Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Vernon's coming home. -Is he well enough? | 0:00:02 | 0:00:03 | |
-Can you phone the Crisis Team? -They're not coming in here! | 0:00:03 | 0:00:06 | |
Get out now! | 0:00:06 | 0:00:07 | |
Put the knife down - I'll have to spray you. | 0:00:07 | 0:00:09 | |
No, don't spray it, Dawn! | 0:00:09 | 0:00:10 | |
-Put down the knife or I will fire! -GUNSHOTS | 0:00:10 | 0:00:12 | |
We remember Vernon Oyenusi, who was so tragically taken from us. | 0:00:12 | 0:00:15 | |
What? | 0:00:15 | 0:00:17 | |
What happened? | 0:00:17 | 0:00:18 | |
-He got sicker and sicker. -Oh, God, why didn't you phone me? | 0:00:18 | 0:00:21 | |
I phoned earlier and you didn't answer. | 0:00:21 | 0:00:23 | |
-ON VOICEMAIL: -'No pun intended, Father.' | 0:00:23 | 0:00:25 | |
She can't be left alone over night. | 0:00:25 | 0:00:27 | |
-Michael. -Roz. | 0:00:27 | 0:00:29 | |
You said you'd give me a reason to go on living. | 0:00:29 | 0:00:31 | |
You said you'd done something worse | 0:00:31 | 0:00:34 | |
than stealing £200,000. | 0:00:34 | 0:00:37 | |
What did you do, Michael? | 0:00:37 | 0:00:39 | |
MUSIC: I Think It's Going To Rain Today by Nina Simone | 0:00:40 | 0:00:43 | |
# Broken windows in empty hallways | 0:00:52 | 0:00:57 | |
# A pale dead moon and a sky streaked with grey | 0:00:57 | 0:01:01 | |
# Human kindness is overflowing | 0:01:03 | 0:01:08 | |
# And I think it's gonna rain today. # | 0:01:08 | 0:01:16 | |
This programme contains some strong language and some scenes which some viewers may find upsetting. | 0:01:19 | 0:01:25 | |
"Move him into the sun. | 0:01:26 | 0:01:27 | |
"Gently its touch awoke him once. | 0:01:29 | 0:01:32 | |
-"At home, whispering..." -Stop! | 0:01:34 | 0:01:36 | |
Look at it. | 0:01:39 | 0:01:40 | |
Last word of the first line? | 0:01:42 | 0:01:43 | |
Sun. | 0:01:43 | 0:01:44 | |
Last word of the third line? | 0:01:46 | 0:01:48 | |
Unsown. | 0:01:48 | 0:01:49 | |
Does it rhyme? | 0:01:50 | 0:01:52 | |
No, Father. | 0:01:52 | 0:01:53 | |
Are they supposed to rhyme? | 0:01:53 | 0:01:55 | |
Yes, Father. | 0:01:55 | 0:01:56 | |
Does it LOOK as though it should rhyme? | 0:01:56 | 0:01:59 | |
Yes, Father. | 0:01:59 | 0:02:00 | |
It's called sight rhyme. | 0:02:00 | 0:02:02 | |
It LOOKS as though it might rhyme, but it doesn't. | 0:02:02 | 0:02:05 | |
Otherwise known as consonantal rhyme, | 0:02:05 | 0:02:08 | |
because the consonants are the same. | 0:02:08 | 0:02:09 | |
Continue. | 0:02:11 | 0:02:12 | |
"Always it woke him, even in France, | 0:02:13 | 0:02:17 | |
"until this morning and this snow. | 0:02:17 | 0:02:19 | |
"If anything might rouse him now... | 0:02:20 | 0:02:23 | |
Now and know. Sight rhyme. | 0:02:23 | 0:02:26 | |
It adds something, doesn't it? | 0:02:26 | 0:02:28 | |
An uneasiness, a strangeness, | 0:02:29 | 0:02:33 | |
a sense of something not being quite right. | 0:02:33 | 0:02:36 | |
Continue. | 0:02:37 | 0:02:38 | |
"Think how it wakes the seeds, | 0:02:40 | 0:02:42 | |
"woke, once, the clays of a cold star. | 0:02:42 | 0:02:46 | |
"Are limbs, so dear-achieved, are sides, | 0:02:47 | 0:02:51 | |
"Full-nerved, still warm, | 0:02:51 | 0:02:54 | |
"too hard to stir? | 0:02:54 | 0:02:57 | |
"Was it for this the clay grew tall? | 0:02:57 | 0:02:59 | |
"O what made fatuous sunbeams toil | 0:03:00 | 0:03:03 | |
"to break earth's sleep at all?" | 0:03:03 | 0:03:05 | |
It is a sweet and wonderful thing. | 0:03:06 | 0:03:09 | |
Father? | 0:03:14 | 0:03:16 | |
Dulce et decorum est. | 0:03:16 | 0:03:17 | |
It is a sweet and wonderful thing. | 0:03:17 | 0:03:20 | |
Read it please, Donnelly. | 0:03:20 | 0:03:21 | |
CHURCH BELL TOLLS | 0:03:21 | 0:03:23 | |
Shall I come in? | 0:03:33 | 0:03:35 | |
No, that's OK. You've got Mass. | 0:03:35 | 0:03:37 | |
Will you be there? | 0:03:38 | 0:03:40 | |
Yes. | 0:03:40 | 0:03:41 | |
We've got the Catholic Mothers in. | 0:03:43 | 0:03:45 | |
May I tell them about you... | 0:03:47 | 0:03:49 | |
about your loss? | 0:03:49 | 0:03:50 | |
Yes. | 0:03:52 | 0:03:53 | |
In the name of the Father and of the Son and of the Holy Spirit. | 0:04:28 | 0:04:31 | |
Amen. | 0:04:31 | 0:04:33 | |
The grace of Our Lord Jesus Christ and the love of God | 0:04:33 | 0:04:36 | |
and the communion of the Holy Spirit be with you all. | 0:04:36 | 0:04:39 | |
-CONGREGATION: -And with your spirit. | 0:04:39 | 0:04:41 | |
So, er, once again we've some guests here today. | 0:04:41 | 0:04:44 | |
Women from the UCM. Welcome to Saint Nick's. | 0:04:44 | 0:04:48 | |
HE SIGHS | 0:04:53 | 0:04:55 | |
When I was a boy queuing up for confession... | 0:04:55 | 0:04:58 | |
..I'd examine my conscience so fiercely | 0:05:00 | 0:05:02 | |
I'd think the boys behind could read the sins on the back of my head. | 0:05:02 | 0:05:05 | |
MUFFLED LAUGHTER | 0:05:05 | 0:05:07 | |
I sometimes think, today, it's cowardice with me. | 0:05:08 | 0:05:13 | |
Things I should have said and haven't said. | 0:05:14 | 0:05:17 | |
Things I should have done and haven't done. All through cowardice. | 0:05:17 | 0:05:21 | |
There's a woman here who gave birth to a boy 18 years ago, | 0:05:23 | 0:05:28 | |
and she loved and nurtured him and saw him shot dead in his own street. | 0:05:28 | 0:05:32 | |
She later met two people who she could have blamed for his death, | 0:05:32 | 0:05:38 | |
but she did not. | 0:05:38 | 0:05:39 | |
She embraced them and absolved them of all blame, | 0:05:40 | 0:05:44 | |
and in doing so, | 0:05:44 | 0:05:46 | |
proved herself a far better Catholic, | 0:05:46 | 0:05:48 | |
a far better Christian, than I can ever be. | 0:05:48 | 0:05:50 | |
Why, then, am I her priest? | 0:05:51 | 0:05:53 | |
Why is she not mine? | 0:05:55 | 0:05:56 | |
I think I know why. | 0:05:58 | 0:05:59 | |
I think I understand why our Church is so set against women priests. | 0:06:00 | 0:06:06 | |
I think it's the old men who run the Church | 0:06:06 | 0:06:08 | |
don't want to see menstrual blood on the altar. | 0:06:08 | 0:06:12 | |
I think it's as basic as that. | 0:06:12 | 0:06:14 | |
Fear of, ignorance of, | 0:06:14 | 0:06:17 | |
contempt for the bodies of women. | 0:06:17 | 0:06:19 | |
"Ah, it's all right," you might say, these old men will soon be dead - | 0:06:21 | 0:06:25 | |
but they've taught younger men, | 0:06:25 | 0:06:26 | |
and those younger men will, in turn, teach younger men, | 0:06:26 | 0:06:31 | |
and so it will continue, this fear of, ignorance of, | 0:06:31 | 0:06:34 | |
contempt for the bodies of women. | 0:06:34 | 0:06:38 | |
Female priests, female bishops, | 0:06:38 | 0:06:41 | |
a female pope... | 0:06:41 | 0:06:43 | |
That's what our Church needs. | 0:06:44 | 0:06:46 | |
How confidential is this? | 0:07:06 | 0:07:07 | |
Utterly. | 0:07:11 | 0:07:13 | |
-There's no get-out clauses in that, no? -No, none. | 0:07:13 | 0:07:16 | |
They're going to lie. | 0:07:25 | 0:07:26 | |
-I must've got a lungful cos I can't... -Will you listen to me?! | 0:07:26 | 0:07:29 | |
No, I won't cos I'm sick of listening to you, all right? | 0:07:29 | 0:07:31 | |
-Will you stop that? -I did everything... | 0:07:31 | 0:07:33 | |
-Shut it, you cracked cow! -..according to the book. | 0:07:33 | 0:07:35 | |
If I'd waited for you to act, you dozy bastard, | 0:07:35 | 0:07:37 | |
-we'd both be dead now. -You were totally out of order - | 0:07:37 | 0:07:39 | |
and you, you bloody gobshite, | 0:07:39 | 0:07:40 | |
-shooting a poor bastard like that! -Don't start on me. -I can't... | 0:07:40 | 0:07:42 | |
We were sent to sort it out, | 0:07:42 | 0:07:44 | |
-calm the bastard down. -Do you get panic attacks? | 0:07:44 | 0:07:46 | |
It's not a panic attack. | 0:07:46 | 0:07:47 | |
You two sent him out like a raving lunatic, so... | 0:07:47 | 0:07:49 | |
I'm a woman, therefore it's a panic attack? | 0:07:49 | 0:07:50 | |
-That's not what I'm saying. -You stupid prick. | 0:07:50 | 0:07:52 | |
I had two seconds to react! A maniac coming towards me... | 0:07:52 | 0:07:55 | |
I got a lungful of CS | 0:07:55 | 0:07:56 | |
in the course of defending myself and my colleague. | 0:07:56 | 0:07:58 | |
-That's down to you and her! -You're a prick! | 0:07:58 | 0:07:59 | |
MCDONALD: Principal officer? | 0:07:59 | 0:08:01 | |
McDonald. Chief Inspector. | 0:08:02 | 0:08:04 | |
Pim of the pip. | 0:08:04 | 0:08:05 | |
You OK? | 0:08:07 | 0:08:08 | |
Er, yeah. I knew the boy, sir. | 0:08:09 | 0:08:12 | |
He wasn't a boy. | 0:08:12 | 0:08:13 | |
He must've been in his 20s. | 0:08:13 | 0:08:14 | |
-Hm. Were you the Bronze, Sergeant? -Sir. | 0:08:14 | 0:08:17 | |
He wasn't a boy. | 0:08:17 | 0:08:18 | |
He was 18. | 0:08:18 | 0:08:20 | |
Police Constable Powell. First on the scene? | 0:08:21 | 0:08:25 | |
Yes, sir. | 0:08:25 | 0:08:26 | |
I was following up a burglary, sir, at 168 Ferndell, | 0:08:28 | 0:08:32 | |
when it came through about 17 Maddison, sir. | 0:08:32 | 0:08:34 | |
And what happened then? | 0:08:34 | 0:08:36 | |
Vernon - Mr Oyenusi - he was in a distressed state. | 0:08:36 | 0:08:41 | |
Holding a knife, saying "they" were going to do him harm. | 0:08:41 | 0:08:45 | |
"They" being...? | 0:08:45 | 0:08:46 | |
That was my impression, sir, yeah. | 0:08:46 | 0:08:48 | |
I was outside the house at the time. | 0:08:48 | 0:08:50 | |
The door was open, the chain was on. | 0:08:50 | 0:08:52 | |
I was talking to him, I tried to calm him down, and... | 0:08:52 | 0:08:54 | |
And then we arrived, sir. Myself - Police Constable Dawn Morris - | 0:08:54 | 0:08:59 | |
and Police Constable Ian Wakefield. | 0:08:59 | 0:09:02 | |
And then? | 0:09:02 | 0:09:03 | |
And then Mr Oyenusi became more distressed. | 0:09:03 | 0:09:05 | |
He got the knife, and... | 0:09:05 | 0:09:08 | |
And wielded it in a threatening manner. | 0:09:08 | 0:09:12 | |
So, feeling that myself, Police Constable Wakefield, | 0:09:12 | 0:09:15 | |
and the man's mother were in danger, I discharged my CS in our defence. | 0:09:15 | 0:09:20 | |
The mother - Helen Oyenusi? | 0:09:20 | 0:09:22 | |
So, you feared for her safety | 0:09:22 | 0:09:23 | |
-as well as your own and your fellow officer? -Absolutely, sir. | 0:09:23 | 0:09:25 | |
There's a guy, erm, called Collins investigating all this. | 0:09:31 | 0:09:36 | |
He's from the IPCC. | 0:09:36 | 0:09:38 | |
He calls it "police contact". | 0:09:38 | 0:09:41 | |
Not a shooting, he calls it "police contact". | 0:09:43 | 0:09:46 | |
So, you know... | 0:09:46 | 0:09:47 | |
..I know his game. | 0:09:50 | 0:09:51 | |
Our involvement is a matter of course in any incident | 0:09:51 | 0:09:54 | |
resulting in serious or fatal injuries following police contact - | 0:09:54 | 0:09:59 | |
and believe me, it's for your own good, as much as everyone else's. | 0:09:59 | 0:10:03 | |
What I'm going to ask now | 0:10:05 | 0:10:08 | |
is that each of you provide Chief Inspector McDonald | 0:10:08 | 0:10:11 | |
with an initial account of what took place, | 0:10:11 | 0:10:14 | |
-and then you're all free to go home and rest and... -Um... | 0:10:14 | 0:10:17 | |
We've all been affected by the CS, sir, | 0:10:17 | 0:10:19 | |
so I request a few days rest before we give our initial accounts. | 0:10:19 | 0:10:22 | |
Certainly. | 0:10:22 | 0:10:24 | |
Meanwhile, you're not to discuss this amongst yourselves | 0:10:24 | 0:10:27 | |
or with anyone else unless I'm present. | 0:10:27 | 0:10:30 | |
Clear? | 0:10:30 | 0:10:31 | |
Sir. | 0:10:31 | 0:10:32 | |
Helen said he was only a danger to himself. | 0:10:34 | 0:10:37 | |
There was no need to spray him. | 0:10:37 | 0:10:39 | |
Even less need to shoot him. Is that right? | 0:10:39 | 0:10:42 | |
They should just ask on the first day. | 0:10:43 | 0:10:45 | |
Line us all up and just say, "Anybody want to carry a gun?" | 0:10:46 | 0:10:50 | |
And anyone who puts their hand up, | 0:10:50 | 0:10:52 | |
just bar them forever from carrying one. | 0:10:52 | 0:10:54 | |
You give guns to people who don't want to use them, | 0:10:55 | 0:10:57 | |
who don't want them near them. | 0:10:57 | 0:11:00 | |
You give a gun to someone like Kilcaid, and he'll use it. | 0:11:00 | 0:11:03 | |
Give a spray to someone like Dawn, she'll use it sooner or later. | 0:11:05 | 0:11:09 | |
You know, Dawn sprayed him | 0:11:09 | 0:11:10 | |
cos she's always wanted to spray someone. | 0:11:10 | 0:11:13 | |
Kincaid shot him cos he's always wanted to shoot someone. | 0:11:13 | 0:11:16 | |
End of. | 0:11:16 | 0:11:18 | |
And will you say this to the IPCC? | 0:11:18 | 0:11:21 | |
I don't know. I don't know. | 0:11:22 | 0:11:25 | |
Me and Peter Flaherty, a priest, a friend of mine, | 0:11:25 | 0:11:29 | |
we talk to seminarians, trainee priests, | 0:11:29 | 0:11:32 | |
and I tell them, | 0:11:32 | 0:11:34 | |
"Keep these open, that shut, and you can't go far wrong." | 0:11:34 | 0:11:37 | |
Now, I'm going to ignore my own advice and talk. OK? | 0:11:37 | 0:11:41 | |
Right, OK. | 0:11:41 | 0:11:42 | |
You have got to tell the truth. | 0:11:42 | 0:11:45 | |
It's absolutely essential you stick to the truth. | 0:11:45 | 0:11:48 | |
If you don't, what are you saying? | 0:11:48 | 0:11:50 | |
That Vernon Oyenusi, gentle Vernon Oyenusi, | 0:11:50 | 0:11:53 | |
intended to stab someone with that knife. | 0:11:53 | 0:11:55 | |
His mother's heartbroken as it is. That'll kill her. | 0:11:57 | 0:12:00 | |
I know. | 0:12:03 | 0:12:04 | |
You hoped I was going to ease the burden. | 0:12:06 | 0:12:08 | |
Yeah, I did a bit. | 0:12:10 | 0:12:12 | |
God. | 0:12:12 | 0:12:13 | |
But I'll be here thinking of you. | 0:12:15 | 0:12:17 | |
And I'll be praying for you. | 0:12:17 | 0:12:18 | |
I'll be praying for you. | 0:12:20 | 0:12:22 | |
I'm going to tell the truth. No matter what. | 0:12:47 | 0:12:49 | |
MOTOR WHIRS | 0:12:59 | 0:13:02 | |
Do you think I'm a bad copper? | 0:13:10 | 0:13:12 | |
WHIRRING STOPS | 0:13:14 | 0:13:16 | |
-You shouldn't be here, Dawn. -Do you think I'm a bad copper? | 0:13:16 | 0:13:18 | |
No. | 0:13:18 | 0:13:19 | |
Terrible person? | 0:13:19 | 0:13:21 | |
-No. -Do you think that I wanted him to die? | 0:13:21 | 0:13:24 | |
-No. -He's got a knife, and he could've gone for us at any second. | 0:13:24 | 0:13:28 | |
-But he didn't. -But he could've. -Yeah, but he didn't, mate. | 0:13:28 | 0:13:30 | |
He's got a weapon, and he's gone in the head, | 0:13:30 | 0:13:32 | |
and his mum is so scared that she calls for us... | 0:13:32 | 0:13:35 | |
-No, she called the Crisis Team. They called us. -She was scared. | 0:13:35 | 0:13:38 | |
Yeah, for him, not herself - definitely not for us. | 0:13:38 | 0:13:40 | |
He's got a weapon, and you reacted and I reacted... | 0:13:40 | 0:13:43 | |
Yeah, I told him he was safe, that we wouldn't hurt him. | 0:13:43 | 0:13:45 | |
We'd just sit down nice and calm, talk about things - | 0:13:45 | 0:13:47 | |
and then he was blinded. And killed. | 0:13:47 | 0:13:50 | |
You're saying this like he was an ordinary person! | 0:13:50 | 0:13:52 | |
Well, what were he, then? | 0:13:52 | 0:13:53 | |
-What, did you not see his record? -I don't care about his record. | 0:13:53 | 0:13:56 | |
We'd been called about him for years. He'd never been right. | 0:13:56 | 0:13:58 | |
He was an accident waiting to happen. | 0:13:58 | 0:14:00 | |
Blinded and killed, Dawn. | 0:14:00 | 0:14:03 | |
A split second to make a judgment, and I did - | 0:14:05 | 0:14:08 | |
and I need you to back me up. | 0:14:08 | 0:14:09 | |
Please. I'm...I'm not asking you to say anything happened that didn't. | 0:14:11 | 0:14:15 | |
I can't, Dawn. | 0:14:16 | 0:14:17 | |
Back me up. | 0:14:21 | 0:14:22 | |
Please. | 0:14:23 | 0:14:25 | |
Just don't contradict me. | 0:14:25 | 0:14:27 | |
Please go, mate. Just go. | 0:14:27 | 0:14:29 | |
If he doesn't watch my back, then why should I watch his? | 0:14:32 | 0:14:35 | |
Why should ANYONE watch his? | 0:14:35 | 0:14:37 | |
So, who's got least to hide? | 0:14:58 | 0:15:00 | |
Ian. He didn't spray anyone, didn't shoot anyone either. | 0:15:00 | 0:15:04 | |
Tell Ian, then. | 0:15:05 | 0:15:06 | |
PHONE RINGS | 0:15:16 | 0:15:18 | |
Ian? | 0:15:21 | 0:15:23 | |
-'It's late, mate.' -I know, mate. | 0:15:23 | 0:15:25 | |
Erm... | 0:15:25 | 0:15:26 | |
Listen has she been on to you, Dawn? | 0:15:26 | 0:15:28 | |
'No.' | 0:15:28 | 0:15:30 | |
Well, she came here, mate. This afternoon. | 0:15:30 | 0:15:33 | |
Listen, mate, while she were here, | 0:15:33 | 0:15:34 | |
she seemed to be making veiled threats. | 0:15:34 | 0:15:36 | |
She basically said, like, if I don't watch her back, | 0:15:36 | 0:15:38 | |
why should she watch mine, | 0:15:38 | 0:15:40 | |
and then she said, | 0:15:40 | 0:15:41 | |
you know, why should anyone watch mine. | 0:15:41 | 0:15:43 | |
That's a veiled threat, isn't it? | 0:15:43 | 0:15:45 | |
That's a threat, mate. | 0:15:45 | 0:15:46 | |
Will you do us a favour, mate, and put it in your notebook? | 0:15:46 | 0:15:48 | |
Look, I don't want to get into all that. | 0:15:48 | 0:15:50 | |
Please, mate, please. Just for me, Ian. | 0:15:50 | 0:15:52 | |
Just put it in your notebook. | 0:15:52 | 0:15:53 | |
-OK. -Thanks for that, mate - | 0:15:53 | 0:15:56 | |
and, erm, yeah, sorry to bother you, mate, I know it's late. | 0:15:56 | 0:15:59 | |
HE SIGHS | 0:16:02 | 0:16:03 | |
It'll be all right. | 0:16:03 | 0:16:05 | |
A mother's lost her son. | 0:16:06 | 0:16:08 | |
Upsetting Dawn's nothing compared to that. | 0:16:08 | 0:16:10 | |
VERNON'S VOICE ECHOES: I can't see! I can't see! | 0:16:27 | 0:16:32 | |
GUNSHOTS ECHO | 0:16:38 | 0:16:40 | |
He does things. | 0:16:57 | 0:16:58 | |
Such as? | 0:16:59 | 0:17:01 | |
-He... -Does he put his hand on your thigh? | 0:17:01 | 0:17:05 | |
Yes. | 0:17:05 | 0:17:07 | |
You must never breathe a word about this to anyone. | 0:17:07 | 0:17:10 | |
Do you understand? | 0:17:10 | 0:17:12 | |
Yes. | 0:17:12 | 0:17:13 | |
For your penance, say three Hail Marys | 0:17:15 | 0:17:18 | |
and then say an Our Father for Father Matthew. | 0:17:18 | 0:17:23 | |
Yes, Father. | 0:17:23 | 0:17:24 | |
God, the Father of mercies, | 0:17:25 | 0:17:27 | |
through the death and resurrection of his Son | 0:17:27 | 0:17:29 | |
has reconciled the world to himself and sent the Holy Spirit among us | 0:17:29 | 0:17:33 | |
for the forgiveness of sins. | 0:17:33 | 0:17:35 | |
Through the ministry of the Church, may God give you pardon and peace. | 0:17:35 | 0:17:39 | |
I'm sorry, Dawn, but...he didn't pose a threat. He just didn't. | 0:17:58 | 0:18:03 | |
I don't remember that. | 0:18:05 | 0:18:06 | |
Ian... | 0:18:08 | 0:18:09 | |
She did the only thing she could. | 0:18:09 | 0:18:11 | |
I don't think it made a difference, though, cos he... | 0:18:11 | 0:18:13 | |
he just came out screaming blue murder anyway. | 0:18:13 | 0:18:16 | |
"I'm blind". That's what he was screaming, Ian. | 0:18:16 | 0:18:19 | |
"I'm blind". | 0:18:19 | 0:18:20 | |
Yeah, I...I don't recall that. | 0:18:20 | 0:18:21 | |
Ian. | 0:18:21 | 0:18:22 | |
It's common for there to be discrepancies at this stage. | 0:18:24 | 0:18:27 | |
Inevitable. Even the Gospels couldn't agree. | 0:18:27 | 0:18:29 | |
Why? Why would you do that? | 0:18:33 | 0:18:36 | |
You shouldn't be here, Drew. We can't talk about things. | 0:18:38 | 0:18:40 | |
Oh, oh? We can't? But you can talk to Dawn, that's fine. | 0:18:40 | 0:18:43 | |
-I didn't. -Oh, come on, Ian! | 0:18:43 | 0:18:44 | |
I didn't. I wouldn't. | 0:18:44 | 0:18:45 | |
-So what, then? OK. Text, e-mail, what? -Not one word. | 0:18:45 | 0:18:48 | |
So what, then? What changed? | 0:18:48 | 0:18:49 | |
-Nothing. -Well, what? She leant on you. Or someone did, mate. | 0:18:49 | 0:18:52 | |
Yeah. Yeah, you're right. | 0:18:52 | 0:18:54 | |
Well, who? | 0:18:54 | 0:18:55 | |
You, Drew. You're the only one. | 0:18:55 | 0:18:56 | |
Ringing me up in the middle of the night. Putting pressure on. | 0:18:56 | 0:18:59 | |
Well, it didn't work. I don't want to end a good copper's career. | 0:18:59 | 0:19:01 | |
-Well, neither do I, mate! -Well, what, then? What do you want? | 0:19:01 | 0:19:04 | |
I want to tell the truth. That's what I want to do. That's it. | 0:19:04 | 0:19:06 | |
Good for you. There was a knife. | 0:19:06 | 0:19:08 | |
Some head-the-ball. It kicked off. Shit happened. | 0:19:08 | 0:19:11 | |
There was only one person to blame, | 0:19:12 | 0:19:14 | |
and it wasn't one of ours - | 0:19:14 | 0:19:15 | |
but if you think different, you go for it, pal. | 0:19:15 | 0:19:18 | |
You tell your truth, and I'll tell mine. | 0:19:18 | 0:19:20 | |
What can I do for you? | 0:19:42 | 0:19:43 | |
I'd like to bury my son. | 0:19:43 | 0:19:45 | |
Yes, I can't begin to imagine how painful this is for you. | 0:19:45 | 0:19:48 | |
Thank you. | 0:19:48 | 0:19:50 | |
The Coroner's Office explained about the toxicology reports? | 0:19:50 | 0:19:54 | |
Three to four weeks, usually... | 0:19:54 | 0:19:55 | |
-Tests will be on samples you've already taken from Vernon. -Yes. | 0:19:55 | 0:20:00 | |
So you no longer need the body. Why can't we bury him? | 0:20:00 | 0:20:03 | |
Toxicology reports can be challenged. | 0:20:03 | 0:20:05 | |
If that happens, the Coroner will need to go back for further samples. | 0:20:05 | 0:20:09 | |
Can I see him? | 0:20:13 | 0:20:14 | |
Only through glass, I'm afraid. | 0:20:14 | 0:20:16 | |
How's the investigation going? | 0:20:20 | 0:20:22 | |
Well, I believe. | 0:20:24 | 0:20:26 | |
Are they all in agreement? | 0:20:26 | 0:20:28 | |
I don't know. | 0:20:29 | 0:20:31 | |
I'm not over the detail. | 0:20:31 | 0:20:34 | |
White officer kills black boy on your watch, | 0:20:34 | 0:20:37 | |
and you're not over the detail? | 0:20:37 | 0:20:39 | |
That's correct. | 0:20:40 | 0:20:41 | |
Would you like to see him, Helen? | 0:20:44 | 0:20:45 | |
When I can hold him, that's when I'll see him. | 0:20:47 | 0:20:49 | |
Even by Perth standards it was hot. | 0:20:59 | 0:21:00 | |
40, 41 degrees, something like that. | 0:21:00 | 0:21:03 | |
Hello, Roz. | 0:21:05 | 0:21:06 | |
Hello, Michael. | 0:21:07 | 0:21:09 | |
What are you doing here? | 0:21:09 | 0:21:10 | |
-I was just saying to... -Pauline. | 0:21:10 | 0:21:13 | |
I was just saying to Pauline that I'm not going to need this | 0:21:13 | 0:21:16 | |
stuff any more. | 0:21:16 | 0:21:18 | |
Oh, why? | 0:21:18 | 0:21:19 | |
Um, I'm emigrating. I told you. | 0:21:21 | 0:21:24 | |
Ah, I was hoping you'd changed your mind. | 0:21:24 | 0:21:28 | |
I'm afraid not, no. | 0:21:30 | 0:21:31 | |
Where? | 0:21:33 | 0:21:34 | |
Perth. Western Australia. | 0:21:34 | 0:21:38 | |
-It's hotter than hell, so... -Oh! | 0:21:38 | 0:21:40 | |
It's nice, isn't it? | 0:21:41 | 0:21:43 | |
Beautiful. | 0:21:43 | 0:21:44 | |
When are you going? | 0:21:44 | 0:21:46 | |
Erm, quite soon. | 0:21:46 | 0:21:49 | |
How soon is quite soon? | 0:21:49 | 0:21:51 | |
A few days. | 0:21:52 | 0:21:53 | |
These will fly off. | 0:21:53 | 0:21:55 | |
To think of others at a time like this, yeah... | 0:22:01 | 0:22:03 | |
..you're a truly remarkable woman, Roz. | 0:22:06 | 0:22:08 | |
I know what it's like to be skint. Bye, Pauline. | 0:22:11 | 0:22:14 | |
Bye. Thank you so much. | 0:22:14 | 0:22:16 | |
Hey, could I talk to you before you...before you go? | 0:22:16 | 0:22:20 | |
I've got a lot to do. A lot to sort out, Michael. | 0:22:22 | 0:22:24 | |
Well, could you phone me, please? | 0:22:24 | 0:22:26 | |
Yeah. | 0:22:27 | 0:22:29 | |
Promise. | 0:22:29 | 0:22:30 | |
I promise. | 0:22:33 | 0:22:34 | |
Bye, Michael. | 0:22:37 | 0:22:38 | |
Bye. | 0:22:38 | 0:22:39 | |
We're going to say...we're going to say what we always say before bed. | 0:23:06 | 0:23:09 | |
Is that what we are going to do? How does it go? | 0:23:09 | 0:23:13 | |
God bless all those that I love, | 0:23:14 | 0:23:17 | |
and God bless all those that love me. | 0:23:17 | 0:23:21 | |
God bless all those that love those that I love, | 0:23:22 | 0:23:27 | |
and all those that love those that love me. | 0:23:27 | 0:23:31 | |
-All right, Joe? -Pint, mate? | 0:23:33 | 0:23:35 | |
Yeah, go on, then. | 0:23:35 | 0:23:36 | |
Be an hour, something like that. | 0:23:41 | 0:23:43 | |
Fine. | 0:23:43 | 0:23:44 | |
-You all right? -Yeah, fine. -See ya. | 0:23:45 | 0:23:48 | |
-See ya. -See ya later. | 0:23:50 | 0:23:52 | |
Sorry, Denis. Didn't know you were in here. | 0:24:17 | 0:24:20 | |
It's OK. I'm leaving anyway. | 0:24:20 | 0:24:21 | |
Just a tiny word. | 0:24:22 | 0:24:24 | |
-You can't say anyth... -It's all right. | 0:24:24 | 0:24:25 | |
It's nothing to do with the facts of the case. | 0:24:25 | 0:24:27 | |
It's just a tiny, tiny observation. | 0:24:27 | 0:24:30 | |
I can take the Great British Public jumping to conclusions | 0:24:30 | 0:24:32 | |
cos that's what the Great British Public does - | 0:24:32 | 0:24:34 | |
but my own mate? | 0:24:34 | 0:24:35 | |
You checked your watch, you prick. | 0:24:35 | 0:24:37 | |
You shot an 18-year-old boy and you checked your watch. Prick. | 0:24:37 | 0:24:41 | |
It's called training, you prick. | 0:24:41 | 0:24:44 | |
Two lagers. | 0:24:47 | 0:24:49 | |
Oi! Two lagers please, bollocks! | 0:24:51 | 0:24:54 | |
Ian's done me in. | 0:24:58 | 0:25:00 | |
I thought it was two against one, and it is - but the one's me. | 0:25:02 | 0:25:05 | |
If I'd known I were going to be on my own, mate... | 0:25:07 | 0:25:09 | |
What? | 0:25:09 | 0:25:10 | |
I'm not a hero, Joe. | 0:25:12 | 0:25:13 | |
Don't be soft. | 0:25:13 | 0:25:14 | |
I like drinking in here. | 0:25:14 | 0:25:16 | |
There are other pubs. | 0:25:16 | 0:25:17 | |
Yeah, and we've nicked someone in every one of them. | 0:25:17 | 0:25:20 | |
I wanted to do the right thing, mate, | 0:25:23 | 0:25:25 | |
but I didn't want to do it alone. | 0:25:25 | 0:25:26 | |
Well, then... | 0:25:35 | 0:25:36 | |
I've given my initial account now, though, haven't I? | 0:25:36 | 0:25:39 | |
-So? -So, if everything I write today contradicts everything | 0:25:39 | 0:25:42 | |
I wrote down yesterday, everyone'll know. | 0:25:42 | 0:25:44 | |
Know what? | 0:25:44 | 0:25:45 | |
That I'm a liar. | 0:25:49 | 0:25:50 | |
That I've folded. | 0:25:51 | 0:25:53 | |
Look. Forget about everybody else. | 0:25:54 | 0:25:57 | |
This is about you and Caroline. | 0:25:58 | 0:25:59 | |
You do what is best for you and Caroline. | 0:26:01 | 0:26:03 | |
-ON VOICEMAIL: -'It's Helen Oyenusi here, Father. | 0:26:10 | 0:26:13 | |
'You're probably fast asleep, so never mind... | 0:26:14 | 0:26:17 | |
'It's just that Vernon wanted a word. | 0:26:17 | 0:26:20 | |
'Didn't you, Vernon? | 0:26:21 | 0:26:23 | |
'If you play this in the morning, maybe you could phone him, Father. | 0:26:24 | 0:26:27 | |
'You know what he's like. | 0:26:27 | 0:26:29 | |
'Doesn't believe a word his mother tells him, | 0:26:29 | 0:26:31 | |
'but everything you say is gospel.' | 0:26:31 | 0:26:33 | |
So you phoned the Crisis Centre? | 0:26:36 | 0:26:38 | |
I phoned Michael first. | 0:26:38 | 0:26:40 | |
Vernon always listens... | 0:26:40 | 0:26:42 | |
..always listened to Father Michael. | 0:26:45 | 0:26:48 | |
He trusted him when he didn't trust anyone else. Even me. | 0:26:48 | 0:26:52 | |
Even you? | 0:26:54 | 0:26:55 | |
And what did you say to him? | 0:26:59 | 0:27:00 | |
I missed the call. | 0:27:02 | 0:27:04 | |
Missed the call. I was in bed. | 0:27:04 | 0:27:06 | |
That's a pity. | 0:27:08 | 0:27:09 | |
I left a message, and then phoned the Crisis Team. | 0:27:09 | 0:27:12 | |
I've told you all this before. | 0:27:12 | 0:27:14 | |
I know, and I'm sorry. | 0:27:14 | 0:27:16 | |
We're totally committed to doing things properly - | 0:27:16 | 0:27:18 | |
with the thoroughness that you deserve. | 0:27:18 | 0:27:21 | |
Thank you. | 0:27:22 | 0:27:23 | |
It must've been hard for you over the years, Helen. | 0:27:25 | 0:27:28 | |
Yes. | 0:27:29 | 0:27:30 | |
Having a son so paranoid that he didn't even trust YOU, | 0:27:30 | 0:27:34 | |
-his own mother. -He was never so paranoid that he would hurt anyone. | 0:27:34 | 0:27:37 | |
He was always just a danger to himself. | 0:27:37 | 0:27:41 | |
-Isn't that right, Helen? -Yes. -Of course. | 0:27:41 | 0:27:43 | |
Are you a policeman? | 0:27:48 | 0:27:49 | |
I mean, I know you're investigating the police, aren't you? | 0:27:51 | 0:27:54 | |
But... | 0:27:54 | 0:27:56 | |
Are... Are you a policeman, too? | 0:27:56 | 0:27:57 | |
No. | 0:27:59 | 0:28:00 | |
The IPCC is completely independent of the Force. | 0:28:00 | 0:28:04 | |
Right. Where are you based? | 0:28:04 | 0:28:06 | |
-Sorry? -At the moment. Do you have an office? | 0:28:07 | 0:28:11 | |
Yes. | 0:28:11 | 0:28:13 | |
Where is it? | 0:28:13 | 0:28:15 | |
At the station. | 0:28:19 | 0:28:20 | |
What, the...police station? | 0:28:20 | 0:28:22 | |
The one where everyone else involved works? | 0:28:22 | 0:28:24 | |
No-one involved is working there at the moment. | 0:28:26 | 0:28:28 | |
This has been a very traumatic time for everyone. | 0:28:31 | 0:28:34 | |
Were you ever a policeman? | 0:28:34 | 0:28:36 | |
A long time ago. | 0:28:38 | 0:28:39 | |
You'll be on a police pension, then? | 0:28:41 | 0:28:44 | |
Is that relevant? | 0:28:44 | 0:28:45 | |
# Happy birthday to you | 0:28:58 | 0:29:01 | |
# Happy birthday to you | 0:29:01 | 0:29:05 | |
# Happy birthday, dear Evie | 0:29:05 | 0:29:08 | |
PHONE RINGS # Happy birthday to you. # | 0:29:08 | 0:29:12 | |
Sir? | 0:29:12 | 0:29:14 | |
Now? | 0:29:16 | 0:29:17 | |
GUESTS: Hooray! Hooray! | 0:29:17 | 0:29:21 | |
Hip-hip! Hooray! | 0:29:21 | 0:29:23 | |
Sir. | 0:29:37 | 0:29:38 | |
It won't keep, I'm afraid. | 0:29:39 | 0:29:40 | |
Sir? | 0:29:54 | 0:29:55 | |
You're a good copper, Andrew. | 0:29:58 | 0:29:59 | |
That's why I wanted to come round myself. | 0:29:59 | 0:30:01 | |
So... | 0:30:04 | 0:30:05 | |
HE CLEARS HIS THROAT | 0:30:08 | 0:30:10 | |
There are one or two issues - | 0:30:17 | 0:30:19 | |
I'm absolutely sure we can sort them out between us. | 0:30:19 | 0:30:22 | |
Sir? | 0:30:22 | 0:30:24 | |
On the night of the incident, you didn't sign out your CS spray. | 0:30:24 | 0:30:26 | |
What? | 0:30:26 | 0:30:27 | |
Well, it's a simple mistake, I know. | 0:30:27 | 0:30:30 | |
Well, I... | 0:30:30 | 0:30:31 | |
I did. I'm...I'm sure I did. | 0:30:31 | 0:30:34 | |
Oh, well... | 0:30:34 | 0:30:35 | |
..you didn't. | 0:30:38 | 0:30:39 | |
Well... | 0:30:41 | 0:30:43 | |
It won't happen again, sir. | 0:30:43 | 0:30:44 | |
Oh, I know that. I know that, | 0:30:44 | 0:30:45 | |
but it is a disciplinary matter - it's a misconduct offence | 0:30:45 | 0:30:49 | |
under discipline regs - I wish it wasn't, but it is serious. | 0:30:49 | 0:30:53 | |
A Section 5 firearm... | 0:30:53 | 0:30:55 | |
So, what's going to happen? | 0:31:01 | 0:31:02 | |
Well, we're within our rights to give you a formal warning. | 0:31:02 | 0:31:05 | |
A written warning - and I'm sorry, but it would go on your record. | 0:31:05 | 0:31:08 | |
But I've never actually used my CS spray. | 0:31:08 | 0:31:11 | |
You do know that, don't you? I've never used it, not once. | 0:31:11 | 0:31:14 | |
Oh, I'm not happy about this. | 0:31:14 | 0:31:15 | |
For this to go on your record would be harsh... | 0:31:15 | 0:31:17 | |
..but there's another matter, I'm afraid. | 0:31:19 | 0:31:22 | |
Sir? | 0:31:22 | 0:31:24 | |
You remember when all this started, | 0:31:24 | 0:31:25 | |
we told you not to discuss it with other officers? | 0:31:25 | 0:31:28 | |
-Yes, sir. -You discussed this with Dawn Morris. | 0:31:28 | 0:31:30 | |
Well, she discussed it with me. She... She approached me. | 0:31:30 | 0:31:33 | |
That's not what she says. | 0:31:33 | 0:31:35 | |
Well, she's lying. | 0:31:35 | 0:31:37 | |
You also spoke to Ian Wakefield late at night. | 0:31:37 | 0:31:39 | |
Yes, I did, but only to tell him not to talk to Dawn. | 0:31:41 | 0:31:43 | |
Again, not what he says. | 0:31:43 | 0:31:45 | |
Now, those two offences on their own are serious, Andrew, | 0:31:45 | 0:31:48 | |
but there's another matter, and it's damning. | 0:31:48 | 0:31:51 | |
-Sir? -Why did you force that door? | 0:31:52 | 0:31:54 | |
To stop Dawn spraying him, sir. | 0:31:55 | 0:31:57 | |
She says if you hadn't forced that door, | 0:31:57 | 0:31:59 | |
the situation would've been contained within the house. | 0:31:59 | 0:32:01 | |
Had she KNOWN you were going to force that door, | 0:32:01 | 0:32:03 | |
she would never have used her CS spray. | 0:32:03 | 0:32:05 | |
She blames you, I'm afraid. Ian Wakefield backs that up. | 0:32:05 | 0:32:09 | |
Now, I'm telling you all of this | 0:32:09 | 0:32:10 | |
so you've got the chance to address this in your final, | 0:32:10 | 0:32:13 | |
definitive statement. | 0:32:13 | 0:32:15 | |
Don't worry if this final statement | 0:32:15 | 0:32:17 | |
differs from your earlier statements. | 0:32:17 | 0:32:19 | |
It happens. | 0:32:19 | 0:32:21 | |
No-one's sees those earlier statements anyway, | 0:32:21 | 0:32:23 | |
just your final... | 0:32:23 | 0:32:25 | |
definitive one. | 0:32:25 | 0:32:26 | |
So, no-one's going to think you've folded or bottled it or whatever. | 0:32:26 | 0:32:30 | |
Well, I can see you've got a houseful, so, er... | 0:32:34 | 0:32:38 | |
I'll see myself out. | 0:32:38 | 0:32:39 | |
Have you been speaking to Joe Mason, sir? | 0:32:41 | 0:32:44 | |
No. Bye. | 0:32:45 | 0:32:47 | |
What did he want? | 0:33:15 | 0:33:16 | |
She's shattered. | 0:33:19 | 0:33:21 | |
I thought we should go out together. The four of us. | 0:33:24 | 0:33:27 | |
Your mum says she'll babysit. | 0:33:27 | 0:33:29 | |
Not tonight. Thanks, cheers. | 0:33:31 | 0:33:33 | |
Drew... | 0:33:33 | 0:33:34 | |
-Caroline, there's, erm, things you don't know. -She knows. | 0:33:36 | 0:33:39 | |
I've told them both. | 0:33:40 | 0:33:42 | |
-You told them what? -Well, the situation you're in. | 0:33:42 | 0:33:45 | |
I'm so proud of you for the way you've stuck to your principles, | 0:33:48 | 0:33:51 | |
Drew, but nobody expects you to sacrifice your job. | 0:33:51 | 0:33:53 | |
How are we going to pay for the mortgage? | 0:33:56 | 0:33:58 | |
I mean, yeah, do the right thing, but... | 0:33:58 | 0:34:00 | |
I don't know, maybe the right... | 0:34:00 | 0:34:02 | |
"Tell the truth," you said, "simple as that". | 0:34:02 | 0:34:04 | |
What were all that about "a mother's lost her son"? | 0:34:04 | 0:34:06 | |
-You were the one that were backing me... -I didn't know what was going | 0:34:06 | 0:34:09 | |
-on back then. -..telling me what to do. | 0:34:09 | 0:34:11 | |
What sort of moral stand is it that'd make Evie homeless? | 0:34:11 | 0:34:14 | |
Haven't we got a duty to her? | 0:34:14 | 0:34:16 | |
To put a roof over her head? | 0:34:16 | 0:34:17 | |
You can't change an entire culture on your own, Drew. | 0:34:17 | 0:34:19 | |
Well, you don't have to worry about that, | 0:34:19 | 0:34:21 | |
I wouldn't be on my own. Would I, Joe? | 0:34:21 | 0:34:23 | |
Well, I'll back you up, mate - | 0:34:23 | 0:34:26 | |
but there's only so far I can go. You know that. | 0:34:26 | 0:34:28 | |
Have you seen him this week? | 0:34:28 | 0:34:30 | |
Who? | 0:34:30 | 0:34:31 | |
McDonald. Have you talked to him this week? | 0:34:31 | 0:34:34 | |
HE SIGHS | 0:34:34 | 0:34:35 | |
Mate, look... | 0:34:35 | 0:34:37 | |
We want to take you out. | 0:34:37 | 0:34:39 | |
Has he asked you to do that? | 0:34:39 | 0:34:41 | |
Did he tell you to take me for that pint? | 0:34:46 | 0:34:48 | |
Answer me. | 0:34:50 | 0:34:51 | |
Go on, Joe, I dare you. Answer me. | 0:34:53 | 0:34:54 | |
What's the problem, mate? | 0:34:54 | 0:34:56 | |
Well, the problem is... | 0:34:56 | 0:34:58 | |
-that I can't believe you'd think... -You're a lying bastard! | 0:34:58 | 0:35:03 | |
He just said no-one would see my early statements, | 0:35:03 | 0:35:05 | |
then he said no-one would know I folded. | 0:35:05 | 0:35:07 | |
That's the word I used to you, you prick, | 0:35:07 | 0:35:09 | |
do you think I'm fucking stupid? | 0:35:09 | 0:35:11 | |
Folded! You went straight back to him, didn't you, and told him? | 0:35:11 | 0:35:14 | |
-Told him I were teetering on the brink... -Drew. | 0:35:14 | 0:35:16 | |
Only needed a little prod, a little threat here, a little threat there. | 0:35:16 | 0:35:19 | |
-Drew! -They're playing you, you dickhead. Can't you see that? | 0:35:19 | 0:35:22 | |
They're not here to support you, mate. They're here to crush you. | 0:35:22 | 0:35:24 | |
Come on! | 0:35:24 | 0:35:26 | |
Look, you've thought about it, | 0:35:26 | 0:35:28 | |
you've weighed things up, you've shown what a real good man you are. | 0:35:28 | 0:35:33 | |
Now just strap on a pair and play for the team, you selfish prick! | 0:35:33 | 0:35:37 | |
What about you, Mum? You're quiet. | 0:35:46 | 0:35:48 | |
This what you think? | 0:35:49 | 0:35:50 | |
Fuck the police. | 0:36:00 | 0:36:01 | |
And him. | 0:36:02 | 0:36:04 | |
And his wife. | 0:36:04 | 0:36:05 | |
And if yours agrees, fuck her, too. | 0:36:07 | 0:36:11 | |
If it costs you your job, good. | 0:36:11 | 0:36:12 | |
You should never have joined in the first place. | 0:36:12 | 0:36:14 | |
Oh, so now we hear it! | 0:36:14 | 0:36:16 | |
Now we do. | 0:36:16 | 0:36:17 | |
So, who is going to pay for the mortgage, then, Barb? You? | 0:36:17 | 0:36:20 | |
I don't think so, | 0:36:20 | 0:36:21 | |
seeing as you're round here every day leeching off us. | 0:36:21 | 0:36:24 | |
Not leeching, looking after that child of yours | 0:36:24 | 0:36:26 | |
cos you've always got something better to do. | 0:36:26 | 0:36:28 | |
It's called work! | 0:36:28 | 0:36:29 | |
-FADING: -You spent years moaning on about how much you wanted a kid. | 0:36:29 | 0:36:34 | |
The minute one arrives, you can't wait to get rid... | 0:36:34 | 0:36:36 | |
Cos I've been trying to earn a living. | 0:36:36 | 0:36:38 | |
-Something you wouldn't understand. -Oh, come on! | 0:36:38 | 0:36:40 | |
ARGUMENT FADES | 0:36:40 | 0:36:43 | |
-DISTORTED VOICES: -'Put the knife down, open the door for me.' | 0:36:46 | 0:36:49 | |
'Blinded. Killed him.' | 0:36:49 | 0:36:51 | |
'Nice and calm, we'll talk things through, yeah?' | 0:36:51 | 0:36:53 | |
'We are involved, as a matter of course, | 0:36:53 | 0:36:55 | |
'in any police incident resulting in serious or fatal injuries...' | 0:36:55 | 0:36:58 | |
'Did you talk to him, mate?' | 0:36:58 | 0:36:59 | |
'Put the knife down, please.' | 0:36:59 | 0:37:01 | |
'Get out. Get out now.' | 0:37:01 | 0:37:03 | |
'If you don't put the knife down, then I'll have to spray you.' | 0:37:03 | 0:37:06 | |
VOICES BLEND | 0:37:06 | 0:37:09 | |
'It's absolutely essential that you tell the truth.' | 0:37:11 | 0:37:14 | |
YELLING, GUNSHOTS | 0:37:14 | 0:37:17 | |
DOOR OPENS | 0:37:32 | 0:37:33 | |
Er, thanks for seeing me, sir. | 0:37:35 | 0:37:37 | |
No problem. Sit down. | 0:37:38 | 0:37:41 | |
Look, sir, th-this whole thing, you know, | 0:37:46 | 0:37:48 | |
I've been thinking about this, sir, and, erm, | 0:37:48 | 0:37:51 | |
I've been asking myself, you know, | 0:37:51 | 0:37:53 | |
how many people can relate to where I am at the moment? | 0:37:53 | 0:37:56 | |
How many people can say that they were... | 0:37:56 | 0:37:58 | |
they, they knew someone who had been shot dead? | 0:37:58 | 0:38:02 | |
It's got to be down to | 0:38:02 | 0:38:03 | |
0.000001% of the population, hasn't it? | 0:38:03 | 0:38:08 | |
It can't be very many people - | 0:38:08 | 0:38:09 | |
and then I asked myself how many people can say that they were THERE | 0:38:09 | 0:38:13 | |
when that person they knew were shot dead, and... | 0:38:13 | 0:38:17 | |
It's got to be even fewer. | 0:38:17 | 0:38:19 | |
And I have to say it to you, sir, it is just... | 0:38:19 | 0:38:23 | |
It's mind-blowing! | 0:38:23 | 0:38:25 | |
It's mind-blowing. | 0:38:25 | 0:38:26 | |
I have really, really, really struggled with it, | 0:38:26 | 0:38:29 | |
and, you know, it's just been churning up in my mind - | 0:38:29 | 0:38:31 | |
and I think it was the fact that I knew the boy, you know, | 0:38:31 | 0:38:34 | |
and I think it was the fact that I was traumatised. | 0:38:34 | 0:38:36 | |
It really hit me hard, | 0:38:36 | 0:38:37 | |
and when all of that comes crashing down on you, | 0:38:37 | 0:38:39 | |
and it all just clouds your judgment... | 0:38:39 | 0:38:42 | |
You know? And, erm, and looking back on it now, | 0:38:42 | 0:38:45 | |
you know, I can see it's obvious. | 0:38:45 | 0:38:46 | |
It's clear as day what happened that night. | 0:38:46 | 0:38:49 | |
You know, no-one did anything wrong, that boy WAS a threat, | 0:38:49 | 0:38:52 | |
and Dawn had no option, she had to use her CS spray, she had to. | 0:38:52 | 0:38:56 | |
Thank you. | 0:38:57 | 0:38:58 | |
You'll sign a statement to that effect? | 0:39:00 | 0:39:02 | |
Yes, sir. | 0:39:04 | 0:39:05 | |
Hello, Andrew. | 0:39:39 | 0:39:41 | |
Father Michael's not in. | 0:39:42 | 0:39:44 | |
I'm so sorry, Helen... | 0:39:48 | 0:39:49 | |
-I know. -..about what happened to Vernon. -I know. | 0:39:49 | 0:39:51 | |
-I really am sorry. -I know. | 0:39:51 | 0:39:53 | |
I want to thank you for all you did, Andrew. | 0:39:54 | 0:39:56 | |
I know you did everything possible to protect him, | 0:39:59 | 0:40:01 | |
and I am so grateful for that. | 0:40:01 | 0:40:02 | |
And I thank you. | 0:40:04 | 0:40:06 | |
I was the black mother of a black teenager, Andrew, | 0:40:06 | 0:40:08 | |
and I'm sorry to say I have learned not to trust our police... | 0:40:08 | 0:40:13 | |
..but I want you to know that for you, personally, | 0:40:14 | 0:40:16 | |
we had nothing but respect. | 0:40:16 | 0:40:18 | |
-STUTTERING: -No, you're welcome. Thank you. | 0:40:21 | 0:40:23 | |
You've come to see Michael? | 0:40:24 | 0:40:26 | |
-Yeah. -He's in the church. | 0:40:26 | 0:40:28 | |
-Would you like to come in and wait, or...? -No, no, it's fine. | 0:40:28 | 0:40:31 | |
I'll go find him. | 0:40:31 | 0:40:33 | |
-STUTTERING: -B-Bye, Helen. | 0:40:33 | 0:40:34 | |
Bye, Andrew. | 0:40:36 | 0:40:37 | |
Just knocked at yours. | 0:40:54 | 0:40:55 | |
Why did Helen answer? | 0:40:57 | 0:40:59 | |
She's doing us a curry. | 0:40:59 | 0:41:00 | |
How is she? | 0:41:02 | 0:41:03 | |
She's heartbroken. Obviously. | 0:41:05 | 0:41:09 | |
Obviously. | 0:41:13 | 0:41:14 | |
It's so funny, I was thinking about it the other day... | 0:41:16 | 0:41:19 | |
We get people in all the time. We drag them in, | 0:41:19 | 0:41:23 | |
and the last thing they ever want to do is confess - | 0:41:23 | 0:41:25 | |
but with you, it's the first. | 0:41:25 | 0:41:27 | |
And I always wonder, why is that? Why do you think that is? | 0:41:27 | 0:41:29 | |
Why is that? | 0:41:29 | 0:41:31 | |
Why is that, Michael?! | 0:41:31 | 0:41:33 | |
I can tell you, it's the penance, it's the penance, | 0:41:35 | 0:41:37 | |
it's the penalty they've got to pay. | 0:41:37 | 0:41:39 | |
You see, confess to us and it's five years inside, | 0:41:39 | 0:41:42 | |
but confess to you... | 0:41:42 | 0:41:43 | |
..and it's, what? | 0:41:45 | 0:41:46 | |
Three Hail Marys and an Our Father? | 0:41:47 | 0:41:50 | |
See, ours is the real world, we deal with real people, | 0:41:53 | 0:41:55 | |
proper problems. | 0:41:55 | 0:41:57 | |
Yours is... | 0:41:57 | 0:41:59 | |
Well, it's God knows what. | 0:42:01 | 0:42:02 | |
Yeah? | 0:42:05 | 0:42:07 | |
Yeah, I'm listening. | 0:42:07 | 0:42:08 | |
How many for rape? | 0:42:08 | 0:42:10 | |
We'd give five to ten years. | 0:42:11 | 0:42:13 | |
How many Hail Marys and Our Fathers do you have to make them say | 0:42:13 | 0:42:17 | |
for rape? | 0:42:17 | 0:42:18 | |
Have you come here to pick a fight? | 0:42:18 | 0:42:20 | |
To say in anger what you can't say coolly and calmly, eh? | 0:42:22 | 0:42:26 | |
Every time I close my eyes, I'm there. | 0:42:33 | 0:42:35 | |
I can't get it out of my head. | 0:42:36 | 0:42:38 | |
I'm in that street... | 0:42:38 | 0:42:39 | |
..and I just hear this voice, and it's screaming, "I'm blind!" | 0:42:41 | 0:42:44 | |
And then I hear shots. | 0:42:47 | 0:42:48 | |
And then a body falls, and it hits the deck, and... | 0:42:50 | 0:42:52 | |
..it's sort of dead, but not quite. | 0:42:55 | 0:42:58 | |
Just twitching. | 0:42:59 | 0:43:00 | |
Laying there and it's twitching. | 0:43:02 | 0:43:04 | |
And when I get to it... | 0:43:04 | 0:43:05 | |
-SOBS: -..it ain't Vernon at all. | 0:43:07 | 0:43:09 | |
It's Evie. | 0:43:09 | 0:43:10 | |
My little girl. | 0:43:14 | 0:43:15 | |
I can't tell the truth any more. | 0:43:28 | 0:43:30 | |
I don't have it in me. | 0:43:32 | 0:43:33 | |
So I'm going to write a statement, | 0:43:35 | 0:43:36 | |
and it's going to be full of lies... | 0:43:36 | 0:43:38 | |
..and I might actually get some sleep, | 0:43:41 | 0:43:43 | |
cos as much as I've lost | 0:43:43 | 0:43:44 | |
and as much as these last few days have cost me... | 0:43:44 | 0:43:47 | |
..there's still nothing I can't get back. Not yet. | 0:43:48 | 0:43:51 | |
I'm a coward. Oh, God! | 0:43:54 | 0:43:56 | |
God... | 0:43:58 | 0:44:00 | |
I'm a coward. | 0:44:01 | 0:44:02 | |
But I'm a coward with a conscience. | 0:44:06 | 0:44:08 | |
That's the worst, shittiest part of it. | 0:44:08 | 0:44:10 | |
I haven't got the courage to be good. I just don't. | 0:44:12 | 0:44:15 | |
And I'm not sure I can live with being really, properly bad, | 0:44:15 | 0:44:18 | |
but I'm going to...I'm going to try...I'm going to try it. | 0:44:18 | 0:44:21 | |
I'm going to have to try. | 0:44:21 | 0:44:22 | |
So I'm going to lie through my teeth. | 0:44:26 | 0:44:27 | |
I'm going to lie with all the others. | 0:44:30 | 0:44:32 | |
Oh, for some peace of mind, eh? | 0:44:36 | 0:44:38 | |
But if you lie... | 0:44:45 | 0:44:47 | |
..will you ever know peace of mind again? | 0:44:49 | 0:44:51 | |
HE CHUCKLES | 0:44:56 | 0:44:57 | |
Maybe I won't. | 0:44:57 | 0:44:58 | |
But my daughter'll have a roof over her head. | 0:45:01 | 0:45:03 | |
Unless you know what that feels like, or you've seen it... | 0:45:07 | 0:45:11 | |
You know, a guilty conscience is a small price to pay for it. | 0:45:11 | 0:45:14 | |
I'm sorry, Michael. | 0:45:24 | 0:45:25 | |
For on the night he was betrayed... | 0:45:58 | 0:46:00 | |
..He Himself took bread, and giving You thanks, He said the blessing, | 0:46:01 | 0:46:07 | |
broke the bread and gave it to His disciples saying, | 0:46:07 | 0:46:12 | |
"Take this, all of you, and eat of it, | 0:46:12 | 0:46:16 | |
"for this is my body which will be given up for you. | 0:46:16 | 0:46:21 | |
BELL CHIMES | 0:46:21 | 0:46:24 | |
In a similar way, when supper was over, | 0:46:31 | 0:46:34 | |
He took the chalice and, giving You thanks, | 0:46:34 | 0:46:38 | |
said the blessing... | 0:46:38 | 0:46:39 | |
It is essential to dry between your toes. | 0:46:39 | 0:46:43 | |
And gave the chalice to His disciples saying, | 0:46:44 | 0:46:47 | |
"Take this, all of you, and drink from it..." | 0:46:47 | 0:46:52 | |
Any moisture left there... | 0:46:52 | 0:46:54 | |
..causes infection. | 0:46:56 | 0:46:57 | |
"..for this is the chalice of my blood..." | 0:46:58 | 0:47:01 | |
Athlete's foot, especially. | 0:47:01 | 0:47:03 | |
If you've ever had athlete's foot, you'll know... | 0:47:04 | 0:47:07 | |
"..the blood of the new and eternal covenant..." | 0:47:07 | 0:47:12 | |
It's a lot easier to catch it than it is to get rid of it. | 0:47:12 | 0:47:17 | |
"..which will be poured out for you... | 0:47:17 | 0:47:19 | |
"..for you and for many, for the forgiveness of sins. | 0:47:22 | 0:47:27 | |
"Do this...in memory of me." | 0:47:29 | 0:47:33 | |
BELL CHIMES | 0:47:33 | 0:47:36 | |
The body of Christ. | 0:47:49 | 0:47:50 | |
-The body of Christ. -Amen. | 0:47:55 | 0:47:56 | |
The body of Christ. | 0:48:00 | 0:48:01 | |
-The body of Christ. -Amen. | 0:48:05 | 0:48:06 | |
The body of Christ. | 0:48:08 | 0:48:09 | |
-The body of Christ. -Amen. | 0:48:14 | 0:48:17 | |
The body of Christ. | 0:48:17 | 0:48:19 | |
The body of Christ. | 0:48:23 | 0:48:25 | |
-The body of Christ. -Amen. | 0:48:27 | 0:48:29 | |
The body of Christ. | 0:48:31 | 0:48:33 | |
-The body of Christ. -Amen. | 0:48:37 | 0:48:38 | |
The body of Christ. | 0:48:56 | 0:48:57 | |
-WHISPERS: -Amen. | 0:49:01 | 0:49:02 | |
'It's Helen Oyenusi here, Father. | 0:49:08 | 0:49:10 | |
'You're probably fast asleep, so never mind. | 0:49:12 | 0:49:15 | |
'It's just that Vernon wanted a word. Didn't you, Vernon? | 0:49:16 | 0:49:19 | |
'If you play this in the morning, maybe you could phone him, Father. | 0:49:21 | 0:49:25 | |
'You know what he's like. | 0:49:25 | 0:49:27 | |
'Doesn't believe a word his mother tells him, | 0:49:27 | 0:49:29 | |
'but everything you say is gospel. | 0:49:29 | 0:49:31 | |
'No pun intended, Father.' | 0:49:31 | 0:49:33 | |
KNOCK ON DOOR | 0:49:39 | 0:49:41 | |
Andrew. | 0:49:50 | 0:49:51 | |
Hello, Father. | 0:49:54 | 0:49:55 | |
Er, do you want to come in? | 0:49:58 | 0:50:00 | |
What is it? | 0:50:05 | 0:50:06 | |
Why did you give me communion, Father? | 0:50:09 | 0:50:11 | |
Why did you come up for it? | 0:50:15 | 0:50:16 | |
Because I've never needed it so much in my life. | 0:50:21 | 0:50:23 | |
That's why I gave you it. | 0:50:27 | 0:50:28 | |
SMACK! | 0:51:09 | 0:51:11 | |
SMACK! | 0:51:13 | 0:51:14 | |
-CHILDREN RECITE: -Amo, amas, amat, amamus, amatis, amant. | 0:51:47 | 0:51:52 | |
Mensa, mensa, mensam. | 0:51:56 | 0:51:59 | |
Mensae, mensae, mensa. | 0:51:59 | 0:52:01 | |
In nomine Patris et Filii et Spiritus Sancti. | 0:52:05 | 0:52:11 | |
Amen. | 0:52:13 | 0:52:14 | |
Father Matthew? | 0:52:31 | 0:52:33 | |
Yes? | 0:52:33 | 0:52:34 | |
Could I talk to you, please? | 0:52:36 | 0:52:38 | |
Yes. | 0:52:38 | 0:52:40 | |
Could I talk to you indoors, please? | 0:52:40 | 0:52:42 | |
What about? | 0:52:42 | 0:52:43 | |
I-I-I went to Blessed Mary. You taught me there. | 0:52:45 | 0:52:48 | |
I'd have come years ago, only I assumed you were dead. | 0:52:49 | 0:52:53 | |
I remember you as an old man, you see. Even then. | 0:52:53 | 0:52:57 | |
You were a child. Everyone's old to a child. | 0:52:57 | 0:53:00 | |
-Can we go inside and ta...? -No! | 0:53:02 | 0:53:03 | |
I've got ice cream here. | 0:53:04 | 0:53:06 | |
Needs to be in the freezer, so we've not much time, I'm afraid. | 0:53:06 | 0:53:10 | |
All right. | 0:53:10 | 0:53:12 | |
I'm Michael Kerrigan. | 0:53:12 | 0:53:13 | |
Yes? | 0:53:13 | 0:53:15 | |
You don't remember me? You taught me English. | 0:53:15 | 0:53:19 | |
I taught lots of boys English. | 0:53:19 | 0:53:21 | |
But you didn't abuse them all, did you? | 0:53:23 | 0:53:26 | |
Only five or six per class, I think. | 0:53:26 | 0:53:28 | |
Are you hiding a microphone? | 0:53:28 | 0:53:30 | |
-No. -I want you to swear by Almighty God | 0:53:30 | 0:53:33 | |
that you are not recording this conversation. | 0:53:33 | 0:53:37 | |
I swear by Almighty God that I am not recording this conversation. | 0:53:37 | 0:53:40 | |
Having sworn such an oath, | 0:53:40 | 0:53:42 | |
any recording will be inadmissible in court. | 0:53:42 | 0:53:44 | |
You understand that? | 0:53:44 | 0:53:45 | |
-I'm not the first, then, obviously. -No, no. | 0:53:48 | 0:53:50 | |
How many before me? | 0:53:54 | 0:53:55 | |
One or two. | 0:53:55 | 0:53:57 | |
I'm a priest. | 0:54:00 | 0:54:02 | |
I couldn't have been such a bad example, then, could I? | 0:54:02 | 0:54:05 | |
Some police officers in my parish have... They've killed a young man. | 0:54:08 | 0:54:13 | |
They're all colluding and protecting the officers responsible, | 0:54:13 | 0:54:17 | |
and it's... | 0:54:17 | 0:54:18 | |
..infuriating me. | 0:54:20 | 0:54:21 | |
But what right have I to be so appalled over that | 0:54:25 | 0:54:28 | |
when you abused boys for years, | 0:54:28 | 0:54:31 | |
and every priest in the school knew about it, | 0:54:31 | 0:54:33 | |
and not one of them said a word? | 0:54:33 | 0:54:35 | |
A rhetorical question, I assume. | 0:54:35 | 0:54:38 | |
Catholic priests! | 0:54:38 | 0:54:40 | |
Their duty to follow the Path of Christ, | 0:54:40 | 0:54:42 | |
watching you doing that and saying nothing? | 0:54:42 | 0:54:45 | |
How dare I criticise a few hairy arsed coppers, then?! | 0:54:45 | 0:54:48 | |
What am I supposed to have done to you? | 0:54:48 | 0:54:50 | |
You used to put your hand on my thigh... | 0:54:55 | 0:54:57 | |
..and move it up to my genitals. | 0:54:58 | 0:55:00 | |
You call that abuse? | 0:55:00 | 0:55:01 | |
-Yes. -You liked it. | 0:55:01 | 0:55:03 | |
I do not know of one single boy who did not like it. | 0:55:03 | 0:55:06 | |
-You believe that? -Yes. | 0:55:06 | 0:55:08 | |
It gave me an erection. | 0:55:10 | 0:55:12 | |
There you go. | 0:55:12 | 0:55:13 | |
It made me think I was gay. | 0:55:17 | 0:55:18 | |
Sheffield, 1970s, I was suicidal. | 0:55:20 | 0:55:24 | |
I'm sorry. | 0:55:25 | 0:55:26 | |
Do you mean that? | 0:55:26 | 0:55:28 | |
I'd love you to mean that. | 0:55:30 | 0:55:31 | |
I'd love... | 0:55:32 | 0:55:34 | |
to be able to forgive you, you see, and dump all this... | 0:55:34 | 0:55:37 | |
Do you mean it? | 0:55:40 | 0:55:41 | |
No. | 0:55:43 | 0:55:45 | |
The body's insignificant, Michael. | 0:55:45 | 0:55:48 | |
Whatever it does is insignificant. | 0:55:48 | 0:55:50 | |
It's the soul within that counts. | 0:55:50 | 0:55:53 | |
Bye, Michael. | 0:55:53 | 0:55:54 | |
I'm going to pray for you. | 0:55:56 | 0:55:58 | |
I'll phone the police. | 0:55:58 | 0:56:00 | |
No, I'm going to pray | 0:56:01 | 0:56:03 | |
that you realise the enormity of what you've done. | 0:56:03 | 0:56:06 | |
I'm going to pray that you realise the enormity of what you did | 0:56:06 | 0:56:11 | |
and the lives you damaged. | 0:56:11 | 0:56:12 | |
I'm going to pray that you suffer from it, | 0:56:12 | 0:56:15 | |
and, through suffering, you atone for it - | 0:56:15 | 0:56:18 | |
and I'll pray by doing so you'll suffer long enough | 0:56:18 | 0:56:23 | |
and hard enough for God to show you mercy, you old bastard! | 0:56:23 | 0:56:27 | |
# Tell me what it's like | 0:56:46 | 0:56:48 | |
# In heaven | 0:56:48 | 0:56:50 | |
# I hope it's kinder than it is down here | 0:56:50 | 0:56:55 | |
# With all the trials and tribulations | 0:56:55 | 0:57:00 | |
# All the worry and living in fear | 0:57:00 | 0:57:03 | |
# Hallelujah | 0:57:04 | 0:57:07 | |
# Hallelujah | 0:57:07 | 0:57:10 | |
# We might be bruised But we're not broken. # | 0:57:10 | 0:57:15 |