Browse content similar to Staying Alive. Check below for episodes and series from the same categories and more!
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Meet the Californian ground squirrel. | 0:00:03 | 0:00:07 | |
It's an endearing little rodent, but it does face a big problem. | 0:00:07 | 0:00:12 | |
A constant and terrifying threat. | 0:00:14 | 0:00:16 | |
Rattlesnakes. | 0:00:19 | 0:00:21 | |
Deadly serpents that hunt by smell. | 0:00:26 | 0:00:29 | |
Once locked on to a squirrel's scent, there's no escape. | 0:00:33 | 0:00:38 | |
Or is there? | 0:00:45 | 0:00:46 | |
You see, these squirrels have a distinctly devious con | 0:00:46 | 0:00:51 | |
to fool the sinister snakes, | 0:00:51 | 0:00:53 | |
and central to that con, is this, | 0:00:53 | 0:00:57 | |
one of the rattlesnake's old, shed skins. | 0:00:57 | 0:01:01 | |
Just watch this! | 0:01:06 | 0:01:07 | |
Look at that! | 0:01:17 | 0:01:18 | |
The squirrel's come over, picked up the skin, | 0:01:18 | 0:01:22 | |
and started chewing it. | 0:01:22 | 0:01:23 | |
They rub the mush all over their bodies. | 0:01:25 | 0:01:28 | |
You see, they're masking their own scent. | 0:01:31 | 0:01:33 | |
Now, they smell like the snakes instead. | 0:01:35 | 0:01:38 | |
It's fooling the principal way the ruthless rattlers | 0:01:41 | 0:01:45 | |
hunt them down. | 0:01:45 | 0:01:46 | |
The snakes just can't detect the squirrels. | 0:01:52 | 0:01:56 | |
It's ingenious, isn't it? | 0:01:56 | 0:01:59 | |
Absolutely ingenious! | 0:01:59 | 0:02:01 | |
They use the snakes' own scent to hide themselves. | 0:02:02 | 0:02:07 | |
Now, that's nature at its most devious. | 0:02:09 | 0:02:12 | |
And it turns out that these sneaky squirrels | 0:02:13 | 0:02:17 | |
aren't the only ones tricking other animals to survive. | 0:02:17 | 0:02:21 | |
Every day, animals face the single greatest challenge | 0:02:33 | 0:02:36 | |
of their lives - survive, or die. | 0:02:36 | 0:02:39 | |
They've got to outwit potential predators. | 0:02:42 | 0:02:44 | |
Find or catch food. | 0:02:47 | 0:02:49 | |
And then raise the next generation. | 0:02:53 | 0:02:56 | |
Frankly, the stakes couldn't be higher. | 0:02:57 | 0:03:01 | |
So, in the face of all of this, | 0:03:04 | 0:03:07 | |
how on earth can animals increase their chances? | 0:03:07 | 0:03:10 | |
I mean, would they lie, cheat, | 0:03:10 | 0:03:13 | |
even steal from one another just to survive? | 0:03:13 | 0:03:17 | |
Come on, of course they would. | 0:03:17 | 0:03:20 | |
Join me as I meet the world's sneakiest animals... | 0:03:25 | 0:03:29 | |
..who will do whatever it takes to survive. | 0:03:30 | 0:03:33 | |
Now, if there's anywhere on the planet where | 0:03:51 | 0:03:53 | |
staying alive is a constant struggle, then it's here, the African savanna. | 0:03:53 | 0:03:59 | |
To avoid the attention of predators, | 0:04:03 | 0:04:05 | |
most animals' coat colours blend in to the background. | 0:04:05 | 0:04:08 | |
But one in particular has perfected an incredibly sneaky disguise. | 0:04:12 | 0:04:18 | |
The zebra. | 0:04:19 | 0:04:21 | |
No, seriously, I mean it. | 0:04:21 | 0:04:23 | |
The zebra. | 0:04:23 | 0:04:24 | |
Let's just stop for a minute and think about these animals - | 0:04:28 | 0:04:31 | |
in particular their markings. | 0:04:31 | 0:04:33 | |
I mean, they are striking, stunning animals. | 0:04:33 | 0:04:36 | |
But, at the same time, | 0:04:43 | 0:04:44 | |
they might strike you as a little ridiculous when you think about it. | 0:04:44 | 0:04:48 | |
After all, they're living out here on the plains of Africa, | 0:04:52 | 0:04:56 | |
which are famed for being alive with predators. | 0:04:56 | 0:05:00 | |
And yet, look! | 0:05:04 | 0:05:05 | |
They stick out like a sore thumb. | 0:05:08 | 0:05:10 | |
So, perhaps this begs the question, | 0:05:12 | 0:05:15 | |
the age-old question, | 0:05:15 | 0:05:17 | |
why does the zebra have its stripes? | 0:05:17 | 0:05:21 | |
Well, over the years, there have been plenty of theories. | 0:05:23 | 0:05:26 | |
From helping to keep them cool in the heat, | 0:05:28 | 0:05:30 | |
or attracting a mate... | 0:05:30 | 0:05:33 | |
..or even a way of identifying each other. | 0:05:35 | 0:05:38 | |
But to be honest, none of these have stood the test of time. | 0:05:42 | 0:05:45 | |
Now, ground-breaking new science is suggesting that these | 0:05:47 | 0:05:51 | |
bold patterns are keeping the zebras safe from their enemies. | 0:05:51 | 0:05:55 | |
But how? | 0:06:08 | 0:06:10 | |
Well, perhaps there's a clue in the colours themselves. | 0:06:10 | 0:06:13 | |
Black and white are the two most contrasting colours. | 0:06:20 | 0:06:23 | |
When combined, they play tricks on the mind. | 0:06:23 | 0:06:27 | |
Take a look at this, and don't adjust your sets. | 0:06:34 | 0:06:37 | |
This is known as the cafe wall illusion. | 0:06:37 | 0:06:41 | |
Look at the horizontal lines, | 0:06:41 | 0:06:43 | |
they look sloping, diagonal, | 0:06:43 | 0:06:46 | |
uneven, right? | 0:06:46 | 0:06:48 | |
But, just look at this. | 0:06:50 | 0:06:53 | |
You'll see that there are no skewy or diagonal lines at all. | 0:06:54 | 0:06:59 | |
In fact, everything is perfectly even and horizontal. | 0:06:59 | 0:07:06 | |
Before, the lines looked sloping. | 0:07:06 | 0:07:09 | |
After, they're perfectly straight. | 0:07:11 | 0:07:15 | |
Black and white patterns can confuse our vision. | 0:07:18 | 0:07:22 | |
And they are the two most common colours used in optical illusions. | 0:07:26 | 0:07:32 | |
So, could it be that a phenomenon like this | 0:07:36 | 0:07:41 | |
could contribute to the whole enigma of the zebra's stripes? | 0:07:41 | 0:07:46 | |
Well, one man has been investigating exactly this. | 0:07:49 | 0:07:53 | |
Dr Martin How is an expert in the way that predators see their prey. | 0:07:57 | 0:08:02 | |
I've been studying animal vision for a number of years now | 0:08:05 | 0:08:08 | |
and became quite interested in what the zebra's stripes might be doing | 0:08:08 | 0:08:11 | |
to the visual systems of their main predators. | 0:08:11 | 0:08:14 | |
They've got these very strong stripes, | 0:08:18 | 0:08:20 | |
but nobody's really explained convincingly why they're striped. | 0:08:20 | 0:08:23 | |
Martin's got an exciting theory. | 0:08:28 | 0:08:30 | |
That the bold, contrasting patterns, | 0:08:32 | 0:08:34 | |
when viewed by predators, could be creating an optical illusion. | 0:08:34 | 0:08:40 | |
It's an idea called motion dazzle. | 0:08:43 | 0:08:46 | |
Let me show you how it works with an example we're all very familiar with. | 0:08:49 | 0:08:53 | |
Now just watch this. | 0:09:02 | 0:09:04 | |
If I begin to turn this bicycle wheel, | 0:09:04 | 0:09:08 | |
you can see that it's moving in a clockwise direction, | 0:09:08 | 0:09:11 | |
and it looks like it's moving in a clockwise direction. | 0:09:11 | 0:09:14 | |
But if I turn it more quickly, like this, | 0:09:14 | 0:09:18 | |
then suddenly something magical happens. | 0:09:18 | 0:09:22 | |
The wheel appears to be moving in the opposite direction, | 0:09:30 | 0:09:33 | |
it appears to be going completely backwards. | 0:09:33 | 0:09:36 | |
It's called the wagon wheel illusion. | 0:09:46 | 0:09:49 | |
The faster something rotates, | 0:09:52 | 0:09:54 | |
the more we struggle to process the movement. | 0:09:54 | 0:09:57 | |
Our brain tries to simplify what we're seeing, | 0:09:59 | 0:10:02 | |
but it gets the direction wrong. | 0:10:02 | 0:10:04 | |
To investigate whether something like this could be happening | 0:10:11 | 0:10:15 | |
with the zebra's monochrome stripes, | 0:10:15 | 0:10:17 | |
Martin developed a computer model to analyse footage. | 0:10:17 | 0:10:21 | |
What we've got here is the original footage | 0:10:21 | 0:10:24 | |
of the zebras moving from left to right, | 0:10:24 | 0:10:26 | |
and below, we've got the output of the model. | 0:10:26 | 0:10:28 | |
The brightness of the colour shows you where the movement is happening | 0:10:28 | 0:10:31 | |
and the colour itself tells you the direction, | 0:10:31 | 0:10:34 | |
so the green areas are moving to the right, | 0:10:34 | 0:10:36 | |
and the red areas are moving to the left. | 0:10:36 | 0:10:39 | |
OK, but there is a mass of red in there, | 0:10:39 | 0:10:40 | |
does that mean that those parts of those zebra, to the predator, | 0:10:40 | 0:10:44 | |
look like they're moving completely in the opposite direction, | 0:10:44 | 0:10:47 | |
-back to the left? -That's exactly right, | 0:10:47 | 0:10:49 | |
and it demonstrates that it's the stripes that are causing the effect. | 0:10:49 | 0:10:53 | |
Let's just be clear on this. | 0:10:56 | 0:10:57 | |
Here, we've isolated the two key colours. | 0:10:57 | 0:11:02 | |
As the zebras are walking to the right, | 0:11:04 | 0:11:07 | |
the model should only be showing green, no other colours. | 0:11:07 | 0:11:12 | |
Remarkably, the red we are seeing | 0:11:12 | 0:11:15 | |
is suggesting that a predator would perceive the zebras to be moving | 0:11:15 | 0:11:20 | |
in completely the opposite direction. | 0:11:20 | 0:11:23 | |
Just like the bike wheel. | 0:11:23 | 0:11:25 | |
Predators must precisely judge the speed and direction | 0:11:31 | 0:11:35 | |
of their prey in order to make a kill. | 0:11:35 | 0:11:37 | |
This research shows that, as zebras start moving, | 0:11:43 | 0:11:47 | |
the stripes create a miraculous and disorientating illusion. | 0:11:47 | 0:11:52 | |
Making it harder for the predators to home in on them. | 0:11:53 | 0:11:57 | |
In a hunt, every second counts. | 0:12:04 | 0:12:07 | |
So this dazzling form of defence | 0:12:07 | 0:12:09 | |
could be confusing predators just enough | 0:12:09 | 0:12:12 | |
for the zebras to escape and live to see another day. | 0:12:12 | 0:12:17 | |
It's an outstandingly sneaky trick. | 0:12:20 | 0:12:22 | |
Zebras have transformed themselves | 0:12:27 | 0:12:30 | |
into a walking, trotting, galloping optical illusion, | 0:12:30 | 0:12:34 | |
which both deceives and deters their predators. | 0:12:34 | 0:12:38 | |
If I'm honest with you, | 0:12:38 | 0:12:39 | |
up until now I've never really given them a second look. | 0:12:39 | 0:12:42 | |
I've always thought of them as small stripy ponies, | 0:12:42 | 0:12:45 | |
living out here to be eaten by something more interesting, | 0:12:45 | 0:12:47 | |
but no longer. | 0:12:47 | 0:12:48 | |
I now see them as unique and beautiful animals, | 0:12:48 | 0:12:52 | |
creatures that have pulled off an incredible deception | 0:12:52 | 0:12:55 | |
to produce one of the most effective anti-predator strategies | 0:12:55 | 0:12:59 | |
that we have on our planet. | 0:12:59 | 0:13:01 | |
Motion dazzle is a brilliant way to confuse hunting predators. | 0:13:05 | 0:13:09 | |
But animals have other ingenious ways to outwit their enemies. | 0:13:13 | 0:13:17 | |
One creature's sneaky strategy is to avoid being detected | 0:13:28 | 0:13:32 | |
in the first place. | 0:13:32 | 0:13:33 | |
You're looking at a northern leaf-tailed gecko, | 0:13:45 | 0:13:50 | |
and these animals are incredibly difficult to spot. | 0:13:50 | 0:13:53 | |
Try focusing just here. | 0:13:55 | 0:13:58 | |
Now that really is a master of disguise. | 0:14:01 | 0:14:07 | |
I had a book when I was a kid, it had a photograph of one of these, | 0:14:26 | 0:14:30 | |
and I could barely believe it existed. | 0:14:30 | 0:14:32 | |
You can only find them here in Northern Queensland, | 0:14:38 | 0:14:41 | |
in the tropical forest, | 0:14:41 | 0:14:42 | |
and it is one of the largest geckos in the world. | 0:14:42 | 0:14:45 | |
They feed at night, | 0:14:49 | 0:14:51 | |
but it's when they sleep during the day that they have a big problem. | 0:14:51 | 0:14:57 | |
This forest is alive with hungry eyes. | 0:15:00 | 0:15:04 | |
All looking to prey on an exposed lizard. | 0:15:06 | 0:15:10 | |
You see, our gecko is too big to hide away | 0:15:13 | 0:15:16 | |
or tuck in under bark. | 0:15:16 | 0:15:18 | |
So, stuck out on a limb in broad daylight, | 0:15:18 | 0:15:22 | |
it deploys its party trick. | 0:15:22 | 0:15:25 | |
The gecko has developed an ability that we can only dream of. | 0:15:27 | 0:15:32 | |
Just watch this. | 0:15:32 | 0:15:33 | |
It vanishes into thin air. | 0:15:37 | 0:15:40 | |
The gecko's vanishing act starts with its skin. | 0:15:48 | 0:15:52 | |
It's covered in a series of strongly contrasting patterns. | 0:15:53 | 0:15:57 | |
In close up, they really stand out, | 0:15:57 | 0:16:00 | |
but from a distance, they break up the gecko's body shape, | 0:16:00 | 0:16:05 | |
and its outline... | 0:16:05 | 0:16:06 | |
..allowing it to blend seamlessly into any forest background. | 0:16:08 | 0:16:12 | |
It's known as disruptive camouflage. | 0:16:14 | 0:16:17 | |
Even their eyes have it. | 0:16:18 | 0:16:20 | |
But there are other clues the gecko's predators could pick up on. | 0:16:26 | 0:16:30 | |
Any three-dimensional object, no matter how well camouflaged, | 0:16:31 | 0:16:35 | |
has the potential to produce a shadow, | 0:16:35 | 0:16:39 | |
and this shadow is a dead giveaway to any predator. | 0:16:39 | 0:16:44 | |
To combat this, geckos have very loose skin, | 0:16:45 | 0:16:49 | |
which they flatten against the trees when they're trying to hide. | 0:16:49 | 0:16:53 | |
To complete their vanishing act, the geckos have subtle fringes | 0:16:55 | 0:16:59 | |
that run around the edges of their bodies, | 0:16:59 | 0:17:02 | |
particularly on their tails, | 0:17:02 | 0:17:04 | |
and these serve to break up their outline | 0:17:04 | 0:17:07 | |
and any sharply defined edges. | 0:17:07 | 0:17:10 | |
By using these principles, | 0:17:13 | 0:17:15 | |
animals have perfected the ultimate camouflage. | 0:17:15 | 0:17:20 | |
The effectiveness, the sheer beauty of these devious disguises, | 0:17:23 | 0:17:27 | |
is quite mind-blowing. | 0:17:27 | 0:17:29 | |
Just look at these sneaky creatures. | 0:17:29 | 0:17:31 | |
Can you make it out? | 0:17:33 | 0:17:35 | |
It's a dead leaf butterfly from Malaysia. | 0:17:35 | 0:17:38 | |
What about these animals? | 0:17:40 | 0:17:42 | |
These are pygmy seahorses, from New Guinea. | 0:17:44 | 0:17:47 | |
And finally, how about the incredible disguise of this hooded grasshopper? | 0:17:50 | 0:17:55 | |
And, for our leaf-tailed gecko, and yes, it is still here, | 0:18:00 | 0:18:04 | |
perfecting this disguise means one important thing, | 0:18:04 | 0:18:09 | |
it can rest - it can sleep here in the open, | 0:18:09 | 0:18:13 | |
and avoid the attention of predators all day long. | 0:18:13 | 0:18:16 | |
Now, it's all very well some animals being able to blend | 0:18:27 | 0:18:30 | |
perfectly into their background, that's clearly a great advantage. | 0:18:30 | 0:18:34 | |
But what about if these species then want to move | 0:18:34 | 0:18:37 | |
from one habitat into another? | 0:18:37 | 0:18:39 | |
Then it could clearly be a disadvantage. | 0:18:40 | 0:18:44 | |
Unless they had the ability to change their camouflage, | 0:18:44 | 0:18:48 | |
and, ultimately, if they could continue to change that disguise... | 0:18:48 | 0:18:53 | |
..they would come up with nature's invisibility cloak. | 0:18:54 | 0:18:58 | |
Something that you might think is a bit far-fetched, | 0:18:58 | 0:19:02 | |
but I've got to tell you that it isn't, | 0:19:02 | 0:19:04 | |
there's a creature living out there right now that can do just that. | 0:19:04 | 0:19:09 | |
And what a splendid creature it is. | 0:19:15 | 0:19:17 | |
What do you mean you can't see it? | 0:19:19 | 0:19:21 | |
It's in the middle there, amongst the seaweed. | 0:19:21 | 0:19:24 | |
I give you the cuttlefish. | 0:19:27 | 0:19:29 | |
Unfortunately for them, | 0:19:39 | 0:19:41 | |
they are one of the most sought-after meals in the ocean. | 0:19:41 | 0:19:44 | |
Their bodies have no physical protection, | 0:19:46 | 0:19:49 | |
so they've come up with a cunning defence. | 0:19:49 | 0:19:51 | |
They transform themselves entirely to match their surroundings. | 0:19:53 | 0:19:59 | |
In his US-based lab, cuttlefish expert Dr Roger Hanlon | 0:20:03 | 0:20:08 | |
is investigating how they conjure up these incredible illusions. | 0:20:08 | 0:20:13 | |
He's presenting the cuttlefish with different backgrounds... | 0:20:18 | 0:20:22 | |
..and then pulling the rug out from underneath them. | 0:20:28 | 0:20:32 | |
It reveals just how quickly they can adapt. | 0:20:34 | 0:20:39 | |
As Roger is discovering, | 0:20:41 | 0:20:43 | |
the key to this seemingly supernatural power is their skin. | 0:20:43 | 0:20:48 | |
Well, this is truly amazing, | 0:20:48 | 0:20:50 | |
perhaps some of the most beautiful skin on Planet Earth, | 0:20:50 | 0:20:53 | |
and they need elegant skin | 0:20:53 | 0:20:55 | |
because they have to create these colours and patterns, | 0:20:55 | 0:20:58 | |
and contrasts to create this camouflage. | 0:20:58 | 0:21:00 | |
So, in the top layer of the skin | 0:21:03 | 0:21:05 | |
they have these beautiful pigmented organs, we call them chromatophores. | 0:21:05 | 0:21:09 | |
Chromatophores are tiny packages of different coloured pigment. | 0:21:12 | 0:21:16 | |
Each individual chromatophore is pulled and stretched by muscles | 0:21:18 | 0:21:22 | |
controlled by the brain, turning a dot into a circle of colour. | 0:21:22 | 0:21:28 | |
The combined effect of three million chromatophores, | 0:21:30 | 0:21:33 | |
and other specialist cells, | 0:21:33 | 0:21:35 | |
changes the cuttlefish's colour and pattern in an instant. | 0:21:35 | 0:21:40 | |
This amazing colour-changing ability | 0:21:42 | 0:21:45 | |
is made even more remarkable by one astonishing fact. | 0:21:45 | 0:21:49 | |
Cuttlefish are colour-blind. | 0:21:51 | 0:21:53 | |
Yes, that's right. | 0:21:55 | 0:21:57 | |
They can't even see the colours they're trying to match. | 0:21:57 | 0:22:00 | |
So, how on earth do they match their surroundings quite so perfectly? | 0:22:02 | 0:22:06 | |
Well, recently Roger and his colleagues have discovered | 0:22:08 | 0:22:12 | |
the cuttlefish's beautiful secret. | 0:22:12 | 0:22:14 | |
Dotted across their skin are specialist cells containing opsin. | 0:22:16 | 0:22:21 | |
It's a protein usually only ever found in eyes. | 0:22:23 | 0:22:27 | |
So, this is a marvellous strange discovery, | 0:22:29 | 0:22:32 | |
they seem to have light-detecting molecules distributed in the skin | 0:22:32 | 0:22:36 | |
and these are the same molecules that are in the retina in the eye. | 0:22:36 | 0:22:40 | |
In effect, their skin can sense - possibly even "see" - colour. | 0:22:42 | 0:22:46 | |
But then these great illusionists have another show-stopping trick. | 0:22:50 | 0:22:54 | |
The cuttlefish have this morphing skin. | 0:22:58 | 0:23:01 | |
The skin can actually go from flat to three-dimensional, | 0:23:01 | 0:23:04 | |
think ultimate goose bumps in a human, for example. | 0:23:04 | 0:23:07 | |
No other animal can do this. | 0:23:07 | 0:23:09 | |
The cuttlefish morph and change texture to match any surroundings. | 0:23:12 | 0:23:17 | |
It's an extraordinary ability. | 0:23:20 | 0:23:21 | |
These clever cuttlefish, and their close relatives, octopus, | 0:23:24 | 0:23:27 | |
have the most amazing shape-shifting vanishing act | 0:23:27 | 0:23:32 | |
that I've ever seen. | 0:23:32 | 0:23:34 | |
And, when it comes to playing hide-and-seek with predators, | 0:23:39 | 0:23:43 | |
these deceitful creatures are always the winners. | 0:23:43 | 0:23:47 | |
Camouflage is a wonderfully sneaky and successful way | 0:23:58 | 0:24:02 | |
to avoid predators. | 0:24:02 | 0:24:03 | |
So many different animals depend on it to survive. | 0:24:06 | 0:24:10 | |
But, you know, for even the best-camouflaged animals | 0:24:13 | 0:24:15 | |
there's a problem. | 0:24:15 | 0:24:16 | |
You see, the second they move, the illusion is blown. | 0:24:16 | 0:24:20 | |
It really doesn't matter how well-hidden they are, it spoils the trick. | 0:24:20 | 0:24:25 | |
But nature always finds a way. | 0:24:27 | 0:24:28 | |
So, could there be an even craftier ploy? | 0:24:30 | 0:24:34 | |
One that could protect a conniving creature around the clock? | 0:24:34 | 0:24:38 | |
No matter where they were, or what they did. | 0:24:41 | 0:24:44 | |
A disguise that all predators would want to avoid all of the time. | 0:24:46 | 0:24:51 | |
Venomous, toxic, or decidedly deadly. | 0:24:58 | 0:25:01 | |
Many animals use bright warning colours | 0:25:04 | 0:25:07 | |
to declare the threat that they pose. | 0:25:07 | 0:25:09 | |
Predators learn to avoid these animals. | 0:25:13 | 0:25:15 | |
They know the consequences if they try to eat them. | 0:25:17 | 0:25:21 | |
But sometimes, all is not as it seems. | 0:25:23 | 0:25:26 | |
Two snakes, both displaying classic warning colouration. | 0:25:31 | 0:25:37 | |
Both residents of here, the south-eastern United States. | 0:25:37 | 0:25:41 | |
But one of these snakes is deadly venomous. | 0:25:41 | 0:25:46 | |
It's the eastern coral snake. | 0:25:48 | 0:25:51 | |
The venom is packed with neurotoxins which paralyse the breathing system, | 0:25:54 | 0:25:59 | |
so one bite is pretty much certainly fatal. | 0:25:59 | 0:26:02 | |
That would be a snake to avoid. | 0:26:05 | 0:26:09 | |
But the other snake is a barefaced liar. | 0:26:09 | 0:26:14 | |
The scarlet king snake is absolutely harmless. | 0:26:17 | 0:26:21 | |
The big question is, | 0:26:23 | 0:26:25 | |
which is which? | 0:26:25 | 0:26:27 | |
Because in a moment, I'm going to take one of these two snakes | 0:26:33 | 0:26:38 | |
out of the jar, bare-handed. | 0:26:38 | 0:26:41 | |
So, which one will it be? | 0:26:42 | 0:26:44 | |
Which would you choose? | 0:26:51 | 0:26:54 | |
No, I don't think so. | 0:27:03 | 0:27:05 | |
I'm going to go for this snake. | 0:27:06 | 0:27:09 | |
This snake is the scarlet king snake. | 0:27:11 | 0:27:17 | |
It's the faker. | 0:27:17 | 0:27:19 | |
And just look at it, | 0:27:19 | 0:27:22 | |
it is absolutely beautiful. | 0:27:22 | 0:27:26 | |
In this neck of the woods, | 0:27:30 | 0:27:32 | |
it helps to remember a rhyme that could save your life. | 0:27:32 | 0:27:36 | |
"Red touches yellow, could kill a fellow. | 0:27:36 | 0:27:39 | |
"Red touches black, friend to Jack." | 0:27:40 | 0:27:43 | |
And here, the red-and-black bands are touching, | 0:27:46 | 0:27:49 | |
so this is our harmless king snake. | 0:27:49 | 0:27:52 | |
Round here, this snake is certainly on the menu for many larger animals. | 0:27:54 | 0:27:59 | |
So, it's evolved a sneaky tactic. | 0:27:59 | 0:28:02 | |
This is a classic case of imitation. | 0:28:07 | 0:28:11 | |
The harmless king snake is mimicking its deadly rival, | 0:28:11 | 0:28:16 | |
the coral snake, | 0:28:16 | 0:28:17 | |
in the hope that predators will buy this con and leave it well alone. | 0:28:17 | 0:28:24 | |
Well, that's the theory at least. | 0:28:24 | 0:28:26 | |
But I see a problem. | 0:28:26 | 0:28:28 | |
You see, they're not exactly the same, are they? | 0:28:28 | 0:28:33 | |
So, could this mimicry really confer protection on this cheating snake? | 0:28:33 | 0:28:40 | |
Unbelievably, until recently, | 0:28:40 | 0:28:43 | |
it had never actually been tested in the field, that is until now. | 0:28:43 | 0:28:48 | |
Professor David Pfennig is an expert | 0:28:52 | 0:28:54 | |
in the king snake's masterful mimicry. | 0:28:54 | 0:28:56 | |
Earlier in the year, he set out replicas | 0:29:01 | 0:29:04 | |
of both snakes, | 0:29:04 | 0:29:06 | |
in front of camera traps. | 0:29:06 | 0:29:08 | |
He's investigating... | 0:29:11 | 0:29:12 | |
..how predators really react to these warning colours. | 0:29:14 | 0:29:19 | |
I can't wait to see the results. | 0:29:31 | 0:29:33 | |
So, David, how did the experiment go? | 0:29:33 | 0:29:35 | |
It worked out fabulous, and you can see we found a real diversity | 0:29:35 | 0:29:39 | |
of animal life appearing on our videos. | 0:29:39 | 0:29:41 | |
OK, so, a great range of species, | 0:29:48 | 0:29:50 | |
but at least two of those animals are potential predators of the snake. | 0:29:50 | 0:29:54 | |
The grey foxes and the coyotes would be predators of these snakes. | 0:29:57 | 0:30:00 | |
The raccoons would probably be, as well. | 0:30:00 | 0:30:03 | |
When we look at the reactions of these predators to the snakes | 0:30:03 | 0:30:06 | |
we find that they're treating them as if they were real snakes. | 0:30:06 | 0:30:09 | |
But surely, the bright warning colouration | 0:30:15 | 0:30:17 | |
has to be putting off the majority of attacks? | 0:30:17 | 0:30:20 | |
That's right. | 0:30:20 | 0:30:21 | |
Generally, they're not attacking our fake snakes, they're avoiding them, | 0:30:21 | 0:30:25 | |
and you can see this avoidance in several of these clips. | 0:30:25 | 0:30:28 | |
Sometimes they do go after them, | 0:30:29 | 0:30:31 | |
and they do attack them, at a very low frequency though. | 0:30:31 | 0:30:34 | |
What do you see in terms of a difference between the number | 0:30:34 | 0:30:37 | |
of fake coral snakes and the number of fake king snakes being attacked? | 0:30:37 | 0:30:41 | |
They're equally likely to be attacked. | 0:30:41 | 0:30:43 | |
So even though the coral snake and the king snake | 0:30:43 | 0:30:46 | |
have different ring order, predators are avoiding both. | 0:30:46 | 0:30:49 | |
So, despite not looking EXACTLY the same, | 0:30:52 | 0:30:55 | |
the mimetic king snake is still gaining all of the advantage | 0:30:55 | 0:31:00 | |
of its phony warning colours. | 0:31:00 | 0:31:03 | |
The reason why that works | 0:31:03 | 0:31:05 | |
is that the coral snake is really, really deadly, | 0:31:05 | 0:31:08 | |
it can kill an adult human, it could kill any of these predators. | 0:31:08 | 0:31:11 | |
So, just vaguely looking like it is good enough to get you by. | 0:31:14 | 0:31:17 | |
Just as I gambled with my life earlier... | 0:31:20 | 0:31:24 | |
No. | 0:31:26 | 0:31:28 | |
..if a predator wanted to eat one of these two snakes | 0:31:28 | 0:31:32 | |
and picked the wrong one, | 0:31:32 | 0:31:34 | |
it could cost them their life. | 0:31:34 | 0:31:37 | |
So, they tend to play it safe, | 0:31:39 | 0:31:42 | |
avoiding any snake with obvious warning colours. | 0:31:42 | 0:31:46 | |
Mimicry really is an excellent strategy for survival. | 0:31:51 | 0:31:55 | |
It's a brilliantly cunning way to protect yourself from predators | 0:31:55 | 0:31:59 | |
24 hours a day. | 0:31:59 | 0:32:01 | |
So, it's hardly surprising that, when one species evolves | 0:32:01 | 0:32:05 | |
to be deadly dangerous, others sneak in and copy them. | 0:32:05 | 0:32:09 | |
Mimicry is a successful survival strategy | 0:32:14 | 0:32:17 | |
used by animals the world over. | 0:32:17 | 0:32:21 | |
Impersonating others has entirely changed the way that animals | 0:32:21 | 0:32:25 | |
look and even how they behave. | 0:32:25 | 0:32:27 | |
But what if animals could adapt their behaviour and make | 0:32:32 | 0:32:37 | |
deliberate, strategic decisions about when and how to trick others? | 0:32:37 | 0:32:42 | |
Well, then, they could pull off the sneakiest con tricks of all. | 0:32:45 | 0:32:49 | |
One of these animal hustlers lives here, in the forests of Panama... | 0:32:51 | 0:32:57 | |
..white-faced capuchins. | 0:33:00 | 0:33:02 | |
This group are a close-knit family. | 0:33:07 | 0:33:10 | |
Together, they defend a territory that they depend upon to survive. | 0:33:12 | 0:33:18 | |
But other monkey troops are trying to take their turf. | 0:33:18 | 0:33:21 | |
And as a consequence of that, these monkeys are always in conflict. | 0:33:26 | 0:33:31 | |
Fighting is a dangerous business. | 0:33:45 | 0:33:48 | |
Injuries are common. | 0:33:53 | 0:33:54 | |
In fact, more capuchins are killed by each other than by predators. | 0:33:59 | 0:34:05 | |
The stakes couldn't be higher. | 0:34:07 | 0:34:09 | |
Guarding a territory obviously takes teamwork. | 0:34:11 | 0:34:15 | |
An individual capuchin can't keep an invading troop out on its own | 0:34:15 | 0:34:20 | |
and obviously, from that troop's point of view, | 0:34:20 | 0:34:23 | |
it makes sense to look after the territory. They need it to survive. | 0:34:23 | 0:34:27 | |
But let's just stop for a moment | 0:34:27 | 0:34:29 | |
and think about the implications on the individual monkeys. | 0:34:29 | 0:34:33 | |
Yes, it's their duty to help defend the territory... | 0:34:38 | 0:34:42 | |
..but that takes time and energy, and then | 0:34:44 | 0:34:48 | |
there's the likelihood of getting seriously injured. | 0:34:48 | 0:34:52 | |
And for a monkey like this, that is a huge dilemma, and it's | 0:34:54 | 0:34:59 | |
led to the evolution of some extraordinarily treacherous tactics. | 0:34:59 | 0:35:03 | |
These monkeys are part of a long-term study. | 0:35:08 | 0:35:10 | |
Leading the research is primatologist Meg Crofoot. | 0:35:13 | 0:35:17 | |
She's going to show me just how sneaky these monkeys can be. | 0:35:20 | 0:35:25 | |
By playing a recording of a neighbouring troop, | 0:35:27 | 0:35:30 | |
she's simulating a territorial invasion. | 0:35:30 | 0:35:34 | |
SOUND OF MONKEY CHATTER | 0:35:34 | 0:35:35 | |
That's the big male, and there's a female, | 0:35:35 | 0:35:38 | |
looking towards the speaker with a baby on her back. | 0:35:38 | 0:35:41 | |
On the ground right here, look at that. | 0:35:43 | 0:35:46 | |
That's the alpha male in this group. | 0:35:46 | 0:35:48 | |
-Well, that's certainly got a response from him. -Yup. | 0:35:48 | 0:35:50 | |
-Here we go, one of the juveniles. -Yes, yes. | 0:35:53 | 0:35:56 | |
Wow! | 0:35:58 | 0:35:59 | |
-Look, look, look! Two more there. -Two more there. -Yeah. | 0:35:59 | 0:36:04 | |
So, we've seen five monkeys come this way - the big male, | 0:36:04 | 0:36:07 | |
the three juveniles and that one female with the baby on her back. | 0:36:07 | 0:36:10 | |
But two of the females looked at the speaker | 0:36:10 | 0:36:12 | |
and didn't come forward at all. | 0:36:12 | 0:36:14 | |
-They didn't seem to want to get involved in... -No, they didn't. | 0:36:15 | 0:36:18 | |
-..looking after their territory. -No. | 0:36:18 | 0:36:20 | |
I just saw two monkeys cheating their own family... | 0:36:22 | 0:36:26 | |
..in a social species that's supposed to work together! | 0:36:27 | 0:36:31 | |
This new discovery has surprised everyone. | 0:36:33 | 0:36:36 | |
But what's really interesting is that some days, these same two females do | 0:36:38 | 0:36:44 | |
respond to the recordings, they do rush in to help. | 0:36:44 | 0:36:48 | |
Another day, a different monkey cheats the troop. | 0:36:48 | 0:36:51 | |
To a lesser and greater extent, they're all up to it. | 0:36:51 | 0:36:55 | |
So, there's definitely a sneaky strategy in play here. | 0:36:55 | 0:36:59 | |
MONKEYS SCREECH | 0:36:59 | 0:37:02 | |
So, if the same monkeys don't cheat all of the time, that means | 0:37:03 | 0:37:06 | |
they must be making decisions every time there's a potential | 0:37:06 | 0:37:09 | |
conflict as to whether to cheat or not. | 0:37:09 | 0:37:11 | |
Yes, I think that's definitely true. | 0:37:11 | 0:37:14 | |
It seems to be an interesting tension between the | 0:37:14 | 0:37:16 | |
likelihood that the group is going to be able to win without you | 0:37:16 | 0:37:19 | |
and your own sort of personal desire to avoid risk entirely. | 0:37:19 | 0:37:22 | |
These monkeys have weighed things up and decided to cheat the group. | 0:37:25 | 0:37:30 | |
But it's a huge risk. | 0:37:32 | 0:37:34 | |
After all, it could jeopardise their own family's long-term survival. | 0:37:34 | 0:37:38 | |
But for the individual monkey, if it means avoiding injury, | 0:37:40 | 0:37:45 | |
then the con pays off. | 0:37:45 | 0:37:47 | |
Being able to decide which trick to pull out of the bag | 0:37:53 | 0:37:57 | |
and when is critical to a successful sneaky strategy. | 0:37:57 | 0:38:02 | |
So, what is the ultimate animal hustle? | 0:38:02 | 0:38:06 | |
Well, one creature really will do whatever it takes to survive. | 0:38:06 | 0:38:11 | |
The horned lizard, what an animal, look at it! | 0:38:12 | 0:38:16 | |
I'm absolutely smitten. | 0:38:16 | 0:38:19 | |
To me, this is gorgeous, this defines cute. | 0:38:19 | 0:38:24 | |
And, of course, you can see how it gets its name. | 0:38:24 | 0:38:28 | |
This super-spiky skin, | 0:38:28 | 0:38:30 | |
and this dinosaur appearance normally protects it from predators. | 0:38:30 | 0:38:35 | |
Normally. But occasionally, | 0:38:35 | 0:38:38 | |
this little animal has to pull off the riskiest con of all. | 0:38:38 | 0:38:43 | |
Horned lizards lay eggs and then carefully bury them. | 0:38:46 | 0:38:51 | |
Then they stand guard duty. | 0:38:52 | 0:38:55 | |
Her camouflage keeps her concealed | 0:38:57 | 0:39:00 | |
as she scans the horizon for any potential danger. | 0:39:00 | 0:39:03 | |
And what's this? A western patch-nosed snake. | 0:39:05 | 0:39:10 | |
That's not good. | 0:39:10 | 0:39:12 | |
She eyes him up, but she is not the one in danger. | 0:39:12 | 0:39:16 | |
You see, this is an egg-eating snake. | 0:39:16 | 0:39:20 | |
There's no point in staying hidden now. | 0:39:20 | 0:39:22 | |
It's protecting the eggs that's important. | 0:39:24 | 0:39:26 | |
She charges into battle. | 0:39:26 | 0:39:28 | |
Her frenzied attack drives the snake away. | 0:39:40 | 0:39:43 | |
It's a tactic that works when it comes to protecting eggs. | 0:39:51 | 0:39:56 | |
So, a horned lizard like this can recognise its adversary, | 0:39:58 | 0:40:03 | |
measure the threat to its eggs | 0:40:03 | 0:40:06 | |
and then decide on the appropriate defensive response. | 0:40:06 | 0:40:10 | |
All very clever stuff, but what about if the tables are turned? | 0:40:10 | 0:40:15 | |
Well, then the lizard has to change its strategy - | 0:40:18 | 0:40:21 | |
that's when things get REALLY interesting. | 0:40:21 | 0:40:25 | |
A coachwhip snake - | 0:40:30 | 0:40:34 | |
this snake eats lizards | 0:40:34 | 0:40:37 | |
and she knows it. | 0:40:37 | 0:40:39 | |
First, she tries a simple scam - | 0:40:50 | 0:40:53 | |
puffing herself up to look bigger, more intimidating. | 0:40:53 | 0:40:59 | |
But this doesn't fool the persistent snake. | 0:41:02 | 0:41:05 | |
This is now a matter of life and death. | 0:41:07 | 0:41:11 | |
So, she's forced into pulling the sneakiest strategy of all, | 0:41:13 | 0:41:19 | |
her greatest deception. | 0:41:19 | 0:41:21 | |
She's faked her own death. | 0:41:27 | 0:41:31 | |
If the snake doesn't buy the con, | 0:41:37 | 0:41:39 | |
this is going to backfire in a spectacularly bad way. | 0:41:39 | 0:41:44 | |
But snakes, you see, never eat dead animals, | 0:41:44 | 0:41:49 | |
unless they've made the kill themselves. | 0:41:49 | 0:41:51 | |
Completely confused, the snake slopes off. | 0:42:03 | 0:42:06 | |
A quick peek to check the coast is clear... | 0:42:09 | 0:42:12 | |
..and she springs back to life... | 0:42:16 | 0:42:18 | |
..ready for whatever life throws at her next. | 0:42:22 | 0:42:26 | |
Surely this has to be the ultimate predator response? | 0:42:29 | 0:42:35 | |
Faking your own death, | 0:42:35 | 0:42:37 | |
right under the nose of your most dangerous enemy? | 0:42:37 | 0:42:41 | |
It's audacious and it's gutsy. | 0:42:41 | 0:42:43 | |
And what's more, this little lizard actually decides when to fight | 0:42:43 | 0:42:49 | |
and when to pull off that show-stopping deception | 0:42:49 | 0:42:52 | |
and, by making that decision, | 0:42:52 | 0:42:54 | |
it can protect its eggs and keep itself alive. What about that? | 0:42:54 | 0:43:00 | |
In fact, I'm going to give the horned lizard a very rare ten out of ten, | 0:43:00 | 0:43:06 | |
not just because of the behaviour, | 0:43:06 | 0:43:09 | |
but also cos I'm totally in love with it. Look at it! | 0:43:09 | 0:43:12 | |
It's my little dinosaur! | 0:43:12 | 0:43:14 | |
All these extraordinarily sneaky animals have gone | 0:43:17 | 0:43:21 | |
to incredible lengths to fool their enemies... | 0:43:21 | 0:43:24 | |
..and outwit their predators. | 0:43:25 | 0:43:27 | |
By using deception, they've overcome one of life's greatest challenges - | 0:43:29 | 0:43:35 | |
staying alive. | 0:43:35 | 0:43:37 |