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Hello and welcome to the Urban Jungle. | 0:00:15 | 0:00:17 | |
Some people think that in order to see fantastic wildlife, | 0:00:19 | 0:00:23 | |
you have to go deep into the countryside. | 0:00:23 | 0:00:26 | |
Well, some people are wrong. | 0:00:26 | 0:00:28 | |
You don't have to leave town. | 0:00:28 | 0:00:31 | |
I'm Richard Taylor-Jones, | 0:00:31 | 0:00:33 | |
and I love nothing more than filming wildlife. | 0:00:33 | 0:00:35 | |
And that means we'll be discovering all sorts of remarkable things | 0:00:37 | 0:00:41 | |
in the urban jungle, such as... | 0:00:41 | 0:00:43 | |
Dover - a river runs through it. | 0:00:44 | 0:00:47 | |
What I really want to do | 0:00:47 | 0:00:49 | |
is get some underwater shots of fish, | 0:00:49 | 0:00:52 | |
so a small underwater camera and a bit of luck, | 0:00:52 | 0:00:54 | |
and hopefully we'll get it. | 0:00:54 | 0:00:56 | |
The alternative nightlife of Brighton and Eastbourne. | 0:00:56 | 0:00:59 | |
It's midnight and we're hunting for hedgehogs. | 0:00:59 | 0:01:02 | |
And the spectacular sight of a falcon flight school | 0:01:05 | 0:01:08 | |
at Bluewater Shopping Centre. | 0:01:08 | 0:01:10 | |
I have filmed peregrines all over the UK, | 0:01:12 | 0:01:15 | |
but I have never witnessed that - never. | 0:01:15 | 0:01:18 | |
But first, a little gem - | 0:01:24 | 0:01:26 | |
a rare habitat called a chalk stream. | 0:01:26 | 0:01:28 | |
Who'd have thought you'd find such a thing | 0:01:28 | 0:01:31 | |
flowing straight through the heart of Dover? | 0:01:31 | 0:01:34 | |
There was always going to be a town at Dover. | 0:01:51 | 0:01:53 | |
There had to be, it being the closest place to the continent. | 0:01:53 | 0:01:57 | |
It grew up around the mouth of the river Dour, | 0:01:57 | 0:02:00 | |
the river that gave Dover its name. | 0:02:00 | 0:02:04 | |
Yes, there is in fact a river running straight the heart of Dover, | 0:02:04 | 0:02:09 | |
although you'd hardly know it today. | 0:02:09 | 0:02:11 | |
But it's not any old river. | 0:02:13 | 0:02:15 | |
It may be right next to the roar of the traffic, | 0:02:15 | 0:02:18 | |
but this is a rare habitat. | 0:02:18 | 0:02:19 | |
Technically, it's known as a chalk stream. | 0:02:21 | 0:02:24 | |
The source of the Dour is a more leafy area | 0:02:27 | 0:02:30 | |
on the northwest outskirts of town. | 0:02:30 | 0:02:33 | |
Rainwater has filtered through chalk, | 0:02:33 | 0:02:35 | |
which means it's incredibly pure. | 0:02:35 | 0:02:37 | |
Look how clear that is. | 0:02:39 | 0:02:40 | |
Wow - gin clear, as they would say. | 0:02:40 | 0:02:43 | |
And no silt in it. This is what's so important for the wildlife. | 0:02:43 | 0:02:47 | |
Not only is it pure, | 0:02:47 | 0:02:49 | |
it's also at a constant temperature of about 11 degrees all year round. | 0:02:49 | 0:02:54 | |
These things both contribute to making it a rare habitat. | 0:02:54 | 0:02:58 | |
So let's go down the whole length of this river | 0:02:59 | 0:03:02 | |
and see just what wildlife we can find. | 0:03:02 | 0:03:04 | |
A couple of miles downstream, | 0:03:07 | 0:03:09 | |
the river has birds that we see all the time - moorhens. | 0:03:09 | 0:03:13 | |
The reason they are common may be explained | 0:03:13 | 0:03:16 | |
by the way they rear their young - and it's fascinating to watch. | 0:03:16 | 0:03:20 | |
We've got the parents, | 0:03:20 | 0:03:22 | |
with their lovely brown backs, black fronts and red bill. | 0:03:22 | 0:03:26 | |
Then we've got the teenagers, | 0:03:26 | 0:03:29 | |
who will be this year's first brood, rather dull brown birds, | 0:03:29 | 0:03:34 | |
and then the cute little black fluffy ones, | 0:03:34 | 0:03:36 | |
which are the most recent chicks. | 0:03:36 | 0:03:38 | |
The great thing about these birds | 0:03:38 | 0:03:40 | |
is they actually act communally, as a family. | 0:03:40 | 0:03:43 | |
Look at that - straight in for some bread | 0:03:43 | 0:03:45 | |
a passer-by has just dropped in. | 0:03:45 | 0:03:48 | |
It's got the bread, but it's not eating it itself. | 0:03:48 | 0:03:51 | |
Instead, it's taking it back to the young chick | 0:03:51 | 0:03:54 | |
and passing it over - look at that. | 0:03:54 | 0:03:57 | |
This is not a parent. The parents are the big, black glossy birds. | 0:03:57 | 0:04:01 | |
This brown bird is a member of the first brood | 0:04:01 | 0:04:05 | |
that would have hatched earlier in the year. | 0:04:05 | 0:04:07 | |
Instead of just looking after itself and disappearing off, | 0:04:07 | 0:04:10 | |
it's actually helping its parents out | 0:04:10 | 0:04:12 | |
with the second brood of chicks. | 0:04:12 | 0:04:14 | |
Look, there you go again - passing the bread over | 0:04:14 | 0:04:17 | |
to the young, fluffy black chick | 0:04:17 | 0:04:19 | |
that is probably only just a few days old. | 0:04:19 | 0:04:21 | |
This sort of cooperative behaviour | 0:04:21 | 0:04:25 | |
is, perhaps, a very good reason why moorhens are so successful. | 0:04:25 | 0:04:28 | |
Chalk streams are internationally rare | 0:04:31 | 0:04:36 | |
and we take it for granted | 0:04:36 | 0:04:39 | |
that we've got this very internationally rare habitat | 0:04:39 | 0:04:42 | |
right on our doorstep. | 0:04:42 | 0:04:43 | |
And the rare habitat means | 0:04:43 | 0:04:45 | |
that this river is the best place in the South East for brown trout. | 0:04:45 | 0:04:50 | |
I can see them perfectly well, looking down into the clear water. | 0:04:51 | 0:04:55 | |
But what I really want to do is get some underwater shots of them. | 0:04:55 | 0:04:59 | |
So a small underwater camera, | 0:04:59 | 0:05:01 | |
a pole and some waders - and a bit of luck - | 0:05:01 | 0:05:05 | |
and hopefully, we'll get it. | 0:05:05 | 0:05:06 | |
Brown trout are ambush predators. | 0:05:15 | 0:05:18 | |
What they like to do is settle down facing upstream | 0:05:18 | 0:05:21 | |
and wait for the river to bring food to them. | 0:05:21 | 0:05:24 | |
This method of hunting is very efficient for the trout, | 0:05:31 | 0:05:34 | |
as it doesn't have to waste energy | 0:05:34 | 0:05:36 | |
swimming up and down the fast-flowing current | 0:05:36 | 0:05:39 | |
looking for food. | 0:05:39 | 0:05:41 | |
I find it quite exciting that there is an iconic British species | 0:05:41 | 0:05:44 | |
living right here in the heart of Dover. | 0:05:44 | 0:05:46 | |
When you're out looking for wildlife, | 0:05:51 | 0:05:53 | |
it's really important to look at the small stuff | 0:05:53 | 0:05:56 | |
as well as the big stuff. | 0:05:56 | 0:05:57 | |
These are called caddis flies. | 0:05:57 | 0:06:00 | |
They spend most of their lives underwater as larvae | 0:06:00 | 0:06:03 | |
and turn into adult winged flies during the summer. | 0:06:03 | 0:06:07 | |
Sometimes, it all suddenly happens at once | 0:06:07 | 0:06:10 | |
and this is called a hatch. | 0:06:10 | 0:06:12 | |
Tens of thousands of flies take to the air | 0:06:16 | 0:06:19 | |
with the sole purpose of mating as quickly as possible. | 0:06:19 | 0:06:23 | |
They fly up and down to attract a mate. | 0:06:23 | 0:06:26 | |
Then the female, with fertilised eggs | 0:06:47 | 0:06:49 | |
will fly down to the river surface to lay them. | 0:06:49 | 0:06:52 | |
Once this is done, the flies die. | 0:07:02 | 0:07:04 | |
The flies, in their adult phase, | 0:07:08 | 0:07:10 | |
may only be alive for just a few hours. | 0:07:10 | 0:07:14 | |
Bearing in mind the Dour goes right through the centre of Dover, | 0:07:24 | 0:07:27 | |
it does need a little help to stay in tip-top condition. | 0:07:27 | 0:07:31 | |
Blimey, look at that! That's not a coy carp, is it? | 0:07:33 | 0:07:35 | |
And it's not just a traffic cone | 0:07:38 | 0:07:39 | |
that this volunteer has found in the river. | 0:07:39 | 0:07:42 | |
This is an electronic tag here. Well, I never... | 0:07:42 | 0:07:45 | |
Yeah. So someone who has committed a crime | 0:07:45 | 0:07:47 | |
has committed another one by chucking it in the river. | 0:07:47 | 0:07:51 | |
It looks a bit old, though, | 0:07:51 | 0:07:52 | |
so I don't think it's worth sending out the search parties just yet. | 0:07:52 | 0:07:56 | |
I think this one's long gone, hasn't he? | 0:07:56 | 0:07:58 | |
At several points along its course, | 0:07:58 | 0:08:00 | |
the river just disappears under the ground | 0:08:00 | 0:08:02 | |
and here, for 100m, it's beneath a supermarket car park. | 0:08:02 | 0:08:07 | |
Further downstream... | 0:08:15 | 0:08:16 | |
I wasn't expecting brown bears. | 0:08:16 | 0:08:18 | |
..I'm thinking there's a chance | 0:08:18 | 0:08:20 | |
of catching another special little creature, | 0:08:20 | 0:08:23 | |
as long as it doesn't prove to be too slippery. | 0:08:23 | 0:08:26 | |
This is fantastic. | 0:08:27 | 0:08:28 | |
We've got a yellow eel, | 0:08:28 | 0:08:31 | |
and that's before they go silvery and go out to sea. | 0:08:31 | 0:08:34 | |
They go back to the Sargasso Sea, all the way over towards America, | 0:08:34 | 0:08:40 | |
where they go to breed. | 0:08:40 | 0:08:42 | |
I'm very excited about finding a yellow eel. | 0:08:45 | 0:08:49 | |
They're in serious decline, | 0:08:49 | 0:08:50 | |
probably because of the barriers we put in rivers, | 0:08:50 | 0:08:54 | |
like locks and weirs, which disrupt their life cycle. | 0:08:54 | 0:08:57 | |
Let's pop him back in. | 0:08:57 | 0:08:58 | |
And now we're getting close | 0:09:03 | 0:09:05 | |
to the end of our journey down the River Dour. | 0:09:05 | 0:09:08 | |
And it's just another 200m, curving round to the right, | 0:09:08 | 0:09:13 | |
and it comes down to the sea. | 0:09:13 | 0:09:15 | |
The river finally emerges in Dover Harbour, | 0:09:19 | 0:09:22 | |
in a place called De Bradelei Wharf. | 0:09:22 | 0:09:25 | |
It comes out of a culvert which is under the surface. | 0:09:25 | 0:09:29 | |
And so I'm going in for a closer look. | 0:09:29 | 0:09:32 | |
It seems such a sorry end for the river, | 0:09:42 | 0:09:44 | |
to arrive at the sea by way of a submerged pipe, | 0:09:44 | 0:09:48 | |
but as rivers go, it doesn't make it any less impressive. | 0:09:48 | 0:09:52 | |
So that's our journey down the River Dour | 0:09:53 | 0:09:56 | |
from the source to the sea. | 0:09:56 | 0:09:58 | |
If you happen to be passing through Dover, | 0:09:59 | 0:10:02 | |
you wouldn't know the river was there, but there it is. | 0:10:02 | 0:10:06 | |
The Dour - one of the most unlikely rare habitats in the country. | 0:10:06 | 0:10:11 | |
Coming up, we go shopping for wildlife | 0:10:29 | 0:10:32 | |
at Bluewater Retail Park. | 0:10:32 | 0:10:34 | |
Grass snake - let's see if we can grab him. | 0:10:34 | 0:10:36 | |
Lovely! Look at that. | 0:10:36 | 0:10:38 | |
Isn't he marvellous? He is a beauty. | 0:10:38 | 0:10:40 | |
An absolutely lovely, lovely animal. | 0:10:40 | 0:10:43 | |
Now, there's a lot more wildlife in our towns and cities | 0:10:44 | 0:10:47 | |
than you might imagine, | 0:10:47 | 0:10:48 | |
and the reason you don't see some of it | 0:10:48 | 0:10:51 | |
is because whilst you're fast asleep, | 0:10:51 | 0:10:53 | |
the animals are wide awake. | 0:10:53 | 0:10:55 | |
Natalie Graham goes in search of the nightlife of Brighton. | 0:10:55 | 0:11:00 | |
MUSIC: "I Love It" by Icona Pop | 0:11:01 | 0:11:04 | |
There's no shortage of nightlife in Brighton. | 0:11:06 | 0:11:09 | |
When one type of nightlife ends, another begins. | 0:11:11 | 0:11:14 | |
Deep into the early hours, | 0:11:22 | 0:11:24 | |
the city comes alive with the creatures of the night. | 0:11:24 | 0:11:28 | |
Many of them are under the watchful eye of Dawn Scott. | 0:11:28 | 0:11:31 | |
Dawn is from the University of Brighton. | 0:11:33 | 0:11:35 | |
She researches the way that wildlife and humans interact | 0:11:35 | 0:11:39 | |
in towns and cities. | 0:11:39 | 0:11:41 | |
With urban areas growing, especially in the South East, | 0:11:41 | 0:11:45 | |
we're taking up more and more habitat, | 0:11:45 | 0:11:47 | |
and what we want to know is which animals can cope with that habitat | 0:11:47 | 0:11:50 | |
and how they change their behaviour and ecology. | 0:11:50 | 0:11:53 | |
Foxes, hedgehogs, badgers... | 0:11:53 | 0:11:55 | |
Anything living in this environment, how it's doing - that's what I'm interested in. | 0:11:55 | 0:11:58 | |
It's midnight and we're hunting for hedgehogs. | 0:12:02 | 0:12:05 | |
Dawn reckons our best chance tonight is in Preston Park. | 0:12:09 | 0:12:13 | |
And sure enough, one of Dawn's assistants | 0:12:14 | 0:12:17 | |
lays her thick-gloved hands on a prime candidate. | 0:12:17 | 0:12:20 | |
They weigh the hedgehog and it turns out to be a big 'un. | 0:12:22 | 0:12:25 | |
Wow! | 0:12:25 | 0:12:27 | |
1,012.4. | 0:12:27 | 0:12:30 | |
They normally name their hedgehogs to help keep track, | 0:12:31 | 0:12:34 | |
so what are they going to call this one? | 0:12:34 | 0:12:37 | |
Big Boy, I reckon. | 0:12:37 | 0:12:38 | |
Hedgehogs are in serious decline in this country. | 0:12:41 | 0:12:44 | |
People often hand sick or injured ones into animal sanctuaries. | 0:12:44 | 0:12:48 | |
Dawn's trying to find out what's the best thing to do | 0:12:48 | 0:12:51 | |
when they get better. | 0:12:51 | 0:12:52 | |
Is it best to keep them in these rehabilitation centres? | 0:12:53 | 0:12:57 | |
Or, actually, if they're a good weight and they're healthy, | 0:12:57 | 0:12:59 | |
to release them into the wild? | 0:12:59 | 0:13:01 | |
So the plan is to tag some wild hedgehogs | 0:13:01 | 0:13:05 | |
and some rehabilitated ones | 0:13:05 | 0:13:07 | |
so she can follow and compare them over the winter. | 0:13:07 | 0:13:10 | |
Their next job is to attach a radio transmitter to Big Boy. | 0:13:11 | 0:13:15 | |
This is done by the simple method | 0:13:15 | 0:13:17 | |
of trimming down a few spines and gluing it on. | 0:13:17 | 0:13:20 | |
As the spines grow, they eventually fall out | 0:13:20 | 0:13:23 | |
and the transmitter will fall off of its own accord. | 0:13:23 | 0:13:26 | |
So all we need to do now is leave him for a few days, | 0:13:32 | 0:13:34 | |
then come back, track him down | 0:13:34 | 0:13:37 | |
and find out how far he's gone. | 0:13:37 | 0:13:39 | |
It's a different night in a different part of Brighton. | 0:13:47 | 0:13:51 | |
Dawn also studies foxes. | 0:13:51 | 0:13:53 | |
Because foxes are bigger, they can wear GPS collars | 0:13:53 | 0:13:56 | |
which are heavier than the hedgehogs' radio transmitters. | 0:13:56 | 0:13:59 | |
She's fitted eight foxes with collars to investigate their movements. | 0:13:59 | 0:14:04 | |
One of the foxes is called Cedric. | 0:14:04 | 0:14:06 | |
This is his home range, | 0:14:06 | 0:14:08 | |
so we know all the streets he is active around. | 0:14:08 | 0:14:11 | |
All these blue dots are where we've got GPS fixes on him. | 0:14:11 | 0:14:14 | |
We're just about here, so there's a place up here | 0:14:14 | 0:14:16 | |
where we're going to keep an eye out for whether he comes out. | 0:14:16 | 0:14:19 | |
There's a place here which is where his main den site is, | 0:14:19 | 0:14:21 | |
it's just round the corner. | 0:14:21 | 0:14:23 | |
However, Dawn has had a report that Cedric has a limp, | 0:14:23 | 0:14:27 | |
so she wants to take a look and check him out. | 0:14:27 | 0:14:30 | |
The problem is the GPS doesn't work in real-time like a smartphone. | 0:14:30 | 0:14:35 | |
There's a delay in the data, | 0:14:35 | 0:14:36 | |
so it can't tell you where Cedric is right now. | 0:14:36 | 0:14:40 | |
Yeah, I think in the next hour or so he'll definitely be out and about, | 0:14:40 | 0:14:43 | |
so we're going to try and catch him. | 0:14:43 | 0:14:45 | |
Right, see you later. | 0:14:45 | 0:14:46 | |
Night falls and we get our first sighting of a fox, but is it Cedric? | 0:14:51 | 0:14:56 | |
What we've just seen is, I think it's a cub, | 0:14:56 | 0:15:00 | |
so we think it's probably one of his cubs, | 0:15:00 | 0:15:02 | |
cos he definitely visits here quite frequently. | 0:15:02 | 0:15:05 | |
But then, a sighting behind some gates. | 0:15:05 | 0:15:08 | |
So you think this is him, Dawn? I think he's got a collar. | 0:15:08 | 0:15:11 | |
Erm, it's difficult to see with the gates, | 0:15:11 | 0:15:13 | |
but just as he turned his head it looked like it might have. | 0:15:13 | 0:15:16 | |
Well, it's not him, and we give up for the night, | 0:15:16 | 0:15:20 | |
but we're not giving up altogether. | 0:15:20 | 0:15:22 | |
It's day two of the hunt for Cedric. | 0:15:25 | 0:15:27 | |
I've just seen something crossing that road. | 0:15:31 | 0:15:33 | |
Act normal... | 0:15:46 | 0:15:47 | |
Where's he gone? | 0:15:49 | 0:15:51 | |
There he is. Top of the road. Running up. | 0:15:51 | 0:15:53 | |
Yeah, got him. | 0:15:56 | 0:15:57 | |
We think we've got Cedric on camera. | 0:16:04 | 0:16:07 | |
To make sure, we play it back to Dawn in our technical van. | 0:16:07 | 0:16:11 | |
Ah. Now, there's definitely a limp there. Can you see that limp? | 0:16:11 | 0:16:14 | |
Yeah, I can see that. | 0:16:14 | 0:16:15 | |
Yeah. Is it him? That's him, yeah. | 0:16:15 | 0:16:17 | |
Look, collar. See the collar? | 0:16:17 | 0:16:19 | |
Oh, yes! That's fantastic. | 0:16:19 | 0:16:21 | |
That's a really good shot. He has got a limp there. | 0:16:21 | 0:16:24 | |
Look, you can see on the front, yeah. Oh, wow. We've found him. | 0:16:24 | 0:16:27 | |
He's definitely got a slight injury. | 0:16:27 | 0:16:30 | |
Dawn now knows that Cedric has got a limp, | 0:16:30 | 0:16:32 | |
so she'll arrange to catch him | 0:16:32 | 0:16:34 | |
and have the collar taken off to lighten his load. | 0:16:34 | 0:16:38 | |
If necessary, he'll be taken to a vet, | 0:16:38 | 0:16:41 | |
but Dawn thinks the limp doesn't look too serious. | 0:16:41 | 0:16:44 | |
Over in Eastbourne lives the Brown family. | 0:16:47 | 0:16:50 | |
They volunteered their garden for more research into nocturnal animals. | 0:16:50 | 0:16:55 | |
One of Dawn's research students, Ella, | 0:16:55 | 0:16:57 | |
is putting video cameras in position. | 0:16:57 | 0:16:59 | |
As you can see, I've already put a couple down. | 0:17:01 | 0:17:03 | |
We're going to have five cameras here. | 0:17:03 | 0:17:05 | |
It's going to be motion-sensitive, | 0:17:05 | 0:17:07 | |
so it won't be on all the time, it will only take video | 0:17:07 | 0:17:11 | |
when something has triggered it, when something's gone past it. | 0:17:11 | 0:17:14 | |
Motion-sensitive, so they're not allowed to bounce on the trampoline. | 0:17:14 | 0:17:17 | |
No. Oh! | 0:17:17 | 0:17:19 | |
Are we ready to have a look? | 0:17:19 | 0:17:21 | |
After four nights of filming, | 0:17:21 | 0:17:23 | |
Ella shows the Browns what the cameras have picked up. | 0:17:23 | 0:17:27 | |
Everyone can see what that is. It's a fox! | 0:17:27 | 0:17:31 | |
How many? Three! | 0:17:33 | 0:17:36 | |
Last but not least, not a video, but a photo. | 0:17:36 | 0:17:39 | |
Who can spot it first? | 0:17:39 | 0:17:42 | |
ALL: Hedgehog! | 0:17:43 | 0:17:45 | |
Can you see him? You got a hedgehog. | 0:17:45 | 0:17:49 | |
Dawn wants to know more about the hedgehog, | 0:17:49 | 0:17:51 | |
so now she's decided to go down the low-tech route. | 0:17:51 | 0:17:55 | |
She can't afford to put motion-sensitive cameras | 0:17:55 | 0:17:58 | |
in a large number of gardens, but she can use this. | 0:17:58 | 0:18:02 | |
This is Correx, or corrugated plastic, | 0:18:02 | 0:18:06 | |
and what I'm painting on the masking tape is this lovely recipe | 0:18:06 | 0:18:10 | |
of cooking oil and black poster paint. OK. | 0:18:10 | 0:18:14 | |
So hopefully, the hedgehog will come along this way, it will stand | 0:18:14 | 0:18:18 | |
in this ink and get it all over its feet. | 0:18:18 | 0:18:22 | |
And when it's eaten, hopefully it'll walk out | 0:18:22 | 0:18:25 | |
and it should leave a little trail of footprints. | 0:18:25 | 0:18:27 | |
Hedgehog footprints are very easy to distinguish from other animals, | 0:18:27 | 0:18:31 | |
they're quite unique, so we can see if there's a hedgehog been here. | 0:18:31 | 0:18:34 | |
If you live in Brighton, you can help. | 0:18:34 | 0:18:37 | |
Dawn would like to place more of these hedgehog-detecting tunnels | 0:18:37 | 0:18:41 | |
in Brighton Gardens over the summer. | 0:18:41 | 0:18:43 | |
Details of how you can volunteer are on the Summer of Wildlife website, | 0:18:43 | 0:18:47 | |
and we'll repeat the address at the end of the programme. | 0:18:47 | 0:18:50 | |
Fingers crossed. | 0:18:50 | 0:18:51 | |
Meanwhile, back in Brighton, Big Boy, | 0:18:55 | 0:18:57 | |
the radio-tagged hedgehog, has been on the loose for five days. | 0:18:57 | 0:19:01 | |
So where is he now? | 0:19:01 | 0:19:03 | |
Well, with the use of a radio receiver, | 0:19:03 | 0:19:05 | |
we're going to try and track him down. | 0:19:05 | 0:19:07 | |
We're going to turn it on now, see if we can hear him. | 0:19:09 | 0:19:11 | |
If we get a beep, then he's in this area, | 0:19:11 | 0:19:13 | |
and then we need to follow it and hone down to get him. OK. | 0:19:13 | 0:19:16 | |
He was over the fence, wasn't he? | 0:19:21 | 0:19:23 | |
Could he have gone quite a long way? | 0:19:29 | 0:19:31 | |
Good on him. He's covered in... | 0:19:39 | 0:19:42 | |
Hello, Big Boy. | 0:19:42 | 0:19:45 | |
So, it works! | 0:19:45 | 0:19:47 | |
Dawn can keep track of Big Boy by radio. | 0:19:47 | 0:19:50 | |
She'll be paying him regular visits | 0:19:50 | 0:19:52 | |
in the coming months as part of her research. | 0:19:52 | 0:19:55 | |
And we'll see you again in another couple of days. Hopefully. | 0:19:55 | 0:19:58 | |
So the night life goes on, but as day breaks, everything changes | 0:19:59 | 0:20:04 | |
and the humans once again take over the world. | 0:20:04 | 0:20:07 | |
All the other night life disappears | 0:20:07 | 0:20:10 | |
and you'd never know it was there. | 0:20:10 | 0:20:11 | |
Natalie Graham there on a night out with hedgehogs. | 0:20:16 | 0:20:19 | |
Now, as we're seeing, wildlife can be found | 0:20:19 | 0:20:22 | |
in the most unusual of places. | 0:20:22 | 0:20:24 | |
You don't have to go to nature reserves to find it. | 0:20:24 | 0:20:27 | |
In fact, sometimes all you have to do is shop around. | 0:20:27 | 0:20:31 | |
Some people come here for the zip wire. | 0:20:37 | 0:20:39 | |
Some people come here for the crazy golf. | 0:20:42 | 0:20:45 | |
And mostly they're here for the shopping. | 0:20:59 | 0:21:01 | |
Which is fair enough, really. | 0:21:05 | 0:21:07 | |
After all, Bluewater Shopping Centre near Greenhithe in Kent | 0:21:07 | 0:21:11 | |
has 330 shops in three malls, and parking for 13,000 vehicles. | 0:21:11 | 0:21:19 | |
But it would be nice if some of those people got out of their cars | 0:21:21 | 0:21:24 | |
and turned away from the shops | 0:21:24 | 0:21:26 | |
and came over here to the other side of the car park. | 0:21:26 | 0:21:30 | |
Because then, they would see delights such as herons, | 0:21:31 | 0:21:35 | |
grass snakes, | 0:21:35 | 0:21:38 | |
and peregrine falcons. | 0:21:38 | 0:21:40 | |
Our guide today is the man who looks after Bluewater's wildlife, | 0:21:42 | 0:21:46 | |
Phil Bolton. | 0:21:46 | 0:21:48 | |
Bluewater was built in an old quarry, | 0:21:51 | 0:21:54 | |
so it's now surrounded by artificial lakes and chalk cliffs, | 0:21:54 | 0:21:57 | |
which have attracted peregrine falcons. | 0:21:57 | 0:22:00 | |
So, Phil, why have you brought me to this spot? | 0:22:02 | 0:22:04 | |
This is their home range. | 0:22:04 | 0:22:06 | |
This is where this particular family reside. | 0:22:06 | 0:22:10 | |
It's sheltered, and it's so sheltered that the male | 0:22:10 | 0:22:13 | |
and the female can rear their young | 0:22:13 | 0:22:16 | |
in relative safety and relative security. | 0:22:16 | 0:22:19 | |
And what sort of behaviour are we seeing going on | 0:22:19 | 0:22:22 | |
in this particular part of the cliff face? | 0:22:22 | 0:22:26 | |
Well, flight school. We're going to see flight school. | 0:22:26 | 0:22:28 | |
We're going to see the female training that young bird | 0:22:28 | 0:22:32 | |
with all the skills that it needs. | 0:22:32 | 0:22:34 | |
Oh, I can hear one! Oh, wonderful. | 0:22:34 | 0:22:37 | |
Oh, there we go. Up here. Lovely! That is probably the juvenile. | 0:22:37 | 0:22:41 | |
That is so quick! Did you see the speed of that! | 0:22:41 | 0:22:44 | |
Peregrines are the fastest creatures on earth. | 0:22:46 | 0:22:50 | |
A hunting swoop can reach 200mph. | 0:22:50 | 0:22:54 | |
What we're seeing is what Phil calls flight school. | 0:22:54 | 0:22:58 | |
The mother is teaching the young bird the tricks of the trade. | 0:22:58 | 0:23:01 | |
How to twist and turn, how to dive and attack. | 0:23:01 | 0:23:05 | |
I think that looked like flight school. | 0:23:05 | 0:23:07 | |
That was fantastic, wasn't it? | 0:23:07 | 0:23:09 | |
I have filmed peregrines all over the UK, | 0:23:09 | 0:23:13 | |
but I have never witnessed that. Never. | 0:23:13 | 0:23:15 | |
Now, just over here we have what they romantically call Lake Four. | 0:23:27 | 0:23:31 | |
Doesn't sound that exciting, I admit, | 0:23:32 | 0:23:34 | |
but for me it means one thing - dragonflies. | 0:23:34 | 0:23:38 | |
There's a small platform on the edge of the lake, | 0:23:38 | 0:23:40 | |
which Phil says is a favourite place for dragonflies. | 0:23:40 | 0:23:45 | |
I'm going to try and get a super-slow motion shot, | 0:23:45 | 0:23:49 | |
and so it's just a matter of setting up and waiting. | 0:23:49 | 0:23:52 | |
Are you sure this is his favourite spot? I haven't seen him yet. | 0:23:52 | 0:23:56 | |
He's just been missing for a little while. He'll come back again later. | 0:23:56 | 0:24:00 | |
And sure enough... | 0:24:02 | 0:24:05 | |
This is a black-tailed skimmer. | 0:24:09 | 0:24:11 | |
All four of its wings beat independently | 0:24:11 | 0:24:14 | |
to create incredible manoeuvrability in the air. | 0:24:14 | 0:24:17 | |
Dragonflies have compound eyes. | 0:24:21 | 0:24:23 | |
There is no lens, just thousands of tiny photoreceptors. | 0:24:23 | 0:24:27 | |
This is just the sort of thing that the shoppers could be looking at. | 0:24:30 | 0:24:34 | |
Do you mind if I quickly ask you what you're doing here today? | 0:24:34 | 0:24:36 | |
Shopping. Shopping. | 0:24:36 | 0:24:37 | |
Browsing, doing a bit of shopping. | 0:24:37 | 0:24:39 | |
Have you ever come here to look at the wildlife? No. | 0:24:39 | 0:24:42 | |
Didn't even know there was any. | 0:24:42 | 0:24:43 | |
You don't want to go hunting for grass snakes or peregrine falcons? | 0:24:43 | 0:24:47 | |
No. If there was a way that someone could show you | 0:24:47 | 0:24:49 | |
the wildlife of Bluewater, you'd be interested? Definitely. | 0:24:49 | 0:24:52 | |
Can I just find out why you're here today? Just shopping. | 0:24:52 | 0:24:55 | |
You're not here for the wildlife at all? No. | 0:24:55 | 0:24:57 | |
The grass snakes, the dragon flies? No, no. No. | 0:24:57 | 0:25:01 | |
No. | 0:25:01 | 0:25:02 | |
Oh, well, some people just don't know what they're missing. | 0:25:03 | 0:25:07 | |
For instance, I mentioned grass snakes. | 0:25:07 | 0:25:10 | |
Phil has set up heat traps in the grounds of the shopping centre | 0:25:10 | 0:25:13 | |
to attract reptiles. | 0:25:13 | 0:25:15 | |
They're not actually traps, just sheets of corrugated iron. | 0:25:15 | 0:25:20 | |
They warm up in the sun and the reptiles like to crawl underneath. | 0:25:20 | 0:25:24 | |
So, are we in luck? | 0:25:24 | 0:25:25 | |
Nothing. | 0:25:28 | 0:25:29 | |
Nothing again. | 0:25:32 | 0:25:33 | |
Ah, grass snake! Let's see if we can grab him. | 0:25:36 | 0:25:38 | |
Lovely, look at that. | 0:25:41 | 0:25:44 | |
Third time lucky. | 0:25:44 | 0:25:46 | |
Well done, yeah. That's a youngster. Isn't it just? | 0:25:46 | 0:25:50 | |
When this grass snake grows into an adult, it will be about | 0:25:51 | 0:25:54 | |
a metre long. | 0:25:54 | 0:25:55 | |
But now it's making a bit of a mess on me. | 0:25:55 | 0:25:59 | |
This is a defence mechanism you're seeing. | 0:25:59 | 0:26:01 | |
He's going to cover you in slime and that's quite repulsive to smell. | 0:26:01 | 0:26:04 | |
I have to say, there is quite a stink coming from him. | 0:26:04 | 0:26:07 | |
He's just pooed on my hands cos he wants to get away. | 0:26:07 | 0:26:10 | |
He wants to get away. Not to worry, it's a normal mechanism | 0:26:10 | 0:26:14 | |
of this particular snake. | 0:26:14 | 0:26:15 | |
And actually, even though we found him under a mat here, | 0:26:15 | 0:26:18 | |
he's actually an accomplished swimmer and misnamed as a grass snake. | 0:26:18 | 0:26:22 | |
Should be a water snake. He can swim extremely well. | 0:26:22 | 0:26:24 | |
You do see them in the water all the time, don't you? | 0:26:24 | 0:26:27 | |
They are incredibly fast. | 0:26:27 | 0:26:30 | |
Isn't he marvellous? He is a beauty. Absolutely lovely animal. | 0:26:30 | 0:26:34 | |
Meanwhile, lurking in another corner of the shopping centre... | 0:26:38 | 0:26:42 | |
..a heron. | 0:26:47 | 0:26:48 | |
He's become semi-tame, | 0:26:51 | 0:26:53 | |
and thinks nothing of mingling with the shoppers. | 0:26:53 | 0:26:56 | |
He eats food people throw to him, but it would be better if he didn't. | 0:26:56 | 0:27:01 | |
What would be nice for me is to think that he'll still hang around | 0:27:01 | 0:27:05 | |
here so that people can get a great view of him, | 0:27:05 | 0:27:08 | |
but that he starts to rely on the natural food | 0:27:08 | 0:27:11 | |
rather than the other stuff that's being thrown to him. That's right. | 0:27:11 | 0:27:15 | |
If we can get to that particular position | 0:27:15 | 0:27:17 | |
where he is less dependent on the food being given to him, | 0:27:17 | 0:27:20 | |
and more dependent on food that is available to him here in the lake, | 0:27:20 | 0:27:24 | |
we'll be happier. | 0:27:24 | 0:27:25 | |
Of course, he's perfectly capable of finding his own food. | 0:27:25 | 0:27:29 | |
He's got something. Has he? Fish. | 0:27:29 | 0:27:32 | |
Oh, he's lost it. Got it now. | 0:27:33 | 0:27:36 | |
I've seen some pretty strange wildlife in strange places | 0:27:39 | 0:27:44 | |
during my years filming. | 0:27:44 | 0:27:46 | |
But this takes the biscuit, it really does. | 0:27:46 | 0:27:50 | |
And it just goes to show that even in a huge shopping centre, | 0:27:52 | 0:27:56 | |
there will always be a chance to see some fantastic wildlife. | 0:27:56 | 0:28:00 | |
Now, if you want to get involved with urban wildlife, | 0:28:04 | 0:28:07 | |
here's a couple of things you can do. | 0:28:07 | 0:28:09 | |
Volunteer for a river clean, keeping trash away from fish in Dover. | 0:28:10 | 0:28:16 | |
Or, if you live in Brighton, | 0:28:16 | 0:28:18 | |
offer up your garden for a hedgehog tunnel. | 0:28:18 | 0:28:20 | |
For information on these and lots of other ideas, go to... | 0:28:22 | 0:28:26 | |
Thanks for watching. | 0:28:32 | 0:28:33 | |
And I hope you enjoy your very own Summer of Wildlife. | 0:28:33 | 0:28:38 | |
Subtitles by Red Bee Media Ltd | 0:28:47 | 0:28:49 |