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There was a time when myths and science were entwined... | 0:00:04 | 0:00:08 | |
..when mermaids and unicorns could mysteriously appear. | 0:00:10 | 0:00:15 | |
Nature was weird. | 0:00:15 | 0:00:17 | |
When science revealed the truth behind these imaginary creatures, | 0:00:19 | 0:00:23 | |
it found real animals lay behind the legends. | 0:00:23 | 0:00:28 | |
Today, science still makes astonishing discoveries, | 0:00:29 | 0:00:34 | |
but nature seems just as weird. | 0:00:34 | 0:00:37 | |
It's just that fact has broken free from fiction. | 0:00:37 | 0:00:42 | |
GROWLING | 0:00:53 | 0:00:56 | |
In nature, a good defence is key to survival. | 0:01:01 | 0:01:05 | |
But humans have no natural defences at all. | 0:01:06 | 0:01:10 | |
Even our most magical camouflage is no match for the real thing. | 0:01:12 | 0:01:17 | |
Vine snakes freeze motionless for hours | 0:01:25 | 0:01:28 | |
as they mimic the creepers that hide them. | 0:01:28 | 0:01:31 | |
In turn, snakes are impersonated | 0:01:39 | 0:01:41 | |
by the snakehead caterpillar. | 0:01:41 | 0:01:44 | |
Insects become leaves, finessed with details of damage. | 0:01:52 | 0:01:57 | |
A hunter's spotted coat conjures up dappled shade. | 0:02:01 | 0:02:04 | |
But in the arms race between predator and prey, | 0:02:09 | 0:02:13 | |
even the eyes of a killer are mimicked. | 0:02:13 | 0:02:17 | |
These false faces, complete with eyes and nose, | 0:02:24 | 0:02:28 | |
belong to eyespot frogs. | 0:02:28 | 0:02:30 | |
They frighten real predators. | 0:02:30 | 0:02:33 | |
Poison arrow frogs really are lethal. | 0:02:38 | 0:02:42 | |
So rather than hide, they use vivid colours | 0:02:42 | 0:02:45 | |
to warn against being eaten by mistake. | 0:02:45 | 0:02:48 | |
Their toxic secretions lace tribal darts. | 0:02:49 | 0:02:53 | |
The poison from just one frog can kill a man. | 0:02:53 | 0:02:58 | |
Weird Nature uses imaginary settings to showcase real animal behaviour. | 0:03:02 | 0:03:07 | |
This weird journey reveals | 0:03:14 | 0:03:16 | |
the strange ways animals protect themselves. | 0:03:16 | 0:03:20 | |
Full body armour is often the first line of defence. | 0:03:38 | 0:03:43 | |
The three-banded armadillos of Argentina are the masters. | 0:03:44 | 0:03:49 | |
Like medieval knights, | 0:03:49 | 0:03:51 | |
they use articulated armour. | 0:03:51 | 0:03:53 | |
Their protective shields, made from a double layer of horn and bone, | 0:03:53 | 0:03:58 | |
are hinged with leathery skin. | 0:03:58 | 0:04:01 | |
The plates cope with most of what nature throws at them, | 0:04:01 | 0:04:05 | |
but a polo match is exceptional. | 0:04:05 | 0:04:08 | |
This imaginary scene showcases the armadillo's extraordinary behaviour. | 0:04:15 | 0:04:20 | |
Its first defence is to run, but heavy armour slows it down. | 0:04:30 | 0:04:35 | |
Its second defence is to roll up, | 0:04:36 | 0:04:39 | |
interlocking its plates into a sealed ball... | 0:04:39 | 0:04:44 | |
..the strongest shape in nature. | 0:04:48 | 0:04:51 | |
It can open just a chink to check what's happening. | 0:04:59 | 0:05:04 | |
Even WE ball up for protection. | 0:05:13 | 0:05:16 | |
But helmets and padding can't compete with full body armour. | 0:05:17 | 0:05:22 | |
The only soft part of the armadillo is its face and underbelly. | 0:05:23 | 0:05:28 | |
Otherwise, it's a walking armoured tank. | 0:05:29 | 0:05:34 | |
It takes the knocks of real life just as easily in its stride. | 0:05:34 | 0:05:39 | |
This fantasy wreck displays the inventive defences of sea creatures. | 0:06:02 | 0:06:07 | |
The puffer fish has its own version of armour. | 0:06:11 | 0:06:16 | |
Instead of scales, | 0:06:20 | 0:06:23 | |
its leathery skin is armed with spines. | 0:06:23 | 0:06:26 | |
The spines erect to form a lethal pincushion | 0:06:29 | 0:06:33 | |
when the fish sucks in water. | 0:06:33 | 0:06:36 | |
With elasticated skin and no ribs to stop its body expanding, | 0:06:41 | 0:06:46 | |
it balloons to five times its normal size - | 0:06:46 | 0:06:51 | |
too big for most mouths to swallow. | 0:06:51 | 0:06:54 | |
The puffer's ultimate weapon is poison - | 0:06:54 | 0:06:58 | |
enough to kill 30 people. | 0:06:58 | 0:07:01 | |
There is no known antidote. | 0:07:01 | 0:07:04 | |
This wreck also shows how animal defences can adapt | 0:07:14 | 0:07:18 | |
to extraordinary circumstances. | 0:07:18 | 0:07:21 | |
For dresser crabs, the right dress code is everything. | 0:07:25 | 0:07:30 | |
They decorate their shells to fit in | 0:07:30 | 0:07:34 | |
wherever they go. | 0:07:34 | 0:07:37 | |
They select material from whatever is around. | 0:07:37 | 0:07:41 | |
A dressing room full of treasure is paradise. | 0:07:41 | 0:07:45 | |
They first chew their finds to make them frayed and fibrous. | 0:07:45 | 0:07:50 | |
They then attach the prepared fabrics to Velcro-like hooks | 0:07:50 | 0:07:56 | |
on their legs and shell. | 0:07:56 | 0:07:59 | |
The dresser crab uses its keen attention to detail | 0:08:00 | 0:08:04 | |
to fashion a camouflaged suit. | 0:08:04 | 0:08:07 | |
It usually adorns its costume with sponges and seaweed, | 0:08:14 | 0:08:19 | |
as these are most often to hand. | 0:08:19 | 0:08:21 | |
But given the chance, it improvises, | 0:08:23 | 0:08:26 | |
a trait that helps the dresser crab maintain perfect camouflage. | 0:08:26 | 0:08:32 | |
Their eclectic dress sense means they blend in anywhere, | 0:08:51 | 0:08:55 | |
safe from they eyes of predators like puffer fish. | 0:08:55 | 0:09:00 | |
To vanish, they freeze. | 0:09:07 | 0:09:10 | |
Making yourself bigger is not only a defence - | 0:09:27 | 0:09:31 | |
it can also send a message. | 0:09:31 | 0:09:33 | |
The spotted skunk is famed for its offensive body odour. | 0:09:38 | 0:09:44 | |
TECHNO MUSIC | 0:09:49 | 0:09:52 | |
Bold markings warn that it carries a concealed weapon. | 0:09:52 | 0:09:57 | |
If the skunk isn't shown respect, it ups the ante. | 0:10:10 | 0:10:15 | |
Handstanding exaggerates its size and shows off its markings. | 0:10:20 | 0:10:26 | |
It's a dance of defiance. | 0:10:31 | 0:10:33 | |
Foot-stomping drives home the threat. | 0:10:36 | 0:10:40 | |
If the message is missed, the skunk reveals its weapon. | 0:10:45 | 0:10:49 | |
Like an aerosol, anal glands spray sulphurous chemicals | 0:10:52 | 0:10:57 | |
through nozzles aimed at the eyes. | 0:10:57 | 0:11:00 | |
They cause temporary blindness and nausea. | 0:11:00 | 0:11:04 | |
Some defensive sprays are even deadlier. | 0:11:16 | 0:11:19 | |
Most give cobras | 0:11:30 | 0:11:32 | |
a wide berth. | 0:11:32 | 0:11:34 | |
But they say curiosity killed the cat. | 0:11:35 | 0:11:40 | |
Snakes prefer to conserve their venom. | 0:11:50 | 0:11:54 | |
So it spreads its hood as a warning. | 0:12:02 | 0:12:05 | |
The spitting cobra aims for the eyes. | 0:12:11 | 0:12:14 | |
Glands squeeze venom through hypodermic fangs. | 0:12:18 | 0:12:22 | |
The spray jets 3m. | 0:12:27 | 0:12:30 | |
A direct hit could have blinded for life. | 0:12:31 | 0:12:36 | |
Most animals fear snakes. | 0:12:39 | 0:12:42 | |
The horned frog of Central America is no exception. | 0:12:42 | 0:12:47 | |
A lookalike snake provokes the same bizarre reaction. | 0:12:51 | 0:12:55 | |
LOUD SCREECH | 0:12:55 | 0:12:58 | |
If puffing up and screaming like a banshee fails, it fights back. | 0:13:06 | 0:13:11 | |
It pays to have a wide repertoire. Danger is never far away. | 0:13:19 | 0:13:24 | |
A horned owl would soon make a meal of a frog, | 0:13:29 | 0:13:33 | |
even one with an inflated ego. | 0:13:33 | 0:13:35 | |
But owls are equally fooled by a snake in the grass. | 0:14:01 | 0:14:06 | |
They click their beaks and hiss and arch their wings | 0:14:09 | 0:14:12 | |
to puff themselves up. | 0:14:12 | 0:14:14 | |
If this bluff fails, they turn tail. | 0:14:17 | 0:14:20 | |
Changing shape has been perfected by many sea creatures. | 0:14:40 | 0:14:44 | |
The octopus's soft, malleable body helps it change shape easily, | 0:15:05 | 0:15:11 | |
but the price of having no skeleton is vulnerability. | 0:15:11 | 0:15:16 | |
One defence is to change texture to mimic its surroundings. | 0:15:19 | 0:15:24 | |
Another is reactive camouflage. | 0:15:28 | 0:15:30 | |
Its near-instantaneous colour change is under nervous control. | 0:15:32 | 0:15:37 | |
Pigment cells expand and contract | 0:15:37 | 0:15:41 | |
in waves of emotion. | 0:15:41 | 0:15:43 | |
The colour cells react quicker than those of any other animal. | 0:15:48 | 0:15:54 | |
But this quick-change artist has a rival. | 0:15:59 | 0:16:04 | |
The peacock flounder's skin | 0:16:17 | 0:16:19 | |
can make a near perfect facsimile of its surroundings. | 0:16:19 | 0:16:23 | |
A paper-thin profile helps its vanishing trick. | 0:16:33 | 0:16:38 | |
But how does it fare on a less familiar background? | 0:16:43 | 0:16:47 | |
Its stalked eyes have feature detectors, | 0:16:51 | 0:16:55 | |
primed to pick out patterns. It does a quick survey | 0:16:55 | 0:16:59 | |
and then it makes a match. | 0:16:59 | 0:17:02 | |
The eyes pass data to the brain | 0:17:10 | 0:17:13 | |
which adjusts the size and contrast of pigment cells | 0:17:13 | 0:17:17 | |
for the best possible copy. | 0:17:17 | 0:17:18 | |
Incredibly, it has to assume how the pattern would continue | 0:17:24 | 0:17:28 | |
if its body wasn't there. | 0:17:28 | 0:17:30 | |
On familiar ground the match is perfect. | 0:17:32 | 0:17:37 | |
If the octopus' camouflage fails, it has other tactics. | 0:17:40 | 0:17:44 | |
Throwing sand in the face is one. | 0:17:47 | 0:17:50 | |
So is whipping up a smokescreen. | 0:17:50 | 0:17:53 | |
The ink is made of the black pigment, melanin. | 0:17:53 | 0:17:58 | |
It escapes under the cover of darkness. | 0:18:03 | 0:18:06 | |
The octopus's last trick is that of a contortionist. | 0:18:11 | 0:18:17 | |
It can squeeze through a hole one tenth its body width. | 0:18:18 | 0:18:23 | |
Its shrink-to-fit routine is limited only by the size of its beak. | 0:18:25 | 0:18:31 | |
Once these hard mouth parts are through, | 0:18:31 | 0:18:34 | |
the rest is easy. | 0:18:34 | 0:18:36 | |
But the best shape-shifting act belongs to another of its kind. | 0:18:55 | 0:18:59 | |
This is the amazing vampire squid. | 0:19:13 | 0:19:16 | |
This rare, deep-sea octopus has an equally rare defence. | 0:19:18 | 0:19:23 | |
It turns itself inside-out. | 0:19:23 | 0:19:26 | |
The armoury of spines makes it seem impregnable. | 0:19:30 | 0:19:34 | |
But its spines are soft as jelly. | 0:19:36 | 0:19:38 | |
It seems this is just an amazing bluff. | 0:19:38 | 0:19:43 | |
Other creatures of the depths have equally odd defences. | 0:19:45 | 0:19:50 | |
In the cold fjords of Sweden, | 0:19:55 | 0:19:56 | |
crab fishermen occasionally dredge up more than they bargained for. | 0:19:56 | 0:20:01 | |
These are hagfish, | 0:20:10 | 0:20:12 | |
relics from before the age of dinosaurs. | 0:20:12 | 0:20:16 | |
Their peculiar miracle is turning seawater into slime. | 0:20:18 | 0:20:23 | |
Glands that line their body fire out protein pellets | 0:20:25 | 0:20:29 | |
that swell on contact with water. | 0:20:29 | 0:20:33 | |
Other glands fire explosive threads. | 0:20:33 | 0:20:36 | |
Together, they form an impenetrable slime barrier | 0:20:36 | 0:20:40 | |
that suffocates predators. | 0:20:40 | 0:20:42 | |
To avoid the same vile fate, | 0:20:45 | 0:20:47 | |
the hagfish can slip off its slimy coat | 0:20:47 | 0:20:51 | |
by passing a knot down its body. | 0:20:51 | 0:20:54 | |
One hagfish oozes enough gunge | 0:20:59 | 0:21:02 | |
to turn a whole bucket of water into slime. | 0:21:02 | 0:21:06 | |
As well as deterring predators, | 0:21:06 | 0:21:09 | |
this gloopy mucus keeps rival hagfish away, | 0:21:09 | 0:21:13 | |
as they scavenge on rotted carcasses. | 0:21:13 | 0:21:16 | |
Even hungry birds find this slippery fish too slimy to swallow. | 0:21:33 | 0:21:38 | |
In Scandinavia, fieldfares use equally foul play on intruders. | 0:22:01 | 0:22:07 | |
Fieldfares nest together, so one alarm call rallies the whole colony. | 0:22:12 | 0:22:17 | |
LOW-PITCHED CHIRPING | 0:22:17 | 0:22:20 | |
All who trespass are dealt the same dirty trick. | 0:22:20 | 0:22:24 | |
Even though humans have little natural protection, | 0:22:44 | 0:22:48 | |
we've made up for it with some deadly inventions. | 0:22:48 | 0:22:52 | |
But these birds have their own fire power. | 0:22:56 | 0:23:01 | |
GUNSHOT | 0:23:10 | 0:23:13 | |
The whole squadron is scrambled. | 0:23:13 | 0:23:16 | |
The hunter gets his comeuppance. On birds of prey the droppings | 0:23:23 | 0:23:28 | |
can be fatal, destroying the waterproofing of their plumage. | 0:23:28 | 0:23:33 | |
The fulmar's defence tactics are even more repulsive. | 0:23:33 | 0:23:38 | |
Its frontline defence is a mountain fortress | 0:23:40 | 0:23:43 | |
that keeps land predators from the breeding colony. | 0:23:43 | 0:23:46 | |
The young are left for hours on these sea stacks | 0:23:50 | 0:23:53 | |
as their parents make long fishing trips far offshore. | 0:23:53 | 0:23:58 | |
Wise climbers avoid nesting cliffs. | 0:24:01 | 0:24:04 | |
They know that chicks left home alone have a secret weapon. | 0:24:04 | 0:24:08 | |
But what happens if a climber takes the wrong route? | 0:24:10 | 0:24:15 | |
Chicks brew up an oily concoction in their stomachs from fish they eat. | 0:24:15 | 0:24:20 | |
They save this vile soup for the times they're left alone. | 0:24:24 | 0:24:29 | |
The chicks' usual threat is predatory birds, | 0:24:29 | 0:24:33 | |
but anything within spitting distance becomes a target. | 0:24:33 | 0:24:37 | |
It fires a warning shot, followed by a blast. | 0:24:37 | 0:24:41 | |
The vomit is made from fish oils, | 0:24:54 | 0:24:56 | |
separated in the stomach from other food. | 0:24:56 | 0:24:59 | |
What repels a climber could kill a bird. The vomit also damages plumage, | 0:25:00 | 0:25:06 | |
causing hypothermia or drowning. | 0:25:06 | 0:25:09 | |
Birds that use projectile vomiting may seem bizarre. | 0:25:12 | 0:25:16 | |
But humans are weirder. We evolved to have no natural defences at all. | 0:25:19 | 0:25:25 | |
Our safety net is our technology | 0:25:35 | 0:25:38 | |
and a brain that quickly learns from mistakes. | 0:25:38 | 0:25:42 | |
Few animals are so poorly equipped to defend themselves. | 0:25:49 | 0:25:54 | |
In nature's terms, it is WE who are weird. | 0:25:54 | 0:25:58 | |
Other animals even employ acting skills as a defence. | 0:26:18 | 0:26:23 | |
This is not what it seems. | 0:26:28 | 0:26:31 | |
These animals are far from dead. | 0:26:31 | 0:26:33 | |
They are putting on a remarkable performance. | 0:26:41 | 0:26:45 | |
Only a hint of movement gives the game away. | 0:26:51 | 0:26:55 | |
Birds enter this trance-like state quite readily. | 0:27:00 | 0:27:04 | |
Frogs appear to die if turned on their backs, | 0:27:07 | 0:27:12 | |
but it's just a bluff. | 0:27:12 | 0:27:15 | |
The hognose snake lolls its tongue to fake death throes | 0:27:18 | 0:27:23 | |
and gives off the stench of decay. | 0:27:23 | 0:27:26 | |
The opossum gave death-feigning a name. | 0:27:27 | 0:27:32 | |
As it plays possum, | 0:27:32 | 0:27:33 | |
anal secretions make it smell like a rotten corpse. | 0:27:33 | 0:27:38 | |
This behaviour is easily triggered | 0:27:38 | 0:27:41 | |
by harmless hypnosis techniques. | 0:27:41 | 0:27:44 | |
Strangely, the animals often wake up together. | 0:27:44 | 0:27:48 | |
Playing dead works because most predators won't touch carrion. | 0:27:53 | 0:27:58 | |
Danger gone, they quietly leave the stage. | 0:28:03 | 0:28:07 | |
Among nature's devious feats of deception, | 0:28:14 | 0:28:18 | |
playing possum must be as weird as it gets. | 0:28:18 | 0:28:22 | |
Our next weird journey looks at the bizarre ways animals breed. | 0:28:33 | 0:28:39 |