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There was a time when myths and science were entwined... | 0:00:05 | 0:00:08 | |
when mermaids and unicorns could mysteriously appear... | 0:00:08 | 0:00:14 | |
Nature was weird. | 0:00:15 | 0:00:17 | |
When science revealed the truth behind these imaginary creatures, | 0:00:19 | 0:00:23 | |
it found real animals lay behind the legends. | 0:00:23 | 0:00:28 | |
Today, science still makes astonishing discoveries, | 0:00:29 | 0:00:33 | |
but nature seems just as weird. | 0:00:33 | 0:00:36 | |
It's just that fact has broken free from fiction. | 0:00:36 | 0:00:42 | |
We catch our food in many ingenious ways, but nature is just as inventive. | 0:00:59 | 0:01:05 | |
The bolas spider can attract male moths by mimicking the scent of a female. | 0:01:07 | 0:01:15 | |
It uses a blob of glue dangling by a thread to catch them. | 0:01:26 | 0:01:31 | |
The spider's bolas is named after an old hunting weapon still used in South America. | 0:01:33 | 0:01:40 | |
Gauchos throw these weighted ropes around the legs of cattle to bring them down. | 0:01:41 | 0:01:49 | |
The spider's version is sticky. It is cued by the beating of wings. | 0:01:57 | 0:02:01 | |
The thread is stronger than steel. Few escape. | 0:02:04 | 0:02:09 | |
This weird journey shows many of the strange ways nature catches food. | 0:02:11 | 0:02:17 | |
In nature, it's only humans that rely on artificial tools to catch prey. | 0:02:38 | 0:02:43 | |
And nature's weapons put our inventions to shame. | 0:02:45 | 0:02:51 | |
This lethal saw belongs to a freshwater shark. | 0:02:51 | 0:02:55 | |
Monsters, 7m long, patrol the rivers of northern Australia. | 0:02:58 | 0:03:02 | |
The sawfish's long snout | 0:03:07 | 0:03:10 | |
is armed with pin-sharp teeth that slash at prey. | 0:03:10 | 0:03:14 | |
It drives fish to the shallows where this living chainsaw can do its devastating work. | 0:03:14 | 0:03:21 | |
Dismembered victims are sucked up by its underslung mouth. | 0:03:44 | 0:03:48 | |
While some use vicious weapons to dispatch prey, | 0:03:53 | 0:03:58 | |
others employ the finesse of a marksman. | 0:03:58 | 0:04:02 | |
The archer fish uses a water pistol. | 0:04:07 | 0:04:11 | |
It makes a gun barrel by pressing its tongue against a groove in its mouth. | 0:04:12 | 0:04:18 | |
It closes its gills to force out the water. | 0:04:22 | 0:04:26 | |
It's accurate up to 2 metres. | 0:04:31 | 0:04:34 | |
This expert in ballistics even allows for the curving of the jet through gravity... | 0:04:45 | 0:04:52 | |
..and adjusts for the way light bends at the boundary between water and air, | 0:05:01 | 0:05:07 | |
which appears to shift the position of its target. | 0:05:07 | 0:05:12 | |
By some amazing computation, it changes its firing angle to compensate for this optical illusion. | 0:05:17 | 0:05:23 | |
Archers target anything that moves or glows. | 0:05:35 | 0:05:38 | |
Hmm? | 0:05:44 | 0:05:46 | |
The velvet worm employs even deadlier firepower. | 0:05:52 | 0:05:57 | |
One of the oldest invertebrates, | 0:05:59 | 0:06:02 | |
its shooting style is unique. | 0:06:02 | 0:06:05 | |
Like a gunslinger, it has two pistols. | 0:06:09 | 0:06:13 | |
They fire lassos of glue. | 0:06:14 | 0:06:17 | |
The threads snake up to a metre. | 0:06:23 | 0:06:26 | |
Its glue guns weave from side to side to spread their fire. | 0:06:41 | 0:06:46 | |
The strands glue down the victim like a sticky net. | 0:06:50 | 0:06:54 | |
This rapid adhesive dries in seconds. | 0:06:58 | 0:07:02 | |
The velvet worm's knifelike jaw pierces its victim, | 0:07:04 | 0:07:09 | |
before sucking it dry. | 0:07:09 | 0:07:11 | |
New research suggests that dolphins also have a weapon that can be fired at prey, | 0:07:19 | 0:07:27 | |
but one based on sound. | 0:07:27 | 0:07:30 | |
CLICKING | 0:07:30 | 0:07:32 | |
CLICKING | 0:07:35 | 0:07:38 | |
Dolphins use a form of sonar to investigate their world. | 0:07:38 | 0:07:43 | |
They create an image by sending out a sound beam and decoding the returning echoes. | 0:07:45 | 0:07:52 | |
These pulses of high-intensity ultrasound can penetrate the sand | 0:07:52 | 0:07:57 | |
and create a sound picture of buried fish. | 0:07:57 | 0:08:01 | |
By upping the intensity, the dolphin appears to turn its sound system into a weapon. | 0:08:09 | 0:08:15 | |
The blasts disorientate prey, making them easy to catch. | 0:08:18 | 0:08:23 | |
Sonic weapons have been perfected by others. | 0:08:29 | 0:08:33 | |
Far from being quiet, | 0:08:40 | 0:08:43 | |
the ocean is filled with a cacophony of animal noise | 0:08:43 | 0:08:46 | |
that can even disrupt the sonic transmissions of submarines. | 0:08:46 | 0:08:52 | |
Most of the din is made by a surprisingly insignificant creature - | 0:08:52 | 0:08:56 | |
the pistol shrimp. | 0:08:56 | 0:08:58 | |
By snapping its claws, it can not only make communication sounds, | 0:09:01 | 0:09:06 | |
but something far deadlier. | 0:09:06 | 0:09:09 | |
These shrimps are its prey. | 0:09:12 | 0:09:15 | |
It deals a knockout blow from a distance by using its claw as a sonic weapon. | 0:09:18 | 0:09:26 | |
First, its claw is cocked like a pistol... CLICK! | 0:09:26 | 0:09:31 | |
..then fired... | 0:09:31 | 0:09:33 | |
BANG! | 0:09:33 | 0:09:34 | |
The effect is literally stunning. | 0:09:36 | 0:09:38 | |
As the claw snaps shut, | 0:09:40 | 0:09:43 | |
it fires a blast of bubbles. | 0:09:43 | 0:09:45 | |
Incredibly, as the bubbles collapse, they momentarily reach the temperature of the sun. | 0:09:48 | 0:09:55 | |
BANG! | 0:09:55 | 0:09:58 | |
BANG! | 0:09:58 | 0:09:59 | |
This implosion causes a shock wave that stuns. | 0:09:59 | 0:10:05 | |
This is also the haunt of other weird feeders. | 0:10:15 | 0:10:20 | |
The frogfish gives fast food a new meaning. It can catch its prey quicker than any other creature. | 0:10:23 | 0:10:30 | |
It uses its fins as legs to creep its camouflaged body around. | 0:10:30 | 0:10:35 | |
Prey, fooled by the disguise, is grabbed faster than the eye can see. | 0:10:39 | 0:10:44 | |
The process takes 1/6,000th of a second, | 0:10:58 | 0:11:03 | |
quicker than any creature can react. | 0:11:03 | 0:11:05 | |
Extreme slow motion reveals what no animal eye can see. | 0:11:09 | 0:11:14 | |
Its mouth balloons 12 times, creating a vacuum that sucks in prey. | 0:11:19 | 0:11:24 | |
The frogfish has the fastest known movement in the animal world. | 0:11:32 | 0:11:38 | |
But it isn't the only fast-food addict in the ocean. | 0:11:43 | 0:11:48 | |
The extraordinary eyes of the mantis shrimp, a creature famed for its high-speed knockout punch. | 0:11:53 | 0:12:01 | |
Its speciality is breaking into crab shells. | 0:12:10 | 0:12:14 | |
It finds its prey using the most sophisticated targeting system in nature. | 0:12:16 | 0:12:22 | |
Our eyes have three types of colour-analysing cells. | 0:12:22 | 0:12:27 | |
The mantis has 16, arranged in bands. | 0:12:29 | 0:12:33 | |
They target their prey like cross-hairs. | 0:12:35 | 0:12:40 | |
The mantis's heavy calcified clubs can be swung at prey. | 0:12:53 | 0:12:58 | |
They strike at lightning speed. | 0:12:58 | 0:13:02 | |
SMASH! | 0:13:04 | 0:13:06 | |
The clubs smash with the force of a .22-calibre bullet. | 0:13:06 | 0:13:11 | |
They shatter glass as easily as they pulverise a crab's shell. | 0:13:19 | 0:13:24 | |
An eagle's way of breaking into prey gave rise to a Greek legend. | 0:13:36 | 0:13:42 | |
It concerned a soothsayer who prophesied that a poet would die when a house fell down on him. | 0:13:43 | 0:13:51 | |
The story arose in an area where golden eagles prey almost exclusively on tortoises. | 0:13:57 | 0:14:05 | |
It has a beak that surgically cuts through flesh and effortlessly rips skin from bone | 0:14:09 | 0:14:15 | |
and talons that can pierce and crush almost any prey. | 0:14:15 | 0:14:19 | |
But these tools are no match for the tortoise's armour. | 0:14:26 | 0:14:30 | |
The eagle's solution fulfilled the soothsayer's prophesy. | 0:14:38 | 0:14:43 | |
The poet did die from a falling house, but one that belonged to a tortoise. | 0:14:49 | 0:14:56 | |
Its dive keeps up with its hapless prey. | 0:15:06 | 0:15:10 | |
The impact achieved what defeated the talons. | 0:15:16 | 0:15:21 | |
SQUAWKING | 0:15:25 | 0:15:27 | |
In the mountainous regions of northern Greece, | 0:15:27 | 0:15:32 | |
chicks are reared almost exclusively on tortoises, | 0:15:32 | 0:15:37 | |
but even the specialist tools of the eagle need help to keep food coming. | 0:15:37 | 0:15:43 | |
But one tool specialist is more perfectly equipped. | 0:15:44 | 0:15:49 | |
SQUEAK! | 0:15:51 | 0:15:52 | |
It lives in the forests of Madagascar. | 0:15:54 | 0:15:58 | |
SQUEAK! | 0:15:58 | 0:15:59 | |
Its specialist tool is a bony finger. | 0:15:59 | 0:16:04 | |
In a remarkable adaptation, the aye-aye finds hidden prey by tapping with this elongated middle digit. | 0:16:12 | 0:16:20 | |
TAPPING | 0:16:20 | 0:16:23 | |
Hollow cavities make a characteristic echo. | 0:16:26 | 0:16:30 | |
Variations in the echoes build up a 3D picture of the cavity. | 0:16:32 | 0:16:38 | |
It also listens for the characteristic sounds of a wood-boring grub. | 0:16:40 | 0:16:47 | |
Its ears cup the sound and confirm the spot. | 0:16:49 | 0:16:54 | |
The aye-aye's tool becomes a probe. | 0:17:06 | 0:17:09 | |
A sniff confirms there's life. | 0:17:13 | 0:17:17 | |
The finger transforms again, | 0:17:27 | 0:17:31 | |
this time into a gaffer hook. | 0:17:31 | 0:17:34 | |
Reaching inaccessible prey is a problem with many natural solutions. | 0:17:42 | 0:17:47 | |
The chameleon's independent swivelling eyes help it locate food. | 0:17:50 | 0:17:55 | |
BUZZING | 0:17:55 | 0:17:58 | |
They act as rangefinders, | 0:17:58 | 0:18:01 | |
only coming together when prey is firmly within their sights. | 0:18:01 | 0:18:06 | |
Reliable targeting is vital when using their projectile tongue, | 0:18:09 | 0:18:14 | |
an organ that new research shows is more remarkable than was thought. | 0:18:14 | 0:18:19 | |
The converging eyes help confirm distance, crucial for rangefinding. | 0:18:26 | 0:18:32 | |
With a tongue longer than its body, it needs long-range accuracy. | 0:18:42 | 0:18:47 | |
But some challenges are just too great. | 0:18:50 | 0:18:54 | |
But they do reveal the tongue's mechanics. | 0:18:57 | 0:19:01 | |
Circular muscles contract to shoot it forward. | 0:19:01 | 0:19:05 | |
The sticky tip then forms a suction cup. | 0:19:05 | 0:19:09 | |
The suckered tip allows some chameleons to even pluck small birds from the air. | 0:19:20 | 0:19:27 | |
Its tongue extension is the fastest movement of any land animal. | 0:19:35 | 0:19:40 | |
It accelerates to 50G, | 0:19:40 | 0:19:42 | |
five times that of a fighter plane. | 0:19:42 | 0:19:45 | |
There seems to be a fly in my soup. | 0:19:45 | 0:19:48 | |
What was that there? | 0:19:50 | 0:19:53 | |
Cuttlefish also use a long reach to catch food at a distance. | 0:20:11 | 0:20:17 | |
Instead of a tongue, they deploy two extendable tentacles. | 0:20:23 | 0:20:29 | |
Like the chameleon's tongue, the ends form suckers. | 0:20:41 | 0:20:45 | |
Each sucker has a ring of minute teeth | 0:20:45 | 0:20:51 | |
which bite into its prey to increase grip. | 0:20:51 | 0:20:55 | |
Having two tentacles also means they can act like tongs. | 0:20:55 | 0:20:59 | |
They accelerate at 25G, half the speed of the chameleon's tongue, | 0:21:06 | 0:21:11 | |
but even more impressive, as they have to plough through water. | 0:21:11 | 0:21:15 | |
Cuttlefish have more mysterious powers. | 0:21:20 | 0:21:24 | |
They appear to specialise in hypnosis. | 0:21:24 | 0:21:29 | |
These bands of colour are under nervous control. | 0:21:29 | 0:21:34 | |
The effect can be hypnotic. | 0:21:36 | 0:21:38 | |
Pigment cells beneath the skin expand and contract to create a mesmerising display. | 0:21:45 | 0:21:52 | |
The pulsing seems to create a deadly fascination. | 0:21:57 | 0:22:03 | |
But the cuttlefish may not be alone in using hypnotic powers. | 0:22:13 | 0:22:18 | |
Rabbits are a stoat's favourite prey. | 0:22:26 | 0:22:29 | |
Stoats are living bundles of energy and live life at breakneck speed. | 0:22:31 | 0:22:37 | |
They can tackle prey ten times their size... | 0:22:37 | 0:22:41 | |
if they can catch them. | 0:22:41 | 0:22:45 | |
To help, they do something quite strange. | 0:22:45 | 0:22:48 | |
This manic dance seems to be for the rabbit's benefit. | 0:22:57 | 0:23:03 | |
And it appears to cast a spell. | 0:23:06 | 0:23:09 | |
It's a deadly kind of enchantment. | 0:23:20 | 0:23:22 | |
Some snakes have found other ways to fool. | 0:23:38 | 0:23:41 | |
The death adder is one of Australia's deadliest and most perfectly camouflaged serpents. | 0:23:41 | 0:23:49 | |
And it has a deadly trick. | 0:23:51 | 0:23:54 | |
Its tail wriggles like a live lure. | 0:23:56 | 0:23:59 | |
Skinks are among its favourite prey. | 0:24:07 | 0:24:10 | |
They are especially partial to insect larvae. | 0:24:10 | 0:24:13 | |
This snake's tail wriggles like a beetle grub. | 0:24:29 | 0:24:33 | |
Its squirming tip even mimics a grub's segments. | 0:24:36 | 0:24:41 | |
Any animal finds it hard to tell the difference. | 0:24:47 | 0:24:52 | |
As the lizard nears, the writhing intensifies, | 0:24:56 | 0:25:00 | |
as the snake tries to lure it closer. | 0:25:00 | 0:25:03 | |
But a reprieve is at hand. | 0:25:07 | 0:25:10 | |
The death adder is aptly named - half of all humans bitten die. | 0:25:15 | 0:25:22 | |
Here you are, mate. | 0:25:33 | 0:25:36 | |
Crocodiles also lunge at prey. | 0:25:39 | 0:25:43 | |
They rely on stealth and a jump that exceeds their body length. | 0:25:43 | 0:25:47 | |
Many fish have also found that leaping makes the perfect ambush. | 0:25:55 | 0:26:00 | |
A tail flip propels the archer fish from the surface. | 0:26:10 | 0:26:14 | |
They often prefer this direct approach to shooting down prey with water. | 0:26:14 | 0:26:22 | |
These leaps are only used on prey that's close to the surface. | 0:26:22 | 0:26:27 | |
But the arowana is the ultimate high-jumper. | 0:26:37 | 0:26:42 | |
It jumps two metres out of the water. | 0:26:42 | 0:26:47 | |
A long tail provides propulsion. | 0:26:50 | 0:26:52 | |
Swivelling eyes help with targeting. | 0:26:57 | 0:27:01 | |
The arowana performs this feat using rhythmic waves of its long muscular tail. | 0:27:15 | 0:27:21 | |
Nature's animals use many fantastic ways of feeding, | 0:27:30 | 0:27:35 | |
from the graceful to the bizarre. | 0:27:35 | 0:27:38 | |
But we are the weirdest of all. We have no natural means to catch the animals we eat. | 0:27:38 | 0:27:46 | |
Sometimes, our equipment catches more than we bargained for. | 0:27:53 | 0:27:57 |