Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
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I've done one or two decent things in my life, | 0:00:02 | 0:00:03 | |
but I never flash back to them. | 0:00:03 | 0:00:04 | |
She's dying. She can't be left alone overnight. | 0:00:04 | 0:00:07 | |
-The body of Christ. -Amen. | 0:00:07 | 0:00:09 | |
Bye, Michael. | 0:00:09 | 0:00:11 | |
I'm going to pay it all back, every penny. | 0:00:11 | 0:00:13 | |
The machines in St Nick's are nothing like those in your shops. | 0:00:13 | 0:00:16 | |
Ours take 10p coins, yours take £10 notes. | 0:00:16 | 0:00:19 | |
If he doesn't watch my back, then why should I watch his? | 0:00:19 | 0:00:22 | |
Why should anyone watch his? | 0:00:22 | 0:00:24 | |
Blinded and killed, Dawn. | 0:00:24 | 0:00:26 | |
White officer kills black boy on your watch... | 0:00:26 | 0:00:29 | |
..and you're not over the detail. | 0:00:30 | 0:00:31 | |
The officer who used the spray says she did so because she feared for Mrs Oyenusi's safety. | 0:00:31 | 0:00:36 | |
That's not true! | 0:00:36 | 0:00:38 | |
They're going to lie. | 0:00:38 | 0:00:39 | |
MUSIC: I Think It's Going to Rain Today by Nina Simone | 0:00:39 | 0:00:42 | |
# Broken windows in empty hallways | 0:00:52 | 0:00:56 | |
# A pale dead moon in a sky streaked with grey | 0:00:57 | 0:01:01 | |
# Human kindness is overflowing | 0:01:03 | 0:01:08 | |
# And I think it's gonna rain today... # | 0:01:08 | 0:01:15 | |
This programme contains some strong language | 0:01:15 | 0:01:22 | |
This time, please. | 0:01:29 | 0:01:30 | |
Just this once, yeah? | 0:01:32 | 0:01:34 | |
For on the night He was betrayed, He himself took bread and, | 0:01:34 | 0:01:38 | |
giving you thanks, He said the blessing... | 0:01:38 | 0:01:42 | |
..broke the bread and gave it to His disciples, saying, | 0:01:43 | 0:01:47 | |
"Take this, all of you... | 0:01:47 | 0:01:49 | |
"..and eat of it, | 0:01:50 | 0:01:52 | |
"for this is my body | 0:01:52 | 0:01:54 | |
"which will be given up for you." | 0:01:54 | 0:01:56 | |
BELL RINGS | 0:01:56 | 0:01:57 | |
-MOTHER'S VOICE: -You little horror. | 0:01:57 | 0:01:59 | |
In a similar way... | 0:02:06 | 0:02:07 | |
..when supper was ended, | 0:02:09 | 0:02:11 | |
He took the chalice and giving you thanks, | 0:02:11 | 0:02:14 | |
He said the blessing... | 0:02:14 | 0:02:16 | |
..and gave the chalice to His disciples saying, | 0:02:18 | 0:02:21 | |
"Take this, all of you, and drink of it... | 0:02:21 | 0:02:26 | |
-A reading from the Holy Gospel... -CLATTERING | 0:02:29 | 0:02:31 | |
Shh! | 0:02:31 | 0:02:32 | |
Six days later... | 0:02:36 | 0:02:37 | |
"..the blood... | 0:02:40 | 0:02:41 | |
Have you got something to say for yourself? | 0:02:41 | 0:02:44 | |
"..of the new and eternal covenant... | 0:02:45 | 0:02:47 | |
What? | 0:02:47 | 0:02:48 | |
"..which will be poured out for you | 0:02:49 | 0:02:51 | |
"and for many for the forgiveness of sins. | 0:02:51 | 0:02:54 | |
"Do this in memory of me." | 0:02:54 | 0:02:57 | |
BELL RINGS | 0:02:57 | 0:02:59 | |
TELEVISION: # I took a trip to the year 3000 | 0:03:05 | 0:03:08 | |
# This song had gone multiplatinum... # | 0:03:08 | 0:03:11 | |
Oh, no. | 0:03:11 | 0:03:12 | |
# It had outsold... # | 0:03:12 | 0:03:14 | |
Father Michael. | 0:03:14 | 0:03:15 | |
# We drove around in a time machine... # | 0:03:15 | 0:03:17 | |
Hello, Chloe. | 0:03:17 | 0:03:18 | |
-Hi, Father. -How are you? | 0:03:18 | 0:03:21 | |
Fine. | 0:03:21 | 0:03:23 | |
The boys? | 0:03:23 | 0:03:25 | |
Fine. | 0:03:25 | 0:03:26 | |
Leo's missed a lot of school. | 0:03:26 | 0:03:28 | |
-Has he? -Yeah. | 0:03:28 | 0:03:29 | |
I'll talk to him. | 0:03:31 | 0:03:33 | |
I could murder a cup of tea. | 0:03:33 | 0:03:34 | |
It's a bit inconvenient right now, Father. | 0:03:34 | 0:03:36 | |
Look, Chloe, your mam asked me to keep an eye on you. | 0:03:40 | 0:03:42 | |
I'm going nowhere. | 0:03:42 | 0:03:44 | |
Hey, Leo, Jake. | 0:03:50 | 0:03:52 | |
How are you doing for money? | 0:03:54 | 0:03:55 | |
Mum had pension or insurance or something through work. | 0:03:56 | 0:03:59 | |
-It starts Friday. -Till then? | 0:03:59 | 0:04:01 | |
Well, shall we make a start on this, | 0:04:04 | 0:04:06 | |
and I'll get you vouchers for the food bank? | 0:04:06 | 0:04:09 | |
Get there tomorrow - got pizzas. | 0:04:09 | 0:04:12 | |
I have two things to say to you, members of the jury. | 0:04:51 | 0:04:54 | |
First, you'll remember that we opened and adjourned this inquest | 0:04:54 | 0:04:56 | |
pending the findings of the Independent Police Complaints Commission. | 0:04:56 | 0:04:59 | |
The Commission has decided no action should be taken against any officer | 0:04:59 | 0:05:02 | |
involved in this case and so this inquest can now resume. | 0:05:02 | 0:05:06 | |
Second, I'll introduce the various interested parties to you. | 0:05:06 | 0:05:10 | |
Starting on my left we have Mr Lambert, | 0:05:10 | 0:05:13 | |
representing Patricia Greaves | 0:05:13 | 0:05:15 | |
of the North West Mental Health Foundation Trust. | 0:05:15 | 0:05:18 | |
Mr Marsh representing Rebecca Milton of the North West Mental Health Foundation Trust. | 0:05:18 | 0:05:23 | |
Miss Hennessy representing Pamela Winderton | 0:05:23 | 0:05:26 | |
of the North West Mental Health Foundation Trust. | 0:05:26 | 0:05:29 | |
Mr Fogarty representing Elaine Cosgrove | 0:05:29 | 0:05:32 | |
of the North West Mental Health Foundation Trust. | 0:05:32 | 0:05:35 | |
Mrs Ofoeme representing PC Andrew Powell | 0:05:35 | 0:05:38 | |
of the Low Marsh Police Force. | 0:05:38 | 0:05:41 | |
Mr Wright representing PC Dawn Morris | 0:05:41 | 0:05:44 | |
of the Low Marsh Police Force. | 0:05:44 | 0:05:47 | |
Mr Lloyd representing Police Sergeant Denis Kilcaid | 0:05:47 | 0:05:51 | |
of the Low Marsh Police Force | 0:05:51 | 0:05:53 | |
and Mr Newton representing PC Ian Wakefield | 0:05:53 | 0:05:57 | |
of the Low Marsh Police Force. | 0:05:57 | 0:05:59 | |
And over here we have Mrs Helen Oyenusi | 0:05:59 | 0:06:03 | |
representing herself. | 0:06:03 | 0:06:05 | |
But Eastbrook wasn't all bad. There was Saint Nick's... | 0:06:05 | 0:06:09 | |
..and Father Michael. | 0:06:10 | 0:06:12 | |
He and Vernon got on well, | 0:06:12 | 0:06:14 | |
and I was so grateful for that because... | 0:06:14 | 0:06:16 | |
..he wouldn't take his medication, you see, unless he trusted you. | 0:06:18 | 0:06:23 | |
But the sicker he got, the less he trusted you. | 0:06:23 | 0:06:26 | |
The sicker he got, the more he needed the medicine, | 0:06:26 | 0:06:30 | |
the less chance of him ever taking it. | 0:06:30 | 0:06:32 | |
But Father Michael always managed to persuade him. | 0:06:32 | 0:06:35 | |
Always. | 0:06:36 | 0:06:38 | |
Had Father Michael been around that night... | 0:06:39 | 0:06:41 | |
..Vernon would still be alive. | 0:06:43 | 0:06:44 | |
I know it. | 0:06:45 | 0:06:47 | |
I am black, | 0:06:48 | 0:06:50 | |
a Christian and a mother. | 0:06:50 | 0:06:52 | |
I should therefore forgive everyone involved in the death of my son | 0:06:53 | 0:06:57 | |
and astonish you all with the strength of my faith. | 0:06:57 | 0:07:00 | |
I will not play that game. | 0:07:01 | 0:07:02 | |
I will not forgive people who have not asked to be forgiven. | 0:07:04 | 0:07:08 | |
I will not forgive people who lied to the IPCC | 0:07:08 | 0:07:12 | |
and will no doubt lie to this inquest. | 0:07:12 | 0:07:14 | |
First give me truth and justice, | 0:07:16 | 0:07:21 | |
and I will think about forgiveness. | 0:07:21 | 0:07:23 | |
Is there anything else you'd like to say, | 0:07:26 | 0:07:28 | |
anything you think might be relevant to this inquest? | 0:07:28 | 0:07:30 | |
-No, sir. -Thank you, Mrs Oyenusi. | 0:07:30 | 0:07:33 | |
I think we'll leave it there for today | 0:07:33 | 0:07:35 | |
and meet tomorrow at ten o'clock. | 0:07:35 | 0:07:37 | |
I'm sorry, I, erm, I should've warned you, Chloe. | 0:08:20 | 0:08:24 | |
Could you lend me 20 quid, please? | 0:08:34 | 0:08:36 | |
Till Friday. | 0:08:38 | 0:08:39 | |
Anything up to 200 quid goes in the safe, | 0:08:43 | 0:08:45 | |
anything over 200 quid goes to the bank. | 0:08:45 | 0:08:47 | |
She gets it the following afternoon... | 0:08:47 | 0:08:50 | |
Jesus Christ! Fucking hell! | 0:08:50 | 0:08:52 | |
SHOUTING | 0:08:52 | 0:08:55 | |
PHONE RINGS | 0:08:57 | 0:08:59 | |
Hello, Michael Kerrigan. | 0:09:02 | 0:09:03 | |
Oh. | 0:09:06 | 0:09:07 | |
Did you lose money on them? | 0:09:09 | 0:09:10 | |
Could she have done? | 0:09:11 | 0:09:13 | |
Manager says he's never seen her, so... | 0:09:13 | 0:09:17 | |
What's your name? | 0:09:17 | 0:09:18 | |
Your first name, then? | 0:09:20 | 0:09:22 | |
May I? May I tell them? | 0:09:22 | 0:09:24 | |
Her name's Chloe Demichelis. | 0:09:27 | 0:09:28 | |
Her mother was Roz Demichelis. | 0:09:29 | 0:09:31 | |
She... | 0:09:31 | 0:09:32 | |
..lost a lot of money on these machines | 0:09:33 | 0:09:35 | |
and, er... | 0:09:35 | 0:09:37 | |
she took her own life. | 0:09:37 | 0:09:39 | |
Why d'you close? | 0:09:48 | 0:09:50 | |
I thought it was for the best. | 0:09:50 | 0:09:51 | |
-PAINFULLY: -Oh, fuck. | 0:09:51 | 0:09:53 | |
-What's wrong? -Sciatica. | 0:09:53 | 0:09:55 | |
They're just machines, Chloe. | 0:10:00 | 0:10:02 | |
Expensive machines, yes, but they're just machines and | 0:10:02 | 0:10:04 | |
machines are replaceable. People are not. | 0:10:04 | 0:10:06 | |
I was really saddened to hear about your mother, Chloe, | 0:10:08 | 0:10:13 | |
and you have all my sympathy, my love. | 0:10:13 | 0:10:15 | |
Now, I'm not saying we didn't profit from her losses, | 0:10:15 | 0:10:18 | |
because we did, but others profited a hell of a lot more | 0:10:18 | 0:10:21 | |
and you can't say if we'd refused her custom, it would have made | 0:10:21 | 0:10:24 | |
any difference, cos it wouldn't, Chloe, my love, it wouldn't. | 0:10:24 | 0:10:28 | |
I was wondering, Officer, if it's all right | 0:10:31 | 0:10:33 | |
to just forget this ever happened, if that's possible at all? | 0:10:33 | 0:10:37 | |
I'm sure it is. | 0:10:37 | 0:10:38 | |
You see, I lost my mother, too, Chloe, when I was very young. | 0:10:42 | 0:10:45 | |
It was natural causes so a lot less... | 0:10:45 | 0:10:47 | |
Well, there are no words, are there? | 0:10:49 | 0:10:51 | |
No words to describe what you've been through | 0:10:51 | 0:10:53 | |
so we'll just leave it at that - "a lot less..." | 0:10:53 | 0:10:56 | |
So I understand why you've done this, Chloe. | 0:10:57 | 0:11:00 | |
I understand it. | 0:11:00 | 0:11:02 | |
I forgive it. | 0:11:02 | 0:11:03 | |
It's forgotten. | 0:11:03 | 0:11:04 | |
We're full but we need to find a bed from somewhere. | 0:11:25 | 0:11:28 | |
We're a small unit and we know everybody in our care and we don't | 0:11:30 | 0:11:33 | |
want to send anybody home so my first response was to say, "No." | 0:11:33 | 0:11:38 | |
So what if a young man's desperately ill? | 0:11:38 | 0:11:41 | |
He's not one of ours. | 0:11:41 | 0:11:42 | |
We don't know him, we don't have to see his suffering, so say no. | 0:11:42 | 0:11:45 | |
But that'd be cowardly and immoral. | 0:11:46 | 0:11:49 | |
We need to make a decision and there are three possibilities. | 0:11:50 | 0:11:55 | |
I lied to Helen when I said that Vernon was the least unwell. | 0:11:55 | 0:12:00 | |
He was ONE of the least unwell. | 0:12:00 | 0:12:02 | |
But he was certainly the most loved. | 0:12:04 | 0:12:06 | |
Helen had shown herself to be a wonderful, loving mother... | 0:12:11 | 0:12:16 | |
..and who could come to any harm going home to a mother such as that? | 0:12:17 | 0:12:20 | |
That's why we picked Vernon... | 0:12:22 | 0:12:23 | |
..because he was so loved. | 0:12:26 | 0:12:27 | |
The noise is going to drive you mad, though, Ryan. | 0:12:30 | 0:12:33 | |
It's all right when the racing's on, it drowns it. | 0:12:33 | 0:12:36 | |
But no racing, and it gets to you. | 0:12:36 | 0:12:40 | |
And when someone wins... | 0:12:40 | 0:12:41 | |
Oi, you stupid bitch! | 0:12:43 | 0:12:45 | |
Aitch. She's at it again. | 0:12:45 | 0:12:47 | |
Fucking hell! | 0:12:48 | 0:12:49 | |
Right! It's a few home truths for you, sweetheart. | 0:12:55 | 0:12:58 | |
Lots of people enjoy these machines. | 0:12:58 | 0:13:00 | |
Yeah, OK, a few sad bastards like your mother get addicted | 0:13:00 | 0:13:03 | |
but that don't mean you ban them. | 0:13:03 | 0:13:05 | |
You don't ban booze cos of a few pissheads, do you? | 0:13:05 | 0:13:07 | |
So you don't ban these cos of a few headcases like your bleeding mother! | 0:13:07 | 0:13:10 | |
-And what are you bringing her tea for?! -Look at her. | 0:13:10 | 0:13:13 | |
She's just destroyed four brand-new machines. | 0:13:13 | 0:13:15 | |
She needs it. | 0:13:15 | 0:13:17 | |
So she burns the shop down, what're you going to do, invite her to dinner? | 0:13:17 | 0:13:20 | |
Jesus! | 0:13:20 | 0:13:21 | |
I know what you want, sweetheart, and you're not going to get it. | 0:13:23 | 0:13:26 | |
I am NOT calling the police so you can go all drama queen on us. | 0:13:26 | 0:13:31 | |
I'm calling a lawyer. | 0:13:31 | 0:13:33 | |
And he'll take out a restraining order on you | 0:13:33 | 0:13:36 | |
banning you from all my shops. | 0:13:36 | 0:13:38 | |
So next time you do your chain-gang thing, you'll go straight to prison | 0:13:38 | 0:13:42 | |
cos it's not criminal damage any more, it's contempt of court. | 0:13:42 | 0:13:46 | |
Contempt of court means straight to prison cos you're not | 0:13:46 | 0:13:48 | |
upsetting little old me, you're upset a High Court fucking judge. | 0:13:48 | 0:13:52 | |
God bless. | 0:13:52 | 0:13:53 | |
Will you promise not to do it again? | 0:13:57 | 0:13:59 | |
What he said was right - contempt of court, you'd go to prison. | 0:14:04 | 0:14:07 | |
It'll be with you all your life. | 0:14:11 | 0:14:13 | |
It'll stop you getting jobs. | 0:14:13 | 0:14:15 | |
Look... | 0:14:15 | 0:14:16 | |
If I swore to you I'll get him, this bookie... | 0:14:17 | 0:14:20 | |
will you promise you'll keep away from those machines? | 0:14:20 | 0:14:23 | |
Are you supposed to say things like that? | 0:14:23 | 0:14:25 | |
No. | 0:14:25 | 0:14:26 | |
-Sunday, ten o'clock mass. -OK. | 0:14:28 | 0:14:30 | |
Come and see it if you like. | 0:14:32 | 0:14:34 | |
OK. | 0:14:34 | 0:14:35 | |
-Would you? -Do you want a hand...? -Yeah. | 0:14:38 | 0:14:40 | |
Here. | 0:14:46 | 0:14:47 | |
'The Lord be with you.' | 0:14:52 | 0:14:53 | |
-CONGREGATION: -And also with you. | 0:14:53 | 0:14:56 | |
A reading from the Holy Gospel according to Matthew. | 0:14:56 | 0:14:59 | |
Glory to you, O Lord. | 0:14:59 | 0:15:00 | |
And Jesus entered the temple of God and cast out all those | 0:15:01 | 0:15:06 | |
who were buying and selling in the temple and he overturned the | 0:15:06 | 0:15:09 | |
tables of the money changers and the seats of those who sold the doves. | 0:15:09 | 0:15:14 | |
And he said to them, "It is written. My house shall be called | 0:15:14 | 0:15:19 | |
"a house of prayer, but you have made it a den of thieves." | 0:15:19 | 0:15:23 | |
The Gospel of the Lord. | 0:15:27 | 0:15:28 | |
Praise to you, Lord Jesus Christ. | 0:15:29 | 0:15:31 | |
I love that passage. | 0:15:33 | 0:15:35 | |
Christ driving the money changers out of the temple. | 0:15:36 | 0:15:40 | |
In John's version he drives them out with a whip - even better. | 0:15:40 | 0:15:44 | |
I like it because it shows Christ's humanity. | 0:15:44 | 0:15:48 | |
Even He was prone to anger. | 0:15:48 | 0:15:49 | |
Righteous anger. | 0:15:50 | 0:15:52 | |
As Christians we're meant to try and emulate Christ. | 0:15:53 | 0:15:57 | |
Are we allowed to emulate that bit? | 0:15:57 | 0:15:59 | |
Are we allowed a bit of righteous anger? | 0:15:59 | 0:16:01 | |
I hope so. | 0:16:02 | 0:16:03 | |
There's a young woman here today, Chloe... | 0:16:06 | 0:16:09 | |
..whose mother took her own life very recently. | 0:16:10 | 0:16:14 | |
She got addicted to those machines in the betting shop | 0:16:14 | 0:16:18 | |
and she stole from her employer and she couldn't live with her shame. | 0:16:18 | 0:16:22 | |
Does that not make you angry? | 0:16:22 | 0:16:24 | |
Those machines take up to £100 per spin | 0:16:26 | 0:16:29 | |
and they spin three times a minute - | 0:16:29 | 0:16:31 | |
ten times faster than the fastest croupier on the planet. | 0:16:31 | 0:16:35 | |
So fast, in fact, that if you walked in there with £1,000, | 0:16:35 | 0:16:38 | |
you'd be skint in less than ten minutes. | 0:16:38 | 0:16:40 | |
Nobody walks in with £1,000, of course, | 0:16:40 | 0:16:43 | |
because these machines are in our poorest areas. | 0:16:43 | 0:16:46 | |
16 in Hallcross Road. Why is that? | 0:16:46 | 0:16:49 | |
Because if you've only got a fiver to last you the rest of the week, | 0:16:49 | 0:16:52 | |
it makes eminent sense to gamble it. | 0:16:52 | 0:16:55 | |
So 16 machines in Hallcross Road, all feeding off our poverty. | 0:16:55 | 0:16:59 | |
Does that not make you angry? | 0:16:59 | 0:17:01 | |
And these machines, well, they're a capitalist's dream. | 0:17:02 | 0:17:05 | |
They don't need food or shelter. They don't need wages. | 0:17:05 | 0:17:09 | |
You just buy them and line them up against the wall | 0:17:09 | 0:17:11 | |
and off they go, sucking up our money. | 0:17:11 | 0:17:14 | |
Our money! | 0:17:14 | 0:17:16 | |
Money from one of the poorest communities in Western Europe | 0:17:16 | 0:17:19 | |
given to shareholders living in the rich South East. | 0:17:19 | 0:17:21 | |
Does that not make you angry?! | 0:17:21 | 0:17:23 | |
But these ARE just machines. | 0:17:25 | 0:17:27 | |
Christ, in righteous anger, took a whip to human beings. | 0:17:29 | 0:17:34 | |
If we, in righteous anger, took a hammer to those machines, | 0:17:34 | 0:17:38 | |
would we be condemned or applauded? | 0:17:38 | 0:17:41 | |
CHORAL MUSIC | 0:17:48 | 0:17:50 | |
I didn't volunteer for armed response, they asked me to join. | 0:19:07 | 0:19:11 | |
I went away and thought about it for days and went back and said yes. | 0:19:11 | 0:19:15 | |
And I didn't do it for the kudos because no-one, | 0:19:17 | 0:19:19 | |
apart from a chosen few, ever knew I was in it. | 0:19:19 | 0:19:21 | |
And I didn't do it cos I relished the prospect | 0:19:22 | 0:19:24 | |
of shooting someone - I honestly hoped it would never come to that. | 0:19:24 | 0:19:28 | |
They asked me if I was sure I could do it - | 0:19:29 | 0:19:32 | |
shoot someone. | 0:19:32 | 0:19:33 | |
I said I would only know that if and when it came to it | 0:19:34 | 0:19:37 | |
and anyone who told you different was a fool | 0:19:37 | 0:19:39 | |
and shouldn't be in armed response in the first place. | 0:19:39 | 0:19:41 | |
And now I know of course, I could do it. | 0:19:43 | 0:19:45 | |
PC Andrew Powell's at the door when I get there, | 0:19:45 | 0:19:49 | |
but no sooner am I out the car than he's trying to force the door open. | 0:19:49 | 0:19:52 | |
I don't know why. | 0:19:52 | 0:19:54 | |
He disappears inside. Vernon Oyenusi comes out | 0:19:54 | 0:19:57 | |
with his hand to his face like that. | 0:19:57 | 0:19:58 | |
I now know he'd been sprayed. I didn't know that then. | 0:20:00 | 0:20:03 | |
Then I thought he'd been punched or he was trying to | 0:20:03 | 0:20:06 | |
hide his face for some reason. | 0:20:06 | 0:20:08 | |
He starts shouting, "I'm blind" and he's coming towards me | 0:20:08 | 0:20:11 | |
waving that knife. | 0:20:11 | 0:20:12 | |
"I'm blind. I'm blind." | 0:20:12 | 0:20:14 | |
But if he really is blind, how come he's heading straight for me? | 0:20:14 | 0:20:17 | |
How come he knows where I am? | 0:20:17 | 0:20:19 | |
And if he is really blind, that's only going to make it worse | 0:20:19 | 0:20:21 | |
cos he's waving that knife about and he could cut anybody without even knowing it. | 0:20:21 | 0:20:25 | |
"Armed police! Put down the knife!" | 0:20:26 | 0:20:29 | |
You're trained to say it loud and clear. "I will fire". | 0:20:30 | 0:20:34 | |
They must be in no doubt whatsoever that you will pull that trigger. | 0:20:35 | 0:20:39 | |
Loud, clear, firm. | 0:20:39 | 0:20:42 | |
"Put down the knife - I will fire." | 0:20:42 | 0:20:45 | |
God knows what it sounded like to him | 0:20:46 | 0:20:48 | |
but in here I'm not loud, clear and firm at all, | 0:20:48 | 0:20:50 | |
in here I'm begging with him, "Please, please, please stop." | 0:20:50 | 0:20:55 | |
Armed police! Put down the knife or I will fire! | 0:20:55 | 0:20:58 | |
He doesn't stop... | 0:20:58 | 0:20:59 | |
..and I know I'll have to shoot him. | 0:21:00 | 0:21:02 | |
And the one thing you can't do is miss. | 0:21:03 | 0:21:05 | |
You miss, you hit an innocent bystander | 0:21:05 | 0:21:07 | |
so you're trained to aim for the chest. | 0:21:07 | 0:21:09 | |
Always the middle of the chest. | 0:21:12 | 0:21:14 | |
-I fire. -GUNSHOTS | 0:21:16 | 0:21:18 | |
I meant to fire only the once but the trigger's so sensitive it | 0:21:20 | 0:21:23 | |
goes off twice and I immediately think people are going to accuse me | 0:21:23 | 0:21:26 | |
of wanting to finish him off but not at all, | 0:21:26 | 0:21:30 | |
it just went off twice. | 0:21:30 | 0:21:31 | |
Is there anything else you'd like to add, | 0:21:33 | 0:21:35 | |
anything that might be relevant to this inquest? | 0:21:35 | 0:21:38 | |
Could I say a few words to Mrs Oyenusi? | 0:21:38 | 0:21:41 | |
Yes, of course. | 0:21:41 | 0:21:42 | |
I've got kids of my own, Mrs Oyenusi. | 0:21:44 | 0:21:48 | |
I can't imagine what you're going through. | 0:21:48 | 0:21:50 | |
I am so, so sorry. | 0:21:53 | 0:21:54 | |
Hello, Chloe. | 0:22:12 | 0:22:13 | |
Is this where Mum came? | 0:22:18 | 0:22:19 | |
Yes. | 0:22:19 | 0:22:20 | |
What happens when those machines get replaced? | 0:22:33 | 0:22:36 | |
We smash them up again. | 0:22:37 | 0:22:39 | |
They'll put you in prison? | 0:22:39 | 0:22:41 | |
Possibly. | 0:22:41 | 0:22:42 | |
I don't want that. | 0:22:43 | 0:22:45 | |
Shall we wage war by other means, then? | 0:22:46 | 0:22:49 | |
Yeah. | 0:22:49 | 0:22:51 | |
Please. | 0:22:51 | 0:22:52 | |
What are you doing? | 0:22:59 | 0:23:01 | |
It can help. | 0:23:02 | 0:23:03 | |
It reminds us that Christ is here, sharing the pain. | 0:23:04 | 0:23:08 | |
Are you still angry with her? | 0:23:18 | 0:23:20 | |
A bit. | 0:23:21 | 0:23:22 | |
I thought I'd find her hanging. | 0:23:25 | 0:23:27 | |
I was dreading that. | 0:23:29 | 0:23:31 | |
Anything but that. | 0:23:32 | 0:23:33 | |
I read the boys', as well. | 0:23:45 | 0:23:47 | |
I thought all the three of them might say the same thing, but they didn't. | 0:23:48 | 0:23:51 | |
Was it you that phoned the college? | 0:23:54 | 0:23:56 | |
What makes you think that? | 0:23:57 | 0:23:58 | |
No-one else knew. | 0:23:58 | 0:24:00 | |
Dad came. | 0:24:01 | 0:24:02 | |
Mum had asked him to come and fix a radiator that didn't need fixing. | 0:24:04 | 0:24:08 | |
Yeah. | 0:24:08 | 0:24:10 | |
He was supposed to find her body, wasn't he? Wasn't he? | 0:24:10 | 0:24:14 | |
Look, Chloe, there's things I simply cannot answer. | 0:24:14 | 0:24:17 | |
She's dead. | 0:24:17 | 0:24:19 | |
You can tell me now she's dead. | 0:24:19 | 0:24:21 | |
I can't. | 0:24:21 | 0:24:23 | |
Mum expected to be at home. You expected her to be at home. | 0:24:23 | 0:24:26 | |
If she HAD been at home, I would have found her, | 0:24:26 | 0:24:28 | |
I could have stopped it. Why wasn't she? | 0:24:28 | 0:24:30 | |
I think she thought I was going to try and stop her | 0:24:30 | 0:24:32 | |
so she changed her plans at the last minute. | 0:24:32 | 0:24:35 | |
And you DID try and stop it? | 0:24:35 | 0:24:37 | |
I can't answer that, Chloe. | 0:24:39 | 0:24:40 | |
If it had been me, if I'd known what you knew, I'd have stopped it | 0:24:42 | 0:24:46 | |
cos I never would have left her alone. | 0:24:46 | 0:24:48 | |
Do you think I didn't do enough? | 0:24:50 | 0:24:52 | |
Yeah. | 0:24:55 | 0:24:56 | |
Did you like her? | 0:25:00 | 0:25:02 | |
Yeah. | 0:25:02 | 0:25:04 | |
Did she like you? | 0:25:04 | 0:25:06 | |
I think so. | 0:25:06 | 0:25:07 | |
Did she flirt with you? | 0:25:07 | 0:25:08 | |
Yeah, a little. | 0:25:08 | 0:25:10 | |
She had a way of daring you to tell the truth | 0:25:12 | 0:25:15 | |
so you wanted to tell the truth. | 0:25:15 | 0:25:18 | |
Yeah. | 0:25:18 | 0:25:19 | |
Hey. It's all right. | 0:25:22 | 0:25:24 | |
It's all right. | 0:25:29 | 0:25:31 | |
-VOICE MAIL: -'You're probably fast asleep so never mind. | 0:25:32 | 0:25:36 | |
'It's just that Vernon wanted a word, didn't you, Vernon? | 0:25:36 | 0:25:39 | |
'If you play this in the morning, maybe you could phone him, Father. | 0:25:41 | 0:25:46 | |
'You know what he's like. | 0:25:46 | 0:25:47 | |
'Doesn't believe a word his mother tells him but everything you say is gospel. | 0:25:47 | 0:25:52 | |
'No pun intended, Father.' | 0:25:52 | 0:25:55 | |
-MACHINE: -'Message deleted.' | 0:25:55 | 0:25:56 | |
The coroner has... He's asked a few witnesses, right at the end, | 0:26:02 | 0:26:06 | |
if there's anything else that's relevant to the inquest. | 0:26:06 | 0:26:10 | |
And if he asks you, are you going to tell him about that? | 0:26:11 | 0:26:14 | |
Well, yeah, I'll be on oath. | 0:26:16 | 0:26:17 | |
Will it make any difference to the verdict? | 0:26:17 | 0:26:20 | |
No. | 0:26:21 | 0:26:23 | |
So... | 0:26:23 | 0:26:25 | |
..is it relevant? | 0:26:26 | 0:26:28 | |
He was ranting and raving well before we put in an appearance. | 0:26:33 | 0:26:36 | |
So you can't say we ratcheted up the tension by going in there. | 0:26:37 | 0:26:42 | |
That boy should never have been allowed out of that hospital. | 0:26:42 | 0:26:45 | |
I hear the nurses saying he was the least unwell. | 0:26:45 | 0:26:48 | |
If that's the case, I'd hate to see the most. | 0:26:48 | 0:26:52 | |
There was no way he was calming down. | 0:26:52 | 0:26:55 | |
On the contrary, he was stoking his anger. | 0:26:55 | 0:26:58 | |
I've seen it lots of times - a man stoking his anger till he's | 0:26:59 | 0:27:03 | |
able to do something he'd never contemplate when sober and calm. | 0:27:03 | 0:27:08 | |
I knew I had to use that spray. | 0:27:08 | 0:27:10 | |
Had I not used it, we would not be at his inquest today, | 0:27:10 | 0:27:15 | |
we would be at his mother's. | 0:27:15 | 0:27:17 | |
I know that Andrew Powell agrees with this because... | 0:27:17 | 0:27:20 | |
-Shame on you, girl! -..he started to barge the door... -Shame on you, girl! | 0:27:20 | 0:27:24 | |
-..round about the same time... -Shame on you! -Mrs Oyenusi! | 0:27:24 | 0:27:27 | |
-..trying to get at Vernon to restrain him. -Please. | 0:27:27 | 0:27:29 | |
I know how hard this is for you but, please, Mrs Oyenusi, you have to let the witness speak. | 0:27:31 | 0:27:35 | |
The Taser was out of the question because of his clothing. | 0:27:35 | 0:27:38 | |
I doubt it would have had any effect. | 0:27:38 | 0:27:40 | |
The truth was they were sending Vernon home even though | 0:28:04 | 0:28:07 | |
he wasn't well so I can understand them lying at first. | 0:28:07 | 0:28:12 | |
But they DID go on to tell the absolute truth | 0:28:12 | 0:28:15 | |
and I respected them for that and I'm sure Helen did as well. | 0:28:15 | 0:28:19 | |
Is there anything else you'd like to add, | 0:28:20 | 0:28:23 | |
anything that's relevant to this inquest? | 0:28:23 | 0:28:25 | |
I was dreading that question. | 0:28:29 | 0:28:31 | |
IS there something? | 0:28:32 | 0:28:34 | |
Helen phoned me that night to say that Vernon was ill. | 0:28:37 | 0:28:40 | |
She got the answering machine... | 0:28:42 | 0:28:44 | |
..and, erm, | 0:28:46 | 0:28:48 | |
I was there as she spoke but I didn't pick up. | 0:28:48 | 0:28:51 | |
It was, erm... | 0:28:57 | 0:28:59 | |
Well, I'd had a busy day and it was... | 0:28:59 | 0:29:01 | |
It was late and I was tired. | 0:29:05 | 0:29:06 | |
Had I gone round there, had I... | 0:29:09 | 0:29:11 | |
Had I picked up... | 0:29:12 | 0:29:14 | |
..Vernon might still be alive. | 0:29:16 | 0:29:18 | |
I swear by Almighty God that the evidence I shall give shall | 0:30:17 | 0:30:21 | |
be the truth, the whole truth and nothing but the truth. | 0:30:21 | 0:30:24 | |
And it's going to cost me. | 0:30:27 | 0:30:28 | |
Ever since PC Dawn Morris first walked into our nick, | 0:30:33 | 0:30:37 | |
we've given her stick... | 0:30:37 | 0:30:40 | |
because she's a woman. | 0:30:40 | 0:30:41 | |
Ever since PC Dawn Morris first walked into our nick, | 0:30:42 | 0:30:46 | |
she's had to prove she's as good a copper as any man there. | 0:30:46 | 0:30:50 | |
And I think it's that that cost Vernon Oyenusi his life. | 0:30:52 | 0:30:56 | |
When I get there, Vernon's distressed, yes, | 0:30:57 | 0:31:02 | |
but he's no threat to anyone. | 0:31:02 | 0:31:04 | |
It's as his mother says - | 0:31:05 | 0:31:08 | |
he just needs calming down | 0:31:08 | 0:31:10 | |
and I'm trying to do that until... | 0:31:10 | 0:31:12 | |
..Dawn and Ian Wakefield suddenly appear behind Vernon... | 0:31:15 | 0:31:18 | |
..and scare the living shit out of him. | 0:31:20 | 0:31:22 | |
See, I think Dawn knows there and then she's done the wrong thing... | 0:31:23 | 0:31:27 | |
..but she can't admit it... | 0:31:29 | 0:31:30 | |
..because she's a woman in a man's world. | 0:31:32 | 0:31:35 | |
She's got to get control of the situation, | 0:31:35 | 0:31:37 | |
prove how decisive she can be. | 0:31:37 | 0:31:39 | |
So she goes for her spray and that's | 0:31:41 | 0:31:44 | |
when I start barging the door and it's not to grab Vernon... | 0:31:44 | 0:31:49 | |
..which is what Dawn said. | 0:31:50 | 0:31:51 | |
It's to stop Dawn spraying a mentally ill man. | 0:31:53 | 0:31:56 | |
Now I'm screaming at her not to do it and I know it registers. | 0:32:01 | 0:32:04 | |
I know she realises... | 0:32:06 | 0:32:08 | |
.."Shit, this is a big mistake," but what's she going to do? | 0:32:09 | 0:32:12 | |
She's already got the canister in her hand, she has to use it, | 0:32:12 | 0:32:15 | |
she has to be decisive. | 0:32:15 | 0:32:17 | |
So she sprays him... | 0:32:20 | 0:32:21 | |
..and he blunders out... | 0:32:22 | 0:32:24 | |
..and we hear two shots. | 0:32:26 | 0:32:27 | |
It is the most stupid thing... | 0:32:32 | 0:32:36 | |
..I've ever seen a copper do. | 0:32:38 | 0:32:39 | |
-You've reached your decisions, I believe. -Yes. | 0:33:16 | 0:33:20 | |
How have you answered question number one? | 0:33:20 | 0:33:23 | |
Did Sergeant Denis Kilcaid act lawfully or unlawfully in shooting Vernon Oyenusi? | 0:33:23 | 0:33:28 | |
Lawfully. | 0:33:28 | 0:33:29 | |
Thank you. | 0:33:29 | 0:33:31 | |
How have you answered question number two? | 0:33:33 | 0:33:36 | |
Did PC Dawn Morris act lawfully or unlawfully in spraying Vernon Oyenusi? | 0:33:36 | 0:33:42 | |
Unlawfully. | 0:33:42 | 0:33:43 | |
Thank you. | 0:33:44 | 0:33:46 | |
And how have you answered question number three? | 0:33:46 | 0:33:48 | |
Was Vernon Oyenusi lawfully or unlawfully killed? | 0:33:48 | 0:33:52 | |
Unlawfully. | 0:33:52 | 0:33:54 | |
Thank you. | 0:33:54 | 0:33:56 | |
Thank you, members of the jury for the way you've conducted yourselves | 0:33:56 | 0:33:59 | |
throughout this difficult, demanding and profoundly moving inquest. | 0:33:59 | 0:34:04 | |
I'd like you to leave now, but if you could wait in the jury room | 0:34:04 | 0:34:06 | |
because there is a document each of you has to sign. | 0:34:06 | 0:34:09 | |
I'd also like to thank the administrative staff for ensuring | 0:34:09 | 0:34:11 | |
this inquest proceeded as smoothly and as efficiently as it did. | 0:34:11 | 0:34:15 | |
Thank you. | 0:34:15 | 0:34:17 | |
And finally, to Mrs Oyenusi, I wish to offer our deepest sympathy | 0:34:17 | 0:34:22 | |
on the loss of her son. | 0:34:22 | 0:34:24 | |
Vernon's death certificate will be completed to reflect | 0:34:24 | 0:34:27 | |
the findings of the jury and will be available to Mrs Oyenusi | 0:34:27 | 0:34:31 | |
on payment of the appropriate fee. Thank you. | 0:34:31 | 0:34:33 | |
SOBBING | 0:34:36 | 0:34:39 | |
Helen. | 0:35:34 | 0:35:35 | |
Please say you forgive me. | 0:35:35 | 0:35:36 | |
Why didn't you tell me? | 0:35:38 | 0:35:40 | |
I... I couldn't. | 0:35:41 | 0:35:42 | |
Even when you DID tell the truth you did so only | 0:35:44 | 0:35:46 | |
because you were too frightened to lie on oath. Yes? | 0:35:46 | 0:35:49 | |
-Yes. -You didn't do it for me, you did it for yourself. Yes? | 0:35:52 | 0:35:55 | |
Yes. | 0:35:58 | 0:35:59 | |
In the name of the Father and of the Son and of the Holy Spirit. | 0:36:32 | 0:36:36 | |
Amen. | 0:36:36 | 0:36:37 | |
The grace of Our Lord Jesus Christ and the love of God | 0:36:37 | 0:36:41 | |
and the communion of the Holy Spirit be with you all. | 0:36:41 | 0:36:43 | |
And with your spirit. | 0:36:43 | 0:36:45 | |
Brothers and sisters, let us acknowledge our sins | 0:36:47 | 0:36:51 | |
and so prepare ourselves to celebrate the sacred mysteries. | 0:36:51 | 0:36:55 | |
RADIO PLAYS | 0:36:57 | 0:36:58 | |
DISTANT SHOUTING AND SOBBING | 0:37:01 | 0:37:03 | |
For on the night He was betrayed, | 0:37:06 | 0:37:09 | |
He himself took bread... | 0:37:09 | 0:37:11 | |
..and, giving you thanks... | 0:37:12 | 0:37:14 | |
You little horror. | 0:37:14 | 0:37:16 | |
..He said the blessing... | 0:37:16 | 0:37:17 | |
..broke the bread and gave it to His disciples, saying, | 0:37:20 | 0:37:24 | |
"Take this, all of you, and eat of it | 0:37:24 | 0:37:29 | |
"for this is my body which will be given up for you." | 0:37:29 | 0:37:33 | |
BELL RINGS | 0:37:33 | 0:37:34 | |
GUNSHOTS | 0:37:36 | 0:37:38 | |
In a similar way, when supper was ended, He took the chalice... | 0:37:38 | 0:37:42 | |
-MOTHER'S VOICE: -You said you'd lived with shame, but you haven't. | 0:37:42 | 0:37:45 | |
..and, giving you thanks, He said the blessing | 0:37:45 | 0:37:49 | |
and gave the chalice to his disciples saying... | 0:37:49 | 0:37:51 | |
It's guilt you've lived with. | 0:37:51 | 0:37:53 | |
.."Take this, all of you... | 0:37:55 | 0:37:59 | |
I'm going to kill myself, Michael. | 0:37:59 | 0:38:00 | |
"..and drink from... Of it. | 0:38:00 | 0:38:01 | |
"For this is the chalice of my blood, | 0:38:04 | 0:38:06 | |
"the blood of the new and eternal covenant..." | 0:38:06 | 0:38:09 | |
You bloody hypocrite. | 0:38:09 | 0:38:11 | |
I suppose we're all thieves. | 0:38:11 | 0:38:13 | |
"..which will be poured out for you, and for many for the forgiveness of sins." | 0:38:13 | 0:38:18 | |
IMAGINED VOICES OVERLAP | 0:38:18 | 0:38:22 | |
"Do this... | 0:38:22 | 0:38:23 | |
"in memory of me." | 0:38:23 | 0:38:25 | |
BELL RINGS | 0:38:25 | 0:38:26 | |
I really admire you. | 0:38:42 | 0:38:43 | |
Thank you. | 0:38:45 | 0:38:47 | |
Have they been OK with you? | 0:38:47 | 0:38:49 | |
I haven't really been back. I'm off at the moment. | 0:38:51 | 0:38:54 | |
Stress. | 0:38:55 | 0:38:56 | |
Suits everyone. | 0:38:57 | 0:38:59 | |
-Are YOU OK? -Yeah. | 0:39:01 | 0:39:03 | |
I'm sorry for everything I put you through. | 0:39:06 | 0:39:08 | |
Michael, you didn't put me through anything. | 0:39:08 | 0:39:11 | |
Thanks. | 0:39:11 | 0:39:12 | |
You didn't kill him, either. | 0:39:17 | 0:39:19 | |
Thanks. | 0:39:23 | 0:39:24 | |
And do you always get them? | 0:39:36 | 0:39:38 | |
Always. | 0:39:39 | 0:39:40 | |
And they're at their worst during the consecration? | 0:39:41 | 0:39:44 | |
Yes. | 0:39:44 | 0:39:46 | |
Why is that, do you think? | 0:39:47 | 0:39:49 | |
Because I know... | 0:39:53 | 0:39:54 | |
..in here... | 0:39:56 | 0:39:57 | |
..that I'm not fit to be a priest. | 0:39:59 | 0:40:00 | |
So at the supreme moment of priesthood, | 0:40:03 | 0:40:06 | |
the consecration, this... | 0:40:06 | 0:40:08 | |
..this reminds me of all the dirty, filthy things I have | 0:40:09 | 0:40:13 | |
done in my life and of all the dirty, filthy things that have been | 0:40:13 | 0:40:17 | |
done to me and it says, "How dare you think yourself worthy of this!" | 0:40:17 | 0:40:23 | |
Well, you're not alone. | 0:40:26 | 0:40:27 | |
You? | 0:40:29 | 0:40:30 | |
No, but other priests have told me the same thing in the past. | 0:40:31 | 0:40:36 | |
I'm packing it in. | 0:40:38 | 0:40:40 | |
I'll wait till me mam dies cos it will break her heart | 0:40:40 | 0:40:43 | |
but, when she goes, I'm packing it in. | 0:40:43 | 0:40:45 | |
The woman, Roz, she once said guilt is YOU knowing | 0:40:50 | 0:40:56 | |
you've done something wrong. | 0:40:56 | 0:40:58 | |
Shame is EVERYONE knowing. | 0:40:59 | 0:41:01 | |
How right she was. | 0:41:03 | 0:41:05 | |
Will you join me? | 0:41:17 | 0:41:18 | |
I can't. | 0:41:25 | 0:41:27 | |
Michael! | 0:41:27 | 0:41:28 | |
I can't. | 0:41:31 | 0:41:32 | |
This is Michael Kerrigan, Lord, he's a good priest. | 0:41:41 | 0:41:44 | |
He's quick to forgive others, slow to forgive himself. | 0:41:46 | 0:41:50 | |
Grant him peace, Lord. | 0:41:52 | 0:41:53 | |
Amen. | 0:41:55 | 0:41:56 | |
Thank you. | 0:42:00 | 0:42:02 | |
RAIN PATTERS | 0:42:02 | 0:42:04 | |
-Yeah? -Sorry to bother you, Christina. | 0:42:19 | 0:42:22 | |
I'm Andrew Powell. I'm a copper. | 0:42:22 | 0:42:24 | |
I nicked you once. | 0:42:24 | 0:42:25 | |
I just wanted to have a quick word with you - it's about Father Michael Kerrigan. | 0:42:27 | 0:42:30 | |
I'm sorry for how I treated you. | 0:42:38 | 0:42:40 | |
I don't know what you mean. | 0:42:45 | 0:42:47 | |
When you were young. | 0:42:49 | 0:42:50 | |
I still don't know what you mean. | 0:42:56 | 0:42:58 | |
I was a mess. | 0:43:01 | 0:43:02 | |
Nerves on edge. | 0:43:05 | 0:43:06 | |
Mam... | 0:43:11 | 0:43:12 | |
You've been a wonderful mother. | 0:43:14 | 0:43:16 | |
That's all that I remember. | 0:43:18 | 0:43:20 | |
Tell me something nice. | 0:43:27 | 0:43:28 | |
Right. | 0:43:32 | 0:43:33 | |
Remember Yaffee - he had that donkey? | 0:43:35 | 0:43:38 | |
SHE CHUCKLES | 0:43:41 | 0:43:43 | |
Mam? | 0:44:00 | 0:44:02 | |
O God, who commanded us to honour our father and mother, | 0:44:19 | 0:44:25 | |
have compassion on my mother's soul. | 0:44:25 | 0:44:28 | |
Forgive her her sins | 0:44:28 | 0:44:30 | |
and grant that I may see her again | 0:44:30 | 0:44:33 | |
in the joy of eternal brightness... | 0:44:33 | 0:44:35 | |
..through Christ our Lord. | 0:44:37 | 0:44:39 | |
Amen. | 0:44:41 | 0:44:42 | |
Hiya, Beth, it's me. | 0:45:01 | 0:45:02 | |
She died in the night. | 0:45:05 | 0:45:06 | |
I'm sorry, Beth. I know. | 0:45:07 | 0:45:09 | |
I will, I will. | 0:45:11 | 0:45:13 | |
Bye. | 0:45:15 | 0:45:16 | |
# ..To there, why not share? # | 0:45:44 | 0:45:49 | |
Three, four! | 0:45:49 | 0:45:51 | |
# And the load doesn't weigh me down at all | 0:45:51 | 0:46:04 | |
# He ain't heavy, he's my brother... # | 0:46:06 | 0:46:14 | |
PEOPLE SING KARAOKE | 0:46:15 | 0:46:17 | |
Kick, rush and threaten everyone. | 0:46:25 | 0:46:27 | |
-Brian Marwood. -That's two. | 0:46:27 | 0:46:29 | |
-What position? -Outside right. | 0:46:29 | 0:46:31 | |
-Outside right, my arse. -You were too slow to play wide right. | 0:46:31 | 0:46:35 | |
My pace was deceptive, mate. | 0:46:35 | 0:46:36 | |
Aye, you were slower than you looked. | 0:46:36 | 0:46:38 | |
Slower than a week in t'nick. | 0:46:38 | 0:46:40 | |
I bet there's not one man here could live with me over 50 yards. | 0:46:40 | 0:46:44 | |
Hey, are you listening? | 0:46:44 | 0:46:45 | |
Not one man here could live with me over 50 yards. | 0:46:45 | 0:46:48 | |
-Especially you. -Bollocks. | 0:46:48 | 0:46:49 | |
-Curran. Terry Curran. -I once give him ten yards. | 0:46:49 | 0:46:52 | |
I were six year old! | 0:46:52 | 0:46:53 | |
All right, then, whoever's man enough, get outside now - 50-yard sprint. | 0:46:53 | 0:46:57 | |
I could beat you, hopping. | 0:46:57 | 0:46:58 | |
Aged 50, start from scratch. Anyone above 50, one yard for each year. | 0:46:58 | 0:47:02 | |
-All right? -Right! | 0:47:02 | 0:47:04 | |
Come on, then! Are you men or mouses? | 0:47:04 | 0:47:06 | |
Right. | 0:47:06 | 0:47:07 | |
Taking this with me. | 0:47:07 | 0:47:09 | |
It's beneath me. | 0:47:10 | 0:47:11 | |
Have you paid in? | 0:47:15 | 0:47:16 | |
Come on, Eddie, don't muck about! | 0:47:17 | 0:47:20 | |
Back to that tree. | 0:47:20 | 0:47:21 | |
Come on, it's pissing down! | 0:47:21 | 0:47:23 | |
-It's not all here! -Eddie, man, just start it, will you! | 0:47:23 | 0:47:26 | |
Just start it! | 0:47:26 | 0:47:29 | |
On your marks, get set, go! | 0:47:29 | 0:47:33 | |
MUSIC: He Ain't Heavy, He's My Brother by The Hollies | 0:47:33 | 0:47:35 | |
-Hangover? -Yeah. | 0:48:38 | 0:48:41 | |
When was the last time you had one of them? | 0:48:41 | 0:48:44 | |
8th of May, 1979. | 0:48:44 | 0:48:46 | |
Drew 2-2 with Leicester and got relegated. | 0:48:47 | 0:48:49 | |
Will you be all right for the funeral? | 0:48:51 | 0:48:55 | |
Father Adrian's doing it. | 0:48:55 | 0:48:58 | |
What? | 0:48:58 | 0:49:00 | |
I'm not a priest, Beth. I'm an impostor. | 0:49:00 | 0:49:02 | |
You're doing it, you prick! | 0:49:02 | 0:49:05 | |
It was her dying wish. | 0:49:05 | 0:49:06 | |
MUSIC: A Silent Prayer by Ruth Barrett | 0:49:11 | 0:49:16 | |
Good morning, all. | 0:51:29 | 0:51:31 | |
I'd like to thank Father Adrian here | 0:51:31 | 0:51:34 | |
for letting me conduct this service in his church today. | 0:51:34 | 0:51:37 | |
And I'd like to welcome you all. | 0:51:38 | 0:51:41 | |
Especially the, er, Kerrigan clan, | 0:51:44 | 0:51:47 | |
many of whom haven't been to mass for years... | 0:51:47 | 0:51:51 | |
..so they're probably wondering whether they can take communion or not. | 0:51:52 | 0:51:56 | |
You can. | 0:51:56 | 0:51:57 | |
I'll give a general absolution during the service | 0:51:58 | 0:52:02 | |
so there's nothing stopping you. | 0:52:02 | 0:52:04 | |
Please take it. | 0:52:06 | 0:52:07 | |
It would mean so much to me | 0:52:08 | 0:52:10 | |
and to Mam. | 0:52:10 | 0:52:12 | |
In the name of the Father and of the Son and of the Holy Spirit. | 0:52:18 | 0:52:23 | |
-Amen. -The grace of our Lord Jesus Christ and the love of God | 0:52:23 | 0:52:27 | |
and the communion of the Holy Spirit be with you all. | 0:52:27 | 0:52:30 | |
And with your spirit. | 0:52:30 | 0:52:31 | |
As we prepare to celebrate the mystery of Christ's love, | 0:52:33 | 0:52:37 | |
let us call to mind our sins. | 0:52:37 | 0:52:39 | |
The times I resented having to visit our mam. | 0:52:43 | 0:52:46 | |
The times I did it out of duty rather than love. | 0:52:50 | 0:52:53 | |
Oh, how that hurts today. | 0:52:55 | 0:52:56 | |
For on the night He was betrayed, He himself took bread... | 0:53:00 | 0:53:05 | |
..and giving you thanks... | 0:53:09 | 0:53:10 | |
..He said the blessing... | 0:53:12 | 0:53:13 | |
..broke the bread... | 0:53:14 | 0:53:16 | |
..and gave it to His disciples, saying, | 0:53:17 | 0:53:20 | |
"Take this, all of you... | 0:53:20 | 0:53:23 | |
"..and eat of it. | 0:53:25 | 0:53:26 | |
"For this is my body | 0:53:27 | 0:53:29 | |
which will be given up for you." | 0:53:29 | 0:53:32 | |
BELL RINGS | 0:53:32 | 0:53:33 | |
In a similar way... | 0:53:41 | 0:53:43 | |
..when supper was ended... | 0:53:44 | 0:53:46 | |
..He took the chalice... | 0:53:48 | 0:53:49 | |
..and, giving you thanks... | 0:53:53 | 0:53:54 | |
..He said the blessing... | 0:53:56 | 0:53:58 | |
..and gave the chalice to His disciples, saying... | 0:54:01 | 0:54:05 | |
"Take this, all of you, and drink from it... | 0:54:08 | 0:54:12 | |
"..for this is the chalice of my blood, | 0:54:13 | 0:54:18 | |
"the blood of the new and eternal covenant which | 0:54:18 | 0:54:22 | |
"will be poured out for you and for many for the forgiveness of sins. | 0:54:22 | 0:54:27 | |
"Do this in memory of me." | 0:54:30 | 0:54:33 | |
BELL RINGS | 0:54:33 | 0:54:35 | |
The body of Christ. | 0:54:42 | 0:54:43 | |
Amen. | 0:54:45 | 0:54:46 | |
The body of Christ. | 0:54:50 | 0:54:51 | |
Amen. | 0:54:51 | 0:54:52 | |
The body of Christ. | 0:54:56 | 0:54:57 | |
Amen. | 0:54:57 | 0:54:58 | |
The body of Christ. | 0:55:01 | 0:55:03 | |
Amen. | 0:55:03 | 0:55:04 | |
The body of Christ. | 0:55:14 | 0:55:16 | |
Amen, you wonderful priest. | 0:55:16 | 0:55:17 | |
The body of Christ. | 0:55:26 | 0:55:27 | |
Amen... | 0:55:28 | 0:55:30 | |
you wonderful priest. | 0:55:30 | 0:55:32 | |
The body of Christ. | 0:55:38 | 0:55:40 | |
Amen... | 0:55:40 | 0:55:42 | |
you wonderful priest. | 0:55:42 | 0:55:43 | |
The body of Christ. | 0:55:50 | 0:55:51 | |
Amen... | 0:55:53 | 0:55:55 | |
you wonderful priest. | 0:55:55 | 0:55:56 | |
The body of Christ. | 0:56:03 | 0:56:04 | |
Amen, you wonderful priest. | 0:56:04 | 0:56:06 | |
The body of Christ. | 0:56:08 | 0:56:09 | |
Amen... | 0:56:09 | 0:56:11 | |
you wonderful priest. | 0:56:11 | 0:56:12 | |
The body of Christ. | 0:56:16 | 0:56:17 | |
Amen, you wonderful priest. | 0:56:18 | 0:56:21 | |
The body of Christ. | 0:56:33 | 0:56:35 | |
Amen, you wonderful priest. | 0:56:36 | 0:56:38 | |
The body of Christ. | 0:56:59 | 0:57:00 | |
The body of Christ. | 0:57:04 | 0:57:05 | |
The body of Christ. | 0:57:09 | 0:57:10 | |
The body of Christ. | 0:57:14 | 0:57:15 | |
# Tell me what it's like in heaven | 0:57:28 | 0:57:33 | |
# I hope it's kinder than it is down here | 0:57:33 | 0:57:37 | |
# With all the trials and tribulations | 0:57:37 | 0:57:42 | |
# All the worry and living in fear | 0:57:42 | 0:57:45 | |
# Hallelujah, hallelujah | 0:57:47 | 0:57:53 | |
# We might be bruised but we're not broken. # | 0:57:53 | 0:57:58 |