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This programme contains some strong language. | 0:00:02 | 0:00:09 | |
(It's any easy kill. Take them out.) | 0:00:15 | 0:00:17 | |
(What are you waiting for?) | 0:00:19 | 0:00:22 | |
You're taking this far too seriously. | 0:00:22 | 0:00:24 | |
HE LAUGHS | 0:00:24 | 0:00:25 | |
(I'll take them out.) | 0:00:31 | 0:00:32 | |
(But I'm going to need you to lay down suppressing fire for me.) | 0:00:32 | 0:00:36 | |
(OK?) | 0:00:37 | 0:00:39 | |
LASER GUN BLASTS | 0:00:53 | 0:00:55 | |
Surprise! | 0:00:55 | 0:00:56 | |
You're dead! | 0:00:56 | 0:00:58 | |
You can go back to your base and get another life. | 0:00:58 | 0:01:00 | |
-If only. -If only what? | 0:01:00 | 0:01:02 | |
Nothing. | 0:01:02 | 0:01:04 | |
-What? -I said, "If only," Ben. It was a joke. | 0:01:04 | 0:01:07 | |
-Sarah, we're having... AMBER: -Just shoot them! | 0:01:07 | 0:01:09 | |
He's going to be so pissed off. | 0:01:11 | 0:01:13 | |
DRILL WHIRRS | 0:01:56 | 0:01:58 | |
LOUD POP MUSIC PLAYS IN NEXT ROOM | 0:01:58 | 0:02:02 | |
You should have asked Dad. | 0:02:08 | 0:02:09 | |
LOUD MUSIC CONTINUES | 0:02:15 | 0:02:17 | |
That's loud, Amber! | 0:02:17 | 0:02:18 | |
I want to paint the walls black. | 0:02:18 | 0:02:20 | |
What? | 0:02:20 | 0:02:21 | |
So, can you get me black paint tomorrow? | 0:02:21 | 0:02:23 | |
I know I said do what you want, but... | 0:02:23 | 0:02:25 | |
Yes. You promised. | 0:02:25 | 0:02:27 | |
MOBILE PHONE RINGS | 0:02:27 | 0:02:30 | |
Promise? | 0:02:30 | 0:02:31 | |
Hey, Jellybean. | 0:02:34 | 0:02:36 | |
Yeah... | 0:02:36 | 0:02:37 | |
We're going back there next week. | 0:02:37 | 0:02:40 | |
Did you see the way he smiled at you? | 0:02:40 | 0:02:42 | |
Future husband! | 0:02:43 | 0:02:45 | |
One sec, Jen. | 0:02:47 | 0:02:48 | |
-Future husband? -Black paint, Mum. | 0:02:51 | 0:02:53 | |
It will look super cool. | 0:02:53 | 0:02:54 | |
What about blue? Or dark brown? | 0:02:54 | 0:02:57 | |
-Black, black's very depressing... -Mum, I'm talking to Jenny. | 0:02:57 | 0:03:01 | |
# La la-la-la I really have to go... # | 0:03:18 | 0:03:23 | |
Amber? | 0:03:25 | 0:03:26 | |
Hey, Nana. | 0:03:30 | 0:03:31 | |
Is that...? | 0:03:31 | 0:03:32 | |
I hope it's the right one. | 0:03:32 | 0:03:35 | |
Yes. | 0:03:35 | 0:03:37 | |
Thanks, Nana. | 0:03:37 | 0:03:40 | |
It's the final piece of my grand design. | 0:03:40 | 0:03:43 | |
-Eamon, turn off the lights. -Turn them off yourself. | 0:03:43 | 0:03:45 | |
-Eamon! -Just turn them off, numb nuts! | 0:03:45 | 0:03:47 | |
-Amber! -Do it yourself. | 0:03:47 | 0:03:49 | |
-Wow! Brilliant! -That is really something! | 0:03:52 | 0:03:55 | |
We're under the sea. | 0:03:55 | 0:03:56 | |
In Narissa's garden. | 0:03:56 | 0:03:59 | |
How did you do that?! | 0:03:59 | 0:04:00 | |
It's actually pretty cool, for a moron. | 0:04:02 | 0:04:04 | |
That's enough, Eamon. So what inspired your design? | 0:04:04 | 0:04:07 | |
Hey, Mum! Get the camera out of my face. | 0:04:07 | 0:04:09 | |
Sarah, would you leave the poor child alone? | 0:04:09 | 0:04:12 | |
Oh! | 0:04:12 | 0:04:13 | |
Sorry. I know I'm late. | 0:04:17 | 0:04:18 | |
Declan and I have had a really rough day with a client. | 0:04:20 | 0:04:22 | |
We're back now, OK? | 0:04:24 | 0:04:25 | |
I'll be home soon. | 0:04:25 | 0:04:27 | |
Hey, big fella! | 0:04:33 | 0:04:35 | |
We having takeaway later? | 0:04:35 | 0:04:37 | |
Yeah. How about, erm... How about an Indian? | 0:04:37 | 0:04:40 | |
That's it. | 0:04:40 | 0:04:41 | |
-JENNY: -It looks...great. | 0:04:41 | 0:04:43 | |
We're having poppadoms! | 0:04:43 | 0:04:45 | |
OK. | 0:04:47 | 0:04:48 | |
Who said you could come into my room? | 0:04:48 | 0:04:50 | |
-We were meeting a guy about a job in the Sudan. -Sudan? | 0:04:50 | 0:04:53 | |
Yeah. Don't worry, I don't think we got it. | 0:04:53 | 0:04:54 | |
Declan let it slip that, er, we have no experience in Africa. | 0:04:54 | 0:04:58 | |
You look fantastic. | 0:04:58 | 0:04:59 | |
Who are you heading out with? | 0:04:59 | 0:05:02 | |
Not dating already, are you? | 0:05:02 | 0:05:04 | |
Did you order those mattresses? The kids can't sleep on blow-up beds | 0:05:04 | 0:05:07 | |
every time they stay at yours. This is a permanent arrangement. | 0:05:07 | 0:05:10 | |
Amber! Your father's waiting. | 0:05:10 | 0:05:11 | |
Oh, and Jenny had a sleepover, so can you drop her home? Bye, kids! | 0:05:11 | 0:05:14 | |
-Bye! -Bye! | 0:05:14 | 0:05:16 | |
-Are you trying to be an emo? -Oh, go away, Eamon! | 0:05:16 | 0:05:20 | |
THE HOUSE FALLS SILENT | 0:05:20 | 0:05:23 | |
Hi, Daddy! | 0:05:23 | 0:05:25 | |
-Hi! -Look at you! Beautiful! | 0:05:28 | 0:05:31 | |
I'm so sorry I'm late. Are you OK? | 0:05:31 | 0:05:33 | |
Well...unemployment. | 0:05:33 | 0:05:36 | |
At least I get to spend more time down the gym. | 0:05:36 | 0:05:38 | |
-You go to the gym? -No! THEY LAUGH | 0:05:38 | 0:05:41 | |
The lawyer advised him to stay in the apartment until we sell it. | 0:05:41 | 0:05:44 | |
Sure we haven't been offered even half the price of the mortgage yet. | 0:05:44 | 0:05:47 | |
In the end Ben realised that being petty | 0:05:47 | 0:05:50 | |
and at each other's throats was getting unbearable for the kids. | 0:05:50 | 0:05:53 | |
Especially Amber. | 0:05:53 | 0:05:55 | |
He saw sense and moved out. | 0:05:56 | 0:05:58 | |
I love that you're single again. | 0:06:00 | 0:06:02 | |
Does that make me a bitch? | 0:06:02 | 0:06:04 | |
Those two are getting the next bottle. | 0:06:06 | 0:06:08 | |
I'm thinking of getting a puppy. | 0:06:17 | 0:06:19 | |
Declan's beagle is having a litter. I said I might take one. | 0:06:19 | 0:06:22 | |
-Molly? -Yeah. | 0:06:22 | 0:06:23 | |
Got off the lead and disappeared one day. | 0:06:23 | 0:06:26 | |
Disappeared for about four hours. | 0:06:26 | 0:06:28 | |
Must have had a romantic encounter. | 0:06:28 | 0:06:31 | |
Declan doesn't know what kind of a dog the daddy is though. | 0:06:31 | 0:06:34 | |
A beagle crossed with a... | 0:06:35 | 0:06:37 | |
-Wolfhound. -No way! | 0:06:37 | 0:06:40 | |
I don't know. He doesn't know himself. | 0:06:40 | 0:06:42 | |
Could be a Great Dane, could be a Jack Russell. | 0:06:42 | 0:06:44 | |
We'll just have to find out. | 0:06:44 | 0:06:46 | |
Molly! | 0:06:47 | 0:06:49 | |
That little slut. | 0:06:49 | 0:06:51 | |
-EAMON LAUGHS -Little what? | 0:06:51 | 0:06:53 | |
Ohh... | 0:07:07 | 0:07:09 | |
Morning. | 0:07:10 | 0:07:12 | |
What happened to those guys? | 0:07:12 | 0:07:13 | |
I think they lost interest when those student nurses arrived. | 0:07:13 | 0:07:16 | |
I have to kick you out. | 0:07:17 | 0:07:19 | |
Oh, the kids will have a conniption | 0:07:22 | 0:07:24 | |
if they find out I've got a social life. | 0:07:24 | 0:07:26 | |
-OK, be good. -OK. | 0:07:36 | 0:07:39 | |
Hi, love. | 0:07:42 | 0:07:44 | |
What's Amber doing? | 0:07:44 | 0:07:45 | |
-Talking. -Talking? | 0:07:45 | 0:07:47 | |
Talking with Dad. | 0:07:47 | 0:07:48 | |
Hi. | 0:08:00 | 0:08:01 | |
She's got an upset tummy. | 0:08:03 | 0:08:05 | |
Just came over her now all of a sudden. | 0:08:05 | 0:08:07 | |
-Oh, right. -She's probably just tired. | 0:08:07 | 0:08:09 | |
-I'm going to bring her home, Trish. -Oh, right. | 0:08:09 | 0:08:12 | |
-OK? -Right, see you later, then. | 0:08:12 | 0:08:14 | |
Go on in, Eamon. | 0:08:20 | 0:08:22 | |
ENGINE STARTS | 0:08:27 | 0:08:29 | |
Which is Jenny's house? | 0:08:34 | 0:08:35 | |
That one there. | 0:08:35 | 0:08:37 | |
OK. Go straight in. No dilly-dallying. | 0:08:37 | 0:08:39 | |
OK. | 0:08:39 | 0:08:41 | |
Bye, honey. | 0:08:41 | 0:08:42 | |
See ya. | 0:08:42 | 0:08:43 | |
When did you drop her off at Jenny's? | 0:09:34 | 0:09:36 | |
She promised she'd be back by six. | 0:09:36 | 0:09:38 | |
She said Jenny's folks would drop her home. | 0:09:38 | 0:09:40 | |
It's six now, she's hardly late yet, is she? | 0:09:40 | 0:09:42 | |
-I need to know these things, Ben. -OK, calm down. | 0:09:42 | 0:09:45 | |
I can't remember the name of Jenny's mum. | 0:09:45 | 0:09:47 | |
Cherry. | 0:09:47 | 0:09:48 | |
Isn't it? | 0:09:48 | 0:09:50 | |
Funny how you always remember the names of the yummy mummies. | 0:09:50 | 0:09:52 | |
Ask you to remember the names of your children's teachers... | 0:09:52 | 0:09:55 | |
Hi, Cherry, it's Sarah. | 0:09:56 | 0:09:59 | |
Yeah. Just checking, what time are you dropping Amber back? | 0:09:59 | 0:10:02 | |
Or if you prefer, myself or Ben can pick her up? | 0:10:02 | 0:10:04 | |
What do you mean? | 0:10:07 | 0:10:08 | |
Today? | 0:10:08 | 0:10:10 | |
Well, Ben said he dropped her off at yours? | 0:10:10 | 0:10:12 | |
Is Jenny there? Yeah, if you could stick her on. | 0:10:14 | 0:10:16 | |
Hi, Jenny, love, have you been speaking to Amber today? | 0:10:18 | 0:10:21 | |
She hasn't. | 0:10:22 | 0:10:24 | |
Does Amber have any other friends in this estate | 0:10:37 | 0:10:40 | |
that she might have visited instead? | 0:10:40 | 0:10:41 | |
-Well, Sinead lives just down there. -Sinead. | 0:10:41 | 0:10:44 | |
PHONE RINGS Sorry. | 0:10:44 | 0:10:45 | |
-Hiya. -'Any word from Jenny?' | 0:10:47 | 0:10:48 | |
No, they haven't seen her. | 0:10:48 | 0:10:50 | |
Stop panicking, I'll find her. | 0:10:50 | 0:10:52 | |
Can you text any of Amber's friends, or parents? | 0:10:54 | 0:10:56 | |
-I have a list inside. -Just ask them if they've seen her. | 0:10:56 | 0:10:59 | |
-Can you show me where Sinead lives? -Yeah. Of course. | 0:10:59 | 0:11:02 | |
'Hey, this is Amber. Tell me something new.' | 0:11:03 | 0:11:06 | |
Hey, it's me. I'm calling the police. | 0:11:09 | 0:11:11 | |
-'Calm down.' -Stop telling me to calm down, Ben, I'm calling them. | 0:11:11 | 0:11:14 | |
You want me to forward this to everyone? | 0:11:17 | 0:11:19 | |
Everyone, and ask them to forward it on to their friends, OK? | 0:11:19 | 0:11:23 | |
This is going to be so embarrassing for Amber. | 0:11:23 | 0:11:25 | |
We're nearly at Sinead's. | 0:11:27 | 0:11:28 | |
DOORBELL | 0:11:43 | 0:11:45 | |
Think, Ben! Did she say anything about going anywhere else? | 0:11:57 | 0:12:00 | |
I said no, Sarah! | 0:12:00 | 0:12:01 | |
Listen, I've a photo in my wallet we can use. | 0:12:04 | 0:12:07 | |
No, that's no good. They said bring a recent one. | 0:12:07 | 0:12:09 | |
'# La la-la-la I really have to go... #' | 0:12:10 | 0:12:15 | |
'Amber?' | 0:12:16 | 0:12:18 | |
'Hey, Nana.' | 0:12:20 | 0:12:22 | |
That one. Yeah. | 0:12:22 | 0:12:23 | |
That one? | 0:12:26 | 0:12:27 | |
Perfect. Print. | 0:12:27 | 0:12:29 | |
Here are the statements taken from Dundrum a few hours ago. | 0:12:44 | 0:12:48 | |
14-year-old girl hasn't come home. | 0:12:48 | 0:12:50 | |
Missing eight hours or so, give or take. | 0:12:50 | 0:12:52 | |
Mother's name is Sarah, father Ben Bailey. | 0:12:52 | 0:12:54 | |
Runs a security firm. Separated. | 0:12:54 | 0:12:57 | |
The other one, a friend of the mother's, | 0:12:57 | 0:12:59 | |
Maeve Flynn something or other. | 0:12:59 | 0:13:01 | |
-Maeve Flynn-Dunne, journalist. -You know her? | 0:13:01 | 0:13:04 | |
She used to write a gossip column. | 0:13:04 | 0:13:06 | |
Well, get her and the young lad out. | 0:13:08 | 0:13:09 | |
I'll be assigning you as liaison officer here. | 0:13:09 | 0:13:12 | |
Ready? | 0:13:12 | 0:13:13 | |
The missing girl, what's her name? | 0:13:14 | 0:13:16 | |
Amber. | 0:13:16 | 0:13:17 | |
MEN TALK IN HUSHED VOICES | 0:14:00 | 0:14:03 | |
Is this Amber's laptop? | 0:14:30 | 0:14:32 | |
We're going to have to take it, OK? | 0:14:33 | 0:14:35 | |
Yeah? | 0:14:54 | 0:14:55 | |
OK. | 0:14:59 | 0:15:00 | |
Finished looking under beds, are we? | 0:15:48 | 0:15:50 | |
Mr Bailey, we are taking this very seriously. | 0:15:50 | 0:15:53 | |
Sometimes we need to start off the search | 0:15:53 | 0:15:55 | |
in the most obvious places, you know. | 0:15:55 | 0:15:57 | |
You'd be surprised how many kids turn up in their own homes. | 0:15:57 | 0:16:00 | |
Either that or out at some all-night party somewhere. | 0:16:00 | 0:16:03 | |
I'd be surprised, would I? | 0:16:03 | 0:16:04 | |
PHONE RINGS | 0:16:04 | 0:16:06 | |
Superintendent? | 0:16:09 | 0:16:11 | |
We're just leaving the father's home. | 0:16:11 | 0:16:13 | |
He was the last one to see her. | 0:16:15 | 0:16:17 | |
Yeah. High risk. | 0:16:17 | 0:16:19 | |
OK, everyone, if we can break into groups of three, and who has a car? | 0:16:20 | 0:16:24 | |
I have a car. | 0:16:24 | 0:16:25 | |
Hi, Jim, thanks for coming. | 0:16:25 | 0:16:27 | |
She's probably just off having some kind of mad teenage adventure. | 0:16:28 | 0:16:33 | |
-TEARFULLY: -Sure, we all know what they're like. | 0:16:33 | 0:16:35 | |
-Are you OK? -I can't handle this right now. | 0:16:38 | 0:16:40 | |
Did you put your call through to your press contacts? | 0:16:40 | 0:16:42 | |
Don't you worry, it'll be in all the papers. | 0:16:42 | 0:16:44 | |
A few other places we think we can look. | 0:17:03 | 0:17:05 | |
We've highlighted in yellow and blue | 0:17:05 | 0:17:07 | |
the places we're sending the volunteers. Here, in the suburbs. | 0:17:07 | 0:17:10 | |
Em, the areas is in orange we already searched this morning. | 0:17:10 | 0:17:12 | |
Sorry, you are? | 0:17:12 | 0:17:14 | |
This is Declan McCarthy, my business partner. | 0:17:14 | 0:17:16 | |
MUFFLED VOICES FROM NEXT ROOM | 0:17:20 | 0:17:23 | |
If Amber's lying in a ditch the choppers | 0:17:26 | 0:17:27 | |
-would pick up her heat signature. -Where, Ben? Where would they look? | 0:17:27 | 0:17:30 | |
Areas with heavy foliage for a start. | 0:17:30 | 0:17:33 | |
What about the helicopters? | 0:17:35 | 0:17:37 | |
I'll make a call. | 0:17:37 | 0:17:39 | |
Please, don't feel you're doing that just to make me feel better! | 0:17:39 | 0:17:42 | |
Just let them do their job, please, Ben. | 0:17:42 | 0:17:44 | |
Excuse me. | 0:17:47 | 0:17:48 | |
Hiya. Actually, you know, the more involved you can get the better. | 0:17:51 | 0:17:55 | |
OK. | 0:17:55 | 0:17:56 | |
Just... Just get them everywhere. | 0:17:58 | 0:18:00 | |
Excuse me? My daughter's missing. Amber Bailey, here's a photo of her. | 0:18:13 | 0:18:16 | |
Have you seen her anywhere? | 0:18:16 | 0:18:18 | |
She was wearing a grey cardigan and black jeans. | 0:18:18 | 0:18:20 | |
No, I'm sorry. | 0:18:20 | 0:18:21 | |
Guys. Have you seen this girl? | 0:18:34 | 0:18:36 | |
-Sorry. -No? | 0:18:36 | 0:18:38 | |
-No, sorry. -No? Have a look at it. -No, sorry. | 0:18:38 | 0:18:41 | |
OK. | 0:18:41 | 0:18:42 | |
Jesus Christ... | 0:18:58 | 0:18:59 | |
-I can't do this. -You should do most of this. | 0:19:02 | 0:19:04 | |
You're her mother, people will relate to you more. | 0:19:04 | 0:19:06 | |
You're better at this than I am. | 0:19:06 | 0:19:07 | |
There, sweetheart. I've prepared this for you. | 0:19:07 | 0:19:10 | |
I've never spoken in public before. | 0:19:10 | 0:19:12 | |
All right, I'll do it with you. OK? | 0:19:14 | 0:19:16 | |
14 years old, Amber Bailey was last seen | 0:19:16 | 0:19:19 | |
by her father, Ben Bailey, in the Sandyford area, | 0:19:19 | 0:19:21 | |
at approximately 3:30 on Wednesday afternoon. | 0:19:21 | 0:19:24 | |
She's 160cm tall, medium build. | 0:19:26 | 0:19:30 | |
She was wearing a grey cardigan, black jeans, | 0:19:30 | 0:19:34 | |
pink top, and distinctive black boots with a tartan print. | 0:19:34 | 0:19:38 | |
If there is anyone out there who thinks they know | 0:19:38 | 0:19:41 | |
or remembers anything, please do not remain silent. | 0:19:41 | 0:19:44 | |
No matter how small a thing you might remember, | 0:19:44 | 0:19:46 | |
please get in touch. | 0:19:46 | 0:19:48 | |
Amber, if you are watching... | 0:19:48 | 0:19:50 | |
..please come home. | 0:19:52 | 0:19:53 | |
You're not in trouble. We love you. | 0:19:55 | 0:19:58 | |
We just want you to come home. | 0:20:00 | 0:20:01 | |
Once again, did she have her phone with her when she left you? | 0:20:11 | 0:20:14 | |
Yes, I remember it clearly. | 0:20:14 | 0:20:17 | |
Her clothing? | 0:20:20 | 0:20:21 | |
Yes. Still pink top, black jeans, | 0:20:22 | 0:20:27 | |
big black-and-tartan boots. | 0:20:27 | 0:20:29 | |
How is going over this again and again achieving anything? | 0:20:29 | 0:20:33 | |
Do you remember if she had anything else with her? | 0:20:33 | 0:20:35 | |
-No. -Think, Ben. | 0:20:37 | 0:20:39 | |
If they want to go over it again, then go over it again. | 0:20:39 | 0:20:41 | |
They're trying to pick holes in my story. | 0:20:41 | 0:20:43 | |
You think I did something to my own daughter? | 0:20:43 | 0:20:45 | |
Don't make this about you. | 0:20:45 | 0:20:47 | |
Taking the lazy way out already. | 0:20:47 | 0:20:48 | |
Apart from me, have you any other suspects? | 0:20:48 | 0:20:51 | |
Mr Bailey, nobody is accusing anybody of anything. | 0:20:56 | 0:21:00 | |
It's just that we found something. | 0:21:00 | 0:21:02 | |
At 15:50, Amber takes the Luas to St Stephen's Green. | 0:21:07 | 0:21:10 | |
Now here, an hour later at 16:50, getting back on to the Luas, | 0:21:15 | 0:21:18 | |
heading back in the direction of home. | 0:21:18 | 0:21:20 | |
But she gets off at Laughanstown. | 0:21:22 | 0:21:24 | |
Any idea why she might have gone into town? | 0:21:26 | 0:21:29 | |
Or why she might have gotten off at that particular stop? | 0:21:30 | 0:21:33 | |
-QUIETLY: -Why did she go past her normal stop? | 0:21:40 | 0:21:42 | |
There. Look. | 0:21:43 | 0:21:45 | |
See? She's carrying something. | 0:21:47 | 0:21:49 | |
Any idea what it is? | 0:21:52 | 0:21:54 | |
She doesn't have it with her when she's going into town. | 0:21:54 | 0:21:56 | |
Play it again. | 0:22:14 | 0:22:16 | |
Sure. | 0:22:18 | 0:22:19 | |
Please, Jenny. | 0:22:23 | 0:22:25 | |
Think. | 0:22:25 | 0:22:27 | |
Well, she must have said something to you. | 0:22:34 | 0:22:36 | |
I swear, nothing. | 0:22:39 | 0:22:40 | |
Me and Amber snuck into town a few times. | 0:22:42 | 0:22:45 | |
But just to look around the shops, nothing else. | 0:22:45 | 0:22:47 | |
You and Amber went into town? When? | 0:22:47 | 0:22:50 | |
A few times. | 0:22:50 | 0:22:51 | |
Where? | 0:22:51 | 0:22:53 | |
Just shops and stuff. | 0:22:54 | 0:22:56 | |
Well, who was with you when you were hanging out? | 0:22:56 | 0:22:58 | |
Girls from school. | 0:22:58 | 0:23:00 | |
Sometimes a few friends of friends. | 0:23:01 | 0:23:03 | |
We need names, Jenny. | 0:23:03 | 0:23:04 | |
Well, it was mostly me... | 0:23:10 | 0:23:14 | |
Amber... | 0:23:14 | 0:23:16 | |
Sinead and Dee Dee. | 0:23:16 | 0:23:17 | |
Sometimes a few friends of Dee Dee's. | 0:23:19 | 0:23:21 | |
I can't remember their names, though. | 0:23:24 | 0:23:26 | |
Jenny, come on. | 0:23:26 | 0:23:29 | |
Amber's missing three days now. Would you fucking think?! | 0:23:29 | 0:23:32 | |
Now, take it easy, Ben. | 0:23:32 | 0:23:33 | |
I know how you both must feel. | 0:23:35 | 0:23:37 | |
You know we must feel? | 0:23:37 | 0:23:38 | |
Jenny, I need you to give me | 0:23:41 | 0:23:42 | |
the names of the places that you used to hang out with Amber. | 0:23:42 | 0:23:45 | |
'Next stop, Carrickmines.' | 0:24:10 | 0:24:13 | |
'An chead stad eile, Carrig Mhaighin.' | 0:24:14 | 0:24:17 | |
I want to paint the walls black. | 0:24:52 | 0:24:56 | |
What? | 0:24:56 | 0:24:58 | |
So, can you get me black paint tomorrow? | 0:24:58 | 0:25:01 | |
I know I said you can do what you want, but... | 0:25:01 | 0:25:04 | |
Yes. | 0:25:04 | 0:25:05 | |
You promised. | 0:25:05 | 0:25:07 | |
SARAH WAILS | 0:25:31 | 0:25:35 | |
SHE SCREAMS | 0:25:38 | 0:25:40 | |
You all right there? | 0:26:09 | 0:26:11 | |
Milk and one sugar. Just how you like it. | 0:26:18 | 0:26:20 | |
Aw, thanks, love. | 0:26:20 | 0:26:22 | |
Are you feeling better now? | 0:26:22 | 0:26:24 | |
Yeah. | 0:26:24 | 0:26:26 | |
Just a little tired, that's all. | 0:26:26 | 0:26:29 | |
Thanks for the tea. | 0:26:29 | 0:26:30 | |
That's the best cup ever. | 0:26:31 | 0:26:33 | |
Sorry, Sarah, it's the police for you. | 0:26:33 | 0:26:35 | |
Hello. | 0:26:36 | 0:26:38 | |
'Hi, it's Sergeant Karen Mulcahy here. | 0:26:38 | 0:26:40 | |
'I need you to come and meet us.' | 0:26:40 | 0:26:42 | |
DISTANT SIRENS WAIL | 0:26:48 | 0:26:50 | |
TRAM TRUNDLES OVERHEAD | 0:27:14 | 0:27:17 | |
We found the bag Amber was carrying in the CCTV footage. | 0:27:25 | 0:27:28 | |
It's nearly a month since teenager Amber Bailey went missing | 0:27:45 | 0:27:49 | |
from a housing estate not far from this location, | 0:27:49 | 0:27:51 | |
where a personal belonging of hers was recently found by a passer-by. | 0:27:51 | 0:27:55 | |
After a thorough search of the area, | 0:27:55 | 0:27:57 | |
nothing further has been found and Garda divers | 0:27:57 | 0:28:00 | |
have been stood down. | 0:28:00 | 0:28:02 | |
-WOMAN: -'So, you've set up a confidential phone number? | 0:29:08 | 0:29:10 | |
BEN: 'Yes. You can phone, you can e-mail, | 0:29:10 | 0:29:13 | |
'visit the website, write a letter. | 0:29:13 | 0:29:14 | |
'If people want to remain anonymous, they can stay anonymous. | 0:29:14 | 0:29:17 | |
'We'll be giving out those details in just a few moments. | 0:29:17 | 0:29:20 | |
'We have another caller on the line now. | 0:29:20 | 0:29:22 | |
'Deirdre Costello. | 0:29:22 | 0:29:24 | |
'You might remember the case of her 20-year-old daughter | 0:29:24 | 0:29:26 | |
'who went missing two years ago. | 0:29:26 | 0:29:28 | |
'Yes, of course. I've spoken with Deirdre before.' | 0:29:28 | 0:29:30 | |
It's been two years now since your daughter Natalie went missing. | 0:29:30 | 0:29:33 | |
'That's right, two years.' | 0:29:33 | 0:29:35 | |
And you're still searching? | 0:29:35 | 0:29:37 | |
'I believe in my heart and soul that she is alive. | 0:29:37 | 0:29:40 | |
'Just like Amber.' | 0:29:40 | 0:29:42 | |
'Look at Jaycee Lee Dugard. | 0:29:43 | 0:29:45 | |
'She was kidnapped when she was 11 years old. | 0:29:45 | 0:29:47 | |
'She had been missing for over 18 years | 0:29:47 | 0:29:50 | |
'when she was eventually found. | 0:29:50 | 0:29:52 | |
'That has to give you some hope, Sarah.' | 0:29:52 | 0:29:54 | |
-Sorry. -'I've never given up hope | 0:29:55 | 0:29:58 | |
'that some day I'll be reunited with my daughter. | 0:29:58 | 0:30:00 | |
'And that's what I say to Ben and Sarah there. | 0:30:00 | 0:30:02 | |
'You just take each day at a time, don't you?' | 0:30:02 | 0:30:06 | |
Yes, of course. You can... | 0:30:09 | 0:30:11 | |
You...have to take it one day at a time. | 0:30:11 | 0:30:14 | |
'You're a liability.' | 0:30:14 | 0:30:16 | |
-You're useless! -I can't think of our daughter | 0:30:16 | 0:30:18 | |
in the same category as that girl in America. I just can't. | 0:30:18 | 0:30:20 | |
-Then what? She's dead? So we're looking for a body? -She's not dead! | 0:30:20 | 0:30:23 | |
Then what's worse, Sarah? Some sick bastard has her? | 0:30:23 | 0:30:26 | |
-Stop it, will you?! -Sarah, you have to get it into your head | 0:30:26 | 0:30:28 | |
that she's not having tea with the sugar plum fairy! | 0:30:28 | 0:30:30 | |
Take it easy, Ben, all right. | 0:30:30 | 0:30:32 | |
I've never understood you. | 0:30:32 | 0:30:33 | |
Sarah, you've never understood the world! The real world? | 0:30:33 | 0:30:36 | |
It's filled with horrible people who do terrible things to each other, | 0:30:36 | 0:30:39 | |
unless we find them and we stop them! | 0:30:39 | 0:30:41 | |
OK, Ben, finished thumping your chest? | 0:30:41 | 0:30:43 | |
PHONE RINGS | 0:30:43 | 0:30:44 | |
Er, we need headlines. Remember them? | 0:30:44 | 0:30:46 | |
You used to write them when you had a job. Maybe instead of doing nothing | 0:30:46 | 0:30:49 | |
you could start rumours to keep Amber in the papers. | 0:30:49 | 0:30:52 | |
That's how it works, isn't it? | 0:30:52 | 0:30:53 | |
-Sorry, Detective Inspector Dunlop on the line. -Put him through. | 0:30:53 | 0:30:56 | |
To my office! | 0:30:56 | 0:30:57 | |
Let me in. | 0:31:04 | 0:31:05 | |
Open the door, Ben! | 0:31:06 | 0:31:07 | |
Open the fucking door! | 0:31:08 | 0:31:10 | |
That's it. | 0:31:14 | 0:31:15 | |
He's on his own. | 0:31:15 | 0:31:17 | |
From now on, I'm going to find Amber on my own. | 0:31:17 | 0:31:20 | |
I'll tell her. I don't want to... | 0:31:24 | 0:31:25 | |
I want to be careful not to get her hopes up | 0:31:25 | 0:31:27 | |
before knowing if this is going to lead somewhere. | 0:31:27 | 0:31:30 | |
Ou puis-je envoyer la package? | 0:31:37 | 0:31:40 | |
Quelle est votre address? | 0:31:40 | 0:31:41 | |
Of the supermarket, I mean. | 0:31:41 | 0:31:44 | |
Merci. | 0:31:49 | 0:31:50 | |
Merci, monsieur. | 0:31:50 | 0:31:52 | |
Here, why don't you help me put these in some envelopes? | 0:31:54 | 0:31:57 | |
PHONE RINGS | 0:32:05 | 0:32:07 | |
Hello? | 0:32:12 | 0:32:13 | |
'Hi, Sarah, it's Sergeant Mulcahy. | 0:32:13 | 0:32:16 | |
'I'm afraid I have to inform you that the team | 0:32:16 | 0:32:18 | |
'on Amber's case is being reduced. | 0:32:18 | 0:32:20 | |
'This is standard procedure for a missing persons case. | 0:32:20 | 0:32:24 | |
'No new leads after two months, | 0:32:24 | 0:32:25 | |
'then manpower has to be reassigned elsewhere.' | 0:32:25 | 0:32:28 | |
I see. | 0:32:28 | 0:32:29 | |
Look, I know this is a huge blow to you, but you must know | 0:32:29 | 0:32:32 | |
that myself and DI Dunlop are still pursuing the case. | 0:32:32 | 0:32:34 | |
Is there someone else I can talk to? | 0:32:34 | 0:32:37 | |
'No. It's a question of manpower and budgets | 0:32:37 | 0:32:40 | |
'and I've already fought your case.' | 0:32:40 | 0:32:42 | |
Thank you. | 0:32:42 | 0:32:44 | |
Eamon. | 0:32:57 | 0:32:58 | |
KNOCK AT DOOR | 0:32:58 | 0:33:01 | |
I'm going to run away too. | 0:33:01 | 0:33:03 | |
Eamon, can I come in? | 0:33:05 | 0:33:06 | |
Which one do you want? | 0:33:22 | 0:33:24 | |
-That one. -Excuse me, can I get that chicken near the front? | 0:33:24 | 0:33:27 | |
Certainly can, love. That one there? | 0:33:27 | 0:33:29 | |
-At the front there. Yeah. -Beautiful, beautiful. | 0:33:29 | 0:33:31 | |
Thanks. | 0:33:38 | 0:33:40 | |
-There you are, love. -Thank you. | 0:33:49 | 0:33:51 | |
OK, you have to have one vegetable. | 0:33:53 | 0:33:55 | |
OK, cabbage, but can we at least cook it in salt? | 0:33:56 | 0:34:00 | |
OK, now you're the leader of the dinosaurs. | 0:34:14 | 0:34:16 | |
I'm the leader of the robots. | 0:34:16 | 0:34:19 | |
The robots are way stronger than the dinosaurs. | 0:34:19 | 0:34:22 | |
Not to mention they're extinct. | 0:34:22 | 0:34:23 | |
Mum, they're not. | 0:34:23 | 0:34:26 | |
This is a battle set in the future. | 0:34:26 | 0:34:28 | |
-Pay attention! -OK! | 0:34:33 | 0:34:35 | |
PHONE RINGS | 0:34:37 | 0:34:40 | |
Hello? | 0:34:40 | 0:34:41 | |
'Hi, Sarah, it's Karen Mulcahy here. | 0:34:41 | 0:34:43 | |
'We're going to need you to come down to the station.' | 0:34:43 | 0:34:45 | |
It's been ages. When are they going to let me talk to him? | 0:34:48 | 0:34:51 | |
As I said, Mr Wang is being questioned now. | 0:34:51 | 0:34:54 | |
Please take a seat. | 0:34:54 | 0:34:55 | |
Hi, Sarah, do you want to come with me? | 0:34:59 | 0:35:02 | |
DI Dunlop was on duty when he was picked up. | 0:35:02 | 0:35:05 | |
This is Eamon. I bet you'd love a hot chocolate, wouldn't you? | 0:35:09 | 0:35:12 | |
Will you bring him down for me? Thanks. | 0:35:12 | 0:35:14 | |
Who was it? | 0:35:20 | 0:35:22 | |
A Chinese national. | 0:35:22 | 0:35:23 | |
He's been living and working here illegally so he won't press charges. | 0:35:23 | 0:35:27 | |
'Has he ever attacked anyone before?' | 0:35:40 | 0:35:42 | |
He trained with the Army, so yeah. | 0:35:44 | 0:35:46 | |
In real life, though, never. | 0:35:46 | 0:35:49 | |
Well, the Superintendent has agreed to release him | 0:35:49 | 0:35:52 | |
as long as you take him home with you. | 0:35:52 | 0:35:54 | |
DOOR CLOSES | 0:35:59 | 0:36:01 | |
SARAH WHISPERS | 0:36:05 | 0:36:07 | |
So, are you going to talk to me? | 0:36:24 | 0:36:25 | |
Come on, Ben. | 0:36:29 | 0:36:30 | |
Who's this Chinese guy? | 0:36:34 | 0:36:36 | |
Ah, just...been a lot of weirdos coming out of the woodwork lately. | 0:36:42 | 0:36:49 | |
Cranks and people with false leads. | 0:36:49 | 0:36:53 | |
Is that why you beat him up? | 0:36:53 | 0:36:55 | |
This woman rang me last week and said she'd | 0:37:00 | 0:37:02 | |
seen Amber's face in the foil wrapper of a chocolate bar. | 0:37:02 | 0:37:06 | |
She said it was a sign from God. | 0:37:06 | 0:37:08 | |
SHE LAUGHS | 0:37:10 | 0:37:12 | |
I can smell her, Sarah. | 0:37:16 | 0:37:18 | |
I can smell her smell and you know what she smells like? | 0:37:20 | 0:37:22 | |
She smells like us. | 0:37:25 | 0:37:26 | |
Us. | 0:37:28 | 0:37:30 | |
Stay? | 0:37:31 | 0:37:32 | |
Ben, I need you to transfer funds | 0:37:42 | 0:37:45 | |
from the campaign account into mine. | 0:37:45 | 0:37:47 | |
I'm going to run things my way now. | 0:37:49 | 0:37:50 | |
I need money. | 0:37:50 | 0:37:52 | |
OK. | 0:37:57 | 0:37:59 | |
And Eamon needs his father back. | 0:38:02 | 0:38:04 | |
You haven't seen him in over a month. He'll stay here tonight | 0:38:04 | 0:38:07 | |
and you can have him for the rest of the weekend. | 0:38:07 | 0:38:09 | |
Oh, no. I'm not fit for it, Sarah. | 0:38:09 | 0:38:11 | |
You let her out of your sight for a few minutes. | 0:38:13 | 0:38:16 | |
It's not completely your fault. | 0:38:18 | 0:38:20 | |
That's gorgeous. | 0:38:32 | 0:38:33 | |
Who bought you that? | 0:38:34 | 0:38:35 | |
Well, for a change, it's not what you think. | 0:38:38 | 0:38:40 | |
-It was my mother's. -PHONE RINGS | 0:38:41 | 0:38:44 | |
Someone passed it down to her before that. | 0:38:44 | 0:38:47 | |
It's Victorian or something. | 0:38:47 | 0:38:49 | |
No-one important? | 0:38:51 | 0:38:52 | |
It's probably junk. | 0:38:56 | 0:38:57 | |
Not worth anything. | 0:38:57 | 0:38:58 | |
Well, it's your mother's. | 0:38:58 | 0:39:00 | |
So it's precious. | 0:39:00 | 0:39:02 | |
I know I've been a crappy friend. | 0:39:08 | 0:39:10 | |
I haven't been around to see you much this week at all. | 0:39:10 | 0:39:12 | |
You've got your own life. | 0:39:12 | 0:39:15 | |
Maybe if you give me a spare key to your apartment | 0:39:15 | 0:39:18 | |
I could be like your...elf. | 0:39:18 | 0:39:21 | |
And sneak in every now and then and do the dishes and washing. | 0:39:21 | 0:39:24 | |
It's OK. | 0:39:24 | 0:39:26 | |
You've done so much for me this last while. | 0:39:26 | 0:39:28 | |
Above and beyond the call of duty. | 0:39:28 | 0:39:30 | |
But we'll get a key cut. | 0:39:32 | 0:39:34 | |
OK? | 0:39:35 | 0:39:37 | |
Can I have some money? | 0:39:44 | 0:39:45 | |
Thanks. | 0:39:48 | 0:39:49 | |
-So I'll take him again next weekend. -Great. | 0:39:53 | 0:39:56 | |
I'll pick him up Friday evening? | 0:40:00 | 0:40:02 | |
Take him somewhere nice. | 0:40:02 | 0:40:04 | |
A movie or something. | 0:40:04 | 0:40:06 | |
There's that new robot movie thing. Is that OK? | 0:40:07 | 0:40:10 | |
Whatever you want, Ben. | 0:40:10 | 0:40:12 | |
Maybe something else. You can't talk at the movies. | 0:40:12 | 0:40:15 | |
Here. | 0:40:22 | 0:40:23 | |
Maybe I could write a personal piece on you, | 0:40:32 | 0:40:34 | |
see if any of the tabloids will take it up. | 0:40:34 | 0:40:36 | |
Raise the profile. | 0:40:36 | 0:40:38 | |
Raise a bit of cash in the process. | 0:40:38 | 0:40:40 | |
What kind of thing were you thinking? | 0:40:42 | 0:40:44 | |
Amber's birthday is coming up soon, right? | 0:40:44 | 0:40:47 | |
Maybe something on how you're coping. | 0:40:48 | 0:40:51 | |
I don't know, Maeve. | 0:40:53 | 0:40:56 | |
Let me think about it. | 0:40:56 | 0:40:58 | |
QUIET CONVERSATION | 0:41:11 | 0:41:14 | |
She's nearly the same height as me. | 0:41:16 | 0:41:18 | |
It's time to do the cake. | 0:41:18 | 0:41:20 | |
Thanks, everyone, for coming. | 0:41:20 | 0:41:22 | |
I know it's a little odd to have a gathering like this, | 0:41:24 | 0:41:27 | |
but, erm, it's really good to see so many of Amber's friends here today. | 0:41:27 | 0:41:32 | |
Amber's been gone for a while now. | 0:41:32 | 0:41:35 | |
But she's 15 today and wherever she is, | 0:41:35 | 0:41:38 | |
she is sure to be imagining a day like this. | 0:41:38 | 0:41:41 | |
It's a good idea, Sarah. | 0:41:42 | 0:41:43 | |
Yeah. | 0:41:43 | 0:41:45 | |
Let's have some cake. | 0:41:45 | 0:41:47 | |
Who's going to blow the candle out? | 0:41:47 | 0:41:50 | |
It's not that kind of candle, love. | 0:41:50 | 0:41:51 | |
It's a candle of hope. | 0:41:51 | 0:41:53 | |
So we're always going to keep one burning. | 0:41:53 | 0:41:55 | |
QUIET CONVERSATION AND LAUGHTER | 0:42:02 | 0:42:05 | |
Sarah? | 0:42:07 | 0:42:09 | |
It's Ben, he wants to talk to you. | 0:42:11 | 0:42:13 | |
-Hi, you're late. -Yeah. Have you seen this? | 0:42:16 | 0:42:19 | |
Bitch. | 0:42:21 | 0:42:23 | |
Read it. | 0:42:24 | 0:42:25 | |
I told you about her. | 0:42:25 | 0:42:27 | |
INTERCOM RINGS | 0:42:31 | 0:42:33 | |
Hi, Sarah, come on up. | 0:42:40 | 0:42:41 | |
Ah! | 0:42:59 | 0:43:01 | |
"Eamon has not only lost his big sister, | 0:43:01 | 0:43:03 | |
"but a mother and a father who have thrown themselves | 0:43:03 | 0:43:05 | |
"into their own individual searches for their daughter, | 0:43:05 | 0:43:08 | |
"which may yet prove to be fruitless." | 0:43:08 | 0:43:09 | |
That's quite an angle, Maeve. | 0:43:09 | 0:43:12 | |
How could you write such a thing? | 0:43:12 | 0:43:14 | |
Sarah, I am so sorry. | 0:43:14 | 0:43:15 | |
I had no say in the headline. | 0:43:15 | 0:43:18 | |
You're trying to blame someone else now? | 0:43:18 | 0:43:20 | |
It's your name right there! | 0:43:20 | 0:43:23 | |
I tried to be honest. | 0:43:24 | 0:43:26 | |
Honest? | 0:43:26 | 0:43:27 | |
My search will not be fruitless. | 0:43:29 | 0:43:32 | |
I will not stop until I find my daughter. | 0:43:32 | 0:43:35 | |
Sarah, I am not trying to stop... | 0:43:35 | 0:43:37 | |
Well, O'Donoghue. What's happening? | 0:43:48 | 0:43:51 | |
I don't know, Larry, you tell me. | 0:43:53 | 0:43:55 | |
Six months after Amber disappeared, it can't be getting any easier? | 0:44:06 | 0:44:11 | |
No, it doesn't get any easier, | 0:44:11 | 0:44:13 | |
but it just becomes part of normal life, I suppose. | 0:44:13 | 0:44:15 | |
I look back at the last few months | 0:44:15 | 0:44:17 | |
and I see the different stages I went through, you know. | 0:44:17 | 0:44:20 | |
Shock, denial, depression. | 0:44:20 | 0:44:24 | |
But you just have to pull yourself out of it. | 0:44:24 | 0:44:27 | |
And your husband, Ben. He's not with you today. | 0:44:27 | 0:44:30 | |
How's he coping? | 0:44:30 | 0:44:32 | |
There has been a lot written about how Amber's father | 0:44:33 | 0:44:36 | |
has pulled out of the search. | 0:44:36 | 0:44:38 | |
'And it's just not accurate. | 0:44:38 | 0:44:40 | |
'He was arrested for assault a few weeks back, isn't that so? | 0:44:40 | 0:44:43 | |
'Yes. Yes, he was. | 0:44:43 | 0:44:46 | |
'Certain members of the press think that's a story. | 0:44:46 | 0:44:49 | |
'It's not.' | 0:44:49 | 0:44:52 | |
It's real life. My daughter Amber is missing. | 0:44:52 | 0:44:55 | |
And myself and Ben are doing everything we can to find her. | 0:44:55 | 0:44:58 | |
-I'm sorry, I... -We can't live off charity for ever. | 0:44:58 | 0:45:02 | |
So Ben's gone back to work for the both of us. | 0:45:02 | 0:45:05 | |
That's why I'm here. | 0:45:05 | 0:45:07 | |
PRINTER WHIRRS | 0:45:13 | 0:45:17 | |
Where is this one going? | 0:45:19 | 0:45:21 | |
Milan. | 0:45:21 | 0:45:22 | |
Do you know where that is? | 0:45:22 | 0:45:25 | |
Switzerland? | 0:45:25 | 0:45:27 | |
Italy. Close, though. | 0:45:28 | 0:45:30 | |
Inspector Dunlop, please. | 0:45:39 | 0:45:41 | |
(Come on, come on, come on.) | 0:45:45 | 0:45:46 | |
There, Milan. | 0:45:46 | 0:45:49 | |
How could she have gotten to Milan? | 0:45:49 | 0:45:51 | |
Madrid. | 0:46:03 | 0:46:05 | |
There. | 0:46:05 | 0:46:06 | |
DOORBELL RINGS | 0:46:06 | 0:46:07 | |
Vienna. | 0:46:14 | 0:46:15 | |
It's Amber! | 0:46:16 | 0:46:18 | |
I need you to come with me. I'll explain on the way. | 0:46:18 | 0:46:20 | |
Ben was right. | 0:46:20 | 0:46:22 | |
I know you hated the piece, but it worked. | 0:46:22 | 0:46:24 | |
You keep the story alive, you never know who'll come forward. | 0:46:24 | 0:46:27 | |
OK. | 0:46:57 | 0:46:59 | |
Be good. | 0:46:59 | 0:47:00 | |
OK, I'll pick you up in a couple of hours. | 0:47:02 | 0:47:05 | |
I hate Nana's cooking. | 0:47:05 | 0:47:07 | |
She makes everything taste like parsnips. | 0:47:07 | 0:47:10 | |
Even her cakes taste like parsnips. | 0:47:10 | 0:47:13 | |
Eamon doesn't seem to mind it. | 0:47:13 | 0:47:14 | |
That's because he puts ketchup on everything. | 0:47:14 | 0:47:17 | |
Oh, go on, love. | 0:47:17 | 0:47:20 | |
Could you just drop me up to Jenny's? | 0:47:20 | 0:47:22 | |
I can eat there. | 0:47:22 | 0:47:24 | |
They're having tacos. | 0:47:24 | 0:47:25 | |
What am I going to tell your grandmother? | 0:47:25 | 0:47:27 | |
I'm sure you'll think of something. | 0:47:27 | 0:47:29 | |
Parsnips. | 0:47:30 | 0:47:32 | |
Please. | 0:47:32 | 0:47:34 | |
LAUGHING: OK, not the face! Don't make the face! | 0:47:34 | 0:47:37 | |
Which one is Jenny's house? | 0:47:42 | 0:47:43 | |
That one there. | 0:47:43 | 0:47:45 | |
OK. Go straight in. No dilly-dallying. | 0:47:45 | 0:47:48 | |
OK. | 0:47:48 | 0:47:49 | |
Bye, honey. | 0:47:49 | 0:47:50 | |
See ya. | 0:47:50 | 0:47:52 |