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"Dear X, you saw me. I really think you did. And I saw you." | 0:00:02 | 0:00:04 | |
This programme contains some strong language and some scenes which some viewers may find upsetting | 0:00:04 | 0:00:09 | |
Come on, George, don't be silly... Get off me! | 0:00:09 | 0:00:11 | |
Who was he? | 0:00:13 | 0:00:14 | |
George Selway. He was at the party. | 0:00:14 | 0:00:17 | |
He works at the university. | 0:00:17 | 0:00:18 | |
Do you want me to get some people to take a statement? | 0:00:18 | 0:00:21 | |
I can't make a statement, you know I can't. | 0:00:21 | 0:00:23 | |
What about your husband? Are you going to tell him? | 0:00:23 | 0:00:25 | |
You haven't been right for weeks. | 0:00:25 | 0:00:27 | |
'Is this my fault?' | 0:00:27 | 0:00:29 | |
Rosa came with me to the conference. | 0:00:29 | 0:00:31 | |
So you are sleeping with her? | 0:00:31 | 0:00:33 | |
'It's George Selway. He won't leave me alone.' | 0:00:34 | 0:00:37 | |
Wait, hang on, are you saying he's stalking you now? | 0:00:37 | 0:00:40 | |
'He's been texting me. A few weeks ago he sent me flowers! | 0:00:40 | 0:00:43 | |
'He just turned up in the shop near my house.' | 0:00:43 | 0:00:46 | |
He knows about us. | 0:00:46 | 0:00:48 | |
I know you're not allowed to talk about what you do. | 0:00:49 | 0:00:51 | |
Can't you warn him off for me? | 0:00:51 | 0:00:53 | |
What are you going to say to him? | 0:00:56 | 0:00:58 | |
SHE GASPS | 0:01:09 | 0:01:11 | |
You were in there for ages. What happened? | 0:01:13 | 0:01:15 | |
Drive. Now, now! | 0:01:15 | 0:01:17 | |
Just go! Go, go, go! | 0:01:18 | 0:01:20 | |
-What is it? -Just go! Go, go, go! | 0:01:25 | 0:01:26 | |
What's wrong? What happened? | 0:01:26 | 0:01:28 | |
What did he say? | 0:01:34 | 0:01:36 | |
No, listen. Everything's under control. | 0:01:36 | 0:01:39 | |
Just... If it comes to it. IF it comes to it, | 0:01:39 | 0:01:41 | |
just stick to the same story as with Kevin, right? | 0:01:41 | 0:01:43 | |
We met through work. Erm, you... | 0:01:43 | 0:01:47 | |
We talked about my niece, and you asked my advice, | 0:01:47 | 0:01:49 | |
erm...because of my contacts in security. | 0:01:49 | 0:01:51 | |
That's it. End of story. | 0:01:51 | 0:01:53 | |
I'll say exactly the same thing. | 0:01:53 | 0:01:55 | |
Do we need to call the police? | 0:01:55 | 0:01:58 | |
No, just... Trust me, Yvonne. | 0:01:58 | 0:02:02 | |
Trust me. | 0:02:02 | 0:02:03 | |
HE PANTS | 0:02:28 | 0:02:30 | |
So we, erm... We'd better not be in touch for a while. | 0:02:30 | 0:02:33 | |
Er...just in case, give me your phone... Give it to me. | 0:02:33 | 0:02:36 | |
Everything's going to be OK. Right, just stick to the story. | 0:02:50 | 0:02:53 | |
-OK. -All right? -Yeah. | 0:02:53 | 0:02:56 | |
It'll be fine. | 0:03:02 | 0:03:04 | |
I'll see you in Apple Tree Yard. | 0:03:04 | 0:03:06 | |
Mark! | 0:03:09 | 0:03:10 | |
I'm...erm...going out for a bit. | 0:04:24 | 0:04:27 | |
Right. | 0:04:30 | 0:04:31 | |
Are we still on for tonight? | 0:04:31 | 0:04:33 | |
Sathnam's birthday. Von, are you all right? | 0:04:37 | 0:04:41 | |
Oh, God, yeah... I'm sorry. I'm sorry. Um...hormone brain. | 0:04:41 | 0:04:47 | |
Yes, I've booked a table. "All you can eat." | 0:04:48 | 0:04:51 | |
Great. | 0:04:54 | 0:04:55 | |
Remind me what we've got him again. | 0:05:00 | 0:05:02 | |
That speaker he wanted. | 0:05:02 | 0:05:04 | |
It's the same one we've got in the kitchen. | 0:05:04 | 0:05:07 | |
Oh, yes, yes. Excellent... | 0:05:07 | 0:05:08 | |
Excellent. | 0:05:10 | 0:05:12 | |
You should know this... thing with Rosa. | 0:05:25 | 0:05:28 | |
Whatever it is, it's not serious. | 0:05:30 | 0:05:32 | |
Right. | 0:05:34 | 0:05:35 | |
Are you sure she feels the same way? | 0:05:37 | 0:05:39 | |
She knows how I feel about you, I've made it very clear... | 0:05:39 | 0:05:43 | |
Right. | 0:05:44 | 0:05:46 | |
I'm sorry, Von. | 0:05:48 | 0:05:52 | |
I really am. | 0:05:52 | 0:05:54 | |
We've been through worse, hm? | 0:05:59 | 0:06:02 | |
With Adam. | 0:06:05 | 0:06:07 | |
Get a room, you two! | 0:06:18 | 0:06:20 | |
-Hey! -Hey, how you doing? | 0:06:20 | 0:06:23 | |
Happy birthday. | 0:06:23 | 0:06:24 | |
Hey, you! I didn't know you were coming! | 0:06:24 | 0:06:27 | |
I'm stealing the limelight from Sathnam. | 0:06:27 | 0:06:29 | |
-Good to see you. -You, too. | 0:06:31 | 0:06:33 | |
He is much too popular in this family for my liking! | 0:06:33 | 0:06:36 | |
Last time you were kipping on our sofa. | 0:06:36 | 0:06:39 | |
Yvonne Carmichael? | 0:07:04 | 0:07:05 | |
-Yes. -I'm DI Cleveland, West Thames Murder Investigation Unit. | 0:07:05 | 0:07:08 | |
This is my colleague, DS Brown. | 0:07:08 | 0:07:10 | |
I'm arresting you on suspicion of the murder of George Selway. | 0:07:10 | 0:07:13 | |
Murder? | 0:07:13 | 0:07:14 | |
Hang on, hang on, there must be something wrong here... | 0:07:28 | 0:07:31 | |
All right, all right. | 0:07:39 | 0:07:41 | |
It's just a mistake. Grab your bag, grab your stuff, grab your stuff. | 0:07:41 | 0:07:44 | |
Get your coat. Come on. | 0:07:44 | 0:07:45 | |
Tell us what you did this morning, Yvonne. | 0:07:45 | 0:07:48 | |
Erm, I took some clothes to the recycling depot. | 0:07:48 | 0:07:51 | |
Alone? | 0:07:51 | 0:07:52 | |
Yes. | 0:07:52 | 0:07:53 | |
Then what? | 0:07:53 | 0:07:55 | |
Um... Then I went for a drive. | 0:07:55 | 0:07:56 | |
You just fancied a drive? | 0:07:58 | 0:08:00 | |
That's right. Af...after I'd done the recycling. | 0:08:00 | 0:08:03 | |
Where? | 0:08:05 | 0:08:07 | |
Just around. I...I don't remember. | 0:08:08 | 0:08:11 | |
Around? I see. Was anyone in the car with you? | 0:08:11 | 0:08:15 | |
No. | 0:08:16 | 0:08:17 | |
You do know we've arrested Mark Costley? | 0:08:19 | 0:08:21 | |
Were you there when Mark Costley beat and kicked George Selway | 0:08:25 | 0:08:28 | |
to death, Yvonne? | 0:08:28 | 0:08:29 | |
No... No. | 0:08:34 | 0:08:36 | |
It's very easy for us to check all this out, you know. | 0:08:36 | 0:08:38 | |
Who was in the car with you, where you were... | 0:08:38 | 0:08:40 | |
that's even before we've had a proper chat with Costley. | 0:08:40 | 0:08:43 | |
God knows what he'll have to say for himself, eh? | 0:08:43 | 0:08:46 | |
So, are you telling me that's not you...in your car? | 0:08:51 | 0:08:55 | |
What's your relationship to Mark Costley, Yvonne? | 0:09:11 | 0:09:13 | |
He's a friend. | 0:09:13 | 0:09:14 | |
What kind of friend? | 0:09:14 | 0:09:15 | |
Just a friend. I... I haven't known him very long. | 0:09:15 | 0:09:17 | |
Well, would you describe him as a good friend? | 0:09:17 | 0:09:19 | |
He's become quite a good friend, yes. | 0:09:19 | 0:09:21 | |
A lover? | 0:09:21 | 0:09:22 | |
No. | 0:09:22 | 0:09:23 | |
I... I met him when I was working at the House of Commons. | 0:09:23 | 0:09:27 | |
Um... He asked my advice about a niece of his, | 0:09:27 | 0:09:31 | |
who was considering a career in science. | 0:09:31 | 0:09:33 | |
So why was he in your car, going to George Selway's house? | 0:09:33 | 0:09:36 | |
Since Mark worked in security, I asked him for advice. | 0:09:41 | 0:09:47 | |
He agreed to help me out. | 0:09:50 | 0:09:52 | |
To warn George Selway off. | 0:09:52 | 0:09:54 | |
Why would you want him to do that? | 0:09:54 | 0:09:56 | |
George Selway attacked me. | 0:10:07 | 0:10:09 | |
So, you and Mark Costley were an item. You were sleeping together. | 0:10:25 | 0:10:30 | |
No, I've told you. | 0:10:30 | 0:10:32 | |
You were having an affair and he went nuts when | 0:10:32 | 0:10:34 | |
he found out about you and George, isn't that right? | 0:10:34 | 0:10:37 | |
There was no "me and George". | 0:10:38 | 0:10:40 | |
I told you, George Selway attacked me and then he started stalking me. | 0:10:40 | 0:10:45 | |
I went to Mark Costley because of his background in security | 0:10:45 | 0:10:49 | |
and asked for his advice. | 0:10:49 | 0:10:51 | |
That's not what he told us. | 0:10:51 | 0:10:53 | |
Just stick to the story. | 0:11:02 | 0:11:04 | |
Trust me. | 0:11:04 | 0:11:05 | |
We weren't sleeping together. | 0:11:08 | 0:11:10 | |
And if he'd told you we were, | 0:11:10 | 0:11:12 | |
I think you'd be confronting me with details. | 0:11:12 | 0:11:14 | |
'Just for that moment I doubted you... | 0:11:21 | 0:11:24 | |
'Just for that split second. Forgive me, my love.' | 0:11:24 | 0:11:29 | |
Jaspreet Dhillon - Dhillon, Johnson & Waterford. You can call me Jas. | 0:11:32 | 0:11:37 | |
I can tell you, your husband is an extremely persistent man. | 0:11:38 | 0:11:44 | |
Gary contacted you? | 0:11:44 | 0:11:46 | |
Yeah, and not just the once, either. Now - good news. | 0:11:46 | 0:11:51 | |
We've started your bail application. | 0:11:51 | 0:11:52 | |
How long's that going to take? | 0:11:52 | 0:11:54 | |
That's the less good news. | 0:11:54 | 0:11:56 | |
Magistrate's hearing first, probably a couple of nights in Holloway, | 0:11:56 | 0:11:59 | |
then bail hearing proper... | 0:11:59 | 0:12:00 | |
-Holloway? -It really should just be for a night or two. | 0:12:00 | 0:12:03 | |
I'm fairly confident the bail hearing will go our way. | 0:12:03 | 0:12:06 | |
We'll get you home if we possibly can. | 0:12:07 | 0:12:09 | |
Oh, thank God. | 0:12:09 | 0:12:11 | |
Sorry. | 0:12:11 | 0:12:12 | |
Would you like some water? | 0:12:14 | 0:12:16 | |
They keep talking about murder, but I... | 0:12:28 | 0:12:30 | |
I wasn't even in the house. | 0:12:30 | 0:12:32 | |
Surely forensics will tell them that. | 0:12:32 | 0:12:34 | |
It doesn't matter, Yvonne. | 0:12:34 | 0:12:35 | |
The prosecution will argue | 0:12:35 | 0:12:36 | |
that you and Costley cooked up the idea to kill Selway together. | 0:12:36 | 0:12:39 | |
That you drove the car. The getaway car, effectively. | 0:12:42 | 0:12:45 | |
That is not what happened! I didn't even know he was dead. | 0:12:45 | 0:12:47 | |
I swear I didn't. | 0:12:47 | 0:12:48 | |
The worst I thought was...Mark might have knocked him about a bit. | 0:12:50 | 0:12:54 | |
Well, we'll establish all that when your case comes to court. | 0:12:56 | 0:12:59 | |
For the moment, let's focus on bail, yeah? | 0:12:59 | 0:13:01 | |
I'm just about persuaded to give bail in the particular | 0:13:06 | 0:13:09 | |
circumstances of this case, despite the seriousness of the charge, | 0:13:09 | 0:13:13 | |
due to the defendant's previous excellent character | 0:13:13 | 0:13:16 | |
and everything else that's been said. | 0:13:16 | 0:13:17 | |
You're to reside at your normal address | 0:13:17 | 0:13:20 | |
and you must surrender your passport | 0:13:20 | 0:13:22 | |
and pay into court a security in the sum of £100,000. | 0:13:22 | 0:13:26 | |
I understand it's all in hand, my lady. | 0:13:26 | 0:13:28 | |
You're to report to your local police station on Mondays, | 0:13:28 | 0:13:31 | |
Wednesdays and Saturdays between 10am and 2pm. | 0:13:31 | 0:13:34 | |
You will also abide by a curfew between the hours of 8pm and 8am. | 0:13:34 | 0:13:39 | |
Above all, Dr Carmichael, you are not to contact, | 0:13:39 | 0:13:43 | |
directly or indirectly, | 0:13:43 | 0:13:45 | |
Mark Liam Costley or any of the prosecution witnesses. | 0:13:45 | 0:13:49 | |
Is that clear? | 0:13:49 | 0:13:51 | |
Yes, my lady. Thank you. | 0:13:51 | 0:13:53 | |
How on earth did you get hold of 100 grand? | 0:14:24 | 0:14:26 | |
Cashed in those bonds. | 0:14:28 | 0:14:29 | |
And Ray and Tina have come up trumps, actually. | 0:14:31 | 0:14:34 | |
Oh, God, you didn't ask them, did you? | 0:14:34 | 0:14:36 | |
Well, what else could I do? It's all right. | 0:14:36 | 0:14:40 | |
We're re-mortgaging, and...Ray and Tina just stepped in to cover | 0:14:40 | 0:14:43 | |
it while the paperwork's done. | 0:14:43 | 0:14:46 | |
They were happy to help, Von. | 0:14:46 | 0:14:48 | |
People have been amazing. | 0:14:50 | 0:14:51 | |
Adam? | 0:14:56 | 0:14:57 | |
He's been a bit knocked for six... But fine. | 0:15:00 | 0:15:05 | |
I've talked to him quite a lot. | 0:15:06 | 0:15:08 | |
What about Carrie? | 0:15:11 | 0:15:13 | |
Hey... | 0:15:34 | 0:15:36 | |
This is lovely. Thank you. | 0:15:48 | 0:15:50 | |
-It's delicious. -Mm. | 0:16:00 | 0:16:02 | |
Why didn't you go to the police about the rape? | 0:16:13 | 0:16:17 | |
Carrie, love... | 0:16:17 | 0:16:18 | |
Maybe your mum's not ready to talk about that | 0:16:18 | 0:16:20 | |
right at the moment, darling. | 0:16:20 | 0:16:22 | |
I haven't had a chance to talk to Dad about it properly yet. | 0:16:22 | 0:16:25 | |
I had my reasons. | 0:16:32 | 0:16:34 | |
But, um... I mean, didn't you feel a responsibility to the other | 0:16:35 | 0:16:39 | |
women this man was working with, to come forward | 0:16:39 | 0:16:42 | |
if he was a threat to them? | 0:16:42 | 0:16:43 | |
And this other man, what's his name? | 0:16:45 | 0:16:47 | |
-Mark Costley. -Just roping in some random weirdo, what was that about? | 0:16:47 | 0:16:50 | |
He's not a weirdo. | 0:16:50 | 0:16:51 | |
But you didn't even know him properly, what were you thinking? | 0:16:51 | 0:16:53 | |
I don't know! I don't know. | 0:16:53 | 0:16:55 | |
Carrie...I wasn't thinking about my responsibilities. | 0:17:00 | 0:17:05 | |
I could barely put one foot in front of the other. | 0:17:06 | 0:17:09 | |
And sometimes women aren't served brilliantly by the legal system, | 0:17:11 | 0:17:15 | |
whatever they say about new approaches and the caring | 0:17:15 | 0:17:19 | |
face of the force. | 0:17:19 | 0:17:21 | |
I just couldn't face it. | 0:17:25 | 0:17:27 | |
I didn't have the courage. | 0:17:31 | 0:17:33 | |
I'm just trying to understand. | 0:17:36 | 0:17:38 | |
I'm going to go and have a bath. | 0:17:43 | 0:17:45 | |
Fred. Fred. Everything will be all right. | 0:18:05 | 0:18:07 | |
For God's sake, Dad, I'm not ten years old any more. | 0:18:07 | 0:18:10 | |
What if it isn't? | 0:18:17 | 0:18:18 | |
I just don't get why you went to him - Costley. | 0:18:34 | 0:18:39 | |
I knew that if I told you what had happened... | 0:18:42 | 0:18:45 | |
..you'd want me to go to the police. | 0:18:46 | 0:18:48 | |
When did it happen? | 0:18:53 | 0:18:55 | |
It was that party at Central. Jonathan's leaving do. | 0:18:58 | 0:19:03 | |
He was a senior researcher there. | 0:19:03 | 0:19:05 | |
We did external exams and panels together. | 0:19:06 | 0:19:11 | |
You've probably heard me mention him. | 0:19:13 | 0:19:15 | |
Oh, Jesus... | 0:19:17 | 0:19:18 | |
Von... I mean, the police, I understand what you | 0:19:21 | 0:19:26 | |
were saying to Carrie, but surely we could have spoken about it. | 0:19:26 | 0:19:32 | |
At first, I didn't want the rest of my life to be contaminated | 0:19:36 | 0:19:42 | |
by what he did. | 0:19:42 | 0:19:43 | |
As long as I didn't bring it into the house then I could | 0:19:47 | 0:19:49 | |
pretend it never happened. | 0:19:49 | 0:19:51 | |
And then I took advice. | 0:19:53 | 0:19:54 | |
From Costley. | 0:19:57 | 0:19:59 | |
No, from a police officer that he put me in touch with... | 0:19:59 | 0:20:04 | |
They see it all the time. | 0:20:07 | 0:20:09 | |
Women like me who don't want to have their lives dragged through | 0:20:10 | 0:20:14 | |
the courts. | 0:20:14 | 0:20:15 | |
Yeah, thank God we're not going to be dragged through the courts(!) | 0:20:15 | 0:20:18 | |
Thank God you spared us from that. | 0:20:18 | 0:20:20 | |
I'm sorry. | 0:20:22 | 0:20:24 | |
It's all gone so wrong. | 0:20:26 | 0:20:28 | |
Oh, my God, he's dead! He's actually dead! | 0:20:34 | 0:20:38 | |
Sh, sh... | 0:20:41 | 0:20:43 | |
It's not your fault. None of this is your fault. | 0:20:47 | 0:20:50 | |
OK? | 0:20:50 | 0:20:52 | |
That's not true, Gary. | 0:20:52 | 0:20:55 | |
It isn't. | 0:20:55 | 0:20:56 | |
You weren't even there when it happened. Were you? | 0:20:58 | 0:21:03 | |
No. No. | 0:21:03 | 0:21:06 | |
George Selway raped you. It all goes from there. | 0:21:10 | 0:21:16 | |
And we are going to do everything... | 0:21:19 | 0:21:21 | |
..everything we can, OK? | 0:21:23 | 0:21:25 | |
Apparently lolly sticks are good. | 0:21:53 | 0:21:55 | |
For scratching. | 0:21:56 | 0:21:58 | |
Stylish... | 0:22:00 | 0:22:02 | |
We've had word from Mark Costley's team about his plea. | 0:22:10 | 0:22:13 | |
Looks like he's going for diminished responsibility. | 0:22:13 | 0:22:16 | |
He's saying he's not guilty of murder. | 0:22:18 | 0:22:20 | |
Well, good, because he isn't. He couldn't be. | 0:22:20 | 0:22:23 | |
Do you know that? | 0:22:23 | 0:22:26 | |
Well, it makes no sense. Why not self-defence? | 0:22:26 | 0:22:29 | |
Yvonne, I have to say, Mark Costley's defence is | 0:22:29 | 0:22:31 | |
a matter for him and his solicitors. | 0:22:31 | 0:22:33 | |
My job is to defend you | 0:22:33 | 0:22:35 | |
But, if we're being charged together... | 0:22:35 | 0:22:37 | |
Costley's effectively pleading guilty to manslaughter by | 0:22:37 | 0:22:40 | |
going for diminished responsibility as his defence. | 0:22:40 | 0:22:43 | |
So we'll both be charged with Selway's manslaughter? | 0:22:43 | 0:22:46 | |
No. If they accept Costley's plea, and that's by no means guaranteed, | 0:22:46 | 0:22:50 | |
they still can come after you for murder | 0:22:50 | 0:22:53 | |
because your defences are entirely separate. | 0:22:53 | 0:22:55 | |
But it's not all doom and gloom... At the very least, if they | 0:22:55 | 0:22:59 | |
accept diminished responsibility, it makes our lives easier. | 0:22:59 | 0:23:02 | |
You're saying you had | 0:23:02 | 0:23:03 | |
no idea Costley was going to kill George Selway and Costley is | 0:23:03 | 0:23:06 | |
admitting that he acted on a reckless impulse of his own. | 0:23:06 | 0:23:10 | |
'You... | 0:23:27 | 0:23:29 | |
'you are my knight in shining armour. | 0:23:32 | 0:23:35 | |
'You've admitted you acted alone. Keeping me safe. | 0:23:37 | 0:23:43 | |
'Again.' | 0:23:43 | 0:23:45 | |
DOOR OPENS DOWNSTAIRS | 0:24:10 | 0:24:12 | |
Hey, Dad... | 0:24:12 | 0:24:13 | |
Hey, hello, love! How are you? | 0:24:13 | 0:24:16 | |
Good... You? | 0:24:16 | 0:24:17 | |
Carrie's here, love! | 0:24:17 | 0:24:19 | |
Sathnam's going to go part-time after the baby's born. | 0:24:22 | 0:24:26 | |
It's his baby, too. | 0:24:26 | 0:24:28 | |
Of course it is! That's great. No, that's great. | 0:24:28 | 0:24:32 | |
I'm a bit jealous, actually. | 0:24:34 | 0:24:36 | |
Well, your dad did a lot for the two of you when you were babies | 0:24:38 | 0:24:42 | |
but it was always basically assumed that you were my territory. | 0:24:42 | 0:24:46 | |
Well, didn't you talk it over before you got pregnant? | 0:24:47 | 0:24:50 | |
We've never really been good at that. Talking. | 0:24:50 | 0:24:53 | |
That's not true! | 0:24:53 | 0:24:55 | |
Sathnam always says he wishes his parents got on half as well | 0:24:55 | 0:24:58 | |
as you and Dad. | 0:24:58 | 0:24:59 | |
I'm not saying we don't get on. | 0:24:59 | 0:25:01 | |
Oh... I'm so sorry, all of this is such terrible timing for you. | 0:25:09 | 0:25:15 | |
I mean, no timing would be good, but this is godawful. | 0:25:15 | 0:25:21 | |
Ajay, Sathnam's brother, | 0:25:29 | 0:25:31 | |
he has this friend from uni, trained as a barrister... | 0:25:31 | 0:25:34 | |
We've got a barrister. | 0:25:34 | 0:25:35 | |
Well, he does consultancy now. | 0:25:35 | 0:25:37 | |
Sort of PR...helping people to make a good impression in court. | 0:25:37 | 0:25:41 | |
Dad asked me to get his number. | 0:25:41 | 0:25:43 | |
The two of you have discussed it? | 0:25:46 | 0:25:48 | |
You really think that I need help, making a good impression? | 0:25:50 | 0:25:53 | |
Well, don't you? Er, shall I send it to you, or Dad? | 0:25:53 | 0:25:57 | |
The thing to remember is, I'm innocent. | 0:25:57 | 0:26:00 | |
Of course you are. I know you are, of course you are. | 0:26:01 | 0:26:05 | |
I'm just...sending it to Dad, OK? | 0:26:05 | 0:26:07 | |
CAR HORN | 0:26:20 | 0:26:22 | |
-He seems quite young! -Yeah? | 0:26:24 | 0:26:27 | |
Well, he would be. | 0:26:27 | 0:26:28 | |
PHONE ALERT | 0:26:30 | 0:26:32 | |
Just remember, love, he's costing a fortune. | 0:26:42 | 0:26:45 | |
Don't get all competitive with him. Von? | 0:26:45 | 0:26:49 | |
DOORBELL RINGS | 0:26:49 | 0:26:51 | |
Er...competitive? | 0:26:53 | 0:26:55 | |
Let him do his job. | 0:26:55 | 0:26:56 | |
Let him help you, that's what he's here for. | 0:26:56 | 0:27:00 | |
Yeah. | 0:27:00 | 0:27:01 | |
-Hi. Laurence? -Yeah. | 0:27:05 | 0:27:07 | |
Hi, I'm Gary, I'm Yvonne's husband. | 0:27:07 | 0:27:10 | |
So, Yvonne - are you guilty? | 0:27:12 | 0:27:16 | |
No, Laurence, I am not. | 0:27:17 | 0:27:19 | |
Cool! That's what we want to see in court. | 0:27:22 | 0:27:26 | |
Firm, but polite, no hint of doubt. | 0:27:26 | 0:27:30 | |
First impressions are incredibly important. | 0:27:30 | 0:27:32 | |
Aren't they just? | 0:27:32 | 0:27:34 | |
So, on that subject, is there anything Yvonne should be | 0:27:34 | 0:27:37 | |
thinking of, in court? | 0:27:37 | 0:27:40 | |
The jury, always. Little tip. | 0:27:40 | 0:27:44 | |
When you're in the witness box, point your feet towards the jury. | 0:27:44 | 0:27:47 | |
Then you'll automatically address your answers towards them. | 0:27:47 | 0:27:50 | |
It's all about making a connection. | 0:27:50 | 0:27:52 | |
You might want to jot this down. | 0:27:53 | 0:27:55 | |
Anything, erm, in particular she should be wearing? | 0:27:55 | 0:27:58 | |
Well, we want the jury to see your feminine side. | 0:27:58 | 0:28:02 | |
Oh, Jesus. Ribbons? Lace? | 0:28:02 | 0:28:05 | |
Perhaps a blouse with a bit of embellishment. | 0:28:06 | 0:28:10 | |
Nothing too low-cut, obviously, | 0:28:10 | 0:28:12 | |
something that's appropriate to your, er, age. | 0:28:12 | 0:28:16 | |
Under a suit. | 0:28:16 | 0:28:17 | |
But not too flash or designer - we don't want people thinking | 0:28:17 | 0:28:21 | |
you need taking down a peg or two. | 0:28:21 | 0:28:22 | |
People only judge you 30% on what you say - | 0:28:22 | 0:28:26 | |
70% is how you look. | 0:28:26 | 0:28:28 | |
None of this is me, you understand. | 0:28:29 | 0:28:32 | |
The women, particularly, can be very hard on other women. | 0:28:32 | 0:28:36 | |
Talking of... I...I don't know if the prosecuting counsel will be | 0:28:36 | 0:28:39 | |
a man or a woman. | 0:28:39 | 0:28:40 | |
But if it is a woman, the jury will be more likely to think | 0:28:40 | 0:28:43 | |
you're guilty during cross-examination about the rape. | 0:28:43 | 0:28:46 | |
Ah, you know - "This nice lady barrister wouldn't be taking this on | 0:28:46 | 0:28:49 | |
"if she really thought this man had done something terrible." | 0:28:49 | 0:28:52 | |
I also imagine this strategy won't have escaped | 0:28:52 | 0:28:55 | |
Mr...Costley's defence team. | 0:28:55 | 0:28:59 | |
He may well have a female silk. | 0:28:59 | 0:29:01 | |
You do know how violent the rape was? | 0:29:01 | 0:29:04 | |
Yes, I've got the...details. | 0:29:04 | 0:29:08 | |
I'm sure your solicitor has been through this with you, Yvonne, | 0:29:10 | 0:29:14 | |
but, er...legally speaking, I'm afraid it does make | 0:29:14 | 0:29:17 | |
your case rather worse. | 0:29:17 | 0:29:18 | |
An attack of this severity gives you such | 0:29:20 | 0:29:22 | |
a strong reason for killing Selway. | 0:29:22 | 0:29:24 | |
So, basically everything that should be in Yvonne's favour is | 0:29:24 | 0:29:29 | |
going to go against her... | 0:29:29 | 0:29:32 | |
Exactly. | 0:29:32 | 0:29:33 | |
Of course, one thing the rape | 0:29:37 | 0:29:39 | |
doesn't explain is why Mark Costley killed Selway. | 0:29:39 | 0:29:43 | |
Why did your co-defendant act as he did? | 0:29:46 | 0:29:49 | |
He was warning off George Selway as a favour to me. | 0:29:49 | 0:29:53 | |
He has a background in security. | 0:29:54 | 0:29:56 | |
And it must have gone wrong in some terrible, terrible, way. | 0:29:57 | 0:30:00 | |
Quite a favour. You hadn't known each other that long, had you? | 0:30:02 | 0:30:06 | |
A few months. | 0:30:08 | 0:30:10 | |
Mmm. | 0:30:10 | 0:30:11 | |
The prosecution could try to claim | 0:30:12 | 0:30:15 | |
you were lying about the whole thing, | 0:30:15 | 0:30:17 | |
that you and Selway had consensual sex and you were | 0:30:17 | 0:30:20 | |
spinning Costley a yarn to get him into trouble. | 0:30:20 | 0:30:23 | |
Why the hell would Yvonne do that unless she was a lunatic? | 0:30:23 | 0:30:27 | |
Ah, who knows? | 0:30:27 | 0:30:28 | |
You were annoyed with Selway because he didn't call you afterwards, | 0:30:28 | 0:30:31 | |
de-da, de-da, the usual. | 0:30:31 | 0:30:33 | |
The usual? | 0:30:33 | 0:30:34 | |
I'm just playing devil's advocate here. | 0:30:34 | 0:30:36 | |
Why didn't you report the rape in the first case, | 0:30:36 | 0:30:38 | |
if there was evidence? It's a big problem. | 0:30:38 | 0:30:41 | |
And if there wasn't evidence, does that mean you didn't fight back? | 0:30:41 | 0:30:44 | |
Why not? | 0:30:44 | 0:30:45 | |
We see it the whole time. | 0:30:47 | 0:30:48 | |
You ladies do make our job rather difficult. | 0:30:48 | 0:30:51 | |
HE GASPS | 0:30:51 | 0:30:52 | |
What are you thinking, Laurence? | 0:30:52 | 0:30:53 | |
Shall I tell you what's going on in your head, biologically? | 0:30:53 | 0:30:56 | |
There's a part of your brain, the amygdala, | 0:30:56 | 0:30:59 | |
it's telling you to do whatever you need to do to survive. | 0:30:59 | 0:31:01 | |
It's like a siren - "Survive! Survive!" | 0:31:01 | 0:31:04 | |
So loud, in fact, it's drowning out your cerebral cortex, | 0:31:04 | 0:31:07 | |
your logical brain. | 0:31:07 | 0:31:08 | |
Your cortex knows I'm not going to cut your throat. | 0:31:09 | 0:31:12 | |
Why would I do that? | 0:31:12 | 0:31:14 | |
My family's in enough trouble as it is. | 0:31:14 | 0:31:16 | |
But the amygdala, it's pure instinct. | 0:31:16 | 0:31:18 | |
It feels the damage this can do. | 0:31:19 | 0:31:22 | |
It's no bigger than a peanut... | 0:31:22 | 0:31:24 | |
Yet taken by surprise, afraid for your life... | 0:31:25 | 0:31:30 | |
..we're programmed to do whatever will ensure our survival. | 0:31:32 | 0:31:38 | |
And sometimes... | 0:31:38 | 0:31:40 | |
..that's nothing. | 0:31:41 | 0:31:43 | |
I think you've made your point. | 0:31:51 | 0:31:53 | |
Gary. | 0:32:20 | 0:32:21 | |
Sorry... | 0:32:29 | 0:32:31 | |
It's going to be OK. | 0:32:31 | 0:32:33 | |
It's all going be OK... I'm sorry. | 0:32:33 | 0:32:38 | |
I'm sorry. | 0:32:41 | 0:32:43 | |
Oh! | 0:33:37 | 0:33:39 | |
God, my ankle! | 0:33:39 | 0:33:40 | |
I'm so sorry. It was the tag. You OK? | 0:33:40 | 0:33:43 | |
Of course... | 0:33:43 | 0:33:44 | |
THEY LAUGH | 0:33:48 | 0:33:51 | |
You OK? | 0:33:58 | 0:34:00 | |
I want you to promise me something. | 0:34:18 | 0:34:20 | |
Aye-aye... | 0:34:24 | 0:34:26 | |
If at any point during the trial, I don't want you to be there, | 0:34:31 | 0:34:35 | |
I want you to promise that you'll stay away. | 0:34:35 | 0:34:38 | |
But you know I want to be there for the whole thing. | 0:34:42 | 0:34:44 | |
Please. | 0:34:44 | 0:34:47 | |
And from what Jas has said - and that little shitheel - | 0:34:47 | 0:34:50 | |
about making the right impression, | 0:34:50 | 0:34:52 | |
it's really important that I'm seen to be standing by your side. | 0:34:52 | 0:34:56 | |
I know. | 0:34:56 | 0:34:57 | |
But I don't think I could bear it, | 0:34:57 | 0:35:00 | |
if I have to talk about what George Selway did. | 0:35:00 | 0:35:03 | |
Please. | 0:35:07 | 0:35:09 | |
OK. | 0:35:11 | 0:35:13 | |
'Would you have seen it as a betrayal, | 0:35:22 | 0:35:24 | |
'if Gary and I had made love? | 0:35:24 | 0:35:26 | |
'Because one thing I do know, you haven't betrayed me.' | 0:35:30 | 0:35:33 | |
No, Mum was great, cool as a cucumber. | 0:36:00 | 0:36:03 | |
It was... It was me that lost it... | 0:36:03 | 0:36:06 | |
Yeah, I know, but you had to be here, Carrie, | 0:36:06 | 0:36:08 | |
-he was absolutely appalling! -Babe! | 0:36:08 | 0:36:10 | |
Oh, Suze. | 0:36:10 | 0:36:13 | |
I'm so sorry. | 0:36:14 | 0:36:16 | |
I'm so sorry. | 0:36:16 | 0:36:18 | |
You don't have to talk about it if you don't want to. | 0:36:22 | 0:36:24 | |
Oh, God. | 0:36:24 | 0:36:26 | |
But if you do...I'm here. | 0:36:26 | 0:36:28 | |
I wish I'd talked to you. | 0:36:29 | 0:36:31 | |
I wish I'd talked to you about everything. | 0:36:31 | 0:36:33 | |
Well, like my mum says - "Still waters run deep." | 0:36:33 | 0:36:39 | |
She doesn't know the half of it. | 0:36:39 | 0:36:41 | |
DOORBELL RINGS | 0:36:41 | 0:36:43 | |
I'll get it. | 0:36:43 | 0:36:45 | |
Yvonne! | 0:36:46 | 0:36:49 | |
Yvonne Carmichael, I'm arresting you for breaching the conditions | 0:36:49 | 0:36:52 | |
-of your bail. -I'll call Jaspreet. | 0:36:52 | 0:36:53 | |
You might want to get a few things together for her. | 0:36:53 | 0:36:55 | |
What are you doing? | 0:36:55 | 0:36:57 | |
Look, there is no need for that. She's not going to run away! | 0:36:57 | 0:36:59 | |
This is crazy! I haven't done anything! I haven't done anything! | 0:36:59 | 0:37:02 | |
I'll be right behind you in the car, love. | 0:37:02 | 0:37:03 | |
Suse, could you give me a hand, please? | 0:37:03 | 0:37:05 | |
Mark Costley sent you a text from prison and you replied, | 0:37:07 | 0:37:10 | |
is that right? | 0:37:10 | 0:37:11 | |
I got a text from a number that I didn't recognise. | 0:37:11 | 0:37:14 | |
And I just asked who it was. | 0:37:14 | 0:37:17 | |
And you sent a second text. | 0:37:17 | 0:37:18 | |
It doesn't matter. The point is, he made contact and you responded. | 0:37:21 | 0:37:25 | |
Which is breaching the conditions of your bail. | 0:37:25 | 0:37:27 | |
But he's not even supposed to have a phone in prison, is he? | 0:37:27 | 0:37:29 | |
Well, clearly he got hold of one. I'm sorry, Yvonne. | 0:37:29 | 0:37:32 | |
You'll be kept in Holloway on remand. | 0:37:32 | 0:37:35 | |
At least we're close to the trial date. | 0:37:44 | 0:37:46 | |
It could be deliberate, on Costley's part. Tit for tat. | 0:37:46 | 0:37:50 | |
He's in prison, so why not you? | 0:37:50 | 0:37:52 | |
He's not like that. | 0:37:52 | 0:37:53 | |
Isn't he? | 0:37:54 | 0:37:56 | |
He has a niece that's good at science, is that right? | 0:38:07 | 0:38:09 | |
Yeah. | 0:38:09 | 0:38:11 | |
My eldest daughter's into science. | 0:38:11 | 0:38:14 | |
That's always good to hear. | 0:38:14 | 0:38:16 | |
Yeah. | 0:38:16 | 0:38:17 | |
Yes, er, she showed me this thing. I'm not sure she should be | 0:38:18 | 0:38:22 | |
watching it, to be honest with you, | 0:38:22 | 0:38:24 | |
but, uh...I suppose it's educational. | 0:38:24 | 0:38:27 | |
You've probably seen it. | 0:38:28 | 0:38:30 | |
This American who did experiments with monkeys in the 1950s, | 0:38:30 | 0:38:33 | |
on animal behaviour. Rice, I think he was called... | 0:38:33 | 0:38:36 | |
It's not really my field, animal behaviour. | 0:38:36 | 0:38:39 | |
There's a mother, er, with a baby, | 0:38:39 | 0:38:41 | |
and, uh...there's a heating element on the floor of the monkey cage. | 0:38:41 | 0:38:46 | |
It's pretty horrible, actually. No Wi-Fi. | 0:38:47 | 0:38:51 | |
I think it's supposed to be an experiment in altruism. | 0:38:58 | 0:39:01 | |
They keep increasing the temperature of the cage floor. | 0:39:01 | 0:39:04 | |
The worst thing is, in the end, when its feet are burning... | 0:39:04 | 0:39:07 | |
I suppose it's in so much pain. | 0:39:07 | 0:39:09 | |
The monkey, it just drops its baby and stands on it. | 0:39:11 | 0:39:14 | |
Jesus. | 0:39:14 | 0:39:16 | |
Still, it's interesting, though. | 0:39:20 | 0:39:22 | |
The tipping point...and self-preservation. | 0:39:22 | 0:39:26 | |
You think Mark Costley's reached his tipping point? | 0:39:28 | 0:39:31 | |
It's worth bearing in mind. | 0:39:32 | 0:39:35 | |
The text Mark Costley sent you... What did it mean, anyway? | 0:39:41 | 0:39:45 | |
The Wedekind experiment? | 0:39:46 | 0:39:48 | |
Oh, um, well, it was just an experiment that I was | 0:39:48 | 0:39:51 | |
involved in, early on in my career and... | 0:39:51 | 0:39:53 | |
I... I must have told him about it when we were t... | 0:39:55 | 0:39:58 | |
talking about his niece. The one who's interested in science. | 0:39:58 | 0:40:02 | |
Like your daughter. | 0:40:04 | 0:40:05 | |
You were definitely the first person... | 0:40:19 | 0:40:23 | |
..to qualify the Wedekind experiment. | 0:40:24 | 0:40:28 | |
Yeah! | 0:40:29 | 0:40:30 | |
'No tipping point. For either of us. | 0:40:39 | 0:40:42 | |
'You wanted to let me know that you're keeping the faith. | 0:40:44 | 0:40:48 | |
'How can I blame you for that?' | 0:40:48 | 0:40:49 | |
BUZZER | 0:41:24 | 0:41:26 | |
So, the order of the prosecution witnesses... | 0:41:35 | 0:41:38 | |
Feeling OK, Yvonne? | 0:41:40 | 0:41:42 | |
I'm relieved we're starting, but I'm dreading it. | 0:41:42 | 0:41:46 | |
Of course. | 0:41:46 | 0:41:47 | |
You won't be called for a very long time, Dr Carmichael. | 0:41:48 | 0:41:51 | |
I'm not sure if that makes it worse... | 0:41:51 | 0:41:53 | |
But do bear in mind the jury will be able to see you throughout. | 0:41:53 | 0:41:56 | |
Just try to stay composed if you can. | 0:41:56 | 0:41:58 | |
What are "special measures"? | 0:42:02 | 0:42:04 | |
Yes, that's the witness that needs to retain anonymity. | 0:42:04 | 0:42:07 | |
The MI5 man, yes? | 0:42:07 | 0:42:08 | |
Yeah. | 0:42:08 | 0:42:10 | |
Exciting times. | 0:42:10 | 0:42:11 | |
So, Yvonne, anything else to tell Robert? | 0:42:12 | 0:42:14 | |
Or anything else you need to know? | 0:42:14 | 0:42:16 | |
Um... No... I think that covers it. Thank you. | 0:42:16 | 0:42:20 | |
Good luck. | 0:42:22 | 0:42:23 | |
Luck has nothing to do with it. | 0:42:23 | 0:42:26 | |
DOOR BUZZES | 0:42:26 | 0:42:27 | |
All persons having anything to do at the Central Criminal Court | 0:44:15 | 0:44:19 | |
draw near and give your attendance. | 0:44:19 | 0:44:21 | |
I don't seem to have a batting order. | 0:44:34 | 0:44:37 | |
You fucking bitch! You deserve everything you get! | 0:45:13 | 0:45:17 | |
You bitch, you evil bitch! | 0:45:18 | 0:45:20 | |
-Look at what you're doing to all of us... -Calm down. | 0:45:20 | 0:45:23 | |
-Please... -I have two children at home who have broken their hearts | 0:45:23 | 0:45:26 | |
because their father is there, | 0:45:26 | 0:45:30 | |
that you have brought into your mess... | 0:45:30 | 0:45:33 | |
My lord... Ladies and gentlemen. | 0:45:44 | 0:45:47 | |
You will hear two defences being offered in this court. | 0:45:48 | 0:45:51 | |
You will hear medical evidence concerning the claim of the | 0:45:51 | 0:45:55 | |
first defendant, Mark Liam Costley, | 0:45:55 | 0:45:57 | |
that he should be found not guilty of murder on grounds of | 0:45:57 | 0:46:01 | |
diminished responsibility, that he is not responsible for | 0:46:01 | 0:46:05 | |
killing George Selway because he has a personality disorder. | 0:46:05 | 0:46:09 | |
His defence will argue that he is mentally unstable. | 0:46:09 | 0:46:13 | |
You will also hear evidence from the second defendant, | 0:46:13 | 0:46:16 | |
Yvonne Carmichael, that she is entirely innocent, | 0:46:16 | 0:46:21 | |
that she knew nothing of Mr Costley's intentions when she | 0:46:21 | 0:46:24 | |
drove him to the doorstep of a man who had viciously assaulted her. | 0:46:24 | 0:46:28 | |
When questioned by the police, this eminent scientist claimed | 0:46:30 | 0:46:34 | |
that she had no idea what might be going on when she sat waiting in her | 0:46:34 | 0:46:39 | |
car outside that property, waiting, | 0:46:39 | 0:46:44 | |
and waiting...and waiting. | 0:46:44 | 0:46:47 | |
The police were told that she had no thought whatsoever something | 0:46:49 | 0:46:52 | |
might be amiss when Mr Costley took so long to return, having changed | 0:46:52 | 0:46:57 | |
some of his clothing but having neglected to change his shoes, | 0:46:57 | 0:47:02 | |
the shoes that transferred blood to the mat in the footwell of her car. | 0:47:02 | 0:47:08 | |
The prosecution's case is that this is all nonsense. Mark Liam Costley | 0:47:09 | 0:47:15 | |
and Yvonne Carmichael planned and connived, quite coldly and in | 0:47:15 | 0:47:19 | |
advance, that one would do the deed and the other drive the getaway car. | 0:47:19 | 0:47:23 | |
Each encouraged and facilitated the other's behaviour. And each, | 0:47:23 | 0:47:28 | |
therefore, is as guilty as the other, | 0:47:28 | 0:47:30 | |
of the murder of George Simon Selway. | 0:47:30 | 0:47:34 | |
It might be an idea to get something down, if you can, Dr Carmichael. | 0:47:39 | 0:47:42 | |
After lunch we're in for the long haul. | 0:47:42 | 0:47:45 | |
Ladies and gentlemen, | 0:47:45 | 0:47:46 | |
may I invite you to turn to the first page of the jury bundle? | 0:47:46 | 0:47:49 | |
'Maps, photographs, forensic diagrams, | 0:47:49 | 0:47:53 | |
'it's nothing to worry about. | 0:47:53 | 0:47:55 | |
'Smoke and mirrors.' | 0:47:55 | 0:47:57 | |
The prosecution just want to hammer it home, essentially. | 0:47:58 | 0:48:01 | |
Guilty, guilty, guilty. | 0:48:01 | 0:48:03 | |
The woman you saw sitting in the car outside George Selway's flat. | 0:48:03 | 0:48:06 | |
Can you point her out to the court, please? | 0:48:06 | 0:48:09 | |
'I'm afraid Miss Bonnard, Mr Costley's barrister, | 0:48:12 | 0:48:14 | |
'might pile on the agony a bit as well. | 0:48:14 | 0:48:16 | |
'Brand-new silk. They always want to cross-examine every single witness.' | 0:48:16 | 0:48:20 | |
Isn't that what you'll be doing? | 0:48:20 | 0:48:22 | |
No. | 0:48:22 | 0:48:24 | |
I have no questions for the witness, my lord. | 0:48:24 | 0:48:26 | |
No cross-exam from us. | 0:48:28 | 0:48:30 | |
An innocent woman doesn't need to get bogged down | 0:48:30 | 0:48:32 | |
in the sordid details. | 0:48:32 | 0:48:34 | |
That's our message. | 0:48:35 | 0:48:36 | |
Can you clarify, Dr Weatherfield, what kind of force would have | 0:48:39 | 0:48:42 | |
been needed to cause this level of injury to the victim's neck area? | 0:48:42 | 0:48:47 | |
It would have to be a blunt trauma injury of some force, | 0:48:47 | 0:48:51 | |
consistent with stamping while the victim was face up on the floor. | 0:48:51 | 0:48:54 | |
And how can you tell that this force would have been considerable? | 0:48:54 | 0:48:58 | |
The bruising. | 0:48:58 | 0:48:59 | |
You can see the clear imprint of the attacker's trainer on the torso. | 0:48:59 | 0:49:04 | |
And the victim's voice box was shattered. | 0:49:04 | 0:49:07 | |
In order to sustain that level of injury, I would say that the | 0:49:07 | 0:49:11 | |
person applying the force would perhaps have been jumping | 0:49:11 | 0:49:15 | |
while he or she stamped on him. | 0:49:15 | 0:49:17 | |
What was the extent of the injury to the nose? | 0:49:17 | 0:49:20 | |
The nose was almost certainly broken by a blow before the victim | 0:49:20 | 0:49:24 | |
was on the ground, perhaps as a way of initiating the attack. | 0:49:24 | 0:49:28 | |
There was considerable blood from the nose on the victim's clothes. | 0:49:29 | 0:49:32 | |
Once he was on his back, that wouldn't have flowed | 0:49:32 | 0:49:35 | |
vertically down his clothes. | 0:49:35 | 0:49:38 | |
Thank you. No further questions, my lord. | 0:49:39 | 0:49:41 | |
Can we be clear on this, Dr Weatherfield? | 0:49:43 | 0:49:45 | |
Could the dilution of blood on the victim's clothes have been | 0:49:45 | 0:49:49 | |
caused by him emptying his bladder? | 0:49:49 | 0:49:51 | |
Rather than any purposeful dilution of the blood by Mr Costley in | 0:49:51 | 0:49:55 | |
an attempt at clearing up after death? | 0:49:55 | 0:49:57 | |
Well...it could. | 0:49:57 | 0:49:59 | |
It's correct there were no tests done on the diluting component. | 0:49:59 | 0:50:03 | |
So it could have been urine? | 0:50:03 | 0:50:05 | |
It could have been... | 0:50:05 | 0:50:07 | |
Thank you. No further questions on behalf of Mr Costley. | 0:50:07 | 0:50:11 | |
My lord, I have no questions for this witness. | 0:50:13 | 0:50:16 | |
'How did it go so far? Did he provoke you? | 0:50:25 | 0:50:29 | |
'Is this what you've been trained to do?' | 0:50:31 | 0:50:34 | |
It's not looking good for him, is it? | 0:50:45 | 0:50:47 | |
He looks different to how I imagined. | 0:50:50 | 0:50:52 | |
Do you know this, erm, experiment. | 0:51:03 | 0:51:07 | |
Rice. | 0:51:07 | 0:51:08 | |
Um, animal behaviourist, 1950s, I think. | 0:51:08 | 0:51:12 | |
Rice? | 0:51:12 | 0:51:13 | |
Yeah. | 0:51:13 | 0:51:14 | |
Erm, is that the one with the monkeys? | 0:51:14 | 0:51:18 | |
Mm. | 0:51:18 | 0:51:20 | |
What's that got to do with anything? | 0:51:20 | 0:51:21 | |
It's just been in my head and I don't really get to talk to anybody | 0:51:21 | 0:51:25 | |
in here, or...not in court for that matter, either. | 0:51:25 | 0:51:29 | |
Have you seen the footage? | 0:51:29 | 0:51:31 | |
Erm... | 0:51:31 | 0:51:32 | |
I'm not sure. Erm... maybe years ago. | 0:51:32 | 0:51:36 | |
It's the one with the heated cage, right? | 0:51:36 | 0:51:38 | |
Mm. | 0:51:38 | 0:51:39 | |
Um, yeah, it's extraordinary. | 0:51:40 | 0:51:42 | |
Really? That's not the word I'd use. | 0:51:42 | 0:51:43 | |
Well, I mean the experiment's horrific. | 0:51:43 | 0:51:45 | |
They wouldn't get away with it these days. | 0:51:45 | 0:51:47 | |
But the...the outcome's pretty amazing. The power of maternal love. | 0:51:47 | 0:51:51 | |
You're kidding! | 0:51:51 | 0:51:52 | |
I... I thought the whole point was the monkey drops the baby. | 0:51:52 | 0:51:55 | |
No, she saves the baby. I remember reading about it. | 0:51:55 | 0:51:59 | |
She holds the baby in the air and lets her feet burn. | 0:51:59 | 0:52:02 | |
If it's the same experiment. | 0:52:04 | 0:52:06 | |
'I wish I could make you feel safe.' | 0:52:23 | 0:52:25 | |
'I do. I feel safe here with you. | 0:52:29 | 0:52:33 | |
'I know you. You're not a monster... | 0:52:38 | 0:52:43 | |
'..and once everyone else knows what you are, they'll understand.' | 0:52:46 | 0:52:50 | |
Members of the jury, this witness is to give evidence behind a screen. | 0:52:53 | 0:52:56 | |
You'll be able to see the witness, | 0:52:56 | 0:52:59 | |
however, the defendants and the gallery will not. | 0:52:59 | 0:53:02 | |
Thank you for your patience while we make the necessary adjustments. | 0:53:02 | 0:53:06 | |
Witness A, can you please tell us what your job is? | 0:53:07 | 0:53:11 | |
My title is Chief Training Operative, MI5. | 0:53:11 | 0:53:14 | |
And can you explain for us what a Chief Training Operative is or does? | 0:53:14 | 0:53:18 | |
There are various roles, | 0:53:18 | 0:53:19 | |
but my particular responsibility is to oversee the testing we put | 0:53:19 | 0:53:22 | |
operatives through, both physical and psychological. | 0:53:22 | 0:53:26 | |
As part of the selection process for MI5. | 0:53:26 | 0:53:28 | |
And...how do you go about finding out whether or not | 0:53:28 | 0:53:31 | |
a given person is suitable for a career in M15? | 0:53:31 | 0:53:34 | |
I understand that the precise methods are confidential but if you | 0:53:34 | 0:53:37 | |
could, please give the court a general idea. | 0:53:37 | 0:53:40 | |
Well, we begin with, erm, psychological questionnaires, | 0:53:40 | 0:53:43 | |
interviews and so on. | 0:53:43 | 0:53:45 | |
Physical tests? | 0:53:45 | 0:53:46 | |
Well, yes, of course. | 0:53:46 | 0:53:48 | |
Then candidates who make the first cut move to | 0:53:48 | 0:53:50 | |
a more extended period of training. | 0:53:50 | 0:53:52 | |
Witness A, do you know the defendant, Mark Costley? | 0:53:52 | 0:53:56 | |
Yes, I met Mr Costley in the autumn of 2008, | 0:53:56 | 0:53:59 | |
when he applied to join the security services. | 0:53:59 | 0:54:01 | |
He made the "first cut", as you would say? | 0:54:01 | 0:54:03 | |
Yes. I was responsible for assessing his application. | 0:54:03 | 0:54:06 | |
Not exclusively, but I was the supervising officer. | 0:54:06 | 0:54:09 | |
Could you tell us a little more about the training Mr Costley | 0:54:09 | 0:54:12 | |
underwent, so far as you are permitted to say? | 0:54:12 | 0:54:15 | |
Well, candidates attend seminars, lectures, and they also | 0:54:15 | 0:54:18 | |
undergo a period of more what you might call interactive training. | 0:54:18 | 0:54:21 | |
Does this include combat training? | 0:54:21 | 0:54:23 | |
There's a basic level of combat training. | 0:54:23 | 0:54:25 | |
Of course, Mr Costley had spent some years in the police force, | 0:54:25 | 0:54:28 | |
so he was already familiar with some of the principles. | 0:54:28 | 0:54:30 | |
Indeed. | 0:54:30 | 0:54:31 | |
Would this level of training give an individual an advantage over | 0:54:31 | 0:54:35 | |
what you might call an average citizen, in a fight? | 0:54:35 | 0:54:39 | |
Well, that's rather what it's designed to do, yes. | 0:54:39 | 0:54:42 | |
To be clear, does combat training, as opposed to what Mr Costley | 0:54:42 | 0:54:46 | |
would had been taught as part of his police officer safety training, | 0:54:46 | 0:54:50 | |
include a technique for breaking an assailant's nose | 0:54:50 | 0:54:53 | |
with the palm of one's hand? | 0:54:53 | 0:54:55 | |
That's one of the techniques disseminated, yes. | 0:54:55 | 0:54:58 | |
And in assessing Mark Costley, did you find him suitable to the | 0:54:58 | 0:55:02 | |
physical requirements of an MI5 officer? | 0:55:02 | 0:55:04 | |
Yes, we did. | 0:55:04 | 0:55:06 | |
During the time you were assessing Mr Costley, did you ever feel | 0:55:06 | 0:55:09 | |
sufficient concern about his mental stability to raise the issue | 0:55:09 | 0:55:14 | |
with his line manager in the Metropolitan Police Force? | 0:55:14 | 0:55:18 | |
His mental stability? I'm sorry, | 0:55:18 | 0:55:20 | |
I don't quite see where you're heading with this... | 0:55:20 | 0:55:23 | |
I mean, it really wasn't my...role. | 0:55:23 | 0:55:25 | |
I'm asking if you were happy enough with Mark Costley's mental state | 0:55:25 | 0:55:29 | |
to allow him to continue working as a police officer, | 0:55:29 | 0:55:31 | |
and then to move on into a sensitive position involving the | 0:55:31 | 0:55:35 | |
security and the safety of our Members of Parliament, | 0:55:35 | 0:55:38 | |
despite your final decision to reject his application to join MI5? | 0:55:38 | 0:55:43 | |
Yes, it was purely for me to turn him down as an unsuitable | 0:55:53 | 0:55:57 | |
candidate for the security services. | 0:55:57 | 0:55:59 | |
'I wasn't fucking a spook. | 0:56:06 | 0:56:08 | |
'The spooks didn't want you... | 0:56:12 | 0:56:13 | |
'All the ways you made yourself mysterious...' | 0:56:17 | 0:56:20 | |
Facing the wrong way... | 0:56:20 | 0:56:23 | |
'Risk assessment.' | 0:56:23 | 0:56:24 | |
'..the phones, the safe house... | 0:56:24 | 0:56:27 | |
'Why? I believed you. | 0:56:32 | 0:56:35 | |
'Everything about you. Who are you...really? | 0:56:37 | 0:56:41 | |
'What have I done?' | 0:56:46 | 0:56:47 |