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This is Waterworld. Our last unexplored frontier. We will take | :00:10. | :00:21. | |
you on a scuba diving adventure, discovering stars beneath the sea. | :00:22. | :00:28. | |
We will uncover life in the black abyss. I will swim with the biggest | :00:29. | :00:39. | |
fish in the Atlantic Ocean. That is class! Come on in. | :00:40. | :01:18. | |
Rathlin Island stands proud of the Atlantic Ocean, an impressive craggy | :01:19. | :01:26. | |
wilderness just six miles from Ballycastle. The island's old name | :01:27. | :01:35. | |
means the high rocky place, but our mission will uncover the life that | :01:36. | :01:38. | |
is hidden below the spectacular cliffs. Only a few explorers have | :01:39. | :01:47. | |
ever been here. I am in Bruce's Cave, where legend has it Robert the | :01:48. | :01:54. | |
Bruce watched a spider try and try again to spin a web. And this is | :01:55. | :02:01. | |
where our ambitious quest begins. A 21st-century odyssey into Rathlin | :02:02. | :02:11. | |
Island. -- into Waterworld. I have always imagined the fabulous | :02:12. | :02:14. | |
creatures that live in the water and now I am finally getting the chance | :02:15. | :02:19. | |
to find out. I learned to scuba dive especially for Waterworld so I am a | :02:20. | :02:23. | |
novice, but the rest of our team is first class. Our underwater | :02:24. | :02:31. | |
cameraman, Doug Anderson, worked on the ground-breaking BBC series Blue | :02:32. | :02:42. | |
Planet and Planet Earth. His right-hand man is Hugh Miller who | :02:43. | :02:45. | |
has also dived and filmed around the world. Dive supervisor Richard Bull | :02:46. | :02:51. | |
is in charge of safety, he is a veteran of many television series | :02:52. | :02:57. | |
and a real character. And Jim Delaney is responsible for my | :02:58. | :03:01. | |
personal safety underwater, and no better man. He taught me to scuba | :03:02. | :03:09. | |
dive. And our base for this underwater tour of Northern Ireland | :03:10. | :03:14. | |
is the luxury -- this luxury motor cruiser skippered by Graham Strong. | :03:15. | :03:22. | |
We are cruising to one of the most beautiful dive sites in Europe, it | :03:23. | :03:26. | |
is internationally famous among divers who know it as the north | :03:27. | :03:31. | |
wall. My guide is a world expert on sponges. I am told this is a very | :03:32. | :03:44. | |
special day. -- special dive. It is one of the best in the British | :03:45. | :03:49. | |
Isles, probably in northern Europe. I am a bit nervous. It does go very | :03:50. | :03:57. | |
deep off the edge. You have lived and worked in Egypt on the Red Sea. | :03:58. | :04:01. | |
I know this is a special day for you as well. Absolutely. Every time I | :04:02. | :04:09. | |
come, it is always a joy. The soft corals are next to none, apart from | :04:10. | :04:17. | |
some of the top of the range ones in Europe. This is extraordinarily | :04:18. | :04:29. | |
heavy. I am very calm. I hope everybody keeps their fingers | :04:30. | :04:32. | |
crossed that I can do this after all the training I have put in. | :04:33. | :04:40. | |
This mask allows me to speak to Bernard and the surface from the | :04:41. | :04:43. | |
deep. Based in summer sunshine, the | :04:44. | :04:59. | |
landscape is glorious -- based in summer sunshine. But my land is | :05:00. | :05:05. | |
fixed on submarine delights. With Jim at my side, we slip into | :05:06. | :05:14. | |
Waterworld. This is unbelievably exciting. | :05:15. | :05:40. | |
We are heading down below the Celt Forest. This tangled canopy devours | :05:41. | :05:50. | |
sunlight, smothers the rock and prevents other creatures getting a | :05:51. | :06:00. | |
foothold. The wildlife that is waiting for us below 20 metres looks | :06:01. | :06:01. | |
more like plant life. Colourful dead men's fingers, | :06:02. | :06:18. | |
slender hydrides and delicate and enemies cling to the edge of a | :06:19. | :06:26. | |
darkening abyss. Bernard has long been fascinated by the mysteries of | :06:27. | :06:34. | |
this secret Kingdom. I was always interested in creatures all sorts, | :06:35. | :06:38. | |
when I was eight I used to kite butterflies and things. When I went | :06:39. | :06:42. | |
underwater, I could see there was stuff that not many people knew much | :06:43. | :06:46. | |
about -- are used to collect butterflies. | :06:47. | :06:52. | |
This is where the sponge is really firm. | :06:53. | :06:57. | |
This grey sponge is elephant ears bunch. They are very common around | :06:58. | :07:04. | |
here, but you would not take them to the bar. They are full of Seleka, | :07:05. | :07:10. | |
which is class, they would cut you to pieces. | :07:11. | :07:15. | |
We did a big survey all around the Northern Ireland coast about 20 | :07:16. | :07:22. | |
years ago and that threw up that Rathlin was particularly unusual and | :07:23. | :07:25. | |
it had a lot of different sorts of sponges, more than anywhere else. | :07:26. | :07:35. | |
You are used to seeing photographs and film of the tropics underwater, | :07:36. | :07:41. | |
but we are not used to seeing much film of underwater around the UK. On | :07:42. | :07:47. | |
Rathlin in particular you get these beautiful gardens of soft coral, see | :07:48. | :07:55. | |
an enemy, soft sponges, all mixed in in a very attractive way. I think | :07:56. | :08:06. | |
there is a perception, especially in the UK, that all of the animals and | :08:07. | :08:10. | |
plants were named by the Victorians. I think what we have been able to | :08:11. | :08:14. | |
show on Rathlin is that even in the North Atlantic, there are still | :08:15. | :08:17. | |
large numbers of sponges that don't even have a name. Bernard is a | :08:18. | :08:30. | |
scientist with the Ulster Museum where his samples are examined under | :08:31. | :08:38. | |
microscope. Some species he has identified may exist nowhere else in | :08:39. | :08:41. | |
the world. Hunting for more, he leads asked deeper still, past and | :08:42. | :08:53. | |
crossed being anemones. They are predators, armed with deadly | :08:54. | :09:01. | |
tentacles. See slugs operable blue one of the first creatures I got | :09:02. | :09:06. | |
interested in. I think they are -- are probably one of the first | :09:07. | :09:09. | |
creatures. I think they are charismatic invertebrates. One of | :09:10. | :09:13. | |
the other big discoveries that people have made was that some of | :09:14. | :09:18. | |
them were taking the actual noxious chemicals from their food, the | :09:19. | :09:23. | |
sponge has something in it that prevents fish from using it. They | :09:24. | :09:29. | |
can then reprocess some of those chemicals ample them back into their | :09:30. | :09:33. | |
own body, and to warn the fish they must not be eaten, they would go in | :09:34. | :09:41. | |
for quite bright colours. And in an archway frosted with soft corals, we | :09:42. | :09:46. | |
are touched by the void. When I go underwater, I feel so privileged to | :09:47. | :09:51. | |
be able to go down there and know that I am seen things that perhaps | :09:52. | :09:54. | |
nobody has seen before. You can discover something completely new. | :09:55. | :10:00. | |
It seems to me it is the last frontier where you can find a whole | :10:01. | :10:04. | |
load of different sorts of animals and plants, probably be seeing some | :10:05. | :10:10. | |
of those for the first time. It looks like a tropical sea. The | :10:11. | :10:16. | |
archway is festooned, bejewelled, encrusted with life. All too soon, | :10:17. | :10:28. | |
we are low on air. OK, guys! I am out of here. A reminder that we can | :10:29. | :10:34. | |
only be brief visitors in a beautifully alien world. | :10:35. | :10:49. | |
The surface gives no clue to the mysteries of the deep. Rathlin is a | :10:50. | :10:56. | |
place of myth and legend, an island where mermaids can be seen. Hannah | :10:57. | :11:07. | |
Stacey is a world-class free diver. The Elian dive reflex is a concept | :11:08. | :11:13. | |
that when your face goes into the water, you would start holding your | :11:14. | :11:16. | |
breath because it triggers this breath hold instantly. It is | :11:17. | :11:22. | |
something that goes back thousands of years in humankind but people | :11:23. | :11:27. | |
have lost the ability to train it. Free drivers latch onto that reflex | :11:28. | :11:33. | |
and train it again. Hannah has broken several UK depth records and | :11:34. | :11:36. | |
can hold her breath up to four and a half minutes. A lot of people will | :11:37. | :11:43. | |
do a lot of yoga, tai chi, different martial arts, anything that helps | :11:44. | :11:47. | |
the body strength and its inner core. You want the intercostal | :11:48. | :11:54. | |
muscles, the ones that help your chest, moved to fill yourself with | :11:55. | :11:57. | |
air, they need to be supple and flexible. | :11:58. | :12:02. | |
It is all about focusing and getting your mind into the right mindset. | :12:03. | :12:09. | |
You have to be very balanced and focused. What you are trying to do | :12:10. | :12:13. | |
is overcome that urge to breathe. You have got to make yourself relax | :12:14. | :12:18. | |
and believe you can continue holding your breath without the need to come | :12:19. | :12:19. | |
up for air. One of the reasons I come out to | :12:20. | :12:32. | |
Rathlin is to dive in more testing conditions, where the water is cold. | :12:33. | :12:37. | |
-- it is the most stunning backdrop. It | :12:38. | :12:47. | |
sounds a bit strange for somebody who will be under the water to be | :12:48. | :12:51. | |
worried about the backdrop but that moment when you are in the water, | :12:52. | :12:55. | |
bobbing on the surface, to be in an arena, an amazing setting, makes a | :12:56. | :12:56. | |
real difference. When the sea is flat, calm, like a | :12:57. | :13:10. | |
millpond, like we have experienced here at Rathlin, it means that when | :13:11. | :13:13. | |
you are on the surface of a water, repairing to do a dive, | :13:14. | :13:15. | |
you are on the surface of a water, repairing to do when you are taking | :13:16. | :13:19. | |
in the important, long, slow breaths, you will not have a wave | :13:20. | :13:25. | |
smashing in the face -- smash you in the face with it was easy and meant | :13:26. | :13:30. | |
I could do and easy dive and disappear under the surface. | :13:31. | :13:36. | |
I think for me, free diving has helped me find a place that I didn't | :13:37. | :13:43. | |
know really existed before. When you are by yourself, heading down to | :13:44. | :13:49. | |
your target depths, you are surrounded by this amazing... The | :13:50. | :13:54. | |
blueness encompasses you and you feel very safe and when you dive | :13:55. | :13:59. | |
down past about 20 metres, when you lose your buoyancy, you can just | :14:00. | :14:03. | |
slow down and drop like a stone and just relax, just be able to drop | :14:04. | :14:08. | |
into the sort of at this. -- at this. | :14:09. | :14:12. | |
When I get to the target depths, I will stop for a moment and look | :14:13. | :14:18. | |
around me and then sort of look up, and you see through the water and | :14:19. | :14:21. | |
you think, there are 50 metres above my head, and you can only get that | :14:22. | :14:25. | |
vision by going down there yourself. You are not surrounded by | :14:26. | :14:31. | |
bubbles, you don't have tanks Allaire on your back, you feel a bit | :14:32. | :14:36. | |
a fish or a mermaid -- tanks of air. And then you have to go back up | :14:37. | :14:40. | |
to reality that as you come whizzing back up, it gets lighter and lighter | :14:41. | :14:44. | |
and the sun shines down in beautiful columns through the water. | :14:45. | :15:00. | |
die, I think. As long as I can still go down to a beach and put on the | :15:01. | :15:04. | |
mask and fins, I will be in the water. | :15:05. | :15:20. | |
I will free dive until the day I die, I think. As long as I can still | :15:21. | :15:24. | |
This is a wild and moody island, and so, too, is the sea. | :15:25. | :15:27. | |
I'm taking a stroll to the exposed cliffs at the | :15:28. | :15:30. | |
Wes is a marine archaeologist who knows that tragedy haunts | :15:31. | :15:33. | |
For as long as people have been coming here, that tidal rip that | :15:34. | :15:37. | |
races around the side of the island has been posing problems, hasn't it? | :15:38. | :15:40. | |
They are really quite dangerous waters. | :15:41. | :15:43. | |
The whole of the Irish Sea is being filled up and emptied every day, and | :15:44. | :15:47. | |
Before the Lighthouse was built, Mariners travelling at night or in a | :15:48. | :15:56. | |
sea mist really had to be very, very careful they wouldn't be wrecked. | :15:57. | :15:59. | |
This place is very strategic, isn't it? | :16:00. | :16:05. | |
In the two World Wars it was very strategic because the United Kingdom | :16:06. | :16:08. | |
and the allies needed the lifeline with North America, and so there | :16:09. | :16:11. | |
were large convoys heading across the Atlantic from this point. | :16:12. | :16:13. | |
There's thousands of wrecks off the north coast here and the south coast | :16:14. | :16:20. | |
And of course evidence of that in the graveyard here as well. | :16:21. | :16:27. | |
Yes, amazingly there are people interred in | :16:28. | :16:30. | |
the graveyard that maybe come from ships as far out as Donegal, and | :16:31. | :16:36. | |
the bodies washed into the island and were buried in the graveyard. | :16:37. | :16:40. | |
It is a testament, if you like, to the nature of what is out there, | :16:41. | :16:43. | |
the elemental power of what washes the doorstep here. | :16:44. | :16:46. | |
A very turbulent area, and very, very dangerous, the North Atlantic, | :16:47. | :16:49. | |
a dangerous environment to be in for any length of time. | :16:50. | :16:52. | |
Rathlin's worst maritime disaster happened under these cliffs. | :16:53. | :17:03. | |
We're sailing half a mile off Doone Bay to the wreck | :17:04. | :17:06. | |
It is a spectacular dive for the team, and a real challenge | :17:07. | :17:13. | |
We need a bit of discipline on this dive. | :17:14. | :17:18. | |
It's deeper than you've been before, right? | :17:19. | :17:21. | |
We've got tidal conditions that won't bend to us, | :17:22. | :17:23. | |
This is a classic example of time and tide wait for no man. | :17:24. | :17:29. | |
Anything goes wrong at all, you're out of there. | :17:30. | :17:33. | |
This is what diving is all about, that little extra bit. | :17:34. | :17:41. | |
This is well within your capabilities, but it is | :17:42. | :17:44. | |
a little bit beyond what you've done before, and that's exciting. | :17:45. | :17:49. | |
I will not be diving in the full face mask. | :17:50. | :17:57. | |
It is your first dive on the Lochgarry as well, Wes, | :17:58. | :18:00. | |
Another dive club has just arrived at exactly the same time that we | :18:01. | :18:19. | |
were hoping to get into the water, so we are going to let them get in | :18:20. | :18:23. | |
first, and it will be interesting because when we are down that there | :18:24. | :18:26. | |
will be lots of divers in the water and they will all need to get up | :18:27. | :18:30. | |
and down at the same time, so it will be really busy. | :18:31. | :18:36. | |
We're dropping 30 metres, or 100 feet, down to the deck | :18:37. | :18:39. | |
She once played a part in the troop evacuations at Dunkirk, | :18:40. | :18:45. | |
but now she lies upright on the sea bed, a rusting hulk, a living reef. | :18:46. | :18:56. | |
We're swimming into the past, touching history | :18:57. | :18:57. | |
This enormous troopship sank in 1942 after hitting rock | :18:58. | :19:19. | |
Helpless and drifting in a storm, she finally disappeared | :19:20. | :19:25. | |
There was time to abandon ship, but tragedy struck when one | :19:26. | :19:32. | |
This ship is silent witness to their fate. | :19:33. | :19:51. | |
The scale of this gigantic vessel is incredible. | :19:52. | :19:56. | |
She was built in Glasgow in 1898 as a passenger ship for the Belfast | :19:57. | :20:00. | |
to Ardrossan route, and later converted for the war effort. | :20:01. | :20:11. | |
She's now a popular dive destination for underwater tourists like us. | :20:12. | :20:15. | |
Specs of humanity marvelling at the life that cloaks her boughs. | :20:16. | :20:30. | |
We press on, and among a forest of feathery hydroids, bright buttons | :20:31. | :20:35. | |
Cup corals, with their delicate stinging tentacles, | :20:36. | :20:46. | |
Their mouth is in the centre of a calcium carbonate skeleton. | :20:47. | :20:55. | |
These translucent creatures are our only common stony corals. | :20:56. | :21:07. | |
There is never enough time down here. | :21:08. | :21:11. | |
And, as we head back towards light, warmth, and air, | :21:12. | :21:14. | |
I'm struck by how lucky we've been to share an encounter few people | :21:15. | :21:17. | |
It's like hanging in space, being in air. | :21:18. | :21:34. | |
It's all laid out in front of you, and it is painted in life. | :21:35. | :21:39. | |
All those anemones, and hydroids, and fish swimming everywhere. | :21:40. | :21:45. | |
As a marine archaeologist, is that a good wreck? | :21:46. | :21:59. | |
It is in great condition but it is only 60-odd years old, | :22:00. | :22:02. | |
but fantastic to see so much structure still there. | :22:03. | :22:05. | |
A lot of the time it's flattened down in the | :22:06. | :22:07. | |
sea bed after a while, so the fact it is still upstanding decks and | :22:08. | :22:11. | |
The waters around Rathlin never fail to surprise and delight. | :22:12. | :22:25. | |
And, on a perfectly airbrushed summer evening, we are heading | :22:26. | :22:29. | |
out into Church Bay to explore another shipwreck, in the dark. | :22:30. | :22:36. | |
Emotions in night diving are entirely predictable. | :22:37. | :22:38. | |
I don't care who you are, on your first night dive you're | :22:39. | :22:42. | |
You don't go anywhere on a night dive. | :22:43. | :23:01. | |
Because your attention is focused entirely | :23:02. | :23:03. | |
As the light fades, so, too, do our chances of making a dive. | :23:04. | :23:16. | |
While the islanders are tucked up in bed, just beyond the harbour the sea | :23:17. | :23:19. | |
The tide refuses to slacken, despite hours of waiting. | :23:20. | :23:30. | |
Principal thing now is to test this and see if it is diveable. | :23:31. | :23:33. | |
If it's not, you turn around and we're out of here. | :23:34. | :23:36. | |
Would love to do it, we're all excited about it, | :23:37. | :23:40. | |
We don't want to look back at the event, and say, | :23:41. | :23:45. | |
The divers head into the crystal clear water to check it out. | :23:46. | :23:52. | |
The kelp on a huge gun barrel tells a tale. | :23:53. | :23:56. | |
It's borderline, but we're in business. | :23:57. | :24:05. | |
We're going to send the guys in, they're going to descend to | :24:06. | :24:08. | |
the bottom, pulling themselves down on the rope. | :24:09. | :24:12. | |
You can see to the bottom, it's worth the wait. | :24:13. | :24:18. | |
We had to wait for quite a long time for the | :24:19. | :24:25. | |
current is to ease off so we could go into the water, and we're using | :24:26. | :24:29. | |
I just can't believe that, looking down there, it looks almost | :24:30. | :24:36. | |
In a silent, torchlit world, the ship is barely recognisable, | :24:37. | :24:48. | |
One o'clock in the morning, the gun stands silent here. | :24:49. | :25:07. | |
All of the kelp waving in the currents. | :25:08. | :25:12. | |
19 sailors lost their lives when this ship went down. | :25:13. | :25:22. | |
The HMS Drake was torpedoed in 1917, and simply being here is | :25:23. | :25:25. | |
This is really what you'd call a deep sea adventure. | :25:26. | :25:33. | |
It is beginning to run quite fast up here, over. | :25:34. | :25:47. | |
We had planned to film the nocturnal creatures here, | :25:48. | :25:49. | |
If you are coming up, make sure you come up that line because | :25:50. | :26:04. | |
I'm scared, terrified I'll be swept away and lost in the darkness. | :26:05. | :26:14. | |
I'm so much happier now I have my hand on the rope to the surface. | :26:15. | :26:20. | |
Yes, I'm going to hold onto Jim coming up. | :26:21. | :26:32. | |
I'm scared, it's really beginning to rip through here. | :26:33. | :26:35. | |
Hang on to that line, we are ready up here. | :26:36. | :26:39. | |
We have got the boat station downstream, we have got ropes out. | :26:40. | :26:45. | |
You hang onto the rope, hang on to Jim. | :26:46. | :26:49. | |
We are ready to grab you when you come up. | :26:50. | :26:55. | |
It should have been an easy dive, but Rathlin's infamous tides caught | :26:56. | :26:58. | |
That was really very scary at the end there, because the tide | :26:59. | :27:05. | |
started to run, and I had to take Jim's hand to be led out of it. | :27:06. | :27:15. | |
There is relief all round, and frustration for Doug. | :27:16. | :27:31. | |
Disappointing, because I started picking up shots, | :27:32. | :27:40. | |
If we could have spent an hour there and just really soaking it up... | :27:41. | :27:48. | |
I'm ever so pleased to see you lot back. | :27:49. | :27:50. | |
It looked fantastic from up here had obviously, | :27:51. | :27:52. | |
At last, we find the jetty in a pea soup fog. | :27:53. | :27:57. | |
It's been a long, hard night for everyone. | :27:58. | :28:02. | |
With the searchlight, we could just see both piers, | :28:03. | :28:05. | |
and in the distance the green leading light of the harbour. | :28:06. | :28:07. | |
We couldn't see that green light for more than about 100 yards out. | :28:08. | :28:14. | |
Glad to be in, safely in. | :28:15. | :28:21. | |
We came to Rathlin in search of adventure. | :28:22. | :28:24. | |
And, at half past three in the morning, I'm off to bed. | :28:25. | :28:28. | |
Humbled, and happy that we did just that. | :28:29. | :29:04. | |
Hello, Glastonbury! CHEERING | :29:05. | :29:16. | |
HE LAUGHS What's happening? | :29:17. | :29:18. |