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I have crossed the Atlantic to ride the railroads of America | 0:00:02 | 0:00:08 | |
with a new travelling companion. | 0:00:08 | 0:00:10 | |
Published in 1879, my Appletons' General Guide | 0:00:12 | 0:00:17 | |
will steer me to everything that's novel, | 0:00:17 | 0:00:20 | |
beautiful, | 0:00:20 | 0:00:22 | |
memorable | 0:00:22 | 0:00:23 | |
or curious in the United States. | 0:00:23 | 0:00:26 | |
-ALL: -Amen! | 0:00:26 | 0:00:27 | |
As I cross the continent, I'll discover America's Gilded Age, | 0:00:29 | 0:00:33 | |
when powerful tycoons launched a railway boom | 0:00:33 | 0:00:37 | |
that tied the nation together and carved out its future | 0:00:37 | 0:00:41 | |
as a superpower. | 0:00:41 | 0:00:43 | |
My journey continues south to Washington, DC - | 0:01:13 | 0:01:16 | |
the centre of political power in the world's most powerful country. | 0:01:16 | 0:01:22 | |
Founded on a compromise, built on a greenfield site, | 0:01:22 | 0:01:26 | |
torched by the British, | 0:01:26 | 0:01:28 | |
it rose from the ashes to become a capital of fine public architecture, | 0:01:28 | 0:01:33 | |
monuments and memorials | 0:01:33 | 0:01:35 | |
and the city where the president who divided America, | 0:01:35 | 0:01:38 | |
but saved the Union, | 0:01:38 | 0:01:40 | |
met a theatrical death. | 0:01:40 | 0:01:42 | |
I began this journey in Philadelphia - | 0:01:54 | 0:01:57 | |
the cradle of American independence - | 0:01:57 | 0:01:59 | |
continued to the American Civil War battlefield of Gettysburg | 0:01:59 | 0:02:03 | |
and turned south to Baltimore in Maryland. | 0:02:03 | 0:02:06 | |
Ahead of me, lie both the capital of the nation and the capital | 0:02:07 | 0:02:11 | |
of the state of Virginia, Richmond. | 0:02:11 | 0:02:14 | |
I'll finish in one of the oldest settlements in North America - | 0:02:14 | 0:02:17 | |
Jamestown. | 0:02:17 | 0:02:19 | |
On this leg, I'll explore Washington in the district of Columbia, | 0:02:21 | 0:02:25 | |
visit the neighbourhood of U Street | 0:02:25 | 0:02:27 | |
and the area of Georgetown, | 0:02:27 | 0:02:30 | |
before leaving the capital to head south into the state of Virginia, | 0:02:30 | 0:02:33 | |
calling at the former slave-trading port of Alexandria, | 0:02:33 | 0:02:37 | |
and finishing my journey at the home of the first president | 0:02:37 | 0:02:40 | |
of the United States. | 0:02:40 | 0:02:42 | |
HORN BLARES | 0:02:43 | 0:02:45 | |
'Along the way, I'll pick up some spending money...' | 0:02:47 | 0:02:51 | |
This bundle is 80,000. | 0:02:51 | 0:02:54 | |
I've never held anything like that much money in my life! | 0:02:54 | 0:02:57 | |
'..discover how the man credited with saving the nation | 0:02:59 | 0:03:03 | |
'tragically met his end...' | 0:03:03 | 0:03:05 | |
Booth was able to walk right behind the president | 0:03:05 | 0:03:07 | |
and fired a shot that hit him right behind the left ear. | 0:03:07 | 0:03:10 | |
'..hear about the sordid reality of the slave trade...' | 0:03:14 | 0:03:18 | |
While you're selling produce and other goods, you're selling humans. | 0:03:18 | 0:03:21 | |
'..and get to grips with American archaeology.' | 0:03:21 | 0:03:24 | |
SMASH! | 0:03:24 | 0:03:25 | |
-I'm so sorry... -It's OK! | 0:03:25 | 0:03:27 | |
The wretched handle came off. THEY CHUCKLE | 0:03:27 | 0:03:30 | |
HORN BLARES | 0:03:30 | 0:03:32 | |
I'm approaching Washington, following a recommended | 0:03:38 | 0:03:41 | |
Appletons' route along what was the Baltimore and Potomac Railroad. | 0:03:41 | 0:03:46 | |
According to Appletons', "Washington's site is admirable. | 0:03:48 | 0:03:52 | |
"Consisting of an undulating plain diversified by irregular elevations, | 0:03:52 | 0:03:58 | |
"which furnish advantageous positions | 0:03:58 | 0:04:00 | |
"for the various public buildings. | 0:04:00 | 0:04:03 | |
"The plan of the city is unique and on a scale which shows that it | 0:04:03 | 0:04:07 | |
"was expected that a vast metropolis would grow up there." | 0:04:07 | 0:04:12 | |
The Founding Fathers foresaw the greatness of the United States | 0:04:12 | 0:04:16 | |
and planned a capital that would rival any European one | 0:04:16 | 0:04:20 | |
in terms of scale, grandeur and prestige. | 0:04:20 | 0:04:23 | |
'You have arrived at Washington Union Station. | 0:04:30 | 0:04:32 | |
'Please watch your step.' | 0:04:32 | 0:04:34 | |
At the beginning of the 20th century, | 0:04:39 | 0:04:41 | |
a new master plan was developed for Washington, DC, to make the city | 0:04:41 | 0:04:45 | |
even more beautiful, and as part of that, a new Union Station, | 0:04:45 | 0:04:51 | |
bringing together in one place, the Pennsylvania | 0:04:51 | 0:04:55 | |
and the Baltimore and Ohio Railroads, | 0:04:55 | 0:04:57 | |
in a building of suitable magnificence. | 0:04:57 | 0:05:01 | |
Or, you might even say, "over-the-topness". | 0:05:01 | 0:05:03 | |
Despite the early-20th-century facelift, | 0:05:07 | 0:05:10 | |
at only 100 years old, Washington was a relatively young city. | 0:05:10 | 0:05:15 | |
Following independence from the British, | 0:05:15 | 0:05:17 | |
the newly formed nation of the United States | 0:05:17 | 0:05:20 | |
couldn't agree on which metropolis should be the seat of government. | 0:05:20 | 0:05:24 | |
So, a purpose-built capital was founded in 1790. | 0:05:24 | 0:05:28 | |
Conspiracy theorists say that the layout of Washington | 0:05:30 | 0:05:34 | |
contains hidden Masonic symbols. | 0:05:34 | 0:05:37 | |
I can't see any, but many of the Founding Fathers were Freemasons, | 0:05:37 | 0:05:41 | |
including George Washington. | 0:05:41 | 0:05:43 | |
'To find out how this city came into being, | 0:05:44 | 0:05:47 | |
'I'm heading to Freedom Plaza to meet Jane Freundel Levey | 0:05:47 | 0:05:51 | |
'of the Historical Society of Washington.' | 0:05:51 | 0:05:55 | |
-Hello, Jane. -Hello, it's so nice to see you. | 0:05:55 | 0:05:57 | |
Very good to see you. | 0:05:57 | 0:05:59 | |
And I see we've got a map of Washington laid out before us. | 0:05:59 | 0:06:02 | |
-We do indeed. -Shall we stroll down Pennsylvania Avenue | 0:06:02 | 0:06:04 | |
-towards the White House? -Let's do that. | 0:06:04 | 0:06:06 | |
In the beginning, why was Washington, DC, | 0:06:06 | 0:06:09 | |
chosen as the place for the capital? | 0:06:09 | 0:06:11 | |
Washington was chosen as a political compromise. | 0:06:11 | 0:06:14 | |
We had a young nation, it had no money | 0:06:14 | 0:06:17 | |
and we had a revolutionary war to pay off. | 0:06:17 | 0:06:20 | |
The South were not so willing to pay off the debts of the North, | 0:06:20 | 0:06:23 | |
where most of the battles took place, | 0:06:23 | 0:06:26 | |
unless they got something in return. | 0:06:26 | 0:06:28 | |
And what they got in return was the opportunity for the capital | 0:06:28 | 0:06:31 | |
to be in, what was considered then, the South. | 0:06:31 | 0:06:33 | |
That founding compromise was achieved by the man after whom | 0:06:35 | 0:06:38 | |
the city is named - | 0:06:38 | 0:06:40 | |
the first president of the United States. | 0:06:40 | 0:06:43 | |
George Washington saw that the nation's capital needed to be | 0:06:44 | 0:06:47 | |
on a river that would connect to what was going to be the nation. | 0:06:47 | 0:06:51 | |
In other words, a river that connected to the West | 0:06:51 | 0:06:53 | |
and that's what the Potomac River did. | 0:06:53 | 0:06:55 | |
It connected to the Ohio River which took us out to the West | 0:06:55 | 0:06:57 | |
and that's how he saw the new empire growing. | 0:06:57 | 0:07:01 | |
-And who actually planned it? -The city plan itself, | 0:07:01 | 0:07:04 | |
was done by Peter L'Enfant, sometimes know as Pierre, | 0:07:04 | 0:07:07 | |
he was of French origin and he was an American citizen, he was an | 0:07:07 | 0:07:10 | |
engineer who had | 0:07:10 | 0:07:12 | |
grown up near Versailles and had | 0:07:12 | 0:07:14 | |
certainly imbibed the principles of | 0:07:14 | 0:07:16 | |
baroque planning from Europe. | 0:07:16 | 0:07:19 | |
And he applied them to this new enterprise. | 0:07:19 | 0:07:21 | |
L'Enfant wanted his city to be | 0:07:21 | 0:07:23 | |
a republican city, and not an imperial city. | 0:07:23 | 0:07:26 | |
So did George Washington, too, for that matter, | 0:07:26 | 0:07:29 | |
which meant he wanted the baroque style of open boulevards | 0:07:29 | 0:07:32 | |
and access to the government. | 0:07:32 | 0:07:34 | |
In 1791, a diamond of land, ten miles squared, | 0:07:34 | 0:07:38 | |
was carved out of the states of Virginia and Maryland to become | 0:07:38 | 0:07:42 | |
the federal capital and the seat of the national government. | 0:07:42 | 0:07:46 | |
We've ended our journey down Pennsylvania Avenue, | 0:07:46 | 0:07:49 | |
we've arrived in the White House. | 0:07:49 | 0:07:50 | |
Would you join me in the Blue Room? | 0:07:50 | 0:07:52 | |
Yes, my favourite, the Blue Room! Thank you. | 0:07:52 | 0:07:54 | |
Appletons' informs me, | 0:07:56 | 0:07:58 | |
"The public buildings are the chief attraction of Washington. | 0:07:58 | 0:08:03 | |
"The White House, as the president's official residence, | 0:08:03 | 0:08:06 | |
"represents the executive branch of | 0:08:06 | 0:08:08 | |
"the United States Federal Government. | 0:08:08 | 0:08:10 | |
"The legislative branch of Congress is based at the Capitol | 0:08:10 | 0:08:14 | |
"and the judiciary is housed in the Supreme Court Of Justice." | 0:08:14 | 0:08:18 | |
Around the time of my Appletons' Guide, another grand building | 0:08:19 | 0:08:23 | |
was being constructed - the Library Of Congress. | 0:08:23 | 0:08:26 | |
And I can't resist taking a look. | 0:08:26 | 0:08:29 | |
It was established as a resource for members of Congress. | 0:08:32 | 0:08:35 | |
Over the years, it has become the national library | 0:08:35 | 0:08:39 | |
and any book published under US copyright | 0:08:39 | 0:08:41 | |
has to be deposited here. | 0:08:41 | 0:08:43 | |
It's now the largest library in the world. | 0:08:43 | 0:08:46 | |
Washington is home to the federal government | 0:08:49 | 0:08:51 | |
and to lobbying groups and embassies. | 0:08:51 | 0:08:53 | |
It hosts the headquarters of many international organisations | 0:08:53 | 0:08:57 | |
and here, too, are the institutions that manage the economy | 0:08:57 | 0:09:00 | |
and issue the money. | 0:09:00 | 0:09:02 | |
It's always struck me as odd that all American banknotes | 0:09:04 | 0:09:07 | |
are the same size, whatever denomination. | 0:09:07 | 0:09:10 | |
But they do help you to learn American history. | 0:09:10 | 0:09:12 | |
On the 20, we've got Andrew Jackson. | 0:09:12 | 0:09:16 | |
On the 10, we've got Alexander Hamilton. | 0:09:16 | 0:09:19 | |
Good old Abraham Lincoln on the 5 | 0:09:19 | 0:09:21 | |
and George Washington on the single dollar bill. | 0:09:21 | 0:09:24 | |
Established around the time of my guidebook, | 0:09:34 | 0:09:36 | |
the Bureau Of Engraving And Printing is noted in my Appletons' | 0:09:36 | 0:09:40 | |
as being "of much interest to visitors". | 0:09:40 | 0:09:43 | |
I imagine that few 19th-century tourists would have had access | 0:09:43 | 0:09:47 | |
to the printing presses that produce the famous greenback. | 0:09:47 | 0:09:51 | |
Show me the money! | 0:09:51 | 0:09:53 | |
The dollar must be the currency that most circulates on earth. | 0:09:57 | 0:10:01 | |
Some of these 20 bills will, undoubtedly, | 0:10:01 | 0:10:04 | |
find their way around the globe. | 0:10:04 | 0:10:06 | |
The dollar, economically speaking, | 0:10:06 | 0:10:09 | |
makes the world go round. | 0:10:09 | 0:10:10 | |
Paper money was first issued by the federal government | 0:10:13 | 0:10:16 | |
at the outbreak of the American Civil War in 1861. | 0:10:16 | 0:10:20 | |
These government IOUs floated the Union side through the conflict. | 0:10:27 | 0:10:31 | |
'Mike Duberowski is a pressman supervisor.' | 0:10:35 | 0:10:40 | |
So, Mike, in this room behind me is wire fences - | 0:10:40 | 0:10:43 | |
I guess we're at quite a late process in the printing of the money. | 0:10:43 | 0:10:47 | |
Yes, um, this area here is called COPE PAK. | 0:10:47 | 0:10:50 | |
COPE PAK stands for Currency Overprinting Equipment and Packaging. | 0:10:50 | 0:10:53 | |
And what sort of quantities are you going to be running? | 0:10:53 | 0:10:56 | |
We have a 200,000 process. | 0:10:56 | 0:10:58 | |
That means we print 200,000 32-subject sheets | 0:10:58 | 0:11:00 | |
in a process. | 0:11:00 | 0:11:01 | |
200,000 times 32... | 0:11:01 | 0:11:04 | |
..bills. And here you deal with, what, 5s, 10s, 20s...? | 0:11:05 | 0:11:09 | |
Yes. This press, here, can print any denom. | 0:11:09 | 0:11:12 | |
How do you feel working with money like this all the time? | 0:11:12 | 0:11:15 | |
Um, very exciting, it's a very rewarding job... | 0:11:15 | 0:11:18 | |
You know that this product will go out all over the world. | 0:11:18 | 0:11:22 | |
As these packages come out, they have to be checked at either end | 0:11:26 | 0:11:30 | |
to make sure the seal is good and that the numbers match. | 0:11:30 | 0:11:33 | |
This bundle is 80,000. | 0:11:33 | 0:11:36 | |
I've never held anything like that much money in my life! | 0:11:36 | 0:11:39 | |
To deter counterfeiting, | 0:11:43 | 0:11:45 | |
some hi-tech features are incorporated into each note. | 0:11:45 | 0:11:48 | |
For example, microprinting, a security thread or a watermark. | 0:11:48 | 0:11:52 | |
'But at the heart of the process are skill and attention to detail. | 0:11:53 | 0:11:58 | |
'Will Fleishell has been a picture engraver here for 28 years.' | 0:11:58 | 0:12:03 | |
Will, excuse me. | 0:12:03 | 0:12:04 | |
-Ah! -I'm Michael. -Michael, pleasure. Will. | 0:12:04 | 0:12:06 | |
What are you working on there? | 0:12:06 | 0:12:08 | |
This is a portrait of Frederick Douglass who was the great | 0:12:08 | 0:12:11 | |
Civil War era abolitionist. | 0:12:11 | 0:12:13 | |
Are these also examples of your work? | 0:12:13 | 0:12:15 | |
Yes, there's Benjamin Franklin, | 0:12:15 | 0:12:18 | |
Mark Twain. | 0:12:18 | 0:12:19 | |
There's a portrait of Lincoln that's on the current 5 bill. | 0:12:19 | 0:12:23 | |
How do you feel about the fact that every time you pick up | 0:12:23 | 0:12:26 | |
a 5 bill your work is there? | 0:12:26 | 0:12:27 | |
It is impressive. | 0:12:27 | 0:12:29 | |
It's nice to think about in those quiet moments... | 0:12:29 | 0:12:32 | |
That your work is in a lot of wallets around the world. | 0:12:32 | 0:12:37 | |
So, that's quite an accomplishment for an artist. | 0:12:37 | 0:12:40 | |
What is it that you're doing and what is this material? | 0:12:40 | 0:12:43 | |
This is soft steel and I can cut into it with | 0:12:43 | 0:12:48 | |
what we call gravers or burins. | 0:12:48 | 0:12:50 | |
The design of this tool has not changed significantly in 500 years. | 0:12:50 | 0:12:55 | |
This is the sort of exquisite, painstaking work | 0:12:55 | 0:12:59 | |
that I can't understand. | 0:12:59 | 0:13:00 | |
I just don't have anything like the patience. | 0:13:00 | 0:13:03 | |
Every portrait that I work on, | 0:13:03 | 0:13:04 | |
I try to sort of put myself into the shoes of the subject | 0:13:04 | 0:13:08 | |
to try to empathise, in a sense, with the person. | 0:13:08 | 0:13:11 | |
What were you wanting to convey with this mouth and these eyes? | 0:13:11 | 0:13:14 | |
To convey a sort of faraway look of the future, he could see ahead. | 0:13:14 | 0:13:18 | |
I think you certainly achieved it. It's wonderful. | 0:13:18 | 0:13:20 | |
Thank you. Thank you very much. | 0:13:20 | 0:13:22 | |
A city at the heart of money and power must guard against | 0:13:29 | 0:13:33 | |
excess and corruption. | 0:13:33 | 0:13:35 | |
Keeping those in authority in check is the American press, | 0:13:35 | 0:13:39 | |
which was already raucously free in the late 19th century. | 0:13:39 | 0:13:43 | |
Appletons' tells me that, | 0:13:45 | 0:13:46 | |
"At the offices of leading American newspapers on Newspaper Row, | 0:13:46 | 0:13:50 | |
"files of newspapers are accessible to the visitor." | 0:13:50 | 0:13:53 | |
But as you'd expect in the land of the free and the home of the brave, | 0:13:53 | 0:13:57 | |
there is a free press here. | 0:13:57 | 0:13:58 | |
And some American presidents have discovered that, in Washington, | 0:13:58 | 0:14:02 | |
the press is both free and very brave. | 0:14:02 | 0:14:05 | |
Just as the press has moved away from Fleet Street in London, | 0:14:17 | 0:14:20 | |
so it has from Washington's Newspaper Row. | 0:14:20 | 0:14:23 | |
Five blocks north of its 19th-century location, | 0:14:23 | 0:14:27 | |
I visit the offices of the multi-Pulitzer-prize-winning | 0:14:27 | 0:14:30 | |
Washington Post. | 0:14:30 | 0:14:32 | |
Founded in 1877, a couple of years before my guidebook, | 0:14:32 | 0:14:36 | |
this newspaper was highly critical of the then president, | 0:14:36 | 0:14:40 | |
Rutherford B Hayes. | 0:14:40 | 0:14:41 | |
Nearly 90 years later, another president, Richard Nixon, | 0:14:44 | 0:14:48 | |
would find himself at the centre of a Washington Post story | 0:14:48 | 0:14:52 | |
that would prove his undoing. | 0:14:52 | 0:14:54 | |
I'm meeting columnist John Kelly. | 0:14:54 | 0:14:56 | |
What does it mean to you to be a journalist on the Post | 0:14:59 | 0:15:02 | |
in today's Washington, DC? | 0:15:02 | 0:15:04 | |
I've worked here 26 years and I still get a little thrill | 0:15:04 | 0:15:07 | |
when I come up that elevator. | 0:15:07 | 0:15:10 | |
Phil Graham, when he was publisher, said that, | 0:15:10 | 0:15:12 | |
"A newspaper is the first rough draft of history." | 0:15:12 | 0:15:15 | |
The work we do is pulling together information from | 0:15:15 | 0:15:18 | |
all sorts of places, it's holding powerful people accountable. | 0:15:18 | 0:15:22 | |
And in 1972, that's exactly what Washington Post reporters | 0:15:24 | 0:15:28 | |
Bob Woodward and Carl Bernstein did when they began to investigate | 0:15:28 | 0:15:32 | |
a break-in at the Watergate office complex, | 0:15:32 | 0:15:35 | |
designed to tap the phones of | 0:15:35 | 0:15:37 | |
the Democratic Party's National Committee. | 0:15:37 | 0:15:41 | |
Following the money that financed the crime, | 0:15:41 | 0:15:43 | |
the reporters uncovered a trail which led them | 0:15:43 | 0:15:46 | |
to the re-election campaign of President Nixon. | 0:15:46 | 0:15:49 | |
I welcome this kind of examination because people have got to know | 0:15:51 | 0:15:54 | |
whether or not their president's a crook. | 0:15:54 | 0:15:56 | |
Well, I'm not a crook. | 0:15:56 | 0:15:58 | |
For over two years, Woodward and Bernstein persisted with the story, | 0:15:58 | 0:16:02 | |
which eventually forced the Senate to establish a committee | 0:16:02 | 0:16:06 | |
to investigate the scandal. | 0:16:06 | 0:16:07 | |
It went from this break-in all the way to the White House | 0:16:10 | 0:16:13 | |
and to Richard Nixon's attempts to basically smear his opponents, | 0:16:13 | 0:16:18 | |
to break the law, to subvert the Constitution | 0:16:18 | 0:16:21 | |
and ended up with his resignation. | 0:16:21 | 0:16:24 | |
Ever since, all manner of scandals have been dubbed with the suffix - | 0:16:24 | 0:16:29 | |
gate. | 0:16:29 | 0:16:31 | |
I mean, it really was an extraordinary journalistic coup, wasn't it? | 0:16:31 | 0:16:34 | |
It just shows you that you never know where any story is going to go. | 0:16:34 | 0:16:37 | |
This was a story about a break-in. | 0:16:37 | 0:16:40 | |
No-one knew where it led and I think what inspires us is knowing | 0:16:40 | 0:16:45 | |
that every day when we come to work... | 0:16:45 | 0:16:48 | |
What's the phone going to bring? | 0:16:48 | 0:16:50 | |
What's a little shoe leather going to bring? | 0:16:50 | 0:16:52 | |
What's an e-mail going to bring? | 0:16:52 | 0:16:54 | |
What are we going to find that's going to be our big story? | 0:16:54 | 0:16:57 | |
As a formerly powerful person, you've got me trembling. | 0:16:57 | 0:16:59 | |
That's as it should be. | 0:16:59 | 0:17:01 | |
And I gather that at The Washington Post, the truth marches on. | 0:17:04 | 0:17:08 | |
MICHAEL CHUCKLES | 0:17:11 | 0:17:12 | |
-John, that is quite a desk. -Well, you'll be glad to know | 0:17:12 | 0:17:14 | |
-I cleaned it up for you. -I've not seen a desk | 0:17:14 | 0:17:17 | |
like that since I left my own, back in London. | 0:17:17 | 0:17:19 | |
This is the photo-file for John Philip Sousa, | 0:17:19 | 0:17:22 | |
"the March King", who was the head of the Marine Corps band | 0:17:22 | 0:17:25 | |
and famous for writing incredible pieces of music. | 0:17:25 | 0:17:28 | |
And in 1889, the new owners of the Post approached him | 0:17:28 | 0:17:31 | |
to write a piece of music commemorating | 0:17:31 | 0:17:34 | |
the Amateur Authors Association. | 0:17:34 | 0:17:36 | |
This was a way | 0:17:36 | 0:17:38 | |
to get young people and their parents to read the paper, | 0:17:38 | 0:17:42 | |
they invited kids to enter an essay contest. | 0:17:42 | 0:17:44 | |
And they ran into John Philip Sousa on the street. | 0:17:44 | 0:17:47 | |
And they said, "Write us something that we can play | 0:17:47 | 0:17:50 | |
"when we give out the awards." | 0:17:50 | 0:17:52 | |
And what he wrote was called The Washington Post. | 0:17:52 | 0:17:55 | |
MUSIC PLAYS: The Washington Post by John Philip Sousa | 0:17:55 | 0:17:57 | |
To this day, hardly a ceremonial or sporting occasion | 0:17:57 | 0:18:00 | |
in America is complete without Sousa's march. | 0:18:00 | 0:18:04 | |
It caught the craze for the two-step, a style of | 0:18:14 | 0:18:17 | |
dance that was just coming into being at the time. | 0:18:17 | 0:18:21 | |
And it has a jaunty 6/8 rhythm | 0:18:21 | 0:18:24 | |
and soon almost any two-step | 0:18:24 | 0:18:27 | |
came to be known as a Washington Post, | 0:18:27 | 0:18:30 | |
because the music was so associated with the newspaper and | 0:18:30 | 0:18:34 | |
with the dance. | 0:18:34 | 0:18:35 | |
Time to take refuge at a hotel for the evening. | 0:18:41 | 0:18:45 | |
My Appletons' recommends that one of the best is Willard's. | 0:18:45 | 0:18:49 | |
It had already been a favourite haunt of politicos for 20 years | 0:18:49 | 0:18:53 | |
by the time of my guidebook. | 0:18:53 | 0:18:55 | |
Amongst its many famous guests were President Abraham Lincoln, | 0:19:01 | 0:19:05 | |
author Mark Twain | 0:19:05 | 0:19:07 | |
and civil rights leader Martin Luther King. | 0:19:07 | 0:19:10 | |
This morning, I'm continuing my tour of the nation's capital. | 0:19:28 | 0:19:32 | |
Whilst the location for the young republic's capital | 0:19:35 | 0:19:39 | |
was a matter of compromise, | 0:19:39 | 0:19:40 | |
the choice of its first president in 1789 was not. | 0:19:40 | 0:19:44 | |
George Washington was the only candidate for the job. | 0:19:47 | 0:19:50 | |
Written in 1879, Appletons' says that, | 0:19:55 | 0:19:58 | |
"The Washington Monument, in its present unfinished state, | 0:19:58 | 0:20:02 | |
"is rather a blemish than an ornament to the city. | 0:20:02 | 0:20:06 | |
"After 230,000 had been expended in building it | 0:20:06 | 0:20:10 | |
"to a height of 174 feet, funds gave out and the work was suspended." | 0:20:10 | 0:20:16 | |
Well, luckily, that budget crisis was resolved | 0:20:16 | 0:20:19 | |
and it was completed to a height of 555 feet. | 0:20:19 | 0:20:23 | |
And ever since then, all the other buildings in Washington | 0:20:23 | 0:20:27 | |
are severely restricted in height as a sort of symbolic deference | 0:20:27 | 0:20:32 | |
to the first president and, for many Americans, the favourite. | 0:20:32 | 0:20:36 | |
Directly opposite this memorial to the founding president is | 0:20:45 | 0:20:49 | |
a structure to honour the president who kept | 0:20:49 | 0:20:51 | |
the United States as one nation - Abraham Lincoln. | 0:20:51 | 0:20:55 | |
Erected less than 40 years apart, | 0:20:55 | 0:20:57 | |
the monuments to the most revered presidents of the United States | 0:20:57 | 0:21:01 | |
stand just over a mile from each other. | 0:21:01 | 0:21:04 | |
Appletons' says that, "A statue of Abraham Lincoln | 0:21:11 | 0:21:14 | |
"stands in Lincoln Park, erected by contributions | 0:21:14 | 0:21:17 | |
"of coloured people." | 0:21:17 | 0:21:19 | |
Appletons' uses the language of the day. | 0:21:19 | 0:21:22 | |
But that is not the monument behind me, which was finished only in 1922, | 0:21:22 | 0:21:28 | |
by which time it was realised that the president who had | 0:21:28 | 0:21:31 | |
fought for the Union, who saved the Union, | 0:21:31 | 0:21:34 | |
who died for the Union, | 0:21:34 | 0:21:36 | |
merited a national memorial. | 0:21:36 | 0:21:38 | |
'It's been a popular spot with both domestic and foreign tourists | 0:21:42 | 0:21:45 | |
'since the 1920s. | 0:21:45 | 0:21:48 | |
'I want to know what they think of Abraham Lincoln.' | 0:21:48 | 0:21:51 | |
-Good afternoon. -Good afternoon. | 0:21:51 | 0:21:54 | |
How would you rate Abraham Lincoln amongst | 0:21:54 | 0:21:56 | |
presidents of the United States? | 0:21:56 | 0:21:58 | |
One or two. | 0:21:58 | 0:21:59 | |
Who's his competitor, then? | 0:21:59 | 0:22:01 | |
-Washington. -Uh-huh, uh-huh. | 0:22:01 | 0:22:03 | |
-Hi. -Hi, Michael. | 0:22:03 | 0:22:05 | |
Oh, it's very nice to see you. Hello. | 0:22:05 | 0:22:07 | |
We hadn't picked you out as Brits. | 0:22:07 | 0:22:09 | |
How do you rate Abraham Lincoln amongst American presidents? | 0:22:09 | 0:22:12 | |
By the size of that, he's got to have been pretty great, hasn't he? | 0:22:12 | 0:22:17 | |
Hello, may I join you a second? | 0:22:17 | 0:22:19 | |
-Yeah, sure, no problem. -Of course. | 0:22:19 | 0:22:21 | |
How do you rate Abraham Lincoln? | 0:22:21 | 0:22:23 | |
As far as the presidents of the United States go, | 0:22:24 | 0:22:27 | |
I think he's probably number one. | 0:22:27 | 0:22:29 | |
You know, he was president during a time of crisis, | 0:22:29 | 0:22:31 | |
he's made such an impact on American history. | 0:22:31 | 0:22:35 | |
And I don't think anyone can dispute his greatness. | 0:22:35 | 0:22:38 | |
Inside, the statue of the man sits nearly 20 feet high. | 0:22:40 | 0:22:45 | |
Even in life, this political giant stood six feet, four inches tall. | 0:22:45 | 0:22:49 | |
I want to understand how Lincoln came to be so honoured. | 0:22:53 | 0:22:56 | |
Terry Alford is an author and historian. | 0:22:56 | 0:22:59 | |
What kind of a man was Abraham Lincoln? | 0:23:03 | 0:23:06 | |
Abraham Lincoln was a real original child of America, I would say. | 0:23:06 | 0:23:10 | |
His family had been here for about two centuries | 0:23:10 | 0:23:12 | |
by the time he came along. | 0:23:12 | 0:23:15 | |
Born on the frontier, limited education, rural, rustic roots - | 0:23:15 | 0:23:19 | |
an American original. | 0:23:19 | 0:23:20 | |
He did follow a legal career, didn't he? | 0:23:20 | 0:23:22 | |
Yes, that's how Lincoln made his name and his fame | 0:23:22 | 0:23:25 | |
and, in fact, what fortune he had. | 0:23:25 | 0:23:26 | |
He was a lawyer and he was really, really good. | 0:23:26 | 0:23:29 | |
Lincoln was admitted to the Bar in 1836. | 0:23:31 | 0:23:34 | |
And it was during his legal career | 0:23:34 | 0:23:36 | |
that he earned the nickname "Honest Abe". | 0:23:36 | 0:23:40 | |
As a young litigator, he needed cases, and he found them | 0:23:40 | 0:23:43 | |
in the burgeoning railroad industry. | 0:23:43 | 0:23:46 | |
It was one of the great things that developed | 0:23:47 | 0:23:49 | |
during his lifetime, right? | 0:23:49 | 0:23:50 | |
I mean, it just revolutionised travel. | 0:23:50 | 0:23:52 | |
He was profoundly interested in all things like this. | 0:23:52 | 0:23:55 | |
Lincoln was committed to bringing about a transcontinental railroad | 0:23:57 | 0:24:01 | |
and he made it part of his manifesto for the presidential election | 0:24:01 | 0:24:04 | |
of 1860. | 0:24:04 | 0:24:07 | |
In return, railway tycoons enthusiastically supported | 0:24:07 | 0:24:12 | |
his candidacy and with their financial help, | 0:24:12 | 0:24:15 | |
Lincoln won the presidency. | 0:24:15 | 0:24:17 | |
He enjoyed near total support from the Northern states, | 0:24:17 | 0:24:20 | |
but the opposite was true of the slave states of the South. | 0:24:20 | 0:24:24 | |
What did he feel about slavery? | 0:24:24 | 0:24:27 | |
He had always felt, I think, at a gut level, | 0:24:27 | 0:24:29 | |
there was something wrong with it. | 0:24:29 | 0:24:31 | |
He's not an abolitionist per se. | 0:24:31 | 0:24:34 | |
He wasn't one of those people, | 0:24:34 | 0:24:35 | |
"That's the only issue, there is no other issue." | 0:24:35 | 0:24:38 | |
Lincoln did not intend to end slavery in the South, | 0:24:38 | 0:24:43 | |
but his pledge to ban expansion of the practice | 0:24:43 | 0:24:45 | |
into the new Western territories was seen by the South as a threat. | 0:24:45 | 0:24:49 | |
As the president-elect made his way by train to his inauguration | 0:24:50 | 0:24:54 | |
in Washington, the Southern states began to break away from the Union. | 0:24:54 | 0:24:58 | |
They formed the Confederate States of America | 0:24:59 | 0:25:02 | |
and proclaimed their own government. | 0:25:02 | 0:25:05 | |
Lincoln felt that the America he had grown up in was | 0:25:05 | 0:25:08 | |
the best country in the world in terms of democratic values, | 0:25:08 | 0:25:11 | |
accessibility and openness, opportunities... | 0:25:11 | 0:25:14 | |
And he just couldn't believe that the losers of an election - | 0:25:14 | 0:25:18 | |
the South, of course, had lost to him - | 0:25:18 | 0:25:20 | |
that they were going to be able to break that up, right? | 0:25:20 | 0:25:22 | |
That an orderly society depends upon the majority ruling. | 0:25:22 | 0:25:26 | |
And that what the South was doing was absolutely incendiary. | 0:25:26 | 0:25:29 | |
It was essentially a giant riot. | 0:25:29 | 0:25:31 | |
A giant riot that requires an enormous military response, | 0:25:31 | 0:25:36 | |
which leads to the loss of hundreds of thousands of lives. | 0:25:36 | 0:25:40 | |
Lincoln felt a real sense of responsibility, you know, | 0:25:40 | 0:25:43 | |
for what happened on these battlefields | 0:25:43 | 0:25:46 | |
and he was awfully attentive throughout his whole presidency | 0:25:46 | 0:25:49 | |
to the suffering the war caused. | 0:25:49 | 0:25:51 | |
And I think it wore on him. | 0:25:51 | 0:25:53 | |
You can look at these photographs of him, right, from '61 to '65. | 0:25:53 | 0:25:57 | |
He looks like he's aged 20 or 30 years. | 0:25:57 | 0:25:59 | |
As the American Civil War dragged on into its third year, | 0:26:01 | 0:26:05 | |
Lincoln made a bold attempt to destabilise the Confederacy. | 0:26:05 | 0:26:09 | |
He issued a presidential proclamation to free all slaves | 0:26:09 | 0:26:13 | |
in the rebellious Southern states from 1st January 1863. | 0:26:13 | 0:26:17 | |
Slaves in areas captured by the Union troops could now join | 0:26:19 | 0:26:23 | |
the army, boosting the ranks by 186,000. | 0:26:23 | 0:26:28 | |
Those who remained with their masters, worked to weaken | 0:26:28 | 0:26:31 | |
the Southern economy. | 0:26:31 | 0:26:33 | |
When General Robert E Lee surrendered his Confederate Army | 0:26:36 | 0:26:40 | |
on April 9th 1865, Lincoln's proclamation would lead to | 0:26:40 | 0:26:45 | |
the emancipation of all slaves. | 0:26:45 | 0:26:47 | |
I think Lincoln felt enormous relief that the slaughter was over. | 0:26:49 | 0:26:53 | |
Just a great sense of relief, like a weight had been lifted off him. | 0:26:53 | 0:26:57 | |
The war was over. | 0:26:57 | 0:26:59 | |
The Union was saved and slavery was officially ended. | 0:26:59 | 0:27:04 | |
However, racial equality across the nation remained a dream, | 0:27:04 | 0:27:08 | |
even a century later. | 0:27:08 | 0:27:10 | |
On the 100th anniversary of the Emancipation Proclamation, | 0:27:10 | 0:27:14 | |
a vast crowd at the Lincoln Memorial heard an extraordinary speech | 0:27:14 | 0:27:18 | |
from Dr Martin Luther King. | 0:27:18 | 0:27:21 | |
I have a dream that one day this nation will rise up, | 0:27:21 | 0:27:27 | |
live out the true meaning of its creed - | 0:27:27 | 0:27:31 | |
we hold these truths to be self-evident, | 0:27:31 | 0:27:34 | |
that all men are created equal. | 0:27:34 | 0:27:37 | |
But for Lincoln, the peace brought by the end of the Civil War | 0:27:38 | 0:27:41 | |
would be short-lived. | 0:27:41 | 0:27:44 | |
Just days later, the president went to see a performance | 0:27:44 | 0:27:46 | |
of the English farce Our American Cousin | 0:27:46 | 0:27:49 | |
at Ford's Theatre. | 0:27:49 | 0:27:51 | |
Here, in this auditorium, Lincoln's tragic end was played out. | 0:27:51 | 0:27:56 | |
Terry, I've never been here before. | 0:27:58 | 0:27:59 | |
I'm very moved to be in the theatre | 0:27:59 | 0:28:01 | |
where Abraham Lincoln was assassinated. | 0:28:01 | 0:28:04 | |
Was he a keen theatregoer? | 0:28:04 | 0:28:05 | |
He was. Lincoln loved the theatre. | 0:28:05 | 0:28:07 | |
Gave him a way to get out of the White House, | 0:28:07 | 0:28:10 | |
a place to go to decompress from politics. | 0:28:10 | 0:28:12 | |
He came to this theatre a good dozen times. | 0:28:12 | 0:28:15 | |
In fact, once, he saw John Wilkes Booth, | 0:28:15 | 0:28:17 | |
who would become his murderer, at this very theatre. | 0:28:17 | 0:28:20 | |
-Playing onstage. -Playing onstage in November '63, | 0:28:20 | 0:28:23 | |
so some 15, 16 months before Booth shot him. | 0:28:23 | 0:28:26 | |
What was the motive of John Wilkes Booth? | 0:28:26 | 0:28:28 | |
John Wilkes Booth was a fanatical Southern supporter. | 0:28:28 | 0:28:32 | |
He believed that the war was a giant attack upon the Southern states | 0:28:32 | 0:28:37 | |
and, unfortunately, he did not go into the Confederate Army. | 0:28:37 | 0:28:40 | |
I say unfortunately because that would have given him | 0:28:40 | 0:28:42 | |
an outlet for his passions. | 0:28:42 | 0:28:45 | |
By staying out, by acting, Booth realised, you know, | 0:28:45 | 0:28:48 | |
"I play a hero onstage, but I'm not one. | 0:28:48 | 0:28:50 | |
"I'm really a coward." | 0:28:50 | 0:28:52 | |
And I think it ate into him and made him dangerous. | 0:28:52 | 0:28:55 | |
So, on the night of the event, I assume the president and Mrs Lincoln | 0:28:55 | 0:28:59 | |
would be sitting in the box opposite us. | 0:28:59 | 0:29:02 | |
Tell us what happened. | 0:29:02 | 0:29:03 | |
The play started at 8.15 that night. | 0:29:03 | 0:29:05 | |
About ten o'clock, Booth came into the theatre | 0:29:05 | 0:29:08 | |
while the play was underway and he walked around the seats behind us | 0:29:08 | 0:29:12 | |
to the door leading to the State Box and because he was well-known, | 0:29:12 | 0:29:15 | |
there was no suspicion attached to his presence. | 0:29:15 | 0:29:18 | |
In fact, Booth was known and liked by the Ford family | 0:29:18 | 0:29:21 | |
who owned this place. | 0:29:21 | 0:29:22 | |
And so he had access to all parts of the theatre | 0:29:22 | 0:29:25 | |
and could simply walk right up to the Lincolns. | 0:29:25 | 0:29:28 | |
Mr and Mrs Lincoln were watching the play, of course. | 0:29:28 | 0:29:30 | |
Nobody was looking over their shoulder, why should they? | 0:29:30 | 0:29:33 | |
Booth was able to walk right behind the president | 0:29:33 | 0:29:36 | |
and from just a few inches, fired a shot that hit him | 0:29:36 | 0:29:38 | |
right behind the left ear. | 0:29:38 | 0:29:40 | |
Did the president die here in the theatre? | 0:29:44 | 0:29:47 | |
No, the president was gravely wounded. | 0:29:47 | 0:29:49 | |
Everyone realised that he was at imminent risk of death. | 0:29:49 | 0:29:53 | |
But they didn't want him to die in a theatre. | 0:29:53 | 0:29:55 | |
They didn't know if he could survive a trip back to the White House, | 0:29:55 | 0:29:58 | |
as close as that is. | 0:29:58 | 0:30:00 | |
So, they took him across the street to a boarding house | 0:30:00 | 0:30:03 | |
and he died there at 7.22 the next morning. | 0:30:03 | 0:30:06 | |
As his body was transported by funeral train | 0:30:10 | 0:30:13 | |
from Washington to his home in Springfield, Illinois, | 0:30:13 | 0:30:18 | |
Americans lined the route to pay their respects to the great leader. | 0:30:18 | 0:30:22 | |
It was a tragic loss to the country. | 0:30:25 | 0:30:27 | |
And I've often thought that there are things you could learn... | 0:30:27 | 0:30:29 | |
You know, you can learn facts and strategies and tactics, | 0:30:29 | 0:30:32 | |
but you can't learn humanity, right? | 0:30:32 | 0:30:35 | |
You can't learn humility. | 0:30:35 | 0:30:36 | |
And the country was very fortunate to have Lincoln when it did. | 0:30:36 | 0:30:40 | |
A beautiful thought. | 0:30:40 | 0:30:42 | |
Abraham Lincoln, for all his humanity, | 0:30:52 | 0:30:55 | |
led the North in a crushing victory over the Confederacy. | 0:30:55 | 0:31:00 | |
And many in the defeated South must have hated him, as did his assassin. | 0:31:00 | 0:31:05 | |
But I hope that most Americans today, | 0:31:07 | 0:31:10 | |
would reflect that he saved the Union | 0:31:10 | 0:31:13 | |
and liberated the United States from slavery. | 0:31:13 | 0:31:15 | |
Tomorrow, I hope to discover more about the people | 0:31:18 | 0:31:22 | |
that he freed. | 0:31:22 | 0:31:24 | |
My journey continues through Washington, DC, a city known | 0:31:46 | 0:31:50 | |
for its White House and the pale marble of its Capitol Building. | 0:31:50 | 0:31:55 | |
But a black president has been elected to the Oval Office | 0:31:55 | 0:31:58 | |
and half of DC's population is black. | 0:31:58 | 0:32:01 | |
It's time to consider that community's history | 0:32:01 | 0:32:04 | |
and its contribution to American culture, | 0:32:04 | 0:32:07 | |
as well as to encounter the general and president | 0:32:07 | 0:32:10 | |
who gave his name to the city. | 0:32:10 | 0:32:12 | |
I'm heading to Washington's U Street neighbourhood, | 0:32:21 | 0:32:25 | |
and the area of Georgetown. Then I'll leave the capital | 0:32:25 | 0:32:28 | |
to head south into Virginia. | 0:32:28 | 0:32:31 | |
I'll call at the port of Alexandria and finish | 0:32:31 | 0:32:34 | |
my journey at the home of the first President of the United States. | 0:32:34 | 0:32:38 | |
In the years before my guidebook, in the aftermath of | 0:32:44 | 0:32:46 | |
the American Civil War, | 0:32:46 | 0:32:48 | |
the population of Washington, DC, exploded. | 0:32:48 | 0:32:51 | |
Even before that war, a very large number of free black Americans | 0:32:52 | 0:32:56 | |
inhabited the city, and in the second half of the 20th century, | 0:32:56 | 0:33:00 | |
black people were a pronounced majority. | 0:33:00 | 0:33:03 | |
At the end of the 19th century, U Street was the largest urban | 0:33:04 | 0:33:08 | |
African-American community in the United States. | 0:33:08 | 0:33:11 | |
Today, visitors are drawn to this vibrant area's bars, | 0:33:13 | 0:33:17 | |
clubs and restaurants, such as Ben's Chili Bowl, | 0:33:17 | 0:33:20 | |
which has been serving the community since the 1950s. | 0:33:20 | 0:33:23 | |
That was a period of racial segregation in the United States. | 0:33:24 | 0:33:28 | |
I found a seat next to Virginia, the widow of the founder, Ben Ali. | 0:33:31 | 0:33:35 | |
-Hello, Virginia. -Hi. -I'm Michael, very good to see you. | 0:33:37 | 0:33:40 | |
-A great honour to meet you, actually. -Thank you very much. | 0:33:40 | 0:33:43 | |
-So, what shall I order here? -Well, why don't you try our chilli? | 0:33:43 | 0:33:46 | |
-Chilli. -We've got this great chilli con carne. | 0:33:46 | 0:33:48 | |
Could I get a bowl of chilli, please? | 0:33:48 | 0:33:50 | |
I've got it. Oh, that looks great. Thank you. | 0:33:53 | 0:33:55 | |
And we top it off with a little bit of cheddar cheese and onion. | 0:33:55 | 0:33:59 | |
That is good. | 0:34:02 | 0:34:04 | |
-Spicy. -Spicy. -Cheese with it's great. | 0:34:04 | 0:34:07 | |
We have served it for now 57 years. | 0:34:07 | 0:34:11 | |
So, when you opened, was your clientele all African-American? | 0:34:11 | 0:34:15 | |
Not all, because white people could go anywhere they wanted, right? | 0:34:15 | 0:34:18 | |
-Sure. -It was just that we couldn't go downtown. | 0:34:18 | 0:34:20 | |
And in those days, | 0:34:20 | 0:34:22 | |
your clients literally couldn't go into the centre of Washington, DC. | 0:34:22 | 0:34:26 | |
We could go in there, but we didn't go to the theatre, | 0:34:26 | 0:34:29 | |
we didn't go to the restaurants, no. | 0:34:29 | 0:34:31 | |
You were kept out. | 0:34:31 | 0:34:33 | |
Yes, they were not serving black people. | 0:34:33 | 0:34:35 | |
That's how it was back then, early '50s. | 0:34:36 | 0:34:40 | |
Why did President Obama choose to come to Ben's | 0:34:40 | 0:34:43 | |
before his inauguration? | 0:34:43 | 0:34:45 | |
We are a part of the history of Washington. | 0:34:45 | 0:34:47 | |
We are, I guess, what's left of what was traditionally U Street | 0:34:47 | 0:34:50 | |
and I think the chilli is wonderful. | 0:34:50 | 0:34:52 | |
THEY CHUCKLE | 0:34:52 | 0:34:54 | |
After my pit stop in this famous eatery, | 0:34:55 | 0:34:58 | |
I have arranged to meet Dr Maurice Jackson | 0:34:58 | 0:35:00 | |
from the history department at Georgetown University | 0:35:00 | 0:35:04 | |
for a stroll around the neighbourhood. | 0:35:04 | 0:35:07 | |
Maurice, what was the U Street neighbourhood like | 0:35:07 | 0:35:09 | |
-at the beginning of the 20th century? -A vibrant neighbourhood. | 0:35:09 | 0:35:12 | |
It was African-Americans who moved here, but it was also | 0:35:12 | 0:35:15 | |
many of the black men who worked in the railroad, | 0:35:15 | 0:35:17 | |
who were sleeping-car porters. | 0:35:17 | 0:35:19 | |
It was one of the best jobs you can have - | 0:35:19 | 0:35:20 | |
you got paid more than a college professor - | 0:35:20 | 0:35:22 | |
and they lived in this area. | 0:35:22 | 0:35:25 | |
Tens of thousands of African-American men were | 0:35:25 | 0:35:28 | |
employed as sleeping-car porters for the Pullman Company. | 0:35:28 | 0:35:32 | |
The industrialist George Pullman had devised these hotels on wheels | 0:35:32 | 0:35:36 | |
with beds, curtains and chandeliers | 0:35:36 | 0:35:39 | |
and so transformed long-distance train travel. | 0:35:39 | 0:35:43 | |
Each car was staffed by a uniformed porter, | 0:35:43 | 0:35:46 | |
but while African-Americans could work on the luxurious cars, | 0:35:46 | 0:35:50 | |
as passengers they travelled in very different circumstances. | 0:35:50 | 0:35:54 | |
The old saying goes, "To the front of the train, | 0:35:54 | 0:35:56 | |
"to the back of the bus." In a train you always sit in the front. | 0:35:56 | 0:35:59 | |
Why? Because that is where the coal was, | 0:35:59 | 0:36:01 | |
that is where the locomotive was and that is where the soot was, | 0:36:01 | 0:36:03 | |
so you were sitting there because it was hot. | 0:36:03 | 0:36:05 | |
Tell me about how segregation worked in the United States, | 0:36:05 | 0:36:08 | |
-how it worked here in Washington. -It was very much like apartheid. | 0:36:08 | 0:36:11 | |
It meant that you would have separate facilities by law. | 0:36:11 | 0:36:14 | |
In Washington, DC, we don't believe there were ever signs | 0:36:14 | 0:36:17 | |
that said "coloured only" and "white only" - | 0:36:17 | 0:36:19 | |
you just knew where you could go and where you shouldn't go. | 0:36:19 | 0:36:21 | |
I've noticed that there are theatres along here, quite a number of them. | 0:36:21 | 0:36:24 | |
Well, understand that often African-Americans | 0:36:24 | 0:36:27 | |
could play somewhere, but they couldn't sit there. | 0:36:27 | 0:36:30 | |
These theatres, the Lincoln Theatre | 0:36:30 | 0:36:31 | |
and the Republic Theatre down the street, became black theatres. | 0:36:31 | 0:36:34 | |
What was happening in these theatres in those days? | 0:36:34 | 0:36:37 | |
At night they became jazz clubs. | 0:36:37 | 0:36:39 | |
Fletcher Henderson, Louis Armstrong, | 0:36:39 | 0:36:41 | |
the great big bands would have played there. | 0:36:41 | 0:36:43 | |
At night, it's just jumping. | 0:36:43 | 0:36:46 | |
One of the originators of big band jazz | 0:36:46 | 0:36:48 | |
was brought up on these streets. | 0:36:48 | 0:36:50 | |
Duke Ellington is from Washington. He had a group - | 0:36:55 | 0:36:57 | |
Duke Ellington and The Washingtonians. | 0:36:57 | 0:36:59 | |
They played bar mitzvahs, they played weddings, | 0:36:59 | 0:37:01 | |
they played anything necessary to make a living. | 0:37:01 | 0:37:04 | |
Ellington became one of the most influential jazz musicians | 0:37:04 | 0:37:07 | |
of the age and pleasingly, his signature tune is | 0:37:07 | 0:37:11 | |
Take The A Train. | 0:37:11 | 0:37:13 | |
MUSIC: Take The A Train | 0:37:13 | 0:37:15 | |
Today, U Street is a gentrified neighbourhood. | 0:37:24 | 0:37:28 | |
But you can still find live jazz and disciples of Duke Ellington | 0:37:28 | 0:37:32 | |
and his fellow greats. | 0:37:32 | 0:37:35 | |
THEY PLAY JAZZ | 0:37:35 | 0:37:37 | |
APPLAUSE | 0:37:47 | 0:37:50 | |
The street has changed. | 0:37:50 | 0:37:51 | |
The audience, too. | 0:37:51 | 0:37:53 | |
But the beat goes on. | 0:37:53 | 0:37:55 | |
My journey continues. | 0:38:06 | 0:38:08 | |
I am making tracks northwest to a settlement which dates back | 0:38:08 | 0:38:11 | |
to before the creation of Washington, DC. | 0:38:11 | 0:38:14 | |
Appletons' tells me that Georgetown, "is an old | 0:38:20 | 0:38:23 | |
"and picturesque town two miles from the capital, | 0:38:23 | 0:38:26 | |
"with which it is connected by two bridges and two lines of horse cars. | 0:38:26 | 0:38:31 | |
"The town is beautifully situated with views | 0:38:31 | 0:38:34 | |
"unsurpassed in the Potomac Valley." | 0:38:34 | 0:38:37 | |
It is so old that it wasn't named after George Washington, | 0:38:37 | 0:38:40 | |
but maybe after George II. | 0:38:40 | 0:38:42 | |
So, king and president coexist. | 0:38:42 | 0:38:45 | |
Over the decades, | 0:38:53 | 0:38:55 | |
the city of Washington expanded to meet Georgetown. | 0:38:55 | 0:38:58 | |
It's home to the main campus of the prestigious Georgetown University. | 0:38:58 | 0:39:03 | |
Some of its students have gone on to be prominent public figures, | 0:39:03 | 0:39:06 | |
like former president Bill Clinton. | 0:39:06 | 0:39:09 | |
I'm here to visit one of the oldest scientific agencies in the country. | 0:39:09 | 0:39:14 | |
"The US Naval Observatory," says Appletons', | 0:39:17 | 0:39:21 | |
"occupies a commanding site on the banks of the Potomac. | 0:39:21 | 0:39:24 | |
"Founded in 1842, it is now one of the foremost institutions | 0:39:24 | 0:39:29 | |
"of the kind in the world, possesses many fine instruments | 0:39:29 | 0:39:33 | |
"and a good library." | 0:39:33 | 0:39:35 | |
Well, its new position is in an area known as Georgetown Heights. | 0:39:35 | 0:39:40 | |
And I think a visit there could be timely. | 0:39:40 | 0:39:43 | |
My guidebook says visitors are admitted at all hours. | 0:39:45 | 0:39:50 | |
But security is a little tighter these days, | 0:39:50 | 0:39:52 | |
because since 1974, the site has been the official home | 0:39:52 | 0:39:56 | |
of the Vice President of the United States. | 0:39:56 | 0:39:59 | |
I'm meeting astronomer Geoff Chester. | 0:40:01 | 0:40:03 | |
Hello, Geoff. | 0:40:05 | 0:40:06 | |
Michael, welcome to the US Naval Observatory. | 0:40:06 | 0:40:09 | |
Appletons' led me to believe that the US Naval Observatory | 0:40:09 | 0:40:11 | |
was on the banks of the Potomac, which clearly it isn't any more. | 0:40:11 | 0:40:14 | |
That's correct. | 0:40:14 | 0:40:16 | |
We were located in Foggy Bottom on the banks of the Potomac | 0:40:16 | 0:40:20 | |
from 1844 until 1893, | 0:40:20 | 0:40:23 | |
when we moved up to occupy this site. | 0:40:23 | 0:40:25 | |
Part of the reason that we were located at Foggy Bottom was that | 0:40:25 | 0:40:29 | |
we had to be in an area that was visible from all | 0:40:29 | 0:40:31 | |
the inhabited parts of the city, | 0:40:31 | 0:40:33 | |
because we had to give a signal every day, | 0:40:33 | 0:40:36 | |
so that mariners could adjust the corrections for their chronometers. | 0:40:36 | 0:40:40 | |
So we erected a time ball on top of our old main building and that | 0:40:40 | 0:40:44 | |
was the one location in the city | 0:40:44 | 0:40:46 | |
where all those sightlines could be met. | 0:40:46 | 0:40:49 | |
Every day, precisely at noon, the ball would drop | 0:40:49 | 0:40:53 | |
and everyone knew exactly what time it was supposed to be. | 0:40:53 | 0:40:57 | |
In Britain I came across this issue, which was crystallised | 0:40:57 | 0:41:00 | |
by the railways, of time being different as you | 0:41:00 | 0:41:04 | |
move from east to west, and that was resolved by standard railway time. | 0:41:04 | 0:41:08 | |
You must have had this problem in spades in the United States | 0:41:08 | 0:41:11 | |
-because of the breadth of the country. -Absolutely. | 0:41:11 | 0:41:14 | |
In the United States, railway time was determined | 0:41:14 | 0:41:17 | |
by individual railway companies, | 0:41:17 | 0:41:20 | |
and typically what they would do is they would choose whatever | 0:41:20 | 0:41:24 | |
the local mean solar time was at one of their terminal stations, | 0:41:24 | 0:41:28 | |
or at a station somewhere in between. | 0:41:28 | 0:41:31 | |
So, if you were a traveller in those days, | 0:41:31 | 0:41:33 | |
you needed to have a way of figuring out exactly what time | 0:41:33 | 0:41:36 | |
it was where you were going to make your connection for your next train. | 0:41:36 | 0:41:39 | |
So, you would spend 50 cents and buy one of these books over here. | 0:41:39 | 0:41:43 | |
So this is called Orton's Adjustable Scale for Longitude and Time | 0:41:46 | 0:41:51 | |
and if you wanted to, say, | 0:41:51 | 0:41:52 | |
take a train from New York to Chicago, | 0:41:52 | 0:41:55 | |
you would be able to place this little tape in the proper place | 0:41:55 | 0:42:00 | |
and adjust for the hour and the minute offset | 0:42:00 | 0:42:04 | |
between each of those individual cities. | 0:42:04 | 0:42:06 | |
So, if you were a traveller in those days and you didn't have | 0:42:06 | 0:42:09 | |
one of these, you stood a very good chance of missing your train. | 0:42:09 | 0:42:13 | |
-Such a very complex system simply could not survive. -No. | 0:42:13 | 0:42:17 | |
The railroads in the United States and Canada | 0:42:17 | 0:42:21 | |
adopted the concept of standard time. | 0:42:21 | 0:42:24 | |
Essentially what they did was they carved the country up | 0:42:24 | 0:42:28 | |
into four standard time zones that differed by one integral hour, | 0:42:28 | 0:42:33 | |
and by 1883, this was such a universal concept that it was | 0:42:33 | 0:42:37 | |
adopted by everyone in the United States, | 0:42:37 | 0:42:41 | |
except the American Congress. | 0:42:41 | 0:42:44 | |
They did not codify standard time | 0:42:44 | 0:42:47 | |
into United States law until 1918. | 0:42:47 | 0:42:52 | |
Which is extraordinary, isn't it? | 0:42:52 | 0:42:55 | |
Um, not necessarily, | 0:42:55 | 0:42:58 | |
if you know our Congress! | 0:42:58 | 0:43:00 | |
It's testament to the power of the railroads that | 0:43:02 | 0:43:05 | |
in 19th-century America they created the four standard time zones | 0:43:05 | 0:43:09 | |
still used today. | 0:43:09 | 0:43:12 | |
The United States Naval Observatory has long been | 0:43:12 | 0:43:14 | |
a timepiece for the nation. | 0:43:14 | 0:43:17 | |
And today its role is global. | 0:43:17 | 0:43:19 | |
It provides travellers all over the world with | 0:43:19 | 0:43:22 | |
vital information about their location. | 0:43:22 | 0:43:25 | |
So, here we find ourselves surrounded by electronic boxes | 0:43:25 | 0:43:29 | |
and cylinders and things that look nothing like a clock to me. | 0:43:29 | 0:43:33 | |
Time is involved intricately with positioning. | 0:43:33 | 0:43:37 | |
Most of us today, whether we know it or not, | 0:43:37 | 0:43:39 | |
have a global positioning device, either a little hand-held unit | 0:43:39 | 0:43:43 | |
or something that is built into your smartphone. | 0:43:43 | 0:43:45 | |
The way that your GPS figures out where you are on the surface | 0:43:45 | 0:43:49 | |
of the Earth is to take a very precise timescale | 0:43:49 | 0:43:53 | |
and measure the difference in time signals | 0:43:53 | 0:43:56 | |
that are transmitted from satellites 12,000 miles overhead - | 0:43:56 | 0:44:00 | |
triangulating, essentially, | 0:44:00 | 0:44:02 | |
the different time ticks from different satellites | 0:44:02 | 0:44:05 | |
and then comparing that with our master clock timescale. | 0:44:05 | 0:44:09 | |
So any time you look at the display on your smartphone, | 0:44:09 | 0:44:13 | |
you are basically looking at time that points back here, | 0:44:13 | 0:44:16 | |
to the US Naval Observatory. | 0:44:16 | 0:44:18 | |
It's been quite a long journey, hasn't it, | 0:44:18 | 0:44:20 | |
since the days when men peered with telescopes to see a ball drop | 0:44:20 | 0:44:23 | |
to set their chronometers? | 0:44:23 | 0:44:25 | |
It's a big job, but somebody's got to do it. | 0:44:25 | 0:44:27 | |
From the antique to the cutting edge, | 0:44:29 | 0:44:32 | |
this magnificent repository of scientific instruments, | 0:44:32 | 0:44:35 | |
charts and knowledge rounds off my exploration of the nation's capital. | 0:44:35 | 0:44:40 | |
This morning I'm leaving Washington, heading south, | 0:45:00 | 0:45:03 | |
crossing into the state of Virginia. | 0:45:03 | 0:45:05 | |
Alexandria is my next stop and Appletons' tells me that it | 0:45:15 | 0:45:18 | |
is situated on the south side of the Potomac, | 0:45:18 | 0:45:21 | |
seven miles below Washington. | 0:45:21 | 0:45:24 | |
Although Appletons' was written after the American Civil War, | 0:45:24 | 0:45:27 | |
whose principal cause was slavery, | 0:45:27 | 0:45:30 | |
the African-American community is almost not mentioned in the book - | 0:45:30 | 0:45:36 | |
an omission which I think I'll find particularly striking | 0:45:36 | 0:45:38 | |
in Alexandria, which played an important part in the sale | 0:45:38 | 0:45:43 | |
and traffic of human chattels. | 0:45:43 | 0:45:45 | |
My guidebook says that Alexandria is a quaint old town | 0:46:06 | 0:46:10 | |
dating from 1748. | 0:46:10 | 0:46:12 | |
Back then, the cash crop here was tobacco | 0:46:12 | 0:46:15 | |
and it was extremely labour-intensive to produce. | 0:46:15 | 0:46:19 | |
The crop was worked by slaves. | 0:46:19 | 0:46:21 | |
1315 Duke Street was, during the 1830s, the headquarters of one | 0:46:24 | 0:46:30 | |
of the largest slave-trading companies in the United States. | 0:46:30 | 0:46:35 | |
It had extensive pens for the slaves and access to wharves | 0:46:35 | 0:46:40 | |
and docks, and it traded up to 1,000 slaves a year. | 0:46:40 | 0:46:45 | |
This modest property has been the scene of untold human misery. | 0:46:45 | 0:46:50 | |
In 1808, the act prohibiting the importation of slaves | 0:46:55 | 0:47:00 | |
came into effect. | 0:47:00 | 0:47:01 | |
However, a robust internal slave trade | 0:47:01 | 0:47:05 | |
continued at places like this, | 0:47:05 | 0:47:07 | |
Alexandria's Market Square, | 0:47:07 | 0:47:10 | |
where I am meeting the director | 0:47:10 | 0:47:12 | |
of the city's Black History Museum, Audrey Davis. | 0:47:12 | 0:47:14 | |
-Audrey, hello. -Hi, how are you? | 0:47:15 | 0:47:18 | |
-Good to see you. -Good to see you, yes. | 0:47:18 | 0:47:20 | |
So, here we are in the market at Alexandria | 0:47:20 | 0:47:23 | |
and this was the scene of slave sales. | 0:47:23 | 0:47:26 | |
The dealers would come in from Duke Street, | 0:47:26 | 0:47:28 | |
bringing in their slaves, and they would sell them | 0:47:28 | 0:47:31 | |
here at the market - men, women and children, and while you | 0:47:31 | 0:47:34 | |
are also selling produce and other goods, you are selling humans. | 0:47:34 | 0:47:37 | |
They don't know where they are going, | 0:47:37 | 0:47:39 | |
they don't know if they are going to be kept with their families, | 0:47:39 | 0:47:42 | |
they hope that they might see their children again. | 0:47:42 | 0:47:45 | |
It's, to me, just a horrible, horrible experience. | 0:47:45 | 0:47:48 | |
When the American Civil War broke out in 1861, | 0:47:48 | 0:47:52 | |
Northern forces occupied parts of Virginia. | 0:47:52 | 0:47:55 | |
A judgment made by a general in Union-held territory | 0:47:55 | 0:47:59 | |
would forever change the lives of enslaved people here. | 0:47:59 | 0:48:03 | |
In 1861 at Fortress Monroe, | 0:48:04 | 0:48:06 | |
General Benjamin Franklin Butler makes a very fateful decision | 0:48:06 | 0:48:10 | |
when three slaves come to him, seeking asylum. | 0:48:10 | 0:48:12 | |
And he thought, "Well, why should I send them back to their masters?" | 0:48:12 | 0:48:16 | |
Even though by law, he should have, he decided to keep them | 0:48:16 | 0:48:19 | |
and use their labour for the Union cause. | 0:48:19 | 0:48:22 | |
Officially, slaves were considered not people, but property. | 0:48:22 | 0:48:26 | |
So, using the same logic, General Butler, a trained lawyer, | 0:48:26 | 0:48:30 | |
decided that they could be kept by the North as contraband. | 0:48:30 | 0:48:33 | |
Escaping slaves know that if they can get to any area that is | 0:48:35 | 0:48:38 | |
protected by the Union, they have a chance at freedom. | 0:48:38 | 0:48:41 | |
They weren't exactly completely free, | 0:48:41 | 0:48:43 | |
but they knew if the Union won the war, they would be. | 0:48:43 | 0:48:45 | |
But they had a chance to work for a wage and they had some protection | 0:48:45 | 0:48:49 | |
and they had at least some autonomy in how they lived their lives. | 0:48:49 | 0:48:53 | |
Alexandria fell to Northern, Union forces | 0:48:53 | 0:48:56 | |
and thousands of enslaved people risked their lives to reach it. | 0:48:56 | 0:49:01 | |
In the space of just 16 months, | 0:49:01 | 0:49:03 | |
its population more than doubled as 10,000 escaped slaves, | 0:49:03 | 0:49:07 | |
who came to be known as contrabands, made it to the city. | 0:49:07 | 0:49:11 | |
Many arrived malnourished and exhausted and succumbed to disease. | 0:49:11 | 0:49:16 | |
The Contrabands and Freedmen's Cemetery became the final | 0:49:20 | 0:49:24 | |
resting place for about 1,700 African-Americans. | 0:49:24 | 0:49:27 | |
On the walls are the names, etched in bronze, of the men, | 0:49:30 | 0:49:33 | |
women and children who are buried here. | 0:49:33 | 0:49:36 | |
Has the cemetery survived in quite good condition, | 0:49:42 | 0:49:44 | |
then, over the years? | 0:49:44 | 0:49:45 | |
We know that the community, of course, obviously knew that it was | 0:49:45 | 0:49:48 | |
a cemetery during the time - | 0:49:48 | 0:49:49 | |
there were wooden markers for the graves, there was a wooden | 0:49:49 | 0:49:52 | |
picket fence that went around the cemetery. | 0:49:52 | 0:49:54 | |
But over the years, and with the weather, the fence fell down, | 0:49:54 | 0:49:58 | |
the headboards disintegrated and so you really have a grassy mound. | 0:49:58 | 0:50:02 | |
But people were aware that it was a cemetery. | 0:50:02 | 0:50:04 | |
In the 1950s, a petrol station was built on the site. | 0:50:07 | 0:50:10 | |
We don't know why that happened, | 0:50:12 | 0:50:14 | |
when we know as late as 1948 the cemetery shows up on city maps, | 0:50:14 | 0:50:19 | |
so it's one of the unanswered questions that we have. | 0:50:19 | 0:50:22 | |
For ten years, community activists fought to restore the site | 0:50:22 | 0:50:26 | |
and in 2007 the City of Alexandria purchased and cleared the land. | 0:50:26 | 0:50:32 | |
It was rededicated and this memorial was erected in 2014. | 0:50:32 | 0:50:36 | |
So, these people, who did not have any dignity | 0:50:37 | 0:50:40 | |
in life or any respect in life, | 0:50:40 | 0:50:43 | |
we think, in this memorial, retain that dignity | 0:50:43 | 0:50:46 | |
and retain the honour that they deserved for what | 0:50:46 | 0:50:49 | |
they did to help our country move forward from slavery. | 0:50:49 | 0:50:51 | |
I'm continuing my journey south with an excursion | 0:51:00 | 0:51:03 | |
recommended by Appletons', to a place so hallowed that even | 0:51:03 | 0:51:07 | |
when the Civil War raged all around, it remained neutral ground. | 0:51:07 | 0:51:11 | |
Back in 1879, tourists would have travelled here | 0:51:15 | 0:51:17 | |
in the spirit of pilgrims, for this is the home of the man | 0:51:17 | 0:51:21 | |
who represented the highest ideals of the American nation - | 0:51:21 | 0:51:25 | |
its first president, George Washington. | 0:51:25 | 0:51:28 | |
"Mount Vernon," says Appletons', | 0:51:32 | 0:51:35 | |
"on the Virginia side of the Potomac, was bequeathed by | 0:51:35 | 0:51:38 | |
"Augustine Washington, who died in 1743, to Lawrence Washington. | 0:51:38 | 0:51:44 | |
"George Washington inherited the estate in 1752. | 0:51:44 | 0:51:49 | |
"The central part of the mansion, which is of wood, | 0:51:49 | 0:51:52 | |
"was built by Lawrence and the wings by George Washington." | 0:51:52 | 0:51:56 | |
It may seem extraordinary that a man who fought a revolutionary war | 0:51:56 | 0:52:00 | |
and was the first President of the United States had time to | 0:52:00 | 0:52:05 | |
involve himself in home improvements. | 0:52:05 | 0:52:08 | |
But you know what they say - | 0:52:08 | 0:52:09 | |
if you want something done, ask a busy man. | 0:52:09 | 0:52:13 | |
George Washington was born into the colonial gentry of Virginia. | 0:52:16 | 0:52:20 | |
When he inherited Mount Vernon, he and his wife, Martha, | 0:52:20 | 0:52:24 | |
transformed it into this grand Palladian mansion. | 0:52:24 | 0:52:27 | |
In the garden, designed by Washington himself, | 0:52:30 | 0:52:33 | |
I'm meeting the head of this historic site, Curt Viebranz. | 0:52:33 | 0:52:37 | |
-Michael, pleased to meet you. -And a lovely spot in which to meet. | 0:52:39 | 0:52:43 | |
From my guidebook, I get an impression of George Washington | 0:52:43 | 0:52:46 | |
that I had not had before, of a rather houseproud man | 0:52:46 | 0:52:50 | |
who has time to take care of this estate. Is that right? | 0:52:50 | 0:52:52 | |
Yes, the home itself was added onto twice. | 0:52:52 | 0:52:56 | |
It was very important to him that he be seen as | 0:52:56 | 0:52:59 | |
not just a backward Virginian, | 0:52:59 | 0:53:02 | |
but really somebody who was in line with the latest fashion. | 0:53:02 | 0:53:06 | |
So much of what you see here in terms of the architecture, | 0:53:06 | 0:53:09 | |
as well as all of the gardens, was really his handiwork. | 0:53:09 | 0:53:12 | |
The great contradiction that we find in George Washington was that | 0:53:15 | 0:53:19 | |
while he was forging a nation of men created equal, | 0:53:19 | 0:53:23 | |
his 8,000-acre plantation was worked by 200 slaves. | 0:53:23 | 0:53:28 | |
He was not a signatory of the Declaration of Independence | 0:53:30 | 0:53:33 | |
because he was, of course, leading the army, | 0:53:33 | 0:53:36 | |
but I think he saw that there was a huge conflict between those ideals | 0:53:36 | 0:53:41 | |
espoused in the Declaration and the fact that we had a significant... | 0:53:41 | 0:53:45 | |
Around the 1790 census, we had 600,000 slaves in the United States. | 0:53:45 | 0:53:50 | |
But again, ever the pragmatist, I think he realised that | 0:53:50 | 0:53:53 | |
there was no possibility that there would be | 0:53:53 | 0:53:55 | |
a Union if they had to really wrestle with that. | 0:53:55 | 0:53:58 | |
But over time, his views evolved. | 0:53:58 | 0:54:00 | |
In July of 1799 - not knowing, of course, | 0:54:00 | 0:54:04 | |
he was going to be dead within five months - | 0:54:04 | 0:54:07 | |
he wrote a second will and that will called for his slaves to be freed | 0:54:07 | 0:54:12 | |
at the time of Martha's death. | 0:54:12 | 0:54:14 | |
George Washington was the only Founding Father | 0:54:15 | 0:54:18 | |
to free his slaves, which came into effect on 1st January 1801. | 0:54:18 | 0:54:24 | |
As the home of the first President, and of the first First Lady, | 0:54:26 | 0:54:31 | |
Mount Vernon is a landmark in the history of the United States. | 0:54:31 | 0:54:36 | |
A team of archaeologists is excavating to find out | 0:54:36 | 0:54:39 | |
what life here was like. | 0:54:39 | 0:54:42 | |
-Hello, Eleanor, I'm Michael. -Hello, good to have you. | 0:54:42 | 0:54:44 | |
-May I join you in your pit? -Yeah, sure, come on in. | 0:54:44 | 0:54:47 | |
-In fact, may I give you a hand? -I would love that. | 0:54:47 | 0:54:49 | |
-All right, thank you. -Pick up the trowel and get to work. | 0:54:49 | 0:54:52 | |
So, what is it you are digging here? What is the archaeology? | 0:54:52 | 0:54:54 | |
Well, we are excavating in this area that Washington called his grove. | 0:54:54 | 0:54:58 | |
This was the pleasure grove, meant for strolling and admiring | 0:54:58 | 0:55:01 | |
the landscape on the part of the many visitors | 0:55:01 | 0:55:04 | |
that came to Mount Vernon. | 0:55:04 | 0:55:05 | |
And why would that be rich in archaeology? | 0:55:05 | 0:55:07 | |
Well, this landscape in particular actually changes | 0:55:07 | 0:55:10 | |
over time pretty vastly. | 0:55:10 | 0:55:12 | |
Early on it is a big midden or trash pile, so we can learn a lot about | 0:55:12 | 0:55:16 | |
the operations of the plantation and the daily lives of the Washingtons | 0:55:16 | 0:55:20 | |
and the enslaved people, just by digging in this one space. | 0:55:20 | 0:55:22 | |
What is this stone-like thing that I have struck here? | 0:55:22 | 0:55:25 | |
Well, you've actually found an oyster shell. | 0:55:25 | 0:55:27 | |
Oyster shells, of course, were the detritus of eating oysters. | 0:55:27 | 0:55:31 | |
They were also pulverised to make the lime that made the mortar | 0:55:31 | 0:55:34 | |
that held the bricks together here on the plantation, | 0:55:34 | 0:55:37 | |
so that's a great find. | 0:55:37 | 0:55:39 | |
Well, a veritable treasure trove of things. | 0:55:39 | 0:55:42 | |
A treasure trove of trash. | 0:55:42 | 0:55:43 | |
-What are we looking at here, then? -This is a drinking pot. | 0:55:43 | 0:55:46 | |
It's actually a kind of ceramic that was made in Staffordshire, England, | 0:55:46 | 0:55:49 | |
and would have been used probably in the kitchen here at Mount Vernon. | 0:55:49 | 0:55:52 | |
SMASH! | 0:55:52 | 0:55:53 | |
-I'm so sorry. -That's OK. -The wretched handle came off. | 0:55:53 | 0:55:57 | |
'Better not touch anything else!' | 0:55:57 | 0:56:00 | |
And then, what, a piece of tinfoil? | 0:56:00 | 0:56:03 | |
-This is actually a piece of silver. -Ah. | 0:56:03 | 0:56:06 | |
We very rarely find silver and gold | 0:56:06 | 0:56:09 | |
in the archaeological record, obviously because it was valuable, | 0:56:09 | 0:56:12 | |
but this piece somehow managed to survive. | 0:56:12 | 0:56:15 | |
Any idea what it is? | 0:56:15 | 0:56:16 | |
We actually believe that it's been torn or ripped away | 0:56:16 | 0:56:19 | |
from the scabbard of a sword, so the leather holder | 0:56:19 | 0:56:23 | |
of a sword would have been decorated with lots of silver mountings. | 0:56:23 | 0:56:27 | |
And this one, we think, | 0:56:27 | 0:56:28 | |
actually bears the monogram of George Washington, | 0:56:28 | 0:56:31 | |
so that's the bottom of the G there | 0:56:31 | 0:56:34 | |
and the bottom of the curly W there. | 0:56:34 | 0:56:37 | |
So what you are touching there, may once have been touched | 0:56:37 | 0:56:40 | |
-by George Washington. -Certainly. | 0:56:40 | 0:56:42 | |
The view of the Potomac that George Washington enjoyed. | 0:56:58 | 0:57:02 | |
He is revered by Americans as the general who defeated | 0:57:02 | 0:57:05 | |
the British and as a wise and humble first president. | 0:57:05 | 0:57:10 | |
And many will be relieved that at the end of his life, | 0:57:10 | 0:57:13 | |
he chose to free himself of slaves. | 0:57:13 | 0:57:16 | |
But he and the other Founding Fathers failed to resolve | 0:57:16 | 0:57:20 | |
the slavery issue. | 0:57:20 | 0:57:22 | |
It is the United States' founding fatal flaw, | 0:57:22 | 0:57:25 | |
its original sin, | 0:57:25 | 0:57:27 | |
and it took a long time | 0:57:27 | 0:57:29 | |
and another war to deal with it. | 0:57:29 | 0:57:32 | |
And another great president - | 0:57:32 | 0:57:35 | |
Abraham Lincoln. | 0:57:35 | 0:57:36 | |
'Next time - | 0:57:44 | 0:57:46 | |
'I bottle the classic Southern tipple, bourbon...' | 0:57:46 | 0:57:49 | |
Oh, you missed one. There's a little more skill to it. | 0:57:49 | 0:57:52 | |
Apparently! | 0:57:52 | 0:57:54 | |
'..I get into colonial character on Williamsburg's plantations...' | 0:57:54 | 0:57:59 | |
Push away from me a little bit more. | 0:57:59 | 0:58:01 | |
Perfect. That's... that's a good-looking furrow. | 0:58:01 | 0:58:04 | |
'..discover the truth about the first settlers...' | 0:58:04 | 0:58:07 | |
This is ground zero, this is the centre of the beginning | 0:58:07 | 0:58:11 | |
of the New World. | 0:58:11 | 0:58:13 | |
'..and my spirits are raised by the First Baptist Gospel Choir.' | 0:58:13 | 0:58:16 | |
# The Lord is my shepherd | 0:58:18 | 0:58:22 | |
# And I shall not want... # | 0:58:22 | 0:58:26 |