Bad Blood - Part 2 Arne Dahl

I think he wanted to announce his arrival for you.

I can't guarantee their safety for very much longer.

MUFFLED SCREAMS

This is why I wanted to come over here.

What I'm about to tell you, you can't say this to anybody in your group.

This programme contains some violent scenes, very strong language,

and some scenes which some viewers may find upsetting.

SHE SOBS

SHE MUFFLES SCREAMS

The holes seem to fit a pattern.

Tell me, did he maim the genitals?

No.

Jenny. What puzzles me is the murder of the body in the blanket.

Yes?

If K did actually shoot him,

that dramatically alters our profile of K.

He's never used guns before.

A witness saw a man put a large bundle in a green Mercedes.

Which corresponds to our body in the blanket.

We assume it was Lindberger he put in the car.

But you're not 100% certain.

Not 100%, no.

So what we've got here

is one large bundle that reminds us of another large bundle.

Later that same evening,

Lindberger's body was found in an entirely different place.

I can't see an obvious connection here.

No, but we found the Mercedes in a car park, not far from the body.

Traces of blood, and wrapped in a similar blanket.

Jenny.

Every move K has made so far has been perfect.

No traces, no witnesses, no nothing.

Suddenly he uses a gun, which he has never used before.

He doesn't maim the victim and he almost gets caught in the process.

I don't know. It doesn't add up at all.

Sorry.

HE CHUCKLES

LAPTOP STARTS UP

DOORBELL RINGS

OK.

Uh...

PHONE RINGS

HE SNIFFS

KNOCK ON DOOR

We have to change hiding place.

Why?

Well...

Something has happened.

What happened?

Erik...has been murdered.

Are you sure?

Positive. We have to move soon. It's getting dark.

HE COUGHS

'Lindberger didn't tell you anything?'

He didn't say anything of value.

What about the people on Gotland?

'They're leaving in a couple of days, by boat.'

You know the name of the boat?

'We don't know that yet. But we're working on it.'

The name of the port?

'No. We don't know that either.'

What do you know?

'Not much at this point. But Orphline probably has another contact there.

'We're coming to Sweden.'

Good.

Hmm.

DOOR SLAMS

ENGINE REVS

MUSIC PLAYS THROUGH HEADPHONES

Hello, Ray. It's Jenny.

'Hi, Jenny.'

I have a colleague here who wants to ask you

a couple of questions about Jennings.

OK, go ahead. Shoot.

Hello, Mr Larner. It's Paul Hjelm.

'Hi, Hjelm.'

Do you know what happened to Jennings' family after he died?

They stayed on at the house for a while

and then the wife committed suicide.

What happened to the son, Lamar?

'He was placed in an orphanage and sent to a foster home. Why?'

'Perhaps he saw it.'

Saw what?

Saw his dad torturing and murdering.

Now he's doing the same thing 20 years later.

You know the saying, kids do what they see their parents do.

Go ahead. I'm listening.

That could explain the difference between

the first series of killings and the second.

The first series was the work of Wayne Jennings,

just as you believed.

'They were all executed. All highly educated, all across the US.

'But the second series, they were all found in New York.

'And were just ordinary people.'

It's the same signature but different killers.

Hmm. That's one hell of a wild theory you've got there, Hjelm.

How old would Lamar be now?

'I'd say...'

he'd be about 31.

'So that fits in with the passenger, Edwin Reynolds,

'who went through passport control'

here at Arlanda. He was 32.

Do you know where they lived?

He lived on a farm in Kentucky.

Did you search the place thoroughly?

'Yeah, we did the usual search when Jennings was a suspect.'

And we shut the case down when he died.

But I'm... I'm happy to give it another look.

'OK, thank you.'

I'll, um... I'll get back to you.

OK.

PHONE RINGS

Hello, Ray, that was quick.

Hey, Jenny, I'm going to go down there and have another look.

The place has remained unoccupied ever since Lamar's mother died.

We'll get back to you when we get there.

NO AUDIO

WOMAN'S SCREAMS ECHO

SHE GASPS

SHE SIGHS

TV: '..Scandal at the heart of Albanian politics...'

'..After the news on Al Jazeera.'

INAUDIBLE

TV CONTINUES IN BACKGROUND

TV: 'The top story, a Frenchman has been killed and four others injured

'in two separate attacks on the Yemeni capital, Sana'a...'

CITY BUSTLE

Morning.

Hello, Ray, can you hear me?

Yeah, I can hear you. We're inside the house right now.

It's been unoccupied ever since the wife committed suicide.

Man, it's, um, pretty dingy in here.

Yeah.

This is where Lamar found his mother that morning,

shotgun had blown half her head away.

I want to show you this, come with me, I want to show you.

We found this large closet here...

..and behind... HE KNOCKS

..some kind of cavity wall there.

I think I have to take a break here, get back to you, guys.

Hey, Ron, let's break this wall down!

STATIC

RAY: Jenny?

OK.

We're going on the ground.

As you can see, there's a...

narrow flight of stairs here.

FOOTSTEPS

SOFT CREAKING

God knows how many harrowing sights these walls have seen.

RASPING BREATHS ECHO

-Ray, where do we go from here?

-I will go to the CSI immediately.

We've got to find out where Lamar Jennings lives.

Did you find anything?

No. I don't have anything to go on.

You'll get something now,

or find us another contact here.

Is that right? Who?

Lindberger wasn't operating alone, she's also involved.

Interesting.

Oh?

TYRES SQUEAL

All clear?

HE DRUMS HIS NAILS

Hmm...

What's going on?

Are you a neighbour, m'am?

COMPUTER BEEPS

"I hope one day to be able to explain it all for you,

"all that happened was vital and necessary."

WIND HOWLS

ALL CALL TO EACH OTHER

ALL CALL TO EACH OTHER

WHISTLE BLOWS

CLAPPING

QUIET CONVERSATION

OK.

TAPPING ON WINDOW

Any minute now I'll be getting a robot portrait of Lamar.

Let's see if it can help us.

Also got an old lady who's helping us, she's a neighbour.

But you never know with old ladies.

-SHE CHUCKLES

-Does that include me?

Absolutely not.

Do you mean that the FBI haven't managed to find a photo of him?

-MOBILE RINGS

-Excuse me, Ray.

One of the guys has had a brainwave.

He thinks the body in the blanket might be Lamar Jennings.

OK, OK, here we go.

Have a look.

That's the man in the blanket.

Lamar Jennings?

That's incredible.

Are you sure? Jenny, I'm coming over.

SIGHING

HJELM EXHALES

GENERATORS WHIR

RASPING BREATHS

RAGGED BREATHS

RAGGED BREATHING

SHE GASPS

GUNFIRE

GUN COCKS

SHE GASPS

RAGGED BREATHING

FOOTSTEPS APPROACHING

ALL CHUCKLE

SHUTTERS CLICK, HUSHED CONVERSATION

MUSIC PLAYS ON EARPHONES

DOOR CLOSES

SHE SIGHS

OK.

CLATTERING

OK.

This is Special Agent Ray Larner from the FBI.

This is the A Group.

Mr Larner came over to take part in the investigation.

Which one of you is Hjelm?

-I am.

-Excellent investigative work.

Thank you, Mr Larner.

You did a fantastic job, all of you, the FBI is most impressed.

I know who the guy is.

You know who he is?

Yeah.

His identity?

Yeah.

You know where he is?

Yeah.

HUSHED CONVERSATION

IMPATIENT TAPPING

ELECTRONIC BEEPING

Nobody goes in alone.

I'm going with him, I've been chasing this guy for 30 years.

-That's not a good idea, Ray.

-This is crazy.

This guy is like 65 psychopaths all wrapped up in one body.

-The FBI has been...

-Yeah, yeah, yeah, whatever. But this is Sweden.

GUNS COCK

HE PANTS

INDISTINCT TWOWAY RADIO CONVERSATION

They've got Jennings.

So, he's executing plan B?

Yeah.

-I'll translate for you.

-Thanks.

DOOR CLOSES

I'm the good guy.

What the fuck is he talking about?

This is exactly what you feared back in New York.

Unfortunately.

Is he telling the truth?

If he's an agent, and I believe that he is...

..I want to talk to him.

OK.

SHE PANTS

DOOR OPENS

DOOR CLOSES

Hello, Ray.

Nice to see you.

Nice plastic surgery.

I'm glad you like it.

Tell me...

What kind of man specialises in the things that you do?

A patriot.

I love my country.

I love my country too, but it doesn't give me licence to torture people.

These aren't people, Ray.

These are traitors, spies, terrorists,

those who sell state secrets.

Those who jeopardise US interests and our national security.

They are NOT people.

What about the maiming of the genitals?

That idea was commissioned by someone at the top.

-To make you look like a madman.

-Right.

And it worked very well, but you got too close.

The car crash.

We staged that,

for your benefit.

We?

Yeah, "we"...

The big "we".

MOBILE RINGS

TWO-WAY RADIO: 'We're tracking some movement, possible subject.

'Stand by for confirmation.'

OK, we're standing by.

'Co-ordinates are coming in.'

PROPELLERS WHIR

ENGINE REVS

MOBILE RINGS

OVERLAPPING RADIO CONVERSATION

'..He's making a right-hand turn...

'..42-5-31.'

-All right, get moving, go.

-'They are heading towards the port,

'I repeat, they're heading towards the port.'

ENGINE IDLES

INDISTINCT TWOWAY RADIO CONVERSATION

'It looks like they've stopped again. Can you get confirmation on that?

-'Is the subject moving? Do you have visual?

-Stand by.

'Making a right-hand turn.'

'Hold your position.'

Target in sight.

SQUEAKING

CLATTERING, CREAKING

Swedish police.

Welcome aboard.

HE COCKS GUN

MUFFLED GROANS

Shit!

Fatima, can you show them?

MOBILE RINGS

FOOTSTEPS APPROACHING

This is an excerpt from Lamar's diary.

The CSI found it in hidden

behind a refrigerator in his apartment in New York.

Have you read it?

Well, it just says that the cottage in reality

is owned by Gallano's stepfather who lives in New York.

He met and befriended Lamar at a gala benefit

for the opera singer, Birgit Nilsson.

OK.

He promised him the use of his cottage

if and when he wanted a vacation in Sweden.

And then he murdered his stepson, Gallano.

That's life.

Jenny, I'm very hurt that I'm not able to take this scalp home with me.

I've been chasing this guy for over half my life.

After one week, you arrest him and look him up. It's not fair.

But you got to see me. For a while at least.

I know. I know.

Tell the team that...

they're one of the best I've ever worked with.

BOTH CHUCKLE

CHICKENS CLUCK

BIRDSONG

MUSIC DROWNS AUDIO THROUGHOUT SCENE

Subtitles for the deaf and hard-of-hearing by Red Bee Media Ltd