | 0:06:46 | |
it causes a massive decrease in pressure. | 0:06:46 | 0:06:50 | |
Now, that might only be for a couple of milliseconds, | 0:06:50 | 0:06:52 | |
but it is enough to boil your blood | 0:06:52 | 0:06:55 | |
and to cause the tiny blood vessels to rupture | 0:06:55 | 0:06:57 | |
that carry oxygen to your brain. | 0:06:57 | 0:07:00 | |
'From your brain's point of view | 0:07:03 | 0:07:04 | |
'it doesn't really matter if it's damaged in a fair or unfair fight, | 0:07:04 | 0:07:08 | |
'it's just that if there are more of them than you, | 0:07:08 | 0:07:11 | |
'the chance of brain damage goes up.' | 0:07:11 | 0:07:13 | |
So, the best way to win an unfair fight? | 0:07:13 | 0:07:16 | |
Well, predictably, it's to avoid getting in it in the first place. | 0:07:16 | 0:07:20 | |
I'm really into my music, whether that's listening in the car | 0:07:42 | 0:07:45 | |
or at a club or ideally at a gig or a festival, | 0:07:45 | 0:07:49 | |
where the music is so loud, | 0:07:49 | 0:07:50 | |
it gets your ears ringing for a couple of days. | 0:07:50 | 0:07:53 | |
But if sound can cause long-term damage to your hearing, | 0:07:53 | 0:07:56 | |
can it hurt the rest of me as well? | 0:07:56 | 0:07:59 | |
And can a sound actually kill you? | 0:07:59 | 0:08:01 | |
Sound is essentially a type of energy made by vibrations. | 0:08:12 | 0:08:16 | |
When an object vibrates, it makes the air molecules around it vibrate, | 0:08:16 | 0:08:20 | |
and it's similar to what happens when a water drop hits a puddle. | 0:08:20 | 0:08:24 | |
It makes the water molecules around it vibrate | 0:08:24 | 0:08:27 | |
and the ones next to them also move, and the ones next to them, | 0:08:27 | 0:08:30 | |
and that makes the wave. | 0:08:30 | 0:08:32 | |
'And the bigger the wave, the louder the sound. | 0:08:32 | 0:08:35 | |
'Which is something stereo junkie Matt Sprigg knows all about.' | 0:08:37 | 0:08:41 | |
God, this is really going to have some welly, isn't it? | 0:08:41 | 0:08:44 | |
-Can we have a look indoors? -This is where the magic happens. | 0:08:44 | 0:08:47 | |
Some daddy speakers. Look at them! | 0:08:47 | 0:08:49 | |
Eight massive sub-woofers. | 0:08:49 | 0:08:50 | |
-Can we have this thing on full blast? -Full whack, definitely. | 0:08:50 | 0:08:53 | |
'I want to what 24 speakers' worth of bass sound can do | 0:08:53 | 0:08:57 | |
'in a confined space, and I've invited a friend along for the ride. | 0:08:57 | 0:09:01 | |
-RATTLING -'Matt is playing the frequency so low | 0:09:02 | 0:09:05 | |
'that you can't hear it on TV speakers, | 0:09:05 | 0:09:07 | |
'but it's the sound that's messing up our dummy's hair, | 0:09:07 | 0:09:11 | |
'and the noise you can hear | 0:09:11 | 0:09:12 | |
'is the car rattling as the sound waves rip through it.' | 0:09:12 | 0:09:16 | |
Wow. That has got some kick to it! | 0:09:16 | 0:09:19 | |
That is just massive speakers moving huge amounts of air, | 0:09:19 | 0:09:23 | |
and it just shows that all sound is is the movement of air. | 0:09:23 | 0:09:26 | |
'Without protection, | 0:09:26 | 0:09:28 | |
'the wave of air will tear right through your eardrums, | 0:09:28 | 0:09:31 | |
'damaging your hearing forever.' | 0:09:31 | 0:09:34 | |
But your ears aren't the only organ vulnerable to sound, | 0:09:34 | 0:09:37 | |
and to show you that, | 0:09:37 | 0:09:39 | |
I need something even more powerful than Matt's 24 speaker beast. | 0:09:39 | 0:09:43 | |
'These speakers, usually used at festivals, | 0:09:47 | 0:09:49 | |
'are capable of knocking out more than 150 decibels. | 0:09:49 | 0:09:53 | |
'That's the kind of levels you'd get from a jumbo jet taking off.' | 0:09:53 | 0:09:56 | |
I want to see the effects of sound on these massive pig lungs. | 0:09:59 | 0:10:04 | |
We're going to blast them with low frequency, high intensity sounds, | 0:10:04 | 0:10:09 | |
so that proper drum and bass kick, | 0:10:09 | 0:10:12 | |
hopefully 150 decibels, | 0:10:12 | 0:10:14 | |
which is even louder than you'd get at a music festival. | 0:10:14 | 0:10:17 | |
'Pigs are often used for research | 0:10:17 | 0:10:19 | |
'as their basic physiology is so similar to our own, | 0:10:19 | 0:10:23 | |
'and because this level of noise is so extreme, | 0:10:23 | 0:10:25 | |
'we've even had to have the building checked for structural safety.' | 0:10:25 | 0:10:29 | |
Right, let's do this. | 0:10:29 | 0:10:31 | |
'We're going to blast 128 hertz of low frequency sound at these lungs.' | 0:10:31 | 0:10:36 | |
OK, everyone. | 0:10:36 | 0:10:38 | |
Three, two, one, | 0:10:38 | 0:10:41 | |
go. | 0:10:41 | 0:10:42 | |
SOUND WAVE PLAYS | 0:10:42 | 0:10:45 | |
All objects have a natural frequency that causes them to vibrate. | 0:10:55 | 0:10:59 | |
It's known as their resonant frequency. | 0:10:59 | 0:11:02 | |
For lungs, it's right down there. | 0:11:02 | 0:11:04 | |
It's the sort of frequencies you get in bass music, | 0:11:04 | 0:11:07 | |
about 128 hertz, to be precise. | 0:11:07 | 0:11:09 | |
'If your lung vibrates like this, | 0:11:11 | 0:11:13 | |
'it could collapse like a popped balloon, | 0:11:13 | 0:11:15 | |
'which might be fatal. | 0:11:15 | 0:11:16 | |
'And it's not just the lungs. | 0:11:18 | 0:11:20 | |
'Look what happens when the stomach gets the 128 hertz treatment.' | 0:11:20 | 0:11:25 | |
As sound travels through the air, it compresses and decompresses it, | 0:11:28 | 0:11:32 | |
and it does exactly the same thing | 0:11:32 | 0:11:34 | |
when it travels through the air in your stomach. You can only imagine | 0:11:34 | 0:11:37 | |
what that would do to your bowel movements. | 0:11:37 | 0:11:39 | |
So, loud music can have some pretty gory side effects, | 0:11:41 | 0:11:44 | |
from bleeding ears to collapsed lungs. | 0:11:44 | 0:11:48 | |
It probably won't kill you instantly, | 0:11:48 | 0:11:50 | |
but it could be the start of a slow and painful death. | 0:11:50 | 0:11:53 | |
But at the right volume, it's all good, | 0:11:53 | 0:11:56 | |
so hopefully at my next gig, I won't lose control of my bowels. | 0:11:56 | 0:12:00 | |
'Protect your ears.' | 0:12:01 | 0:12:03 | |
'If you look at space from a spaceship, | 0:12:25 | 0:12:28 | |
'it's black. But if you look at space from down here on earth | 0:12:28 | 0:12:32 | |
'it's blue when it's not cloudy, and we call it the sky.' | 0:12:32 | 0:12:37 | |
But why is it blue here but black right out there? | 0:12:37 | 0:12:42 | |
Well, to find out, we need to take a journey into space. | 0:12:42 | 0:12:45 | |
'To help me build a spaceship, | 0:12:47 | 0:12:50 | |
'who better than a man who's a chemist, a practical engineer, | 0:12:50 | 0:12:54 | |
'meteorologist, and... | 0:12:54 | 0:12:56 | |
'Polish musician? | 0:12:56 | 0:12:59 | |
'He is Doctor Zbigniew Szydlo. | 0:13:01 | 0:13:03 | |
'I just call him Doc.' | 0:13:03 | 0:13:05 | |
# I see a bad moon rising... # | 0:13:05 | 0:13:09 | |
'Doc and I are on the way to see Steve Randall. | 0:13:10 | 0:13:13 | |
'His weather balloons travel to the edge of space, | 0:13:16 | 0:13:18 | |
'so we're hitching a ride to find exactly why | 0:13:18 | 0:13:21 | |
'the sky changes from blue to black.' | 0:13:21 | 0:13:24 | |
We'll send up a couple of these cameras in the payload | 0:13:25 | 0:13:27 | |
and then we're going to analyse the footage that comes back. | 0:13:27 | 0:13:31 | |
'As well as filming the colour of the sky, | 0:13:32 | 0:13:35 | |
'we'll be taking other readings too. | 0:13:35 | 0:13:37 | |
'This is a thermometer and this bit measures atmospheric pressure, | 0:13:37 | 0:13:42 | |
'or, in other words, how much air is left above our craft.' | 0:13:42 | 0:13:46 | |
And this, this is the crucial bit. This is the GPS. | 0:13:48 | 0:13:50 | |
If we didn't have this, we wouldn't be able to find it again. | 0:13:50 | 0:13:53 | |
and that is going to be our payload. | 0:13:53 | 0:13:56 | |
A beauty. | 0:13:58 | 0:13:59 | |
# Spaceman, I always wanted you to go... # | 0:13:59 | 0:14:05 | |
'I've always wanted to launch a spaceship, | 0:14:05 | 0:14:08 | |
'but I never thought it would look like this.' | 0:14:08 | 0:14:12 | |
Brilliant. | 0:14:16 | 0:14:18 | |
Follow that balloon. | 0:14:25 | 0:14:26 | |
'Although we've now lost visual with Spaceship One...' | 0:14:26 | 0:14:29 | |
It's just got to 5,200 metres. | 0:14:29 | 0:14:32 | |
'..here at mission control, Steve's in constant contact.' | 0:14:32 | 0:14:36 | |
It's currently just over 10,000 metres. | 0:14:37 | 0:14:40 | |
'At 10,000 metres, | 0:14:40 | 0:14:42 | |
'Spaceship One is over a kilometre higher than Mount Everest, | 0:14:42 | 0:14:45 | |
'and when it gets to 20,000 metres, higher than any airliner flies, | 0:14:45 | 0:14:48 | |
'the blueness that what we see from the ground as sky | 0:14:48 | 0:14:51 | |
'is now just a thin line on the earth's horizon. | 0:14:51 | 0:14:55 | |
'Up here, there's almost no atmosphere at all. | 0:14:55 | 0:14:58 | |
'The helium in the balloon expands as it tries to fill the void of space. | 0:14:58 | 0:15:03 | |
'Now the race is on, to recover Spaceship One's re-entry module | 0:15:05 | 0:15:09 | |
'and harvest its data.' | 0:15:09 | 0:15:10 | |
Pick up the pace a bit, Doc, or we'll lose it. | 0:15:10 | 0:15:12 | |
Up to 33mph now. How quick's that?! | 0:15:12 | 0:15:15 | |
Go on, Harold! | 0:15:15 | 0:15:17 | |
So we've got to go to its kind of last known position, | 0:15:18 | 0:15:21 | |
roughly, and then try to track it locally? | 0:15:21 | 0:15:25 | |
Oh, hang on a minute... | 0:15:25 | 0:15:28 | |
Brilliant. | 0:15:28 | 0:15:29 | |
Success. | 0:15:29 | 0:15:31 | |
OK, let's get it open. We need to look at the footage. | 0:15:31 | 0:15:34 | |
'Doc and Steve now analyse Spaceship One's data | 0:15:36 | 0:15:39 | |
'at mission control's research centre, | 0:15:39 | 0:15:41 | |
'to find out why the sky gets blacker the further you go into space. | 0:15:41 | 0:15:45 | |
'Straightaway, our video shows how the colour blue drains away | 0:15:45 | 0:15:50 | |
'the higher the balloon gets. | 0:15:50 | 0:15:53 | |
'But what about the other measurements? What about temperature | 0:15:53 | 0:15:57 | |
'and atmospheric pressure?' | 0:15:57 | 0:15:59 | |
Now, if we have a look at the precise colour measurements | 0:16:01 | 0:16:04 | |
from those pictures, what we find is | 0:16:04 | 0:16:08 | |
that the colour changes a lot | 0:16:08 | 0:16:11 | |
as you go higher and higher and higher, | 0:16:11 | 0:16:13 | |
until you're a lot higher and it doesn't change as fast. | 0:16:13 | 0:16:16 | |
Temperature also changes as you go higher, | 0:16:16 | 0:16:20 | |
but it kind of changes at a similar sort of rate | 0:16:20 | 0:16:23 | |
until you get to the top and it doesn't change that much. | 0:16:23 | 0:16:27 | |
Now, the air pressure, the thickness of the air, | 0:16:27 | 0:16:30 | |
also changes as you go up, | 0:16:30 | 0:16:32 | |
and it does so... | 0:16:32 | 0:16:33 | |
..in a very similar way to the colour. | 0:16:36 | 0:16:39 | |
And that's what it's all about, | 0:16:39 | 0:16:41 | |
As the air gets thinner, our blue sky fades to black. | 0:16:41 | 0:16:45 | |
So the sky is blue | 0:16:45 | 0:16:47 | |
because of the thickness of the atmosphere above us | 0:16:47 | 0:16:50 | |
and the light bouncing off all the air molecules and dust particles. | 0:16:50 | 0:16:53 | |
Take away the atmosphere and the sky would be black, | 0:16:53 | 0:16:56 | |
just like it is in space. | 0:16:56 | 0:16:59 | |
Here's Professor Logic. | 0:17:24 | 0:17:26 | |
How do you do, Professor? | 0:17:26 | 0:17:28 | |
Professor Logic is a busy man. | 0:17:28 | 0:17:31 | |
So much to see, so much to learn, | 0:17:31 | 0:17:34 | |
so much to measure. | 0:17:34 | 0:17:36 | |
Professor Logic loves measuring. | 0:17:41 | 0:17:44 | |
What are you going to measure today, Professor? | 0:17:44 | 0:17:47 | |
You want to know how big infinity is, so you're going to measure it? | 0:17:51 | 0:17:54 | |
Professor Logic has tried to count to infinity, | 0:17:54 | 0:17:58 | |
but every time he thinks he might have got there, | 0:17:58 | 0:18:00 | |
he finds he can make it bigger by one. | 0:18:00 | 0:18:04 | |
So he's left the Earth to see if he can see | 0:18:04 | 0:18:07 | |
if space is infinitely big. | 0:18:07 | 0:18:10 | |
There's a problem? | 0:18:10 | 0:18:11 | |
If space really was infinite, | 0:18:11 | 0:18:13 | |
it would contain an infinite number of Professor Logics, | 0:18:13 | 0:18:17 | |
and you've never seen any. | 0:18:17 | 0:18:19 | |
Professor, are these your animals? | 0:18:23 | 0:18:26 | |
You're using them to see if it's true | 0:18:26 | 0:18:28 | |
that an infinite number of monkeys | 0:18:28 | 0:18:30 | |
actually could write the complete works of Shakespeare. | 0:18:30 | 0:18:33 | |
Oh, dear. | 0:18:36 | 0:18:38 | |
So near and yet so far. | 0:18:38 | 0:18:40 | |
Professor, does it really matter that you can't measure infinity? | 0:18:42 | 0:18:47 | |
I mean, it seems to me that infinity is a rather beautiful thing. | 0:18:47 | 0:18:51 | |
A symbol perhaps of eternity, or maybe eternal love. | 0:18:51 | 0:18:55 | |
Perhaps like a carousel that's turning, | 0:18:57 | 0:19:01 | |
running rings around the moon. | 0:19:01 | 0:19:04 | |
Like a clock whose hands are sweeping | 0:19:04 | 0:19:06 | |
past the minutes on its face, | 0:19:06 | 0:19:10 | |
and the world is like an apple whirling silently in space, | 0:19:10 | 0:19:15 | |
like the circles that you find in the windmills of your mind. | 0:19:15 | 0:19:20 | |
The trouble is, Professor, | 0:19:24 | 0:19:25 | |
infinity isn't a number at all, | 0:19:25 | 0:19:28 | |
more an idea that you can't measure. | 0:19:28 | 0:19:32 | |
It certainly makes you think, doesn't it? Goodbye. | 0:19:32 | 0:19:35 | |
ALARM BLARES | 0:19:37 | 0:19:38 | |
BURGER BURPS | 0:19:48 | 0:19:50 | |
Ah! You've been feeling really rubbish for days. | 0:20:09 | 0:20:12 | |
You've got a stinking cold, | 0:20:12 | 0:20:14 | |
Every time you sneeze, your whole body shakes | 0:20:14 | 0:20:17 | |
and you just can't keep your eyes open. | 0:20:17 | 0:20:19 | |
Does that mean the urban legend you heard as a kid is true? | 0:20:19 | 0:20:23 | |
If you sneeze with your eyes open, will your eyes really pop out? | 0:20:23 | 0:20:27 | |
'To find out I've asked my friend and serial sneezer Ella to help.' | 0:20:38 | 0:20:42 | |
-All right, you up for this? -Yes. | 0:20:42 | 0:20:44 | |
'First up, though, we've got to make ourselves sneeze.' | 0:20:44 | 0:20:47 | |
I've read some stuff about this. | 0:20:47 | 0:20:49 | |
-What is it? -This is ground white pepper. -Yeah, I'm ready for it. | 0:20:49 | 0:20:53 | |
'Pepper contains something called piperine, | 0:20:53 | 0:20:56 | |
'a chemical which really irritates your nostrils.' | 0:20:56 | 0:20:59 | |
SHE COUGHS | 0:20:59 | 0:21:01 | |
Oh... | 0:21:01 | 0:21:02 | |
-Yes? -No. -No? | 0:21:04 | 0:21:06 | |
Aaargh! | 0:21:06 | 0:21:08 | |
I'm crying, but I'm not sneezing. | 0:21:08 | 0:21:11 | |
'Clearly my sneeze threshold is quite high. | 0:21:11 | 0:21:14 | |
'Time to try something different.' | 0:21:14 | 0:21:17 | |
-This time, take the tissue... -Yep. | 0:21:17 | 0:21:19 | |
..and twist it and shove it up and tickle the top of your nose. | 0:21:19 | 0:21:23 | |
OK. | 0:21:23 | 0:21:25 | |
OK. | 0:21:25 | 0:21:26 | |
-I've got one coming. -Me too. | 0:21:28 | 0:21:30 | |
HE SNEEZES | 0:21:32 | 0:21:33 | |
-Were my eyes open or shut? -Definitely shut. -Definitely shut? | 0:21:33 | 0:21:36 | |
'Just before you sneeze, you breathe in and your chest inflates. | 0:21:36 | 0:21:41 | |
'When you finally let rip, it all comes rushing out at over 100mph. | 0:21:41 | 0:21:47 | |
'That explains why your mouth moves so much in a sneeze, | 0:21:47 | 0:21:50 | |
'but it's still not clear why your eyes shut.' | 0:21:50 | 0:21:53 | |
Right. There's only one way we're going to do this. | 0:21:53 | 0:21:56 | |
You're going to have to hold them open, | 0:21:56 | 0:21:58 | |
I'll have to tickle. I'll have to see what happens. | 0:21:58 | 0:22:01 | |
I really hope they don't pop out. | 0:22:01 | 0:22:03 | |
I need them. | 0:22:03 | 0:22:04 | |
HE SNEEZES | 0:22:06 | 0:22:08 | |
Come on! | 0:22:08 | 0:22:09 | |
That was open. | 0:22:09 | 0:22:10 | |
'My eye only stayed open because it was forced to, | 0:22:12 | 0:22:15 | |
'but there's a good reason why it didn't pop out.' | 0:22:15 | 0:22:18 | |
Lucky for me, you've got muscles in your eyes that allow you to look up, | 0:22:18 | 0:22:22 | |
down, those ones there, left, right, | 0:22:22 | 0:22:25 | |
and also ones that keep it in place, so when I sneezed, | 0:22:25 | 0:22:29 | |
-my eyes weren't going to go anywhere. -That's good. | 0:22:29 | 0:22:32 | |
'Urban legend - rubbish. | 0:22:32 | 0:22:34 | |
'There's nothing like a cool refreshing drink on a warm day.' | 0:22:54 | 0:22:58 | |
But if I was stranded, alone, | 0:22:58 | 0:23:01 | |
far from the comforts of civilisation, | 0:23:01 | 0:23:03 | |
how long could I exist without drinking? | 0:23:03 | 0:23:06 | |
'Imagine you're marooned on a desert island. | 0:23:06 | 0:23:09 | |
'The only water you've got is what you can personally provide. | 0:23:09 | 0:23:12 | |
'Would you, could you survive on your own bodily fluids?' | 0:23:12 | 0:23:18 | |
I think it would be pretty disgusting, to be honest with you, | 0:23:18 | 0:23:21 | |
but, erm, can't knock it until you try it, I suppose. | 0:23:21 | 0:23:23 | |
-Might as well. -Pretty much. -I probably would, yeah. | 0:23:23 | 0:23:27 | |
Yeah, I'd do it, because in my head I'd be like, | 0:23:27 | 0:23:29 | |
"If I'm thirsty..." | 0:23:29 | 0:23:30 | |
HE LAUGHS | 0:23:30 | 0:23:32 | |
-I'd rather die. -No, I would actually do it. -No. I'd rather die. | 0:23:32 | 0:23:35 | |
No, I'd rather die, thank you. | 0:23:35 | 0:23:38 | |
'The BBC refused to pay for a desert island, | 0:23:44 | 0:23:47 | |
'so I've come to the next best thing, | 0:23:47 | 0:23:50 | |
'a lab in Wales...' | 0:23:50 | 0:23:51 | |
-Hiya, how are you doing? -Hello. -I'm Greg. | 0:23:51 | 0:23:53 | |
'..where Sam Oliver will make me thirsty enough to... | 0:23:53 | 0:23:56 | |
'well, we'll see.' | 0:23:56 | 0:23:58 | |
First thing we need to do is establish how much you weigh. | 0:24:00 | 0:24:03 | |
'Sam's got a plan to extract as much fluid from me as possible, | 0:24:03 | 0:24:06 | |
'and regular weigh-ins will tell him | 0:24:06 | 0:24:10 | |
'exactly how much he's getting.' | 0:24:10 | 0:24:11 | |
79.8 kilograms. | 0:24:11 | 0:24:13 | |
'Now, I've not been to the loo for 12 hours.' | 0:24:13 | 0:24:16 | |
I'm sure I can squeeze one out for you. | 0:24:16 | 0:24:18 | |
'Time to open the floodgates.' | 0:24:18 | 0:24:20 | |
It's nice and warm. | 0:24:25 | 0:24:28 | |
I'm proud of that, Sam, that's a lot. | 0:24:30 | 0:24:33 | |
That's exactly 800ml. | 0:24:33 | 0:24:35 | |
'According to Sam, it's possible to pee out | 0:24:36 | 0:24:39 | |
'up to two litres of urine every day, | 0:24:39 | 0:24:41 | |
'so this lot would be worth its weight in gold on a desert island. | 0:24:41 | 0:24:45 | |
'The trouble is, peeing isn't | 0:24:50 | 0:24:52 | |
'the only way we lose fluid | 0:24:52 | 0:24:54 | |
'so Sam's recreated my island paradise in a sealed chamber | 0:24:54 | 0:24:58 | |
'heated to 30 degrees.' | 0:24:58 | 0:24:59 | |
I'd like to be able to monitor your core temperature, and the... | 0:25:01 | 0:25:04 | |
Thermometer, yeah? | 0:25:04 | 0:25:06 | |
No...it's best to measure it rectally, actually. | 0:25:06 | 0:25:09 | |
This is the probe I'd like you to insert. | 0:25:09 | 0:25:11 | |
I feel violated. | 0:25:15 | 0:25:17 | |
'The plan is to dehydrate me even more.' | 0:25:21 | 0:25:23 | |
Keep going, that's really good. | 0:25:23 | 0:25:25 | |
'We sweat from glands all over the body, | 0:25:25 | 0:25:28 | |
'and the humidity in this Welsh desert island | 0:25:28 | 0:25:31 | |
'is sending them into overdrive. | 0:25:31 | 0:25:33 | |
'Worse still, as my breathing gets faster, I'm going to lose | 0:25:38 | 0:25:42 | |
'even more moisture from my lungs.' | 0:25:42 | 0:25:45 | |
2...1...and stop. | 0:25:45 | 0:25:48 | |
It's about 77.7. | 0:25:54 | 0:25:58 | |
OK, Sam, so how much sweat did I lose? | 0:25:58 | 0:26:00 | |
You actually lost just over a litre in sweat. | 0:26:00 | 0:26:03 | |
So today, with urine, sweat and breath, I've lost | 0:26:03 | 0:26:08 | |
just over two litres, am I now classified as dehydrated? | 0:26:08 | 0:26:12 | |
Yeah. You're going to be around two and a half per cent dehydrated. | 0:26:12 | 0:26:15 | |
'If I was on my desert island, I'd be in trouble, | 0:26:15 | 0:26:17 | |
'and if I didn't drink anything for another four days, | 0:26:17 | 0:26:20 | |
'I'd be dead. | 0:26:20 | 0:26:22 | |
'So seeing as my pee is the only bodily fluid | 0:26:22 | 0:26:25 | |
'I'd stand any chance of collecting, | 0:26:25 | 0:26:27 | |
'it's time for a swig of the amber nectar.' | 0:26:27 | 0:26:30 | |
So, erm, could I survive off it? | 0:26:30 | 0:26:33 | |
I guess if it was your only fluid. It is sterile. | 0:26:33 | 0:26:37 | |
It would be your choice, really, I think, Greg. | 0:26:37 | 0:26:39 | |
Well, you know what, Sam? I've come this far. | 0:26:39 | 0:26:42 | |
I may as well see this journey to the end. | 0:26:42 | 0:26:44 | |
Bottoms up. | 0:26:51 | 0:26:52 | |
Ahhh. Eurghh. | 0:26:59 | 0:27:01 | |
How was that, Greg? | 0:27:01 | 0:27:03 | |
GREG LAUGHS | 0:27:03 | 0:27:04 | |
If my life depended on it, I could probably just about do that. | 0:27:04 | 0:27:09 | |
'And then, at the eleventh hour, | 0:27:09 | 0:27:12 | |
'Sam drops a bombshell.' | 0:27:12 | 0:27:13 | |
Unfortunately, on a desert island, though, Greg, | 0:27:13 | 0:27:16 | |
your urine's likely to be a lot more concentrated, | 0:27:16 | 0:27:18 | |
and therefore might even make you vomit or cause diarrhoea. | 0:27:18 | 0:27:22 | |
So, erm, you probably wouldn't drink your urine on a desert island. | 0:27:22 | 0:27:27 | |
Thanks! You've just told me that after I drunk it. | 0:27:27 | 0:27:32 | |
Cheers(!) | 0:27:32 | 0:27:34 | |
3, 2, 1... | 0:27:39 | 0:27:41 | |
'There are still loads of secrets out there. | 0:27:41 | 0:27:43 | |
'Next time - can body armour really save your life?' | 0:27:43 | 0:27:47 | |
Did it stop the bullet? | 0:27:47 | 0:27:49 | |
'Why boomerangs come back... | 0:27:49 | 0:27:52 | |
'usually...' | 0:27:52 | 0:27:53 | |
It may not look like it, | 0:27:53 | 0:27:54 | |
but there's a lot of physics going on in this bent bit of wood. | 0:27:54 | 0:27:58 | |
'..and surviving being buried alive - | 0:27:58 | 0:28:00 | |
'all you need to know.' | 0:28:00 | 0:28:02 | |
I just feel weak. | 0:28:02 | 0:28:04 | |
Subtitles by Red Bee Media Ltd | 0:28:23 | 0:28:26 |