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This programme contains some strong language. | 0:00:02 | 0:00:08 | |
'Long before I did all this for a living,' | 0:00:08 | 0:00:10 | |
I embarked on a journey that changed the course of my life. | 0:00:10 | 0:00:13 | |
In 1992, I rode a bicycle through Sydney, Australia, | 0:00:13 | 0:00:17 | |
back to Liverpool. | 0:00:17 | 0:00:20 | |
Now, 22 years later, I think it's time to do it all again. | 0:00:20 | 0:00:24 | |
I've thought of going back to Australia and recreating the route | 0:00:25 | 0:00:29 | |
loads of times in the last 20-odd years, | 0:00:29 | 0:00:31 | |
just because I feel like I went to Australia but I didn't. | 0:00:31 | 0:00:36 | |
I went to a road in Australia, and stayed on that road | 0:00:36 | 0:00:39 | |
and very rarely went off it. | 0:00:39 | 0:00:41 | |
I want to go back and see the Australia I didn't see. | 0:00:41 | 0:00:44 | |
That's what I want to do. | 0:00:44 | 0:00:46 | |
'Now as a self-confessed middle-aged man in Lycra, | 0:00:51 | 0:00:54 | |
'I'm going to go back and retrace the first stage of my journey, | 0:00:54 | 0:00:57 | |
'2,500km from Sydney to Cairns. | 0:00:57 | 0:01:02 | |
'But this time, I need to see all that Australia has to offer, | 0:01:02 | 0:01:06 | |
'from its amazing landscape to its unique people. | 0:01:06 | 0:01:11 | |
'I also want to discover how the man I am today | 0:01:11 | 0:01:14 | |
'compares to the man who came here 22 years ago.' | 0:01:14 | 0:01:16 | |
It's amazing. | 0:01:18 | 0:01:20 | |
Oh, shit! | 0:01:20 | 0:01:22 | |
This is seeing Australia in a way that I've never seen it before | 0:01:22 | 0:01:25 | |
and most people don't. | 0:01:25 | 0:01:26 | |
-AUDIENCE APPLAUDS -So ladies and gentlemen, | 0:01:32 | 0:01:34 | |
-are you ready for a good night? -AUDIENCE: Yeah! | 0:01:34 | 0:01:36 | |
I live a life now that I couldn't have even dreamed of living | 0:01:36 | 0:01:40 | |
when I was 25. | 0:01:40 | 0:01:41 | |
'You could have sat me down and gave me a piece of paper and said, | 0:01:43 | 0:01:46 | |
"Come up with the most outrageous job you think you'll be doing | 0:01:46 | 0:01:50 | |
"when you're 47," and it wouldn't be a stand-up comedian. | 0:01:50 | 0:01:53 | |
I couldn't have come up with that. | 0:01:53 | 0:01:55 | |
Back in 1992, I was working as a sales rep for a drug company. | 0:01:55 | 0:02:00 | |
I had a good wage, a company car, I was playing semi-pro football | 0:02:00 | 0:02:04 | |
and I had a steady girlfriend. | 0:02:04 | 0:02:06 | |
To my mates, it appeared that I had it all sorted, | 0:02:06 | 0:02:09 | |
but I just felt I was at a crossroads. | 0:02:09 | 0:02:11 | |
I could see meself being 45 and still in this company car, | 0:02:11 | 0:02:16 | |
still doing the job. | 0:02:16 | 0:02:17 | |
And Australia is the other side of the world | 0:02:17 | 0:02:20 | |
so it was a part of the world that was always attractive to me. | 0:02:20 | 0:02:23 | |
But I knew if I didn't go then, I never would go. | 0:02:23 | 0:02:26 | |
And that's what it was. Travelling back from Australia | 0:02:26 | 0:02:29 | |
to me was the ultimate adventure that I could think of. | 0:02:29 | 0:02:32 | |
'Although leaving the job, my mates and the football was tough, | 0:02:34 | 0:02:37 | |
'the hardest decision was the one I made to leave Melanie behind.' | 0:02:37 | 0:02:42 | |
'We actually met at uni. | 0:02:42 | 0:02:43 | |
'I was in my third year, he was in the year below me.' | 0:02:43 | 0:02:47 | |
He had this aura about him. | 0:02:47 | 0:02:49 | |
He would walk into the cafeteria or a lecture theatre... | 0:02:49 | 0:02:54 | |
'You couldn't sort of fail to not know he was there.' | 0:02:54 | 0:02:59 | |
Also, he was quite loud and he did have this accent | 0:02:59 | 0:03:02 | |
which for a long time, | 0:03:02 | 0:03:04 | |
'I actually really couldn't pinpoint what it was.' | 0:03:04 | 0:03:07 | |
So he was difficult to ignore, | 0:03:07 | 0:03:10 | |
on a number of levels. | 0:03:10 | 0:03:12 | |
And then by 1992, we'd been going out with each other for four years | 0:03:12 | 0:03:17 | |
and she had friends that were getting engaged and getting married. | 0:03:17 | 0:03:21 | |
Everyone was giving us that look, that kind of, "So... | 0:03:21 | 0:03:25 | |
"are you going to...?" | 0:03:25 | 0:03:27 | |
And so Melanie said, "Well, are we going to?" | 0:03:27 | 0:03:30 | |
And I went, "No." | 0:03:30 | 0:03:33 | |
I just wasn't ready for that life. | 0:03:33 | 0:03:35 | |
It was the commitment to say, "That's you now, son. | 0:03:35 | 0:03:39 | |
"It's time to get married, to settle down, to have kids." | 0:03:39 | 0:03:42 | |
A short time later, Melanie accepted a job as an air hostess in Dubai. | 0:03:44 | 0:03:50 | |
They gave me six weeks, basically, to pack my stuff up, | 0:03:50 | 0:03:53 | |
go out and live in Dubai. | 0:03:53 | 0:03:55 | |
And right up until getting on the flight, | 0:03:55 | 0:04:00 | |
I was still hoping for him to say, "Don't go, we'll get married." | 0:04:00 | 0:04:05 | |
Didn't say it and that was it for me, it was a new life, new start. | 0:04:05 | 0:04:09 | |
I never wanted to be with anyone else. | 0:04:09 | 0:04:12 | |
Every time I thought about it, | 0:04:12 | 0:04:14 | |
I knew I wouldn't love anyone else the same way. | 0:04:14 | 0:04:17 | |
We were both in tears, if I'm being honest, | 0:04:17 | 0:04:20 | |
cos we both knew that it was... | 0:04:20 | 0:04:21 | |
..at best, 50/50 the relationship was going to last. | 0:04:23 | 0:04:27 | |
So I have to admit, I was a very mixed up young man | 0:04:27 | 0:04:30 | |
when I got on that plane to Australia. | 0:04:30 | 0:04:32 | |
I was going there to kind of find meself. | 0:04:32 | 0:04:36 | |
A lot of the questions in me head were the questions you have | 0:04:36 | 0:04:39 | |
at that stage in your life, you know, "What am I going to be? | 0:04:39 | 0:04:42 | |
"What should I do? Should I have married that girl?" | 0:04:42 | 0:04:46 | |
I was still discovering who I was and what I was about then. | 0:04:46 | 0:04:50 | |
'Now, I'm a man in my 40s, I've got three teenage sons | 0:04:50 | 0:04:54 | |
'and I married the girl I left behind. | 0:04:54 | 0:04:56 | |
'Again, all me mates think I've got it sorted, | 0:04:56 | 0:04:59 | |
'but I just feel like I'm back at that crossroads. | 0:04:59 | 0:05:02 | |
'It's like I've got unfinished business with Australia. | 0:05:02 | 0:05:06 | |
'I need to go back and see the country I missed out on. | 0:05:06 | 0:05:08 | |
'And also, to be fair, it'll be nice to be able to put on me Lycra | 0:05:08 | 0:05:11 | |
'without the kids laughing at me.' | 0:05:11 | 0:05:14 | |
He'll always be constantly on the go. | 0:05:14 | 0:05:16 | |
He's not happy. He'll tread water for a bit | 0:05:16 | 0:05:19 | |
and then it's time to go and do something else. | 0:05:19 | 0:05:21 | |
He'll always, always be that kind of man. | 0:05:21 | 0:05:24 | |
And he always did say that he wanted to go back. | 0:05:24 | 0:05:28 | |
I think it's really, really a great thing for him to do. | 0:05:28 | 0:05:31 | |
And a challenge, obviously, | 0:05:31 | 0:05:33 | |
cos he's going to have to get back on that bike again. | 0:05:33 | 0:05:36 | |
So I'm off, I'm leaving the wife, the kids, the dogs behind | 0:05:38 | 0:05:41 | |
and it's just me and me bicycle going to Sydney. | 0:05:41 | 0:05:44 | |
Australia's enjoyed a boom in recent years | 0:05:50 | 0:05:53 | |
and no city reflects this more than Sydney. | 0:05:53 | 0:05:56 | |
I want to get the best view possible | 0:05:56 | 0:05:58 | |
and I've always wanted to feel like Indiana Jones, | 0:05:58 | 0:06:01 | |
so I've hitched a ride in a seaplane. | 0:06:01 | 0:06:03 | |
What you're flying in is called a De Havilland Beaver | 0:06:05 | 0:06:07 | |
-and this was made in 1963. -1963? | 0:06:07 | 0:06:11 | |
Yeah, absolutely, so it's exactly 50 years... | 0:06:11 | 0:06:13 | |
-So I'm sat in a plane that's older than me... -Yeah. | 0:06:13 | 0:06:16 | |
-I don't think I've ever done that. -Yeah. | 0:06:16 | 0:06:19 | |
You know what strikes you about seeing Sydney this way | 0:06:19 | 0:06:22 | |
is that the place is alive. | 0:06:22 | 0:06:25 | |
The water, the relationship with the water and that everyone's out on it. | 0:06:25 | 0:06:30 | |
And when the first settlers come in, | 0:06:32 | 0:06:34 | |
would they have come into the bay this way? | 0:06:34 | 0:06:36 | |
They would have come just south of here to Botany Bay. | 0:06:36 | 0:06:39 | |
Captain James Cook discovered Australia in 1770 | 0:06:39 | 0:06:43 | |
and he came down this way, looking for a good place for a penal colony. | 0:06:43 | 0:06:47 | |
The idea that Cook thought, | 0:06:49 | 0:06:50 | |
"You know what? This is beautiful here. | 0:06:50 | 0:06:52 | |
"Let's get all the criminals and bring them here." | 0:06:52 | 0:06:55 | |
You know what I mean? It's mad, innit? | 0:06:55 | 0:06:57 | |
Typical English arrogance. | 0:06:57 | 0:06:59 | |
As it happens, James Cook came from Middlesbrough, | 0:06:59 | 0:07:02 | |
so most places would have looked beautiful to him. | 0:07:02 | 0:07:04 | |
But there's no denying that since his arrival, | 0:07:04 | 0:07:07 | |
Sydney has grown into an incredible place. | 0:07:07 | 0:07:09 | |
Today is Australia Day, when the country celebrates | 0:07:11 | 0:07:14 | |
the moment that the British flag was planted in Sydney. | 0:07:14 | 0:07:18 | |
A replica of Cook's ship, The Endeavour, | 0:07:18 | 0:07:20 | |
leads a flotilla through the harbour. | 0:07:20 | 0:07:22 | |
The weather looks British, but the atmosphere is distinctly Aussie. | 0:07:24 | 0:07:28 | |
HORN BLOWS | 0:07:28 | 0:07:30 | |
You know what? There's nothing more Australian than this, | 0:07:30 | 0:07:33 | |
Australia Day, because if this was in England, it'd be regulated, | 0:07:33 | 0:07:37 | |
you know what I mean? Somebody somewhere would be managing this. | 0:07:37 | 0:07:41 | |
We're out in a water taxi and there's boats everywhere, | 0:07:41 | 0:07:45 | |
going in every direction. | 0:07:45 | 0:07:47 | |
And, look at that. | 0:07:47 | 0:07:49 | |
Look at that lunatic in the canoe. | 0:07:49 | 0:07:52 | |
Look, everything's here, warships, | 0:07:52 | 0:07:55 | |
big tall ships, speed boats | 0:07:55 | 0:07:58 | |
and some idiot's in a canoe. | 0:07:58 | 0:08:00 | |
-He's getting his camera out! -JOHN LAUGHS | 0:08:01 | 0:08:04 | |
Oh, brilliant. | 0:08:06 | 0:08:07 | |
I don't remember Australia Day being such a big deal in 1992, | 0:08:09 | 0:08:13 | |
but a lot has changed in this country since then. | 0:08:13 | 0:08:16 | |
To understand a little bit more about this new Australia, | 0:08:16 | 0:08:19 | |
I'm meeting up with a fellow comedian and good mate of mine, | 0:08:19 | 0:08:22 | |
Adam Hills. | 0:08:22 | 0:08:24 | |
Adam divides his time between here and the UK. | 0:08:24 | 0:08:27 | |
He's a bit like Kylie with jokes. | 0:08:27 | 0:08:30 | |
Cos when I was here, I'll be honest, | 0:08:30 | 0:08:32 | |
when I was here 20 years ago, I didn't see a lot of Australia, | 0:08:32 | 0:08:35 | |
I literally saw the road in front of me and I just pedalled. | 0:08:35 | 0:08:38 | |
-And I'm trying to discover things that I never saw last time. -Right. | 0:08:38 | 0:08:43 | |
I just want to know what to expect. | 0:08:43 | 0:08:45 | |
What's interesting about Australia over the last 20 years is that | 0:08:45 | 0:08:48 | |
we've become more aware of the rest of the world. | 0:08:48 | 0:08:50 | |
I would have thought 20 years ago, | 0:08:50 | 0:08:52 | |
your Liverpool accent would have been unintelligible in Australia. | 0:08:52 | 0:08:56 | |
You know what, that's a very good point. | 0:08:56 | 0:08:59 | |
What I have found is people do seem to understand me more. | 0:08:59 | 0:09:03 | |
I would have thought the fact that you're on telly | 0:09:03 | 0:09:06 | |
and you need to be understood by an entire nation. | 0:09:06 | 0:09:08 | |
But I can, you know... | 0:09:11 | 0:09:12 | |
When you first told me you were doing this trip, I just had flashbacks | 0:09:12 | 0:09:16 | |
of you in 1992 in North Queensland in a bar, just with some bar owner | 0:09:16 | 0:09:19 | |
with a confused look on his face. | 0:09:19 | 0:09:21 | |
And with your Liverpool Scouse... IMITATES SCOUSE ACCENT | 0:09:21 | 0:09:25 | |
And he was going... IMITATES AUSSIE ACCENT | 0:09:25 | 0:09:29 | |
It's like seeing Clangers having a row, "Ne, ne, ne, ne!" | 0:09:29 | 0:09:33 | |
See, when I came 20 years ago, I don't know, | 0:09:34 | 0:09:38 | |
Sydney just didn't seem as international as it is now. | 0:09:38 | 0:09:42 | |
Now, Australia has really come along, | 0:09:42 | 0:09:44 | |
we're not as backward as we used to be, I think. | 0:09:44 | 0:09:46 | |
But as a young country, | 0:09:46 | 0:09:48 | |
Australia is the result of people coming over on boats, | 0:09:48 | 0:09:51 | |
-taking a punt and building the country, it's not... -Oh! | 0:09:51 | 0:09:54 | |
Look, it's ridiculous. On Australia Day, | 0:09:54 | 0:09:57 | |
-we celebrate the arrival of people illegally on boats. -Yeah. | 0:09:57 | 0:10:00 | |
At the same time the government | 0:10:00 | 0:10:02 | |
are putting in measures to stop the arrival illegally of people on boats. | 0:10:02 | 0:10:05 | |
-As you know, I'm going from here up to Cairns. -Yeah. | 0:10:05 | 0:10:09 | |
Have you got any advice for where I'm going? | 0:10:09 | 0:10:12 | |
-Do you know what I've just realised? -What? | 0:10:12 | 0:10:15 | |
In filmic terms, you are a one-man Priscilla, Queen Of The Desert. | 0:10:15 | 0:10:19 | |
You are going on this journey where you've started off in the city | 0:10:19 | 0:10:23 | |
and then you are going to head off into the country to find yourself. | 0:10:23 | 0:10:26 | |
And then at the end of this, you'll be in drag in a Cairns nightclub. | 0:10:26 | 0:10:30 | |
No, cos I'm wearing Lycra all the way. | 0:10:30 | 0:10:33 | |
I'm not quite sure. What are they...? | 0:10:33 | 0:10:36 | |
They wanted to be cocks in frocks on a rock. | 0:10:36 | 0:10:39 | |
With a pair of Lycra, you are going to be | 0:10:39 | 0:10:42 | |
chafed balls next to some waterfalls. | 0:10:42 | 0:10:44 | |
Thanks. | 0:10:47 | 0:10:48 | |
Sydney is recognised as a modern city around the world, | 0:10:52 | 0:10:56 | |
but for thousands of years before that, | 0:10:56 | 0:10:58 | |
it was home to the aboriginal people. | 0:10:58 | 0:11:00 | |
Many in their community mark this day differently | 0:11:00 | 0:11:04 | |
by calling it Survival Day. | 0:11:04 | 0:11:06 | |
Now the voice of the indigenous population is being heard | 0:11:06 | 0:11:09 | |
in a way that it wasn't in the past... | 0:11:09 | 0:11:11 | |
through young people like Jessica Mauboy. | 0:11:11 | 0:11:14 | |
I'm here to sing. | 0:11:14 | 0:11:15 | |
Jessica is a huge pop star in Australia, | 0:11:17 | 0:11:20 | |
but I first saw her in the film The Sapphires. | 0:11:20 | 0:11:23 | |
The movie tells the true story of how three ordinary aboriginal | 0:11:23 | 0:11:26 | |
women were transformed into a successful girl group. | 0:11:26 | 0:11:30 | |
When you were a child growing up, | 0:11:30 | 0:11:33 | |
how was Australian history taught to you? | 0:11:33 | 0:11:36 | |
-I was lucky that, you know, I had my grandparents, my nanna... -Yeah. | 0:11:36 | 0:11:40 | |
..who would, you know, pass down a certain way | 0:11:40 | 0:11:42 | |
and a certain tradition, whether it be, you know, | 0:11:42 | 0:11:45 | |
going collecting food out in the bush and bringing it back to, you know... | 0:11:45 | 0:11:48 | |
-Instead of going to the shop and buying food. -Yeah. | 0:11:48 | 0:11:51 | |
I think growing up in Darwin, | 0:11:51 | 0:11:53 | |
-we have such a massive aboriginal community. -Yeah. | 0:11:53 | 0:11:58 | |
My mum's clan name is Kuku Yalanji. | 0:11:58 | 0:12:03 | |
Her family comes from a stolen generation where kids that were | 0:12:03 | 0:12:07 | |
half-caste or that were light-skinned were taken away from their families | 0:12:07 | 0:12:14 | |
to be put in white homes, to be taught white ways. | 0:12:14 | 0:12:19 | |
-And this was a government-backed scheme? -This was the... That was. | 0:12:19 | 0:12:24 | |
The assumption being that they were giving them a better life? | 0:12:24 | 0:12:28 | |
They tried to take my mum and her sisters away but my nanna, | 0:12:28 | 0:12:34 | |
or her nanna and grandad fought back and said, | 0:12:34 | 0:12:37 | |
-"No, you can't, you cannot have them." -Yeah. | 0:12:37 | 0:12:40 | |
But I think we can take it now | 0:12:40 | 0:12:42 | |
-and we can pass down to the next generation... -Yeah. | 0:12:42 | 0:12:45 | |
..about... Tell them the stories and allow them to know | 0:12:45 | 0:12:48 | |
but don't do it with anger, do it with a bit of more of a celebration, | 0:12:48 | 0:12:54 | |
to know that we're here, we are still here | 0:12:54 | 0:12:58 | |
and that we're still living and we're still passing on | 0:12:58 | 0:13:00 | |
the spirit and the magic and the soul. | 0:13:00 | 0:13:03 | |
So, I definitely think that, you know, we're getting better | 0:13:03 | 0:13:07 | |
as a country and we're definitely unifying and that's a huge... | 0:13:07 | 0:13:10 | |
LOUD BANG Wow! | 0:13:10 | 0:13:14 | |
-There goes the cannons. -Yeah. | 0:13:14 | 0:13:18 | |
Wow. | 0:13:18 | 0:13:19 | |
You can see the aboriginal flag up there. | 0:13:19 | 0:13:21 | |
And that flag is being recognised now as a unifying thing for all... | 0:13:21 | 0:13:25 | |
Oh, yeah, yeah. | 0:13:25 | 0:13:26 | |
-..the aboriginal people. -With the rest of the flags. | 0:13:26 | 0:13:29 | |
So as a young girl, you would never have seen that? | 0:13:29 | 0:13:33 | |
It's actually quite a... | 0:13:33 | 0:13:35 | |
-It's sort of overwhelming, in fact. -Yeah. | 0:13:37 | 0:13:39 | |
Sorry, I'm so emotional right now. | 0:13:39 | 0:13:43 | |
Jessica's story and being in this buzzing city | 0:13:44 | 0:13:47 | |
has just really whetted my appetite to get out and see more | 0:13:47 | 0:13:50 | |
of what this country's got to offer. | 0:13:50 | 0:13:53 | |
This is the actual map that I used and it took me | 0:13:54 | 0:13:59 | |
30 days to ride to Sydney to Cairns. | 0:13:59 | 0:14:02 | |
During those 30 days, | 0:14:04 | 0:14:06 | |
it didn't take me long to realise that Australia is massive. | 0:14:06 | 0:14:11 | |
This time round, I want to see more of it so I know to do that, | 0:14:11 | 0:14:14 | |
I'm going to have to get off the bicycle every now and again. | 0:14:14 | 0:14:18 | |
Reading through the diary, | 0:14:18 | 0:14:20 | |
it's pretty apparent that I just cycled and cycled. | 0:14:20 | 0:14:24 | |
I just think me 25-year-old self had a desire to get somewhere, | 0:14:24 | 0:14:29 | |
like you do when you're 25. | 0:14:29 | 0:14:31 | |
Whereas I'm 47 now, I'm not really in the same rush. | 0:14:31 | 0:14:35 | |
One thing that I've learnt, it's up to you whether you have fun, | 0:14:35 | 0:14:38 | |
you can't wait for it to happen. | 0:14:38 | 0:14:40 | |
And I think when I was a younger man, | 0:14:40 | 0:14:43 | |
I was probably a little bit more serious. | 0:14:43 | 0:14:45 | |
So, yeah, I want to have a little bit of fun | 0:14:45 | 0:14:47 | |
and I also want to see what I missed. | 0:14:47 | 0:14:50 | |
'Well, the truth is I'm not going exactly the way I went | 0:14:53 | 0:14:56 | |
'so I'm taking this diversion on the first day' | 0:14:56 | 0:14:58 | |
up to the Blue Mountains, because when I left Sydney I went north. | 0:14:58 | 0:15:01 | |
Everyone said to me, | 0:15:01 | 0:15:03 | |
"While you were in Sydney, did you go to the Blue Mountains?" | 0:15:03 | 0:15:05 | |
And I went, "No, cos I didn't even know they were there," | 0:15:05 | 0:15:08 | |
which is just stupid. So, yeah, I'm looking forward to it, | 0:15:08 | 0:15:11 | |
get a bit of miles in, really, and get it moving. | 0:15:11 | 0:15:13 | |
'Starting a journey's always exciting but starting an epic | 0:15:16 | 0:15:19 | |
'trip like this couldn't get more exciting, particularly in Sydney. | 0:15:19 | 0:15:24 | |
'I'm ready for this. This is me, now. | 0:15:24 | 0:15:28 | |
'This is my moment.' | 0:15:28 | 0:15:30 | |
'Well, this isn't me moment, it's coming up.' | 0:15:33 | 0:15:36 | |
I'm heading to the Blue Mountains. | 0:15:40 | 0:15:43 | |
It's a 90km journey into the most spectacular wilderness | 0:15:43 | 0:15:46 | |
in New South Wales. | 0:15:46 | 0:15:48 | |
2.5 million acres of virgin forest, | 0:15:48 | 0:15:52 | |
vast canyons and soaring cliffs. | 0:15:52 | 0:15:55 | |
But first, I need to get out of this city. | 0:15:57 | 0:16:00 | |
What a bridge. What a place! | 0:16:01 | 0:16:04 | |
'I've got the wind in my hair, the factor 50 on my face | 0:16:11 | 0:16:14 | |
'and appropriate lubrication where I need it | 0:16:14 | 0:16:16 | |
'to make sure that I stay friction free.' | 0:16:16 | 0:16:18 | |
'It feels great to be on a road, even if that road is going uphill.' | 0:16:23 | 0:16:27 | |
I'm not even in the mountains yet. | 0:16:30 | 0:16:32 | |
Just on a hill. | 0:16:34 | 0:16:36 | |
I'm heading to the town of Katoomba in the heart of the mountains. | 0:16:38 | 0:16:43 | |
Hey, hey, hey. Best thing about a hill... | 0:16:43 | 0:16:47 | |
..got a hill going down. | 0:16:47 | 0:16:49 | |
I'm already learning that the road's good, the bike's fast... | 0:16:51 | 0:16:55 | |
Wahoo! | 0:16:55 | 0:16:57 | |
..and that you need to apply that lubrication more evenly. | 0:16:57 | 0:17:00 | |
Still, I'm alive at the end of the first day. | 0:17:00 | 0:17:04 | |
Apparently, me being squashed | 0:17:04 | 0:17:06 | |
by a truck wouldn't have made such good telly! | 0:17:06 | 0:17:08 | |
Here's me little thing there. | 0:17:08 | 0:17:10 | |
So I've done about four hours, 85km, which is probably very close | 0:17:10 | 0:17:16 | |
to what I did on the first day last time, | 0:17:16 | 0:17:18 | |
although I'm in a different town and I'm up a mountain and I'm shattered | 0:17:18 | 0:17:23 | |
and I want me bed and I'm 47, not 25. | 0:17:23 | 0:17:27 | |
It's the thing I did. It's that little bit about trying to reconnect | 0:17:29 | 0:17:34 | |
with Australia the way I was then. | 0:17:34 | 0:17:36 | |
You can fly through but if you're pedalling every step of the way | 0:17:36 | 0:17:41 | |
or as much as you possibly can, you're in the middle of it, | 0:17:41 | 0:17:44 | |
you're not just passing through it. | 0:17:44 | 0:17:46 | |
The first European settlers saw the Blue Mountains | 0:17:52 | 0:17:55 | |
as the edge of civilisation | 0:17:55 | 0:17:58 | |
and today it feels like my first step into wild Australia. | 0:17:58 | 0:18:03 | |
I'm about to try an activity that I've both fancied | 0:18:05 | 0:18:08 | |
and feared for a very long time. | 0:18:08 | 0:18:10 | |
I'm heading to the Boar's Head... | 0:18:10 | 0:18:12 | |
..where some climbers are going to teach me how to abseil. | 0:18:14 | 0:18:18 | |
As that famous proverb says - | 0:18:20 | 0:18:23 | |
to become a better man, you must experience everything, | 0:18:23 | 0:18:27 | |
even if you are shit-scared. | 0:18:27 | 0:18:29 | |
I mean, these guys all look like they know what they're doing | 0:18:31 | 0:18:34 | |
so I've got to put me faith in them, but the idea that your life | 0:18:34 | 0:18:38 | |
depends on a crampon or a piece of rope | 0:18:38 | 0:18:42 | |
just seems ridiculous to me. | 0:18:42 | 0:18:44 | |
Not keen. | 0:18:46 | 0:18:48 | |
Nice route, eh? | 0:18:57 | 0:18:59 | |
Awesome. | 0:19:04 | 0:19:05 | |
It's great but there's a... It's a long way down. | 0:19:07 | 0:19:10 | |
Oh, it's definitely a long way down. | 0:19:10 | 0:19:12 | |
Is there a net anywhere? | 0:19:12 | 0:19:14 | |
Oh, my word. | 0:19:14 | 0:19:15 | |
'Right now, I know that part of that proverb was right. | 0:19:16 | 0:19:20 | |
'The last thing I want to do is to walk arse-first off a cliff | 0:19:20 | 0:19:24 | |
'and then have to climb up the bleeding thing.' | 0:19:24 | 0:19:27 | |
-Good to go. I'll see you down there. -Ah! | 0:19:27 | 0:19:29 | |
I'm believing you, I'm trusting you. | 0:19:29 | 0:19:31 | |
So about two or three metres down off the edge of the cliff, | 0:19:39 | 0:19:42 | |
you'll come to the first feature, which is a little overhang. | 0:19:42 | 0:19:45 | |
So you're like this. | 0:19:45 | 0:19:47 | |
Once you're in that position... | 0:19:47 | 0:19:48 | |
It might surprise you, I don't think I can actually do that. | 0:19:48 | 0:19:52 | |
-You may surprise yourself. -OK. | 0:19:52 | 0:19:53 | |
Whoohoohoo. | 0:19:56 | 0:19:59 | |
I'll just bring you across nice and slow and give you a moment to | 0:20:16 | 0:20:20 | |
kind of chill, get used to it and then we'll just go straight into it. | 0:20:20 | 0:20:24 | |
Yeah, yeah, yeah. | 0:20:24 | 0:20:25 | |
When I hold you on this, you can't go anywhere. | 0:20:31 | 0:20:33 | |
So if you want to move anywhere, I have to allow a bit of rope | 0:20:33 | 0:20:36 | |
-to go through and then you can descend. -OK. | 0:20:36 | 0:20:39 | |
-Feeling good? -No. | 0:20:39 | 0:20:40 | |
-Three main things I want you to think about. Feet... -Me kids. | 0:20:40 | 0:20:44 | |
Feet shoulder width apart, hand behind your back, | 0:20:44 | 0:20:47 | |
leading with your hips. | 0:20:47 | 0:20:49 | |
Great. Can you feel your weight in the harness there? | 0:20:49 | 0:20:52 | |
-I felt it move, I didn't like it. -Just play with that friction. | 0:20:52 | 0:20:55 | |
There you go. | 0:20:55 | 0:20:56 | |
Styling. Nice and easy. | 0:21:00 | 0:21:02 | |
Oh, fucking hell! | 0:21:02 | 0:21:05 | |
That's the way. | 0:21:07 | 0:21:08 | |
Nice. Cruising. | 0:21:09 | 0:21:11 | |
Let those hips lower down a little bit. | 0:21:11 | 0:21:14 | |
-Lower the hips, lower the hips. -Lower the hips. -Yep. | 0:21:14 | 0:21:16 | |
Feed it through, that's it. JOHN GRUNTS | 0:21:16 | 0:21:19 | |
Go easy. | 0:21:22 | 0:21:23 | |
That's it, now you'll properly overhang, that's it. | 0:21:24 | 0:21:27 | |
Get your bum really low, just jump out, that's it. | 0:21:27 | 0:21:30 | |
Oh, I didn't want to see that. | 0:21:34 | 0:21:37 | |
How the hell do I get back to look at the wall instead of that? | 0:21:37 | 0:21:40 | |
Yeah, it's coming around here. Doing well. | 0:21:40 | 0:21:43 | |
That's it. Jump on out. | 0:21:43 | 0:21:44 | |
Nice work. | 0:21:46 | 0:21:47 | |
Nice one. Back on good ground. | 0:21:50 | 0:21:53 | |
Was that your first breath? | 0:21:55 | 0:21:58 | |
I was never really into climbing cliffs | 0:22:02 | 0:22:04 | |
but when I look over the edge, I can see what the attraction is... | 0:22:04 | 0:22:07 | |
the view is amazing. | 0:22:07 | 0:22:09 | |
It makes you feel like king of the hill | 0:22:09 | 0:22:11 | |
or king of the mountain | 0:22:11 | 0:22:13 | |
or king of New South Wales! | 0:22:13 | 0:22:14 | |
Honest, what a view! | 0:22:20 | 0:22:23 | |
What a view. | 0:22:25 | 0:22:27 | |
You know what this is? This is a real contrast to Sydney | 0:22:30 | 0:22:33 | |
and a real sense that I'm on a journey now. | 0:22:33 | 0:22:35 | |
This is seeing Australia in a way that I've never seen it before | 0:22:35 | 0:22:38 | |
and most people don't. | 0:22:38 | 0:22:40 | |
What kills it is this helmet, you know what I mean? | 0:22:43 | 0:22:46 | |
Cos I feel fantastic | 0:22:46 | 0:22:48 | |
but I know I look like a bit of a knob. | 0:22:48 | 0:22:51 | |
CAMERAMAN: True. | 0:22:53 | 0:22:54 | |
It's worth looking like a knob to be in this wonderful place. | 0:22:59 | 0:23:02 | |
To learn more about it, I'm meeting Lester Ives, | 0:23:02 | 0:23:06 | |
a local ranger who knows this country like the back of his hand... | 0:23:06 | 0:23:10 | |
or the back of his beard. | 0:23:10 | 0:23:11 | |
-Lester. -Ah, John. -Ah, mate! | 0:23:11 | 0:23:14 | |
-Nice to meet you. -How's it going, mate? -What a view. | 0:23:14 | 0:23:17 | |
Yeah, it's beautiful, isn't it? | 0:23:17 | 0:23:18 | |
-This is your place of work? -It's where I live. -Fantastic. -Yeah. | 0:23:18 | 0:23:21 | |
Beautiful place. You can listen, it talks to you. | 0:23:21 | 0:23:25 | |
-It talks to you? -Listen, listen there. | 0:23:25 | 0:23:28 | |
Hear cicadas. | 0:23:28 | 0:23:30 | |
-Have you ever lived anywhere else? -No. | 0:23:30 | 0:23:33 | |
I've had holidays to places but... | 0:23:33 | 0:23:35 | |
Cos I've got to be honest, you... | 0:23:35 | 0:23:37 | |
For people in England, you look like you live here. | 0:23:37 | 0:23:40 | |
-Yeah. -Do you know what I mean? -Yeah. | 0:23:40 | 0:23:42 | |
It's our image of a mountain man. | 0:23:42 | 0:23:44 | |
-Yeah. -And... But when you stand here and then you see the beauty of it... | 0:23:44 | 0:23:47 | |
Yeah, it's always different, too. | 0:23:47 | 0:23:49 | |
Why do they call it Blue Mountains? | 0:23:49 | 0:23:51 | |
That's because of... See all these trees there, | 0:23:51 | 0:23:54 | |
most of them are eucalyptus trees. | 0:23:54 | 0:23:56 | |
-Yeah. -They emit this eucalyptus oil from their leaves... -Oh, yeah. | 0:23:56 | 0:23:59 | |
..into the atmosphere. The way the sunlight hits it, | 0:23:59 | 0:24:02 | |
the way it reflects off, it appears to be blue. | 0:24:02 | 0:24:05 | |
-Yeah, of course. -Blue, it's blue. | 0:24:05 | 0:24:07 | |
Oh, that's fantastic. | 0:24:07 | 0:24:08 | |
So this... I mean, look at that as a view. | 0:24:11 | 0:24:14 | |
Just is a place to... | 0:24:14 | 0:24:16 | |
'When it comes to the local wildlife, | 0:24:16 | 0:24:18 | |
'Lester is David Attenborough and Dr Dolittle | 0:24:18 | 0:24:21 | |
'all rolled into one.' | 0:24:21 | 0:24:22 | |
Listen to all the bird sounds. | 0:24:22 | 0:24:24 | |
-Huh. -Hear that one? | 0:24:24 | 0:24:27 | |
-Yeah, what's that? -That's a whipbird. -A whipbird? | 0:24:27 | 0:24:30 | |
Yeah, the male whipbird makes this sound like a whip, he goes... | 0:24:30 | 0:24:33 | |
LESTER WHISTLES | 0:24:33 | 0:24:35 | |
LESTER IMITATES WHIP CRACK | 0:24:35 | 0:24:36 | |
And usually at the end, you hear this, "Chu-chu", | 0:24:36 | 0:24:38 | |
that's a female answering. | 0:24:38 | 0:24:40 | |
FEMALE WHIPBIRD CHIRPS | 0:24:40 | 0:24:42 | |
-Hear that? -She's answering you? -Yeah. | 0:24:42 | 0:24:45 | |
WHIPBIRDS SING | 0:24:50 | 0:24:52 | |
To get down into the deep valleys, | 0:24:57 | 0:24:59 | |
European settlers carved paths with simple tools and used heavy labour. | 0:24:59 | 0:25:04 | |
But these trails are gradually being swallowed up by the jungle. | 0:25:04 | 0:25:08 | |
Lester and the rangers are now trying to put them back. | 0:25:08 | 0:25:11 | |
This reminds me a bit of what Adam said about chafed balls. | 0:25:13 | 0:25:17 | |
I don't think I'll mention that to Lester right now, though. | 0:25:17 | 0:25:21 | |
-Hey, Thor. -How's it going, mate? -Yeah. | 0:25:21 | 0:25:24 | |
-Hello. -I'd like to introduce you to John. | 0:25:24 | 0:25:27 | |
-All right, mate. -Nice to meet you, John. | 0:25:27 | 0:25:29 | |
-And Enchew. -Hi, John. All right? | 0:25:29 | 0:25:31 | |
-Thor? -Thor, that's it. -Where do you get that from? | 0:25:31 | 0:25:34 | |
Ah, hippy parents and I was born with blond hair | 0:25:34 | 0:25:37 | |
-and blue eyes on a really stormy night so... -There you go. | 0:25:37 | 0:25:41 | |
-And I've got a hammer. -And you got a hammer, yeah. | 0:25:41 | 0:25:44 | |
And where did you get a name like Enchew? | 0:25:44 | 0:25:46 | |
-Oh, I'm from Nepal. It's a... -From Nepal? | 0:25:46 | 0:25:49 | |
..last name of sherpa, yeah. | 0:25:49 | 0:25:51 | |
Can I have a go? Yeah. | 0:25:51 | 0:25:53 | |
-Of course you can. -This is the hammer, that's my hand. | 0:25:53 | 0:25:56 | |
Aim for the hammer. | 0:25:56 | 0:25:58 | |
Not as easy as it looks. | 0:26:04 | 0:26:06 | |
-I was watching 'em a minute ago and not thinking... -You hold it... | 0:26:06 | 0:26:10 | |
Let me have one more go. Ready? | 0:26:10 | 0:26:12 | |
Oh, that's all right. | 0:26:15 | 0:26:16 | |
-Yeah, that's good. -OK. -Yeah, nice. | 0:26:16 | 0:26:20 | |
That's swinging better than an English batsman did in the Ashes. | 0:26:20 | 0:26:24 | |
-How old are you? -I'll be 60. -60?! -Yeah. | 0:26:24 | 0:26:28 | |
-And how old are you? -28. -So you're swinging. | 0:26:28 | 0:26:32 | |
-That's why I'm swinging. -Yeah, you're swinging cos you're 20. | 0:26:32 | 0:26:36 | |
That's sick. | 0:26:36 | 0:26:37 | |
Probably I swing better than him. | 0:26:37 | 0:26:40 | |
Well, today, how far do you think you'll go today? | 0:26:40 | 0:26:43 | |
Um, probably a bit past your foot, yeah. Just over there. | 0:26:43 | 0:26:46 | |
So you probably do two metres a day, hard swinging. | 0:26:46 | 0:26:49 | |
-Two metres a day?! -Mm. | 0:26:49 | 0:26:51 | |
That's proper, proper dedication of work, that is. | 0:26:51 | 0:26:55 | |
The idea of spending all day grafting to progress only six feet | 0:26:59 | 0:27:02 | |
seems mind-numbing to me, but the lads are going to spend | 0:27:02 | 0:27:06 | |
almost a year down here and they seem quite happy with it. | 0:27:06 | 0:27:09 | |
Being in such a remote area means that sometimes you've got to | 0:27:09 | 0:27:13 | |
make your own entertainment, just like the people in Norfolk. | 0:27:13 | 0:27:16 | |
-What is it? -It's an old Kwacker 900's exhaust pipes. | 0:27:17 | 0:27:21 | |
It's an old motorbike. | 0:27:21 | 0:27:23 | |
DIDGERIDOO-LIKE MUSIC | 0:27:23 | 0:27:27 | |
Ah, all born to be wild a bit. | 0:27:35 | 0:27:37 | |
HORN BLOWS RHYTHMICALLY | 0:27:47 | 0:27:53 | |
SINGING UNCLEAR | 0:27:53 | 0:27:57 | |
Yeah, like this, eh? | 0:27:57 | 0:27:59 | |
This is really a surreal day. | 0:28:01 | 0:28:03 | |
I've got Gandalf playing his exhaust pipe | 0:28:03 | 0:28:06 | |
and a tiny Sherpa blowing his own trumpet. | 0:28:06 | 0:28:09 | |
Enchew spends his time off paragliding and he uses the trumpet, | 0:28:09 | 0:28:12 | |
he said, to scare off attacking eagles. | 0:28:12 | 0:28:15 | |
Course he would. | 0:28:15 | 0:28:16 | |
I was in Canberra one day, flying over it, | 0:28:16 | 0:28:19 | |
I can hear this noisy eagle. | 0:28:19 | 0:28:20 | |
The next moment, two of them attack me same time. | 0:28:20 | 0:28:23 | |
Then bang! | 0:28:23 | 0:28:25 | |
I look up, big hole in the glider. | 0:28:25 | 0:28:27 | |
"Brr-brr-brr-brr, God!" | 0:28:27 | 0:28:30 | |
Then I just emergency land, | 0:28:30 | 0:28:32 | |
unhook the glider, nearly two metres ripped. | 0:28:32 | 0:28:35 | |
That's the thing. | 0:28:35 | 0:28:37 | |
In England, everyone's scared of coming to Australia | 0:28:37 | 0:28:39 | |
cos there's spiders and snakes. | 0:28:39 | 0:28:41 | |
Now there's fucking eagles attacking hang-gliders! | 0:28:41 | 0:28:44 | |
'Enchew's a phenomenon. | 0:28:46 | 0:28:48 | |
'I mean, just talking to him there, he left home when he was eight,' | 0:28:48 | 0:28:51 | |
looking for work. He had to live in trees to avoid tigers | 0:28:51 | 0:28:55 | |
when he was sleeping at night, when he was in the jungle. | 0:28:55 | 0:28:58 | |
I mean, I don't know why I'm in this documentary. | 0:28:58 | 0:29:01 | |
We should just make one about Enchew cos he's ended up here in Australia, | 0:29:01 | 0:29:05 | |
getting attacked by eagles when he goes paragliding. | 0:29:05 | 0:29:09 | |
To be honest, I'd prefer to see this country from me saddle. | 0:29:20 | 0:29:23 | |
'There may be no eagles down here, | 0:29:23 | 0:29:25 | |
'but there's certainly no shortage of wildlife.' | 0:29:25 | 0:29:28 | |
Look. Another kangaroo. | 0:29:29 | 0:29:31 | |
Wow. | 0:29:34 | 0:29:36 | |
'We all know that Australia's got kangaroos and fantastic wildlife, | 0:29:36 | 0:29:41 | |
'but we also know that a lot of the animals here | 0:29:41 | 0:29:43 | |
'are extremely dangerous.' | 0:29:43 | 0:29:46 | |
DOG BARKS | 0:29:46 | 0:29:49 | |
Most of the time in this country, you're only a few feet away | 0:29:53 | 0:29:56 | |
from something that can kill you. | 0:29:56 | 0:29:58 | |
It's a bit like some of the clubs I've played in. | 0:29:58 | 0:30:01 | |
I'm travelling 150km to the town of Gosford. | 0:30:01 | 0:30:04 | |
'Where I'm going to meet Tim Faulkner, | 0:30:06 | 0:30:09 | |
'a man who spends his time | 0:30:09 | 0:30:11 | |
'working with some of the most dangerous animals in Australia.' | 0:30:11 | 0:30:14 | |
Follow me. | 0:30:14 | 0:30:15 | |
What are the most dangerous snakes in here, then? | 0:30:17 | 0:30:20 | |
Well, there's 250 venomous snakes in these rooms, | 0:30:20 | 0:30:23 | |
largely comprised of Australian snakes. | 0:30:23 | 0:30:26 | |
But there are a few exotics, like cobras and rattlesnakes. | 0:30:26 | 0:30:28 | |
But in terms of venom, | 0:30:28 | 0:30:30 | |
Australia has ten out of ten of the most toxic land snakes on earth. | 0:30:30 | 0:30:34 | |
-Ten out of ten?! -Ten out of ten, hands down. | 0:30:34 | 0:30:37 | |
'Every day, Tim and his team collect the venom from these lethal snakes | 0:30:41 | 0:30:45 | |
'to produce the lifesaving anti-venom.' | 0:30:45 | 0:30:48 | |
OK. | 0:30:50 | 0:30:51 | |
So this is... | 0:30:51 | 0:30:53 | |
This has the, the fourth strongest venom of any snake on earth, | 0:30:54 | 0:30:58 | |
responsible for a number of bites. | 0:30:58 | 0:31:00 | |
Big angular head with a good venom delivery system. | 0:31:00 | 0:31:03 | |
So if you'd hop back for one second, please. | 0:31:03 | 0:31:06 | |
I'm just going to present her up onto the table. | 0:31:06 | 0:31:09 | |
OK, now can you take that body, please? Just hold the back, there. | 0:31:10 | 0:31:14 | |
-Yep. -Oh, God, yeah. -You're OK, no worries. | 0:31:14 | 0:31:16 | |
OK. All right. | 0:31:17 | 0:31:19 | |
Now we've got the snake, that's good. | 0:31:19 | 0:31:21 | |
I'll swap you and I'll take that tail. That's good. OK, you ready? | 0:31:21 | 0:31:24 | |
So on three, I'm going to put it on | 0:31:24 | 0:31:26 | |
and you just keep that thing still, no fingers. | 0:31:26 | 0:31:29 | |
One, two, three. | 0:31:29 | 0:31:30 | |
-Ugh! -Oh, there we go. | 0:31:30 | 0:31:32 | |
-Ugh! -Look at that. -Ugh! | 0:31:32 | 0:31:34 | |
'Tim's skills allow him to apply just enough pressure to extract | 0:31:34 | 0:31:38 | |
'the precious venom from the snake without harming it. | 0:31:38 | 0:31:40 | |
'So if you are a snake, please don't write in and complain.' | 0:31:40 | 0:31:43 | |
Get another couple of drops, here we go, another two. | 0:31:43 | 0:31:46 | |
Ugh, can you see it? | 0:31:46 | 0:31:47 | |
That's pretty good. | 0:31:47 | 0:31:49 | |
Hiya. | 0:31:50 | 0:31:51 | |
You look like the worst ventriloquist act | 0:31:52 | 0:31:55 | |
I've ever seen in me life. | 0:31:55 | 0:31:57 | |
Oh, look at him, he's curling round. | 0:31:57 | 0:31:59 | |
And that's where the bite went in. | 0:32:03 | 0:32:05 | |
So that's enough in there to bowl you and me over quite easily. | 0:32:06 | 0:32:09 | |
-That'd kill us both. -That'd kill us both. | 0:32:09 | 0:32:11 | |
And tiger snake venom shuts the brain down, neurotoxins, | 0:32:11 | 0:32:14 | |
and has a very strong coagulant that will turn your blood to jelly | 0:32:14 | 0:32:18 | |
and likely to send you into cardiac arrest. | 0:32:18 | 0:32:21 | |
So, nice one. | 0:32:21 | 0:32:22 | |
-And you're the only place in Australia producing... -Yeah. | 0:32:22 | 0:32:25 | |
-..the venom for the anti...? -The sole supplier in Australia. | 0:32:25 | 0:32:28 | |
So if you were lucky enough to get nabbed anywhere along the way | 0:32:28 | 0:32:32 | |
by a venomous snake, then guaranteed the anti-venom you will receive | 0:32:32 | 0:32:35 | |
came from one of the snakes that you've worked with here. | 0:32:35 | 0:32:39 | |
Nice to know, innit? Nice to know. | 0:32:39 | 0:32:42 | |
'As if spending time with all these snakes wasn't enough, | 0:32:44 | 0:32:46 | |
'Tim also collects venom from the deadly funnel-web spider. | 0:32:46 | 0:32:50 | |
-'Nutcase!' -Have you seen a funnel-web yet? -No. -No. | 0:32:52 | 0:32:55 | |
Wait till you see this, it's a brilliant spider. | 0:32:55 | 0:32:58 | |
I mean, to be fair, there's not a lot of competition | 0:32:58 | 0:33:00 | |
when you're saying a brilliant... Oh, my God. | 0:33:00 | 0:33:03 | |
It looks like a toy. | 0:33:03 | 0:33:04 | |
OK. So that is a big female funnel-web spider. | 0:33:04 | 0:33:10 | |
Ugh! | 0:33:10 | 0:33:12 | |
When we touch her a little, we have to agitate her a tiny bit. | 0:33:13 | 0:33:16 | |
-Now we have two fangs. -Ugh! Oh, yeah. | 0:33:16 | 0:33:19 | |
Half a centimetre long and if you look closely, | 0:33:19 | 0:33:22 | |
there's a tiny droplet of venom. | 0:33:22 | 0:33:24 | |
-Oh, yeah, I can see it. -OK, you watching? OK. | 0:33:24 | 0:33:26 | |
Now that's a little pipette, can you grab that out for me? | 0:33:26 | 0:33:29 | |
Don't touch the end of the pipette. | 0:33:29 | 0:33:31 | |
OK, now when we lift that up you're going to keep that hand far away | 0:33:31 | 0:33:34 | |
and touch, just gently touch, the end of each fang. | 0:33:34 | 0:33:38 | |
That's it, right in there. | 0:33:38 | 0:33:39 | |
And so now you are collecting little pieces of venom. | 0:33:39 | 0:33:43 | |
You can feel the strength of the fangs. | 0:33:43 | 0:33:47 | |
-Again, that's it. -Oh, look at that! | 0:33:47 | 0:33:49 | |
There you go. Now grab that venom. | 0:33:49 | 0:33:52 | |
That's it. | 0:33:52 | 0:33:54 | |
-There you go. -The thing is, they don't come looking for you | 0:33:54 | 0:33:57 | |
while you're asleep in bed at night. | 0:33:57 | 0:33:59 | |
So, whilst they're dangerous, I still love 'em. | 0:33:59 | 0:34:03 | |
JOHN LAUGHS | 0:34:03 | 0:34:04 | |
They don't come looking for you while you're asleep in bed. | 0:34:04 | 0:34:08 | |
It's just that's a concept that had never entered me mind. | 0:34:08 | 0:34:12 | |
Oh, shit! Oh shit! I touched the end. Oh, God, I've broke the funnel. | 0:34:12 | 0:34:15 | |
That's OK, we've got hundreds. | 0:34:15 | 0:34:17 | |
-I know but I've only got one hand. -You're all right. | 0:34:17 | 0:34:20 | |
I'm less fond of a venom pipette than me hand. | 0:34:20 | 0:34:23 | |
I'm a doctor after hours. You'll be fine. | 0:34:23 | 0:34:26 | |
-It hasn't broke anything, has it? -No, no. | 0:34:26 | 0:34:28 | |
See that, funnel-web spider on me hand, not bothered. | 0:34:28 | 0:34:32 | |
Not bothered. Not bothered. | 0:34:32 | 0:34:35 | |
The idea that you can go out into your garden | 0:34:35 | 0:34:39 | |
and something can kill you... | 0:34:39 | 0:34:40 | |
..that's what's different between here and home. | 0:34:42 | 0:34:45 | |
It feels good to be back on the road, but some things never change. | 0:34:50 | 0:34:53 | |
This is just how I live my life on tour, | 0:34:53 | 0:34:55 | |
it's just that this time I've got a bike. | 0:34:55 | 0:34:57 | |
So this is the motel I'm staying in. | 0:34:57 | 0:35:00 | |
This is pretty standard for where we've been staying. | 0:35:00 | 0:35:02 | |
The bike always stays in the room with me in case someone nicks it. | 0:35:02 | 0:35:06 | |
I always give that a check over, unpack, pack, unpack, pack, | 0:35:06 | 0:35:11 | |
unpack, pack. | 0:35:11 | 0:35:13 | |
It's good, but it's also a little bit, at times, wearing. | 0:35:13 | 0:35:17 | |
But that's part of what it's about, innit? | 0:35:17 | 0:35:21 | |
That's a sock from a couple of days ago, surely, | 0:35:21 | 0:35:24 | |
that's got mixed up somewhere and it hums. | 0:35:24 | 0:35:27 | |
Fucking hell. | 0:35:27 | 0:35:29 | |
It stinks. | 0:35:29 | 0:35:31 | |
I already feel like I've seen more | 0:35:40 | 0:35:42 | |
of this country than I did last time. | 0:35:42 | 0:35:44 | |
On the first trip, I just stuck like a monorail to the Bruce Highway, | 0:35:44 | 0:35:48 | |
completely missing out on some of the most stunning coastline | 0:35:48 | 0:35:51 | |
in the world. | 0:35:51 | 0:35:52 | |
I'm heading to the town of Forster to meet an old friend | 0:35:55 | 0:35:59 | |
who spends his life out on the sea. | 0:35:59 | 0:36:01 | |
It's a spectacular journey and for the last stretch, | 0:36:01 | 0:36:05 | |
I'm riding between the ocean and the seemingly endless Wallis Lake. | 0:36:05 | 0:36:10 | |
It's funny because at home I'm not a massive cyclist. | 0:36:14 | 0:36:16 | |
I cycle with me mates now and again | 0:36:16 | 0:36:19 | |
and that's weather-dependent and all the rest of it. | 0:36:19 | 0:36:22 | |
But here, because I'm trying to recreate what I did then, | 0:36:22 | 0:36:25 | |
I'm finding me mind's turning back to what it was like then. | 0:36:25 | 0:36:28 | |
And it's... You find, cos there's long stretches of it, | 0:36:28 | 0:36:31 | |
like, songs come into your head that you haven't heard for ages | 0:36:31 | 0:36:35 | |
even songs you don't like. | 0:36:35 | 0:36:36 | |
You know, and then you're also thinking of just people you know | 0:36:36 | 0:36:40 | |
and wondering what they're up to. | 0:36:40 | 0:36:42 | |
And there's loads of little moments where you realise you've not | 0:36:42 | 0:36:46 | |
been thinking about anything. | 0:36:46 | 0:36:49 | |
It's probably as close to meditation with pedals that you'll get. | 0:36:49 | 0:36:53 | |
'I met Geoff Martin last time | 0:37:12 | 0:37:13 | |
'when I called into his shop that he was working in. | 0:37:13 | 0:37:16 | |
'We got talking and, in true Aussie fashion, he just invited me to stay | 0:37:16 | 0:37:20 | |
'the night with him and his family. I rolled off the next morning | 0:37:20 | 0:37:23 | |
'and I haven't seen him since... | 0:37:23 | 0:37:25 | |
'but today Geoff said that he's got a bit of treat in store for me.' | 0:37:25 | 0:37:28 | |
-Long time no see. -A very long time no see. -Yeah, yeah. -So how are you? | 0:37:28 | 0:37:30 | |
-Good. -And your life's changed, hasn't it? | 0:37:30 | 0:37:33 | |
-Our life's changed, your life's changed. -Just a bit, just a bit. | 0:37:33 | 0:37:36 | |
Absolutely, yeah. So we've always... | 0:37:36 | 0:37:38 | |
So when I met you in Taree, you were in a camping shop. | 0:37:38 | 0:37:41 | |
-Yeah, a barbecue and camping shop. -Yeah. | 0:37:41 | 0:37:43 | |
So, finished up with that in 2011, semi-retired. | 0:37:43 | 0:37:47 | |
-And this is where I ended up. -Semi-retired? | 0:37:47 | 0:37:50 | |
Yeah, it's fantastic fun. | 0:37:50 | 0:37:52 | |
So we're going out to swim with some wild dolphins | 0:37:52 | 0:37:56 | |
which should be fascinating. | 0:37:56 | 0:37:58 | |
Oh, mate, I'm looking forward to that. | 0:37:58 | 0:38:01 | |
Does anybody get seasick? | 0:38:07 | 0:38:08 | |
I mean, it looks flat here, what's it like out there? | 0:38:09 | 0:38:13 | |
Uh, not quite so flat. | 0:38:13 | 0:38:15 | |
Now I get seasick on a pedalo on a duck pond, | 0:38:22 | 0:38:25 | |
so I'm already having second thoughts. | 0:38:25 | 0:38:27 | |
We've been told to keep our eye out for flocks of birds | 0:38:29 | 0:38:32 | |
cos that apparently indicates where the dolphins are feeding. | 0:38:32 | 0:38:36 | |
This is a brilliant idea... | 0:38:36 | 0:38:38 | |
if you're not spending all your time trying to keep your breakfast in. | 0:38:38 | 0:38:41 | |
Here it comes. | 0:38:41 | 0:38:42 | |
I'm going in now, I think the dolphins are there. | 0:38:44 | 0:38:46 | |
I can see it. Look. | 0:38:46 | 0:38:47 | |
OK. | 0:38:49 | 0:38:50 | |
So we're interacting now | 0:38:57 | 0:38:59 | |
and they love playing with the boat, it's like an activity for them. | 0:38:59 | 0:39:03 | |
The most important thing is to not make splashes, so don't kick. | 0:39:03 | 0:39:07 | |
No kicking or anything as you're getting out there, | 0:39:07 | 0:39:10 | |
just use your arms to pull yourself up. | 0:39:10 | 0:39:13 | |
And the other important thing is to make squeaking noises | 0:39:13 | 0:39:15 | |
through your snorkel, so... | 0:39:15 | 0:39:17 | |
-SHE SQUEAKS THROUGH SNORKEL -Just like that, OK? | 0:39:17 | 0:39:20 | |
Just do that for me for me? | 0:39:20 | 0:39:21 | |
JOHN SQUEAKS THROUGH SNORKEL Your wetsuit's not small enough. | 0:39:21 | 0:39:24 | |
-Ready, mate, straight in. -Straight in, pull yourself up. | 0:39:26 | 0:39:30 | |
That's it. | 0:39:30 | 0:39:32 | |
Don't kick, don't kick. | 0:39:32 | 0:39:34 | |
Foot in the loop. | 0:39:34 | 0:39:36 | |
Head down, that's the way. Keep it down, keep it down. | 0:39:36 | 0:39:39 | |
JOHN YELLS IN WATER | 0:39:43 | 0:39:46 | |
Sometimes in life you try something | 0:39:51 | 0:39:53 | |
and then you find out that you're just no good at it. | 0:39:53 | 0:39:55 | |
I'd just learnt that I wasn't as good at underwater yodelling | 0:39:55 | 0:39:59 | |
as I thought I would be. | 0:39:59 | 0:40:01 | |
The dolphins just aren't interested. | 0:40:01 | 0:40:03 | |
Flippery bastards. | 0:40:03 | 0:40:05 | |
What I needed to do was just go "Eeeeeeee." | 0:40:05 | 0:40:09 | |
When the dolphins come back, I'm ready to give it another go. | 0:40:10 | 0:40:14 | |
Nice and easy. | 0:40:14 | 0:40:16 | |
-That's it. -Here they come, look down, look down, here they come. | 0:40:16 | 0:40:19 | |
Wow! We're doing it. | 0:40:32 | 0:40:34 | |
I think I've drank the whole sea. | 0:40:48 | 0:40:51 | |
I've swallowed all of Australia's ocean. | 0:40:51 | 0:40:54 | |
I have to be honest, | 0:41:08 | 0:41:09 | |
I like looking at the sea more than I like being on it. | 0:41:09 | 0:41:12 | |
I'm bouncing around and the sea sickness, that wasn't great, | 0:41:12 | 0:41:16 | |
but the actual experience was brilliant. | 0:41:16 | 0:41:18 | |
The closeness of the dolphins by the boat, that was good. | 0:41:18 | 0:41:22 | |
Getting in the water and, uh... | 0:41:22 | 0:41:25 | |
screaming like a madman whilst hanging on to a rope... | 0:41:25 | 0:41:27 | |
"Eeeeeeeeeeeeeee." | 0:41:30 | 0:41:32 | |
I think all the dolphins were just... | 0:41:32 | 0:41:34 | |
I think they'd just come over to see who the lunatic is. | 0:41:34 | 0:41:37 | |
In my eyes, coming as an outsider, in the 22 years, | 0:41:41 | 0:41:44 | |
there seems to be a sense of being an Australian has changed. | 0:41:44 | 0:41:48 | |
Mm-hm. | 0:41:48 | 0:41:50 | |
You've only got to look at Shane Warne's face | 0:41:50 | 0:41:52 | |
to see how much that's changed. | 0:41:52 | 0:41:54 | |
That's true. Ah, look, it has changed, it's changed terribly. | 0:41:56 | 0:41:59 | |
I mean, we in Australia hate to be labelled as the Stubbies | 0:41:59 | 0:42:05 | |
and the blue singlet and the flip-flops. | 0:42:05 | 0:42:08 | |
-Yeah, flip-flops. -That's it. | 0:42:08 | 0:42:10 | |
We hate to think like that these days. | 0:42:10 | 0:42:13 | |
None of us really are like that. There isn't any left. | 0:42:13 | 0:42:16 | |
-I mean, we've learnt how to be snags, I guess, new-age... -Snags? | 0:42:16 | 0:42:21 | |
...new-age guy, yeah. Sensitive new-age guys. | 0:42:21 | 0:42:23 | |
Sensitive new-age guys? | 0:42:23 | 0:42:25 | |
This looks like everyone's image of Australia | 0:42:29 | 0:42:34 | |
and it looks like everyone's image of paradise and it is. | 0:42:34 | 0:42:39 | |
The route that I've kind of taken now as opposed to the route | 0:42:39 | 0:42:42 | |
that I did last time... | 0:42:42 | 0:42:45 | |
I stayed about half an hour inland. | 0:42:45 | 0:42:48 | |
I missed all of this, which was just mental. | 0:42:48 | 0:42:51 | |
And you think, I want to grab hold of me 25-year-old self and say, | 0:42:51 | 0:42:57 | |
"Slow down, you're missing everything, | 0:42:57 | 0:43:00 | |
"you're in too much of a rush." At the time that I was here, | 0:43:00 | 0:43:03 | |
I wasn't sure what I was going to go back to or if I should get married. | 0:43:03 | 0:43:07 | |
But there was never a consideration that I'd stay in Australia. | 0:43:08 | 0:43:11 | |
And it's not that I don't love it, | 0:43:11 | 0:43:13 | |
it's just that the people I love aren't here. | 0:43:13 | 0:43:16 | |
Leaving Forster, I head north on the road that I'd cycled on last time | 0:43:20 | 0:43:25 | |
up to Port Macquarie. | 0:43:25 | 0:43:28 | |
I'm reminded how it felt back then acclimatising, | 0:43:28 | 0:43:32 | |
not to the wildlife of Australia or even the landscape or the heat, | 0:43:32 | 0:43:37 | |
but to the loneliness. | 0:43:37 | 0:43:39 | |
And it's that solitude that made me find some silly things amusing, | 0:43:39 | 0:43:44 | |
it was the kind of thing that just kept me going. | 0:43:44 | 0:43:47 | |
Daft things... | 0:43:47 | 0:43:48 | |
like this sign. | 0:43:48 | 0:43:50 | |
And when I was looking through me old photographs, | 0:43:54 | 0:43:56 | |
there's a picture of me on me bike by this | 0:43:56 | 0:44:00 | |
and so we've discovered it again, | 0:44:00 | 0:44:01 | |
so I'm recreating it. | 0:44:01 | 0:44:03 | |
Last time, that photo was the closest I got to a koala. | 0:44:08 | 0:44:12 | |
So I'm heading further north to Port Macquarie | 0:44:12 | 0:44:14 | |
to discover more about them. | 0:44:14 | 0:44:16 | |
It's an animal I've always loved, it's a national symbol of Australia | 0:44:16 | 0:44:20 | |
but it's also an animal that's suffered more than most | 0:44:20 | 0:44:23 | |
by the invasion of man. | 0:44:23 | 0:44:24 | |
Not only has it lost its natural habitat through building, | 0:44:26 | 0:44:29 | |
it's also suffered from devastating bushfires, | 0:44:29 | 0:44:32 | |
which has meant that in the last 20 years, | 0:44:32 | 0:44:35 | |
the population of koalas in this region has dropped by two thirds. | 0:44:35 | 0:44:39 | |
At the Koala Hospital in Port Macquarie, | 0:44:42 | 0:44:44 | |
the volunteers are doing everything they can to save this iconic animal. | 0:44:44 | 0:44:48 | |
Well, she was found abandoned, just found on the ground | 0:44:50 | 0:44:55 | |
and no sign of her mother anywhere. | 0:44:55 | 0:44:57 | |
-So... -So when, like, when you opened it then, | 0:44:57 | 0:44:59 | |
her first thing was to reach out and grab you. | 0:44:59 | 0:45:02 | |
Well, yeah. | 0:45:02 | 0:45:03 | |
Is that their natural instinct, to hold on to somebody? | 0:45:03 | 0:45:06 | |
Yeah, I'm her mother. | 0:45:06 | 0:45:07 | |
How old is she? | 0:45:09 | 0:45:11 | |
She's probably around eight or nine months. | 0:45:11 | 0:45:14 | |
You know, people say to me, | 0:45:17 | 0:45:18 | |
"When you rear a koala and then it comes over here, | 0:45:18 | 0:45:22 | |
-"how can you let them go? I mean, I'd get too attached to them." -Yeah. | 0:45:22 | 0:45:25 | |
And well, sure, you get attached to them but that's what you do it for. | 0:45:25 | 0:45:29 | |
Do you want to see if he's friendly? | 0:45:29 | 0:45:31 | |
Sniff his nose, nose-to-nose. | 0:45:31 | 0:45:33 | |
-Hmm. -Hmm. -Oh, yeah. | 0:45:34 | 0:45:36 | |
-What do you think? -That's all right. | 0:45:36 | 0:45:38 | |
Sharp noise. | 0:45:38 | 0:45:40 | |
See, I'm the koala whisperer. | 0:45:40 | 0:45:42 | |
All the volunteers who handle these wild animals have been trained | 0:45:50 | 0:45:54 | |
by wildlife biologist, Shane Flanagan. | 0:45:54 | 0:45:57 | |
So what are we doing? | 0:45:57 | 0:45:58 | |
We're doing an ultrasound to look at chlamydia. | 0:45:58 | 0:46:03 | |
-So... -Oh, great(!) | 0:46:03 | 0:46:05 | |
Yeah. Do you want to pop up on the table? | 0:46:05 | 0:46:07 | |
Be quiet, dear. | 0:46:09 | 0:46:10 | |
Wonder if he's a dog attack? | 0:46:10 | 0:46:12 | |
-Oh. -Oh, oh, oh, hello. | 0:46:14 | 0:46:16 | |
Ah, mate, you stink. | 0:46:16 | 0:46:19 | |
-He does stink. -Oh, my goodness. | 0:46:19 | 0:46:22 | |
-Oh, look at his bum. -Oh. | 0:46:22 | 0:46:25 | |
-All right, let's see then. -Oh. | 0:46:25 | 0:46:26 | |
Oh, my goodness. | 0:46:26 | 0:46:28 | |
He hums, doesn't he? | 0:46:30 | 0:46:32 | |
Eh? | 0:46:32 | 0:46:35 | |
Is chlamydia a new disease to koalas, | 0:46:35 | 0:46:37 | |
or is this always happened with them? | 0:46:37 | 0:46:40 | |
It's always a disease you see expressed | 0:46:40 | 0:46:42 | |
when there's disturbed habitat. | 0:46:42 | 0:46:44 | |
You don't really see it in clean, healthy populations in the bush, | 0:46:44 | 0:46:47 | |
so it's a stress-related illness. | 0:46:47 | 0:46:49 | |
-Are they very territorial? -Yes. | 0:46:49 | 0:46:52 | |
Yeah, all koalas are very territorial. | 0:46:52 | 0:46:54 | |
They all have their specific home ranges that they stay with | 0:46:54 | 0:46:57 | |
for their entire lives. | 0:46:57 | 0:46:58 | |
-And hence why when we come along and rip out all the habitat... -Yeah. | 0:46:58 | 0:47:02 | |
..why all these problems happen, | 0:47:02 | 0:47:04 | |
because it's sort of... They become refugees, you know, | 0:47:04 | 0:47:06 | |
they all end up piled on top of each other. | 0:47:06 | 0:47:08 | |
And that'd be like you and all your neighbours, all of your houses | 0:47:08 | 0:47:11 | |
bulldozed and you all had to move in down the road with other neighbours. | 0:47:11 | 0:47:14 | |
They wouldn't like you all living in their backyards, would they? | 0:47:14 | 0:47:17 | |
It's exactly the same with them. | 0:47:17 | 0:47:19 | |
So, what I've got to do now is stick a swab right up inside his urethra | 0:47:19 | 0:47:23 | |
which means going into his penis. | 0:47:23 | 0:47:26 | |
Every male of every species now feels sorry for him. | 0:47:28 | 0:47:31 | |
But every female gets great delight from doing this. | 0:47:33 | 0:47:36 | |
There we are, here we have a male koala's penis. | 0:47:36 | 0:47:39 | |
-What are you doing now, doing a swab to test it? -For chlamydia. | 0:47:39 | 0:47:43 | |
And if he's got chlamydia, what would you give him, antibiotics? | 0:47:43 | 0:47:46 | |
Yeah. | 0:47:46 | 0:47:48 | |
See, back to bed again. | 0:47:49 | 0:47:50 | |
So... you're not being too cruel? | 0:47:50 | 0:47:54 | |
-I mean, that gets all tucked away? -See, I'm glad you noticed. | 0:47:54 | 0:47:58 | |
Marsupials are back-to-front from placental mammals, which you are. | 0:47:58 | 0:48:01 | |
You have yours round the other way. | 0:48:01 | 0:48:04 | |
Koalas have their testicles on top and the penis underneath | 0:48:04 | 0:48:08 | |
and the penis is tucked away nicely for protection. | 0:48:08 | 0:48:11 | |
Wouldn't you like that? Marsupials tuck it away nicely for protection. | 0:48:11 | 0:48:16 | |
Some people would say that it looks like I have got it tucked away. | 0:48:16 | 0:48:20 | |
My wife thinks I'm a koala. | 0:48:22 | 0:48:23 | |
Now you can go home and tell her, "I'm a marsupial." | 0:48:25 | 0:48:29 | |
-And do they mate for life or is it...? -No! | 0:48:29 | 0:48:32 | |
Of course they don't do that. What a stupid question that was. | 0:48:32 | 0:48:36 | |
He's got a sexually transmitted disease. | 0:48:36 | 0:48:38 | |
Does he mate for life? | 0:48:38 | 0:48:40 | |
They're like all teenagers today who... | 0:48:40 | 0:48:42 | |
-How about we leave it at that? -Spreading it around. -Yeah. -Yeah. | 0:48:42 | 0:48:45 | |
No, they're all quite promiscuous. | 0:48:45 | 0:48:47 | |
-Right, off? -Off. | 0:48:48 | 0:48:50 | |
-Hey, wake up now. Hey, wake up. -Oh, oh, look at that. -Wake up. | 0:48:50 | 0:48:53 | |
There you go, son. | 0:48:56 | 0:48:57 | |
-That's the recovery ward. -Yeah. | 0:49:01 | 0:49:03 | |
Is it? That basket? | 0:49:03 | 0:49:05 | |
Yeah. Ah, works well. | 0:49:05 | 0:49:07 | |
So what's the best thing about being here? Cos to me, | 0:49:15 | 0:49:18 | |
it just seems a lovely place to spend time | 0:49:18 | 0:49:21 | |
-but it's hard work as well, isn't it? -It is. | 0:49:21 | 0:49:25 | |
-There's a lot involved to keep the hospital running. -Yeah. | 0:49:25 | 0:49:27 | |
And so you're fundraising all year round just to keep it running. | 0:49:27 | 0:49:31 | |
We get no funding from anybody so we have to raise... | 0:49:31 | 0:49:34 | |
I think it's probably over 270,000 a year just to run this place. | 0:49:34 | 0:49:38 | |
-Yeah, for all the bills. -And that's done by ourselves. | 0:49:38 | 0:49:41 | |
We have a fundraising group that specialises in that, | 0:49:41 | 0:49:44 | |
But our... And you can do this, you can adopt a koala before you go, | 0:49:44 | 0:49:47 | |
because our adoptions are one of our biggest fundraisers | 0:49:47 | 0:49:50 | |
to help this place go. | 0:49:50 | 0:49:52 | |
You know what, the truth is I'm doing this trip | 0:49:52 | 0:49:55 | |
-and the idea is I'm recreating a trip I did... -They were telling me. | 0:49:55 | 0:49:58 | |
..when I was 25, before I got married, | 0:49:58 | 0:50:01 | |
because I didn't want to marry this girl | 0:50:01 | 0:50:03 | |
and then I got back and I married her. | 0:50:03 | 0:50:05 | |
And we've been married now for 20 years | 0:50:05 | 0:50:08 | |
and she's a wildlife enthusiast and it's her birthday tomorrow. | 0:50:08 | 0:50:13 | |
-Oh. -So that's what I'll do for her birthday. -Ah. | 0:50:13 | 0:50:16 | |
So I'm just going to, like, | 0:50:16 | 0:50:18 | |
"Melanie, that's what I've got you for your birthday." | 0:50:18 | 0:50:22 | |
Yeah? Not Barbara, the koala. | 0:50:22 | 0:50:24 | |
THEY ALL LAUGH | 0:50:24 | 0:50:26 | |
There's always going to be that battle about the humans | 0:50:30 | 0:50:33 | |
wanting to live where animals live. | 0:50:33 | 0:50:34 | |
And you've got to remember, you know, we're new to this habitat | 0:50:34 | 0:50:38 | |
and every tree that's cut down has an effect. | 0:50:38 | 0:50:40 | |
But the community support for this shows that people are conscious | 0:50:40 | 0:50:45 | |
of it, they're not just steamrolling ahead with it. | 0:50:45 | 0:50:49 | |
One of the things that strikes me about Australia | 0:50:49 | 0:50:51 | |
is that you can never stop learning when you come here. | 0:50:51 | 0:50:54 | |
Things are changing so rapidly for this country but a lot of that | 0:50:54 | 0:50:58 | |
change has happened in the last 200 years since Europeans arrived. | 0:50:58 | 0:51:02 | |
And it's very easy to forget that people have lived here | 0:51:02 | 0:51:05 | |
for thousands of years before it was ever settled. | 0:51:05 | 0:51:08 | |
For the aboriginals, this coast was rich with food and water | 0:51:08 | 0:51:12 | |
and their people thrived. | 0:51:12 | 0:51:14 | |
I'm heading further north, along the New South Wales coast, | 0:51:16 | 0:51:20 | |
to Coffs Harbour, | 0:51:20 | 0:51:21 | |
once one of the most important aboriginal settlements in Australia. | 0:51:21 | 0:51:25 | |
It's home to the Gumbaynggirr, who are known as "the sharing people" | 0:51:27 | 0:51:31 | |
and Mark Flanders is a tribal elder. | 0:51:31 | 0:51:33 | |
My people have lived on this coastal section here | 0:51:36 | 0:51:39 | |
we estimate probably the last 6,000, 8,000 years. | 0:51:39 | 0:51:42 | |
So this idea that the aboriginal culture was nomadic, | 0:51:42 | 0:51:45 | |
is that not really true? | 0:51:45 | 0:51:47 | |
It depends on how many resources you have in the area. | 0:51:47 | 0:51:49 | |
You got lots of food around, you're not going to go far at all, | 0:51:49 | 0:51:52 | |
you're going to hang there a lot longer. | 0:51:52 | 0:51:54 | |
But in general, we are quite nomadic, we are moving around country. | 0:51:54 | 0:51:57 | |
We're going from one place to another | 0:51:57 | 0:51:59 | |
-cos you know a ceremony is happening somewhere up the coast. -Yeah. | 0:51:59 | 0:52:01 | |
You're going to pack up all the men, women and children, | 0:52:01 | 0:52:04 | |
off you go up and practice ceremony | 0:52:04 | 0:52:05 | |
and probably come back there in a couple of years' time. | 0:52:05 | 0:52:08 | |
So we're always moving around but still coming back to country. | 0:52:08 | 0:52:11 | |
So what's all this red rock? | 0:52:12 | 0:52:14 | |
This is the soft ochre rock that my people used to crush up and make | 0:52:14 | 0:52:17 | |
into paint for doing the ceremony, where they paint their bodies up. | 0:52:17 | 0:52:21 | |
Presumably, it paints red? | 0:52:21 | 0:52:23 | |
Yeah, you got red, you got your yellows, your browns, even white. | 0:52:23 | 0:52:28 | |
-All comes out of this? -Yeah. | 0:52:28 | 0:52:29 | |
And if you want it darker just add a bit of charcoal with it, | 0:52:29 | 0:52:32 | |
so you get a wide range of colours. | 0:52:32 | 0:52:34 | |
So can you show us a piece that you can do that with? | 0:52:34 | 0:52:37 | |
Yeah, I'll get a bit of soft ochre up here and you can crush it up. | 0:52:37 | 0:52:40 | |
Oh, wow, look at that, it's beautiful colours, innit? | 0:52:40 | 0:52:42 | |
We'll find you a nice, soft piece, John. | 0:52:42 | 0:52:44 | |
Give you that bit there and we'll get a hammer stone for you. | 0:52:44 | 0:52:47 | |
-Just put it on there and just crush it up. -Just grind it, yeah? | 0:52:47 | 0:52:50 | |
Yeah, just bang it, crush it. | 0:52:50 | 0:52:53 | |
-And you get school kids doing this? -Yeah. | 0:52:53 | 0:52:56 | |
Is this a new thing, | 0:52:56 | 0:52:58 | |
-school excursions to study aboriginal culture? -Yeah. | 0:52:58 | 0:53:02 | |
They're going home in a lot more positive mind-frame. | 0:53:02 | 0:53:06 | |
And they're going home telling their parents about it, you know, | 0:53:06 | 0:53:10 | |
and changing their parents' thoughts on aboriginal culture. | 0:53:10 | 0:53:13 | |
-Yeah. -See, that's nice and fine there now. | 0:53:13 | 0:53:15 | |
And what you do, just spit on it and... | 0:53:15 | 0:53:17 | |
-I'll do it the authentic way. -That's the way. | 0:53:17 | 0:53:19 | |
Cos obviously they had plastic bottles of water, didn't they... | 0:53:19 | 0:53:22 | |
Oh, of course, yeah. | 0:53:22 | 0:53:24 | |
..2,000 years ago. Of course they did. | 0:53:24 | 0:53:26 | |
-There you are. -Yeah, that's the way. | 0:53:29 | 0:53:31 | |
-So this is really the first example of a false tan? -Yes. | 0:53:31 | 0:53:35 | |
Cos I do this and then I do that. | 0:53:35 | 0:53:37 | |
That's it, look, you've got an instant Aussie tan now, huh. | 0:53:37 | 0:53:40 | |
-Look at that, yeah. -Yeah. -It's St Tropez. Look at that. | 0:53:40 | 0:53:43 | |
There's a lot of girls in Liverpool who'd pay a lot of money for this. | 0:53:43 | 0:53:46 | |
They'd like that, eh. | 0:53:46 | 0:53:48 | |
For thousands of years, they prospered | 0:53:53 | 0:53:55 | |
and then the Europeans arrived in Coffs Harbour. | 0:53:55 | 0:53:58 | |
They cut down the forest and fenced off the best land | 0:53:58 | 0:54:01 | |
and took it all for themselves. | 0:54:01 | 0:54:04 | |
But it was the way that they treated indigenous women | 0:54:04 | 0:54:06 | |
in particular that triggered violence. | 0:54:06 | 0:54:09 | |
A handful of settlers were killed but the reprisals were terrible. | 0:54:09 | 0:54:13 | |
Local aboriginals were chased from their camp near Red Rock | 0:54:13 | 0:54:16 | |
and massacred when they tried to swim to the beach. | 0:54:16 | 0:54:19 | |
How many people are we talking? | 0:54:22 | 0:54:24 | |
We're not really sure, we just know that it happened. | 0:54:24 | 0:54:27 | |
Couldn't tell you any numbers at all | 0:54:27 | 0:54:30 | |
but we just know that a couple of then, two, escaped to tell the story. | 0:54:30 | 0:54:35 | |
-There's no excuse. -Yeah. No, you're right. | 0:54:35 | 0:54:38 | |
We were on the flora and fauna list of Australia as just another species | 0:54:38 | 0:54:41 | |
until 1967 when we had the referendum. | 0:54:41 | 0:54:44 | |
You know, we were just regarded as animals. | 0:54:44 | 0:54:47 | |
They had no respect for the country that we're on, | 0:54:47 | 0:54:49 | |
let alone the people that were on that country. | 0:54:49 | 0:54:52 | |
But we had to get onto it, we had to reconcile and say, | 0:54:52 | 0:54:55 | |
"Yes, it happened." | 0:54:55 | 0:54:57 | |
For reconciliation to happen, it takes that... | 0:54:57 | 0:55:00 | |
I suppose that forgiveness, as well. | 0:55:00 | 0:55:03 | |
-Forgiveness is part of it, yeah. -It's a big thing to have. -Mm. | 0:55:03 | 0:55:06 | |
But we've got to get onto it. | 0:55:06 | 0:55:08 | |
We're going to be here for a long time yet and so will our children. | 0:55:08 | 0:55:11 | |
-Yeah. -And that's the main thing we have to promote, | 0:55:11 | 0:55:13 | |
look after this landscape for our children. | 0:55:13 | 0:55:16 | |
-You might come here and have kids here one day. -Mate. | 0:55:16 | 0:55:19 | |
I was here 22 years ago, I'm just waiting to bump into a 21-year-old. | 0:55:19 | 0:55:23 | |
Ah, you might, on that push-bike! | 0:55:23 | 0:55:25 | |
As the light fades, Mark takes me to a special place | 0:55:32 | 0:55:36 | |
normally reserved just for his people. | 0:55:36 | 0:55:39 | |
So would this be the time of day that you'd be getting the stories | 0:55:39 | 0:55:43 | |
-as a kid from the elders? -Yeah. | 0:55:43 | 0:55:45 | |
When you're sitting down and relaxing round the campfire | 0:55:45 | 0:55:49 | |
just learning about country, where you're from, | 0:55:49 | 0:55:52 | |
where your boundaries are in your country. | 0:55:52 | 0:55:54 | |
Explain Dreamtime to me, cos as I understand it, | 0:55:54 | 0:55:57 | |
-it's the explanation of why we're here. -That's right. | 0:55:57 | 0:56:01 | |
The old people say that when you're born onto this Earth | 0:56:01 | 0:56:06 | |
and then live a life as we do now, you learn about your totems, | 0:56:06 | 0:56:11 | |
the things that you will specialise here. | 0:56:11 | 0:56:14 | |
So your totem is the thing that you know most about in your mob? | 0:56:14 | 0:56:18 | |
Yeah, well, it's my... | 0:56:18 | 0:56:20 | |
Would have been passed on down through me family. | 0:56:20 | 0:56:22 | |
My grandmother's totem is fire, so you got to learn about fire. | 0:56:22 | 0:56:26 | |
I love fire, I love being around it. | 0:56:26 | 0:56:28 | |
So you learn about your totem here on Earth. | 0:56:30 | 0:56:32 | |
You go through your stages of learning, | 0:56:32 | 0:56:34 | |
gathering all that knowledge and passing it on. | 0:56:34 | 0:56:36 | |
Then you will die, the old people will come and get you, | 0:56:36 | 0:56:39 | |
take you back to the Dreaming. | 0:56:39 | 0:56:40 | |
That's why you often hear the old people say, | 0:56:40 | 0:56:43 | |
"Oh, we've been here forever, our spirit has been here forever." | 0:56:43 | 0:56:47 | |
-Could you ever see yourself living anywhere else? -I couldn't. | 0:56:47 | 0:56:51 | |
I have lived in other places in Australia | 0:56:51 | 0:56:54 | |
but something drew me back home again | 0:56:54 | 0:56:57 | |
and I want to come back to me own country, me homeland. | 0:56:57 | 0:57:00 | |
I'll be here forever. I love this place so much. | 0:57:00 | 0:57:03 | |
Well, if you're here in 22 years' time, | 0:57:05 | 0:57:07 | |
I might be passing by on a bike again. | 0:57:07 | 0:57:09 | |
I hope you do, mate, yeah. | 0:57:09 | 0:57:11 | |
Can't guarantee it, I've got to be honest. | 0:57:11 | 0:57:13 | |
Oh, mate. | 0:57:15 | 0:57:16 | |
-Do you want milk? -I don't have milk. | 0:57:19 | 0:57:21 | |
All right, let's have it without milk. | 0:57:21 | 0:57:25 | |
-Cheers, John, all the best, mate. -Cheers, Mark, all the best, mate. | 0:57:25 | 0:57:29 | |
-Thanks for a great day. -All right, thank you. | 0:57:29 | 0:57:32 | |
Ah, that's nice. | 0:57:32 | 0:57:34 | |
Next time, I head further north into the heartland of Australia. | 0:57:37 | 0:57:42 | |
I haven't eaten meat for 27 years. | 0:57:42 | 0:57:44 | |
Well, you should be ashamed of yourself, John. | 0:57:44 | 0:57:48 | |
Beautiful. | 0:57:48 | 0:57:49 | |
He's not moved since he arrived. | 0:57:49 | 0:57:51 | |
Oh, shit! | 0:57:51 | 0:57:53 | |
It's just Australian, innit, you know what I mean? | 0:57:53 | 0:57:55 |