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Tonight, the Moons were torn apart. | 0:00:02 | 0:00:04 | |
-Please, Dad! -You're not my son anymore. | 0:00:04 | 0:00:06 | |
As Eddie turns his back on his eldest son, | 0:00:06 | 0:00:09 | |
we look back on the history of those Walford dads who failed as fathers. | 0:00:09 | 0:00:14 | |
Before going behind the scenes to shine a light on the secrets of the new Moons. | 0:00:14 | 0:00:19 | |
# Fly me to the moon... # | 0:00:26 | 0:00:29 | |
The Queen Vic. Not long ago, the scene of a happy family reunion. | 0:00:29 | 0:00:33 | |
-What a great day. I feel like a king. -To King Eddie! | 0:00:34 | 0:00:38 | |
But tonight, we saw the dark side of the Moons, and a tragedy unfold. | 0:00:40 | 0:00:45 | |
-On your knees! -It was an accident! -You're not my son anymore. | 0:00:46 | 0:00:51 | |
Over the past few months, father and son have been at the centre | 0:00:51 | 0:00:54 | |
of one of the most compelling storylines the Square has ever seen. | 0:00:54 | 0:00:58 | |
The Moons joining the Square has been incredibly successful. | 0:00:58 | 0:01:02 | |
It was brilliant. | 0:01:02 | 0:01:04 | |
Betrayal, selfishness, greed, manipulation. | 0:01:04 | 0:01:09 | |
Dun-dun-dun! | 0:01:09 | 0:01:12 | |
This evening, the twisted tale of Eddie and Michael came to its dramatic conclusion. | 0:01:13 | 0:01:20 | |
Please, Dad! | 0:01:20 | 0:01:21 | |
You're not allowed to mess with Eddie Moon. | 0:01:21 | 0:01:24 | |
Ever since Eddie's arrival in Walford, | 0:01:28 | 0:01:31 | |
new Moons have been popping up all over the place. | 0:01:31 | 0:01:34 | |
I think the Moons have been sent in to stir a few things up | 0:01:34 | 0:01:37 | |
and to cause a bit of havoc. | 0:01:37 | 0:01:38 | |
I know that the Moons are a bit complicated, it's taken me | 0:01:38 | 0:01:41 | |
a long time to work out who is related to who. And how. | 0:01:41 | 0:01:44 | |
Well, first there was Alfie, who is married to Kat, | 0:01:44 | 0:01:47 | |
-then along came Alfie's cousin, Michael. -Alfie! | 0:01:47 | 0:01:50 | |
Who is actually Tommy's dad, but let's not worry about that now. | 0:01:50 | 0:01:53 | |
Eddie is Michael's dad, and he's also father to Craig and those two cheeky chappies, Anthony and Tyler. | 0:01:53 | 0:01:59 | |
I think that covers it. | 0:01:59 | 0:02:00 | |
The two new Moon boys had a very good start. | 0:02:00 | 0:02:03 | |
There was a lot of nudity early on, | 0:02:03 | 0:02:06 | |
which is always a plus as a female viewer, I think. | 0:02:06 | 0:02:08 | |
All right, darlin'? | 0:02:08 | 0:02:10 | |
What is it about them? Hmm. | 0:02:10 | 0:02:11 | |
Maybe that they're all gorgeous? | 0:02:11 | 0:02:14 | |
The Moons bring youth, good looks, humour. | 0:02:16 | 0:02:20 | |
Aaargh! | 0:02:20 | 0:02:21 | |
Energy, charm and sexiness as well. | 0:02:21 | 0:02:23 | |
-What are you doing? -I'm helping you out! Being that hot must be illegal. | 0:02:23 | 0:02:28 | |
I think people do enjoy the cheekiness, | 0:02:28 | 0:02:31 | |
and the banter that's in the family. | 0:02:31 | 0:02:34 | |
-Oi, Kat. -You ain't bad for an old bird, either. -Thanks. | 0:02:34 | 0:02:37 | |
But when it comes to charming the residents of Walford, I think we all know who's the daddy. | 0:02:37 | 0:02:45 | |
# Daddy, daddy cool. # | 0:02:45 | 0:02:48 | |
He's a charmer, isn't he? And he's just got that, I don't know, | 0:02:48 | 0:02:52 | |
that kind of thing where every woman that looks at him either is intrigued by him or wants a bit of him. | 0:02:52 | 0:03:01 | |
Oh, I say! | 0:03:01 | 0:03:02 | |
There was obviously only ever one man for the role, but I had a few things on. | 0:03:02 | 0:03:06 | |
So producers went for BAFTA nominee David Essex instead. | 0:03:06 | 0:03:09 | |
It was brilliant working with David. He's a legend. | 0:03:09 | 0:03:13 | |
I was there on David Essex's intro, | 0:03:15 | 0:03:17 | |
and he was very cool. | 0:03:17 | 0:03:19 | |
Very cool, very suave. | 0:03:19 | 0:03:21 | |
-Am I going the right way for Albert Square? -That way, you can't miss it. | 0:03:21 | 0:03:25 | |
David in real life and Eddie on screen bring that courtesy, | 0:03:25 | 0:03:30 | |
that old fashioned East End courtesy that I think we haven't seen in a while. | 0:03:30 | 0:03:34 | |
Thanks for that, I appreciate it. | 0:03:34 | 0:03:36 | |
My mum, who really told me how big David Essex was. | 0:03:36 | 0:03:40 | |
I always knew the name, obviously, but he was a bit before my time. | 0:03:40 | 0:03:44 | |
Yup. When Eddie Moon was just a twinkle in a writer's eye, | 0:03:48 | 0:03:50 | |
David Essex was busy being a '70s heart throb. | 0:03:50 | 0:03:54 | |
He was huge, he was a big rock and pop star back in the day. | 0:03:56 | 0:04:00 | |
-Bigger than Duran Duran, love! -He definitely has it. | 0:04:00 | 0:04:04 | |
If you look at him on Top of the Pops back in 1975, | 0:04:04 | 0:04:07 | |
or whenever it was, he's got something about him. | 0:04:07 | 0:04:10 | |
No wonder the girls where throwing their knickers at him back then, | 0:04:10 | 0:04:13 | |
and I think probably today. | 0:04:13 | 0:04:15 | |
There is a certain breed of woman who are even yet throwing their metaphorical knickers | 0:04:16 | 0:04:21 | |
at the television screen! | 0:04:21 | 0:04:22 | |
All the ladies were swooning, definitely. | 0:04:22 | 0:04:25 | |
Linda Cox was all, "Hello! Hello! Lovely to meet you! Aah! | 0:04:25 | 0:04:29 | |
"Oh, my God! David Essex! Aah!" | 0:04:29 | 0:04:31 | |
Only he could be that role. It's a man who has to come into the Square, | 0:04:31 | 0:04:37 | |
instantly seducing everyone, even Carol Jackson's snogging him after about five minutes! | 0:04:37 | 0:04:44 | |
-A little TLC. -I could do with a little touch up. | 0:04:44 | 0:04:46 | |
Uh, sorry, I mean, um, TLC! | 0:04:46 | 0:04:50 | |
It's got to be someone like David Essex. | 0:04:50 | 0:04:53 | |
Eddie appeals to everyone, he's very charming | 0:04:53 | 0:04:55 | |
and the women like him, the men like him, so he fits in very well. | 0:04:55 | 0:05:01 | |
Although there is at least one person who would have | 0:05:01 | 0:05:04 | |
preferred it if Eddie Moon had never come to Walford at all. | 0:05:04 | 0:05:06 | |
Michael Moon hates Eddie. | 0:05:06 | 0:05:09 | |
If he was dying on the street I wouldn't gob on him. | 0:05:09 | 0:05:11 | |
Michael and Eddie's history is long and complicated and dates back | 0:05:11 | 0:05:16 | |
to an event 33 years ago, where Michael's mother | 0:05:16 | 0:05:19 | |
killed herself, and he walked in to find her body. | 0:05:19 | 0:05:22 | |
Michael has always blamed Eddie for this. | 0:05:22 | 0:05:25 | |
He thinks that his father killed his mother, he is responsible for wrecking his mother's life, | 0:05:25 | 0:05:30 | |
for wrecking his own life, and he wants revenge. | 0:05:30 | 0:05:32 | |
He wants to destroy everything that his father ever had. | 0:05:32 | 0:05:37 | |
-She knew you cheated on her, Dad, you cheated on her and it broke her heart. -No. -Yes, it did. | 0:05:37 | 0:05:42 | |
It broke her heart and it killed her, Dad, it killed her! | 0:05:42 | 0:05:44 | |
Michael is a survivor of suicide. | 0:05:44 | 0:05:47 | |
It does leave a very long lasting scar in his psyche, and the | 0:05:47 | 0:05:52 | |
temptation to look for somebody to blame is almost overwhelming. | 0:05:52 | 0:05:57 | |
Michael, in a few words. Damaged, complicated, lonely, lost. | 0:05:57 | 0:06:05 | |
Bloody good looking, though! | 0:06:05 | 0:06:08 | |
Well, he's just like his father in that department. But it's a lot more than good looks | 0:06:08 | 0:06:12 | |
that Eddie and Michael share. | 0:06:12 | 0:06:14 | |
We were keen to make clear that Eddie has a very shady past. | 0:06:14 | 0:06:18 | |
This is a man who, 30-odd years ago, was a bit of a hell raiser. | 0:06:18 | 0:06:22 | |
Bit of a womaniser. | 0:06:22 | 0:06:23 | |
If the story about Eddie and his son is compelling, | 0:06:23 | 0:06:27 | |
it's because it makes real a lot of the feelings that | 0:06:27 | 0:06:31 | |
simmer between fathers and sons. | 0:06:31 | 0:06:35 | |
In what we refer to as real life. | 0:06:35 | 0:06:39 | |
You see me on my knees and you go for the throat. | 0:06:39 | 0:06:42 | |
-What kind of monster does that make you? -I didn't make me, Dad. | 0:06:44 | 0:06:50 | |
You made me. | 0:06:51 | 0:06:53 | |
While Eddie may have made some monumental mistakes, | 0:06:53 | 0:06:56 | |
when it comes to faulty fatherhood, he's not the first and he certainly wont be the last. | 0:06:56 | 0:07:00 | |
Relationships between fathers and kids, they're just really messed up in Albert Square. | 0:07:01 | 0:07:06 | |
The dads of Albert Square go wrong, usually when it comes to money or women. | 0:07:06 | 0:07:10 | |
Tradition in EastEnders, as a father, to get it as wrong as possible. | 0:07:10 | 0:07:13 | |
But there must be some decent dads on the Square? | 0:07:13 | 0:07:16 | |
-Umm... -Umm... -Umm... | 0:07:16 | 0:07:21 | |
-Umm... -Umm... | 0:07:21 | 0:07:24 | |
It's hard to say, because I don't know any great examples of dads, | 0:07:24 | 0:07:30 | |
really, in Albert Square. | 0:07:30 | 0:07:31 | |
There isn't a dad in Albert Square who hasn't committed some | 0:07:31 | 0:07:35 | |
deadly sin at some point. | 0:07:35 | 0:07:37 | |
Yes, those deadly sins can be a problem. | 0:07:37 | 0:07:39 | |
But when it comes to fatherhood, it's the Dad-ly Sins that cause the real trouble! | 0:07:39 | 0:07:44 | |
-The Seven Dad-ly Sins. -Exactly. | 0:07:44 | 0:07:47 | |
-From Max Branning's liaison with his daughter-in-law... -You're my son's girlfriend. | 0:07:47 | 0:07:51 | |
To Phil Mitchell's wrathful rages, almost all the dads | 0:07:51 | 0:07:54 | |
on Albert Square have been guilty of some fatherly felony, even Eddie Moon. | 0:07:54 | 0:07:58 | |
So, to our first Dad-ly Sin, envy. | 0:08:00 | 0:08:02 | |
And one man stands out above the rest. | 0:08:02 | 0:08:05 | |
I think of all the dads in EastEnders, I think | 0:08:05 | 0:08:07 | |
top of the tree, really, has got to be Den Watts. | 0:08:07 | 0:08:11 | |
From what I remember from all those years ago, | 0:08:11 | 0:08:14 | |
Den was an adulterer, I think he was a little bit of a gangster, | 0:08:14 | 0:08:19 | |
and I think he was an all-round butt-head! | 0:08:19 | 0:08:22 | |
He was also one of the founding fathers of Walford, and devoted father to daughter, Sharon. | 0:08:24 | 0:08:30 | |
I don't think he was "dirty" Den. When it came to his daughter, nobody was ever good enough for her | 0:08:30 | 0:08:34 | |
and her bubble perms and her splendid pullovers(!) | 0:08:34 | 0:08:38 | |
But yeah, he doted on her. She was his blue-eyed little princess. | 0:08:41 | 0:08:46 | |
Despite her terrible taste in jumpers, Den adored Sharon, | 0:08:46 | 0:08:49 | |
and the feeling was mutual. | 0:08:49 | 0:08:51 | |
Sharon absolutely loved him to bits. | 0:08:51 | 0:08:54 | |
He was the epitome of swashbuckling glamour. | 0:08:54 | 0:08:57 | |
And what kid wouldn't want a dad who seemed as glamorous and powerful | 0:08:57 | 0:09:00 | |
and king of the square? | 0:09:00 | 0:09:01 | |
Which is what he was. | 0:09:01 | 0:09:02 | |
What's bothering my princess, eh? | 0:09:02 | 0:09:04 | |
I loved the way Den used to call Sharon "princess". | 0:09:04 | 0:09:07 | |
"'Allo, Princess." | 0:09:07 | 0:09:09 | |
Den's weakness was Sharon, which made him a much more interesting character. | 0:09:09 | 0:09:12 | |
It was such a weak spot for him, that he would do anything for her. | 0:09:12 | 0:09:17 | |
I think everybody has a love of their life. | 0:09:19 | 0:09:21 | |
It's generally just one, kind of like your soul mate. | 0:09:21 | 0:09:25 | |
If you're really lucky, that will be your wife. | 0:09:25 | 0:09:27 | |
And I think with Den, that wasn't the case. | 0:09:27 | 0:09:30 | |
The love of his life, his soul mate, was Sharon. | 0:09:30 | 0:09:32 | |
And that's what made that relationship fascinating. | 0:09:32 | 0:09:35 | |
Boyfriends came and went, but no-one ever posed a threat to Den's | 0:09:35 | 0:09:39 | |
position as the number one man in Sharon's life. | 0:09:39 | 0:09:42 | |
Until one day... | 0:09:42 | 0:09:44 | |
When little Den turned up, "Fit Den", | 0:09:44 | 0:09:46 | |
as we liked to call him, I guess Big Den's parenting took a new twist. | 0:09:46 | 0:09:52 | |
Because when Sharon got it on with Den's long lost son, | 0:09:52 | 0:09:56 | |
Daddy Watts was not a happy bunny. | 0:09:56 | 0:09:58 | |
You might just have met your match there. | 0:09:58 | 0:10:01 | |
Sharon got to see the possessive side of him, | 0:10:01 | 0:10:05 | |
the manipulative side of him, and the very, very jealous side of him. | 0:10:05 | 0:10:08 | |
I'm not talking to you in that state. Look at you. Standing there like some slut. | 0:10:08 | 0:10:13 | |
Don't you dare call me that, I am not a slut! | 0:10:13 | 0:10:15 | |
When Sharon was obsessed with Dennis, | 0:10:15 | 0:10:18 | |
that, Den... This is the woman he loved. Den loved Sharon. | 0:10:18 | 0:10:23 | |
You just had this feeling that he thought | 0:10:23 | 0:10:26 | |
he was the only person good enough for her, but she was his daughter. It was a weird relationship. | 0:10:26 | 0:10:31 | |
He just didn't want anybody to have anything to do with Sharon | 0:10:31 | 0:10:34 | |
other than himself. | 0:10:34 | 0:10:35 | |
-But there was no pulling the wool over Fit Den's pretty eyes. -You're jealous! | 0:10:35 | 0:10:40 | |
-What? -You're jealous! | 0:10:40 | 0:10:42 | |
Perhaps it was envy. | 0:10:42 | 0:10:45 | |
Dennis was a younger version of him. | 0:10:45 | 0:10:47 | |
He could see that this man was taking his precious daughter away from him. | 0:10:47 | 0:10:50 | |
He knew that if she went off with Dennis, | 0:10:50 | 0:10:52 | |
she wouldn't love him as much | 0:10:52 | 0:10:54 | |
Den wanted Sharon all to himself, | 0:10:54 | 0:10:56 | |
and he'd stop at nothing to get his way. | 0:10:56 | 0:10:59 | |
He was so utterly ruthless in the way he split the two of them up. | 0:10:59 | 0:11:05 | |
Sleeping with Zoe, getting her to lie that she was pregnant. | 0:11:05 | 0:11:08 | |
You either lie to him or you lose him, for good! | 0:11:08 | 0:11:10 | |
Driving his daughter away from the only love of her life. | 0:11:10 | 0:11:14 | |
I mean, it was ruthless stuff, he was determined to split them up. | 0:11:14 | 0:11:18 | |
And he did. Still, it wasn't long before Den's princess discovered | 0:11:18 | 0:11:21 | |
the truth about her delightful dad. | 0:11:21 | 0:11:24 | |
Secrets never stay secret in Albert Square, | 0:11:24 | 0:11:26 | |
so of course the truth is found out. | 0:11:26 | 0:11:29 | |
And there was this scene where Sharon comes back to the Square, | 0:11:29 | 0:11:33 | |
and it's been engineered that she would just overhear, just as | 0:11:33 | 0:11:37 | |
her father is confessing everything he's done to ruin her life. | 0:11:37 | 0:11:40 | |
Go on, Zoe, go and tell your family the reason that Dennis left you is because he caught you in bed with me. | 0:11:40 | 0:11:45 | |
Tell them I'm the father of your baby. Let them broadcast it to the world! | 0:11:45 | 0:11:49 | |
There's not one single person around here who I give a toss about. | 0:11:49 | 0:11:53 | |
Princess... | 0:11:58 | 0:12:00 | |
It's only when she finds out exactly all the terrible things that | 0:12:00 | 0:12:04 | |
he's done that she just can't stomach it anymore. | 0:12:04 | 0:12:07 | |
You lost me my darling. | 0:12:07 | 0:12:10 | |
-The person who made me happier than I'd ever been. -But that's me! -No, it ain't. | 0:12:10 | 0:12:15 | |
And this time, she just says no, I don't have a father anymore, and goes... | 0:12:15 | 0:12:19 | |
My dad died a long time ago. | 0:12:19 | 0:12:22 | |
I buried him. And my mum's buried next to him. | 0:12:22 | 0:12:25 | |
I don't know who you are, but you ain't my dad. I'm an orphan. | 0:12:25 | 0:12:30 | |
Most things, Den can cope with. He moves on as a bit of a hustler. | 0:12:32 | 0:12:37 | |
But to be rejected by Sharon actually really cuts him to the core. | 0:12:39 | 0:12:44 | |
Den had lost the only thing he ever loved. | 0:12:49 | 0:12:52 | |
And just weeks ago, Michael was planning a similar | 0:12:52 | 0:12:55 | |
fate for Eddie, as he put Tyler in the ring on fight night. | 0:12:55 | 0:12:59 | |
-He's looking sharp! Right? -Yeah. | 0:13:01 | 0:13:05 | |
When Michael starts taking an interest in Tyler with the boxing, | 0:13:05 | 0:13:08 | |
that's the first time Tyler really feels like that's his brother. | 0:13:08 | 0:13:11 | |
-All right, champ? -Feeling good. -All right, yeah. | 0:13:11 | 0:13:15 | |
It's the first time that Michael has ever bonded with Tyler | 0:13:15 | 0:13:18 | |
and taken an interest in him. | 0:13:18 | 0:13:20 | |
I think Tyler is secretly chuffed about that. | 0:13:20 | 0:13:22 | |
You're going to put this family on the map. | 0:13:22 | 0:13:24 | |
You know how to grab a chance and make the most of it. | 0:13:24 | 0:13:26 | |
-You set it up for me, bruv. -That's what big brothers are for, yeah. | 0:13:26 | 0:13:29 | |
Little does he know, he's going to try and kill him! | 0:13:31 | 0:13:33 | |
Michael has basically put Tyler in a boxing ring in an unlicensed | 0:13:33 | 0:13:42 | |
fight with a psychopath. | 0:13:42 | 0:13:43 | |
In Michael's eyes, he wants me to die. Just to hurt Eddie. | 0:13:44 | 0:13:48 | |
-That's my boy! -You can't go in there! -My boy! | 0:13:52 | 0:13:55 | |
So in Michael's twisted, warped mind, | 0:13:56 | 0:14:01 | |
on the anniversary of his mother's death, he chooses to mark it with a | 0:14:01 | 0:14:05 | |
boxing match which could potentially not only financially ruin people, it could Anthony's money away. | 0:14:05 | 0:14:11 | |
All the money, I bet it! | 0:14:11 | 0:14:13 | |
Gambling could shame Eddie. It could also kill Tyler! | 0:14:13 | 0:14:16 | |
It seems to be a rather harsh reaction to that he was jealous of Tyler's with Eddie. | 0:14:18 | 0:14:24 | |
Get him out of there! Stop the fight! | 0:14:24 | 0:14:26 | |
'I don't think it's any accident that Michael's revenge' | 0:14:28 | 0:14:31 | |
also involves the possible death - | 0:14:31 | 0:14:35 | |
certainly huge injuries and pain - | 0:14:35 | 0:14:39 | |
to one of his brothers. | 0:14:39 | 0:14:41 | |
'All of these things he's done' | 0:14:43 | 0:14:45 | |
because he's seeking revenge. | 0:14:45 | 0:14:47 | |
While Michael was concentrating on revenge, | 0:14:49 | 0:14:52 | |
the two new mini-Moons were concentrating on their biggest scene so far. | 0:14:52 | 0:14:57 | |
The set they've got here is tremendous - | 0:14:57 | 0:14:59 | |
it's like being on a set for a film. | 0:14:59 | 0:15:02 | |
There was a great buzz around the set, and Clive Arnold who directed it captured everything. | 0:15:03 | 0:15:11 | |
He's fantastic, he brought the best out of us. | 0:15:11 | 0:15:13 | |
Everyone had their own sort of little things - Michael was there conjuring up his plan, | 0:15:15 | 0:15:19 | |
Eddie was there making sure he was all right, Vanessa on his shoulder, Carol comes in and sees that, | 0:15:19 | 0:15:24 | |
you've got Whitney there | 0:15:24 | 0:15:25 | |
who doesn't know if she's falling for Tyler yet... | 0:15:25 | 0:15:28 | |
So there's loads - so much going on, and so much to capture. | 0:15:28 | 0:15:32 | |
As the tension builds outside the ring, INSIDE it was all kicking off. | 0:15:32 | 0:15:36 | |
Well - punching off! | 0:15:36 | 0:15:39 | |
It was quite exhausting, cos we was filming | 0:15:39 | 0:15:41 | |
from 8:00 in the morning till 6:00 at night. | 0:15:41 | 0:15:43 | |
-Let's go one more time. > -Just do one there first? | 0:15:43 | 0:15:46 | |
We was repeating the routine over and over again. | 0:15:46 | 0:15:49 | |
Tony did tremendously, to do a few takes with that fight. | 0:15:49 | 0:15:54 | |
But it was really fulfilling, it was really good to do, and I really enjoyed it. | 0:15:57 | 0:16:03 | |
As Tony Discipline ended the day on a high... | 0:16:03 | 0:16:07 | |
..Tyler ended up in intensive care! | 0:16:10 | 0:16:12 | |
TYLER! | 0:16:12 | 0:16:14 | |
I don't think it was ever about Tyler. I don't think he particularly likes Tyler, | 0:16:15 | 0:16:19 | |
but it's all about hurting Eddie. That's what it all boils down to in the end. | 0:16:19 | 0:16:23 | |
Well, Michael certainly succeeded there - but the evening's events took an unexpected turn, | 0:16:23 | 0:16:29 | |
as father and son finally began to reconcile their differences. | 0:16:29 | 0:16:33 | |
But reconciliation takes effort - and that's not something our next dad is very familiar with. | 0:16:34 | 0:16:39 | |
-DOORBELL Who's that? -I don't know yet! -Well, tell 'em we already gave. | 0:16:39 | 0:16:43 | |
Keith Miller... No, he's rubbish, isn't he? | 0:16:43 | 0:16:45 | |
-Think you better come to the door. -No, the door better come to ME. | 0:16:45 | 0:16:50 | |
The first person that comes to mind for sloth and laziness | 0:16:54 | 0:16:57 | |
would definitely be Keith Miller. | 0:16:57 | 0:16:59 | |
I don't think that I remember seeing him out of his armchair. | 0:16:59 | 0:17:02 | |
'He represented the no-hoper.' | 0:17:02 | 0:17:06 | |
Someone going nowhere, didn't care where they were going, | 0:17:06 | 0:17:09 | |
living off the state... | 0:17:09 | 0:17:11 | |
Did nothing, believed in nothing...and achieved nothing. | 0:17:11 | 0:17:14 | |
Exactly! My point, well made! | 0:17:14 | 0:17:17 | |
Capitalism is a corrupt institution based on survival of the fittest. | 0:17:17 | 0:17:21 | |
And the grindin' down of the little man! | 0:17:21 | 0:17:23 | |
Talk...English, man! | 0:17:23 | 0:17:25 | |
You can't judge a man by what he does or how much he earns, it's immoral! | 0:17:25 | 0:17:29 | |
It's WHO we are that's more important. | 0:17:29 | 0:17:31 | |
Yeah. And you are an idle, lazy, scrounging old arse! | 0:17:31 | 0:17:35 | |
There was only one thing he loved more than his family, which was that armchair. | 0:17:39 | 0:17:44 | |
And his remote control - those are his prize possessions. | 0:17:44 | 0:17:48 | |
# We're busy doin' nothin', workin' the whole day through | 0:17:48 | 0:17:52 | |
# Trying to find lots of things not to do... # | 0:17:52 | 0:17:56 | |
Always on that settee, he was. Watching a documentary. | 0:17:56 | 0:17:59 | |
Never did a day's work in his life. | 0:17:59 | 0:18:02 | |
Go and get us a drink, sweetheart. | 0:18:02 | 0:18:04 | |
Nice cup of tea, eh? | 0:18:04 | 0:18:05 | |
That's it, Keith - wouldn't want to strain yourself. | 0:18:06 | 0:18:09 | |
No, that's not being a good dad, it's just rubbish. | 0:18:09 | 0:18:14 | |
He's rubbish - he's a rubbish dad. | 0:18:14 | 0:18:16 | |
I think he loved the kids... | 0:18:19 | 0:18:22 | |
just couldn't be bothered getting off the sofa to tell them! | 0:18:22 | 0:18:25 | |
If anyone's asking, mine's a pint an' all. | 0:18:25 | 0:18:28 | |
'I love the character, don't get me wrong. But no, rubbish dad.' | 0:18:28 | 0:18:32 | |
Sits in an armchair for three years... Watching quizzes. | 0:18:32 | 0:18:35 | |
That's no way to behave, is it? | 0:18:35 | 0:18:37 | |
Keith's slothfulness knew no bounds. He couldn't even be bothered | 0:18:37 | 0:18:40 | |
to keep an eye out for the crazed doctor stalking his stepdaughter. | 0:18:40 | 0:18:44 | |
I just thought you might want to help! | 0:18:44 | 0:18:46 | |
Course I want to help! I can keep an eye on the Square from here. Rally the troops, spread the word. | 0:18:46 | 0:18:51 | |
What? | 0:18:51 | 0:18:52 | |
Not surprisingly, Keith's lookout wasn't very successful - | 0:18:52 | 0:18:56 | |
and the doolally doctor managed to set the Millers alight! | 0:18:56 | 0:18:59 | |
Help us! Do something! | 0:18:59 | 0:19:01 | |
-Leave it to the experts... -No, you stay put - it's what you always do. | 0:19:01 | 0:19:06 | |
He redeemed himself at the end, Keith. | 0:19:06 | 0:19:07 | |
He finally got out of his chair. | 0:19:07 | 0:19:10 | |
In Dawn's darkest hour, Keith went from zero...to hero. | 0:19:10 | 0:19:14 | |
Dad? | 0:19:14 | 0:19:16 | |
DAD...! | 0:19:16 | 0:19:17 | |
Finally doing something worthy of the title "father", | 0:19:20 | 0:19:23 | |
Keith Miller moved at least 15 feet to save Dawn from impending doom. | 0:19:23 | 0:19:27 | |
Help me, please. I don't think she's breathing! | 0:19:28 | 0:19:30 | |
To be honest, Keith NEEDED to be a hero, because he'd been so useless. | 0:19:33 | 0:19:37 | |
I suppose it's something to have saved Kara for Strictly Come Dancing, | 0:19:37 | 0:19:41 | |
that's some kind of achievement. | 0:19:41 | 0:19:43 | |
Yeah. Yeah, it was. | 0:19:43 | 0:19:46 | |
But no marks for achievement for our next father - | 0:19:46 | 0:19:48 | |
who committed HIS dad-liest sin back in 2006. | 0:19:48 | 0:19:54 | |
In a storyline that shocked the nation, Max let lust take over, | 0:19:54 | 0:19:57 | |
before getting his leg over with the love of his son's life. | 0:19:57 | 0:20:01 | |
Max Branning, king sleazeball - | 0:20:01 | 0:20:03 | |
get your hands | 0:20:03 | 0:20:05 | |
off of your daughter-in-law, you pervert. | 0:20:05 | 0:20:08 | |
I think he's just a bit of a horny devil, really. | 0:20:08 | 0:20:10 | |
I think Max Branning, definitely, for lust. | 0:20:10 | 0:20:12 | |
You're my son's girlfriend... | 0:20:12 | 0:20:15 | |
Yes. She is! Bradley's girlfriend. | 0:20:15 | 0:20:18 | |
Lovable, loyal, dependable Bradley. | 0:20:18 | 0:20:21 | |
Surely this makes Max one of the dirtiest dads on the Square? | 0:20:21 | 0:20:24 | |
Well, I think - this might be controversial - | 0:20:24 | 0:20:28 | |
I think Max is a great dad. | 0:20:28 | 0:20:30 | |
Yeah - er...no, you've lost me there. | 0:20:30 | 0:20:34 | |
There's no way we'd want to watch Max for ever | 0:20:34 | 0:20:36 | |
if he didn't have redeeming qualities. | 0:20:36 | 0:20:38 | |
You know? He's a really well-rounded character. | 0:20:38 | 0:20:41 | |
He isn't just a terrible father by sleeping with everything that moves. | 0:20:41 | 0:20:45 | |
He loves bringing home the money, bringing home the bread... | 0:20:47 | 0:20:50 | |
and making sure everyone's safe - and he's cuddly with his girls and he's there for Oscar... | 0:20:50 | 0:20:55 | |
He loves being a dad, and he's good at being a dad | 0:20:55 | 0:20:58 | |
in all the very fundamental ways! | 0:20:58 | 0:21:01 | |
And then he goes and does something monumentally stupid. | 0:21:01 | 0:21:04 | |
Ahem - no offence, Stacey. | 0:21:04 | 0:21:06 | |
Max was completely responsible | 0:21:06 | 0:21:08 | |
for the whole Bradley/Stacey | 0:21:08 | 0:21:11 | |
epic years of guilt and misery. | 0:21:11 | 0:21:14 | |
You do think, "How could you? This is your own son's partner here." | 0:21:16 | 0:21:20 | |
-Sorry... -And he just couldn't resist it. | 0:21:20 | 0:21:23 | |
-Me and Bradley were fine until you came along. -I've done nothing but be nice to the boy. | 0:21:23 | 0:21:27 | |
-Making him see what a worthless little tart I am? -That ain't true. | 0:21:27 | 0:21:30 | |
-I've encouraged him, yeah... -To look elsewhere. | 0:21:30 | 0:21:32 | |
'Poor little Bradley.' | 0:21:32 | 0:21:33 | |
'It obviously does make Max the worst dad ever, doesn't it?' | 0:21:33 | 0:21:37 | |
God, am I turning into Tanya? I feel like I'm forgiving him everything. It's unforgivable. | 0:21:37 | 0:21:42 | |
What kind of man moves in on his son's girlfriend, anyway? | 0:21:42 | 0:21:46 | |
Max, as a character, is very driven. If he wants something, he gets it. | 0:21:46 | 0:21:52 | |
And it was there from the very first moment - | 0:21:53 | 0:21:56 | |
Stacey was on her way home from a night out, | 0:21:56 | 0:21:58 | |
and she was barefoot, going across the Square, | 0:21:58 | 0:22:00 | |
and Max just caught her eye and said something cheeky to her. | 0:22:00 | 0:22:03 | |
I like your shoes. | 0:22:03 | 0:22:05 | |
And I remember going, "Ooh, hello... What's going to happen here?" | 0:22:05 | 0:22:10 | |
You're lovely. D'you like me an' all? | 0:22:10 | 0:22:12 | |
-Bald, middle-aged... My perfect man. -Yeah. | 0:22:12 | 0:22:15 | |
He just can't help himself. | 0:22:15 | 0:22:18 | |
You're like a dog caught with a scent, and you just can't let go. | 0:22:18 | 0:22:22 | |
There is a big hole - and it looks too good to avoid. | 0:22:24 | 0:22:27 | |
Just have to walk straight into that trap. | 0:22:27 | 0:22:30 | |
'He just can't resist it -' | 0:22:31 | 0:22:33 | |
if there's a pretty woman in front of him, he just can't say no. | 0:22:33 | 0:22:37 | |
He's a dog! | 0:22:38 | 0:22:40 | |
Our families are sitting round the Vic. Your mum... | 0:22:40 | 0:22:43 | |
Your wife. | 0:22:43 | 0:22:45 | |
I don't know if his first instinct is to put himself before his children... | 0:22:45 | 0:22:49 | |
but I think he accidentally does. | 0:22:49 | 0:22:53 | |
I'm Bradley's dad. I'm married. I'm twice your age. | 0:22:53 | 0:22:55 | |
I find that appealing. | 0:22:55 | 0:22:57 | |
Oh, it was awful. | 0:22:57 | 0:22:58 | |
And things were about to get a whole lot worse, as nearly 14 million viewers tuned in to watch | 0:23:02 | 0:23:06 | |
when Max's dad-ly sin was revealed. | 0:23:06 | 0:23:08 | |
The whole family was sitting there for Christmas, | 0:23:09 | 0:23:12 | |
to watch the Queen's speech. | 0:23:12 | 0:23:14 | |
And instead we got a video of Max and Stacey. | 0:23:17 | 0:23:19 | |
MUSIC: "It's The Most Wonderful Time Of The Year" | 0:23:21 | 0:23:24 | |
Even on her wedding day! She's standing in the wedding dress, she's about to marry his son. | 0:23:30 | 0:23:35 | |
He can't resist it - in there trying to get another snog! | 0:23:35 | 0:23:38 | |
He's dirty. | 0:23:38 | 0:23:39 | |
Max was indeed dirty. And Bradley - ooh! He was angry. | 0:23:39 | 0:23:43 | |
Poor old Bradley... I just cannot imagine. | 0:23:45 | 0:23:48 | |
Cos he thought his world was rosy, that the whole future is bright - | 0:23:48 | 0:23:51 | |
and he's sitting there, with a stupid paper hat on, | 0:23:51 | 0:23:55 | |
watching his dad - eurgh! - snog his wife. | 0:23:55 | 0:23:58 | |
It's a joke. | 0:23:58 | 0:24:00 | |
How can you behave in that way and betray your own flesh and blood? | 0:24:02 | 0:24:05 | |
Just tell her, Stace, just tell her! | 0:24:05 | 0:24:07 | |
Tell 'em, all right, it's a joke. | 0:24:07 | 0:24:09 | |
(I'm sorry.) | 0:24:14 | 0:24:16 | |
Max didn't have long to deal with it before Bradley threw him into the Christmas tree, as I recall. | 0:24:18 | 0:24:23 | |
I'll kill you... I'll kill you, Dad! | 0:24:23 | 0:24:26 | |
Come back... Stay back! Come on! | 0:24:26 | 0:24:28 | |
-Just leave it... -Get your hands off me! | 0:24:31 | 0:24:33 | |
What was he thinking? Yes, he is a bad father. | 0:24:33 | 0:24:35 | |
'Would anybody WANT to be Max? I certainly wouldn't to be Max.' | 0:24:36 | 0:24:41 | |
To live with that cluster of lies... It's not a life to be envied. | 0:24:41 | 0:24:44 | |
It's true. Lust can only ever lead to no good. | 0:24:44 | 0:24:47 | |
But it's something the dads of Albert Square | 0:24:47 | 0:24:49 | |
just can't seem to avoid! | 0:24:49 | 0:24:51 | |
Even Eddie fell foul of THIS dad-ly sin. | 0:24:51 | 0:24:53 | |
But that's exactly what Michael was hoping for when he employed the services of Vanessa. | 0:24:53 | 0:24:58 | |
Michael, in order to hurt his father, | 0:24:58 | 0:25:01 | |
has paid Vanessa to split Carol and Eddie up - | 0:25:01 | 0:25:06 | |
and then for me to break his heart as well. | 0:25:06 | 0:25:09 | |
Knowing full well that very few fathers can resist the lure of lust, | 0:25:09 | 0:25:13 | |
Michael used it as part of his plan to destroy his dad. | 0:25:13 | 0:25:17 | |
Break his heart. | 0:25:19 | 0:25:20 | |
It's there, for the taking. | 0:25:22 | 0:25:25 | |
Break it. | 0:25:26 | 0:25:28 | |
And I'll see you right. | 0:25:28 | 0:25:29 | |
Michael is very manipulative. And he's very clever. | 0:25:32 | 0:25:35 | |
I'm offering you security. | 0:25:35 | 0:25:38 | |
You move in on my dad... | 0:25:38 | 0:25:40 | |
you get money... | 0:25:40 | 0:25:42 | |
you get a place to stay... | 0:25:42 | 0:25:44 | |
and as a nice little bit of icing on your cake, | 0:25:44 | 0:25:47 | |
you get to turf Carol Jackson out on her ear. Huh? | 0:25:47 | 0:25:51 | |
The corrupt and devious character Michael is... | 0:25:51 | 0:25:54 | |
'Picks on the people that are the weakest, and then at that point she was the weakest.' | 0:25:54 | 0:25:59 | |
Vanessa may have been weak - but she was also hot. Surely no man could resist? | 0:25:59 | 0:26:04 | |
Hello, boys... | 0:26:04 | 0:26:05 | |
Every dad in Albert Square has at some point committed the sin of lust. | 0:26:05 | 0:26:10 | |
Even Eddie Moon. I mean, he should have stuck with Carol, | 0:26:10 | 0:26:12 | |
nice, cuddly, lovely Eddie Moon, he couldn't resist the lady in white. | 0:26:12 | 0:26:16 | |
Vanessa - one flick of those shoulder pads, and he was in there, | 0:26:16 | 0:26:20 | |
and that was his downfall. | 0:26:20 | 0:26:22 | |
It wasn't long before Vanessa snared her man, | 0:26:22 | 0:26:25 | |
and it looked like Michael's lust-led plan had worked. | 0:26:25 | 0:26:28 | |
Possibly there's some old man's vanity in that as well, | 0:26:28 | 0:26:31 | |
that this younger, attractive woman would still be interested in him. | 0:26:31 | 0:26:34 | |
'So he does fall for that.' | 0:26:34 | 0:26:36 | |
The main thing Michael wants is for Vanessa to go, and take Eddie with her. That's his main game. | 0:26:37 | 0:26:43 | |
But over the relationship that they establish, she actually falls for him. | 0:26:43 | 0:26:48 | |
You've been really good to me. | 0:26:48 | 0:26:49 | |
Vanessa's feelings for Eddie start to grow | 0:26:49 | 0:26:53 | |
just after she's had to start trying to kind of...woo him. | 0:26:53 | 0:27:00 | |
'He's such a nice guy, and it's so easy' | 0:27:00 | 0:27:04 | |
for her to fall for him. | 0:27:04 | 0:27:06 | |
But when Craig smelled a rat, the plot began to unravel | 0:27:06 | 0:27:09 | |
and Vanessa was forced to reveal everything. | 0:27:09 | 0:27:11 | |
'We shot the scene where Vanessa has to tell Eddie' | 0:27:15 | 0:27:20 | |
that his son hates him so much | 0:27:20 | 0:27:23 | |
that he's paid me to split him up with Carol, | 0:27:23 | 0:27:25 | |
and to break his heart... | 0:27:25 | 0:27:26 | |
Thank you, we are recording... Shot one, take two - and action. | 0:27:26 | 0:27:31 | |
I want the truth. And I want it right now. | 0:27:31 | 0:27:33 | |
Leave anything out, and I find out later, we're over. | 0:27:33 | 0:27:37 | |
Tell me now - and we've got a chance. | 0:27:37 | 0:27:41 | |
Having to tell somebody that sort of stuff | 0:27:41 | 0:27:44 | |
'in order to save your own skin -' | 0:27:44 | 0:27:45 | |
horrible to have to say that to, you know, to poor Eddie. | 0:27:45 | 0:27:49 | |
Michael...he hates you so much, | 0:27:49 | 0:27:52 | |
that he paid me, to split up you and Carol and to...break your heart. | 0:27:52 | 0:27:56 | |
'Vanessa knew that' | 0:27:56 | 0:27:57 | |
unless she gave all this information she was absolutely out on her ear, | 0:27:57 | 0:28:01 | |
and there was a possibility that if she | 0:28:01 | 0:28:03 | |
'explained to him, maybe, you know, | 0:28:03 | 0:28:06 | |
'she could rectify the relationship, | 0:28:06 | 0:28:08 | |
'and he would understand and he would forgive her.' | 0:28:08 | 0:28:10 | |
Think what you will of me. But you've got to know what he's like. | 0:28:10 | 0:28:14 | |
He planned it all. | 0:28:14 | 0:28:16 | |
Vanessa knew that Eddie would be absolutely devastated by that news. | 0:28:18 | 0:28:21 | |
Especially as the relationship has been developing between Michael and Eddie | 0:28:21 | 0:28:26 | |
and everything's all happy families, and suddenly it's all... | 0:28:26 | 0:28:30 | |
it's all gone again. | 0:28:30 | 0:28:32 | |
No-one in their right mind could argue with Eddie's reaction to Michael's betrayal. | 0:28:32 | 0:28:36 | |
Yet there's one dad on the Square that consistently divides opinion. | 0:28:36 | 0:28:40 | |
Ian... I love a bit of Ian. | 0:28:40 | 0:28:42 | |
Ian Beale's quite a good dad, really. | 0:28:42 | 0:28:45 | |
I think he's done a pretty good job of screwing up his kids. | 0:28:45 | 0:28:47 | |
Ian Beale for Dad of the Year... | 0:28:47 | 0:28:49 | |
I'm not sure! | 0:28:49 | 0:28:51 | |
I don't think he's a BAD dad... | 0:28:51 | 0:28:53 | |
His children don't think he's a good dad. | 0:28:53 | 0:28:54 | |
The best dad...is Ian. | 0:28:54 | 0:28:57 | |
He's a tremendous dad, isn't he? | 0:28:57 | 0:28:59 | |
-Thanks. -Not! | 0:28:59 | 0:29:00 | |
No matter what you think of Ian Beale, | 0:29:00 | 0:29:02 | |
there's no getting away from the fact | 0:29:02 | 0:29:05 | |
that when it comes to our next "dad-ly" sin, he's a serial offender. | 0:29:05 | 0:29:09 | |
The obvious sin for Ian is greed because he always seems to want more. | 0:29:09 | 0:29:14 | |
I think Ian Beale is one of those dads that means well | 0:29:17 | 0:29:21 | |
but never gets it right, has no sense of authority with his children | 0:29:21 | 0:29:26 | |
but because Ian is Ian, he's driven by... | 0:29:26 | 0:29:28 | |
..greed and money. | 0:29:30 | 0:29:32 | |
That's what I like about you, Ian, | 0:29:34 | 0:29:36 | |
in fact it's the only thing I like about you, you're ruled by money. | 0:29:36 | 0:29:40 | |
Ian is a product of Thatcher's England | 0:29:40 | 0:29:43 | |
and greed does run kind of central to that character. | 0:29:43 | 0:29:47 | |
# Money, Money, Money... # | 0:29:47 | 0:29:49 | |
Mum, lend us a couple of quid. | 0:29:49 | 0:29:51 | |
His main focus, the driving force behind Ian Beale is status. | 0:29:51 | 0:29:55 | |
Mum, if I didn't have this house, the business, the money, | 0:29:55 | 0:29:59 | |
I'd be nothing. | 0:29:59 | 0:30:00 | |
He needed to be the Richard Branson of Walford. | 0:30:00 | 0:30:03 | |
None of that matters. It's what's inside that counts. | 0:30:03 | 0:30:06 | |
That's what I'm worried about. | 0:30:06 | 0:30:08 | |
I think Ian is motivated by money. | 0:30:08 | 0:30:10 | |
It's been an obsession with him since he was a teenager. | 0:30:10 | 0:30:13 | |
Ian, he likes to flash his cash, prove what a big man he is. | 0:30:13 | 0:30:16 | |
-Look at the size of that wad. -You know what they say, big wad... | 0:30:16 | 0:30:20 | |
-Huge wallet. -Something like that. | 0:30:20 | 0:30:22 | |
Ian Beale has all his priorities so wrong. | 0:30:22 | 0:30:25 | |
He cares more about making a profit in the chip shop than | 0:30:25 | 0:30:30 | |
where his children are at night. | 0:30:30 | 0:30:32 | |
With Ian, it's definitely a status thing. | 0:30:32 | 0:30:36 | |
This man has massively insecure. | 0:30:36 | 0:30:38 | |
That is the secret to writing Ian, | 0:30:38 | 0:30:40 | |
whether it's acquiring a new sports car | 0:30:40 | 0:30:43 | |
or acquiring a new girlfriend, it's always about the way that it looks. | 0:30:43 | 0:30:47 | |
And things were looking pretty good in 1999 | 0:30:47 | 0:30:51 | |
when Ian managed to acquire this new model. | 0:30:51 | 0:30:55 | |
Here's to the most beautiful woman in the world, Melanie Beale, my wife. | 0:30:55 | 0:30:59 | |
Ian saw Mel as a kind of trophy blonde wife. | 0:31:01 | 0:31:03 | |
But made him feel better about herself. | 0:31:03 | 0:31:05 | |
He felt more of a man | 0:31:05 | 0:31:06 | |
because he had a beautiful woman like that on his arm. | 0:31:06 | 0:31:09 | |
Mel is the only girlfriend, wife of Ian who has not been able to | 0:31:09 | 0:31:13 | |
buy the affection of full stop and so when he felt her slipping | 0:31:13 | 0:31:18 | |
through his fingers, he really did sink about as low as you can go. | 0:31:18 | 0:31:22 | |
In one of the worst crimes ever committed by a father, | 0:31:22 | 0:31:25 | |
Ian persuaded Mel to marry him | 0:31:25 | 0:31:28 | |
using the only collateral he had left, his young daughter's health. | 0:31:28 | 0:31:31 | |
Ian told Mel his daughter was dying of cancer. So Mel would stay. | 0:31:33 | 0:31:40 | |
And what about Lucy? | 0:31:41 | 0:31:44 | |
In six months' time, she might not even be here by then. | 0:31:48 | 0:31:51 | |
I mean, are you really going to be the one to take away from her.? | 0:31:51 | 0:31:56 | |
-Her big fairy-tale wedding? -Only Ian Beale would do something like that. | 0:31:57 | 0:32:02 | |
It's probably the worst thing he's ever done, don't you agree, Mel? | 0:32:02 | 0:32:07 | |
I do. | 0:32:07 | 0:32:09 | |
To Melanie, my wife. | 0:32:09 | 0:32:11 | |
Yeah, Ian was very bad in that wedding | 0:32:18 | 0:32:21 | |
and pretending his daughter had cancer when she didn't | 0:32:21 | 0:32:24 | |
was probably one of the lowest things he'd ever done. | 0:32:24 | 0:32:26 | |
And before the clock struck midnight, | 0:32:26 | 0:32:28 | |
Mel had discovered the truth and Ian was declared morally bankrupt. | 0:32:28 | 0:32:33 | |
I'm sorry. | 0:32:33 | 0:32:35 | |
Yeah, I don't think that's going to cut it. | 0:32:35 | 0:32:39 | |
She was just as appalled as everyone else would be watching the show. | 0:32:39 | 0:32:43 | |
How could you? | 0:32:43 | 0:32:45 | |
It's just Ian Beale all-over, isn't it? | 0:32:45 | 0:32:48 | |
You let me think that she had cancer. | 0:32:48 | 0:32:51 | |
I know. Stupid, I've really messed up. | 0:32:52 | 0:32:55 | |
You lied to me, to Cathy... | 0:32:55 | 0:32:59 | |
-What else could I do? -Tell the truth! | 0:32:59 | 0:33:01 | |
How could I? I couldn't risk it. | 0:33:01 | 0:33:03 | |
You can't cheat someone into loving you, Ian, don't you know that? | 0:33:03 | 0:33:06 | |
Unforgivable actually | 0:33:06 | 0:33:08 | |
and she rightly ran off on their wedding night I think. | 0:33:08 | 0:33:11 | |
Good for her. | 0:33:11 | 0:33:13 | |
Don't leave me like this, please. | 0:33:13 | 0:33:16 | |
I need you, Mel. I love you. | 0:33:16 | 0:33:19 | |
Well guess what, Ian, I don't love you. | 0:33:19 | 0:33:22 | |
And I never have done. | 0:33:22 | 0:33:24 | |
Three, two, one... | 0:33:24 | 0:33:26 | |
BIG BEN SOUNDS | 0:33:26 | 0:33:29 | |
He's a bumbling idiot because he's another one that everything | 0:33:38 | 0:33:43 | |
he tries to do, it's always wrong. | 0:33:43 | 0:33:45 | |
Ian actually pretended his daughter had cancer | 0:33:45 | 0:33:48 | |
to con one woman into marrying him, you know? | 0:33:48 | 0:33:51 | |
Yeah, try and keep up, Jane. | 0:33:51 | 0:33:54 | |
Ian Beale tries to be a good dad, he does, and he wants to be a good | 0:33:54 | 0:33:58 | |
dad but he is not capable of being a good anything | 0:33:58 | 0:34:02 | |
because he's one of the most selfish people ever to walk Albert Square. | 0:34:02 | 0:34:06 | |
Sadly, that is Ian Beale. | 0:34:06 | 0:34:09 | |
Ian is of the many dads that don't quite make the grade | 0:34:09 | 0:34:12 | |
but of all of our featured fathers, Masood is the man | 0:34:12 | 0:34:15 | |
who takes most pride in his paternal responsibilities. | 0:34:15 | 0:34:19 | |
Being Asian and coming from an Asian family, | 0:34:21 | 0:34:23 | |
family comes before everything else. | 0:34:23 | 0:34:27 | |
You take your responsibilities quite seriously. | 0:34:27 | 0:34:30 | |
I'll be damned if I let you malign my family. | 0:34:30 | 0:34:33 | |
I think pride plays a massive part in the character of Masood. | 0:34:33 | 0:34:37 | |
In fact, the whole family have something much more in common | 0:34:37 | 0:34:40 | |
with the old fashioned East End values of the Fowlers, | 0:34:40 | 0:34:43 | |
for instance, in that keeping up appearances is vitally important | 0:34:43 | 0:34:46 | |
to the household. | 0:34:46 | 0:34:49 | |
And I think that's one of the flaws deep within Masood, | 0:34:49 | 0:34:52 | |
his desire to be a good father plays against the pride | 0:34:52 | 0:34:55 | |
he feels in being an upstanding member of the community. | 0:34:55 | 0:34:59 | |
Well, we all know what pride comes before. | 0:34:59 | 0:35:01 | |
Indeed we do, Peggy, | 0:35:01 | 0:35:03 | |
and Masood's case it was a spectacular fall. | 0:35:03 | 0:35:06 | |
Not so long ago, Masood was the man who had it all. | 0:35:06 | 0:35:08 | |
# Oh, the good life... # | 0:35:08 | 0:35:12 | |
A loving wife... a child destined for academic greatness... | 0:35:14 | 0:35:18 | |
As soon as you leave for Oxford, | 0:35:18 | 0:35:19 | |
we're going to go to Egypt, Africa, the Far East. | 0:35:19 | 0:35:22 | |
-It's going to be amazing. -Yeah. | 0:35:22 | 0:35:24 | |
And most importantly, his first-born son happily married | 0:35:24 | 0:35:27 | |
and in love with a nice, respectable girl. | 0:35:27 | 0:35:30 | |
Syed, I am so proud | 0:35:30 | 0:35:33 | |
of the man you've become. | 0:35:33 | 0:35:35 | |
Well, we all know what pride comes before. | 0:35:38 | 0:35:41 | |
Yeah, all right, Peggy. | 0:35:41 | 0:35:42 | |
This is all your fault, do you know that? | 0:35:42 | 0:35:44 | |
-What? -Tam's not going to be a doctor. | 0:35:44 | 0:35:46 | |
Just tell them. | 0:35:48 | 0:35:50 | |
I'm a gay man in a sham marriage. | 0:35:51 | 0:35:55 | |
Masood's pride took a massive tumble but was the worst part was | 0:35:55 | 0:35:59 | |
realising that he was the last to know about Syed's sexuality. | 0:35:59 | 0:36:03 | |
Masood discovering Syed was gay | 0:36:03 | 0:36:06 | |
came right at the tail-end of everything. | 0:36:06 | 0:36:08 | |
Zainab had found out, Tamwar had found out. | 0:36:08 | 0:36:11 | |
Everyone had known except Masood. | 0:36:11 | 0:36:13 | |
-Did you know about Syed? -I found out just before the wedding. | 0:36:13 | 0:36:17 | |
-You let him go through with it knowing all along... -What was I supposed to do? | 0:36:17 | 0:36:20 | |
You were supposed to tell me, Zainab! | 0:36:20 | 0:36:22 | |
Given that he's a postman and knows everyone else's business, | 0:36:22 | 0:36:26 | |
the one thing he didn't know was that his own son was gay. | 0:36:26 | 0:36:28 | |
Anyone would think you were ashamed. Dad! | 0:36:28 | 0:36:32 | |
Of your gay son. | 0:36:32 | 0:36:34 | |
I think he was in a terrible situation with my Syed | 0:36:34 | 0:36:36 | |
because he loves him clearly. | 0:36:36 | 0:36:38 | |
Or maybe it is his big, gay boyfriend that really offends you. | 0:36:39 | 0:36:43 | |
-I am sick of people ignoring me. -Be quiet, son. | 0:36:43 | 0:36:46 | |
That's it, Masood, sweep it under the carpet. | 0:36:46 | 0:36:48 | |
Having said that, Masood and Syed at their best | 0:36:48 | 0:36:51 | |
have had some lovely father/son moments. | 0:36:51 | 0:36:54 | |
I know you've had to be brave. | 0:36:54 | 0:36:56 | |
But accepting what you are... | 0:36:59 | 0:37:00 | |
that's strength. | 0:37:00 | 0:37:02 | |
He's torn. He really wants this relationship with his son | 0:37:03 | 0:37:06 | |
and Syed wants this relationship with his dad. | 0:37:06 | 0:37:09 | |
In fact, all Masood ever wanted was to be a good father | 0:37:09 | 0:37:12 | |
but his pride has been his downfall. | 0:37:12 | 0:37:14 | |
Now, Zainab has chucked him out, | 0:37:14 | 0:37:16 | |
-Tamwar one seems to have forgotten who he is... -I'm your father! | 0:37:16 | 0:37:20 | |
And his relationship with Syed is still a bit strained. | 0:37:20 | 0:37:23 | |
I feel like there is hope for that relationship because Nitin | 0:37:23 | 0:37:27 | |
plays him so brilliantly | 0:37:27 | 0:37:29 | |
and because he's a genuinely likeable man, isn't he? | 0:37:29 | 0:37:32 | |
You can't really believe that Masood could stay angry | 0:37:32 | 0:37:35 | |
with anyone for long. | 0:37:35 | 0:37:37 | |
Masood may not be able to stay angry with anyone | 0:37:37 | 0:37:40 | |
but for Eddie Moon, it's a different story. | 0:37:40 | 0:37:43 | |
Still reeling from Vanessa's revelations of Michael's betrayal, | 0:37:43 | 0:37:46 | |
not only was he about angry, he was about to get even. | 0:37:46 | 0:37:51 | |
It's a hard-hitting time for Eddie as he was just | 0:37:51 | 0:37:53 | |
accepting his sons and getting his family back together. | 0:37:53 | 0:37:56 | |
He's not going to just sit back and take it | 0:37:56 | 0:37:59 | |
and wallow in self-pity because that isn't him... | 0:37:59 | 0:38:03 | |
at all. | 0:38:03 | 0:38:07 | |
At this point in the Moon family story, | 0:38:07 | 0:38:10 | |
we're coming in at the end of a 25- year conflict between father and son. | 0:38:10 | 0:38:15 | |
It's like a game that has been played out of all those years, | 0:38:15 | 0:38:19 | |
of rejection and alienation. | 0:38:19 | 0:38:22 | |
And now it's the endgame of it, | 0:38:22 | 0:38:24 | |
so the question is who is going to come out on top? | 0:38:24 | 0:38:27 | |
Now he knows what Michael is capable of, it's time | 0:38:29 | 0:38:32 | |
for Eddie to show everyone who's the daddy. | 0:38:32 | 0:38:35 | |
First positions. | 0:38:35 | 0:38:36 | |
And teach Michael a lesson he'll never forget. | 0:38:36 | 0:38:39 | |
This is what you call payback time. He's done some wicked things | 0:38:39 | 0:38:43 | |
and now he's going to find out how it feels | 0:38:43 | 0:38:45 | |
to be on the receiving end. | 0:38:45 | 0:38:48 | |
Eddie Moon has convinced Vanessa that it's a good idea | 0:38:48 | 0:38:52 | |
to have burgled the boxing gym. | 0:38:52 | 0:38:54 | |
Here's the door code, | 0:38:54 | 0:38:55 | |
that's the front door to the gym and that one's the safe. | 0:38:55 | 0:38:59 | |
They're going to steal money from the safe for them | 0:38:59 | 0:39:02 | |
to run off together basically to Spain and live with his daughter. | 0:39:02 | 0:39:05 | |
OK, from the top... | 0:39:05 | 0:39:07 | |
-Is this shirt right? -No, it will be changed. This is a final rehearsal. | 0:39:07 | 0:39:11 | |
OK. | 0:39:11 | 0:39:13 | |
OK, let's rehearse. | 0:39:13 | 0:39:15 | |
The CCTV is never switched on. | 0:39:15 | 0:39:17 | |
-How do you know that? -Well, because I do. | 0:39:17 | 0:39:20 | |
Stay focused, don't panic. | 0:39:20 | 0:39:24 | |
But what Vanessa doesn't know is that Eddie | 0:39:25 | 0:39:28 | |
is setting Vanessa up completely. | 0:39:28 | 0:39:31 | |
So this scene is when we find out | 0:39:32 | 0:39:34 | |
that you are not allowed to mess with Eddie Moon. | 0:39:34 | 0:39:37 | |
Tyler, Anthony, down here now! | 0:39:37 | 0:39:40 | |
Eddie' been really pushed to the limits | 0:39:40 | 0:39:42 | |
and he's risen to the situation and has dealt with it accordingly. | 0:39:42 | 0:39:46 | |
There's a little crossover between Eddie and Michael. | 0:39:46 | 0:39:50 | |
If you put Eddy in a corner, | 0:39:50 | 0:39:53 | |
then he can be crafty and quite steely. | 0:39:53 | 0:39:57 | |
It won't be long until Michael feels the force of his father's wrath. | 0:39:57 | 0:40:01 | |
Nothing unusual there though because in Albert Square, wrath is rife. | 0:40:01 | 0:40:05 | |
There's a lot of wrath on the square, isn't there, | 0:40:06 | 0:40:09 | |
there's no doubt about that. | 0:40:09 | 0:40:11 | |
It's the bread and butter of EastEnders, isn't it, really? | 0:40:11 | 0:40:14 | |
And it when it comes to fatherly fury, | 0:40:14 | 0:40:16 | |
one man stands out above all the rest. | 0:40:16 | 0:40:19 | |
I think Phil has been a very interesting dad | 0:40:20 | 0:40:24 | |
with the dealing with his son. | 0:40:24 | 0:40:25 | |
What's that supposed to mean, eh? | 0:40:25 | 0:40:28 | |
Phil is a very, very angry man and we're very fortunate in having | 0:40:28 | 0:40:32 | |
an actor in Steve McFadden who does angry very well indeed. | 0:40:32 | 0:40:35 | |
-Violence never solved anything. -Well, I don't know about that. | 0:40:35 | 0:40:39 | |
Phil as a dad is useless. | 0:40:46 | 0:40:49 | |
I can't think of a worse or more deplorable role model | 0:40:49 | 0:40:52 | |
as a father as Phil Mitchell. | 0:40:52 | 0:40:55 | |
-Leave him alone. -You're hurting me. | 0:40:55 | 0:40:56 | |
Not recommended. Ask Ben. | 0:40:56 | 0:40:58 | |
What do think you're doing? | 0:40:58 | 0:41:00 | |
I'm going to do what my old man would have done to me, | 0:41:00 | 0:41:03 | |
I'm going to tan his backside, that's what I'm going to do. | 0:41:03 | 0:41:06 | |
He is a bully, a thug. | 0:41:06 | 0:41:08 | |
-What have you done? -I couldn't put together in one go. | 0:41:08 | 0:41:11 | |
Well, you've totally ruined it now, ain't you? | 0:41:11 | 0:41:14 | |
-All in all, he's a terrible dad. -Who do you think you are?! | 0:41:14 | 0:41:18 | |
When he goes nose-to-nose with you, my God, that's going to send your heart racing, leaping. | 0:41:18 | 0:41:22 | |
Do you Know What, Phil, you should write a book: Child Abuse by Philip Mitchell. | 0:41:22 | 0:41:26 | |
-Why don't you shut your mouth, Beale? -Oh, yeah, go on. Do what you always do, hit him. -Thanks, love. | 0:41:26 | 0:41:31 | |
But where does all this anger come from? Perhaps Charlie Brooks knows. | 0:41:31 | 0:41:35 | |
Phil was brought up in a very specific way by his own father | 0:41:35 | 0:41:38 | |
and thinks that's the right way to be, | 0:41:38 | 0:41:40 | |
dragging them around and giving them a bit of a hiding. | 0:41:40 | 0:41:43 | |
He finds it acceptable because that is how his father treated him. | 0:41:43 | 0:41:48 | |
Ben certainly takes the brunt of his dad's anger. | 0:41:48 | 0:41:52 | |
Come on, stand up, be a man and take it. | 0:41:53 | 0:41:56 | |
Ben is always trying to please Phil | 0:41:56 | 0:41:58 | |
and it must be absolutely horrendous for him, to have a father like Phil. | 0:41:58 | 0:42:03 | |
In fact, father and son could not be more different if they tried. | 0:42:03 | 0:42:08 | |
Ben liked Billy Elliott, musicals and probably Liza Minelli. | 0:42:08 | 0:42:12 | |
He was always going to be the complete opposite of Phil. | 0:42:15 | 0:42:19 | |
He was going to be slightly effeminate, into dancing | 0:42:19 | 0:42:23 | |
and acting and what's not, just to make him | 0:42:23 | 0:42:25 | |
appear everything that Phil isn't basically. | 0:42:25 | 0:42:28 | |
Oh, that's not good. | 0:42:30 | 0:42:32 | |
He's a boy. You've got him dressed up like | 0:42:32 | 0:42:34 | |
some drag show Christmas dinner, dancing around like a proper nancy. | 0:42:34 | 0:42:37 | |
That's like the Antichrist for Phil, isn't it? | 0:42:37 | 0:42:40 | |
So, he didn't take too kindly to any of that. | 0:42:40 | 0:42:44 | |
Are you ashamed of me? | 0:42:44 | 0:42:46 | |
I'm not ashamed of you, you just need to stand up for yourself. | 0:42:46 | 0:42:50 | |
So that's exactly what then did but perhaps it wasn't | 0:42:50 | 0:42:53 | |
the best advice because he ended up in a juvenile detention centre. | 0:42:53 | 0:42:56 | |
I sentence you to a 15-month detention and training order. | 0:42:56 | 0:42:59 | |
-Ben! -Dad! | 0:42:59 | 0:43:02 | |
Who knows what goes on in those places | 0:43:02 | 0:43:04 | |
but when Ben emerged he looked like a completely different boy. | 0:43:04 | 0:43:07 | |
I don't know what happened to you inside that prison | 0:43:07 | 0:43:10 | |
but half the time I don't recognise you any more. | 0:43:10 | 0:43:12 | |
Ben has changed to an extent to please his dad. | 0:43:12 | 0:43:15 | |
Your son is a vicious bully. | 0:43:15 | 0:43:17 | |
-Shirley, I'll sort it out. -No, you won't. | 0:43:17 | 0:43:19 | |
-He's my son, isn't he? -Yeah, and he's proving that all right. | 0:43:19 | 0:43:24 | |
The lashing out, and the attacks, | 0:43:26 | 0:43:28 | |
that's what he's seen all his life, growing up, | 0:43:28 | 0:43:30 | |
it's what he's seen his dad do. | 0:43:30 | 0:43:32 | |
Phil is a very manly, hands-on guy. Maybe he tries to emulate that for a bit. | 0:43:32 | 0:43:39 | |
That's what you always say, isn't it? Actions speak louder than words. | 0:43:39 | 0:43:42 | |
What's that supposed to mean? | 0:43:42 | 0:43:44 | |
I suppose Phil gets aggro about Ben being a new-found pain in the bum. | 0:43:46 | 0:43:52 | |
But I think he probably deep down likes it, | 0:43:52 | 0:43:55 | |
because he's starting to get the thug son he wanted. | 0:43:55 | 0:43:58 | |
You little beauty! Come here! | 0:43:58 | 0:44:03 | |
For me, what's at the heart of Phil is a man who is desperate | 0:44:03 | 0:44:06 | |
to be a good father. | 0:44:06 | 0:44:07 | |
Don't you think it's a bit late to start playing father and son? | 0:44:09 | 0:44:11 | |
I'm not "playing" anything. | 0:44:11 | 0:44:13 | |
The fact that he is so desperate to reach out to his son | 0:44:13 | 0:44:16 | |
but doesn't quite have the words to do so. | 0:44:16 | 0:44:18 | |
That's what makes that relationship so interesting. | 0:44:18 | 0:44:21 | |
-You're just some bloke that got my mum pregnant. -You are my son. | 0:44:21 | 0:44:25 | |
Go on. Hit me then. | 0:44:25 | 0:44:28 | |
Cos that's what Mitchell dads do, innit? | 0:44:28 | 0:44:31 | |
While Phil may have uncovered the fighter in Ben, | 0:44:31 | 0:44:34 | |
he's still yet to come to terms with the lover. | 0:44:34 | 0:44:37 | |
I'm sorry. | 0:44:37 | 0:44:39 | |
Phil is about as unreconstructed a man as it's possible to be. | 0:44:39 | 0:44:44 | |
And so when his son admits that he kissed a boy, | 0:44:44 | 0:44:48 | |
shock, horror, I don't think it is much of a surprise to Phil, | 0:44:48 | 0:44:53 | |
actually, he's probably been dreading this news for many years. | 0:44:53 | 0:44:56 | |
But it is still not something he particularly wants to hear. | 0:44:56 | 0:44:59 | |
And how Phil reacts really kicks off the next big story for the Mitchells. | 0:44:59 | 0:45:04 | |
-This conversation never happened, all right? -You can't just leave it! | 0:45:04 | 0:45:08 | |
Yes, I can! Get out of my way! | 0:45:08 | 0:45:10 | |
This arc that we're writing for Ben is a long one. | 0:45:10 | 0:45:13 | |
And he will learn wrath, from Phil. | 0:45:13 | 0:45:17 | |
Wrath is just one of the many sins you can learn from your father | 0:45:17 | 0:45:20 | |
but it's probably not as much fun as learning about gluttony, as we're about to find out. | 0:45:20 | 0:45:24 | |
It may surprise you to learn that gluttony isn't all about over-indulging in food. | 0:45:24 | 0:45:29 | |
If it was, we could focus our attentions entirely on this man. | 0:45:29 | 0:45:33 | |
Yes, it's the champion of Walford, | 0:45:33 | 0:45:36 | |
the one, the only, Barry 'The Belly' Evans! | 0:45:36 | 0:45:39 | |
ALL: Barry! Barry! Barry! | 0:45:39 | 0:45:42 | |
Yeah! | 0:45:45 | 0:45:46 | |
In fact, the dad-ly sin of gluttony refers to a father who over-indulges his children. | 0:45:46 | 0:45:51 | |
And on Albert Square, this man was the biggest culprit. | 0:45:51 | 0:45:55 | |
Frank the biggest heart on the show. | 0:45:58 | 0:46:00 | |
And he always wanted to be a great dad, and his fear was that he wasn't. | 0:46:00 | 0:46:03 | |
And I think he overcompensated, so he gave Janine too much | 0:46:03 | 0:46:06 | |
and it didn't do her any favours. | 0:46:06 | 0:46:08 | |
Back when Janine looked like this | 0:46:12 | 0:46:14 | |
whatever Frank's little sweetheart wanted, she got. | 0:46:14 | 0:46:17 | |
Even in those early years | 0:46:17 | 0:46:19 | |
you see Frank being that kind of doting father, | 0:46:19 | 0:46:22 | |
kind of making up for his shortcomings, | 0:46:22 | 0:46:25 | |
spoiling her, indulging her. | 0:46:25 | 0:46:27 | |
What is your pleasure, young lady? | 0:46:27 | 0:46:29 | |
She wants a gin and tonic. | 0:46:29 | 0:46:30 | |
She wants a gin and tonic! | 0:46:30 | 0:46:32 | |
He spoilt her rotten, I think, when she was young. | 0:46:32 | 0:46:35 | |
You know, he bought her things all the time. | 0:46:35 | 0:46:38 | |
-I only want to make you happy. -I am happy! | 0:46:38 | 0:46:40 | |
She was a very sort of spoilt, obnoxious child. | 0:46:40 | 0:46:43 | |
-You sit down there and... -Get off! | 0:46:43 | 0:46:45 | |
You're a fat old cow and I hate you! | 0:46:46 | 0:46:48 | |
Go on then, hit me, and see what me dad says! | 0:46:49 | 0:46:52 | |
I remember young Janine, all three of them, very well, actually. | 0:46:52 | 0:46:56 | |
Particularly when she turned Greek for a couple of months! | 0:46:56 | 0:46:58 | |
But what's interesting about Janine | 0:46:58 | 0:47:01 | |
is her father was probably the most flawed in EastEnders history. | 0:47:01 | 0:47:04 | |
Frank was such a great character | 0:47:04 | 0:47:06 | |
because he just made mistakes all the time. | 0:47:06 | 0:47:08 | |
He may have made mistakes | 0:47:08 | 0:47:10 | |
but Frank Butcher also provided us with hours of entertainment. | 0:47:10 | 0:47:14 | |
Frank was such a big personality. Being a dad was just a small part of it. | 0:47:14 | 0:47:18 | |
You've got this kind of big showman, you know? | 0:47:22 | 0:47:24 | |
Naked with a bow tie, smiling, | 0:47:24 | 0:47:26 | |
rose in his mouth, always got an answer for everything. | 0:47:26 | 0:47:29 | |
And who wouldn't want a dad that wanders around in nothing but a bow tie? | 0:47:29 | 0:47:33 | |
He's really warm and paternal and fun. | 0:47:33 | 0:47:37 | |
So that side of being a dad | 0:47:37 | 0:47:39 | |
he was great at. | 0:47:39 | 0:47:40 | |
But again, he was kind of selfish, and when it came to it, | 0:47:40 | 0:47:43 | |
he wouldn't really be there. | 0:47:43 | 0:47:45 | |
Well, that's a bit of an understatement. | 0:47:45 | 0:47:48 | |
In fact, Frank abandoned his kids a total of eight times. | 0:47:48 | 0:47:51 | |
Oh, he made more comebacks than Status Quo, didn't he? | 0:47:54 | 0:47:56 | |
What would you do if Frank Butcher was your dad? | 0:47:56 | 0:47:59 | |
He's in, he's out, he's there, he's not. | 0:47:59 | 0:48:02 | |
All that coming and going was bound to have repercussions. | 0:48:02 | 0:48:05 | |
Eventually, Frank's little princess turned into a little monster. | 0:48:05 | 0:48:08 | |
I've got to learn to fight my own battles now. | 0:48:08 | 0:48:10 | |
He definitely had the ability to wrap him around her little finger. | 0:48:13 | 0:48:16 | |
I think a lot of that may have come from guilty because he probably knew, | 0:48:16 | 0:48:20 | |
you know, you can't buy somebody's love | 0:48:20 | 0:48:22 | |
showering them with presents when all the want is your time, really. | 0:48:22 | 0:48:27 | |
What are you laughing at? | 0:48:27 | 0:48:29 | |
You can absolutely trace Janine's roots in Frank. | 0:48:31 | 0:48:34 | |
The trouble is, Janine honed her skills with Frank, | 0:48:34 | 0:48:38 | |
learning she could get exactly what she wanted, and when she wanted it, | 0:48:38 | 0:48:41 | |
but when she became an adult, that became, kind of, | 0:48:41 | 0:48:44 | |
instead of demanding a new bracelet or a new watch, | 0:48:44 | 0:48:47 | |
it was, "I want to throw someone off a cliff, | 0:48:47 | 0:48:49 | |
"cos I don't want to be married any more." So it's Frank's fault. | 0:48:49 | 0:48:53 | |
So, no matter how lovable they are, no father is flawless. | 0:48:53 | 0:48:57 | |
But there is one man who went beyond dad-ly sin | 0:48:57 | 0:48:59 | |
and ventured far into the dark side. | 0:48:59 | 0:49:03 | |
Number one, my dad. Archie. | 0:49:03 | 0:49:06 | |
He was the dad that a lot of people want... | 0:49:06 | 0:49:10 | |
minus the murdering, kind of, rapist part. | 0:49:10 | 0:49:14 | |
Archie as a dad - you can even give him that name - was horrendous. | 0:49:14 | 0:49:21 | |
Probably the worst dad you could ever wish for. | 0:49:21 | 0:49:23 | |
Archie goes beyond sin. Beyond original sin. | 0:49:23 | 0:49:28 | |
He was just evil personified. | 0:49:28 | 0:49:30 | |
He abused Ronnie. Yeah, he's the worst. | 0:49:30 | 0:49:33 | |
No-one could have foreseen how evil Archie would become. | 0:49:33 | 0:49:37 | |
-I know girls like you. -I bet you do. | 0:49:37 | 0:49:40 | |
Only one thing keeps your mouth shut. | 0:49:40 | 0:49:42 | |
You sad old man. | 0:49:42 | 0:49:45 | |
When Archie was first conceived, he wasn't going to be quite that dark. | 0:49:45 | 0:49:49 | |
But there was just something in the way he played him | 0:49:49 | 0:49:53 | |
that made me think, "Yeah, let's make him really, spectacularly evil." | 0:49:53 | 0:49:58 | |
Without doubt, Archie Mitchell was the most despicable dad to ever walk the streets of Walford. | 0:49:58 | 0:50:03 | |
Yet it took a while for everyone to see him for the nasty piece of work he really was. | 0:50:03 | 0:50:08 | |
Archie was probably the most charming dad, but also the most villainous. | 0:50:08 | 0:50:14 | |
You're no match for me, girl, you never were! | 0:50:17 | 0:50:21 | |
That's the problem with the devil, you don't recognise he's in disguise till it's too late. | 0:50:21 | 0:50:26 | |
Archie as a character has two sides, for me. | 0:50:26 | 0:50:30 | |
The side that Roxy saw was the perfect father, perfect gentleman, | 0:50:30 | 0:50:34 | |
he was loving, kind, generous, honest. | 0:50:34 | 0:50:36 | |
And the side that everyone else saw | 0:50:36 | 0:50:39 | |
was that he was a liar, rapist, paedophile, and murderer. | 0:50:39 | 0:50:44 | |
La-la-la-la-la! You know what, Ron? You got a problem with dad, | 0:50:44 | 0:50:48 | |
that's your problem, I don't want to know. | 0:50:48 | 0:50:51 | |
Archie was an amazing character. | 0:50:51 | 0:50:54 | |
Even that very first time you met him, you saw immediately something very dark, very horrible here, | 0:50:54 | 0:51:00 | |
and you instantly knew that something here just isn't right. | 0:51:00 | 0:51:04 | |
(I'll kiss your gravestone when you're dead.) | 0:51:04 | 0:51:08 | |
Ronnie had a while to wait but a year after his arrival on the square Archie met a sticky end, | 0:51:09 | 0:51:13 | |
courtesy of the sharp end of the Queen Vic bust. | 0:51:13 | 0:51:17 | |
It's really hard for me to say whether Archie deserved to die in that way or not, | 0:51:19 | 0:51:24 | |
because I had such a different relationship with him, on screen. | 0:51:24 | 0:51:29 | |
I do understand he was a bad, bad man. | 0:51:29 | 0:51:32 | |
But, erm...does anyone deserve to die like that? | 0:51:32 | 0:51:38 | |
Mind you, rapist, paedophile, maybe. Maybe, yeah. | 0:51:38 | 0:51:42 | |
Quite rightly, Archie got his just desserts. | 0:51:44 | 0:51:46 | |
And back in the present, Eddie was about to make sure that Michael got the same. | 0:51:46 | 0:51:50 | |
Eddie is absolutely heartbroken to find out he's been double-crossed by Michael. | 0:51:50 | 0:51:54 | |
So Eddie is forced to come up with a plan that sees him get the better of both Michael and Vanessa. | 0:51:54 | 0:52:00 | |
Despite the rain, it's all smiles on location in Hertfordshire for the filming of Vanessa's last scene. | 0:52:01 | 0:52:07 | |
But the lady in white | 0:52:08 | 0:52:10 | |
will soon be smiling on the other side of her face. | 0:52:10 | 0:52:13 | |
Action! | 0:52:13 | 0:52:14 | |
Where have you been? I've been going out my mind. | 0:52:14 | 0:52:17 | |
Eddie did the right thing in leaving Vanessa | 0:52:17 | 0:52:20 | |
because he can't trust her. | 0:52:20 | 0:52:22 | |
Eddie! | 0:52:22 | 0:52:24 | |
Yeah, it's too little, too late, Vanessa, | 0:52:24 | 0:52:26 | |
all that, "I genuinely quite like him." | 0:52:26 | 0:52:28 | |
She took the money off Michael, she's a wrong'un! | 0:52:28 | 0:52:30 | |
I say go and tell Carol what you did. | 0:52:30 | 0:52:33 | |
But then it's probably not a good idea as the police were looking for you. | 0:52:33 | 0:52:37 | |
Eddie! Eddie! | 0:52:38 | 0:52:40 | |
As much as I would have love to have seen Vanessa and Eddie going off into the sunset | 0:52:40 | 0:52:44 | |
I appreciate why Eddie did that. | 0:52:44 | 0:52:47 | |
Actually, finally, we see her, in one episode | 0:52:51 | 0:52:53 | |
where she is looking a little bit grubby in the old white suit, | 0:52:53 | 0:52:56 | |
and that probably would have hurt her more than anything else! | 0:52:56 | 0:53:00 | |
Eddie may have settled the score with Vanessa | 0:53:01 | 0:53:04 | |
but his real vengeance was saved for his eldest son. | 0:53:04 | 0:53:07 | |
Eddie's given Michael so many chances. | 0:53:07 | 0:53:10 | |
So many chances. | 0:53:10 | 0:53:12 | |
And although he's mucked up himself along the way, | 0:53:12 | 0:53:14 | |
I just think this is the straw that broke the camel's back. | 0:53:14 | 0:53:18 | |
Have you been in the safe? | 0:53:18 | 0:53:19 | |
The money's missing. The money in the safe. | 0:53:19 | 0:53:21 | |
Tell him I know where the money is. | 0:53:21 | 0:53:24 | |
Instead of going round and shouting at Michael, venting his anger, | 0:53:24 | 0:53:29 | |
he is quite calculated about it. | 0:53:29 | 0:53:31 | |
You see the other side of Eddie. The slightly more darker side. | 0:53:31 | 0:53:36 | |
He quite coldly extracts his revenge. | 0:53:36 | 0:53:38 | |
How do you know where the money is? | 0:53:38 | 0:53:40 | |
Cos I've stolen it. | 0:53:40 | 0:53:43 | |
Eddie tells us that he's stolen Michael's money. | 0:53:43 | 0:53:46 | |
And it just kind of snowballs from there, really. | 0:53:46 | 0:53:49 | |
Was it just bad luck that you landed up in hospital? | 0:53:49 | 0:53:52 | |
Fighting for your life? | 0:53:52 | 0:53:54 | |
Or was the whole thing set up? | 0:53:54 | 0:53:56 | |
Is it possible that the whole object of the exercise | 0:53:56 | 0:54:00 | |
was to leave you brain-damaged? | 0:54:00 | 0:54:04 | |
Or worse! | 0:54:04 | 0:54:05 | |
We go to the gym and we find him, and everything was revealed. | 0:54:06 | 0:54:10 | |
Wow. Yeah. That was a hard-hitting scene. | 0:54:10 | 0:54:13 | |
So I got my son back. | 0:54:13 | 0:54:15 | |
Imagine how I felt, Michael. | 0:54:15 | 0:54:18 | |
To find out... | 0:54:20 | 0:54:21 | |
..you just wanted to break my heart. | 0:54:23 | 0:54:26 | |
The final big confrontation between Michael, Eddie, Anthony and Tyler | 0:54:28 | 0:54:32 | |
that takes place in the gym, my natural instinct | 0:54:32 | 0:54:35 | |
when I'm writing drama, | 0:54:35 | 0:54:37 | |
is to find ways that indicate relationships can be healed. | 0:54:37 | 0:54:41 | |
And I wanted, I think, something deep inside me, wanted the relationship to be healed, | 0:54:41 | 0:54:47 | |
I didn't want it to be nasty. | 0:54:47 | 0:54:49 | |
-Please. -Please, what? | 0:54:49 | 0:54:50 | |
Just give me a chance! To explain...to explain to you! | 0:54:50 | 0:54:54 | |
A chance? You, who were prepared to see his own brother die, | 0:54:54 | 0:54:57 | |
just for the look on my face?! | 0:54:57 | 0:54:59 | |
When Eddie says to Michael, | 0:54:59 | 0:55:03 | |
"On your knees!" | 0:55:03 | 0:55:04 | |
I didn't want to write it, at first, but once I'd got that mythical archetype, | 0:55:04 | 0:55:08 | |
then I could write it, and it felt true and it felt right. | 0:55:08 | 0:55:11 | |
If you had an ounce of decency in yourself, | 0:55:11 | 0:55:14 | |
you'd be down on your knees, begging them for forgiveness! | 0:55:14 | 0:55:18 | |
On your knees! | 0:55:20 | 0:55:22 | |
Please...Dad! | 0:55:26 | 0:55:29 | |
Too late for regrets, now. You've done what you've done, mate. | 0:55:29 | 0:55:31 | |
I think at that point, | 0:55:31 | 0:55:33 | |
that's when Eddie no longer regards Michael as a son. | 0:55:33 | 0:55:37 | |
Don't call me "Dad". Cos you're not my son any more. | 0:55:37 | 0:55:43 | |
It was really emotional. | 0:55:50 | 0:55:52 | |
It was great to film, but it was so emotional. | 0:55:52 | 0:55:56 | |
We was all crying, still crying after they called, "Cut!" | 0:55:56 | 0:55:59 | |
It was draining. Quite draining. | 0:55:59 | 0:56:02 | |
But me and Dave spoke the next day and said, when we drove home, | 0:56:02 | 0:56:05 | |
we was just driving like zombies, cos we was just empty! | 0:56:05 | 0:56:08 | |
The tears continue to fall, | 0:56:09 | 0:56:11 | |
as after four months David's time on the square came to an end. | 0:56:11 | 0:56:14 | |
It's like having a father figure here. He's been a true legend. | 0:56:14 | 0:56:18 | |
He's a great actor, got great acting experience. | 0:56:18 | 0:56:21 | |
He's been giving me tips all along the way. | 0:56:21 | 0:56:24 | |
Him now leaving feels like a little part of me has left. | 0:56:24 | 0:56:27 | |
It's been a joyful journey, as they say. | 0:56:27 | 0:56:30 | |
And it's been a challenge. | 0:56:30 | 0:56:32 | |
It's sad to see him go, because not only is he a very fine actor, | 0:56:32 | 0:56:37 | |
he's fun to be around. | 0:56:37 | 0:56:39 | |
I'm going to miss swooning over him in the cafeteria. | 0:56:39 | 0:56:41 | |
Because I did! He is a very, very handsome man. | 0:56:41 | 0:56:44 | |
All I'd like to say is, thank you for all your work. | 0:56:44 | 0:56:48 | |
I wanted him to be here forever! | 0:56:48 | 0:56:51 | |
Yeah, I was really sad to see David go. | 0:56:51 | 0:56:54 | |
I think you're terrific. Thank you. | 0:56:54 | 0:56:57 | |
The man is a proper gent, a proper star, | 0:56:57 | 0:56:59 | |
and I'm hopeful we haven't seen the back of Eddie or David in EastEnders. | 0:56:59 | 0:57:03 | |
We're going to miss him on the square, yeah. | 0:57:03 | 0:57:05 | |
-I hope we've done him proud. -It's all been good. | 0:57:05 | 0:57:08 | |
Of course I'm sad to see Eddie Moon go, | 0:57:08 | 0:57:12 | |
but I'm also hopeful that he'll come back. | 0:57:12 | 0:57:16 | |
So he'll stick around, cos the final showdown in his story is yet to be played. | 0:57:16 | 0:57:21 | |
Subtitles by Red Bee Media Ltd | 0:57:33 | 0:57:36 | |
E-mail [email protected] | 0:57:36 | 0:57:39 |