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I have crossed the Atlantic to ride the railroads of America | 0:00:02 | 0:00:06 | |
with a new travelling companion. | 0:00:08 | 0:00:10 | |
Published in 1879, my Appletons' General Guide | 0:00:12 | 0:00:16 | |
will steer me to everything that's novel, beautiful, | 0:00:16 | 0:00:21 | |
memorable or curious in the United States. | 0:00:21 | 0:00:26 | |
-ALL: -Amen. | 0:00:26 | 0:00:27 | |
As I cross the continent, I will discover America's Gilded Age | 0:00:29 | 0:00:33 | |
when powerful tycoons launched a railway boom | 0:00:33 | 0:00:36 | |
that tied the nation together | 0:00:36 | 0:00:39 | |
and carved out its future as a superpower. | 0:00:39 | 0:00:43 | |
I've travelled from the cradle of American independence, | 0:01:11 | 0:01:15 | |
Philadelphia, to the nation's capital, Washington DC. | 0:01:15 | 0:01:18 | |
I'm moving south towards Richmond, Virginia on my way to Jamestown. | 0:01:18 | 0:01:22 | |
Today, I move into former Confederate territory at Manassas, | 0:01:24 | 0:01:28 | |
an important battlefield of the American Civil War. | 0:01:28 | 0:01:31 | |
I will then head through Fredericksburg | 0:01:31 | 0:01:34 | |
to Virginia's state capital, Richmond. | 0:01:34 | 0:01:36 | |
Since I've been in the United States, many people have told me | 0:01:42 | 0:01:45 | |
that there are big differences between the North and the South. | 0:01:45 | 0:01:49 | |
Though not everybody is able or willing to define them. | 0:01:49 | 0:01:53 | |
The way of speaking changes. | 0:01:53 | 0:01:56 | |
The pace of life. The smells. | 0:01:56 | 0:01:58 | |
The food. The drink. The customs and manners. | 0:01:58 | 0:02:02 | |
As I hope to discover as I continue my journey south through Virginia. | 0:02:02 | 0:02:06 | |
Along the way I will discover how crucial railroads were | 0:02:09 | 0:02:12 | |
during the American Civil War. | 0:02:12 | 0:02:15 | |
Actually, it was the first time that troops arrives by rail during | 0:02:15 | 0:02:18 | |
the history of railroad use and military use in the United States. | 0:02:18 | 0:02:21 | |
I will bottle the classic Southern tipple - bourbon. | 0:02:21 | 0:02:25 | |
-You missed one. There is a little more skill to it. -Apparently! | 0:02:27 | 0:02:30 | |
Michael Portillo. How do you do? | 0:02:30 | 0:02:32 | |
And I will learn how to behave at Virginia's oldest cotillion ball. | 0:02:32 | 0:02:37 | |
-Help me. Help me. -It's easy. | 0:02:37 | 0:02:40 | |
I'm headed for Manassas. | 0:02:55 | 0:02:57 | |
My guidebook tells me it was the scene of the first great battle | 0:02:57 | 0:03:00 | |
of the Civil War, fought July 21 1861, | 0:03:00 | 0:03:04 | |
and also another battle fought August 29th and 30th 1862. | 0:03:04 | 0:03:09 | |
And for the railway traveller, it tells me that at Manassas | 0:03:09 | 0:03:13 | |
the Manassas branch diverges and runs 63 miles to Strasburg. | 0:03:13 | 0:03:19 | |
I suspect that the fact that it was an important railway junction | 0:03:19 | 0:03:24 | |
helps to account for why it was fought over not once, but twice. | 0:03:24 | 0:03:28 | |
The most destructive conflict in American history | 0:03:31 | 0:03:34 | |
was the Civil War of 1861 to 1865 | 0:03:34 | 0:03:37 | |
between northern and southern states. | 0:03:37 | 0:03:40 | |
President Abraham Lincoln opposed the expansion of slavery | 0:03:41 | 0:03:45 | |
to new states and the southern states, | 0:03:45 | 0:03:47 | |
believing that their prosperity depended upon it, | 0:03:47 | 0:03:51 | |
felt threatened by his election. | 0:03:51 | 0:03:53 | |
11 slave-owning southern states left the Union | 0:03:53 | 0:03:57 | |
and renamed themselves the Confederate States of America. | 0:03:57 | 0:04:01 | |
Lincoln's Union army marched towards Richmond, Virginia, | 0:04:01 | 0:04:05 | |
the South's capital. | 0:04:05 | 0:04:07 | |
The first major land battle of the Civil War was about to commence. | 0:04:07 | 0:04:11 | |
I'm meeting the curator of Manassas Museum, Mary Dellinger, | 0:04:13 | 0:04:17 | |
at Manassas Junction, 25 miles south-west of Washington. | 0:04:17 | 0:04:22 | |
In the 1860s then, what makes this place so strategically important? | 0:04:22 | 0:04:27 | |
There wasn't really a town here. | 0:04:27 | 0:04:29 | |
A lot of people think there was but there wasn't. | 0:04:29 | 0:04:31 | |
Lots of outlying farms and a small collection of buildings. | 0:04:31 | 0:04:34 | |
What made this area so important was the junction | 0:04:34 | 0:04:36 | |
of the Manassas Gap Railroad with the Orange and Alexandrian. | 0:04:36 | 0:04:39 | |
Two railroads that provided access to points north, | 0:04:39 | 0:04:42 | |
south and west of here. | 0:04:42 | 0:04:44 | |
So whoever controlled the junction controlled access to those areas. | 0:04:44 | 0:04:47 | |
22,00 Southern Confederate soldiers advanced north to Manassas | 0:04:47 | 0:04:52 | |
to confront the 35,000 Northern Union troops marching south. | 0:04:52 | 0:04:58 | |
Lincoln's volunteer soldiers lacked experience | 0:04:58 | 0:05:01 | |
and when 10,000 Confederate reinforcements arrived | 0:05:01 | 0:05:05 | |
the Union army lost cohesion. | 0:05:05 | 0:05:08 | |
And in that first battle, were trains used by the forces? | 0:05:08 | 0:05:12 | |
Yes, trains were used | 0:05:12 | 0:05:14 | |
and actually it was the first time that troops arrived by rail during | 0:05:14 | 0:05:17 | |
the history of railroad use and military use in the United States. | 0:05:17 | 0:05:20 | |
The result of the battle was a Confederate victory, a resounding Confederate victory. | 0:05:20 | 0:05:25 | |
They drove the Federals from the field. | 0:05:25 | 0:05:26 | |
It was a humiliating defeat for the North. | 0:05:28 | 0:05:30 | |
Just over a year later, in August 1862, | 0:05:32 | 0:05:36 | |
Manassas was the site of a second battle. | 0:05:36 | 0:05:39 | |
The commander of the Southern Confederate forces, | 0:05:42 | 0:05:44 | |
General Robert E Lee, sent troops north. | 0:05:44 | 0:05:48 | |
His target was a storage facility crucial to the Union supply chain. | 0:05:48 | 0:05:53 | |
When he got here, he found an enormous Union supply depot. | 0:05:54 | 0:05:57 | |
Thousands of tonnes of ammunition, clothing, food, stock. | 0:05:57 | 0:06:02 | |
His troops were very hungry so they ate what they could | 0:06:02 | 0:06:05 | |
and whatever they couldn't carry off they burned. | 0:06:05 | 0:06:07 | |
They burned down buildings, they burned crates of uniforms. | 0:06:07 | 0:06:10 | |
They destroyed it all | 0:06:10 | 0:06:12 | |
because they didn't want to leave it for the Union army. | 0:06:12 | 0:06:15 | |
The Union forces launched a counterattack, | 0:06:15 | 0:06:18 | |
but were unable to dislodge the Confederates | 0:06:18 | 0:06:21 | |
who were dug into positions in surrounding woodland. | 0:06:21 | 0:06:23 | |
When Confederate reinforcements under General Lee | 0:06:23 | 0:06:27 | |
arrived on August the 30th 1862, | 0:06:27 | 0:06:29 | |
they inflicted heavy casualties on the Union army, | 0:06:29 | 0:06:34 | |
forcing it to retreat towards Washington. | 0:06:34 | 0:06:37 | |
Today, Manassas National Battlefield Park commemorates the place | 0:06:37 | 0:06:41 | |
where the Confederates twice saw off the Union army. | 0:06:41 | 0:06:45 | |
Mary, I find this battlefield very well preserved | 0:06:46 | 0:06:49 | |
with just a few hints, you know. | 0:06:49 | 0:06:51 | |
The cannon here, the farmhouse here. | 0:06:51 | 0:06:53 | |
How extensive was that battlefield at the time of the second battle? | 0:06:53 | 0:06:56 | |
The second Battle of Manassas was huge. | 0:06:56 | 0:06:58 | |
At one point there was a very large charge by Confederate troops that | 0:06:58 | 0:07:02 | |
was one of the largest in the war of men committed all at one time. | 0:07:02 | 0:07:05 | |
What were the consequences of the second battle of Manassas? | 0:07:05 | 0:07:08 | |
General Robert E. Lee, the Confederate commander, | 0:07:08 | 0:07:11 | |
a lot of people consider that one of his greatest victories | 0:07:11 | 0:07:13 | |
because he drove the Union army from the field and the road was open north. | 0:07:13 | 0:07:17 | |
Less than a week later on September the 5th 1862, | 0:07:17 | 0:07:22 | |
General Lee launched the first Confederate invasion of the North. | 0:07:22 | 0:07:26 | |
These Confederate victories, you're a Virginian, | 0:07:30 | 0:07:32 | |
how do you feel about them? | 0:07:32 | 0:07:34 | |
Well, I am very proud of my Virginia heritage and my Southern heritage, | 0:07:34 | 0:07:37 | |
but I think it's important that when we look back on that and take a certain pride in that | 0:07:37 | 0:07:41 | |
that we don't attempt to put our 21st century knowledge and values | 0:07:41 | 0:07:45 | |
on a set of 19th century issues and problems. | 0:07:45 | 0:07:47 | |
That we really need to look at it as what they knew to be true. | 0:07:47 | 0:07:50 | |
I think if you do that then it's OK to celebrate that part of your past. | 0:07:50 | 0:07:54 | |
The American Civil War can be represented | 0:07:59 | 0:08:02 | |
as a struggle between good and evil. | 0:08:02 | 0:08:05 | |
And there is truth in that. | 0:08:05 | 0:08:07 | |
But as soon as you come to the South and stand here | 0:08:07 | 0:08:11 | |
you develop and extra perspective. | 0:08:11 | 0:08:14 | |
Those young Americans who fought and died here for the Confederacy | 0:08:14 | 0:08:20 | |
deserve to be remembered and honoured. | 0:08:20 | 0:08:22 | |
One in four young white Southern men died | 0:08:29 | 0:08:33 | |
during the four years of the American Civil War. | 0:08:33 | 0:08:36 | |
After the conflict, the North continued to industrialise | 0:08:36 | 0:08:40 | |
while the ravaged South faced a 12 year reconstruction period | 0:08:40 | 0:08:45 | |
to rebuild its cities, railroads and economy without slave labour. | 0:08:45 | 0:08:50 | |
-Can I join you a second? -Please. | 0:08:51 | 0:08:53 | |
Do you use the trains very much? | 0:08:55 | 0:08:57 | |
Yes, actually I ride the train all the time. | 0:08:57 | 0:08:59 | |
I am a cellist and if you ride the aeroplane | 0:08:59 | 0:09:03 | |
you have to buy your cello its own seat, so actually I ride the train. | 0:09:03 | 0:09:08 | |
It's my main mode of long-distance transportation. | 0:09:08 | 0:09:11 | |
Do you perform all over the United States? | 0:09:11 | 0:09:13 | |
I'm working on it. I just graduated from school. | 0:09:13 | 0:09:16 | |
I just got my masters in cello performance | 0:09:16 | 0:09:19 | |
so I'm trying to get started as a cellist. | 0:09:19 | 0:09:21 | |
I'm actually just coming from Philadelphia where I got my cello repaired. | 0:09:21 | 0:09:25 | |
How do you find getting it up the steps because it's quite a long way up on to these trains, isn't it? | 0:09:25 | 0:09:30 | |
It's a major pain. | 0:09:30 | 0:09:32 | |
The cello is a wonderful instrument but it is a hassle to travel with. | 0:09:32 | 0:09:35 | |
I will leave this train at Fredericksburg, | 0:09:41 | 0:09:44 | |
which Appletons' tells me is a quaint and venerable old city | 0:09:44 | 0:09:48 | |
on the south bank of the Rappahannock River. | 0:09:48 | 0:09:52 | |
It was founded in 1727 and contains about 6,000 inhabitants. | 0:09:52 | 0:09:58 | |
An ideal place for me to begin to discover the spirit of the South. | 0:09:58 | 0:10:02 | |
Bourbon corn whiskey is America's official native spirit. | 0:10:16 | 0:10:21 | |
It takes its name from Bourbon County in Kentucky. | 0:10:21 | 0:10:24 | |
Virginia's oldest family run bourbon distillery | 0:10:25 | 0:10:29 | |
was established here in Fredericksburg in 1935, | 0:10:29 | 0:10:32 | |
two years after the end of the prohibition of alcohol. | 0:10:32 | 0:10:36 | |
I'm meeting Brian Prewitt, the master distiller at A. Smith Bowman. | 0:10:38 | 0:10:43 | |
It feels like we're walking down the aisle of a cathedral here | 0:10:43 | 0:10:46 | |
but the aroma of the incense has been replaced by the sweet | 0:10:46 | 0:10:49 | |
and slightly pungent smell of bourbon. | 0:10:49 | 0:10:52 | |
I like to tell people it is our church of bourbon. | 0:10:52 | 0:10:55 | |
-Our church of whiskey. -So is bourbon a whiskey? -Bourbon is a whiskey. | 0:10:55 | 0:10:59 | |
To be called bourbon it has to be at least 51% corn. | 0:10:59 | 0:11:04 | |
It has to be distilled at less than 160 proof. | 0:11:04 | 0:11:07 | |
It has to go into a brand new charred oak barrel. | 0:11:07 | 0:11:10 | |
Whiskey was introduced to America by Scottish | 0:11:10 | 0:11:14 | |
and Irish immigrants who arrived in the 1700s. | 0:11:14 | 0:11:17 | |
These pioneers found corn and maize aplenty | 0:11:18 | 0:11:22 | |
and used them to create whiskey. | 0:11:22 | 0:11:24 | |
Later, the use of charred oak barrels | 0:11:24 | 0:11:27 | |
made it the bourbon that we appreciate today. | 0:11:27 | 0:11:30 | |
The importance of American oak is the fact | 0:11:31 | 0:11:34 | |
that the porosity of the oak keeps it from basically seeping out. | 0:11:34 | 0:11:38 | |
But essentially what they do is they burn this inside of the barrel | 0:11:38 | 0:11:41 | |
and that will caramelise the sugars in the oak | 0:11:41 | 0:11:44 | |
and it will get that nice, red layer, | 0:11:44 | 0:11:47 | |
just like if you were making caramel on your stove at home. | 0:11:47 | 0:11:49 | |
This is the great part. If you look at that line. | 0:11:49 | 0:11:52 | |
This is about an eight-year-old barrel. | 0:11:52 | 0:11:54 | |
That is how far that bourbon really got into the barrel | 0:11:54 | 0:11:57 | |
-over the course of its lifetime and that is called the soak line. -Wow. | 0:11:57 | 0:12:01 | |
-So it is picking up flavour and it's picking up colour. -Absolutely. | 0:12:01 | 0:12:05 | |
By law, we can't add colour to bourbon. | 0:12:05 | 0:12:09 | |
So the only colour that we get is from the oak. | 0:12:09 | 0:12:12 | |
Legend has it that barrels shipped down the Ohio | 0:12:14 | 0:12:17 | |
and Mississippi rivers from Bourbon County to New Orleans | 0:12:17 | 0:12:21 | |
had an extra month to mature | 0:12:21 | 0:12:24 | |
and their contents were considered some of the best in the country. | 0:12:24 | 0:12:27 | |
Another gorgeous space and this is where the work is done. | 0:12:33 | 0:12:38 | |
-Absolutely. I call this my play ground. -What a wonderful room. | 0:12:38 | 0:12:42 | |
This is our bourbon still. This is Mary. | 0:12:42 | 0:12:45 | |
And she is named after the matriarch of the Bowman family. | 0:12:45 | 0:12:48 | |
Mary is a very, very unique design. | 0:12:48 | 0:12:51 | |
-It looks like a child's chemistry set on a very large scale. -Yes. | 0:12:51 | 0:12:55 | |
It's as if somebody just kind of drew it out on a piece of paper | 0:12:55 | 0:12:58 | |
and said, "Sure, we will make it into a still." | 0:12:58 | 0:13:00 | |
And that is pretty much exactly what they did. | 0:13:00 | 0:13:03 | |
The distillate comes out in three phases. | 0:13:03 | 0:13:06 | |
First, the sharp flavoured heads. | 0:13:06 | 0:13:08 | |
Then the long phase of the hearts with the sweet alcohol. | 0:13:08 | 0:13:12 | |
And finally the tails. | 0:13:12 | 0:13:14 | |
Both the heads and the tails contain impurities | 0:13:14 | 0:13:17 | |
and the art of distillation is to know when to make the cuts. | 0:13:17 | 0:13:21 | |
This is where we do our cuts, where we will actually do the tasting | 0:13:23 | 0:13:26 | |
and I happen to have some of the heart right here. | 0:13:26 | 0:13:29 | |
One of the ways that we do this is we're just going to pour a little bit into our hand. | 0:13:29 | 0:13:33 | |
It's going to make your hands nice and soft. Kind of air it out. | 0:13:33 | 0:13:37 | |
-Tell me, what do you smell? -Oooh. | 0:13:38 | 0:13:40 | |
Sweetness. | 0:13:42 | 0:13:44 | |
-Vanilla. -Really nice, sweet, soft alcohol. | 0:13:46 | 0:13:48 | |
That is what we are looking for in the heart. | 0:13:48 | 0:13:50 | |
You must have an extraordinary palette and nose. | 0:13:50 | 0:13:53 | |
It just takes a little bit of practice. You too can get there. | 0:13:53 | 0:13:56 | |
-It must be fun practising! -It is! | 0:13:56 | 0:13:58 | |
The heart of the run is collected for ageing and bottling | 0:14:00 | 0:14:03 | |
while the heads and tails are added back to the next distillation. | 0:14:03 | 0:14:07 | |
I thought we would give you the opportunity, | 0:14:07 | 0:14:09 | |
since you are here, to bottle your own bottle of bourbon. | 0:14:09 | 0:14:12 | |
-Would you like to give it a try? -I would love to give you a hand. | 0:14:12 | 0:14:15 | |
All right. We are going to start with some bottles over here. | 0:14:15 | 0:14:18 | |
Throw them facedown on the rinser and basically what we need to do | 0:14:18 | 0:14:21 | |
is put them right in there and line them up. | 0:14:21 | 0:14:24 | |
Put your foot on the lever there. | 0:14:24 | 0:14:26 | |
You missed one. | 0:14:28 | 0:14:29 | |
Go ahead and try again. It should fill that one up. | 0:14:31 | 0:14:34 | |
-Almost there. There is a little more skill to it. -Apparently! | 0:14:37 | 0:14:42 | |
There you go. | 0:14:42 | 0:14:44 | |
And we're just going to grab a cork and push it in | 0:14:44 | 0:14:46 | |
and this is where a little elbow grease comes in. | 0:14:46 | 0:14:49 | |
All right. Now for the best part of the tour, which is the tasting. | 0:14:50 | 0:14:54 | |
-Yes. -We are going to taste two of our bourbons here today. | 0:14:54 | 0:14:56 | |
This is a seven-year-old Small Batch bourbon. | 0:14:56 | 0:14:59 | |
Then we are also going to taste its older brother, the John J. | 0:14:59 | 0:15:03 | |
It's about ten years old. John J is my go to. | 0:15:03 | 0:15:06 | |
That is the one when I'm going to sit down in the evening | 0:15:06 | 0:15:10 | |
with a nice glass of bourbon, it's the John J. | 0:15:10 | 0:15:12 | |
-Enough talking! -All right, let's taste. -Let's go. | 0:15:12 | 0:15:15 | |
To taste the bourbon correctly, | 0:15:17 | 0:15:19 | |
Brian advises me at first to take a small sip to stir up the palate. | 0:15:19 | 0:15:23 | |
Palate definitely now awake. | 0:15:25 | 0:15:27 | |
You're right about that method. | 0:15:30 | 0:15:33 | |
All the flavours come zooming through your mouth, don't they? | 0:15:33 | 0:15:37 | |
Now for the 10-year-old single barrel John J. | 0:15:37 | 0:15:41 | |
It's bigger, rounder, fuller. | 0:15:43 | 0:15:45 | |
Deeper somehow. Darker. | 0:15:46 | 0:15:48 | |
Yes, I'm with you. That's the one. | 0:15:49 | 0:15:51 | |
-Cheers. -Cheers. | 0:15:51 | 0:15:53 | |
It's a new day and I am rejoining Amtrak's northeast regional service | 0:16:01 | 0:16:05 | |
to Virginia's state capital, Richmond. | 0:16:05 | 0:16:08 | |
Virginia. Named after the virgin queen, Elizabeth I. | 0:16:13 | 0:16:18 | |
The colony that produced Washington and Jefferson. | 0:16:18 | 0:16:22 | |
I think that in its capital I'm going to feel the pride | 0:16:22 | 0:16:26 | |
and the greatness of the American South. | 0:16:26 | 0:16:29 | |
But Richmond's history also has its fair share of controversy. | 0:16:37 | 0:16:41 | |
In the decade before the American Civil War | 0:16:42 | 0:16:45 | |
it was second only to New Orleans as a centre for the slave trade, | 0:16:45 | 0:16:49 | |
with thousands transported south by rail from its slave market. | 0:16:49 | 0:16:53 | |
Before I explore further I'm in need of sustenance. | 0:16:55 | 0:16:59 | |
I'm ordering ham and eggs with a Southern twist - grits. | 0:16:59 | 0:17:04 | |
Oh, that looks great. | 0:17:04 | 0:17:06 | |
Can you just tell me, what is grits? | 0:17:06 | 0:17:09 | |
They are browned off and made out of corn. | 0:17:09 | 0:17:12 | |
They are a big seller in the South. | 0:17:12 | 0:17:14 | |
Grits stands for "Girls Raised In The South", | 0:17:14 | 0:17:17 | |
which I think is a really cute slogan. | 0:17:17 | 0:17:20 | |
-I hope you enjoy your meal. -Thank you very much indeed. -You're welcome. | 0:17:20 | 0:17:23 | |
Popular though grits is in the South, | 0:17:23 | 0:17:26 | |
I'm not sure I'm going to like it very much. | 0:17:26 | 0:17:28 | |
Mmm. Actually, it's not bad. | 0:17:30 | 0:17:32 | |
It's a combination of porridge and semolina. | 0:17:32 | 0:17:35 | |
I just came to check to see how your meal is. | 0:17:35 | 0:17:37 | |
-It's great. It's very, very nice. -Do you like the grits? | 0:17:37 | 0:17:40 | |
You were right to tell me to have grits. Thank you very much indeed. | 0:17:40 | 0:17:43 | |
Wonderful. Great. | 0:17:43 | 0:17:45 | |
I'm now perfectly primed to visit Virginia's seat of government, | 0:17:49 | 0:17:53 | |
which was designed by one of the founding fathers, Thomas Jefferson. | 0:17:53 | 0:17:57 | |
This polymath was a politician, writer, lawyer and architect. | 0:17:57 | 0:18:04 | |
"The most prominent building in Richmond", says Appletons', | 0:18:05 | 0:18:09 | |
"is the State Capital, adorned with a portico of ionic columns. | 0:18:09 | 0:18:14 | |
"The plan having been furnished by Thomas Jefferson | 0:18:14 | 0:18:18 | |
"after that of the Maison Carree at Nimes in France." | 0:18:18 | 0:18:22 | |
So this building has the triple distinction | 0:18:22 | 0:18:25 | |
of being Roman, Jeffersonian, Virginian, | 0:18:25 | 0:18:29 | |
and I might add one of the most beautiful buildings | 0:18:29 | 0:18:33 | |
in the United States. | 0:18:33 | 0:18:35 | |
The capital was completed in 1788 and was the first state seat | 0:18:38 | 0:18:44 | |
of government to be designed after the War of Independence. | 0:18:44 | 0:18:47 | |
The architecture is so elegant, | 0:18:50 | 0:18:53 | |
the colours are so tasteful | 0:18:53 | 0:18:55 | |
and the state of restoration is absolutely perfect. | 0:18:55 | 0:18:59 | |
I'm meeting Mark Greenough, tour supervisor | 0:19:01 | 0:19:04 | |
and historian of the Capital, in the old hall of the house of delegates. | 0:19:04 | 0:19:09 | |
Virginia played such an important part | 0:19:09 | 0:19:12 | |
in the early days of the United States. | 0:19:12 | 0:19:15 | |
For example, Jefferson, Washington, they were both from Virginia. | 0:19:15 | 0:19:18 | |
Other presidents? | 0:19:18 | 0:19:20 | |
We've had a total of eight presidents of the United States | 0:19:20 | 0:19:23 | |
who were born within the borders of Virginia. | 0:19:23 | 0:19:25 | |
Seven of them served in their office of president | 0:19:25 | 0:19:29 | |
before the American Civil War broke out. | 0:19:29 | 0:19:31 | |
After gaining independence from Britain, | 0:19:31 | 0:19:34 | |
a convention adopted in Philadelphia in 1787 | 0:19:34 | 0:19:37 | |
established a constitution for the new nation. | 0:19:37 | 0:19:41 | |
But states had to ratify the constitution. | 0:19:41 | 0:19:44 | |
Virginia was the oldest of the original British colonies in America. | 0:19:46 | 0:19:50 | |
It was the largest. It was the wealthiest. | 0:19:50 | 0:19:53 | |
It was the most populated. | 0:19:53 | 0:19:55 | |
We had our ratification convention in Richmond. | 0:19:55 | 0:19:57 | |
It was a few blocks from this site. | 0:19:57 | 0:20:00 | |
At that point, in June of 1788 | 0:20:00 | 0:20:02 | |
Virginia endorsed our new national charter. | 0:20:02 | 0:20:05 | |
Was that very influential on other colonies? | 0:20:05 | 0:20:08 | |
Virginia's vote on the question would be a great help to others | 0:20:08 | 0:20:14 | |
who were wavering on whether or not to support our new federal Union. | 0:20:14 | 0:20:17 | |
It was a controversial question. | 0:20:17 | 0:20:19 | |
74 years later the state played an equally important role | 0:20:20 | 0:20:24 | |
in the country's descent into civil war. | 0:20:24 | 0:20:27 | |
The flashpoint was an attack by southern Confederate forces | 0:20:28 | 0:20:31 | |
in April 1861 on Fort Sumter in South Carolina. | 0:20:31 | 0:20:37 | |
Lincoln called for troops to suppress the rebellion. | 0:20:37 | 0:20:40 | |
War had begun. | 0:20:40 | 0:20:42 | |
Virginia, not yet part of the Confederacy, | 0:20:42 | 0:20:46 | |
now had to decide whether to fight with her southern neighbours. | 0:20:46 | 0:20:50 | |
This is the room where after two months of active debating | 0:20:50 | 0:20:54 | |
Virginia leaders voted to secede from the Union - | 0:20:54 | 0:20:58 | |
another controversial question. | 0:20:58 | 0:21:00 | |
88 voted to secede, but 55 voted to stay in the union. | 0:21:00 | 0:21:05 | |
So Virginia's joining the Confederacy was by no means | 0:21:05 | 0:21:09 | |
-something that could be assumed. -No means at all. | 0:21:09 | 0:21:12 | |
But then she makes the vote to secede. | 0:21:12 | 0:21:14 | |
What happens in this room after that? | 0:21:14 | 0:21:17 | |
They next looked for a qualified leader | 0:21:17 | 0:21:20 | |
to defend the border of the Commonwealth of Virginia | 0:21:20 | 0:21:23 | |
and they turned to Robert E Lee and he walked into this very chamber. | 0:21:23 | 0:21:27 | |
He stood on that very spot, where today there is a statue | 0:21:27 | 0:21:30 | |
of Robert E Lee, and this is where | 0:21:30 | 0:21:33 | |
he pledged his sword in defence of his native state. | 0:21:33 | 0:21:37 | |
It is not a triumphalist statue. | 0:21:37 | 0:21:39 | |
You see here a man who is showing a dignity | 0:21:39 | 0:21:44 | |
and sadness in the face of America's biggest dilemma | 0:21:44 | 0:21:49 | |
and in the end Lee decided to follow the fate of his native State. | 0:21:49 | 0:21:54 | |
The decision to make Richmond the capital of the Confederacy | 0:21:55 | 0:21:59 | |
made it a target for Union troops. | 0:21:59 | 0:22:02 | |
By 1865 General Lee was no longer able to defend the city | 0:22:02 | 0:22:07 | |
and on April 3rd it was evacuated. | 0:22:07 | 0:22:10 | |
The next day President Abraham Lincoln entered, victorious. | 0:22:11 | 0:22:16 | |
Lee surrendered to Union forces on April 9th. | 0:22:16 | 0:22:19 | |
The American Civil War was all but over. | 0:22:19 | 0:22:23 | |
Today Virginia's grand Capitol houses the state's General Assembly, | 0:22:24 | 0:22:28 | |
where senators and delegates meet to discuss | 0:22:28 | 0:22:31 | |
and vote on legislation, balance the state's budget | 0:22:31 | 0:22:35 | |
and elect judges. | 0:22:35 | 0:22:37 | |
We're now entering the Virginia House Of Delegates chamber | 0:22:38 | 0:22:41 | |
and it's a chamber not guilty of understatement. | 0:22:41 | 0:22:44 | |
I think many Europeans would understand that | 0:22:44 | 0:22:47 | |
at the national level the United States has an upper house - | 0:22:47 | 0:22:50 | |
the Senate, a lower house - the Congress, | 0:22:50 | 0:22:53 | |
and an executive - the President, but that is also replicated, | 0:22:53 | 0:22:56 | |
isn't it, in most of the states at state level? | 0:22:56 | 0:23:00 | |
That's true. With only one exception, | 0:23:00 | 0:23:03 | |
all of the state legislatures are bicameral, | 0:23:03 | 0:23:05 | |
with a House and a Senate, | 0:23:05 | 0:23:07 | |
and Virginia takes particular pride in being remembered | 0:23:07 | 0:23:10 | |
as the oldest elected representative legislature | 0:23:10 | 0:23:13 | |
still meeting in the Western Hemisphere. | 0:23:13 | 0:23:16 | |
The Virginia General Assembly dates back to 1619, | 0:23:17 | 0:23:21 | |
only 12 years after the English first settled the colony. | 0:23:21 | 0:23:25 | |
Well, here in this state of Virginia | 0:23:27 | 0:23:30 | |
I feel much that makes me feel at home, which is | 0:23:30 | 0:23:32 | |
maybe not surprising given that it's named after Queen Elizabeth I. | 0:23:32 | 0:23:35 | |
Oh, good old Queen Bess. She was on the throne | 0:23:35 | 0:23:38 | |
when England began setting her sights on settling Virginia, | 0:23:38 | 0:23:43 | |
but it was after her death | 0:23:43 | 0:23:45 | |
and the ascension to the throne of James I that | 0:23:45 | 0:23:48 | |
an English settlement took hold and it was named Jamestown, | 0:23:48 | 0:23:53 | |
and the river leading to it was named the James River. | 0:23:53 | 0:23:57 | |
The English heritage of this nation is more evident in Virginia's | 0:24:00 | 0:24:05 | |
capital than it has been anywhere else on my American journey. | 0:24:05 | 0:24:09 | |
My next stop will require an attention to manners, | 0:24:09 | 0:24:12 | |
for which the English were once famed. | 0:24:12 | 0:24:14 | |
I'm invited to Virginia's oldest cotillion dance circle. | 0:24:16 | 0:24:19 | |
Hi, nice to meet you. | 0:24:21 | 0:24:23 | |
Learning to dance with a partner has long been a vital training | 0:24:23 | 0:24:27 | |
for young men and women of society | 0:24:27 | 0:24:30 | |
and here the tradition continues for adolescent Virginians. | 0:24:30 | 0:24:34 | |
Hi, Jim. Hello, I'm Connor Stevens. | 0:24:34 | 0:24:37 | |
-Connor, nice to meet you. -Very nice to meet you. | 0:24:37 | 0:24:40 | |
I seem to have joined some sort of a receiving line. | 0:24:40 | 0:24:43 | |
I don't know what it's about | 0:24:43 | 0:24:45 | |
but I suspect it's some kind of test already. | 0:24:45 | 0:24:48 | |
-Hi. -Hi. -I hope I'm blending in. | 0:24:50 | 0:24:55 | |
Hi, I'm Hayley, nice to meet you. | 0:24:55 | 0:24:57 | |
-This is Angelo. -I'm Miss Davidson. | 0:24:57 | 0:25:01 | |
How do you do? Michael Portillo. | 0:25:01 | 0:25:03 | |
Very nice to meet you, Michael, I'm Miss Williams. Welcome. | 0:25:03 | 0:25:05 | |
Charmed, Ms Williams. | 0:25:05 | 0:25:06 | |
-This is Andrew Cole. -Hello, I'm Michael Portillo. | 0:25:06 | 0:25:08 | |
Hello, nice to meet you I'm Andrew Cole. | 0:25:08 | 0:25:11 | |
Bob, Michael Portillo, what a pleasure. How do you do? | 0:25:11 | 0:25:14 | |
-Sandra, nice to meet you. -It's my privilege. Thank you very much. | 0:25:16 | 0:25:20 | |
MUSIC BEGINS | 0:25:20 | 0:25:22 | |
First introduced to the colonies from Europe in the 1770s, | 0:25:24 | 0:25:28 | |
cotillion became a favourite dance at assemblies, | 0:25:28 | 0:25:31 | |
allowing couples to exchange partners in an early square dance. | 0:25:31 | 0:25:36 | |
Today the music and the dances are more varied. | 0:25:36 | 0:25:39 | |
Still, dance is an instrument for teaching teenagers social graces. | 0:25:39 | 0:25:44 | |
I'm hoping not to let the side down. | 0:25:44 | 0:25:47 | |
Help me, help me! | 0:25:50 | 0:25:51 | |
It's easy. | 0:25:51 | 0:25:53 | |
And go. | 0:25:53 | 0:25:55 | |
Out, in, out, in. Heel, heel, toe, toe. | 0:25:55 | 0:25:58 | |
Right, cross, right. | 0:25:58 | 0:26:00 | |
Left, cross, left. | 0:26:00 | 0:26:02 | |
Forward, forward, forward. | 0:26:02 | 0:26:04 | |
Back, back, back. | 0:26:04 | 0:26:07 | |
One, two, three, turn, | 0:26:07 | 0:26:08 | |
five, six, seven, eight. | 0:26:08 | 0:26:11 | |
'Lacking any sense of rhythm, I must call on my manners.' | 0:26:11 | 0:26:14 | |
I'm sorry. | 0:26:14 | 0:26:16 | |
Back now, ready for the pause. | 0:26:16 | 0:26:18 | |
Outside rock. To the centre | 0:26:18 | 0:26:20 | |
'The formal dress and white gloves worn today evoke the gilded age | 0:26:20 | 0:26:25 | |
'of the late 1800s when the tradition of presenting in society | 0:26:25 | 0:26:31 | |
'18-year-old debutants from America's wealthiest families started.' | 0:26:31 | 0:26:35 | |
It's clear that cotillion has taught these teens | 0:26:44 | 0:26:48 | |
more than fancy footwork. | 0:26:48 | 0:26:50 | |
Their social skills and confidence are beyond their years. | 0:26:50 | 0:26:54 | |
-Thank you. -Thank you, you saved me from humiliation and from myself. | 0:27:03 | 0:27:06 | |
Thank you very much. | 0:27:06 | 0:27:08 | |
My journey through Virginia has made me feel the pride | 0:27:11 | 0:27:15 | |
and complexity of the South's history. | 0:27:15 | 0:27:18 | |
It was largely Virginians that shaped | 0:27:19 | 0:27:22 | |
the declaration of Independence and the constitution, | 0:27:22 | 0:27:26 | |
and political arrangements in Colonial Virginia | 0:27:26 | 0:27:29 | |
provided a model of representative government. | 0:27:29 | 0:27:32 | |
I found people in this state even more polite | 0:27:32 | 0:27:36 | |
than north of the Mason Dixon Line and I appreciate the welcome | 0:27:36 | 0:27:40 | |
that I received at the cotillion, | 0:27:40 | 0:27:42 | |
but I think before I next display my limited dancing skills, | 0:27:42 | 0:27:47 | |
I shall prepare with a generous slug of Virginia bourbon. | 0:27:47 | 0:27:51 | |
Next time, I get into colonial character | 0:27:54 | 0:27:57 | |
on Williamsburg's plantations... | 0:27:57 | 0:27:59 | |
Push away from me a little bit more. | 0:27:59 | 0:28:01 | |
Perfect, that's a good-looking furrow. | 0:28:01 | 0:28:03 | |
..I discover the truth about the first settlers... | 0:28:03 | 0:28:05 | |
This is ground zero, | 0:28:05 | 0:28:07 | |
this is the centre of the beginning of the New World. | 0:28:07 | 0:28:10 | |
..and my spirits are lifted by the First Baptist Gospel Choir. | 0:28:10 | 0:28:15 | |
# The Lord is my Shepherd | 0:28:15 | 0:28:20 | |
# And I shall not want... # | 0:28:20 | 0:28:24 |