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AMBER: # I really have to go La, la, la, la... # | 0:00:02 | 0:00:05 | |
Amber? | 0:00:05 | 0:00:06 | |
It's the final piece of my grand design. | 0:00:06 | 0:00:09 | |
That is really something! | 0:00:09 | 0:00:11 | |
If you give me a spare key to your apartment, | 0:00:11 | 0:00:13 | |
I could be like your...elf. | 0:00:13 | 0:00:16 | |
Amber, if you're watching... | 0:00:17 | 0:00:19 | |
..please come home. | 0:00:21 | 0:00:22 | |
This programme contains strong language | 0:00:22 | 0:00:26 | |
THUNDER RUMBLES | 0:01:40 | 0:01:42 | |
ENGINE STARTS | 0:01:59 | 0:02:01 | |
DOOR BUZZER | 0:03:03 | 0:03:05 | |
Hi, Sarah, come on up. | 0:03:07 | 0:03:09 | |
Ooh! | 0:03:34 | 0:03:36 | |
"Eamon has not only lost his big sister, | 0:03:36 | 0:03:39 | |
"but a mother and a father who have thrown themselves | 0:03:39 | 0:03:41 | |
"into their own individual searches for their daughter, | 0:03:41 | 0:03:44 | |
"which may yet prove to be fruitless." | 0:03:44 | 0:03:46 | |
That's quite an angle, Maeve. | 0:03:46 | 0:03:47 | |
How could you write such a thing? | 0:03:47 | 0:03:50 | |
Sarah, I'm sorry. I had no say in the headline. | 0:03:50 | 0:03:52 | |
Are you trying to blame someone else now? | 0:03:52 | 0:03:54 | |
It's your name right there! | 0:03:54 | 0:03:56 | |
-I...I tried to be honest. -Honest! | 0:03:57 | 0:04:00 | |
My search will not be fruitless. | 0:04:01 | 0:04:04 | |
And I will not stop until I find my daughter. | 0:04:05 | 0:04:07 | |
Sarah, I'm not trying to stop you. | 0:04:09 | 0:04:11 | |
That bitch of an editor screwed me on this! | 0:04:16 | 0:04:19 | |
The quotes they used are completely out of context. | 0:04:19 | 0:04:23 | |
-Are you all right? -That fucking headline! | 0:04:23 | 0:04:26 | |
Look, what did you expect? Sensitivity? | 0:04:26 | 0:04:29 | |
Do you think she saw me? | 0:04:30 | 0:04:32 | |
How can that make this any worse? | 0:04:32 | 0:04:35 | |
All this sneaking around behind their backs. | 0:04:36 | 0:04:38 | |
You know, we should have just told them about us from the get-go. | 0:04:38 | 0:04:42 | |
Well...now is not the time, that's for sure. | 0:04:42 | 0:04:45 | |
Well, O'Donoghue? What's happening? | 0:04:48 | 0:04:50 | |
I don't know, Larry, you tell me. | 0:04:52 | 0:04:54 | |
Were you listening to the radio this morning? | 0:05:07 | 0:05:09 | |
People are talking about Amber again. | 0:05:09 | 0:05:11 | |
-This is good for the Baileys. -Sarah doesn't see it that way. | 0:05:11 | 0:05:14 | |
Well, you had her cooperation with the story, didn't you? | 0:05:14 | 0:05:16 | |
-Only in so many words. And, er...you cut most of them. -No. | 0:05:16 | 0:05:20 | |
You know what we do and how we do it. | 0:05:20 | 0:05:23 | |
We can waste time arguing about the past | 0:05:23 | 0:05:25 | |
or we can start talking about your future. | 0:05:25 | 0:05:27 | |
I assume you still need work? | 0:05:27 | 0:05:28 | |
What sort of work? | 0:05:28 | 0:05:30 | |
I'm thinking of running a special supplement. | 0:05:30 | 0:05:32 | |
Ireland's Missing Persons. | 0:05:32 | 0:05:34 | |
Amber Bailey should be the main focus. | 0:05:34 | 0:05:37 | |
Run through the possibilities of what happened to her. | 0:05:37 | 0:05:39 | |
I don't know. Sarah's not going to speak to me again. | 0:05:39 | 0:05:42 | |
You've been her closest friend all these months since this started. | 0:05:42 | 0:05:46 | |
Surely you've made other contacts? | 0:05:46 | 0:05:48 | |
Relatives, friends, the cops. Talk to some of them. | 0:05:48 | 0:05:51 | |
I'll need an outline by the weekend. | 0:05:53 | 0:05:55 | |
Oh! Sorry! Could you hold the door for me? | 0:05:57 | 0:05:59 | |
Thank you. | 0:05:59 | 0:06:01 | |
Thanks. | 0:06:01 | 0:06:02 | |
Oh, hi! Gemma. | 0:06:16 | 0:06:17 | |
I don't know if you remember me. My name is Maeve Flynn-Dunne. | 0:06:17 | 0:06:20 | |
I know who you are. | 0:06:20 | 0:06:22 | |
Er, can I come in? | 0:06:23 | 0:06:25 | |
I don't think so. | 0:06:25 | 0:06:27 | |
I just have a couple of questions. Is Charlie at home? | 0:06:27 | 0:06:30 | |
Charlie doesn't live here any more. | 0:06:30 | 0:06:32 | |
Oh. | 0:06:32 | 0:06:34 | |
Do you know where I could find him? | 0:06:34 | 0:06:36 | |
Are you for real? | 0:06:37 | 0:06:38 | |
Look, I'm here because the Baileys need your help. | 0:06:38 | 0:06:42 | |
They already had enough help from us. | 0:06:42 | 0:06:44 | |
DOOR SLAMS SHUT | 0:06:44 | 0:06:46 | |
PHONE RINGS | 0:06:53 | 0:06:55 | |
-'Hello?' -Hi, Darina, it's Maeve. | 0:06:56 | 0:06:59 | |
PHONE CUTS OUT | 0:06:59 | 0:07:01 | |
PHONE RINGS | 0:07:33 | 0:07:35 | |
Hello? | 0:07:42 | 0:07:43 | |
-'Is this Maeve Flynn-Dunne?' -Who is this? | 0:07:43 | 0:07:46 | |
'You don't know me. I can't talk for long. | 0:07:46 | 0:07:48 | |
'Just listen.' | 0:07:48 | 0:07:50 | |
CAR HORN HONKS | 0:08:01 | 0:08:03 | |
Got to go. | 0:08:03 | 0:08:05 | |
Hiya. | 0:08:10 | 0:08:11 | |
-How was school? -Fine. | 0:08:11 | 0:08:14 | |
What's that on your shirt? | 0:08:26 | 0:08:28 | |
Is that blood? | 0:08:28 | 0:08:30 | |
Darren Kelly was going on about my picture in the paper. | 0:08:31 | 0:08:34 | |
Kept talking about Amber. | 0:08:34 | 0:08:35 | |
Wouldn't shut up. | 0:08:37 | 0:08:38 | |
So you hit him? | 0:08:42 | 0:08:44 | |
-Mum will go mad. -Ah, don't worry about it. | 0:08:46 | 0:08:49 | |
We'll get you a new shirt before you go back. OK? | 0:08:49 | 0:08:52 | |
This happened before. | 0:08:54 | 0:08:56 | |
-She didn't tell you? -No. | 0:08:59 | 0:09:01 | |
When? | 0:09:01 | 0:09:03 | |
Ages ago. | 0:09:04 | 0:09:05 | |
Who won? | 0:09:08 | 0:09:10 | |
What? | 0:09:10 | 0:09:11 | |
You or the other fella? | 0:09:11 | 0:09:13 | |
I kicked him in the nuts. | 0:09:15 | 0:09:16 | |
Good man. | 0:09:19 | 0:09:21 | |
Hi! Nana's upstairs. Go and say hello. | 0:09:31 | 0:09:34 | |
Was he OK? | 0:09:34 | 0:09:35 | |
Fine, yeah. He did his homework in my place. | 0:09:35 | 0:09:37 | |
I helped him with it. | 0:09:37 | 0:09:39 | |
-Can I have a word? -Yeah, come on up. | 0:09:39 | 0:09:41 | |
Hi, Trish. | 0:09:53 | 0:09:54 | |
Hi, Jenny. | 0:09:54 | 0:09:56 | |
Have you thought about what we discussed? | 0:10:01 | 0:10:03 | |
If it's about the apartment, I think we should just sit tight | 0:10:03 | 0:10:06 | |
till we get the right offer. | 0:10:06 | 0:10:08 | |
You wanted a house, Sarah! | 0:10:08 | 0:10:10 | |
And you were right. Eamon needs to play on the streets with his mates. | 0:10:10 | 0:10:13 | |
Well, what if Amber comes back? | 0:10:17 | 0:10:19 | |
You know, I mean the place would be full of strangers. | 0:10:19 | 0:10:23 | |
If Amber comes back, we'll both know about it, | 0:10:23 | 0:10:26 | |
whether you're in this place or not. | 0:10:26 | 0:10:28 | |
I don't like you isolated out here. | 0:10:28 | 0:10:31 | |
I'm hardly isolated, Ben. | 0:10:31 | 0:10:34 | |
They're not here all the time, are they? | 0:10:34 | 0:10:36 | |
Please consider it... | 0:10:36 | 0:10:38 | |
for Eamon. | 0:10:38 | 0:10:40 | |
-OK. -Yeah? | 0:10:42 | 0:10:44 | |
Mm-hm. | 0:10:44 | 0:10:45 | |
OK. | 0:10:47 | 0:10:49 | |
He didn't even offer to help. | 0:10:53 | 0:10:54 | |
Mum, Ben needs to take a step back for a bit. | 0:10:54 | 0:10:57 | |
I don't want him lashing out at any one again. | 0:10:57 | 0:10:59 | |
Yes! | 0:10:59 | 0:11:01 | |
A 1,000 euro donation from Dempsey's. | 0:11:01 | 0:11:04 | |
I hate to say it, Sarah, but your friend's story has helped. | 0:11:04 | 0:11:07 | |
He says he has info relating to Amber. | 0:11:28 | 0:11:31 | |
This guy called you from inside Mountjoy? | 0:11:31 | 0:11:34 | |
He wants me to pose as a girlfriend or relative | 0:11:34 | 0:11:36 | |
-so I can get in and see him. -Oh! He's lonely, is he? | 0:11:36 | 0:11:39 | |
Are you interested in this? | 0:11:39 | 0:11:40 | |
If he's full of it, I suppose you could spin a story | 0:11:40 | 0:11:43 | |
about prison security - what a joke it is. | 0:11:43 | 0:11:45 | |
Could I get an advance on this? | 0:11:46 | 0:11:48 | |
You know it's interesting but it has a more than | 0:11:48 | 0:11:50 | |
a faint whiff of bullshit about it. | 0:11:50 | 0:11:52 | |
Have you made contact with the family again? | 0:11:52 | 0:11:54 | |
I think I prefer the personal angle. | 0:11:54 | 0:11:56 | |
No, this is what you're looking for. | 0:11:56 | 0:11:58 | |
Maybe a new theory on what happened to Amber. | 0:11:58 | 0:12:00 | |
Well, any number of people can come up with that! | 0:12:00 | 0:12:02 | |
If you can't use your relationship with Sarah Bailey, | 0:12:02 | 0:12:05 | |
what use are you to us? Two specials. | 0:12:05 | 0:12:07 | |
Well, this guy could point things in a new direction | 0:12:09 | 0:12:11 | |
and then maybe I could approach Sarah. | 0:12:11 | 0:12:13 | |
All right, go and see him. | 0:12:15 | 0:12:16 | |
If something comes of it, we'll talk money then. | 0:12:16 | 0:12:19 | |
DOOR OPENS | 0:12:32 | 0:12:34 | |
Hi, I'm Terrence. | 0:12:43 | 0:12:45 | |
Glad you could make it. | 0:12:45 | 0:12:47 | |
You don't look like your picture in the paper. | 0:12:50 | 0:12:53 | |
It's not often I get calls from prison, Terrence. | 0:12:57 | 0:13:00 | |
The papers say you are a good friend of the girl's parents. | 0:13:02 | 0:13:06 | |
You've been in their home. | 0:13:06 | 0:13:08 | |
Amber was very proud of her new room, wasn't she? | 0:13:15 | 0:13:18 | |
The undersea garden. | 0:13:18 | 0:13:21 | |
She decorated it herself, you know. | 0:13:24 | 0:13:26 | |
Her own magical world. | 0:13:28 | 0:13:30 | |
Very creative. | 0:13:31 | 0:13:33 | |
Clever girl. | 0:13:35 | 0:13:36 | |
Oh, by the way... | 0:13:39 | 0:13:41 | |
(..not a word about this conversation to anyone else, OK? | 0:13:42 | 0:13:46 | |
(Otherwise, it will be our last.) | 0:13:47 | 0:13:50 | |
Why should I believe anything you say? | 0:13:51 | 0:13:53 | |
Well... | 0:13:55 | 0:13:57 | |
you're a journalist. | 0:13:57 | 0:13:59 | |
Do some research, check my facts. | 0:13:59 | 0:14:01 | |
How would I know about Amber's room? | 0:14:02 | 0:14:04 | |
Where the little mermaid lives. | 0:14:06 | 0:14:08 | |
Do they show you cartoons in here, Terrence? | 0:14:11 | 0:14:14 | |
Daughters of the air. | 0:14:14 | 0:14:18 | |
Daughters of the air? What does that mean? | 0:14:20 | 0:14:23 | |
You can't expect me to do all the work now, can you? | 0:14:23 | 0:14:26 | |
I know. | 0:14:26 | 0:14:28 | |
Why don't you go and look? | 0:14:29 | 0:14:31 | |
And then you'll find out if I know anything or not. | 0:14:32 | 0:14:36 | |
-Jenny? -Maeve. | 0:16:21 | 0:16:23 | |
-Hi. How are you? -Good. | 0:16:23 | 0:16:26 | |
I just wanted to ask you something about Amber, if that's OK? | 0:16:26 | 0:16:29 | |
-Well, I'm on my way to school. -It won't take long. | 0:16:29 | 0:16:32 | |
Do you know anything about the collection of mermaids | 0:16:32 | 0:16:34 | |
-Amber has in her bedroom? -Little Mermaids? -Mm-hm. | 0:16:34 | 0:16:37 | |
She got them on some holiday in Copenhagen. | 0:16:37 | 0:16:40 | |
Did you know she painted something about that on her bedroom wall? | 0:16:42 | 0:16:45 | |
-It's great, isn't it? -Yeah. | 0:16:46 | 0:16:48 | |
What's this - "daughters of the air"? | 0:16:48 | 0:16:51 | |
-I helped Amber paint that. -Yeah? | 0:16:52 | 0:16:55 | |
What does it mean? | 0:16:55 | 0:16:56 | |
Just something Amber liked in a story. | 0:16:56 | 0:16:59 | |
Mermaids are born without souls | 0:16:59 | 0:17:01 | |
and they earn them by the good deeds they do, | 0:17:01 | 0:17:04 | |
then come out of the water and become daughters of the air. | 0:17:04 | 0:17:07 | |
What did you and Amber do to become daughters of the air? | 0:17:08 | 0:17:10 | |
Nothing. It was just a theme for a mural. | 0:17:10 | 0:17:13 | |
She's always coming up with mad things like that. | 0:17:15 | 0:17:17 | |
-Did you tell anyone about this? The Guards or anyone? -No. | 0:17:17 | 0:17:21 | |
Why? I didn't think it was important. | 0:17:21 | 0:17:24 | |
Well, I'm going to be late. | 0:17:25 | 0:17:27 | |
-Gotta go. -OK so, Jenny. Thanks. | 0:17:27 | 0:17:30 | |
You think I took her, don't you? | 0:17:34 | 0:17:36 | |
You think I took her and she told me about it. | 0:17:36 | 0:17:39 | |
What am I supposed to think? | 0:17:40 | 0:17:42 | |
Did you know Poland passed a law introducing chemical castration | 0:17:44 | 0:17:48 | |
as a punishment for convicted paedophiles? | 0:17:48 | 0:17:50 | |
Probably fair, I think. | 0:17:52 | 0:17:54 | |
What's your connection to Amber? | 0:17:58 | 0:18:00 | |
If you want to know more, I'm afraid it's going to cost you. | 0:18:02 | 0:18:05 | |
And if you go to the Guards, or anyone else without my say-so, | 0:18:07 | 0:18:10 | |
well, then, no-one will ever know what I know. | 0:18:10 | 0:18:14 | |
So this is about money? | 0:18:14 | 0:18:16 | |
Ten grand. | 0:18:24 | 0:18:25 | |
You get nothing else until half that amount is in this account. OK? | 0:18:25 | 0:18:30 | |
Ten grand? | 0:18:31 | 0:18:33 | |
You must be joking. | 0:18:33 | 0:18:34 | |
No joke. | 0:18:34 | 0:18:36 | |
How do I know this isn't a con? | 0:18:38 | 0:18:40 | |
Well, you don't. | 0:18:40 | 0:18:41 | |
But I haven't let you down yet, have I, now, Maeve? | 0:18:43 | 0:18:46 | |
How much does he want? | 0:18:50 | 0:18:52 | |
Ten grand. | 0:18:52 | 0:18:53 | |
Ho ho! You're being had, Maeve. | 0:18:53 | 0:18:55 | |
Ben gets calls from conmen like this every other day. | 0:18:55 | 0:18:58 | |
You should report him to the cops. | 0:18:58 | 0:19:00 | |
Declan, you know at this point I need more of a carrot. | 0:19:00 | 0:19:03 | |
-Not a stick! -If I did have money, and I don't, | 0:19:04 | 0:19:08 | |
I wouldn't be blowing it on smoke. That's all this guy is offering. | 0:19:08 | 0:19:11 | |
-No...he's... -If you really think that there's something in it, | 0:19:11 | 0:19:14 | |
then you should come back to the office with me | 0:19:14 | 0:19:16 | |
and tell Ben about all this. | 0:19:16 | 0:19:18 | |
I will. Just not yet. | 0:19:18 | 0:19:20 | |
Not until I know this is something real. | 0:19:20 | 0:19:23 | |
You started remedial reading? | 0:19:50 | 0:19:52 | |
The ol' mash. You want to watch that. | 0:19:56 | 0:19:58 | |
I'd stick to the ol' bread and water, me. | 0:19:59 | 0:20:01 | |
Why, what's wrong with the mash? | 0:20:01 | 0:20:03 | |
Wardens putting something in it. | 0:20:04 | 0:20:06 | |
Stops you getting a hard-on. | 0:20:06 | 0:20:08 | |
Unusually upbeat today, aren't ya? | 0:20:10 | 0:20:12 | |
Is there something I should know about? | 0:20:13 | 0:20:16 | |
Ah, now! | 0:20:16 | 0:20:18 | |
I thought we had no secrets. | 0:20:18 | 0:20:19 | |
Come on, let's go. | 0:20:19 | 0:20:21 | |
-Enough of the chit-chat. -You reckon it's funny, yeah? | 0:20:21 | 0:20:24 | |
Scoff that up, then. See if you can get it up later. | 0:20:24 | 0:20:27 | |
Would you not go back to doing some of this stuff? | 0:20:41 | 0:20:43 | |
I'm almost 40, Declan. | 0:20:46 | 0:20:47 | |
I don't want to be writing about some model's struggle with anorexia | 0:20:47 | 0:20:50 | |
or the latest nightclub opening for the rest of my life. | 0:20:50 | 0:20:54 | |
Have you established any link between this guy and Amber? | 0:20:58 | 0:21:02 | |
Well, he used to work pretty near to where we think Amber went missing. | 0:21:03 | 0:21:06 | |
So you think he's credible? | 0:21:06 | 0:21:08 | |
-Then you need to bring it to Ben. -I need more. | 0:21:11 | 0:21:14 | |
-I have his former address. -Maeve... | 0:21:14 | 0:21:16 | |
Listen, you know Ben better than anyone - he'll barge in | 0:21:16 | 0:21:19 | |
like a bull, O'Donoghue will clam up and that'll be that. | 0:21:19 | 0:21:22 | |
I suppose. | 0:21:22 | 0:21:23 | |
And what if it is all just bullshit? | 0:21:23 | 0:21:25 | |
Then he'd rather deal with that than be kept in the dark. | 0:21:25 | 0:21:28 | |
Is this how you want him to find out about us? | 0:21:31 | 0:21:33 | |
How do you think he's going to react when he finds out | 0:21:34 | 0:21:37 | |
that we got together | 0:21:37 | 0:21:38 | |
a couple of weeks after his daughter went missing? | 0:21:38 | 0:21:40 | |
He'll get over it. | 0:21:40 | 0:21:42 | |
Just let me get a little bit further with this, OK? | 0:21:44 | 0:21:47 | |
You should stay away from O'Donoghue. | 0:21:56 | 0:21:58 | |
Do you know I haven't seen Amber since her christening? | 0:21:59 | 0:22:02 | |
I'm her godmother. | 0:22:02 | 0:22:05 | |
It's pathetic. | 0:22:05 | 0:22:06 | |
So you want to pay some conman to feel better about yourself? | 0:22:07 | 0:22:11 | |
If this guy knows something real about Amber's disappearance, | 0:22:11 | 0:22:14 | |
it's worth any price. | 0:22:14 | 0:22:16 | |
I can't argue with the service. It's the price that worries me. | 0:22:22 | 0:22:25 | |
Bernard, we know who you had working this for you before. | 0:22:25 | 0:22:29 | |
You pay that money, you get those results. | 0:22:30 | 0:22:33 | |
I'm sorry, can you excuse me for a minute? | 0:22:35 | 0:22:37 | |
-Ben! -I'll be back. | 0:22:37 | 0:22:38 | |
-Is he all right? -Yeah, he's fine. | 0:22:39 | 0:22:42 | |
Look, what we're proposing here is an entirely different scenario. | 0:22:42 | 0:22:45 | |
We'll have our best men in there. Guys with years of experience... | 0:22:45 | 0:22:48 | |
'Six months after Amber disappeared, it can't be getting any easier? | 0:22:50 | 0:22:54 | |
'No, it doesn't get any easier. | 0:22:54 | 0:22:56 | |
'But it just becomes part of normal life, I suppose. | 0:22:56 | 0:22:59 | |
'I look back at the last few months and I see the different stages I went through. | 0:22:59 | 0:23:03 | |
'You know - shock, denial, depression.' | 0:23:03 | 0:23:07 | |
But you have to pull yourself out of that. | 0:23:07 | 0:23:10 | |
'My daughter Amber is missing. Myself and Ben are doing everything that we can to find her.' | 0:23:13 | 0:23:17 | |
Oh, hi, I'm from the Find Amber campaign | 0:23:39 | 0:23:42 | |
and I'm just giving these leaflets around, just trying to jog people's memories. | 0:23:42 | 0:23:46 | |
That's terrible that she's still missing. | 0:23:47 | 0:23:50 | |
But all I know is from the news and the papers. | 0:23:50 | 0:23:52 | |
Well, listen, thanks a million for having a look. | 0:23:52 | 0:23:55 | |
Oh... I'm sorry to trouble you but I have been running around Wicklow all morning, | 0:23:55 | 0:23:59 | |
haven't had a moment to stop. Is there any chance I could use your loo? | 0:23:59 | 0:24:03 | |
-Now... -Ah, you're very good. You didn't have to. | 0:24:08 | 0:24:11 | |
I was making it anyway, and it sounded like you needed a break. | 0:24:11 | 0:24:15 | |
Who's the handsome lad? | 0:24:20 | 0:24:21 | |
Handsome? | 0:24:21 | 0:24:23 | |
My son was no looker. | 0:24:23 | 0:24:25 | |
Was? | 0:24:27 | 0:24:28 | |
He's...dead now. | 0:24:31 | 0:24:33 | |
A fair while. | 0:24:33 | 0:24:34 | |
But he lived with you here before he passed? | 0:24:37 | 0:24:40 | |
I don't want to talk about him. | 0:24:42 | 0:24:44 | |
Terrence told you something, didn't he? | 0:24:52 | 0:24:54 | |
You know something about Amber. | 0:24:55 | 0:24:58 | |
How do you know my son's name? | 0:24:58 | 0:25:00 | |
What did he tell you? | 0:25:01 | 0:25:03 | |
Drunk-driving is the least of his crimes, isn't it? | 0:25:03 | 0:25:05 | |
I want you to leave. | 0:25:07 | 0:25:09 | |
OK. | 0:25:15 | 0:25:16 | |
But do you know where he was when Amber vanished? | 0:25:20 | 0:25:23 | |
My son had nothing to do with that girl. | 0:25:23 | 0:25:26 | |
How could he? | 0:25:28 | 0:25:30 | |
Now get out of my house! | 0:25:30 | 0:25:32 | |
DOOR OPENS | 0:25:38 | 0:25:41 | |
DOOR CLOSES | 0:25:42 | 0:25:43 | |
June 20th. | 0:26:07 | 0:26:08 | |
O'Donoghue in custody. | 0:26:08 | 0:26:10 | |
Six days later Amber disappears. | 0:26:25 | 0:26:28 | |
So I'm thinking, why not pitch them as a company we can outsource to | 0:26:32 | 0:26:36 | |
if we can reduce their costs? | 0:26:36 | 0:26:37 | |
They want someone to train bodyguards? | 0:26:37 | 0:26:39 | |
No, they want somebody to train their executives | 0:26:39 | 0:26:41 | |
so they don't behave like complete idiots overseas. | 0:26:41 | 0:26:44 | |
Crash courses in how not to get kidnapped. | 0:26:44 | 0:26:47 | |
Do we know anyone in there? | 0:26:48 | 0:26:50 | |
-PHONE RINGS -Oh, sorry. Just give me a sec. | 0:26:50 | 0:26:52 | |
Hey. | 0:26:52 | 0:26:54 | |
'You're not going to believe this. | 0:26:54 | 0:26:55 | |
'My guy was in custody the day Amber disappeared. | 0:26:55 | 0:26:59 | |
'I'm a complete idiot.' | 0:26:59 | 0:27:01 | |
-Do you want me to come over? -'Yes, please.' | 0:27:02 | 0:27:05 | |
(Right.) | 0:27:05 | 0:27:06 | |
-Who was that? -Oh just...someone I've been seeing. | 0:27:06 | 0:27:10 | |
Oh, yeah? What's his name? | 0:27:10 | 0:27:12 | |
I'll tell you about her over a pint some day. | 0:27:12 | 0:27:15 | |
Oh, this sounds serious. | 0:27:15 | 0:27:16 | |
No, it's... | 0:27:16 | 0:27:18 | |
-Listen, I'd better be going. Can we continue this in the morning? -Yeah. | 0:27:18 | 0:27:21 | |
-So how long's it been going on? -What? | 0:27:21 | 0:27:24 | |
Well, when am I going to get to meet this someone? | 0:27:24 | 0:27:26 | |
Er...soon. | 0:27:26 | 0:27:29 | |
Are you afraid I might steal her away from you? | 0:27:29 | 0:27:31 | |
Not this one. | 0:27:31 | 0:27:33 | |
Don't go back to him again. Let the Guards know what he told you, | 0:27:38 | 0:27:41 | |
then learn your lesson and move on. | 0:27:41 | 0:27:43 | |
Five grand of savings? Feckin' expensive lesson. | 0:27:43 | 0:27:46 | |
You made a mistake, lost a bit of cash. You'll earn it back on something else. | 0:27:46 | 0:27:49 | |
You know, Terrence is making money out of Amber and I'm doing the same thing. | 0:27:49 | 0:27:53 | |
I know you're trying to do something good for Ben and Sarah | 0:27:53 | 0:27:56 | |
but it's just not happening this way, I'm sorry. | 0:27:56 | 0:27:58 | |
Come on, we're already late. | 0:27:58 | 0:28:00 | |
Been a while. | 0:28:14 | 0:28:15 | |
I was starting to think that you'd forgotten about me. | 0:28:17 | 0:28:19 | |
You were in custody on other charges when Amber disappeared. | 0:28:19 | 0:28:24 | |
You see, I told you. | 0:28:24 | 0:28:26 | |
I'm not Amber's bogeyman. | 0:28:26 | 0:28:29 | |
Then what's your connection to her? | 0:28:29 | 0:28:31 | |
Is there even one? | 0:28:31 | 0:28:32 | |
Or are you just some fantasist who's conned me out of five grand? | 0:28:32 | 0:28:36 | |
We agreed ten, actually. We're only halfway there. | 0:28:36 | 0:28:39 | |
This isn't even your first time in prison, is it? | 0:28:39 | 0:28:42 | |
You've done worse than driving offences at some point, right? | 0:28:42 | 0:28:44 | |
Enough for your own mother to act like you're dead! | 0:28:44 | 0:28:47 | |
Oh, dear me. | 0:28:47 | 0:28:48 | |
You met my mother. | 0:28:49 | 0:28:52 | |
I've got something better for you. | 0:29:03 | 0:29:05 | |
Front page guaranteed. | 0:29:06 | 0:29:08 | |
Worth the extra few grand, I think you'll agree. | 0:29:09 | 0:29:12 | |
Oh, yeah? | 0:29:13 | 0:29:15 | |
I know where Amber is. | 0:29:15 | 0:29:17 | |
I can give you the exact location. | 0:29:18 | 0:29:20 | |
What's that to you guys and your organisation? | 0:29:23 | 0:29:25 | |
-I mean, he can pinpoint the exact location. That's what he said. The exact location... -No. | 0:29:25 | 0:29:29 | |
No, Maeve. Absolutely not! | 0:29:29 | 0:29:31 | |
My budget is tight enough. I'm not sinking any more money into this. | 0:29:31 | 0:29:35 | |
I do have something for you. Tara's away and I need someone to cover one of her stories. | 0:29:35 | 0:29:39 | |
What? The fluffy, girlie beat? | 0:29:39 | 0:29:41 | |
You want me to give it to someone else? | 0:29:43 | 0:29:45 | |
-No problem. -Nope. Give it to me. | 0:29:46 | 0:29:48 | |
Good girl. | 0:29:48 | 0:29:50 | |
Hi. Is he here? | 0:29:50 | 0:29:52 | |
So what do you think this collection says about the modern Irish woman? | 0:29:54 | 0:29:57 | |
Well, this collection's going to bring the modern Irish woman | 0:29:57 | 0:30:01 | |
from day to night with easy transformations. | 0:30:01 | 0:30:03 | |
So we've got nice earthy tones that can be jazzed up | 0:30:03 | 0:30:07 | |
with heavy embellishment. | 0:30:07 | 0:30:08 | |
We've got big button details working with leggings and lace. | 0:30:08 | 0:30:12 | |
It's going to transform amazingly. | 0:30:12 | 0:30:15 | |
That's great. Thanks a million. | 0:30:15 | 0:30:17 | |
-You got a busy week this week? -Yeah. Playing golf. -Ah! Very nice. | 0:30:51 | 0:30:55 | |
What are you doing here? | 0:30:58 | 0:30:59 | |
I'm here to see Ben. | 0:30:59 | 0:31:01 | |
-You're doing this now? -Yeah. | 0:31:01 | 0:31:03 | |
Ben. Two minutes? Please. | 0:31:05 | 0:31:07 | |
You need to hear this. | 0:31:07 | 0:31:09 | |
I'm doing my own investigations and I've got a few ideas. | 0:31:11 | 0:31:15 | |
Great. The cavalry have arrived. | 0:31:15 | 0:31:18 | |
But there are some things I need to ask you. | 0:31:18 | 0:31:20 | |
I suppose Sarah knows you're here? | 0:31:20 | 0:31:23 | |
I'm going to find Amber. | 0:31:24 | 0:31:27 | |
Go back to the gossip pages, Maeve. | 0:31:27 | 0:31:29 | |
You haven't really given up. | 0:31:29 | 0:31:30 | |
You still need to know, don't you? | 0:31:30 | 0:31:32 | |
And if you have something to tell me, say it. | 0:31:32 | 0:31:34 | |
The week she disappeared... | 0:31:36 | 0:31:38 | |
..Amber decorated her room. | 0:31:40 | 0:31:42 | |
Daughters of the air? | 0:31:46 | 0:31:47 | |
I was contacted by someone who claims to know what happened to Amber. | 0:31:47 | 0:31:51 | |
He was able to tell me these details about her room. | 0:31:51 | 0:31:54 | |
And he says he knows where she is. | 0:31:54 | 0:31:57 | |
He wants money. | 0:31:59 | 0:32:00 | |
Finally, she says it. Money! | 0:32:01 | 0:32:03 | |
Ben, I wouldn't come to you if I wasn't sure about this. | 0:32:03 | 0:32:06 | |
-You're the same as the rest of those vultures! -For God's sake, Ben, let her go! | 0:32:06 | 0:32:09 | |
Ben, this is real! | 0:32:09 | 0:32:11 | |
I promise you. I put my own money into this! | 0:32:11 | 0:32:14 | |
You're not getting anything out of me! | 0:32:14 | 0:32:17 | |
Just let me talk to him, OK? | 0:32:17 | 0:32:18 | |
So, how much do you think? | 0:32:38 | 0:32:40 | |
-Declan. -'You OK?' | 0:32:43 | 0:32:45 | |
Well, you're a real rock of support(!) | 0:32:45 | 0:32:47 | |
I'm sorry. If you told me you were coming in, I could've... | 0:32:47 | 0:32:50 | |
Look, I...I'm after selling my dead mother's ring to make up the cash | 0:32:50 | 0:32:54 | |
for this guy. Do you think that'll prove to Ben I'm not full of shit? | 0:32:54 | 0:32:57 | |
Maeve, I told Ben about us. | 0:32:57 | 0:33:01 | |
OK. Interesting timing. | 0:33:01 | 0:33:03 | |
I told him...I think he should believe you. | 0:33:03 | 0:33:06 | |
And did he? | 0:33:06 | 0:33:07 | |
I'm on the shit list now, too. | 0:33:08 | 0:33:12 | |
Great(!) | 0:33:12 | 0:33:13 | |
Great(!) | 0:33:14 | 0:33:15 | |
MUFFLED BUZZING | 0:33:32 | 0:33:34 | |
It's Amber. | 0:33:54 | 0:33:56 | |
I need you to come with me, I'll explain on the way. | 0:33:56 | 0:33:58 | |
Ben was right. I know you hated the piece, but it worked. | 0:33:58 | 0:34:01 | |
You keep the story alive, you never know who'll come forward. | 0:34:01 | 0:34:05 | |
I want to talk to you. | 0:34:12 | 0:34:14 | |
-Hi, Sarah. Come with me. -Take a seat, I'll come back down to you. | 0:34:14 | 0:34:17 | |
We should've known about this as soon as O'Donoghue made contact with you. | 0:34:19 | 0:34:22 | |
If I did that, he would've closed up immediately. Wouldn't have got nearly this far along. | 0:34:22 | 0:34:26 | |
More like you needed to be this involved in the drama, amp it up for your story. | 0:34:26 | 0:34:30 | |
-That's not true. I was thinking only of Sarah and Amber. -Of course you were(!) | 0:34:30 | 0:34:34 | |
Thank you. | 0:34:34 | 0:34:36 | |
The next few weeks we're going to cover attack recognition, | 0:34:47 | 0:34:49 | |
surveillance detection, defensive driving... | 0:34:49 | 0:34:52 | |
-PHONE RINGS -Some personal protective measures. -Sorry. | 0:34:52 | 0:34:55 | |
Sarah? | 0:34:56 | 0:34:58 | |
What is it? | 0:35:01 | 0:35:03 | |
What's up, Ben? Where are you going? | 0:35:05 | 0:35:07 | |
PHONE RINGS | 0:35:10 | 0:35:12 | |
'We're not available at the moment but leave a message and we'll get back to you.' | 0:35:15 | 0:35:19 | |
VOICEMAIL TONE | 0:35:19 | 0:35:21 | |
Hello. | 0:35:22 | 0:35:24 | |
My name is Terrence O'Donoghue. | 0:35:26 | 0:35:28 | |
You don't know me. | 0:35:30 | 0:35:32 | |
I'm the pers... | 0:35:34 | 0:35:35 | |
I know I can never make up for what I did. | 0:35:38 | 0:35:41 | |
What happened was an accident. | 0:35:44 | 0:35:47 | |
I've set up a bank transfer for you and your husband. | 0:35:52 | 0:35:55 | |
Some money... | 0:35:55 | 0:35:57 | |
(I'm sorry...) | 0:36:00 | 0:36:02 | |
Fuck. | 0:36:04 | 0:36:05 | |
Oh, come on! | 0:36:06 | 0:36:08 | |
CAR HORN BLARES | 0:36:08 | 0:36:10 | |
There was nothing in the news reports about Amber's room, | 0:36:17 | 0:36:20 | |
so people who knew about the decoration must've been | 0:36:20 | 0:36:23 | |
in the home or have spoken to Amber. | 0:36:23 | 0:36:25 | |
And the line from the story, not even the parents knew about that. | 0:36:25 | 0:36:28 | |
How could O'Donoghue get this detail? | 0:36:28 | 0:36:30 | |
My take on the situation is that you've been deliberately withholding information. | 0:36:31 | 0:36:35 | |
Now, if this convoluted mess bears any fruit, | 0:36:37 | 0:36:39 | |
you could be arrested. | 0:36:39 | 0:36:41 | |
You could wind up in prison. | 0:36:41 | 0:36:42 | |
O'Donoghue is going to text me Amber's exact location at 7pm. | 0:36:43 | 0:36:47 | |
If he has any inkling that I've told you about him he won't ever tell. | 0:36:47 | 0:36:52 | |
That's less than half an hour. | 0:36:53 | 0:36:55 | |
TEXT MESSAGE ALERT | 0:37:32 | 0:37:34 | |
Sarah. Sorry for the delay... | 0:37:46 | 0:37:47 | |
Is it her? Oh, God! Is it her? | 0:37:47 | 0:37:49 | |
-We have no further information. -Tell me what's going on! | 0:37:49 | 0:37:52 | |
-Please, Karen! -Sarah, the best thing for you to do is take Eamon home. | 0:37:52 | 0:37:55 | |
No, I am not, I am not going home! I've been sitting here for hours. I want to know... | 0:37:55 | 0:37:59 | |
-Ben! -What's going on? -Ben, we've been trying to contact you. | 0:37:59 | 0:38:01 | |
They've got a location on where Amber might be and they won't let us go with them. | 0:38:01 | 0:38:05 | |
Ben, please. Take Sarah and Eamon home. I promise you, we will be | 0:38:05 | 0:38:08 | |
-in contact as soon as we have any further information. -What's the location? | 0:38:08 | 0:38:11 | |
I can't tell you that for now. | 0:38:11 | 0:38:13 | |
THUNDER RUMBLES | 0:38:34 | 0:38:38 | |
ENGINE STARTS | 0:38:52 | 0:38:54 | |
Shit. | 0:39:15 | 0:39:16 | |
This is ridiculous! | 0:39:16 | 0:39:19 | |
Excuse me, is this the way back to the main road? | 0:39:30 | 0:39:33 | |
I'm not sure. I hope so. | 0:39:33 | 0:39:35 | |
Have you there in no time. | 0:39:39 | 0:39:41 | |
Ah, it's OK. I'm in no rush. Thanks a mill. | 0:39:41 | 0:39:44 | |
The sooner you get home, the sooner you can get out of those wet clothes, the better, I'd say. | 0:39:45 | 0:39:49 | |
Get yourself a nice cup of tea. | 0:39:49 | 0:39:51 | |
-Windy roads, eh? -Look, it's not far. I can literally just get out here. | 0:39:56 | 0:39:59 | |
Watch. Watch it! | 0:39:59 | 0:40:01 | |
Ah, bollocks! | 0:40:34 | 0:40:36 | |
-Keep your hands off me! -Ben? | 0:40:55 | 0:40:56 | |
Ben, please. Let us do our job. | 0:40:58 | 0:41:01 | |
As soon as we can confirm anything, you'll know. | 0:41:01 | 0:41:04 | |
How old was the Bailey girl? | 0:41:42 | 0:41:44 | |
14. | 0:41:44 | 0:41:45 | |
She's been in the ground about two years | 0:41:47 | 0:41:49 | |
and the skeleton would indicate a young woman in her early 20s. | 0:41:49 | 0:41:52 | |
So it's definitely not Amber Bailey. | 0:41:54 | 0:41:56 | |
You better tell her. | 0:42:00 | 0:42:02 | |
(Sarah...) | 0:43:15 | 0:43:17 | |
Do you know Amber Bailey? | 0:43:33 | 0:43:34 | |
Nope. | 0:43:34 | 0:43:36 | |
Have you ever seen this face before? | 0:43:36 | 0:43:39 | |
No, I haven't. | 0:43:39 | 0:43:40 | |
Have you ever heard anybody mention Amber Bailey's name? | 0:43:40 | 0:43:43 | |
No. | 0:43:43 | 0:43:44 | |
Erm, no, never seen her before. | 0:43:44 | 0:43:47 | |
Someone in here was boasting about their connection to this girl. | 0:43:47 | 0:43:50 | |
Not fucking me. | 0:43:50 | 0:43:51 | |
I think the Polish had it right when they brought in that law. | 0:43:51 | 0:43:54 | |
Chemical castrations for nonces. | 0:43:54 | 0:43:56 | |
It's what's good enough for them. | 0:43:56 | 0:43:58 | |
-TV: -'Did you think Terrence O'Donoghue had anything to do with Amber Bailey's disappearance? | 0:44:00 | 0:44:04 | |
'He left a letter. | 0:44:04 | 0:44:05 | |
'In it he claims to have overheard a prisoner speaking about Amber. | 0:44:05 | 0:44:11 | |
-'O'Donoghue never gave you any indication as to who this prisoner was? -No. | 0:44:11 | 0:44:15 | |
'The Gardai have begun to interview prisoners and ex-prisoners | 0:44:15 | 0:44:19 | |
'but there have been no new leads.' | 0:44:19 | 0:44:22 | |
Are you OK, Mum? | 0:44:32 | 0:44:34 | |
I think it's time you took Amber's room. | 0:44:37 | 0:44:39 | |
Why? | 0:44:40 | 0:44:41 | |
We can do it up the way you want to. | 0:44:43 | 0:44:45 | |
What will Amber say if she comes back? | 0:44:46 | 0:44:49 | |
Come here. | 0:44:52 | 0:44:53 | |
Amber's been gone a very long time. | 0:45:02 | 0:45:04 | |
There's a chance she's not coming back. | 0:45:07 | 0:45:10 | |
You realise that, don't you? | 0:45:12 | 0:45:15 | |
What will we do with all her things? | 0:45:17 | 0:45:20 | |
Erm... | 0:45:22 | 0:45:23 | |
We'll pack them up... | 0:45:23 | 0:45:25 | |
..put them somewhere safe. | 0:45:27 | 0:45:28 | |
Good. Because if she does come back... | 0:45:30 | 0:45:33 | |
..she'd be really mad if we didn't keep her stuff. | 0:45:35 | 0:45:37 | |
(Yeah. | 0:45:40 | 0:45:41 | |
(Yeah, she would.) | 0:45:43 | 0:45:45 | |
MESSAGE ALERT | 0:46:02 | 0:46:04 | |
-Hey. -Hey. | 0:48:09 | 0:48:11 | |
-It's over here if you want to take a look. -OK... | 0:48:11 | 0:48:13 |