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I have crossed the Atlantic to ride the railroads of America | 0:00:02 | 0:00:08 | |
with a new travelling companion. | 0:00:08 | 0:00:10 | |
Published in 1879, my Appletons' General Guide | 0:00:12 | 0:00:17 | |
will steer me to everything that's novel, | 0:00:17 | 0:00:20 | |
beautiful, | 0:00:20 | 0:00:22 | |
memorable | 0:00:22 | 0:00:23 | |
or curious in the United States. | 0:00:23 | 0:00:26 | |
-ALL: -Amen! | 0:00:26 | 0:00:27 | |
As I cross the continent, I'll discover America's Gilded Age, | 0:00:29 | 0:00:33 | |
when powerful tycoons launched a railway boom | 0:00:33 | 0:00:37 | |
that tied the nation together and carved out its future | 0:00:37 | 0:00:41 | |
as a superpower. | 0:00:41 | 0:00:43 | |
My journey continues south to Washington, DC - | 0:01:13 | 0:01:16 | |
the centre of political power in the world's most powerful country. | 0:01:16 | 0:01:22 | |
Founded on a compromise, built on a greenfield site, | 0:01:22 | 0:01:26 | |
torched by the British. | 0:01:26 | 0:01:28 | |
It rose from the ashes to become a capital of fine public architecture, | 0:01:28 | 0:01:33 | |
monuments and memorials | 0:01:33 | 0:01:35 | |
and the city where the president who divided America, | 0:01:35 | 0:01:38 | |
but saved the Union, | 0:01:38 | 0:01:40 | |
met a theatrical death. | 0:01:40 | 0:01:42 | |
I began this journey in Philadelphia - | 0:01:54 | 0:01:57 | |
the cradle of American independence - | 0:01:57 | 0:01:59 | |
continued to the American Civil War battlefield of Gettysburg | 0:01:59 | 0:02:03 | |
and turned south to Baltimore in Maryland. | 0:02:03 | 0:02:06 | |
Ahead of me, lie both the capital of the nation and the capital | 0:02:07 | 0:02:11 | |
of the state of Virginia, Richmond. | 0:02:11 | 0:02:14 | |
I'll finish in one of the oldest settlements in North America - | 0:02:14 | 0:02:17 | |
Jamestown. | 0:02:17 | 0:02:19 | |
'On this leg of my journey, | 0:02:24 | 0:02:25 | |
'I'll explore Washington, DC, where I'll pick up some spending money...' | 0:02:25 | 0:02:30 | |
This bundle is 80,000. | 0:02:31 | 0:02:34 | |
I've never held anything like that much money in my life! | 0:02:34 | 0:02:38 | |
'..visit the newsroom that toppled a president...' | 0:02:38 | 0:02:41 | |
It went from this break-in all the way to the White House. | 0:02:41 | 0:02:44 | |
'..before discovering how the man credited with saving the nation | 0:02:44 | 0:02:48 | |
'tragically met his end.' | 0:02:48 | 0:02:50 | |
Booth was able to walk right behind the president | 0:02:50 | 0:02:53 | |
and fired a shot that hit him right behind the left ear. | 0:02:53 | 0:02:56 | |
I'm approaching Washington, following a recommended | 0:03:07 | 0:03:10 | |
Appletons' route along what was the Baltimore and Potomac Railroad. | 0:03:10 | 0:03:14 | |
According to Appletons', "Washington's site is admirable. | 0:03:16 | 0:03:20 | |
"Consisting of an undulating plain diversified by irregular elevations, | 0:03:20 | 0:03:26 | |
"which furnish advantageous positions | 0:03:26 | 0:03:29 | |
"for the various public buildings. | 0:03:29 | 0:03:31 | |
"The plan of the city is unique and on a scale which shows that it | 0:03:31 | 0:03:36 | |
"was expected that a vast metropolis would grow up there." | 0:03:36 | 0:03:40 | |
The Founding Fathers foresaw the greatness of the United States | 0:03:40 | 0:03:45 | |
and planned a capital that would rival any European one | 0:03:45 | 0:03:49 | |
in terms of scale, grandeur and prestige. | 0:03:49 | 0:03:52 | |
'You have arrived at Washington Union Station. | 0:03:59 | 0:04:01 | |
'Please watch your step.' | 0:04:01 | 0:04:02 | |
At the beginning of the 20th century, | 0:04:08 | 0:04:10 | |
a new master plan was developed for Washington, DC, to make the city | 0:04:10 | 0:04:14 | |
even more beautiful and as part of that, a new Union Station. | 0:04:14 | 0:04:20 | |
Bringing together in one place, the Pennsylvania | 0:04:20 | 0:04:23 | |
and the Baltimore and Ohio Railroads, | 0:04:23 | 0:04:26 | |
in a building of suitable magnificence. | 0:04:26 | 0:04:30 | |
Or, you might even say, "over-the-topness". | 0:04:30 | 0:04:32 | |
Despite the early 20th century face-lift, | 0:04:36 | 0:04:39 | |
at only 100 years old, Washington was a relatively young city. | 0:04:39 | 0:04:43 | |
Following independence from the British, | 0:04:43 | 0:04:45 | |
the newly formed nation of the United States | 0:04:45 | 0:04:49 | |
couldn't agree on which metropolis should be the seat of government. | 0:04:49 | 0:04:52 | |
So, a purpose-built capital was founded in 1790. | 0:04:52 | 0:04:56 | |
Conspiracy theorists say that the layout of Washington | 0:04:59 | 0:05:03 | |
contains hidden masonic symbols. | 0:05:03 | 0:05:06 | |
I can't see any, but many of the Founding Fathers were freemasons, | 0:05:06 | 0:05:10 | |
including George Washington. | 0:05:10 | 0:05:11 | |
To find out how this city came into being, | 0:05:13 | 0:05:16 | |
I'm heading to Freedom Plaza to meet Jane Freundel Levey | 0:05:16 | 0:05:20 | |
of The Historical Society Of Washington. | 0:05:20 | 0:05:23 | |
-Hello, Jane. -Hello, it's so nice to see you. | 0:05:23 | 0:05:26 | |
Very good to see you. | 0:05:26 | 0:05:27 | |
And I see we've got a map of Washington laid out before us. | 0:05:27 | 0:05:30 | |
-We do indeed. -Shall we stroll down Pennsylvania Avenue | 0:05:30 | 0:05:33 | |
-towards the White House? -Let's do that. | 0:05:33 | 0:05:35 | |
In the beginning, why was Washington, DC, | 0:05:35 | 0:05:37 | |
chosen as the place for the capital? | 0:05:37 | 0:05:40 | |
Washington was chosen as a political compromise. | 0:05:40 | 0:05:43 | |
We had a young nation, it had no money | 0:05:43 | 0:05:46 | |
and we had a revolutionary war to pay off. | 0:05:46 | 0:05:49 | |
The South were not so willing to pay off the debts of the North, | 0:05:49 | 0:05:52 | |
where most of the battles took place, | 0:05:52 | 0:05:54 | |
unless they got something in return. | 0:05:54 | 0:05:56 | |
And what they got in return was the opportunity for the capital | 0:05:56 | 0:06:00 | |
to be in, what was considered then, the South. | 0:06:00 | 0:06:02 | |
That founding compromise was achieved by the man after whom | 0:06:04 | 0:06:07 | |
the city is named - | 0:06:07 | 0:06:09 | |
the first president of the United States. | 0:06:09 | 0:06:11 | |
George Washington saw that the nation's capital needed to be | 0:06:13 | 0:06:16 | |
on a river that would connect to what was going to be the nation. | 0:06:16 | 0:06:19 | |
In other words, a river that connected to the West | 0:06:19 | 0:06:21 | |
and that's what the Potomac River did. | 0:06:21 | 0:06:23 | |
It connected to the Ohio River which took us out to the West | 0:06:23 | 0:06:26 | |
and that's how he saw the new empire growing. | 0:06:26 | 0:06:30 | |
In 1791, a diamond of land, ten miles squared, | 0:06:30 | 0:06:35 | |
was carved out of the states of Virginia and Maryland to become | 0:06:35 | 0:06:39 | |
the federal capital and the seat of the national government. | 0:06:39 | 0:06:42 | |
We've ended our journey down Pennsylvania Avenue, | 0:06:43 | 0:06:45 | |
we've arrived in the White House. | 0:06:45 | 0:06:47 | |
Would you join me in the Blue Room? | 0:06:47 | 0:06:48 | |
Yes, my favourite, the Blue Room! Thank you. | 0:06:48 | 0:06:51 | |
Appletons' informs me, | 0:06:53 | 0:06:55 | |
"The public buildings are the chief attraction of Washington. | 0:06:55 | 0:06:59 | |
"The White House, as the president's official residence, | 0:06:59 | 0:07:02 | |
"represents the executive branch of | 0:07:02 | 0:07:04 | |
"the United States Federal Government. | 0:07:04 | 0:07:07 | |
"The legislative branch of Congress is based at the Capitol | 0:07:07 | 0:07:11 | |
"and the judiciary is housed in the Supreme Court Of Justice." | 0:07:11 | 0:07:14 | |
Around the time of my Appletons' Guide, another grand building | 0:07:16 | 0:07:20 | |
was being constructed - the Library Of Congress. | 0:07:20 | 0:07:23 | |
And I can't resist taking a look. | 0:07:23 | 0:07:25 | |
It was established as a resource for members of Congress. | 0:07:28 | 0:07:32 | |
Over the years, it has become the national library | 0:07:32 | 0:07:35 | |
and any book published under US copyright | 0:07:35 | 0:07:38 | |
has to be deposited here. | 0:07:38 | 0:07:40 | |
It's now the largest library in the world. | 0:07:40 | 0:07:43 | |
Washington is home to the federal government | 0:07:45 | 0:07:47 | |
and to lobbying groups and embassies. | 0:07:47 | 0:07:50 | |
It hosts the headquarters of many international organisations | 0:07:50 | 0:07:54 | |
and here, too, are the institutions that manage the economy | 0:07:54 | 0:07:57 | |
and issue the money. | 0:07:57 | 0:07:58 | |
It's always struck me as odd that all American banknotes | 0:08:01 | 0:08:04 | |
are the same size, whatever denomination. | 0:08:04 | 0:08:06 | |
But they do help you to learn American history. | 0:08:06 | 0:08:09 | |
On the 20, we've got Andrew Jackson. | 0:08:09 | 0:08:12 | |
On the 10, we've got Alexander Hamilton. | 0:08:12 | 0:08:16 | |
Good old Abraham Lincoln on the five | 0:08:16 | 0:08:18 | |
and George Washington on the single dollar bill. | 0:08:18 | 0:08:20 | |
Established around the time of my guidebook, | 0:08:30 | 0:08:33 | |
the Bureau Of Engraving And Printing is noted in my Appletons' | 0:08:33 | 0:08:37 | |
as being "of much interest to visitors." | 0:08:37 | 0:08:40 | |
I imagine that few 19th century tourists would have had access | 0:08:40 | 0:08:43 | |
to the printing presses that produce the famous greenback. | 0:08:43 | 0:08:48 | |
Show me the money! | 0:08:48 | 0:08:49 | |
The dollar must be the currency that most circulates on earth. | 0:08:54 | 0:08:58 | |
Some of these 20 bills will, undoubtedly, | 0:08:58 | 0:09:01 | |
find their way around the globe. | 0:09:01 | 0:09:03 | |
The dollar, economically speaking, | 0:09:03 | 0:09:06 | |
makes the world go round. | 0:09:06 | 0:09:07 | |
Paper money was first issued by the federal government | 0:09:10 | 0:09:13 | |
at the outbreak of the American Civil War in 1861. | 0:09:13 | 0:09:16 | |
These government IOUs floated the Union side through the conflict. | 0:09:18 | 0:09:23 | |
As these packages come out, they have to be checked at either end | 0:09:28 | 0:09:31 | |
to make sure the seal is good and that the numbers match. | 0:09:31 | 0:09:35 | |
This bundle is 80,000. | 0:09:35 | 0:09:38 | |
I've never held anything like that much money in my life! | 0:09:38 | 0:09:41 | |
To deter counterfeiting, | 0:09:45 | 0:09:46 | |
some hi-tech features are incorporated into each note. | 0:09:46 | 0:09:49 | |
For example, microprinting, a security thread or a watermark. | 0:09:49 | 0:09:53 | |
But at the heart of the process are skill and attention to detail. | 0:09:55 | 0:10:00 | |
Will Fleishell has been a picture engraver here for 28 years. | 0:10:00 | 0:10:04 | |
Will, excuse me. | 0:10:04 | 0:10:05 | |
-Ah! -I'm Michael. -Michael, pleasure, Will. | 0:10:05 | 0:10:08 | |
What are you working on there? | 0:10:08 | 0:10:09 | |
This is a portrait of Frederick Douglass who was the great | 0:10:09 | 0:10:13 | |
Civil War era abolitionist. | 0:10:13 | 0:10:15 | |
Are these also examples of your work? | 0:10:15 | 0:10:17 | |
Yes, there's Benjamin Franklin, | 0:10:17 | 0:10:19 | |
Mark Twain. | 0:10:19 | 0:10:21 | |
There's a portrait of Lincoln that's on the current five dollar bill. | 0:10:21 | 0:10:24 | |
How do you feel about the fact that every time you pick up | 0:10:24 | 0:10:27 | |
a five dollar bill your work is there? | 0:10:27 | 0:10:29 | |
It is impressive. | 0:10:29 | 0:10:30 | |
It's nice to think about, in those quiet moments, | 0:10:30 | 0:10:33 | |
that your work is in a lot of wallets around the world. | 0:10:33 | 0:10:38 | |
So, that's quite an accomplishment for an artist. | 0:10:38 | 0:10:42 | |
What is it that you're doing and what is this material? | 0:10:42 | 0:10:45 | |
This is soft steel and I can cut into it with | 0:10:45 | 0:10:49 | |
what we call gravers or burins. | 0:10:49 | 0:10:51 | |
The design of this tool has not changed significantly in 500 years. | 0:10:51 | 0:10:57 | |
This is the sort of exquisite, painstaking work | 0:10:57 | 0:11:00 | |
that I can't understand. | 0:11:00 | 0:11:02 | |
I just don't have anything like the patience. | 0:11:02 | 0:11:04 | |
Every portrait that I work on, | 0:11:04 | 0:11:06 | |
I try to sort of put myself into the shoes of the subject | 0:11:06 | 0:11:10 | |
to try to empathise, in a sense, with the person. | 0:11:10 | 0:11:13 | |
What were you wanting to convey with this mouth and these eyes? | 0:11:13 | 0:11:16 | |
To convey a sort of faraway look of the future, he could see ahead. | 0:11:16 | 0:11:20 | |
I think you certainly achieved it. It's wonderful. | 0:11:20 | 0:11:22 | |
Thank you, thank you very much. | 0:11:22 | 0:11:24 | |
A city at the heart of money and power must guard against | 0:11:30 | 0:11:34 | |
excess and corruption. | 0:11:34 | 0:11:36 | |
Keeping those in authority in check is the American press, | 0:11:36 | 0:11:40 | |
which was already raucously free in the late 19th century. | 0:11:40 | 0:11:44 | |
Appletons' tells me that, | 0:11:46 | 0:11:48 | |
"At the offices of leading American newspapers on Newspaper Row, | 0:11:48 | 0:11:52 | |
"files of newspapers are accessible to the visitor." | 0:11:52 | 0:11:55 | |
But as you'd expect in the land of the free and the home of the brave, | 0:11:55 | 0:11:58 | |
there is a free press here. | 0:11:58 | 0:12:00 | |
And some American presidents have discovered that, in Washington, | 0:12:00 | 0:12:04 | |
the press is both free and very brave. | 0:12:04 | 0:12:06 | |
Just as the press has moved away from Fleet Street in London, | 0:12:18 | 0:12:22 | |
so it has from Washington's Newspaper Row. | 0:12:22 | 0:12:25 | |
Five blocks north of its 19th century location, | 0:12:25 | 0:12:28 | |
I visit the offices of the multi Pulitzer prize-winning | 0:12:28 | 0:12:32 | |
Washington Post. | 0:12:32 | 0:12:33 | |
Founded in 1877, a couple of years before my guidebook, | 0:12:34 | 0:12:38 | |
this newspaper was highly critical of the then president, | 0:12:38 | 0:12:41 | |
Rutherford B Hayes. | 0:12:41 | 0:12:43 | |
Nearly 90 years later, another president, Richard Nixon, | 0:12:45 | 0:12:49 | |
would find himself at the centre of a Washington Post story | 0:12:49 | 0:12:53 | |
that would prove his undoing. | 0:12:53 | 0:12:56 | |
I'm meeting columnist John Kelly. | 0:12:56 | 0:12:58 | |
What does it mean to you to be a journalist on the Post | 0:13:01 | 0:13:03 | |
in today's Washington, DC? | 0:13:03 | 0:13:05 | |
I've worked here 26 years and I still get a little thrill | 0:13:05 | 0:13:09 | |
when I come up that elevator. | 0:13:09 | 0:13:11 | |
Phil Graham, when he was publisher, said that, | 0:13:11 | 0:13:14 | |
"A newspaper is the first rough draft of history." | 0:13:14 | 0:13:17 | |
The work we do is pulling together information from | 0:13:17 | 0:13:19 | |
all sorts of places, it's holding powerful people accountable. | 0:13:19 | 0:13:24 | |
And in 1972, that's exactly what Washington Post reporters | 0:13:25 | 0:13:29 | |
Bob Woodward and Carl Bernstein did when they began to investigate | 0:13:29 | 0:13:34 | |
a break-in at the Watergate office complex, | 0:13:34 | 0:13:37 | |
designed to tap the phones of | 0:13:37 | 0:13:39 | |
the Democratic Party's National Committee. | 0:13:39 | 0:13:42 | |
Following the money that financed the crime, | 0:13:42 | 0:13:45 | |
the reporters uncovered a trail which led them | 0:13:45 | 0:13:47 | |
to the re-election campaign of President Nixon. | 0:13:47 | 0:13:51 | |
I welcome this kind of examination because people have got to know | 0:13:52 | 0:13:56 | |
whether or not their president's a crook. | 0:13:56 | 0:13:58 | |
Well, I'm not a crook. | 0:13:58 | 0:14:00 | |
For over two years, Woodward and Bernstein persisted with the story, | 0:14:00 | 0:14:04 | |
which eventually forced the Senate to establish a committee | 0:14:04 | 0:14:07 | |
to investigate the scandal. | 0:14:07 | 0:14:09 | |
It went from this break-in all the way to the White House | 0:14:11 | 0:14:14 | |
and to Richard Nixon's attempts to basically smear his opponents, | 0:14:14 | 0:14:19 | |
to break the law, to subvert the Constitution | 0:14:19 | 0:14:22 | |
and ended up with his resignation. | 0:14:22 | 0:14:25 | |
Ever since, all manner of scandals have been dubbed with the suffix - | 0:14:25 | 0:14:29 | |
gate. | 0:14:29 | 0:14:31 | |
I mean, it really was an extraordinary journalistic coup, | 0:14:31 | 0:14:33 | |
wasn't it? | 0:14:33 | 0:14:34 | |
It just shows you that you never know where any story is going to go. | 0:14:34 | 0:14:39 | |
This was a story about a break-in. | 0:14:39 | 0:14:41 | |
No-one knew where it led and I think what inspires us is knowing | 0:14:41 | 0:14:45 | |
that every day when we come to work... | 0:14:45 | 0:14:48 | |
what's the phone going to bring? | 0:14:48 | 0:14:51 | |
What's a little shoe leather going to bring? | 0:14:51 | 0:14:53 | |
What's an e-mail going to bring? | 0:14:53 | 0:14:54 | |
What are we going to find that's going to be our big story? | 0:14:54 | 0:14:57 | |
As a formerly powerful person, you've got me trembling. | 0:14:57 | 0:15:00 | |
That's as it should be. | 0:15:00 | 0:15:02 | |
Time to take refuge at a hotel for the evening. | 0:15:08 | 0:15:11 | |
And my Appletons' recommends that one of the best is Willard's. | 0:15:11 | 0:15:16 | |
It had already been a favourite haunt of politicos for 20 years | 0:15:16 | 0:15:20 | |
by the time of my guidebook. | 0:15:20 | 0:15:21 | |
Amongst its many famous guests were President Abraham Lincoln, | 0:15:27 | 0:15:32 | |
author Mark Twain | 0:15:32 | 0:15:34 | |
and Civil Rights leader Martin Luther King. | 0:15:34 | 0:15:36 | |
This morning, I'm continuing my tour of the nation's capital. | 0:15:55 | 0:15:58 | |
Whilst the location for the young republic's capital | 0:16:04 | 0:16:07 | |
was a matter of compromise, | 0:16:07 | 0:16:09 | |
the choice of its first president in 1789 was not. | 0:16:09 | 0:16:13 | |
George Washington was the only candidate for the job. | 0:16:15 | 0:16:18 | |
Written in 1879, Appletons' says that, | 0:16:23 | 0:16:26 | |
"The Washington Monument, in its present unfinished state, | 0:16:26 | 0:16:30 | |
"is rather a blemish than an ornament to the city. | 0:16:30 | 0:16:35 | |
"After 230,000 had been expended in building it | 0:16:35 | 0:16:39 | |
"to a height of 174 feet, funds gave out and the work was suspended." | 0:16:39 | 0:16:45 | |
Well, luckily, that budget crisis was resolved | 0:16:45 | 0:16:47 | |
and it was completed to a height of 555 feet. | 0:16:47 | 0:16:51 | |
And ever since then, all the other buildings in Washington | 0:16:51 | 0:16:55 | |
are severely restricted in height as a sort of symbolic deference | 0:16:55 | 0:17:00 | |
to the first president and, for many Americans, the favourite. | 0:17:00 | 0:17:04 | |
Directly opposite this memorial to the founding president is | 0:17:14 | 0:17:17 | |
a structure to honour the president who kept | 0:17:17 | 0:17:19 | |
the United States as one nation - Abraham Lincoln. | 0:17:19 | 0:17:24 | |
Erected less than 40 years apart, | 0:17:24 | 0:17:26 | |
the monuments to the most revered presidents of the United States | 0:17:26 | 0:17:30 | |
stand just over a mile from each other. | 0:17:30 | 0:17:32 | |
Appletons' says that, "A statue of Abraham Lincoln | 0:17:39 | 0:17:43 | |
"stands in Lincoln Park, erected by contributions | 0:17:43 | 0:17:46 | |
"of coloured people." | 0:17:46 | 0:17:48 | |
Appletons' uses the language of the day. | 0:17:48 | 0:17:50 | |
But that is not the monument behind me which was finished only in 1922. | 0:17:50 | 0:17:57 | |
By which time it was realised that the president who had | 0:17:57 | 0:18:00 | |
fought for the Union, who saved the Union, | 0:18:00 | 0:18:03 | |
who died for the Union, | 0:18:03 | 0:18:04 | |
merited a national memorial. | 0:18:04 | 0:18:07 | |
It's been a popular spot with both domestic and foreign tourists | 0:18:10 | 0:18:14 | |
since the 1920s. | 0:18:14 | 0:18:15 | |
I want to know what they think of Abraham Lincoln. | 0:18:16 | 0:18:20 | |
-Good afternoon. -Good afternoon. | 0:18:20 | 0:18:22 | |
How would you rate Abraham Lincoln amongst | 0:18:22 | 0:18:25 | |
presidents of the United States? | 0:18:25 | 0:18:27 | |
One or two. | 0:18:27 | 0:18:28 | |
Who is his competitor then? | 0:18:28 | 0:18:29 | |
-Washington. -Uh-huh, uh-huh. | 0:18:29 | 0:18:31 | |
-Hi. -Hi, Michael. | 0:18:31 | 0:18:33 | |
Oh, it's very nice to see you. Hello. | 0:18:33 | 0:18:35 | |
We hadn't picked you out as Brits. | 0:18:35 | 0:18:38 | |
How do you rate Abraham Lincoln amongst American presidents? | 0:18:38 | 0:18:41 | |
By the size of that, he's got to have been pretty great, hasn't he? | 0:18:41 | 0:18:46 | |
Hello, may I join you a second? | 0:18:46 | 0:18:48 | |
-Yeah, sure, no problem. -Of course. | 0:18:48 | 0:18:49 | |
How do you rate Abraham Lincoln? | 0:18:49 | 0:18:51 | |
As far as the presidents of the United States go, | 0:18:53 | 0:18:55 | |
I think he's probably number one. | 0:18:55 | 0:18:57 | |
You know, he was president during a time of crisis, | 0:18:57 | 0:19:00 | |
he's made such an impact on American history. | 0:19:00 | 0:19:03 | |
And I don't think anyone can dispute his greatness. | 0:19:03 | 0:19:06 | |
Inside, the statue of the man sits nearly 20 feet high. | 0:19:09 | 0:19:14 | |
Even in life, this political giant stood six feet, four inches tall. | 0:19:14 | 0:19:18 | |
I want to understand how Lincoln came to be so honoured. | 0:19:21 | 0:19:25 | |
Terry Alford is an author and historian. | 0:19:25 | 0:19:28 | |
What kind of a man was Abraham Lincoln? | 0:19:32 | 0:19:34 | |
Abraham Lincoln was a real original child of America, I would say. | 0:19:34 | 0:19:38 | |
His family had been here for about two centuries | 0:19:38 | 0:19:41 | |
by the time he came along. | 0:19:41 | 0:19:43 | |
Born on the frontier, limited education, rural, rustic roots. | 0:19:43 | 0:19:47 | |
An American original. | 0:19:47 | 0:19:49 | |
He did follow a legal career, didn't he? | 0:19:49 | 0:19:51 | |
Yes, that's how Lincoln made his name and his fame | 0:19:51 | 0:19:53 | |
and, in fact, what fortune he had. | 0:19:53 | 0:19:55 | |
He was a lawyer and he was really, really good. | 0:19:55 | 0:19:57 | |
Lincoln was admitted to the Bar in 1836. | 0:19:59 | 0:20:03 | |
And it was during his legal career that he earned the nickname | 0:20:03 | 0:20:06 | |
"Honest Abe". | 0:20:06 | 0:20:08 | |
As a young litigator, he needed cases and he found them | 0:20:08 | 0:20:12 | |
in the burgeoning railroad industry. | 0:20:12 | 0:20:14 | |
It was one of the great things that developed | 0:20:16 | 0:20:18 | |
during his lifetime, right? | 0:20:18 | 0:20:19 | |
I mean, it just revolutionised travel. | 0:20:19 | 0:20:21 | |
He was profoundly interested in all things like this. | 0:20:21 | 0:20:24 | |
Lincoln was committed to bringing about a transcontinental railroad | 0:20:25 | 0:20:30 | |
and he made it part of his manifesto for the presidential election | 0:20:30 | 0:20:33 | |
of 1860. | 0:20:33 | 0:20:34 | |
In return, railway tycoons enthusiastically supported | 0:20:36 | 0:20:40 | |
his candidacy and with their financial help, | 0:20:40 | 0:20:43 | |
Lincoln won the presidency. | 0:20:43 | 0:20:45 | |
He enjoyed near total support from the northern states, | 0:20:45 | 0:20:49 | |
but the opposite was true of the slave states of the South. | 0:20:49 | 0:20:53 | |
What did he feel about slavery? | 0:20:53 | 0:20:56 | |
He had always felt, I think, at a gut level | 0:20:56 | 0:20:58 | |
there was something wrong with it. | 0:20:58 | 0:21:00 | |
He's not an abolitionist per se. | 0:21:00 | 0:21:02 | |
He wasn't one of those people, | 0:21:02 | 0:21:04 | |
"That's the only issue, there is no other issue." | 0:21:04 | 0:21:07 | |
Lincoln did not intend to end slavery in the South, | 0:21:07 | 0:21:11 | |
but his pledge to ban expansion of the practice | 0:21:11 | 0:21:14 | |
into the new western territories was seen by the South as a threat. | 0:21:14 | 0:21:18 | |
As the president-elect made his way by train to his inauguration | 0:21:19 | 0:21:23 | |
in Washington, the southern states began to break away from the Union. | 0:21:23 | 0:21:27 | |
They formed the Confederate States of America | 0:21:28 | 0:21:31 | |
and proclaimed their own government. | 0:21:31 | 0:21:33 | |
Lincoln felt that the America he had grown up in was | 0:21:33 | 0:21:36 | |
the best country in the world in terms of democratic values, | 0:21:36 | 0:21:39 | |
accessibility and openness, opportunities. | 0:21:39 | 0:21:42 | |
And he just couldn't believe that the losers of an election - | 0:21:42 | 0:21:46 | |
the South, of course, had lost to him - | 0:21:46 | 0:21:48 | |
that they were going to be able to break that up, right? | 0:21:48 | 0:21:51 | |
That an orderly society depends upon the majority ruling. | 0:21:51 | 0:21:55 | |
And that what the South was doing was absolutely incendiary. | 0:21:55 | 0:21:58 | |
It was essentially a giant riot. | 0:21:58 | 0:22:00 | |
A giant riot that requires an enormous military response, | 0:22:00 | 0:22:05 | |
which leads to the loss of hundreds of thousands of lives. | 0:22:05 | 0:22:08 | |
Lincoln felt a real sense of responsibility, you know, | 0:22:08 | 0:22:11 | |
for what happened on these battlefields | 0:22:11 | 0:22:14 | |
and he was awfully attentive throughout his whole presidency | 0:22:14 | 0:22:18 | |
to the suffering the war caused. | 0:22:18 | 0:22:20 | |
And I think it wore on him. | 0:22:20 | 0:22:21 | |
You can look at these photographs of him, right, from 61 to 65. | 0:22:21 | 0:22:25 | |
He looks like he's aged 20 or 30 years. | 0:22:25 | 0:22:28 | |
As the American Civil War dragged on into its third year, | 0:22:29 | 0:22:34 | |
Lincoln made a bold attempt to destabilise the Confederacy. | 0:22:34 | 0:22:37 | |
He issued a presidential proclamation to free all slaves | 0:22:37 | 0:22:41 | |
in the rebellious southern states from 1st January 1863. | 0:22:41 | 0:22:46 | |
Slaves in areas captured by the Union troops could now join | 0:22:48 | 0:22:52 | |
the army, boosting the ranks by 186,000. | 0:22:52 | 0:22:57 | |
Those who remained with their masters worked to weaken | 0:22:57 | 0:22:59 | |
the Southern economy. | 0:22:59 | 0:23:02 | |
When General Robert E Lee surrendered his Confederate Army | 0:23:04 | 0:23:08 | |
on April 9th 1865, Lincoln's proclamation would lead to | 0:23:08 | 0:23:13 | |
the emancipation of all slaves. | 0:23:13 | 0:23:15 | |
I think Lincoln felt enormous relief that the slaughter was over. | 0:23:17 | 0:23:22 | |
Just a great sense of relief, like a weight had been lifted off him. | 0:23:22 | 0:23:26 | |
The war was over. | 0:23:26 | 0:23:28 | |
The Union was saved and slavery was officially ended. | 0:23:28 | 0:23:32 | |
However, racial equality across the nation remained a dream, | 0:23:32 | 0:23:36 | |
even a century later. | 0:23:36 | 0:23:39 | |
On the 100th anniversary of the Emancipation Proclamation, | 0:23:39 | 0:23:42 | |
a vast crowd at the Lincoln Memorial heard an extraordinary speech | 0:23:42 | 0:23:47 | |
from Dr Martin Luther King. | 0:23:47 | 0:23:49 | |
I have a dream that one day this nation will rise up, | 0:23:49 | 0:23:56 | |
live out the true meaning of its creed - | 0:23:56 | 0:23:59 | |
"We hold these truths to be self-evident, | 0:23:59 | 0:24:03 | |
"that all men are created equal." | 0:24:03 | 0:24:05 | |
But for Lincoln, the peace brought by the end of the Civil War | 0:24:07 | 0:24:10 | |
would be short-lived. | 0:24:10 | 0:24:12 | |
Just days later, the president went to see a performance | 0:24:12 | 0:24:15 | |
of the English farce Our American Cousin | 0:24:15 | 0:24:18 | |
at Ford's Theatre. | 0:24:18 | 0:24:20 | |
Here, in this auditorium, Lincoln's tragic end was played out. | 0:24:20 | 0:24:24 | |
Terry, I've never been here before. | 0:24:26 | 0:24:28 | |
I'm very moved to be in the theatre | 0:24:28 | 0:24:30 | |
where Abraham Lincoln was assassinated. | 0:24:30 | 0:24:32 | |
Was he a keen theatregoer? | 0:24:32 | 0:24:34 | |
He was. Lincoln loved the theatre. | 0:24:34 | 0:24:36 | |
Gave him a way to get out of the White House, | 0:24:36 | 0:24:38 | |
a place to go to decompress from politics. | 0:24:38 | 0:24:41 | |
He came to this theatre a good dozen times. | 0:24:41 | 0:24:43 | |
In fact, once, he saw John Wilkes Booth, | 0:24:43 | 0:24:46 | |
who would become his murderer, at this very theatre. | 0:24:46 | 0:24:48 | |
-Playing onstage. -Playing onstage in November '63, | 0:24:48 | 0:24:52 | |
so some 15, 16 months before Booth shot him. | 0:24:52 | 0:24:55 | |
What was the motive of John Wilkes Booth? | 0:24:55 | 0:24:57 | |
John Wilkes Booth was a fanatical Southern supporter. | 0:24:57 | 0:25:01 | |
He believed that the war was a giant attack upon the Southern states | 0:25:01 | 0:25:06 | |
and, unfortunately, he did not go into the Confederate Army. | 0:25:06 | 0:25:09 | |
I say unfortunately because that would have given him | 0:25:09 | 0:25:11 | |
an outlet for his passions. | 0:25:11 | 0:25:13 | |
By staying out, by acting, Booth realised, you know, | 0:25:13 | 0:25:16 | |
"I play a hero onstage, but I'm not one. | 0:25:16 | 0:25:19 | |
"I'm really a coward." | 0:25:19 | 0:25:20 | |
And I think it ate into him and made him dangerous. | 0:25:20 | 0:25:23 | |
So, on the night of the event, I assume the president and Mrs Lincoln | 0:25:23 | 0:25:27 | |
would be sitting in the box opposite us. | 0:25:27 | 0:25:30 | |
Tell us what happened. | 0:25:30 | 0:25:32 | |
The play started at 8.15 that night. | 0:25:32 | 0:25:34 | |
About ten o'clock, Booth came into the theatre | 0:25:34 | 0:25:36 | |
while the play was underway and he walked around the seats behind us | 0:25:36 | 0:25:40 | |
to the door leading to the State Box and because he was well-known, | 0:25:40 | 0:25:43 | |
there was no suspicion attached to his presence. | 0:25:43 | 0:25:46 | |
In fact, Booth was known and liked by the Ford family | 0:25:46 | 0:25:49 | |
who owned this place. | 0:25:49 | 0:25:50 | |
And so he had access to all parts of the theatre | 0:25:50 | 0:25:53 | |
and could simply walk right up to the Lincolns. | 0:25:53 | 0:25:56 | |
Mr and Mrs Lincoln were watching the play, of course. | 0:25:56 | 0:25:59 | |
Nobody was looking over their shoulder, why should they? | 0:25:59 | 0:26:01 | |
Booth was able to walk right behind the president | 0:26:01 | 0:26:04 | |
and from just a few inches, fired a shot that hit him | 0:26:04 | 0:26:07 | |
right behind the left ear. | 0:26:07 | 0:26:08 | |
Did the president die here in the theatre? | 0:26:13 | 0:26:16 | |
No, the president was gravely wounded. | 0:26:16 | 0:26:18 | |
Everyone realised that he was at imminent risk of death. | 0:26:18 | 0:26:22 | |
But they didn't want him to die in a theatre. | 0:26:22 | 0:26:24 | |
They didn't know if he could survive a trip back to the White House, | 0:26:24 | 0:26:27 | |
as close as that is. | 0:26:27 | 0:26:28 | |
So, they took him across the street to a boardinghouse | 0:26:28 | 0:26:31 | |
and he died there at 7.22 the next morning. | 0:26:31 | 0:26:34 | |
As his body was transported by funeral train | 0:26:38 | 0:26:42 | |
from Washington to his home in Springfield, Illinois, | 0:26:42 | 0:26:46 | |
Americans lined the route to pay their respects to the great leader. | 0:26:46 | 0:26:51 | |
It was a tragic loss to the country. | 0:26:53 | 0:26:55 | |
And I've often thought that there are things you could learn. | 0:26:55 | 0:26:58 | |
You know, you can learn facts and strategies and tactics, | 0:26:58 | 0:27:01 | |
but you can't learn humanity, right? | 0:27:01 | 0:27:03 | |
You can't learn humility. | 0:27:03 | 0:27:05 | |
And the country was very fortunate to have Lincoln when it did. | 0:27:05 | 0:27:08 | |
A beautiful thought. | 0:27:08 | 0:27:10 | |
European countries such as Russia, Ireland and Spain | 0:27:20 | 0:27:24 | |
know how long and bitter is the legacy of civil war. | 0:27:24 | 0:27:29 | |
Abraham Lincoln, for all his humanity, | 0:27:29 | 0:27:32 | |
led the North in a crushing victory over the Confederacy. | 0:27:32 | 0:27:37 | |
And many in the defeated South must have hated him, as did his assassin. | 0:27:37 | 0:27:42 | |
But I hope that a majority of Americans today, | 0:27:42 | 0:27:45 | |
contemplating his engraved image, | 0:27:45 | 0:27:48 | |
would reflect that he saved the Union | 0:27:48 | 0:27:51 | |
and liberated the United States from slavery. | 0:27:51 | 0:27:54 | |
Next time, I'll discover the tragic reality of America's slave trade... | 0:27:58 | 0:28:04 | |
While you're selling produce and other goods, you're selling humans. | 0:28:04 | 0:28:07 | |
..get to grips with American archaeology... | 0:28:07 | 0:28:09 | |
-I'm so sorry. -It's OK! | 0:28:11 | 0:28:13 | |
..and get into the swing of Washington. | 0:28:16 | 0:28:18 | |
THEY PLAY JAZZ MUSIC | 0:28:18 | 0:28:22 |