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In the name of the Father and of the Son and of the Holy Spirit. | 0:00:02 | 0:00:04 | |
You dirty, filthy beast! You horror! | 0:00:04 | 0:00:06 | |
You're sacked. | 0:00:06 | 0:00:07 | |
Why do people go to Mass, Father? | 0:00:07 | 0:00:10 | |
They get something out of it, yeah? | 0:00:10 | 0:00:11 | |
-Yeah. -Well, I got this and this, and I got the sack. | 0:00:11 | 0:00:15 | |
If I go tomorrow, what am I going to get - cystitis? | 0:00:15 | 0:00:18 | |
It seems I've just been driving people deeper and deeper | 0:00:18 | 0:00:21 | |
into poverty and despair. | 0:00:21 | 0:00:22 | |
You know that lovely dress that you wanted? I'm going to get you that. | 0:00:22 | 0:00:25 | |
I'm a betting shop manager who stole from her employer. | 0:00:25 | 0:00:28 | |
What kind of chance does that give me? | 0:00:28 | 0:00:30 | |
She's dead! | 0:00:30 | 0:00:31 | |
You weren't even going to tell me! | 0:00:31 | 0:00:33 | |
They'll call the police - | 0:00:33 | 0:00:35 | |
first thing they'll do is check when her pension was last drawn. | 0:00:35 | 0:00:37 | |
When was that? | 0:00:37 | 0:00:38 | |
What do I do? | 0:00:38 | 0:00:40 | |
This programme contains scenes which some viewers may find upsetting. | 0:00:40 | 0:00:44 | |
MUSIC: I Think It's Going to Rain Today by Nina Simone | 0:00:44 | 0:00:47 | |
# Broken windows in empty hallways | 0:00:52 | 0:00:57 | |
# A pale dead mood in a sky streaked with grey | 0:00:57 | 0:01:01 | |
# Human kindness is overflowing | 0:01:03 | 0:01:08 | |
# And I think it's gonna rain today. # | 0:01:08 | 0:01:14 | |
Right. | 0:01:32 | 0:01:33 | |
KNOCKING | 0:01:38 | 0:01:40 | |
-Hello, Michael. -Hi, Andrew. | 0:01:41 | 0:01:43 | |
Come in. | 0:01:43 | 0:01:45 | |
She's upstairs, on the, er...up on the right. | 0:01:46 | 0:01:50 | |
BEEPING | 0:01:53 | 0:01:55 | |
Hiya, um, it's me. I'm... | 0:01:57 | 0:02:02 | |
-It's just my sister. -Oh, right. | 0:02:02 | 0:02:05 | |
Um... I'm being arrested. | 0:02:05 | 0:02:08 | |
Will you come and look after the kids? | 0:02:09 | 0:02:13 | |
Thanks. | 0:02:13 | 0:02:14 | |
The doctor thinks she's been dead for three or four days. | 0:02:21 | 0:02:24 | |
Yeah, it's four days. | 0:02:26 | 0:02:27 | |
Yeah, Christina... | 0:02:27 | 0:02:28 | |
Well, she couldn't bring herself to report it until now. | 0:02:28 | 0:02:31 | |
-She's not been thinking straight... -Sorry, Michael, can you just... | 0:02:31 | 0:02:35 | |
-just let her answer? -Sorry, yeah. | 0:02:35 | 0:02:37 | |
When was her pension last drawn, Christina? | 0:02:41 | 0:02:43 | |
This morning. | 0:02:43 | 0:02:45 | |
Was that you that did that? | 0:02:47 | 0:02:49 | |
Yeah. | 0:02:53 | 0:02:54 | |
For on the night he was betrayed, he himself took bread... | 0:03:56 | 0:04:00 | |
..and giving you thanks he said the blessing, | 0:04:02 | 0:04:06 | |
broke the bread and gave it to his disciples, saying, | 0:04:06 | 0:04:11 | |
"Take this, all of you, and eat of it, | 0:04:11 | 0:04:15 | |
"for this is my body which will be given up for you." | 0:04:15 | 0:04:20 | |
BELL RINGS | 0:04:20 | 0:04:22 | |
In a similar way, when supper was ended, he took the chalice, | 0:04:30 | 0:04:35 | |
and, giving you thanks, he said the blessing and gave the chalice | 0:04:35 | 0:04:40 | |
to his disciples saying, "Take this, all of you, and drink from it... | 0:04:40 | 0:04:46 | |
"..for this is the chalice of my blood." | 0:04:48 | 0:04:51 | |
SCREAMS ECHO | 0:04:52 | 0:04:54 | |
"The blood of the new and eternal covenant... | 0:04:57 | 0:05:00 | |
SCREAMS | 0:05:00 | 0:05:02 | |
"..which will be poured out for you and for many, | 0:05:07 | 0:05:10 | |
"for the forgiveness of sins. | 0:05:10 | 0:05:13 | |
"Do this in memory of me." | 0:05:13 | 0:05:16 | |
BELL RINGS | 0:05:17 | 0:05:19 | |
MICHAEL SINGS: # Pardon me, boy | 0:05:36 | 0:05:38 | |
# Is that the Chattanooga Choo Choo? | 0:05:38 | 0:05:41 | |
# Track 29 | 0:05:41 | 0:05:44 | |
# Boy, you can give me a shine | 0:05:44 | 0:05:47 | |
# You leave the Pennsylvania station 'bout a quarter to four | 0:05:47 | 0:05:51 | |
WOMAN SINGS ALONG | 0:05:51 | 0:05:53 | |
# Read a magazine and then you're in Baltimore | 0:05:53 | 0:05:56 | |
# Dinner in the diner Nothing could be finer | 0:05:56 | 0:06:00 | |
# Than to have your ham 'n' eggs in Carolina | 0:06:00 | 0:06:04 | |
# When you hear the whistle blowin' eight to the bar | 0:06:04 | 0:06:07 | |
# Then you know that Tennessee is not very far | 0:06:07 | 0:06:11 | |
# Shovel all the coal in Gotta keep it rollin' | 0:06:11 | 0:06:15 | |
# Woo, woo, Chattanooga there you are. Wooo! # | 0:06:15 | 0:06:19 | |
Good, that! | 0:06:24 | 0:06:25 | |
Are you OK? | 0:06:29 | 0:06:30 | |
Yeah. Yeah. | 0:06:30 | 0:06:31 | |
What is it? | 0:06:34 | 0:06:35 | |
I'm scared there's no heaven. | 0:06:38 | 0:06:40 | |
Death is just the end, | 0:06:40 | 0:06:43 | |
and I'm scared of that end. | 0:06:43 | 0:06:45 | |
To face that end, you should be at your strongest - | 0:06:47 | 0:06:51 | |
but it comes when you're at your weakest. | 0:06:51 | 0:06:53 | |
And I think that's a horrible joke for God to play on us. | 0:06:55 | 0:06:59 | |
There's a heaven. | 0:07:01 | 0:07:03 | |
And you'll be there. | 0:07:05 | 0:07:06 | |
You and Dad. | 0:07:07 | 0:07:09 | |
You think so? | 0:07:12 | 0:07:13 | |
I know so. | 0:07:14 | 0:07:16 | |
Give us The Little White Bull. | 0:07:21 | 0:07:23 | |
Oh, right. Er... | 0:07:25 | 0:07:27 | |
# Once upon a time there was a little white bull | 0:07:27 | 0:07:32 | |
# A little white bull | 0:07:32 | 0:07:34 | |
# Very sad because he was a little white bull... # | 0:07:34 | 0:07:39 | |
When did you first know you were called to be a priest? | 0:07:42 | 0:07:45 | |
Ah, it was one weekend, 39 years ago. I was 18. | 0:07:46 | 0:07:51 | |
I'd turned my back on school and church and faith - | 0:07:53 | 0:07:57 | |
with good reason, I'd have said back then, | 0:07:57 | 0:08:01 | |
but... | 0:08:01 | 0:08:03 | |
..I saw this falconer at work. | 0:08:04 | 0:08:06 | |
His hawk disappeared... | 0:08:12 | 0:08:15 | |
didn't come back. | 0:08:15 | 0:08:18 | |
The crowd drifted away and there was just me and him... | 0:08:18 | 0:08:22 | |
..and every half hour or so he'd call out, | 0:08:25 | 0:08:27 | |
"Come on, boy," and then say to me, "He'll come." | 0:08:27 | 0:08:31 | |
Total faith. | 0:08:32 | 0:08:34 | |
And then, after...I don't know, maybe four, five hours... | 0:08:36 | 0:08:41 | |
..he came. | 0:08:44 | 0:08:45 | |
God doesn't always come when you call him... | 0:08:50 | 0:08:53 | |
..but keep on calling, and he will. | 0:08:55 | 0:08:57 | |
I was a Catholic again. | 0:09:01 | 0:09:02 | |
Is there anything you'd like to say, Mrs Fitzsimmons, | 0:09:15 | 0:09:18 | |
before we get to sentence? | 0:09:18 | 0:09:19 | |
Um... | 0:09:22 | 0:09:24 | |
Christina's asked me to say a few words, ma'am, | 0:09:24 | 0:09:26 | |
if that's all right with you? | 0:09:26 | 0:09:28 | |
Yes. | 0:09:28 | 0:09:29 | |
I'm Father Michael Kerrigan and I'm Christina's parish priest. | 0:09:36 | 0:09:40 | |
Um... | 0:09:40 | 0:09:41 | |
You may not know this, ma'am - you may not believe this, ma'am - | 0:09:41 | 0:09:47 | |
but social services are talking | 0:09:47 | 0:09:49 | |
about taking Christina's kids away from her. | 0:09:49 | 0:09:52 | |
Apparently, they had this mental image of... | 0:09:52 | 0:09:56 | |
kids running round a dead body for days on end | 0:09:56 | 0:09:59 | |
and nothing could be further from the truth. | 0:09:59 | 0:10:01 | |
It's a cruel irony, ma'am, | 0:10:01 | 0:10:03 | |
because Christina did what she did on account of those kids. | 0:10:03 | 0:10:07 | |
Every penny she has ever earned she has spent on those kids. | 0:10:07 | 0:10:11 | |
Everything she's ever done she's done because she loves those kids. | 0:10:11 | 0:10:15 | |
Ma'am, I ask you to treat this wonderful woman | 0:10:16 | 0:10:21 | |
with as much leniency as possible | 0:10:21 | 0:10:24 | |
and to do all in your power | 0:10:24 | 0:10:26 | |
to ensure that those children stay with the mother who loves them. | 0:10:26 | 0:10:31 | |
Thank you. | 0:10:32 | 0:10:33 | |
-WHISPERS: -Thank you. | 0:10:36 | 0:10:37 | |
WHISPERS: All right. | 0:10:37 | 0:10:38 | |
I'll do all I can to help you with the children, Mrs Fitzsimmons. | 0:10:44 | 0:10:49 | |
As regards this case, | 0:10:49 | 0:10:51 | |
I'm going to grant you an absolute discharge | 0:10:51 | 0:10:54 | |
on the count of preventing a lawful burial - | 0:10:54 | 0:10:57 | |
but I cannot ignore the benefit fraud. | 0:10:57 | 0:11:00 | |
On that count, I sentence you to six months in prison, | 0:11:00 | 0:11:06 | |
but I will suspend it for a year. | 0:11:06 | 0:11:08 | |
On both counts there are charges to pay | 0:11:08 | 0:11:11 | |
and there's nothing I can do about those, I'm afraid. | 0:11:11 | 0:11:15 | |
They amount to, um... | 0:11:15 | 0:11:17 | |
£55. | 0:11:17 | 0:11:19 | |
How will you pay it? | 0:11:20 | 0:11:22 | |
Good question. | 0:11:27 | 0:11:29 | |
Eh! | 0:11:42 | 0:11:44 | |
Hiya! | 0:11:44 | 0:11:45 | |
Hello! | 0:11:47 | 0:11:48 | |
Hiya! | 0:11:50 | 0:11:51 | |
Oh, I've missed you! | 0:11:51 | 0:11:53 | |
Missed you, too. | 0:11:53 | 0:11:54 | |
Come here! Ooh, look! Look what we've got! | 0:11:55 | 0:12:00 | |
I just don't know how she could do it. | 0:12:01 | 0:12:04 | |
Leave my mother lying dead, like that? | 0:12:08 | 0:12:12 | |
And I know what you'll say. | 0:12:14 | 0:12:16 | |
Father, I know. | 0:12:16 | 0:12:18 | |
She did it for her kids. | 0:12:18 | 0:12:20 | |
Doing such an awful thing, it just proves how much she loves her kids. | 0:12:20 | 0:12:24 | |
The more awful the thing, the more she loves them. | 0:12:24 | 0:12:26 | |
Well, that's bollocks, because I've got kids, | 0:12:26 | 0:12:29 | |
and I love mine just as much as she loves hers | 0:12:29 | 0:12:32 | |
and there is no way I would do that to my mother, and no shite, please. | 0:12:32 | 0:12:38 | |
No "it's what she would have wanted" shite, | 0:12:38 | 0:12:40 | |
because she wouldn't have wanted to be left like that. | 0:12:40 | 0:12:43 | |
Yes, of course she'd want her to get her pension. | 0:12:43 | 0:12:47 | |
She'd give those kids anything. She'd have given them her life! | 0:12:47 | 0:12:51 | |
But, for God's sake, | 0:12:51 | 0:12:52 | |
she'd want a little bit of respect after giving it. | 0:12:52 | 0:12:54 | |
Christina? | 0:12:57 | 0:12:59 | |
-So, there's no way you would do that to your mother? -No way. | 0:13:04 | 0:13:07 | |
If you had no money? Hungry mouths to feed? | 0:13:07 | 0:13:11 | |
No way. | 0:13:11 | 0:13:12 | |
Well, do you think she loves her less than you did? | 0:13:14 | 0:13:18 | |
-Yeah. -Yes. | 0:13:18 | 0:13:19 | |
I couldn't do what she did, | 0:13:21 | 0:13:22 | |
so, yeah, I think she loved her less than I did. | 0:13:22 | 0:13:24 | |
What, even though she lived with her? | 0:13:24 | 0:13:26 | |
SHE SCOFFS | 0:13:26 | 0:13:27 | |
I wondered when that'd come up. | 0:13:28 | 0:13:30 | |
She let our mam move in with her because it suited her. | 0:13:30 | 0:13:32 | |
CHRISTINA SIGHS | 0:13:32 | 0:13:34 | |
Free childcare, a couple of bob towards the rent. | 0:13:34 | 0:13:36 | |
Yeah, Mam got something out of it and the kids kept her young, | 0:13:36 | 0:13:39 | |
but she got plenty out of it, too. | 0:13:39 | 0:13:40 | |
I'm going. I've paid Jimmy's dinner money up to the end of the week. | 0:13:48 | 0:13:51 | |
Lisa's got athletics after school tomorrow. She's lost her kit. | 0:13:51 | 0:13:54 | |
Thanks. | 0:13:54 | 0:13:56 | |
Bye. | 0:14:00 | 0:14:02 | |
DOOR CLOSES | 0:14:02 | 0:14:03 | |
I'm sorry. Really sorry. | 0:14:24 | 0:14:26 | |
You've started? | 0:14:29 | 0:14:31 | |
Vernon's coming home. | 0:14:31 | 0:14:33 | |
Is he well enough? | 0:14:35 | 0:14:36 | |
We think so, yes. | 0:14:38 | 0:14:39 | |
Vernon? | 0:14:42 | 0:14:43 | |
Last time we met, you said how well he was doing. | 0:14:46 | 0:14:49 | |
Yes. | 0:14:49 | 0:14:51 | |
Yeah. Then why send him home? | 0:14:51 | 0:14:53 | |
Precisely because he's done so well here. He's ready for it. | 0:14:55 | 0:14:58 | |
Is it money? | 0:14:58 | 0:15:00 | |
No. | 0:15:00 | 0:15:01 | |
He's the least unwell. | 0:15:01 | 0:15:03 | |
We've got somebody who's profoundly ill and we've got no bed for them. | 0:15:03 | 0:15:07 | |
I mean, but..."least unwell"... | 0:15:07 | 0:15:09 | |
..I mean, that doesn't mean "well". | 0:15:10 | 0:15:14 | |
So, Vernon is still ill, yeah? | 0:15:14 | 0:15:17 | |
Yeah. | 0:15:19 | 0:15:20 | |
Then why send him home? | 0:15:20 | 0:15:21 | |
We have to. | 0:15:22 | 0:15:24 | |
But, Helen, she can't cope with him, physically. | 0:15:25 | 0:15:29 | |
We have taken that into account when we've drawn up the care package. | 0:15:29 | 0:15:33 | |
Shall we take a look at it? | 0:15:33 | 0:15:34 | |
I'm ashamed of the way I reacted, Father. | 0:15:42 | 0:15:44 | |
-No, no, not at all... I didn't think anything bad... -No, I am. | 0:15:44 | 0:15:47 | |
The head suggested uniform 15 years ago, the previous head, | 0:15:47 | 0:15:50 | |
and they still all came in their frocks - as I knew they would. | 0:15:50 | 0:15:53 | |
They want to dress up, | 0:15:53 | 0:15:54 | |
and the poorer they are the more they want it - | 0:15:54 | 0:15:57 | |
-their child a princess for the day. -Yeah. Yeah. | 0:15:57 | 0:15:59 | |
-So, I'll write to them. -You don't need to do that. | 0:15:59 | 0:16:01 | |
-I'll insist this time that they keep it simple. Plain and simple. -Yeah. | 0:16:01 | 0:16:04 | |
It's their child's first Holy Communion, | 0:16:04 | 0:16:06 | |
-not My Big Fat Gypsy Wedding. -Yeah. | 0:16:06 | 0:16:09 | |
Hm. | 0:16:09 | 0:16:10 | |
Am I too late? | 0:16:17 | 0:16:19 | |
-For Confession? No. -Yeah. | 0:16:21 | 0:16:24 | |
Not what I expected. | 0:16:27 | 0:16:29 | |
-No? -No. | 0:16:30 | 0:16:32 | |
I expected it dark. | 0:16:32 | 0:16:33 | |
A wee little shaft of light. | 0:16:33 | 0:16:36 | |
A few specks of dust spinning in it. | 0:16:36 | 0:16:39 | |
You've not been for a while, then? | 0:16:39 | 0:16:41 | |
No! | 0:16:41 | 0:16:43 | |
Right. | 0:16:43 | 0:16:44 | |
I'm Michael. | 0:16:51 | 0:16:54 | |
Roz. | 0:16:54 | 0:16:55 | |
How do you do, Roz? | 0:16:55 | 0:16:56 | |
How do you do, Michael? | 0:16:56 | 0:16:58 | |
Cat got your tongue? | 0:17:08 | 0:17:10 | |
No. No, I'd just sooner listen for a while, you know? | 0:17:10 | 0:17:14 | |
Christ is with us... | 0:17:24 | 0:17:25 | |
..sharing our pain. | 0:17:27 | 0:17:29 | |
This'll remind us of his presence. | 0:17:30 | 0:17:32 | |
I'm going to kill myself, Michael. | 0:17:35 | 0:17:37 | |
What? Why? | 0:17:42 | 0:17:43 | |
Do I look good? | 0:17:46 | 0:17:48 | |
Yeah. Yeah, you do. | 0:17:49 | 0:17:52 | |
Ted Baker. Kurt Geiger. | 0:17:52 | 0:17:55 | |
-Agent Provocateur knickers. -Mm-hm. | 0:17:55 | 0:17:59 | |
Chanel perfume. | 0:17:59 | 0:18:00 | |
I want to make a good impression on the slab. | 0:18:04 | 0:18:07 | |
Well, wh-why do you want to kill yourself? | 0:18:11 | 0:18:13 | |
I'm an office manager, and... | 0:18:18 | 0:18:20 | |
..over the past eight years I've stolen... | 0:18:22 | 0:18:24 | |
..£232,648... | 0:18:26 | 0:18:30 | |
..and in a week or two, for reasons I'll not bore you with, | 0:18:31 | 0:18:37 | |
my boss is going to find out. | 0:18:37 | 0:18:39 | |
What did you spend it on? | 0:18:44 | 0:18:45 | |
Some of it was on me... | 0:18:47 | 0:18:48 | |
..but I'm a gambler, and most of it went on machines. | 0:18:52 | 0:18:55 | |
I know this trick. | 0:19:05 | 0:19:07 | |
The silent trick. | 0:19:07 | 0:19:09 | |
No, it's not a trick. | 0:19:10 | 0:19:12 | |
I'm...genuinely lost for words. | 0:19:12 | 0:19:15 | |
You could ask me how I'm going to do it. | 0:19:20 | 0:19:23 | |
How are you going to do it? | 0:19:23 | 0:19:25 | |
I thought about standing in front of a train... | 0:19:25 | 0:19:27 | |
..or throwing myself off a high-rise block... | 0:19:29 | 0:19:32 | |
but I'd look a right mess on the slab, wouldn't I? | 0:19:32 | 0:19:35 | |
So it's pills and booze. | 0:19:36 | 0:19:38 | |
When? | 0:19:42 | 0:19:44 | |
Tonight. | 0:19:44 | 0:19:45 | |
Do you have a family? | 0:19:48 | 0:19:49 | |
SHE SIGHS | 0:19:51 | 0:19:53 | |
It's a bit below the belt if you don't mind me saying so, Michael. | 0:19:56 | 0:19:58 | |
I'm sorry. | 0:19:58 | 0:20:00 | |
Two boys. 15 and 16... | 0:20:02 | 0:20:05 | |
..and a girl, 19. | 0:20:06 | 0:20:08 | |
Husband? | 0:20:10 | 0:20:12 | |
You might call him a husband. | 0:20:12 | 0:20:14 | |
I prefer "sick, twisted gobshite." | 0:20:14 | 0:20:16 | |
Do you believe in God? | 0:20:18 | 0:20:20 | |
I think it's about a thousand-to-one that there's an afterlife... | 0:20:22 | 0:20:26 | |
..but it's the only chance I've got, so I'll take it, thanks very much. | 0:20:28 | 0:20:31 | |
You get a lot like that, yeah? | 0:20:33 | 0:20:35 | |
-Yeah. -Hm. | 0:20:35 | 0:20:36 | |
How do we start? | 0:20:40 | 0:20:42 | |
Is it just, "Bless me, Father," and all that? | 0:20:42 | 0:20:44 | |
If you like. | 0:20:44 | 0:20:46 | |
OK, bless me, Father... | 0:20:47 | 0:20:50 | |
SHE CLEARS HER THROAT | 0:20:50 | 0:20:51 | |
..for I have sinned. | 0:20:52 | 0:20:54 | |
God knows how long it's been since my last confession. | 0:20:54 | 0:20:58 | |
I've had other men... | 0:21:00 | 0:21:02 | |
.but only when I found out he was having other women. | 0:21:03 | 0:21:06 | |
And I stole 230-odd something thousand off... | 0:21:09 | 0:21:14 | |
my employer. | 0:21:14 | 0:21:15 | |
Is that it? | 0:21:18 | 0:21:20 | |
Yeah, well, there's other stuff! | 0:21:21 | 0:21:24 | |
Nothing special, though. | 0:21:24 | 0:21:25 | |
If this was Match Of The Day, that'd be the stuff you'd see - | 0:21:27 | 0:21:31 | |
the men and the money. | 0:21:31 | 0:21:32 | |
And are you sorry? | 0:21:34 | 0:21:35 | |
Not about the men, no. | 0:21:36 | 0:21:38 | |
As for the money, I'm... | 0:21:39 | 0:21:42 | |
only sorry I got caught. | 0:21:42 | 0:21:44 | |
It's not good enough, is it? | 0:21:47 | 0:21:49 | |
No. | 0:21:51 | 0:21:52 | |
I have to be truly sorry for you to absolve me, right? | 0:21:54 | 0:21:57 | |
Well, I-I don't absolve you. It's God who... | 0:21:57 | 0:22:00 | |
Please don't kill yourself. | 0:22:00 | 0:22:02 | |
Thank you. | 0:22:06 | 0:22:07 | |
If it's shame, you can live with the shame. | 0:22:07 | 0:22:10 | |
Have you been there? | 0:22:14 | 0:22:16 | |
Yeah. Yeah, I have. | 0:22:17 | 0:22:19 | |
Were you suicidal? | 0:22:21 | 0:22:22 | |
Yeah. | 0:22:24 | 0:22:25 | |
Over? | 0:22:27 | 0:22:28 | |
Things I did when I was a young man. | 0:22:31 | 0:22:35 | |
Was it worse than stealing £232,000 or whatever | 0:22:37 | 0:22:41 | |
off people that trusted you? | 0:22:41 | 0:22:43 | |
Much worse. Much worse. | 0:22:43 | 0:22:46 | |
How do you cope? | 0:22:50 | 0:22:52 | |
I atone. | 0:22:53 | 0:22:55 | |
I spend my life atoning for it, and I just hope that when I die, | 0:22:56 | 0:23:01 | |
I'll...I'll have atoned enough. | 0:23:01 | 0:23:03 | |
Promise me you won't kill yourself, | 0:23:05 | 0:23:08 | |
promise me, and I will show you how to atone. | 0:23:08 | 0:23:11 | |
I can't. | 0:23:15 | 0:23:16 | |
Then promise me you won't kill yourself today, | 0:23:16 | 0:23:18 | |
promise me you'll come back in two or three days' time | 0:23:18 | 0:23:21 | |
and I will make you want to live. | 0:23:21 | 0:23:23 | |
Promise? | 0:23:27 | 0:23:29 | |
Yes, I promise. | 0:23:31 | 0:23:33 | |
Will you join me in the Lord's Prayer? | 0:23:39 | 0:23:41 | |
Yes. Yes, I will. | 0:23:43 | 0:23:46 | |
Our Father, who art in Heaven | 0:23:49 | 0:23:52 | |
Hallowed be thy name... | 0:23:52 | 0:23:53 | |
-TOGETHER: -Thy kingdom come | 0:23:53 | 0:23:55 | |
Thy will be done on Earth as it is in heaven | 0:23:55 | 0:23:58 | |
Give us this day our daily bread | 0:23:58 | 0:24:02 | |
And forgive us our trespasses | 0:24:02 | 0:24:05 | |
As we forgive those who trespass against us... | 0:24:05 | 0:24:08 | |
DOORS SLAM CLOSED | 0:24:16 | 0:24:17 | |
PHONE RINGS | 0:24:26 | 0:24:28 | |
Hiya, Mam. | 0:24:30 | 0:24:32 | |
'It's Beth. It's Mam's birthday!' | 0:24:32 | 0:24:33 | |
-Ah. -'Phone her on her landline, you prick.' | 0:24:33 | 0:24:36 | |
All right. | 0:24:36 | 0:24:38 | |
DIALS | 0:24:41 | 0:24:43 | |
RINGING | 0:24:45 | 0:24:47 | |
'Hello?' | 0:24:47 | 0:24:48 | |
-# Happy birthday to you. # -'Oh!' | 0:24:48 | 0:24:50 | |
# Happy birthday to you... # | 0:24:50 | 0:24:52 | |
'I was beginning to think you'd forgotten!' | 0:24:52 | 0:24:54 | |
Nah, I just haven't had the chance till now. How are you? | 0:24:54 | 0:24:58 | |
You all right? | 0:24:58 | 0:25:00 | |
Yeah, I'm all right - just been very busy today. | 0:25:00 | 0:25:04 | |
You having a nice time? | 0:25:04 | 0:25:06 | |
# I only wanna be with you | 0:25:06 | 0:25:10 | |
# I said no matter | 0:25:10 | 0:25:11 | |
# No matter what you do | 0:25:11 | 0:25:14 | |
# I only wanna be with you. # | 0:25:14 | 0:25:17 | |
CHEERING AND APPLAUSE | 0:25:19 | 0:25:20 | |
Come on! | 0:25:23 | 0:25:24 | |
The Karaoke Kid! | 0:25:26 | 0:25:28 | |
Anyway, still to come is the raffle, | 0:25:28 | 0:25:31 | |
and Father Michael is going to draw that for us | 0:25:31 | 0:25:34 | |
immediately...after the bingo! | 0:25:34 | 0:25:36 | |
Eight and six, 86... | 0:25:38 | 0:25:43 | |
All the twos, 22. | 0:25:48 | 0:25:51 | |
BEEP | 0:26:13 | 0:26:14 | |
'You have no messages in your mailbox.' | 0:26:14 | 0:26:17 | |
PHONE RINGS | 0:26:19 | 0:26:21 | |
'You've reached Father Michael Kerrigan. | 0:26:28 | 0:26:31 | |
'I can't get to the phone at the moment. | 0:26:31 | 0:26:32 | |
'If you'd like to leave a message and your phone number, | 0:26:32 | 0:26:35 | |
'I'll get back to you as soon as possible. Thanks.' | 0:26:35 | 0:26:37 | |
'It's Helen Oyenusi here, Father. | 0:26:40 | 0:26:43 | |
'You're probably fast asleep, so, never mind. | 0:26:43 | 0:26:47 | |
'It's just that Vernon wanted a word, didn't you, Vernon? | 0:26:47 | 0:26:52 | |
'If you play this in the morning, maybe you could phone him, Father. | 0:26:54 | 0:26:58 | |
'You know what he's like. | 0:26:58 | 0:27:00 | |
'Doesn't believe a word his mother tells him | 0:27:00 | 0:27:02 | |
'but everything you say is gospel. | 0:27:02 | 0:27:04 | |
'No pun intended, Father.' | 0:27:04 | 0:27:06 | |
DIALLING TONE | 0:27:06 | 0:27:09 | |
Phone him again. | 0:27:28 | 0:27:30 | |
He's in bed, Vernon. | 0:27:30 | 0:27:32 | |
He's not. They won't let him pick up the phone. | 0:27:32 | 0:27:35 | |
Who won't let him? | 0:27:35 | 0:27:36 | |
You know who. | 0:27:36 | 0:27:37 | |
Can I phone the crisis team, Vernon? | 0:27:39 | 0:27:41 | |
-No. -You're holding a knife, Vernon, and I'm scared of what you might do. | 0:27:41 | 0:27:44 | |
-They're not coming in here. -Not scared for myself. | 0:27:44 | 0:27:46 | |
-I know you won't hurt your mother... -They're not coming in here. | 0:27:46 | 0:27:49 | |
-I'm scared of what... -They're not coming in here! | 0:27:49 | 0:27:51 | |
-Don't phone! -I have to. I won't let you hurt yourself. | 0:27:51 | 0:27:54 | |
Don't phone them. | 0:27:54 | 0:27:55 | |
Do not phone them! | 0:27:55 | 0:27:58 | |
Hello? | 0:28:11 | 0:28:13 | |
It's Helen Oyenusi here. | 0:28:14 | 0:28:16 | |
Hiya, Vernon. | 0:28:38 | 0:28:40 | |
-Go away. -We just want to talk. | 0:28:40 | 0:28:41 | |
-I will not let you in. -We're here to help you, Vernon. | 0:28:41 | 0:28:44 | |
-But I will do this before I let you in! -We're here to help... -Now go! | 0:28:44 | 0:28:47 | |
DIALLING | 0:28:51 | 0:28:52 | |
SIREN WAILS | 0:29:04 | 0:29:06 | |
-The police are coming, son, we have to let them in. -No. | 0:29:06 | 0:29:09 | |
-We'll let them in and we'll let the crisis team in and they'll... -No. | 0:29:09 | 0:29:12 | |
..give you something, everything will be fine. | 0:29:12 | 0:29:14 | |
-You're only feeling like this... -No-one's coming in. | 0:29:14 | 0:29:16 | |
..because it's your first night | 0:29:16 | 0:29:18 | |
-away from the centre... -No-one's coming in. | 0:29:18 | 0:29:19 | |
-No-one's coming in. -Hey, Vernon, it's me. Andrew, Andrew Powell. | 0:29:21 | 0:29:26 | |
Go away. | 0:29:26 | 0:29:28 | |
What are you doing with the knife, Vernon? | 0:29:28 | 0:29:30 | |
I'm protecting myself. | 0:29:30 | 0:29:33 | |
There are people who want to do me harm, | 0:29:33 | 0:29:34 | |
so I'm protecting myself with this knife. | 0:29:34 | 0:29:36 | |
OK, OK. | 0:29:36 | 0:29:37 | |
I don't care. | 0:29:37 | 0:29:38 | |
I'm not going back in there and I'm not going to talk to them. | 0:29:38 | 0:29:41 | |
Just let me talk to him. | 0:29:41 | 0:29:43 | |
I'll see to it, all right, you got me word, all right? | 0:29:43 | 0:29:45 | |
No-one's going to harm you, you need put down the knife, mate. | 0:29:45 | 0:29:48 | |
-Open the door... -I don't want to do it... | 0:29:48 | 0:29:50 | |
..let me in, I'll tell you what, we'll go through there, | 0:29:50 | 0:29:52 | |
-sit down nice and calm and talk it through. -Let me go! | 0:29:52 | 0:29:54 | |
I'll see to it that no-one hurts you mate, all right? | 0:29:54 | 0:29:56 | |
-All you got to do... -No! -..is put the knife down, | 0:29:56 | 0:29:58 | |
-open the door for me... -No. | 0:29:58 | 0:30:00 | |
We'll go through to your living room, sit down, | 0:30:00 | 0:30:02 | |
-talk about things nice and calm, like, yeah? -No. | 0:30:02 | 0:30:04 | |
Is your mam there, Vernon? | 0:30:05 | 0:30:07 | |
-Yeah. -Right. | 0:30:07 | 0:30:08 | |
-Put the knife down, please. -Get out. | 0:30:08 | 0:30:11 | |
-Put it down. -Get out now! | 0:30:11 | 0:30:12 | |
If you don't put the knife down, I will have to spray you. | 0:30:12 | 0:30:15 | |
No. No. Don't spray him, Dawn! | 0:30:15 | 0:30:16 | |
Get out of this house! | 0:30:16 | 0:30:18 | |
-Don't spray him, Dawn, he's sick! -ALL SHOUT | 0:30:18 | 0:30:20 | |
Put the knife down, or I will have to spray you! | 0:30:20 | 0:30:23 | |
ALL TALK OVER EACH OTHER | 0:30:23 | 0:30:26 | |
Drop the knife! | 0:30:27 | 0:30:29 | |
I can't see! | 0:30:32 | 0:30:34 | |
Armed police! | 0:30:34 | 0:30:36 | |
I can't see! | 0:30:36 | 0:30:37 | |
Armed police. Put down the knife or I will fire! | 0:30:37 | 0:30:40 | |
I can't see! | 0:30:40 | 0:30:43 | |
Armed police! Put down the knife! Put down the knife or I will fire! | 0:30:43 | 0:30:48 | |
SCREAMING | 0:30:50 | 0:30:52 | |
You stupid bitch! | 0:30:59 | 0:31:01 | |
SHE SOBS | 0:31:05 | 0:31:08 | |
POLICE RADIO CHATTER | 0:31:08 | 0:31:10 | |
-SOBS: -Vernon, Vernon! | 0:31:19 | 0:31:21 | |
SHE SOBS | 0:31:21 | 0:31:23 | |
In the name of the Father and of the Son and of the Holy Spirit, | 0:32:04 | 0:32:08 | |
Amen. | 0:32:08 | 0:32:09 | |
The grace of Our Lord Jesus Christ and the love of God | 0:32:09 | 0:32:13 | |
and the Communion of the Holy Spirit be with you all. | 0:32:13 | 0:32:16 | |
Her daughter Christina is with us today | 0:32:18 | 0:32:20 | |
along with her beloved grandchild Lisa, | 0:32:20 | 0:32:23 | |
and we remember all of them in our prayers, | 0:32:23 | 0:32:26 | |
and, finally, we remember Vernon Oyenusi | 0:32:26 | 0:32:29 | |
who was so tragically taken from us last night... | 0:32:29 | 0:32:33 | |
-What? -..and of... | 0:32:33 | 0:32:34 | |
You haven't heard, Father? | 0:32:35 | 0:32:37 | |
No. | 0:32:39 | 0:32:40 | |
..and we ask Almighty God to ease the grief of his mother, | 0:32:42 | 0:32:46 | |
Helen Oyenusi, whom many of us have known | 0:32:46 | 0:32:49 | |
since she first came here four or five years ago. | 0:32:49 | 0:32:52 | |
We remember all of them in our prayers. | 0:32:52 | 0:32:55 | |
How did it happen? | 0:33:03 | 0:33:05 | |
I don't know. | 0:33:05 | 0:33:06 | |
Well, where is she? | 0:33:06 | 0:33:07 | |
-His mother? -Yeah, yeah! | 0:33:07 | 0:33:09 | |
Hospital. The General. | 0:33:09 | 0:33:11 | |
Is she hurt? | 0:33:11 | 0:33:12 | |
No. He's there. | 0:33:12 | 0:33:15 | |
The morgue. | 0:33:15 | 0:33:17 | |
What happened? | 0:33:52 | 0:33:54 | |
Oh! He got sicker and sicker. I-I phoned the crisis team. | 0:33:54 | 0:33:59 | |
He wouldn't let them in so they phoned the police | 0:33:59 | 0:34:02 | |
and the police gassed him and shot him. | 0:34:02 | 0:34:04 | |
Oh, God! Why didn't you phone me? | 0:34:04 | 0:34:06 | |
I knew you were in bed. | 0:34:06 | 0:34:07 | |
I'd phoned earlier and you didn't answer so I knew you were in bed. | 0:34:07 | 0:34:11 | |
They won't let me see him. | 0:34:12 | 0:34:14 | |
They say you can, but I can't. | 0:34:14 | 0:34:18 | |
Yeah... | 0:34:18 | 0:34:19 | |
All right, just... I won't be long. | 0:34:20 | 0:34:23 | |
I'm afraid not. Evidence. | 0:34:53 | 0:34:56 | |
Have mercy on Vernon Oyenusi, Lord. | 0:35:08 | 0:35:10 | |
Forgive him his sins and grant him eternal rest. | 0:35:12 | 0:35:16 | |
Amen. | 0:35:18 | 0:35:19 | |
God bless you, Vernon. | 0:35:25 | 0:35:28 | |
This lady's a police liaison officer. | 0:35:45 | 0:35:48 | |
I've told her I do not want one. | 0:35:48 | 0:35:50 | |
I will get all the help I need from my priest and my church. | 0:35:50 | 0:35:53 | |
The police have done enough for now, thank you very much. | 0:35:53 | 0:35:57 | |
Helen needs somewhere to sleep tonight. | 0:35:58 | 0:36:01 | |
We've still not finished with the house. | 0:36:01 | 0:36:03 | |
Oh, she can stay with me. | 0:36:03 | 0:36:05 | |
And the Chief Inspector has asked to see her. | 0:36:06 | 0:36:09 | |
Yeah, I'll-I'll come with her. | 0:36:09 | 0:36:11 | |
Thanks. | 0:36:11 | 0:36:13 | |
Bye, Helen. | 0:36:13 | 0:36:14 | |
Bye, Father. | 0:36:17 | 0:36:19 | |
Yeah, bye. | 0:36:19 | 0:36:21 | |
They let you see him? | 0:36:29 | 0:36:31 | |
Yeah. | 0:36:31 | 0:36:32 | |
He looks so peaceful, Helen. | 0:36:36 | 0:36:39 | |
We were happy in Granby. | 0:36:52 | 0:36:53 | |
Vernon loved it there. | 0:36:55 | 0:36:57 | |
Lots of friends, lots of laughter... | 0:36:59 | 0:37:02 | |
..but his dad wanted somewhere better, | 0:37:06 | 0:37:11 | |
and "somewhere better" meant fewer black faces... | 0:37:11 | 0:37:15 | |
..so we moved... | 0:37:16 | 0:37:18 | |
..here... | 0:37:19 | 0:37:20 | |
..and conversations suddenly stopped when Vernon got to them. | 0:37:23 | 0:37:27 | |
People laughed at jokes and wouldn't repeat them to him. | 0:37:29 | 0:37:32 | |
He got sick. | 0:37:34 | 0:37:35 | |
His dad couldn't cope with it. | 0:37:37 | 0:37:39 | |
The man responsible for the sickness couldn't cope with the sickness... | 0:37:41 | 0:37:45 | |
..so he left, and the sickness got worse... | 0:37:47 | 0:37:51 | |
..and worse. | 0:37:53 | 0:37:54 | |
Now it has killed him. | 0:37:57 | 0:37:59 | |
INAUDIBLE DIALOGUE | 0:38:27 | 0:38:30 | |
CHORAL SINGING | 0:38:33 | 0:38:37 | |
The body of Christ. | 0:39:57 | 0:39:59 | |
The body of Christ. | 0:40:01 | 0:40:03 | |
The body of Christ. | 0:40:07 | 0:40:09 | |
The body of Christ. | 0:40:10 | 0:40:11 | |
The body of Christ. | 0:40:12 | 0:40:14 | |
The body of Christ. | 0:40:29 | 0:40:30 | |
The body of Christ. | 0:40:39 | 0:40:40 | |
The body of Christ. | 0:40:44 | 0:40:45 | |
The body of Christ. | 0:40:49 | 0:40:50 | |
The body of Christ. | 0:40:57 | 0:40:59 | |
SHE WHISPERS | 0:41:21 | 0:41:24 | |
The body of Christ. | 0:41:24 | 0:41:26 | |
That way. | 0:41:30 | 0:41:32 | |
The body of Christ. | 0:41:32 | 0:41:34 | |
The children were a credit to you all. | 0:41:35 | 0:41:37 | |
Their appearance, obviously, er, but more importantly, | 0:41:37 | 0:41:41 | |
their behaviour throughout the entire Mass - | 0:41:41 | 0:41:44 | |
and finally, I have to mention one person | 0:41:44 | 0:41:46 | |
without whom today wouldn't have happened - | 0:41:46 | 0:41:48 | |
Miss Pickering. | 0:41:48 | 0:41:50 | |
Miss Pickering? | 0:41:50 | 0:41:51 | |
Lisa, would you? | 0:41:52 | 0:41:54 | |
Apparently, um, this is the 20th first Holy Communion celebration | 0:41:57 | 0:42:04 | |
that Miss Pickering's organised, so... | 0:42:04 | 0:42:06 | |
..Miss Pickering, on behalf of us all, thank you. | 0:42:07 | 0:42:11 | |
Thank you! | 0:42:11 | 0:42:12 | |
Helen will have questions, yes. | 0:42:28 | 0:42:30 | |
Why Vernon was discharged from the centre will be one of them, | 0:42:30 | 0:42:33 | |
I'm sure. As will why police shot dead a boy who wouldn't harm a fly. | 0:42:33 | 0:42:38 | |
The officer who used the spray says she did so | 0:42:38 | 0:42:41 | |
because she feared for Mrs Oyenusi's safety. | 0:42:41 | 0:42:44 | |
-As does... -That's not true! | 0:42:44 | 0:42:47 | |
That is what she says, but of course, every statement, | 0:42:47 | 0:42:49 | |
every piece of evidence will be thoroughly tested... | 0:42:49 | 0:42:52 | |
HIS VOICE ECHOES AND FADES | 0:42:52 | 0:42:55 | |
When can I see him? | 0:43:17 | 0:43:18 | |
The post mortem's tomorrow. As soon as that's over. | 0:43:18 | 0:43:21 | |
Thanks. | 0:43:29 | 0:43:30 | |
What happened? | 0:43:40 | 0:43:41 | |
Policeman did it. That night. | 0:43:41 | 0:43:43 | |
Couldn't you have fixed the chain? | 0:43:44 | 0:43:46 | |
For God's sake! She's grieving, vulnerable, alone - | 0:43:46 | 0:43:50 | |
couldn't you have fixed the bloody... | 0:43:50 | 0:43:52 | |
I'm sorry. | 0:44:06 | 0:44:07 | |
Thanks for this. | 0:44:17 | 0:44:19 | |
You still off the sugar? | 0:44:27 | 0:44:29 | |
Yeah, four days now. | 0:44:29 | 0:44:31 | |
Puts the crucifixion into perspective, doesn't it? | 0:44:33 | 0:44:36 | |
So, what happened? | 0:44:42 | 0:44:44 | |
Oh, I got back late. Knackered... | 0:44:45 | 0:44:49 | |
and the phone rang. | 0:44:49 | 0:44:51 | |
Helen Oyenusi about Vernon. | 0:44:51 | 0:44:54 | |
I'd have picked up, but... | 0:44:56 | 0:44:59 | |
seeing them earlier in the day gave me an excuse not to, | 0:44:59 | 0:45:03 | |
so I didn't pick up, | 0:45:03 | 0:45:05 | |
and a few hours later he was dead. | 0:45:05 | 0:45:08 | |
And if you'd have picked up? | 0:45:10 | 0:45:12 | |
I don't know. | 0:45:12 | 0:45:13 | |
I might have spoken to him, you know, realised how bad he was, | 0:45:13 | 0:45:19 | |
gone galloping round there on my white charger and saved the day. | 0:45:19 | 0:45:24 | |
And you might not. | 0:45:24 | 0:45:26 | |
Yeah. | 0:45:28 | 0:45:29 | |
I just feel as though I should tell her, you know? | 0:45:33 | 0:45:36 | |
What good will that do? | 0:45:39 | 0:45:40 | |
Well, undeniably it will... | 0:45:42 | 0:45:44 | |
Look, she needs you, Michael. | 0:45:49 | 0:45:51 | |
And she needs to have total faith in you. | 0:45:51 | 0:45:53 | |
I mean, why would you destroy all that | 0:45:53 | 0:45:55 | |
just to clear your own conscience? | 0:45:55 | 0:45:56 | |
It's not that. | 0:45:56 | 0:45:58 | |
-No? -No! | 0:45:58 | 0:45:59 | |
You lose a loved one suddenly, unnaturally, | 0:46:00 | 0:46:04 | |
you want to know everything, Peter. | 0:46:04 | 0:46:06 | |
Every detail. | 0:46:06 | 0:46:07 | |
People, oh, they... People try and hide it from you, | 0:46:07 | 0:46:10 | |
thinking it too painful, but how dare they? | 0:46:10 | 0:46:12 | |
You've lost a son - nothing can be worse than that. | 0:46:12 | 0:46:18 | |
And I'm going to be helping her in that quest, Peter. | 0:46:18 | 0:46:21 | |
The police, they'll tell her lies, we'll expose those lies. | 0:46:21 | 0:46:25 | |
"Total truth, please, officer"... | 0:46:25 | 0:46:28 | |
..and I can't do that | 0:46:30 | 0:46:32 | |
while I'm hiding an inconvenient truth of my own - | 0:46:32 | 0:46:36 | |
that, had I acted, her son might well still be alive. | 0:46:36 | 0:46:39 | |
I know. | 0:46:42 | 0:46:43 | |
Yeah, but... | 0:46:48 | 0:46:49 | |
..what she doesn't know won't hurt her. | 0:46:51 | 0:46:53 | |
'It's Helen Oyenusi here, Father. | 0:47:01 | 0:47:03 | |
'You're probably fast asleep, so, never mind. | 0:47:04 | 0:47:08 | |
'It's just that Vernon wanted a word, didn't you, Vernon? | 0:47:09 | 0:47:15 | |
'If you play this in the morning, maybe you could phone him, Father. | 0:47:15 | 0:47:19 | |
'You know what he's like. | 0:47:19 | 0:47:21 | |
'Doesn't believe a word his mother tells him | 0:47:21 | 0:47:23 | |
'but everything you say is gospel. | 0:47:23 | 0:47:24 | |
'No pun intended, Father.' | 0:47:24 | 0:47:26 | |
Hello again, Michael. | 0:47:49 | 0:47:50 | |
Hello again, Roz. | 0:47:53 | 0:47:54 | |
May I? | 0:48:00 | 0:48:01 | |
Yes. | 0:48:01 | 0:48:02 | |
How are you? | 0:48:05 | 0:48:06 | |
This is not my going away outfit so... | 0:48:06 | 0:48:09 | |
no immediate panic... | 0:48:09 | 0:48:11 | |
..but I'm still going to do it, I'm afraid. | 0:48:13 | 0:48:15 | |
When? | 0:48:18 | 0:48:19 | |
Soon. | 0:48:21 | 0:48:22 | |
All right, go on. | 0:48:41 | 0:48:43 | |
Sorry? | 0:48:43 | 0:48:44 | |
You said you'd give me a reason to go on living. | 0:48:46 | 0:48:49 | |
Well, if I said that, it... | 0:48:50 | 0:48:52 | |
-Well, you did. -If I said that, it was arrogant of me, I'm sorry. | 0:48:52 | 0:48:55 | |
But I could suggest something. | 0:48:58 | 0:49:00 | |
Go on. | 0:49:04 | 0:49:06 | |
It'll take guts. | 0:49:06 | 0:49:08 | |
I've got guts. | 0:49:08 | 0:49:10 | |
You lost most of that money on the machines? | 0:49:12 | 0:49:15 | |
Yeah. | 0:49:16 | 0:49:17 | |
Those machines in the betting shop? | 0:49:17 | 0:49:19 | |
Yeah. | 0:49:19 | 0:49:21 | |
The more you lost the more you chased those losses? | 0:49:21 | 0:49:24 | |
Yes. | 0:49:24 | 0:49:25 | |
Tell the world. | 0:49:25 | 0:49:27 | |
What? | 0:49:27 | 0:49:28 | |
I want you to tell the world | 0:49:28 | 0:49:29 | |
what those machines have done to you, Roz. | 0:49:29 | 0:49:31 | |
I'm killing myself | 0:49:31 | 0:49:33 | |
because I'm afraid it's going to make the local paper | 0:49:33 | 0:49:35 | |
and you want me to tell the world? | 0:49:35 | 0:49:36 | |
Yeah. | 0:49:36 | 0:49:38 | |
There are four betting shops in Hallcross Road. | 0:49:38 | 0:49:41 | |
No bank, no post office, no chemist, but four betting shops. | 0:49:42 | 0:49:47 | |
Why? Why four, when everyone round there is skint? | 0:49:47 | 0:49:50 | |
Those machines, Roz, that's why. It's not just you, it's everyone. | 0:49:51 | 0:49:55 | |
You're not a criminal, you're not a villain - you're a victim. | 0:49:57 | 0:50:01 | |
I don't think my boss would see it that way. | 0:50:05 | 0:50:07 | |
Why did you steal that money? The machines. Who got that money? | 0:50:07 | 0:50:12 | |
The machines. Tell the world. | 0:50:12 | 0:50:14 | |
If you don't tell the world, | 0:50:14 | 0:50:17 | |
it's a guilty secret that's going to be revealed anyway. | 0:50:17 | 0:50:20 | |
If you do tell the world, it's a campaign, | 0:50:20 | 0:50:22 | |
and it's your reason for living. | 0:50:22 | 0:50:24 | |
I'll go to prison. | 0:50:25 | 0:50:27 | |
Not immediately, and not forever. | 0:50:27 | 0:50:30 | |
What did you do? | 0:50:37 | 0:50:39 | |
Others will come forward, Roz, with stories very similar to yours. | 0:50:39 | 0:50:42 | |
We'll get together, and we'll stick together | 0:50:42 | 0:50:44 | |
until there's not one machine left in Hallcross Road. | 0:50:44 | 0:50:46 | |
-What did you do? -Promise me you'll think about it. | 0:50:46 | 0:50:49 | |
I promise. What did you do? | 0:50:49 | 0:50:51 | |
Promise me you won't do anything | 0:50:51 | 0:50:52 | |
until you've come back to see me again. | 0:50:52 | 0:50:54 | |
I promise. | 0:50:54 | 0:50:56 | |
What did you do, Michael? | 0:50:59 | 0:51:01 | |
I'm here to listen to you, Roz, not... | 0:51:02 | 0:51:04 | |
You said that you'd done something worse than... | 0:51:06 | 0:51:12 | |
..stealing £200,000. | 0:51:15 | 0:51:18 | |
What was it? | 0:51:22 | 0:51:23 | |
I've done two things worse than that. | 0:51:26 | 0:51:30 | |
One of them's too recent, too raw... | 0:51:30 | 0:51:33 | |
and, er... | 0:51:33 | 0:51:35 | |
And the other? | 0:51:37 | 0:51:39 | |
I, er... | 0:51:41 | 0:51:43 | |
Who do you think Jesus confided in? | 0:51:43 | 0:51:47 | |
Peter with the poker up his arse? | 0:51:50 | 0:51:52 | |
Judas? | 0:51:54 | 0:51:56 | |
No. | 0:51:56 | 0:51:59 | |
Mary Magdalene. | 0:51:59 | 0:52:01 | |
She'd been there, done it, bought the T-shirt. She understood. | 0:52:01 | 0:52:06 | |
I... I treated young women very badly. | 0:52:08 | 0:52:11 | |
When? | 0:52:14 | 0:52:15 | |
When I was 18, 19. | 0:52:16 | 0:52:18 | |
Not all young women, just the ones I had sex with. | 0:52:20 | 0:52:22 | |
Why? | 0:52:22 | 0:52:24 | |
Because they let me have sex with them. | 0:52:24 | 0:52:26 | |
It was 40 years ago and I could live with it then, but... | 0:52:28 | 0:52:31 | |
..40 years ago, the only good woman there'd ever been | 0:52:32 | 0:52:35 | |
was the Virgin Mary cos she'd never done it with anyone, | 0:52:35 | 0:52:38 | |
whereas if a girl did it with a boy, any boy, | 0:52:38 | 0:52:40 | |
well, she was filth, and if she did it with a boy like me, | 0:52:40 | 0:52:47 | |
a boy in whom every last bit of self-esteem | 0:52:47 | 0:52:50 | |
was well and truly banished, | 0:52:50 | 0:52:53 | |
well, she was less than filth - | 0:52:53 | 0:52:54 | |
she was scum, and you can treat scum any way you like. | 0:52:54 | 0:52:57 | |
Have you seen any of them since? | 0:53:03 | 0:53:05 | |
Oh, yeah, in here every day. | 0:53:05 | 0:53:08 | |
I sometimes think that I'll track them down and I'll apologise, | 0:53:10 | 0:53:16 | |
but I don't think I could... | 0:53:16 | 0:53:18 | |
or should. | 0:53:18 | 0:53:20 | |
Only you know the answer to that, Michael. | 0:53:26 | 0:53:29 | |
Do I? | 0:53:31 | 0:53:32 | |
Yes. | 0:53:32 | 0:53:34 | |
You should do what your conscience tells you to do. | 0:53:39 | 0:53:42 | |
SHE SCREAMS AND SOBS | 0:54:09 | 0:54:12 | |
CHURCH BELL RINGS | 0:54:32 | 0:54:35 | |
Hello, Helen. | 0:54:55 | 0:54:56 | |
-Hello. -Father. | 0:54:56 | 0:54:59 | |
Trish is on her way. | 0:54:59 | 0:55:00 | |
OK, good. | 0:55:00 | 0:55:02 | |
Would you like to see what we've got? | 0:55:02 | 0:55:04 | |
Please. | 0:55:04 | 0:55:06 | |
This way. | 0:55:06 | 0:55:07 | |
This is, um, a log of every call, text and e-mail we got about Vernon. | 0:55:19 | 0:55:24 | |
Would you like it? | 0:55:24 | 0:55:26 | |
Yes, please. | 0:55:26 | 0:55:27 | |
There'll be more, but we'll pass them on, as well... | 0:55:29 | 0:55:32 | |
..and these are some photographs taken throughout his time with us. | 0:55:34 | 0:55:39 | |
On the wall, there's some of his...artwork. | 0:55:54 | 0:55:59 | |
I'm so, so sorry! | 0:56:04 | 0:56:06 | |
I am so, so sorry, Helen. | 0:56:06 | 0:56:08 | |
Please say you forgive me. | 0:56:09 | 0:56:11 | |
Oh, there's nothing to forgive - | 0:56:11 | 0:56:13 | |
you didn't want to send him away from here. | 0:56:13 | 0:56:17 | |
I'm here to say thank you, Trish. | 0:56:17 | 0:56:20 | |
Thank you for making him so happy. | 0:56:20 | 0:56:22 | |
He loved it here and that was down to you. | 0:56:24 | 0:56:28 | |
BOTH SOB | 0:56:30 | 0:56:32 | |
# Tell me what it's like in heaven | 0:57:05 | 0:57:09 | |
# I hope it's kinder than it is down here | 0:57:09 | 0:57:14 | |
# With all the trials and tribulations | 0:57:14 | 0:57:19 | |
# All the worry and living in fear | 0:57:19 | 0:57:22 | |
# Hallelujah | 0:57:24 | 0:57:26 | |
# Hallelujah | 0:57:26 | 0:57:30 | |
# We might be bruised but we're not broken. # | 0:57:30 | 0:57:34 |