The Blinded Man - Part 1 Arne Dahl
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Transcript
| Line | From | To | |
|---|---|---|---|
This programme contains some strong language and some violent scenes. | 0:00:09 | 0:00:17 | |
THEY SPEAK IN RUSSIAN | 0:00:24 | 0:00:26 | |
HE SIGHS | 0:01:28 | 0:01:29 | |
HORN HONKS | 0:01:42 | 0:01:44 | |
HORN HONKS | 0:01:50 | 0:01:51 | |
DOOR CLOSING ECHOES | 0:02:17 | 0:02:18 | |
FLY BUZZES | 0:03:25 | 0:03:29 | |
MUFFLED GUNSHOT | 0:03:31 | 0:03:33 | |
MOBILE PHONE RINGS | 0:04:26 | 0:04:29 | |
SCREAMING | 0:05:02 | 0:05:04 | |
HORN HONKS | 0:05:14 | 0:05:15 | |
SIRENS WAIL | 0:05:15 | 0:05:17 | |
SHOTGUN BLAST | 0:05:49 | 0:05:50 | |
SCREAMING | 0:05:50 | 0:05:51 | |
HE PANTS | 0:06:11 | 0:06:14 | |
DISTANT SIRENS WAIL | 0:06:24 | 0:06:26 | |
WOMAN SOBS | 0:06:40 | 0:06:42 | |
CHAIR SLIDES | 0:08:11 | 0:08:12 | |
SCREAMING | 0:08:12 | 0:08:14 | |
SIREN WAILS | 0:08:34 | 0:08:36 | |
MEGAPHONE: | 0:08:44 | 0:08:45 | |
SCREAMING | 0:08:48 | 0:08:50 | |
HAPPY MURMURING | 0:11:54 | 0:11:56 | |
GUNSHOT | 0:12:27 | 0:12:28 | |
THEY SCREAM | 0:12:28 | 0:12:31 | |
GUNSHOT | 0:12:31 | 0:12:32 | |
MOBILE PHONE RINGS | 0:13:03 | 0:13:05 | |
THEY SPEAK IN RUSSIAN | 0:13:11 | 0:13:14 | |
DOOR OPENS | 0:13:46 | 0:13:47 | |
Halla! | 0:13:47 | 0:13:48 | |
DOOR OPENS | 0:16:55 | 0:16:56 | |
HE COUGHS | 0:18:51 | 0:18:52 | |
HE SCREAMS | 0:19:39 | 0:19:40 | |
GUNSHOTS | 0:19:43 | 0:19:45 | |
HE MOANS | 0:20:03 | 0:20:04 | |
SHE CHUCKLES | 0:20:28 | 0:20:29 | |
DOOR OPENS | 0:20:51 | 0:20:52 | |
GUNSHOT | 0:21:57 | 0:21:58 | |
KNOCKING ON DOOR | 0:22:37 | 0:22:38 | |
Hej. | 0:22:48 | 0:22:49 | |
MOBILE PHONE RINGS | 0:23:06 | 0:23:08 | |
MOBILE PHONE RINGS | 0:26:08 | 0:26:12 | |
MOBILE PHONE RINGS | 0:27:56 | 0:27:58 | |
TELEPHONE RINGS | 0:28:34 | 0:28:36 | |
DIALLING TONE | 0:30:04 | 0:30:06 | |
ANSWERING MACHINE: | 0:30:12 | 0:30:15 | |
DOORBELL CHIMES | 0:30:17 | 0:30:19 | |
DOOR OPENS | 0:30:25 | 0:30:27 | |
# Two steps behind you, Lord I'm two steps | 0:30:31 | 0:30:34 | |
# Two steps behind you, Lord I'm two steps | 0:30:34 | 0:30:39 | |
# I'm waiting by the river Standing at the shore | 0:30:39 | 0:30:44 | |
# Just two steps over the water I'll be knocking on your door | 0:30:44 | 0:30:49 | |
# Knocking on your door... # | 0:30:49 | 0:30:51 | |
DOOR OPENS | 0:35:15 | 0:35:16 | |
BIRDS FLY OFF | 0:39:27 | 0:39:29 | |
APPROACHING FOOTSTEPS | 0:39:34 | 0:39:37 | |
HE SIGHS | 0:39:55 | 0:39:57 | |
HE CHUCKLES | 0:41:39 | 0:41:40 | |
MOBILE PHONE RINGS | 0:41:53 | 0:41:55 | |
DEAD LINE | 0:42:07 | 0:42:09 | |
APPROACHING FOOTSTEPS | 0:43:00 | 0:43:03 | |
DOGS BARK | 0:43:16 | 0:43:18 | |
GUNSHOT | 0:45:21 | 0:45:22 | |
MOBILE PHONE RINGS | 0:45:26 | 0:45:28 | |
DOOR OPENS | 0:47:58 | 0:47:59 | |
RINGPULL CAN OPENS | 0:48:07 | 0:48:09 | |
Hello. Who's in charge of the NCP in Estonia? | 0:50:14 | 0:50:17 | |
Yeah, I'm calling from the Swedish Police. | 0:50:20 | 0:50:22 | |
Yeah, I'll hold, I'll hold. | 0:50:22 | 0:50:24 | |
DOOR OPENS | 0:50:26 | 0:50:27 | |
OK. | 0:51:17 | 0:51:18 | |
# See a boy walking down the street | 0:52:08 | 0:52:13 | |
# See a boy and it looks like me... # | 0:52:13 | 0:52:18 | |
MOBILE PHONE RINGS | 0:52:18 | 0:52:20 | |
BABY CRIES | 0:52:25 | 0:52:27 | |
KNOCKING ON DOOR | 0:53:38 | 0:53:39 | |
Fuck! | 0:59:41 | 0:59:42 | |
Fuck! | 0:59:42 | 0:59:43 | |
OK. | 1:00:40 | 1:00:41 | |
SHE CHUCKLES | 1:01:57 | 1:02:00 | |
SHE LAUGHS | 1:02:11 | 1:02:13 | |
SHE SOBS | 1:05:39 | 1:05:40 | |
So, you wanted some information about the Juri-X gang? | 1:08:18 | 1:08:21 | |
Yes, and...their business. | 1:08:21 | 1:08:25 | |
What are they dealing in? | 1:08:25 | 1:08:27 | |
Everything. From smuggling liquor, to drugs, to people trafficking. | 1:08:27 | 1:08:32 | |
Just now, they are offering protection | 1:08:32 | 1:08:35 | |
to a Swedish media company | 1:08:35 | 1:08:36 | |
that's trying to establish themselves here. | 1:08:36 | 1:08:39 | |
Please come. | 1:08:39 | 1:08:41 | |
We prepared this... | 1:08:41 | 1:08:43 | |
This is one of their meetings we've filmed in secret. | 1:08:47 | 1:08:49 | |
Juri Mikojan is the tall man in the suit. | 1:08:52 | 1:08:56 | |
OK. | 1:08:56 | 1:08:57 | |
We believe this is a Swedish businessman, | 1:08:58 | 1:09:01 | |
from a company called GrimeBear | 1:09:01 | 1:09:04 | |
or something like that. | 1:09:04 | 1:09:05 | |
Who are these other people here? | 1:09:07 | 1:09:09 | |
The only one we know, apart from Mikojan, | 1:09:11 | 1:09:14 | |
is that cliffhead. | 1:09:14 | 1:09:16 | |
His name is Arvo Hellat. He's in custody right now. | 1:09:16 | 1:09:21 | |
Unfortunately, he'll walk out of here in a couple of hours, | 1:09:21 | 1:09:24 | |
because we have nothing on him. | 1:09:24 | 1:09:26 | |
I would like, erm... | 1:09:28 | 1:09:30 | |
Can I talk to him? | 1:09:31 | 1:09:33 | |
MOBILE BEEPS | 1:10:02 | 1:10:04 | |
DOOR OPENS | 1:11:50 | 1:11:51 | |
Please. | 1:12:05 | 1:12:06 | |
I only have one question for you. | 1:12:13 | 1:12:16 | |
What do you know about the murders of four businessmen in Stockholm? | 1:12:17 | 1:12:21 | |
HE CHUCKLES | 1:12:26 | 1:12:27 | |
Juri Mikojan, | 1:12:27 | 1:12:29 | |
is he mixed up in these murders? | 1:12:29 | 1:12:32 | |
I think you should know | 1:12:36 | 1:12:38 | |
that I am on a special mission | 1:12:38 | 1:12:41 | |
and that I have authority to use every necessary mean. | 1:12:41 | 1:12:46 | |
HE LAUGHS | 1:12:46 | 1:12:49 | |
HE LAUGHS | 1:12:51 | 1:12:53 | |
Sorry about that. They never talk to the policeman. | 1:12:58 | 1:13:01 | |
But we know that they've got two liquor smugglers operating in Sweden. | 1:13:02 | 1:13:07 | |
They call themselves Igor and Igor. | 1:13:07 | 1:13:10 | |
Unfortunately, we haven't found out their real names. | 1:13:10 | 1:13:13 | |
MOBILE PHONE RINGS | 1:13:29 | 1:13:32 | |
CAR ENGINE STARTS | 1:14:01 | 1:14:02 | |
MOBILE PHONE VIBRATES | 1:15:06 | 1:15:08 | |
Mmm. | 1:16:30 | 1:16:31 | |
OK. | 1:17:13 | 1:17:14 | |
HE CHUCKLES | 1:21:28 | 1:21:29 | |
Don't worry! | 1:22:49 | 1:22:51 | |
We will not harm you! | 1:22:52 | 1:22:55 | |
HE WHISTLES "HABANERA" FROM CARMEN | 1:22:59 | 1:23:01 | |
MUSIC: "LACRIMOSA", FROM REQUIEM, by Wolfgang Amadeus Mozart | 1:24:38 | 1:24:42 | |
Welcome! | 1:25:52 | 1:25:53 | |
What are you doing here? | 1:26:04 | 1:26:05 | |
I'm a Swedish police officer... | 1:26:07 | 1:26:09 | |
..and I'm investigating a murder. | 1:26:10 | 1:26:12 | |
In Tallinn? | 1:26:12 | 1:26:13 | |
No. | 1:26:14 | 1:26:16 | |
So, what are you doing here? | 1:26:16 | 1:26:18 | |
-I am getting information. -Oh. Did you? | 1:26:21 | 1:26:25 | |
Well, we... | 1:26:29 | 1:26:30 | |
It... | 1:26:31 | 1:26:32 | |
HE PANTS | 1:26:33 | 1:26:36 | |
Did you? | 1:26:38 | 1:26:40 | |
Yes. | 1:26:42 | 1:26:43 | |
About us? | 1:26:46 | 1:26:47 | |
No. | 1:26:49 | 1:26:50 | |
Is that why you're sweating? | 1:26:51 | 1:26:53 | |
I'm not lying. | 1:27:03 | 1:27:04 | |
HE SOBS | 1:27:04 | 1:27:06 | |
Do you think I am? | 1:27:06 | 1:27:08 | |
HE LAUGHS | 1:27:08 | 1:27:09 | |
No... | 1:27:26 | 1:27:28 | |
HE SOBS | 1:27:28 | 1:27:30 | |
We're just businessmen. | 1:27:30 | 1:27:31 | |
HE SCREAMS | 1:27:31 | 1:27:33 | |
HE SCREAMS | 1:27:38 | 1:27:40 | |
ALL: # Amen. # | 1:27:45 | 1:27:53 | |
Subtitles by Red Bee Media Ltd | 1:28:35 | 1:28:38 |
