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I'm embarking on a new railway adventure | 0:00:03 | 0:00:06 | |
that will take me across the heart of Europe. | 0:00:06 | 0:00:08 | |
I'll be using this, my Bradshaw's Continental Railway Guide, | 0:00:11 | 0:00:15 | |
dated 1913, which opened up an exotic world of foreign travel | 0:00:15 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:21 | |
It told travellers where to go, what to see, | 0:00:23 | 0:00:25 | |
and how to navigate the thousands of miles of tracks | 0:00:25 | 0:00:29 | |
criss-crossing the continent. | 0:00:29 | 0:00:31 | |
Now, a century later, | 0:00:31 | 0:00:32 | |
I'm using my copy to reveal an era of great optimism and energy | 0:00:32 | 0:00:37 | |
where technology, industry, science and the arts were flourishing. | 0:00:37 | 0:00:42 | |
I want to rediscover that lost Europe | 0:00:42 | 0:00:45 | |
that in 1913 couldn't know that its way of life | 0:00:45 | 0:00:49 | |
would shortly be swept aside by the advent of war. | 0:00:49 | 0:00:52 | |
On this journey, I'm venturing deep into central Europe, | 0:01:10 | 0:01:13 | |
to a country carved up by three great empires, | 0:01:13 | 0:01:16 | |
a place where East meets West. | 0:01:16 | 0:01:19 | |
Poland has been colonised and partitioned, | 0:01:19 | 0:01:22 | |
its people repressed and even slaughtered | 0:01:22 | 0:01:26 | |
by three great empires of Russia, Austria-Hungary, | 0:01:26 | 0:01:31 | |
and Germany, | 0:01:31 | 0:01:32 | |
and then later by the Nazi Third Reich and the Soviet Union. | 0:01:32 | 0:01:36 | |
Today, it's the economic success story of the former Eastern Bloc | 0:01:37 | 0:01:41 | |
but it's had a long struggle to get here. | 0:01:41 | 0:01:44 | |
At the time of my Bradshaw's, Poland wasn't even on the map. | 0:01:45 | 0:01:48 | |
I want to study how this nation was first subjugated, | 0:01:50 | 0:01:54 | |
and then more recently reborn, as I travel Poland's historic tracks. | 0:01:54 | 0:02:00 | |
My Polish adventure begins in the capital, Warsaw, | 0:02:04 | 0:02:07 | |
which, in my 1913 Bradshaw's, | 0:02:07 | 0:02:09 | |
appears under the heading "Russia in Europe (Including Poland)". | 0:02:09 | 0:02:14 | |
I'll continue on to the city of Lodz, | 0:02:14 | 0:02:16 | |
before entering former German territory | 0:02:16 | 0:02:19 | |
to explore Poznan and Wroclaw, | 0:02:19 | 0:02:22 | |
and end on what was then Austrian soil, | 0:02:22 | 0:02:25 | |
at the southern city of Krakow. | 0:02:25 | 0:02:27 | |
On today's journey, I discover how not to do a Polonaise. | 0:02:29 | 0:02:33 | |
Don't know what happened there! | 0:02:37 | 0:02:39 | |
Stoke up what is possibly the last steam-powered commuter train. | 0:02:39 | 0:02:44 | |
Done a bit of this in England. | 0:02:44 | 0:02:46 | |
I don't remember it being as hot as this! | 0:02:46 | 0:02:47 | |
Rumble through the streets Soviet-style | 0:02:50 | 0:02:53 | |
in a 1960s motoring icon. | 0:02:53 | 0:02:54 | |
In case of accident, I hope you just bounce back from other cars. | 0:02:54 | 0:02:58 | |
-Let's hope so! -Jump in, it's open. | 0:02:58 | 0:03:00 | |
And land my acting debut in Poland's respected film industry. | 0:03:00 | 0:03:04 | |
-WHISPERING: -This could be my big breakthrough. | 0:03:04 | 0:03:07 | |
First stop, Warsaw. Bradshaw's comments: | 0:03:14 | 0:03:17 | |
"Once the capital of Poland, | 0:03:17 | 0:03:19 | |
"now capital of the Russian Province of Warsaw." | 0:03:19 | 0:03:23 | |
The British tourist in 1913 | 0:03:23 | 0:03:25 | |
could have no idea that Russia would shortly be humiliated, | 0:03:25 | 0:03:30 | |
its Tsar murdered and its empire overthrown. | 0:03:30 | 0:03:33 | |
Edwardian travellers to Warsaw | 0:03:44 | 0:03:46 | |
could have arrived at one of three main stations, | 0:03:46 | 0:03:49 | |
but this city's history is such that each has been destroyed. | 0:03:49 | 0:03:53 | |
Now only Warsawa Centralna remains, | 0:03:56 | 0:03:58 | |
rebuilt during the communist era in a brutalist style. | 0:03:58 | 0:04:01 | |
I'm not expecting much of the Warsaw described in my 1913 guidebook | 0:04:03 | 0:04:08 | |
to have survived the ravages of the Nazi occupation and communist era. | 0:04:08 | 0:04:13 | |
But my guidebook has led me to an avenue described as | 0:04:14 | 0:04:17 | |
"the most important and interesting thoroughfare, | 0:04:17 | 0:04:20 | |
"Krakowskie Predmeestie". | 0:04:20 | 0:04:21 | |
Here is a painting of the same avenue nearly three centuries old | 0:04:23 | 0:04:27 | |
and, of course, it's absolutely recognisable. | 0:04:27 | 0:04:29 | |
Here is the church on the left. | 0:04:29 | 0:04:31 | |
And this is somewhat puzzling | 0:04:31 | 0:04:33 | |
because Warsaw was famously razed to the ground during World War II, | 0:04:33 | 0:04:38 | |
so I don't quite follow how it can be so beautifully preserved here. | 0:04:38 | 0:04:43 | |
To help me answer that question, | 0:04:44 | 0:04:46 | |
Karolina Paczynska has offered to take me on a tour | 0:04:46 | 0:04:50 | |
of this grand old avenue in a 1913 carriage. | 0:04:50 | 0:04:54 | |
Karolina! | 0:04:56 | 0:04:57 | |
Hello! How nice to see you in Warsaw! | 0:04:57 | 0:05:00 | |
What a delightful way to travel! | 0:05:00 | 0:05:02 | |
Yes, it is! | 0:05:02 | 0:05:03 | |
Karolina, Bradshaw's devotes a whole page | 0:05:03 | 0:05:07 | |
to the architectural wonders of Warsaw. | 0:05:07 | 0:05:10 | |
It looks wonderful today. | 0:05:10 | 0:05:11 | |
I don't understand, how was this not destroyed in World War II? | 0:05:11 | 0:05:15 | |
The city of Warsaw was almost completely devastated | 0:05:15 | 0:05:19 | |
on Hitler's orders. | 0:05:19 | 0:05:20 | |
House by house in two or three months, | 0:05:20 | 0:05:24 | |
it was transformed into a real desert, | 0:05:24 | 0:05:28 | |
but it was reconstructed by the people who came back to the city | 0:05:28 | 0:05:33 | |
after the Second World War. | 0:05:33 | 0:05:35 | |
They found nothing. | 0:05:35 | 0:05:37 | |
There were no houses, no homes, no electricity, | 0:05:37 | 0:05:41 | |
no running water, nothing, | 0:05:41 | 0:05:43 | |
and with their own hands they rebuilt it all. | 0:05:43 | 0:05:47 | |
It was a real miracle, | 0:05:49 | 0:05:51 | |
the reconstruction of the city of Warsaw. | 0:05:51 | 0:05:54 | |
Real heroism. | 0:05:55 | 0:05:56 | |
Yes, it was. | 0:05:56 | 0:05:57 | |
And that's what makes us very proud. | 0:05:57 | 0:05:59 | |
I was looking at the reproduction of the painting by Bellotto. | 0:06:00 | 0:06:04 | |
Was that used as a model for the reconstruction? | 0:06:04 | 0:06:07 | |
Yes, but what is interesting, he also made some improvements. | 0:06:07 | 0:06:12 | |
It's funny because during the reconstruction of the city | 0:06:12 | 0:06:15 | |
after the Second World War, they recreated the improvements as well. | 0:06:15 | 0:06:20 | |
That's a very nice story. | 0:06:21 | 0:06:23 | |
But I'm quite surprised that the communists allowed | 0:06:23 | 0:06:25 | |
the reconstruction of this bourgeois architecture. | 0:06:25 | 0:06:28 | |
Well, they allowed it, but in very limited scale. | 0:06:28 | 0:06:32 | |
I have a huge admiration for the determination of the Polish people | 0:06:38 | 0:06:42 | |
to rebuild their city, a phoenix risen from the ashes of 1945. | 0:06:42 | 0:06:47 | |
My last visit to Warsaw was a long time ago, | 0:06:55 | 0:06:58 | |
just after the Communist era, | 0:06:58 | 0:07:00 | |
and my memories of the place were that it was very partially restored | 0:07:00 | 0:07:03 | |
and it was kind of Stalinist and grim. | 0:07:03 | 0:07:06 | |
Well, it gives a very different impression today. | 0:07:06 | 0:07:08 | |
The restoration is now very thorough | 0:07:08 | 0:07:10 | |
and the city is as full of history as it is of fun. | 0:07:10 | 0:07:14 | |
The revitalised fabric and glittering facades | 0:07:18 | 0:07:20 | |
are architectural echoes of 1913 Warsaw | 0:07:20 | 0:07:25 | |
a place that boasted a rich tapestry of different peoples and cultures. | 0:07:25 | 0:07:30 | |
But, during the Second World War the Nazis made it their mission | 0:07:30 | 0:07:34 | |
to annihilate the Jews in Warsaw. | 0:07:34 | 0:07:36 | |
I want to find out how the Jewish community fares today. | 0:07:38 | 0:07:43 | |
I'm turning to my 1913 guidebook to locate Warsaw's Jewish quarter. | 0:07:43 | 0:07:47 | |
Bradshaw's comments that "Warsaw is a busy place. | 0:07:48 | 0:07:51 | |
"But the general elegance is often marred by the untidy appearance | 0:07:51 | 0:07:56 | |
"of the Jews". | 0:07:56 | 0:07:57 | |
And then again, "North of the cathedral is the old town | 0:07:57 | 0:08:01 | |
"with the unattractive Jewish quarter a little further North". | 0:08:01 | 0:08:05 | |
We all know, alas, what was the fate of Warsaw's Jewish population | 0:08:05 | 0:08:08 | |
during World War II, but to find such casual, unselfconscious anti-Semitism | 0:08:08 | 0:08:14 | |
in a British publication of the 20th century is really a shock. | 0:08:14 | 0:08:17 | |
This quarter doesn't look unattractive today. | 0:08:21 | 0:08:24 | |
At a cosy Jewish cafe I've arranged a lunch | 0:08:24 | 0:08:27 | |
with lawyer Kryzsztof Izdebski. | 0:08:27 | 0:08:29 | |
Here we are at the Tel Aviv cafe, which serves Israeli food | 0:08:31 | 0:08:35 | |
and it seems really rather chic! | 0:08:35 | 0:08:38 | |
Yes, it's rather chic and it's quite popular. | 0:08:38 | 0:08:42 | |
The people think that to be a Jew is cool. | 0:08:42 | 0:08:45 | |
It's kind of an exotic thing. | 0:08:45 | 0:08:46 | |
My guidebook has some quite sort of casual anti-Semitic remarks. | 0:08:48 | 0:08:52 | |
What were conditions like for Jews in Warsaw | 0:08:52 | 0:08:54 | |
at the beginning of the 20th century? | 0:08:54 | 0:08:56 | |
-Were they barred from certain professions? -Yep. | 0:08:56 | 0:08:59 | |
It was very hard to get to the university, first of all, | 0:08:59 | 0:09:02 | |
then you couldn't for example be a fully-qualified lawyer. | 0:09:02 | 0:09:07 | |
The guidebook refers to the Jewish district | 0:09:07 | 0:09:09 | |
being unattractive and untidy. | 0:09:09 | 0:09:11 | |
Is that because the Jews here were very poor at the time? | 0:09:11 | 0:09:14 | |
Yes. The people were poor, | 0:09:14 | 0:09:15 | |
but generally the people wore traditional clothes | 0:09:15 | 0:09:18 | |
with black, moustaches, hats... | 0:09:18 | 0:09:20 | |
I can imagine it looked odd. | 0:09:22 | 0:09:24 | |
From a population of around 300,000 in 1913, | 0:09:24 | 0:09:28 | |
today's Jewish community officially numbers under 1,000. | 0:09:28 | 0:09:33 | |
After the Second World War, | 0:09:33 | 0:09:34 | |
survivors of the Holocaust returned to Poland, | 0:09:34 | 0:09:38 | |
but persecution continued and hundreds of thousands of Jews fled. | 0:09:38 | 0:09:44 | |
The situation between Poles and Jews was pretty tense. | 0:09:44 | 0:09:48 | |
So a lot of people decided to assimilate, | 0:09:48 | 0:09:51 | |
and assimilate in a society meant changing names, | 0:09:51 | 0:09:55 | |
forgetting about the past. | 0:09:55 | 0:09:57 | |
Some of my friends discovered that they are Jewish when they were 25. | 0:09:57 | 0:10:02 | |
Where the grandfather or grandmother dying | 0:10:04 | 0:10:07 | |
and they wanted to say this, "I'm Jewish.". | 0:10:07 | 0:10:10 | |
Once they had to conceal their identity and were in mortal danger. | 0:10:14 | 0:10:19 | |
Their history could not be darker. | 0:10:19 | 0:10:21 | |
Today's tiny Warsaw community of Jews has no need to hide. | 0:10:22 | 0:10:27 | |
My Bradshaw's has led me | 0:10:31 | 0:10:32 | |
to this pleasant park in the south of the city where it tells me | 0:10:32 | 0:10:36 | |
I'll find the imperial Warsaw residence of the Russian czar. | 0:10:36 | 0:10:41 | |
This is the delightful Lazienki park, home to two palaces - | 0:10:44 | 0:10:49 | |
the Lazienki palace and the Belvedere - | 0:10:49 | 0:10:52 | |
and on a spring day like this, | 0:10:52 | 0:10:54 | |
it's a pleasant place for Varsovians to take a stroll. | 0:10:54 | 0:10:58 | |
But, in the 19th century, this was the playground for the Russian | 0:10:58 | 0:11:01 | |
ruling class, the hated oppressors of Poland. | 0:11:01 | 0:11:05 | |
The people of Warsaw had lived under the Russian yoke since 1815. | 0:11:09 | 0:11:14 | |
The official language was Russian, | 0:11:14 | 0:11:16 | |
and Poles weren't allowed to hold public office. | 0:11:16 | 0:11:19 | |
Treated as second class citizens in their own land, | 0:11:19 | 0:11:22 | |
how did the Polish people maintain their cultural identity? | 0:11:22 | 0:11:26 | |
I'm meeting Varsovian born and bred Wojciech Bakowski. | 0:11:26 | 0:11:31 | |
The Lazienki park has a lot of connections with the Russian | 0:11:33 | 0:11:36 | |
occupation of the 19th century. | 0:11:36 | 0:11:38 | |
How was the Polish spirit kept alive during that period? | 0:11:38 | 0:11:43 | |
It was kept alive, notably, with the art and literature, | 0:11:43 | 0:11:47 | |
and the national movement actually used poets like Mickiewicz, and | 0:11:47 | 0:11:51 | |
composers like Chopin as prophets and vehicles for the national cause. | 0:11:51 | 0:11:55 | |
Composer and virtuoso pianist Frederic Chopin was born in 1810 | 0:11:57 | 0:12:01 | |
in a village outside Warsaw to a Polish mother and a French father. | 0:12:01 | 0:12:05 | |
He left Poland as a teenager just before the 1830 Polish uprising | 0:12:05 | 0:12:10 | |
and spent most of his life in Paris. | 0:12:10 | 0:12:12 | |
His music reflected the melancholy of his Polish motherland, | 0:12:12 | 0:12:16 | |
and, so, despite being absent, he was adopted as a Polish icon. | 0:12:16 | 0:12:20 | |
He was the most famous Polish artist that we had in the 19th century, | 0:12:22 | 0:12:25 | |
so he became an instrument for the national movement to build | 0:12:25 | 0:12:30 | |
a Polish identity around those cultural values. | 0:12:30 | 0:12:33 | |
For example, he used Polish national dances such as the Polonaise | 0:12:33 | 0:12:37 | |
and the Mazurka as piano genres. | 0:12:37 | 0:12:40 | |
MUSIC: "Polonaise" by Chopin | 0:12:40 | 0:12:42 | |
Designed in 1910, | 0:12:42 | 0:12:44 | |
this monument to Chopin commemorates his adoption to the national cause. | 0:12:44 | 0:12:49 | |
The Nazis blew up the original statue in 1940 | 0:12:49 | 0:12:52 | |
because Chopin's music had become a potent symbol of Polish nationalism. | 0:12:52 | 0:12:57 | |
To play it in Nazi-occupied Poland was considered subversion | 0:12:57 | 0:13:01 | |
punishable by death. | 0:13:01 | 0:13:03 | |
And what is that's sweeping above Chopin's head? | 0:13:04 | 0:13:07 | |
That's a willow. | 0:13:07 | 0:13:08 | |
That is the quintessential Polish tree, | 0:13:08 | 0:13:10 | |
that expresses the melancholy and nostalgia of Chopin's music. | 0:13:10 | 0:13:15 | |
The Polonaise is a traditional Polish dance | 0:13:23 | 0:13:26 | |
elevated by Chopin to an art form. | 0:13:26 | 0:13:29 | |
Wojciech is taking me to the beautiful Lazienki Palace | 0:13:34 | 0:13:37 | |
to see how the tradition continues to this day. | 0:13:37 | 0:13:40 | |
It's a stately, processional dance | 0:13:48 | 0:13:50 | |
in which couples walk, circle each other and bow. | 0:13:50 | 0:13:54 | |
THEY APPLAUD | 0:13:54 | 0:13:55 | |
This is very, very charming. Why are the young people doing the Polonaise? | 0:13:57 | 0:14:00 | |
Now, this is a traditional second high school ball that we call | 0:14:00 | 0:14:03 | |
the "studniowka" which occurs 100 days before their A-levels, | 0:14:03 | 0:14:07 | |
and the crucial part of that ball is dancing the Polonaise. | 0:14:07 | 0:14:10 | |
-Everyone has to do this? Did you do this? -I did. | 0:14:10 | 0:14:13 | |
Now, why don't you have a go? | 0:14:13 | 0:14:15 | |
I'd rather not. | 0:14:15 | 0:14:17 | |
And one, two, three. | 0:14:25 | 0:14:27 | |
One, two, three. | 0:14:27 | 0:14:29 | |
One, two, three. | 0:14:29 | 0:14:31 | |
One, two, three. One, two, three. | 0:14:31 | 0:14:34 | |
SHE GIGGLES | 0:14:41 | 0:14:43 | |
Nie porozumielismy sie. | 0:14:43 | 0:14:45 | |
I don't know what happened there, it seemed all right to me. | 0:14:49 | 0:14:51 | |
I'm sure that dancing's not my forte | 0:14:54 | 0:14:56 | |
but if at first you don't succeed... | 0:14:56 | 0:14:58 | |
MUSIC STARTS | 0:14:58 | 0:15:00 | |
SHE GIGGLES | 0:15:04 | 0:15:06 | |
Once again. | 0:15:06 | 0:15:07 | |
Once again. | 0:15:07 | 0:15:09 | |
Come on. | 0:15:11 | 0:15:13 | |
SHE GIGGLES | 0:15:15 | 0:15:16 | |
That WAS a surprise! | 0:15:34 | 0:15:36 | |
SHE GIGGLES | 0:15:38 | 0:15:40 | |
APPLAUSE | 0:15:50 | 0:15:53 | |
Very good. | 0:15:55 | 0:15:56 | |
I think I'll be sticking strictly to my Bradshaw's! | 0:15:59 | 0:16:02 | |
After prancing, I'm ready for a proper Polish supper | 0:16:12 | 0:16:15 | |
and I'm returning to the Old Town. | 0:16:15 | 0:16:17 | |
Celebrity chef Magda Gessler's Fukier restaurant would have been | 0:16:20 | 0:16:24 | |
a fashionable eatery for tourists in 1913. | 0:16:24 | 0:16:27 | |
-Good evening. -Good evening, how are you? -I'm Michael. | 0:16:32 | 0:16:35 | |
You must be the famous Magda! | 0:16:35 | 0:16:37 | |
-You remember me! -And you're Lara. -My name's Lara. -How lovely to see you. -Hello, Michael. -Good evening! | 0:16:37 | 0:16:41 | |
Originally a wine shop, this historic building now | 0:16:43 | 0:16:47 | |
prides itself on offering the best in traditional Polish fare. | 0:16:47 | 0:16:51 | |
My passion is old Polish cuisine. | 0:16:52 | 0:16:55 | |
And so you have resurrected the old Polish cuisine? | 0:16:55 | 0:16:58 | |
I am like the archaeologic in the Polish cuisine! | 0:16:58 | 0:17:02 | |
Magda, I arrived here with my old book, but I see | 0:17:02 | 0:17:04 | |
that you have an old book, too. What is that? | 0:17:04 | 0:17:07 | |
This is a very old book that me, | 0:17:07 | 0:17:09 | |
my mum, her mum have been inspirated by this. | 0:17:09 | 0:17:13 | |
That's a book by Lucyna Cwierczakiewiczowa. | 0:17:13 | 0:17:16 | |
It's like a guide book for what you should eat | 0:17:16 | 0:17:19 | |
during the year for your own family budget. | 0:17:19 | 0:17:23 | |
So would it be possible this evening to try some recipes | 0:17:23 | 0:17:26 | |
-that are recommended in your book? -Of course! | 0:17:26 | 0:17:29 | |
This looks delicious. | 0:17:29 | 0:17:31 | |
It's perfect steak tartare. It's appetiser which in Poland | 0:17:31 | 0:17:35 | |
is amazing, and this place is very special. | 0:17:35 | 0:17:38 | |
Pate venison and herring, | 0:17:38 | 0:17:41 | |
Very special herring in sherry. | 0:17:41 | 0:17:44 | |
Herring in sherry? | 0:17:44 | 0:17:46 | |
Yes. You'll like this one it's very Polish. | 0:17:46 | 0:17:48 | |
And, Magda, what should we drink with these little appetisers? | 0:17:48 | 0:17:52 | |
Bison vodka. It's very special cold vodka. | 0:17:52 | 0:17:56 | |
-Oh, it's amazing. Try this one. -Thank you very much. | 0:17:56 | 0:18:00 | |
-So, herring with sherry washed down with vodka. -First, vodka. | 0:18:00 | 0:18:06 | |
Mm. | 0:18:08 | 0:18:10 | |
So smooth, isn't it? | 0:18:11 | 0:18:13 | |
One, two. | 0:18:14 | 0:18:15 | |
Mm, that's lovely. | 0:18:24 | 0:18:26 | |
I thought it would be very, very strong and fishy, but it's not. | 0:18:26 | 0:18:31 | |
It's perfect old herring. | 0:18:31 | 0:18:33 | |
There's more to Polish cuisine than herring and dumplings. | 0:18:33 | 0:18:37 | |
This delicious tripe soup with ginger, cinnamon | 0:18:37 | 0:18:41 | |
and cardamom is a culinary blend of the empires that once ruled Poland. | 0:18:41 | 0:18:45 | |
The Polish people, | 0:18:45 | 0:18:46 | |
who were under foreign occupation more or less continuously | 0:18:46 | 0:18:50 | |
for two centuries from 1795, have recently experienced a rebirth. | 0:18:50 | 0:18:55 | |
And that is accompanied by a renaissance in Polish cuisine. | 0:18:55 | 0:18:59 | |
After my tasty supper, I'm ready to turn in for the night. | 0:19:04 | 0:19:07 | |
My guidebook recommends the Hotel Bristol | 0:19:07 | 0:19:10 | |
named after the celebrated British traveller, the 4th Earl of Bristol. | 0:19:10 | 0:19:15 | |
The name became a byword for luxury across the continent. | 0:19:15 | 0:19:19 | |
Shipshape and Bristol fashion. | 0:19:19 | 0:19:21 | |
A new day in Warsaw. I'm leaving this vibrant capital | 0:19:34 | 0:19:38 | |
of today's independent Poland to head into its industrial heartland. | 0:19:38 | 0:19:43 | |
My next destination is a city synonymous with the Industrial Revolution - | 0:19:48 | 0:19:52 | |
the Manchester of Poland. | 0:19:52 | 0:19:54 | |
-Can you help me with my Polish pronunciation? -Of course we can. | 0:20:03 | 0:20:06 | |
I'm on my way to L-O-D-Z. | 0:20:06 | 0:20:09 | |
-How do you pronounce that? -It's "woodj." -"Woodj?" -"Woodj." | 0:20:09 | 0:20:12 | |
But it begins with an L. How do you get a "w" sound? | 0:20:12 | 0:20:15 | |
It's two different letters. It's "l" and "w" in Polish alphabet. | 0:20:15 | 0:20:22 | |
"L" and "w." Right, so L with a line makes it a W. | 0:20:22 | 0:20:27 | |
-What about at the end? You said "woodj." -"Woodj." | 0:20:27 | 0:20:30 | |
Yes, because it's not D-Z, it's like Z with a line. | 0:20:30 | 0:20:37 | |
-Z with a line? -Yes. -It's Z but with the D it's pronounced "dj". | 0:20:37 | 0:20:44 | |
What else should I look out for in Polish? | 0:20:44 | 0:20:48 | |
Well, you have different kinds of "oo" as well. | 0:20:48 | 0:20:51 | |
-So, in Lodz, the L has a line... -Yes. -..the O has a line... | 0:20:51 | 0:20:55 | |
-Yes. -..and the Z has a line? | 0:20:55 | 0:20:57 | |
-Yes. -You chose a very difficult city to go to! | 0:20:57 | 0:21:02 | |
Well, my goodness your English is beautiful! | 0:21:03 | 0:21:05 | |
Where did you both learn your English? | 0:21:05 | 0:21:07 | |
-In high school. -Really? -Yes. | 0:21:07 | 0:21:09 | |
We were in the same class in high school. | 0:21:09 | 0:21:12 | |
-To that standard in high school? -Yes. | 0:21:12 | 0:21:14 | |
We are so bad at languages. I am humbled. | 0:21:14 | 0:21:16 | |
Thank you. That's nice. | 0:21:18 | 0:21:20 | |
"I'm continuing my journey across 1913 Russian Poland | 0:21:32 | 0:21:36 | |
"in a south-westerly direction towards the city of Lodz. | 0:21:36 | 0:21:40 | |
"A population of 408,000 says Bradshaw's, | 0:21:40 | 0:21:43 | |
"the chief town of the district | 0:21:43 | 0:21:45 | |
"and the most important centre of the textile industry in Poland." | 0:21:45 | 0:21:49 | |
A material fact, for whilst Britain had her dark Satanic mills | 0:21:49 | 0:21:53 | |
in places like Manchester, Russia had hers in cities like Lodz. | 0:21:53 | 0:21:58 | |
I'm leaving the train to discover what remains | 0:22:12 | 0:22:15 | |
of that industrial heritage. | 0:22:15 | 0:22:17 | |
A century ago, | 0:22:19 | 0:22:20 | |
these immense factories supplied the vast Russian Empire. | 0:22:20 | 0:22:24 | |
The Industrial Revolution brought phenomenal population growth | 0:22:27 | 0:22:31 | |
to Lodz from about 800 people to about 400,000 in the 80 years | 0:22:31 | 0:22:35 | |
before my Bradshaw's guide. | 0:22:35 | 0:22:37 | |
Now the textile mills have been converted into a shopping centre. | 0:22:37 | 0:22:41 | |
I'm meeting my guide, Jacek Paczesny, | 0:22:48 | 0:22:51 | |
at a perfect city vantage point. | 0:22:51 | 0:22:53 | |
These buildings are magnificent. | 0:22:54 | 0:22:56 | |
Why was Lodz chosen for industrialization? | 0:22:56 | 0:23:00 | |
Generally, it was a good location for a city which made | 0:23:00 | 0:23:03 | |
the authorities grant the city the title of factory settlement. | 0:23:03 | 0:23:08 | |
It was something like a special economic zone. | 0:23:08 | 0:23:11 | |
And I suppose the railways must have made a difference, too? | 0:23:11 | 0:23:13 | |
Yes. The railways definitely were essential. | 0:23:13 | 0:23:16 | |
The first big date is 1848 when the Vienna Warsaw railway | 0:23:16 | 0:23:22 | |
was opened and it passed just 30km to the Eastern border of Lodz. | 0:23:22 | 0:23:28 | |
By the time of my 1913 guide, Lodz had been transformed. | 0:23:28 | 0:23:33 | |
It was a city of great contrast. | 0:23:34 | 0:23:37 | |
Between cultures, it was a bustling multicultural city, | 0:23:37 | 0:23:40 | |
people of four different regions, | 0:23:40 | 0:23:42 | |
Polish, Jewish, Russian, German living together. | 0:23:42 | 0:23:45 | |
Second, contrast between wealth and poverty. | 0:23:45 | 0:23:48 | |
A lot of people lived in wooden houses, | 0:23:48 | 0:23:50 | |
the sewage was flowing through the streets. | 0:23:50 | 0:23:52 | |
On the other hand, there was these marvellous palaces, | 0:23:52 | 0:23:56 | |
privately owned green spaces with a fee entrance that exceeded | 0:23:56 | 0:24:00 | |
the salary of the worker. | 0:24:00 | 0:24:02 | |
Andrej Wajda's 1975 epic film The Promised Land | 0:24:04 | 0:24:09 | |
was based on Wladyslaw Reymont's novel, | 0:24:09 | 0:24:12 | |
a mordant critique of capitalism. | 0:24:12 | 0:24:14 | |
It depicted life in Lodz as a vicious rat race. | 0:24:14 | 0:24:18 | |
In the 19th century, Lodz gave Manchester a run for its money. | 0:24:26 | 0:24:30 | |
But today the city prefers to compare itself to Los Angeles. | 0:24:33 | 0:24:38 | |
What happens to a manufacturing city in the post-industrial age? | 0:24:40 | 0:24:43 | |
In Lodz, part of the answer has been to create a film school, | 0:24:43 | 0:24:47 | |
some of whose graduates are directors of international fame. | 0:24:47 | 0:24:51 | |
And now they've created a walkway of the stars. | 0:24:51 | 0:24:55 | |
Not for nothing is this place now known as "Holy-woodj." | 0:24:55 | 0:24:59 | |
Andrej Wajda, studied at a film school here in Lodz. | 0:25:03 | 0:25:07 | |
In fact, many of Poland's most celebrated directors | 0:25:07 | 0:25:10 | |
cut their teeth here. | 0:25:10 | 0:25:11 | |
I've arranged to meet Piotr Sitarski, Professor of Film Studies, | 0:25:12 | 0:25:16 | |
to ask him about the history of cinema in this old industrial town. | 0:25:16 | 0:25:21 | |
When did the cinema first come to Lodz? | 0:25:21 | 0:25:24 | |
Very early. | 0:25:24 | 0:25:25 | |
1896. You know, this was a centre of textile industry | 0:25:25 | 0:25:31 | |
with a huge number of proletarian workers. | 0:25:31 | 0:25:34 | |
Most of them were Poles but you also had Jews and Germans | 0:25:34 | 0:25:37 | |
and visual entertainment was ideal for them. You know, silent movies. | 0:25:37 | 0:25:41 | |
And, of course, being silent they didn't have to understand | 0:25:41 | 0:25:44 | |
-any of the language. -Exactly! | 0:25:44 | 0:25:45 | |
After the Second World War, a film school was founded | 0:25:45 | 0:25:49 | |
in Lodz because it was a place where cinema was popular. | 0:25:49 | 0:25:53 | |
A film school in the 1950s within the Soviet empire sounds | 0:25:53 | 0:25:59 | |
is that a bit subversive, a bit liberal? | 0:25:59 | 0:26:01 | |
Yes, it is. Ironically because it was designed as a place where | 0:26:01 | 0:26:07 | |
propagandists were to be trained. | 0:26:07 | 0:26:09 | |
Instead, it turned out that it really offered a lot of freedom | 0:26:09 | 0:26:13 | |
for the students and for the teachers, | 0:26:13 | 0:26:16 | |
and a good example are the films the students could watch, | 0:26:16 | 0:26:20 | |
films from around the world. | 0:26:20 | 0:26:22 | |
So this was really a liberal place. | 0:26:22 | 0:26:24 | |
I'm no De Niro | 0:26:27 | 0:26:29 | |
but as this film school maintains a very high reputation, | 0:26:29 | 0:26:32 | |
maybe I can pick up some tips from Poland's finest fledgling movie-makers? | 0:26:32 | 0:26:39 | |
Hello. I hope I'm not interrupting. I'm Michael. | 0:26:39 | 0:26:42 | |
-Of course not. I'm Adam. -So what are you doing here? | 0:26:42 | 0:26:45 | |
I'm shooting this scene right here. I'm shooting in a hospital. | 0:26:45 | 0:26:48 | |
We have a girl who's going to be playing a schizophrenic | 0:26:48 | 0:26:51 | |
and we are going to have you play as a doctor. | 0:26:51 | 0:26:54 | |
-OK. Psychiatric doctor. -Of course. | 0:26:54 | 0:26:56 | |
-Let me just psych myself up for that one. -Sure. | 0:26:56 | 0:26:58 | |
One of the oldest film schools in the world, | 0:27:00 | 0:27:03 | |
Lodz prides itself on a hands-on approach, | 0:27:03 | 0:27:06 | |
teaching its students the practical skills needed to make a movie. | 0:27:06 | 0:27:10 | |
All right, so when you're walking in, when you move from here, | 0:27:10 | 0:27:13 | |
go here, here, here, here, | 0:27:13 | 0:27:16 | |
and then you place it down and then you look at her. | 0:27:16 | 0:27:20 | |
We're going to have this shot right here of you confronting her. | 0:27:20 | 0:27:23 | |
-WHISPERS: -This could be my big breakthrough! | 0:27:24 | 0:27:27 | |
-Kamera. Poszla. -Ton 16ty. | 0:27:29 | 0:27:33 | |
Action. | 0:27:35 | 0:27:36 | |
SHE MUMBLES IN POLISH | 0:27:38 | 0:27:42 | |
All right, perfect. | 0:27:50 | 0:27:51 | |
Super. Nie bierz tabletki! | 0:27:51 | 0:27:53 | |
LAUGHTER | 0:27:53 | 0:27:55 | |
-Jeszcze raz? -Nie, spoko. | 0:27:55 | 0:27:57 | |
-Brilliant, thank you so much. -Thanks so much. -Thank you. | 0:27:57 | 0:28:01 | |
Great. | 0:28:01 | 0:28:02 | |
After a shaky movie debut, | 0:28:16 | 0:28:18 | |
I'm leaving Lodz where young people are now more likely to make | 0:28:18 | 0:28:22 | |
films than fabrics, and following my guide across the old border | 0:28:22 | 0:28:26 | |
to Poznan for my first taste of Polish lands | 0:28:26 | 0:28:29 | |
ruled by the German empire. | 0:28:29 | 0:28:31 | |
Bradshaw's Guide 1913 contained a railway map of Europe | 0:28:38 | 0:28:43 | |
and a picture is worth a thousand words, as they say. Here we are. | 0:28:43 | 0:28:48 | |
This is Russian Poland and it appears as a white blank | 0:28:48 | 0:28:52 | |
on the map because the Russians had built very few railways. | 0:28:52 | 0:28:55 | |
By contrast, here in German Poland, well, it's absolutely black | 0:28:55 | 0:29:00 | |
with railway lines, running in all directions. | 0:29:00 | 0:29:03 | |
For my next destination, I have to move away from | 0:29:03 | 0:29:05 | |
the Russian section in Bradshaw's to the German section. | 0:29:05 | 0:29:09 | |
More precisely, "The German empire or Deutsches Reich, consists of | 0:29:09 | 0:29:13 | |
"the following 25 States in order of magnitude," and then Prussia | 0:29:13 | 0:29:18 | |
is listed first. In those days, | 0:29:18 | 0:29:20 | |
Prussia included Posen, or Polish Poznan. | 0:29:20 | 0:29:25 | |
"It's the oldest of Polish towns and a strong fortified place." | 0:29:25 | 0:29:30 | |
Well, of course it was. It was very strategically important. | 0:29:30 | 0:29:32 | |
It was on the eastern frontier of Germany | 0:29:32 | 0:29:35 | |
and I'm going there to find out how, to shore up German power, | 0:29:35 | 0:29:39 | |
the Polish territory was Germanified. | 0:29:39 | 0:29:43 | |
I'm travelling 130 miles northwest | 0:29:45 | 0:29:48 | |
to Poznan Glowny station, built in 1879 | 0:29:48 | 0:29:52 | |
in what was the heart of German Poland. | 0:29:52 | 0:29:54 | |
I'll leave it to the morning to tour this fortress city. | 0:29:56 | 0:30:00 | |
Poznan is a good place to start my exploration | 0:30:14 | 0:30:17 | |
of the German partition. | 0:30:17 | 0:30:19 | |
It's one of the oldest cities in Poland | 0:30:19 | 0:30:21 | |
with roots in the early Middle Ages. | 0:30:21 | 0:30:24 | |
My guidebook tells me that there's a particularly noble building here, | 0:30:24 | 0:30:28 | |
dating from the 15th century. | 0:30:28 | 0:30:29 | |
The Rathaus referred to in my Bradshaw's guide | 0:30:33 | 0:30:35 | |
turns out to be a glorious Renaissance town hall | 0:30:35 | 0:30:38 | |
and there's a legend that many, many years ago, | 0:30:38 | 0:30:41 | |
a couple of goats escaped the cooking pot | 0:30:41 | 0:30:44 | |
and ran up to the top of the tower to avoid being eaten. | 0:30:44 | 0:30:48 | |
So, they've now become the symbol of the city. | 0:30:48 | 0:30:52 | |
-And, at noon every day... -CLOCK CHIMES THE HOUR | 0:30:52 | 0:30:54 | |
..a couple of goats appear above this clock. | 0:30:54 | 0:30:57 | |
A mechanism that was restored in 1913, | 0:30:57 | 0:31:00 | |
the year of my Bradshaw's guide, | 0:31:00 | 0:31:02 | |
so it turns out to be not so much a Rathaus as a "goat house". | 0:31:02 | 0:31:05 | |
I want to find out more about what life was like here | 0:31:29 | 0:31:32 | |
in the early 20th century, | 0:31:32 | 0:31:33 | |
so I'm meeting British-born historian Hubert Zawadzki | 0:31:33 | 0:31:37 | |
at the Prussian Imperial Palace, completed in 1910, | 0:31:37 | 0:31:40 | |
and referred to in my guidebook as, | 0:31:40 | 0:31:43 | |
"The Royal Palace, a new Romanesque building." | 0:31:43 | 0:31:46 | |
Though new in 1913, | 0:31:46 | 0:31:48 | |
the architectural inspiration is medieval | 0:31:48 | 0:31:51 | |
and peppered with images from German folklore. | 0:31:51 | 0:31:55 | |
This isn't a lesson in German architecture, is it? | 0:31:55 | 0:31:58 | |
This is cultural and political. | 0:31:58 | 0:32:00 | |
Very much so. A powerful symbol of Prussian-German domination | 0:32:00 | 0:32:05 | |
in this part of Prussian Poland where there was quite a struggle | 0:32:05 | 0:32:10 | |
between the Poles and the Germans. | 0:32:10 | 0:32:12 | |
Poznan was of strategic significance, as well. | 0:32:12 | 0:32:15 | |
It was important in terms of the eastern approach to Berlin. | 0:32:15 | 0:32:19 | |
So, it was essential as a defensive position. | 0:32:19 | 0:32:22 | |
Following the unification of Germany in 1871, | 0:32:22 | 0:32:26 | |
Prussia's Chancellor Otto von Bismarck | 0:32:26 | 0:32:28 | |
wanted to ensure the loyalty of its subjects. | 0:32:28 | 0:32:32 | |
One tool he used was the so-called "Kulturkampf" - | 0:32:32 | 0:32:35 | |
a campaign to curb the power of the Catholic Church. | 0:32:35 | 0:32:38 | |
What was the attitude of the German authorities, particularly | 0:32:38 | 0:32:42 | |
of the very powerful Chancellor, Otto von Bismarck, to the Poles? | 0:32:42 | 0:32:46 | |
The important thing, from his point of view, | 0:32:46 | 0:32:48 | |
was to reduce the influence of the Polish nobility, the landed class, | 0:32:48 | 0:32:53 | |
and the Polish Catholic Church, | 0:32:53 | 0:32:55 | |
which were seen as the carriers of the Polish national ideal. | 0:32:55 | 0:32:59 | |
Hand in hand with this struggle | 0:33:01 | 0:33:02 | |
went a campaign to "Germanise" this part of Poland. | 0:33:02 | 0:33:06 | |
German replaced Polish as the official language | 0:33:06 | 0:33:08 | |
of local government and in schools. | 0:33:08 | 0:33:11 | |
In 1888, a new Kaiser, Wilhelm II, came to the throne. | 0:33:11 | 0:33:16 | |
Bismarck resigned soon after | 0:33:16 | 0:33:19 | |
but German repression of Poland continued. | 0:33:19 | 0:33:22 | |
The Kaiser's balcony! | 0:33:23 | 0:33:25 | |
Indeed! What a view! | 0:33:25 | 0:33:27 | |
The building over there was the seat of the Ansiedlungskommission, | 0:33:27 | 0:33:31 | |
which was to encourage German land-ownership | 0:33:31 | 0:33:33 | |
in this part of Prussian Poland. | 0:33:33 | 0:33:36 | |
-Encourage? -Initially, government funds were provided | 0:33:36 | 0:33:40 | |
for the purchase of Polish landed estates | 0:33:40 | 0:33:43 | |
which could then be redistributed amongst German settlers. | 0:33:43 | 0:33:46 | |
Gradually from the mid-1890s, this policy hardens, and by 1908, | 0:33:48 | 0:33:53 | |
a bill is passed in the Reichstag | 0:33:53 | 0:33:57 | |
which provides for the compulsory purchase | 0:33:57 | 0:34:01 | |
of Polish landed estates. | 0:34:01 | 0:34:03 | |
These policies provoked a strong reaction both at home and abroad, | 0:34:03 | 0:34:08 | |
but Kaiser Wilhelm was impervious to criticism. | 0:34:08 | 0:34:11 | |
He visited the palace only twice, | 0:34:11 | 0:34:14 | |
but for those occasions, he insisted on a throne of suitable grandeur. | 0:34:14 | 0:34:19 | |
Well, Hubert, is this not the most extraordinary | 0:34:19 | 0:34:22 | |
-piece of megalomania you have ever seen? -Indeed. | 0:34:22 | 0:34:25 | |
It reminds you of the glories of the medieval German Empire. | 0:34:25 | 0:34:28 | |
How successful in the end, | 0:34:28 | 0:34:30 | |
from the Prussian and German point of view, | 0:34:30 | 0:34:32 | |
was this repression of the Polish people? | 0:34:32 | 0:34:35 | |
This repression would have been more successful | 0:34:35 | 0:34:38 | |
had the German rule continued. | 0:34:38 | 0:34:40 | |
But, of course, it ended with the First World War. | 0:34:40 | 0:34:43 | |
-Would you say, in the end, it was counter-productive? -Very much so. | 0:34:43 | 0:34:46 | |
It strengthens the link between the average Pole | 0:34:48 | 0:34:52 | |
and the Roman Catholic Church. | 0:34:52 | 0:34:54 | |
Well, it's quite a thought that within a few years | 0:34:54 | 0:34:58 | |
of this castle being built, of this throne being created, | 0:34:58 | 0:35:02 | |
Germany has lost the First World War, | 0:35:02 | 0:35:04 | |
the Poles become self-governing, | 0:35:04 | 0:35:07 | |
the Kaiser has escaped into exile. | 0:35:07 | 0:35:10 | |
-The glories of this world are transitory, aren't they! -Indeed. | 0:35:10 | 0:35:13 | |
And in 1919, these lands were transferred | 0:35:19 | 0:35:22 | |
to the newly restored state of Poland | 0:35:22 | 0:35:24 | |
under the terms of the Treaty of Versailles. | 0:35:24 | 0:35:27 | |
German architecture and railway lines survive here. | 0:35:35 | 0:35:39 | |
This is one of the last places where steam engines | 0:35:39 | 0:35:41 | |
haul regular train services on the main line. | 0:35:41 | 0:35:44 | |
Howard Jones is so passionate | 0:35:47 | 0:35:49 | |
about this extraordinary railway heritage | 0:35:49 | 0:35:51 | |
that 17 years ago, he left behind his life as a travel agent | 0:35:51 | 0:35:55 | |
in Britain to dedicate himself to its preservation. | 0:35:55 | 0:35:59 | |
-Hello, Howard! Good to meet you! -Nice to meet you. | 0:36:00 | 0:36:03 | |
Wonderful great locomotive! | 0:36:03 | 0:36:05 | |
How is it that so many steam locomotives survived | 0:36:05 | 0:36:08 | |
through the Communist period? | 0:36:08 | 0:36:09 | |
Well, Poland had a lot of coal, | 0:36:09 | 0:36:11 | |
so therefore, it was easier to run on non-electrified lines, | 0:36:11 | 0:36:14 | |
steam and diesel, which meant importing oil. | 0:36:14 | 0:36:16 | |
Wolsztyn as a depot, carried on till 1997, being the last working depot, | 0:36:16 | 0:36:20 | |
and I moved out here to help persuade the authorities | 0:36:20 | 0:36:24 | |
to keep it running as it's unique in the world | 0:36:24 | 0:36:26 | |
and it is now, by a long way, unique in the world. | 0:36:26 | 0:36:29 | |
Howard took over running of this line in the 1990s, | 0:36:29 | 0:36:32 | |
operating ordinary commuter services as well as heritage tours. | 0:36:32 | 0:36:37 | |
Today, he's invited me to travel on a special train. | 0:36:37 | 0:36:40 | |
This locomotive is enormous. | 0:36:40 | 0:36:42 | |
I don't think I've ever been on the footplate of anything | 0:36:42 | 0:36:45 | |
as big in Britain. Is it Polish or Russian? | 0:36:45 | 0:36:47 | |
It's a Polish design, built after the war. | 0:36:47 | 0:36:49 | |
They're more designed for comfort. | 0:36:49 | 0:36:51 | |
Particularly here, remember, you have temperatures going minus 20, | 0:36:51 | 0:36:54 | |
minus 25 in the winter, so they're enclosed cabs so they're warmer. | 0:36:54 | 0:36:58 | |
Thank you very much. | 0:36:58 | 0:36:59 | |
If you finish oiling up there, we'll be away, I think! | 0:36:59 | 0:37:02 | |
-OK, then. -Thank you. | 0:37:02 | 0:37:03 | |
What always amazes me about these locomotives | 0:37:29 | 0:37:31 | |
is the connection between man and machine. | 0:37:31 | 0:37:34 | |
Apparently, these two guys have only ever driven | 0:37:37 | 0:37:39 | |
steam locomotives throughout their careers, | 0:37:39 | 0:37:42 | |
so you can imagine how they feel every vibration | 0:37:42 | 0:37:44 | |
in the machine and respond to it. | 0:37:44 | 0:37:46 | |
I wish I could convey to you the smell! It's really pungent. | 0:37:50 | 0:37:56 | |
WHISTLE BLOWS | 0:37:56 | 0:37:59 | |
If you're used to heritage railways in Britain, | 0:38:03 | 0:38:06 | |
the great surprise is how fast this thing goes. | 0:38:06 | 0:38:10 | |
But as railway buffs say, the difference between a steam engine on a heritage line | 0:38:10 | 0:38:15 | |
and a steam engine on a main line | 0:38:15 | 0:38:16 | |
is the difference between an animal in a zoo | 0:38:16 | 0:38:19 | |
and an animal wild in Africa. | 0:38:19 | 0:38:23 | |
And this beast is uncaged! | 0:38:23 | 0:38:25 | |
I've been invited with hand signals | 0:38:28 | 0:38:30 | |
to put some coal on the fire. | 0:38:30 | 0:38:34 | |
I've done a bit of this in England. | 0:38:34 | 0:38:37 | |
I don't remember it being quite as hot as this. | 0:38:37 | 0:38:40 | |
There's no sign from the stoker | 0:38:42 | 0:38:44 | |
that he wants me to stop, so on I go! | 0:38:44 | 0:38:46 | |
A sign to stop thank God. | 0:38:50 | 0:38:52 | |
Oh, looks as if I've been sacked! | 0:39:01 | 0:39:02 | |
Bradshaw's tells me that my next stop | 0:39:13 | 0:39:15 | |
had four railway stations and was known as Breslau, | 0:39:15 | 0:39:18 | |
"one of the most important centres of industry and commerce in Germany, | 0:39:18 | 0:39:23 | |
"with engineering being especially prosperous." | 0:39:23 | 0:39:27 | |
In fact, it was driven particularly by the manufacture of locomotives, | 0:39:27 | 0:39:31 | |
part of Germany's early 20th century phenomenal industrial boom. | 0:39:31 | 0:39:36 | |
My journey is taking me south to a city now known as Wroclaw. | 0:39:36 | 0:39:40 | |
A new day dawns on my journey through Poland, | 0:39:57 | 0:40:00 | |
and I'm in another picturesque city. | 0:40:00 | 0:40:02 | |
It's packed with wonderful Baroque architecture | 0:40:02 | 0:40:05 | |
that would have delighted a tourist following my 1913 guidebook. | 0:40:05 | 0:40:09 | |
Also, I can't help noticing some enchanting little characters | 0:40:10 | 0:40:14 | |
who curiously fail to appear in my Bradshaw's. | 0:40:14 | 0:40:17 | |
Everywhere I go here in Wroclaw, | 0:40:19 | 0:40:22 | |
I find these little bearded leprechauns with pointed hats. | 0:40:22 | 0:40:27 | |
What can the meaning be? I've "gnome" idea. | 0:40:27 | 0:40:30 | |
-Excuse me, do you speak English? -No... -No. | 0:40:36 | 0:40:39 | |
-Do you speak English? -No. | 0:40:42 | 0:40:44 | |
-Excuse me, do you speak English? -Just a little. | 0:40:46 | 0:40:49 | |
These little men, these bearded men with the pointy hats, | 0:40:49 | 0:40:54 | |
who are they? Why are they there? | 0:40:54 | 0:40:57 | |
This is the person in Wroclaw. | 0:40:57 | 0:41:01 | |
It is a symbol of Orange Alternative. | 0:41:01 | 0:41:04 | |
These are called krasnale in Polish, | 0:41:04 | 0:41:06 | |
they're like little dwarves and they're a symbol of the city. | 0:41:06 | 0:41:09 | |
It was the way of fighting with Communism. | 0:41:09 | 0:41:12 | |
They help people. | 0:41:12 | 0:41:13 | |
They were putting those dwarves as some kind of protest. | 0:41:13 | 0:41:16 | |
-How do they help people? -Some of them make you happy. | 0:41:16 | 0:41:21 | |
And now we have, I think, over 120 of them. | 0:41:21 | 0:41:25 | |
And you have to just touch it and dreaming, | 0:41:25 | 0:41:28 | |
and there's dream come true. | 0:41:28 | 0:41:30 | |
How can gnomes, dwarves be anything to do with a revolution? | 0:41:30 | 0:41:34 | |
It was the only way to be against the government, | 0:41:34 | 0:41:36 | |
so this is why the put the dwarves to remind people to smile, | 0:41:36 | 0:41:39 | |
and people like them and I think it's really cool. | 0:41:39 | 0:41:42 | |
Thank you, I think I really understand now. | 0:41:42 | 0:41:45 | |
A traveller following my guidebook would have known that this city | 0:41:49 | 0:41:54 | |
was a German industrial powerhouse and I see | 0:41:54 | 0:41:57 | |
that train-manufacturing giant Bombardier continues the tradition. | 0:41:57 | 0:42:02 | |
'Krzysztof Gablanowski, site manager in the transportation division, | 0:42:02 | 0:42:06 | |
'has agreed to show me around.' | 0:42:06 | 0:42:08 | |
A most impressive and enormous factory. | 0:42:08 | 0:42:11 | |
When did any sort of production begin here? | 0:42:11 | 0:42:14 | |
What is sure is the year - 1838, | 0:42:14 | 0:42:16 | |
but we are not sure whether it started with the wheelbarrows | 0:42:16 | 0:42:20 | |
or with the wagons! | 0:42:20 | 0:42:22 | |
But we are sure about the year. | 0:42:22 | 0:42:25 | |
'By 1913, this factory had grown | 0:42:25 | 0:42:27 | |
'into one of the largest manufacturers of rolling stock | 0:42:27 | 0:42:31 | |
'in Europe, producing its thousandth locomotive that year.' | 0:42:31 | 0:42:35 | |
After that, it grow even faster, because in 1920, | 0:42:35 | 0:42:39 | |
-it was 2,000 locomotives produced. -Heavens. | 0:42:39 | 0:42:43 | |
-So, the rate of production had become enormous! -Right. | 0:42:43 | 0:42:46 | |
'Soon after, the factory was also Europe's largest manufacturer | 0:42:46 | 0:42:51 | |
'of railway carriages.' | 0:42:51 | 0:42:52 | |
What do you do today? | 0:42:52 | 0:42:53 | |
We keep continuing over 100 years' tradition. | 0:42:53 | 0:42:57 | |
So, we produce car bodies for all the types of Bombardier locomotives. | 0:42:57 | 0:43:02 | |
-Would I see any of your products in Britain? -Yes, indeed. | 0:43:02 | 0:43:06 | |
We have produced, in the past, a big batch of bogie frames | 0:43:06 | 0:43:09 | |
for a London Underground project. | 0:43:09 | 0:43:12 | |
And today, we are producing bogie frames for Manchester trams. | 0:43:12 | 0:43:16 | |
-Wroclaw to Manchester! -Right. | 0:43:16 | 0:43:19 | |
'Krzysztof is taking me to see how these chassis frames, | 0:43:19 | 0:43:22 | |
'known as "bogies", are produced.' | 0:43:22 | 0:43:24 | |
Here, we can see the welding process. | 0:43:25 | 0:43:28 | |
By using this kind of jig, | 0:43:28 | 0:43:30 | |
we ensure the quality and ergonomy of the process as much as we can. | 0:43:30 | 0:43:35 | |
When do you think that will be running | 0:43:35 | 0:43:38 | |
on the streets of Manchester? | 0:43:38 | 0:43:40 | |
In one year from now, there should be some delivered to the city. | 0:43:40 | 0:43:44 | |
'And for my final stop on the tour, some on-the-job training.' | 0:43:44 | 0:43:48 | |
I feel like something out of Star Wars! | 0:43:59 | 0:44:02 | |
WELDING TORCH BUZZES | 0:44:04 | 0:44:06 | |
'Under heat, the metal pieces melt | 0:44:12 | 0:44:14 | |
'and fuse together to form a strong, clean joint.' | 0:44:14 | 0:44:18 | |
That's very beautiful! | 0:44:20 | 0:44:21 | |
So, how did you hold it? | 0:44:21 | 0:44:23 | |
Like that? You happy? | 0:44:31 | 0:44:34 | |
WELDING TORCH BUZZES | 0:44:36 | 0:44:38 | |
BUZZING AND CRACKLING | 0:44:42 | 0:44:44 | |
Hmmm. | 0:44:55 | 0:44:57 | |
-A little bit messy! -Wow! | 0:44:57 | 0:45:00 | |
'Well, I hope that doesn't end up under a Manchester tram!' | 0:45:00 | 0:45:04 | |
As I leave this city with its impressive industry, | 0:45:10 | 0:45:13 | |
whimsical architecture, and quirky protest movement, | 0:45:13 | 0:45:17 | |
I'm pleased to see that its station | 0:45:17 | 0:45:19 | |
expresses the city's defiance of convention. | 0:45:19 | 0:45:21 | |
Wroclaw Station must rank | 0:45:23 | 0:45:24 | |
as one of the most delightfully over-the-top that I have ever seen. | 0:45:24 | 0:45:28 | |
There have been lines and platforms here since the 1850s, | 0:45:28 | 0:45:32 | |
but this extraordinary castellated facade | 0:45:32 | 0:45:34 | |
was added between 1899 and 1907. | 0:45:34 | 0:45:36 | |
So, it was new at the time of my Bradshaw's guide | 0:45:36 | 0:45:40 | |
and fully restored in 2012. | 0:45:40 | 0:45:42 | |
I'm embarking on the final leg of my journey to the city of Krakow | 0:45:58 | 0:46:03 | |
which my guidebook tells me was the ancient capital of Poland. | 0:46:03 | 0:46:07 | |
In doing so, I will be crossing the last of the old imperial | 0:46:07 | 0:46:11 | |
boundaries into Austria-Hungary. | 0:46:11 | 0:46:13 | |
Austria and Hungary says Bradshaw's are "independent states | 0:46:32 | 0:46:35 | |
"ruled by Francis Joseph I, | 0:46:35 | 0:46:37 | |
Emperor of Austria and King of Hungary. Heir Presumptive, | 0:46:37 | 0:46:42 | |
"it's Archduke Franz Ferdinand, nephew of the Emperor and King." | 0:46:42 | 0:46:47 | |
Within a year of my guide book being published, | 0:46:47 | 0:46:49 | |
he had been assassinated at Sarajevo plunging Europe into war | 0:46:49 | 0:46:54 | |
and bringing about the dissolution | 0:46:54 | 0:46:56 | |
of the three empires that occupied Poland. | 0:46:56 | 0:46:59 | |
My journey takes me 160 miles south east, | 0:47:16 | 0:47:21 | |
running close to the border with the Czech Republic | 0:47:21 | 0:47:23 | |
towards my final destination. | 0:47:23 | 0:47:25 | |
For Krakow, which is the grand finale of my Polish journey, | 0:47:50 | 0:47:54 | |
Bradshaw's mentions the Grand Hotel! | 0:47:54 | 0:47:56 | |
I discover that the Polish-born writer Joseph Conrad | 0:48:14 | 0:48:17 | |
frequented the Grand Hotel. | 0:48:17 | 0:48:19 | |
At school, I studied his novel about a journey | 0:48:19 | 0:48:22 | |
into the African interior | 0:48:22 | 0:48:25 | |
to discover a white man enjoying absolute power | 0:48:25 | 0:48:28 | |
and seduced into total depravity. | 0:48:28 | 0:48:31 | |
The Heart Of Darkness | 0:48:31 | 0:48:33 | |
was then made into a horrifying Hollywood movie | 0:48:33 | 0:48:37 | |
starring Marlon Brando - the 1979 epic, Apocalypse Now. | 0:48:37 | 0:48:41 | |
Conrad stayed here just a few weeks before the outbreak of the First World War | 0:48:43 | 0:48:47 | |
and was determined to show his young family the city he loved so much. | 0:48:47 | 0:48:52 | |
As the Austro-Hungarian Empire crumbled, | 0:48:52 | 0:48:56 | |
its grip loosened and this area began to enjoy | 0:48:56 | 0:48:58 | |
greater political and religious freedom. | 0:48:58 | 0:49:01 | |
It became known as the cultural capital of Poland. | 0:49:01 | 0:49:04 | |
I'm heading into the old town to see whether I can find any trace | 0:49:06 | 0:49:10 | |
of the third empire, which dominated this part of Poland in 1913. | 0:49:10 | 0:49:15 | |
Once again, the architecture changes markedly. | 0:49:27 | 0:49:30 | |
Russian and German influences are behind me. | 0:49:30 | 0:49:34 | |
This is so very Austrian! | 0:49:34 | 0:49:36 | |
That's particularly evident in this glorious square. | 0:49:47 | 0:49:50 | |
Four of the cities on this Polish journey | 0:49:59 | 0:50:01 | |
have been characterised by magnificent public squares. | 0:50:01 | 0:50:05 | |
Maybe this one in Krakow is the best of all. | 0:50:05 | 0:50:08 | |
One of the things I love about them is the chaotic juxtaposition | 0:50:08 | 0:50:11 | |
of different architectural styles. | 0:50:11 | 0:50:14 | |
The buildings are higgledy-piggledy and yet, somehow, it works. | 0:50:14 | 0:50:18 | |
And within them, a vast space for people to be boisterous and free. | 0:50:18 | 0:50:23 | |
In this Austro-Hungarian partition of Poland, | 0:50:30 | 0:50:33 | |
that sense of freedom extended to the Polish religion, Catholicism. | 0:50:33 | 0:50:37 | |
Krakow's most famous cleric, the recently sainted | 0:50:39 | 0:50:42 | |
Karol Jozef Wojtyla, was elected Pope John Paul II in 1978. | 0:50:42 | 0:50:48 | |
A year later, he visited his native Poland | 0:50:49 | 0:50:52 | |
still embedded in the Soviet Empire. | 0:50:52 | 0:50:55 | |
Millions flocked to see him. | 0:50:55 | 0:50:57 | |
His election as Pope and return to Poland helped to fire up | 0:50:59 | 0:51:03 | |
the workers' protest movement called Solidarity. | 0:51:03 | 0:51:07 | |
Apparently, when you're in Krakow you must eat a pretzel. | 0:51:15 | 0:51:18 | |
Thank you. | 0:51:18 | 0:51:21 | |
Thank you. | 0:51:21 | 0:51:22 | |
It seems that they are a left-over from the Austro-Hungarian Empire. | 0:51:22 | 0:51:27 | |
Personally, I can't stand them. | 0:51:29 | 0:51:31 | |
But I take my duties as a tourist seriously! | 0:51:31 | 0:51:34 | |
Hmm. | 0:51:34 | 0:51:36 | |
That's not going to satisfy my hunger. | 0:51:40 | 0:51:43 | |
I've been told that there are canteens known as "milk bars" | 0:51:43 | 0:51:46 | |
to be found where they serve good, cheap food. | 0:51:46 | 0:51:49 | |
Mushroom soup? Any stuffed cabbage? | 0:51:55 | 0:51:58 | |
Ooh! Stuffed cabbage, yeah. | 0:51:58 | 0:52:00 | |
'Around since the time of my guidebook, | 0:52:00 | 0:52:02 | |
'these canteens still offer | 0:52:02 | 0:52:04 | |
'substantial portions to workers today.' | 0:52:04 | 0:52:07 | |
Ooh, that looks pretty good. that mushroom soup. | 0:52:07 | 0:52:09 | |
'Their heyday was in the second half of the 20th century, | 0:52:09 | 0:52:13 | |
'while Poland lived under Soviet-imposed Communism.' | 0:52:13 | 0:52:16 | |
Thank you very much. Wow! | 0:52:16 | 0:52:17 | |
I don't think I'm going to go hungry with that! | 0:52:17 | 0:52:20 | |
14.20. | 0:52:22 | 0:52:23 | |
So, actually, that's not quite £3. | 0:52:23 | 0:52:25 | |
Thank you very much. | 0:52:25 | 0:52:27 | |
So, this very basic food and these very unfussy, | 0:52:37 | 0:52:41 | |
plain surroundings are about the only souvenir | 0:52:41 | 0:52:44 | |
that I've found in Poland of the old Communist era | 0:52:44 | 0:52:48 | |
which lasted from 1945 to 1989 | 0:52:48 | 0:52:50 | |
and at the time, must have seemed endless! | 0:52:50 | 0:52:54 | |
At the time of my Bradshaw's, | 0:53:03 | 0:53:05 | |
Poland was partitioned between three empires. | 0:53:05 | 0:53:09 | |
Travellers could hardly have guessed that each of them | 0:53:09 | 0:53:12 | |
would collapse, giving rise to a moment of Polish freedom. | 0:53:12 | 0:53:17 | |
But the empires returned, first Nazi then Soviet. | 0:53:17 | 0:53:22 | |
I'm off to visit Nowa Huta, a gift to Krakow | 0:53:22 | 0:53:25 | |
from the grimmest Soviet dictator, Joseph Stalin. | 0:53:25 | 0:53:28 | |
My guide is Maciek Nyzio, and my ride, a Soviet-era Trabant. | 0:53:32 | 0:53:37 | |
-Hello, Maciek! How are you? -Good to see you. How are you? | 0:53:38 | 0:53:42 | |
-I hope your Trabant hasn't broken down! -Everything is fine. | 0:53:42 | 0:53:45 | |
I was just checking it. | 0:53:45 | 0:53:47 | |
There's not much to check, because this is the whole engine. | 0:53:47 | 0:53:51 | |
It's engine more like for a motorbike or a chain saw. | 0:53:51 | 0:53:55 | |
26 horsepower engine! | 0:53:55 | 0:53:56 | |
Battery next to fuel tank! | 0:53:56 | 0:53:59 | |
The car is very elastic, too. Look! | 0:53:59 | 0:54:02 | |
In case of an accident, | 0:54:02 | 0:54:04 | |
I hope it will just bounce back from other car. | 0:54:04 | 0:54:06 | |
-Let's hope so! -Jump in, it's open! | 0:54:06 | 0:54:08 | |
Made in East Germany, | 0:54:23 | 0:54:24 | |
the Trabant was the iconic car of the Communist era. | 0:54:24 | 0:54:28 | |
Painfully backward by comparison with vehicles | 0:54:28 | 0:54:31 | |
beyond the Iron Curtain. | 0:54:31 | 0:54:33 | |
I think this car is a good example of what real Communism was. | 0:54:33 | 0:54:37 | |
It's supposed to be very cheap car for the whole family, easy to get. | 0:54:37 | 0:54:41 | |
Finally, tiny car was designed and they were extremely expensive! | 0:54:41 | 0:54:45 | |
Maciek, which part of the city are we in, now? | 0:54:45 | 0:54:47 | |
We're in the oldest part of Nowa Huta, this perfect Communistic city. | 0:54:47 | 0:54:52 | |
Nowadays, it's one of the districts of Krakow. | 0:54:52 | 0:54:55 | |
It was built after Second World War as a separated city. | 0:54:55 | 0:54:59 | |
A gift from Joseph Stalin. | 0:54:59 | 0:55:01 | |
Construction of Nowa Huta began in 1949. | 0:55:06 | 0:55:10 | |
Stalin's aim was to showcase the industrial might of Communism | 0:55:10 | 0:55:14 | |
and to crush the middle classes by creating a uniform, | 0:55:14 | 0:55:18 | |
working-class centre, populated by industrial workers. | 0:55:18 | 0:55:22 | |
It was supposed to be a city to show the power of this new system | 0:55:22 | 0:55:26 | |
to convince people to this new ideology, | 0:55:26 | 0:55:29 | |
a symbol of Polish Soviet friendship. | 0:55:29 | 0:55:31 | |
They wanted to provide as many apartments as possible, | 0:55:31 | 0:55:34 | |
and to give people jobs, work at the factory. | 0:55:34 | 0:55:38 | |
That's the main entrance to the factory in front of us. | 0:55:38 | 0:55:40 | |
-What was it called? -Up until 1990,it was Lenin Steelworks. | 0:55:40 | 0:55:44 | |
A vast, labyrinthine plant | 0:55:46 | 0:55:47 | |
with nearly 300km of railway tracks inside it, | 0:55:47 | 0:55:51 | |
the Lenin Works provided employment for the proletariat. | 0:55:51 | 0:55:55 | |
But by the 1980s, it had become a hotbed | 0:55:55 | 0:55:58 | |
of the anti-Soviet Solidarity movement. | 0:55:58 | 0:56:01 | |
This is Central Square. | 0:56:02 | 0:56:04 | |
Some time ago, our authorities added a name. | 0:56:04 | 0:56:07 | |
So, it's the Central Square of Ronald Reagan! | 0:56:07 | 0:56:10 | |
-Ronald Reagan? -Yes, we like famous actors in Poland. | 0:56:10 | 0:56:13 | |
Ronald Reagan helped to donate a lot of money | 0:56:13 | 0:56:17 | |
to our opposition, to Solidarity. | 0:56:17 | 0:56:19 | |
He was friend of Lech Walesa, | 0:56:19 | 0:56:21 | |
our first democratically elected president after the war. | 0:56:21 | 0:56:26 | |
Under the leadership of Lech Walesa, | 0:56:26 | 0:56:28 | |
the Solidarity movement won the fight | 0:56:28 | 0:56:30 | |
for the first partially independent elections in 1989. | 0:56:30 | 0:56:35 | |
Poland became the first country in the Soviet Empire | 0:56:35 | 0:56:39 | |
to abandon Communism. | 0:56:39 | 0:56:40 | |
Leaving Ronald Reagan Square behind us, | 0:56:42 | 0:56:44 | |
Maciek and I are reconvening in a Communist-era bar. | 0:56:44 | 0:56:48 | |
Welcome to stylish restaurant! | 0:56:49 | 0:56:51 | |
Mmm, it has quite an old-fashioned feel to it! | 0:56:51 | 0:56:53 | |
It's one of the few places left in Communistic style here in Nowa Huta. | 0:56:53 | 0:56:57 | |
GLASSES TINKLE | 0:56:57 | 0:56:58 | |
I really enjoyed our ride in the Trabant. | 0:57:00 | 0:57:02 | |
Our ride through recent Polish history! | 0:57:02 | 0:57:04 | |
-Na zdrowie! To Poland! -To Poland, of course! | 0:57:04 | 0:57:08 | |
A visitor to Krakow in 1913 might have guessed | 0:57:11 | 0:57:14 | |
that the Austro-Hungarian Empire was crumbling, | 0:57:14 | 0:57:17 | |
but not that it would shortly be joined in the dustbin of history | 0:57:17 | 0:57:22 | |
by the German and Russian Empires, too. | 0:57:22 | 0:57:25 | |
When Nazi Germany invaded Poland in 1939, | 0:57:25 | 0:57:28 | |
that was the start of the Second World War, | 0:57:28 | 0:57:31 | |
and after its end, there followed 45 years of Soviet domination. | 0:57:31 | 0:57:37 | |
Polish nationalism revived when Karol Jozef Wojtyla became Pope. | 0:57:37 | 0:57:42 | |
Poland became free in 1989. | 0:57:42 | 0:57:45 | |
During the course of this journey, | 0:57:45 | 0:57:47 | |
I've discovered that the Poles have often been oppressed, | 0:57:47 | 0:57:51 | |
but their spirit is irrepressible. | 0:57:51 | 0:57:53 | |
'Next time, I find my sea legs off Spain's Atlantic coast.' | 0:57:58 | 0:58:02 | |
Isn't that a beautiful beast? Isn't that fantastic? | 0:58:02 | 0:58:05 | |
'Sample a favourite British tipple in Oporto.' | 0:58:05 | 0:58:08 | |
It's a Martinez 1953, a very rare wine. | 0:58:08 | 0:58:11 | |
It's glorious! | 0:58:13 | 0:58:14 | |
'And in Lisbon, investigate an assassination.' | 0:58:14 | 0:58:18 | |
They're a group of armed Republicans, in five minutes, | 0:58:18 | 0:58:22 | |
they almost wiped out the entire royal family. | 0:58:22 | 0:58:25 | |
So, this square was the scene of appalling horror. | 0:58:25 | 0:58:28 |