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This programme contains some scenes of a sexual nature | 0:00:02 | 0:00:09 | |
APPLAUSE | 0:00:09 | 0:00:11 | |
Come back! | 0:00:18 | 0:00:20 | |
SHE SCREAMS | 0:00:20 | 0:00:22 | |
SHOUTING | 0:00:27 | 0:00:29 | |
Go! | 0:00:31 | 0:00:33 | |
Where the hell are they? | 0:00:40 | 0:00:43 | |
You first interviewed the prosecution witness, Mr Raymond Nash, | 0:00:44 | 0:00:49 | |
on November 11th 2012. | 0:00:49 | 0:00:52 | |
Is that correct? That's correct. | 0:00:52 | 0:00:54 | |
And it was during that interview that you informed Mr Nash | 0:00:54 | 0:00:58 | |
that his fingerprints had been found at the house? | 0:00:58 | 0:01:00 | |
Yes. | 0:01:00 | 0:01:02 | |
And would you agree that this was the main reason why Mr Nash | 0:01:02 | 0:01:06 | |
gave his evidence against my client? Objection! | 0:01:06 | 0:01:09 | |
Did you ever talk to Mr Nash directly about his reasons | 0:01:13 | 0:01:17 | |
for giving evidence against my client, Mr Mason? | 0:01:17 | 0:01:21 | |
Like I said, we found his fingerprints. | 0:01:21 | 0:01:24 | |
He didn't have a lot of options. Indeed. | 0:01:24 | 0:01:27 | |
Don't try that again! | 0:01:27 | 0:01:29 | |
So you offered him a way out? A deal. | 0:01:29 | 0:01:33 | |
If he gave evidence against my client, | 0:01:33 | 0:01:35 | |
any possible charges against him would be reduced. Dropped even. | 0:01:35 | 0:01:40 | |
Yes. We had some bigger fish to fry. | 0:01:40 | 0:01:43 | |
And you would stop at nothing to get him... | 0:01:43 | 0:01:46 | |
..isn't that so, Inspector? Within the law. | 0:01:47 | 0:01:51 | |
Get up! | 0:01:53 | 0:01:55 | |
SCREAMING On your toes! | 0:01:55 | 0:01:57 | |
You have not presented to the court | 0:01:59 | 0:02:02 | |
a single shred of evidence to either place Mr Mason at the scene, | 0:02:02 | 0:02:07 | |
or to establish that he was in any way connected to the events of that night. | 0:02:07 | 0:02:11 | |
Your entire case | 0:02:11 | 0:02:13 | |
is founded on the evidence of a man trying to save his own skin, | 0:02:13 | 0:02:17 | |
is it not? | 0:02:17 | 0:02:19 | |
Open it. | 0:02:27 | 0:02:29 | |
MOBILE PHONE RINGS | 0:02:46 | 0:02:49 | |
Hi, how are you? Good to see you. Excuse me, one sec. | 0:02:49 | 0:02:52 | |
Hello, yeah? | 0:02:52 | 0:02:54 | |
We're just finishing up now, Nick. You just said his name! | 0:02:54 | 0:02:57 | |
Kill him. | 0:02:59 | 0:03:01 | |
Ladies and gentlemen, the prosecution have not even managed to place my client at the scene. | 0:03:10 | 0:03:15 | |
Indeed, we have 100 witnesses who saw him that same night | 0:03:17 | 0:03:23 | |
at an event some 50 miles away, | 0:03:23 | 0:03:26 | |
supporting one of his many charitable causes. | 0:03:26 | 0:03:29 | |
So, if they cannot show that he was there | 0:03:29 | 0:03:33 | |
or establish a link to the events that took place, | 0:03:33 | 0:03:36 | |
however tragic they may be, | 0:03:36 | 0:03:39 | |
how can you possibly find him guilty? | 0:03:39 | 0:03:42 | |
Members of the jury, you will shortly be asked to leave the court | 0:03:46 | 0:03:50 | |
to consider your decision. | 0:03:50 | 0:03:52 | |
Mr Mason has asked me to read a short statement. | 0:03:58 | 0:04:02 | |
Although the police made a terrible mistake | 0:04:02 | 0:04:04 | |
and showed a woeful lack of judgment in this case, | 0:04:04 | 0:04:07 | |
it's important that we don't forget | 0:04:07 | 0:04:10 | |
the wonderful work they all do on our behalf. | 0:04:10 | 0:04:12 | |
And it's also important to remember that this isn't about me. | 0:04:12 | 0:04:16 | |
This is about the family of that poor man Anthony Cummings. | 0:04:16 | 0:04:20 | |
My heart goes out to them. | 0:04:20 | 0:04:22 | |
All we can do is hope that the police catch whoever is responsible. | 0:04:22 | 0:04:27 | |
As for today, we should all be proud that justice has been done. | 0:04:27 | 0:04:31 | |
Hiya. You all right? | 0:05:38 | 0:05:41 | |
Got this, innit. | 0:05:41 | 0:05:42 | |
Lucky you! | 0:05:42 | 0:05:44 | |
What, and I get to meet all the boys, yeah? | 0:05:44 | 0:05:47 | |
After the stadium tour's over, there's a meet and greet in the boardroom. Is it? | 0:05:47 | 0:05:51 | |
Is it what? | 0:05:51 | 0:05:53 | |
Nothing. I was just saying "is it", innit. | 0:05:53 | 0:05:56 | |
Good. Looks like we had a bit of trouble finding you, Jason. | 0:05:56 | 0:05:59 | |
Yeah, I was at my Auntie V's for a little bit, innit. | 0:05:59 | 0:06:02 | |
I've been having some Fed-based issues, you feel me? We feel you. | 0:06:02 | 0:06:06 | |
Can you just, erm, confirm your date of birth for me? | 0:06:06 | 0:06:09 | |
11... | 0:06:09 | 0:06:11 | |
..five, '93. | 0:06:12 | 0:06:14 | |
That's perfect. All right, if you follow me. You're the last one. | 0:06:15 | 0:06:19 | |
Here we go. | 0:06:32 | 0:06:34 | |
All of them, even the manager? | 0:06:34 | 0:06:36 | |
Jason Turner. Jason, congratulations, mate. | 0:06:36 | 0:06:40 | |
What are you doing, man? You're under arrest for supporting Arsenal Football Club. | 0:06:42 | 0:06:46 | |
You do not have to say anything but anything you do say will be ignored. | 0:06:46 | 0:06:49 | |
Theft of a plasma TV, Xbox and assorted confectionery in last month's riots. | 0:06:49 | 0:06:53 | |
Skipped bail, three counts of assault in August, skipped bail again - quite a list. | 0:06:53 | 0:06:57 | |
Are you cops? It's a grey area. | 0:06:57 | 0:07:00 | |
Move up. Right, in you pop, princess. | 0:07:01 | 0:07:03 | |
There you go, front row seats, as promised. | 0:07:03 | 0:07:07 | |
Away you go, mate. Nice one. | 0:07:10 | 0:07:12 | |
We're not going to the Emirates, is it? | 0:07:13 | 0:07:15 | |
You know, I'm not sure that's ethical. | 0:07:15 | 0:07:18 | |
What isn't? Using a man's sporting allegiance to trick him. | 0:07:18 | 0:07:22 | |
Very, very underhand. | 0:07:22 | 0:07:23 | |
They're crooks. Worse than that, they're Gooners. | 0:07:23 | 0:07:26 | |
Yeah, that's a fair point. | 0:07:26 | 0:07:28 | |
MOBILE PHONE RINGS Hello? | 0:07:28 | 0:07:31 | |
Nicholas Mason. | 0:07:51 | 0:07:53 | |
It's time he realised he doesn't run London, we do. | 0:07:53 | 0:07:55 | |
You might. I still can't get a parking space. I need you to make him a priority, Jack. | 0:07:55 | 0:08:00 | |
This is the third trial in five years he's walked away from. Frankly, it's embarrassing. | 0:08:00 | 0:08:05 | |
Mason's too clever. Never gets his hands dirty. | 0:08:05 | 0:08:08 | |
He's never at the scene of his crimes, nothing he owns is in his own name. | 0:08:08 | 0:08:12 | |
He even plays the media to make it look like he's being persecuted. | 0:08:12 | 0:08:15 | |
We need to find a way to flush him out in to the open. | 0:08:15 | 0:08:18 | |
I take it that's the royal "we"? | 0:08:18 | 0:08:20 | |
We also think someone's been feeding him information, | 0:08:22 | 0:08:25 | |
so we released false intelligence and tracked it, | 0:08:25 | 0:08:28 | |
which we think narrows it down to these two. | 0:08:28 | 0:08:31 | |
A DS and a DC in the Organised Crime Unit. | 0:08:31 | 0:08:34 | |
They were suspended this morning pending further investigation. | 0:08:34 | 0:08:37 | |
There's something else that may or may not be useful. | 0:08:37 | 0:08:41 | |
The key witness in the Cummings trial was a former employee, Raymond Nash. | 0:08:41 | 0:08:46 | |
He's now under 24-hour armed guard. Mason will come after him sooner or later. | 0:08:46 | 0:08:50 | |
What about the other two guys Nash testified against? | 0:08:50 | 0:08:53 | |
The ones who took the manager to the factory. | 0:08:53 | 0:08:55 | |
Yeah, Frank Reed and Carl Walden. | 0:08:55 | 0:08:57 | |
Once Mason was found not guilty, | 0:08:57 | 0:09:00 | |
CPS thought we'd struggle to get a case against them. | 0:09:00 | 0:09:03 | |
So a man dies and everyone walks away like nothing happened? | 0:09:05 | 0:09:09 | |
That's why I have you. | 0:09:09 | 0:09:11 | |
I want him off the streets, Jack, by any means. | 0:09:12 | 0:09:15 | |
So, who have we got? | 0:09:56 | 0:09:58 | |
Nick Mason, or The Teflon Man, as the press like to call him. | 0:09:58 | 0:10:01 | |
A new breed of celebrity villain, even got his own PR people. | 0:10:01 | 0:10:04 | |
No-one's manipulated the press like this since the Krays in the '60s. | 0:10:04 | 0:10:08 | |
Surprise, surprise, it's a front. | 0:10:08 | 0:10:10 | |
Out of the public eye he's just another gangster, | 0:10:10 | 0:10:12 | |
using violence to crush anyone who gets in his way. | 0:10:12 | 0:10:15 | |
The bottom line is, he sends other people to do his dirty work. | 0:10:17 | 0:10:20 | |
EXPLOSION | 0:10:20 | 0:10:22 | |
No matter how many people he hurts, how many lives he ruins, the police can't get to him. | 0:10:22 | 0:10:26 | |
FIRE ALARM BLARES | 0:10:26 | 0:10:28 | |
MOBILE PHONE RINGS | 0:10:28 | 0:10:31 | |
Mason is always in the shadows, where the authorities can't touch him. | 0:10:32 | 0:10:35 | |
Hello? | 0:10:35 | 0:10:36 | |
It's done. | 0:10:36 | 0:10:38 | |
Recently acquitted of the murder of Anthony Cummings | 0:10:43 | 0:10:46 | |
during a raid where his family were held hostage. | 0:10:46 | 0:10:49 | |
Cummings was taken to his place of work, forced to open the safe | 0:10:49 | 0:10:52 | |
and then when he'd done so, shot in the head. | 0:10:52 | 0:10:55 | |
The time before that, Mason was charged with ordering an assault | 0:10:55 | 0:10:59 | |
during which one of his apes took the face off a 16-year-old girl with sulphuric acid | 0:10:59 | 0:11:03 | |
because her father wouldn't pay protection money. Again he was acquitted. | 0:11:03 | 0:11:07 | |
In all, he's walked away from three trials in five years. | 0:11:07 | 0:11:10 | |
Why don't we just shoot him? | 0:11:10 | 0:11:12 | |
It's direct, | 0:11:12 | 0:11:13 | |
it's economical on resources. | 0:11:13 | 0:11:14 | |
Are we allowed to kill people? No. Oh. I know, PC gone mad. | 0:11:14 | 0:11:18 | |
All right, complications. | 0:11:18 | 0:11:20 | |
Who are these? Detective Sergeant Christopher Henney and his DC, Charles O'Brien. | 0:11:20 | 0:11:24 | |
The two cops suspected | 0:11:24 | 0:11:25 | |
of being on Mason's payroll. | 0:11:25 | 0:11:27 | |
Both currently under suspension. | 0:11:27 | 0:11:29 | |
This is Raymond Nash. | 0:11:29 | 0:11:31 | |
Nash gave evidence against Mason in order to save his own skin. | 0:11:31 | 0:11:35 | |
He's now under 24-hour armed guard. | 0:11:35 | 0:11:38 | |
We know Mason will go for Nash and we might be able to use that. | 0:11:38 | 0:11:41 | |
We need to find a way to get to Mason - something that will knock him out of his comfort zone. | 0:11:42 | 0:11:47 | |
So I want everything from his birth certificate to his last TV licence. | 0:11:47 | 0:11:51 | |
Land registry search, bank statements, credit cards, car insurances - the works. | 0:11:51 | 0:11:55 | |
I want round-the-clock surveillance starting five minutes ago. | 0:11:55 | 0:11:58 | |
I want us all over Mason. Let's find a weakness we can exploit. | 0:11:58 | 0:12:01 | |
I still say it'd be quicker to shoot him. That's plan B. I'll leave it with you. | 0:12:01 | 0:12:05 | |
Where are you going? Fishing. | 0:12:05 | 0:12:08 | |
I'm going to see one of the bent cops, see if we can't get to him that way. | 0:12:08 | 0:12:11 | |
You a copper? | 0:12:22 | 0:12:24 | |
Do I look like a copper? No. You look like a nonce. | 0:12:27 | 0:12:30 | |
Give me a fiver or I'll tell my dad you touched me. | 0:12:30 | 0:12:34 | |
You thought about going on The Apprentice? What's that? | 0:12:34 | 0:12:37 | |
I tell you what, watch the car and I'll give you two quid. Fiver. We don't do shrapnel. | 0:12:37 | 0:12:42 | |
All right, a fiver, but not until I get back. | 0:12:42 | 0:12:45 | |
You still look like a nonce. | 0:12:46 | 0:12:48 | |
KNOCK ON DOOR | 0:12:50 | 0:12:52 | |
It's all right, Nan, I've got it. | 0:12:54 | 0:12:56 | |
Charles O'Brien? Charlie. | 0:13:03 | 0:13:05 | |
No-one calls me Charles except Nan when I don't bring my washing down. | 0:13:05 | 0:13:09 | |
So, IPCC not got a lot on, then, have they? | 0:13:11 | 0:13:15 | |
Sorry? | 0:13:19 | 0:13:21 | |
I've already had one visit today and he was Dumb so, you must be Dumber? | 0:13:22 | 0:13:27 | |
Very good. You should think about doing stand up, now your police career's in the toilet. | 0:13:28 | 0:13:33 | |
My rep said I don't have to talk to you. Oh, no, you don't. | 0:13:35 | 0:13:39 | |
What's that? Ten grand. A thank you present from Mr Mason. | 0:13:42 | 0:13:47 | |
Do you really think I'm stupid enough to fall for a cheap trick like that? | 0:13:51 | 0:13:55 | |
I don't know where you shop, but since when has ten grand been cheap? Are you a cop? It's a grey area. | 0:13:55 | 0:14:00 | |
Do you want the money or not? I bet there's not even any money in there. | 0:14:00 | 0:14:04 | |
That would be stupid. | 0:14:04 | 0:14:06 | |
OK. But, strictly speaking, you still took the bribe. It's toilet paper. | 0:14:14 | 0:14:18 | |
You didn't know, and you opened the envelope. I opened the envelope to prove you're a horse's arse. | 0:14:18 | 0:14:22 | |
But you did open it, so you've as good as admitted you're working for Nicholas Mason. | 0:14:22 | 0:14:26 | |
No, it just means you are, in fact, a horse's arse. | 0:14:26 | 0:14:28 | |
And what do you mean, it's a grey area? Are you a cop or not? I want to see your badge. | 0:14:28 | 0:14:33 | |
Oh, I forgot it. You what? Actually, my dog ate it. | 0:14:33 | 0:14:37 | |
Yeah...OK. | 0:14:37 | 0:14:39 | |
I tell you what, whoever you are, why don't you get out of my house, | 0:14:39 | 0:14:43 | |
before I throw you out? | 0:14:43 | 0:14:45 | |
How are we doing? | 0:14:49 | 0:14:50 | |
We've checked credit cards statements, bank records | 0:14:50 | 0:14:53 | |
and mobile phone bills, nothing very exciting here. | 0:14:53 | 0:14:56 | |
How's fishing? Erm...not sure. | 0:14:56 | 0:15:00 | |
'Oh, there is one thing. Erm, TomTom hacked a voicemail on Frank Reed's phone. | 0:15:00 | 0:15:04 | |
'The call must've been made while Reed was on remand.' | 0:15:04 | 0:15:07 | |
It's from a Scottish guy called Michael Craig. | 0:15:07 | 0:15:10 | |
I've checked him out and he's got form for armed robbery. | 0:15:10 | 0:15:13 | |
'He's in town and he wants to speak to Mason about a job | 0:15:13 | 0:15:16 | |
'which, I'm guessing, isn't mowing his lawn.' Anything else? | 0:15:16 | 0:15:19 | |
Yeah, he's staying in the Sovereign Hotel. | 0:15:19 | 0:15:22 | |
'Do you want us to go check him out?' No, not yet. | 0:15:22 | 0:15:25 | |
'Leave it with me. I'll meet you back at the ranch.' OK. | 0:15:25 | 0:15:29 | |
Guess who? | 0:15:37 | 0:15:39 | |
Michael Craig, boss. One of Terry's boys from Glasgow. | 0:16:10 | 0:16:14 | |
Mr Mason. | 0:16:19 | 0:16:21 | |
Are you kidding? | 0:16:22 | 0:16:24 | |
You're looking for work? Aye. | 0:16:27 | 0:16:30 | |
Terry said you were a... horrible bastard. | 0:16:30 | 0:16:33 | |
The driver of a security van refused to give him the code to the internal safety grill, | 0:16:34 | 0:16:38 | |
so he...nailed him to a tree and set fire to him. | 0:16:38 | 0:16:42 | |
Just his ankles, by the way. | 0:16:42 | 0:16:44 | |
He told me what I needed to know before I got to his bollocks. | 0:16:45 | 0:16:48 | |
Well, we can always use a man who's not afraid to get his hands dirty. | 0:16:48 | 0:16:52 | |
Do you drive, Michael? Whatever - drive, muscle, shooters, no shooters. | 0:16:52 | 0:16:57 | |
OK. | 0:16:59 | 0:17:00 | |
Usual place. | 0:17:00 | 0:17:01 | |
We may have one or two jobs in the offing. | 0:17:04 | 0:17:08 | |
Go back to your hotel and wait for somebody to call. | 0:17:08 | 0:17:11 | |
Frank, bring the car round to the front, would you? | 0:17:12 | 0:17:16 | |
How are we doing? We're hacked into the CCTV mainframe. | 0:17:18 | 0:17:22 | |
There's three cameras giving us coverage of Mason's office block. What, he's still in there? Yeah. | 0:17:22 | 0:17:27 | |
We've run an image check on everyone who's come in or out. | 0:17:27 | 0:17:30 | |
There were points when if you blew up the building, you'd cut the crime rate in the capital by 50%. | 0:17:30 | 0:17:35 | |
You wanted to shoot him this morning, now you want to blow him up. Time of the month? | 0:17:35 | 0:17:39 | |
Just asking. You know it's a myth that women are ruled by their monthly cycle, | 0:17:39 | 0:17:43 | |
no doubt invented by a man. Tetchy. | 0:17:43 | 0:17:46 | |
Besides, it's well documented... All the evidence is anecdotal. | 0:17:46 | 0:17:50 | |
It's men's way of explaining something they don't understand. | 0:17:50 | 0:17:53 | |
As in? As in the joy and mystery | 0:17:53 | 0:17:56 | |
and glorious diverse nature of womanhood. | 0:17:56 | 0:17:59 | |
Joy? Yeah, and mystery. | 0:17:59 | 0:18:02 | |
Mason's leaving. Can we track him? | 0:18:02 | 0:18:05 | |
Yeah, I can try. | 0:18:05 | 0:18:07 | |
What about his finances? | 0:18:07 | 0:18:09 | |
Pretty sure he's got his money stashed in some untraceable offshore accounts, | 0:18:09 | 0:18:13 | |
but, on paper, he bears a striking resemblance to Snow White. | 0:18:13 | 0:18:17 | |
His mobile phone is registered in somebody else's name, | 0:18:17 | 0:18:20 | |
he doesn't use e-mail or social networking sites. | 0:18:20 | 0:18:22 | |
He sweeps his office and his car twice a day for bugs | 0:18:22 | 0:18:25 | |
and he checks everybody who visits him for recording equipment. | 0:18:25 | 0:18:28 | |
I mean, he's not just careful, he's obsessive. | 0:18:28 | 0:18:31 | |
Shit. What? | 0:18:46 | 0:18:48 | |
I've lost him. | 0:18:48 | 0:18:50 | |
OK, hang on. | 0:18:53 | 0:18:55 | |
Camera's out. | 0:18:58 | 0:18:59 | |
So was this guy a cop or what? Dunno, not for sure. | 0:18:59 | 0:19:04 | |
He's a northerner. Said his name was Jack Quinn. | 0:19:04 | 0:19:07 | |
Could be internal affairs. | 0:19:07 | 0:19:09 | |
He didn't have anything, though? No, he was full of shit. | 0:19:09 | 0:19:12 | |
I'll ask around, see what department he's with. | 0:19:12 | 0:19:15 | |
Can you find Ray Nash? Frank, we're suspended. | 0:19:20 | 0:19:23 | |
That wasn't the question. Can you find Ray Nash? | 0:19:23 | 0:19:26 | |
They've got him in a safe house. It's not going to be easy. | 0:19:26 | 0:19:29 | |
It's not easy putting five grand a month in your Spanish bank accounts, but we manage it. | 0:19:29 | 0:19:33 | |
He was gone for six minutes. | 0:19:50 | 0:19:53 | |
Brilliant! The one camera in the whole section and that's where he goes. | 0:19:53 | 0:19:57 | |
He's good, you've got to hand it to him. | 0:19:57 | 0:20:00 | |
So what now? | 0:20:00 | 0:20:02 | |
OK, so surveillance isn't working. | 0:20:02 | 0:20:05 | |
TomTom, get us Mr Mason's address. | 0:20:05 | 0:20:07 | |
Let's go and see how the other half live. | 0:20:07 | 0:20:09 | |
Here she comes. | 0:20:22 | 0:20:24 | |
I'll put a track on her. | 0:20:24 | 0:20:25 | |
OK, I've put her number into plate recognition, | 0:20:45 | 0:20:47 | |
it'll give us a heads up where she is. | 0:20:47 | 0:20:49 | |
OK. | 0:20:52 | 0:20:53 | |
No... | 0:20:57 | 0:20:58 | |
No... | 0:20:59 | 0:21:01 | |
This doesn't seem very scientific. | 0:21:02 | 0:21:05 | |
On the contrary, science... | 0:21:05 | 0:21:07 | |
BEEPING | 0:21:07 | 0:21:08 | |
..is all about trial and error. | 0:21:10 | 0:21:12 | |
See? | 0:21:12 | 0:21:13 | |
HE WHISTLES | 0:21:22 | 0:21:24 | |
Looks pretty hardcore. | 0:21:24 | 0:21:26 | |
So can you disarm it or not? | 0:21:26 | 0:21:27 | |
All right, hang on! | 0:21:27 | 0:21:29 | |
So he's a control freak, right? | 0:21:29 | 0:21:31 | |
I imagine he wants everything to be at his fingertips. | 0:21:31 | 0:21:33 | |
Now, while hacking into his alarm system might take me days, | 0:21:33 | 0:21:36 | |
possibly weeks. | 0:21:36 | 0:21:38 | |
If I can get onto his home broadband network, which should take me... | 0:21:38 | 0:21:42 | |
..under a minute, | 0:21:43 | 0:21:45 | |
I can pretty much gain access to all his devices. | 0:21:45 | 0:21:47 | |
You've got a burglary app? | 0:21:47 | 0:21:49 | |
Kind of. | 0:21:49 | 0:21:50 | |
Boom! We're in. | 0:21:53 | 0:21:54 | |
Done. | 0:21:56 | 0:21:57 | |
What? The door's still locked, | 0:22:02 | 0:22:05 | |
I'm not Dynamo! | 0:22:05 | 0:22:07 | |
Well, you're the lock specialist. | 0:22:07 | 0:22:09 | |
Yeah. | 0:22:09 | 0:22:10 | |
Voila. | 0:22:20 | 0:22:22 | |
I'm upstairs. | 0:22:29 | 0:22:30 | |
How old would you reckon she is? | 0:22:53 | 0:22:55 | |
Late twenties? | 0:22:55 | 0:22:56 | |
Never try and guess a woman's age. | 0:22:56 | 0:22:58 | |
I did it once and started a fight. | 0:22:58 | 0:23:00 | |
I'd had too much to drink or I reckon I could have taken her. | 0:23:00 | 0:23:03 | |
He's what, mid fifties? A 30-year age gap? | 0:23:03 | 0:23:05 | |
Maybe she likes a man with liver spots. | 0:23:05 | 0:23:08 | |
THEY WOLF WHISTLE | 0:23:16 | 0:23:18 | |
BEEPING | 0:23:27 | 0:23:28 | |
Oh. Wife is moving. | 0:23:28 | 0:23:30 | |
East on the High Road, looks like she's heading into town. | 0:23:30 | 0:23:34 | |
Nothing up there. Safe? | 0:23:34 | 0:23:36 | |
Yeah, jewellery and cash, official papers, car documents, | 0:23:36 | 0:23:39 | |
all nice and neat in their own little plastic folders. | 0:23:39 | 0:23:42 | |
Anything? | 0:23:42 | 0:23:43 | |
It's all very tidy here too. | 0:23:43 | 0:23:45 | |
Letters, tax returns, company accounts, | 0:23:45 | 0:23:47 | |
it's all filed and cross referenced. | 0:23:47 | 0:23:49 | |
There's no hidden files either, | 0:23:49 | 0:23:51 | |
although somebody watches a lot of porn. | 0:23:51 | 0:23:54 | |
What kind? Excuse me? | 0:23:54 | 0:23:55 | |
It might tell us something. | 0:23:55 | 0:23:57 | |
So now you're a porn expert? | 0:23:57 | 0:23:58 | |
We're looking for leverage, | 0:23:58 | 0:24:00 | |
so finding out he likes whips or beagles or dressing up | 0:24:00 | 0:24:02 | |
as a rabbit while someone hits him with a carrot might help. | 0:24:02 | 0:24:05 | |
Stop, you're grossing me out now. | 0:24:05 | 0:24:07 | |
Hot neighbours' wives. Seriously? | 0:24:07 | 0:24:09 | |
Uh-huh. TomTom, do a search for "Johnson & Hollander", | 0:24:09 | 0:24:12 | |
see what they do. | 0:24:12 | 0:24:14 | |
There's appointments here, twice a month, regular as clockwork. | 0:24:14 | 0:24:17 | |
Could be solicitors, dentist maybe? | 0:24:17 | 0:24:20 | |
Well, who'd have thought? He's seeing a shrink. | 0:24:27 | 0:24:31 | |
And how long have you been feeling like this? | 0:24:31 | 0:24:33 | |
Since I was nine...no, ten. | 0:24:33 | 0:24:37 | |
I guess I remember because it was the day before my birthday. | 0:24:37 | 0:24:41 | |
Double figures. | 0:24:41 | 0:24:44 | |
Mummy said there wasn't anyone there, but I could hear them. | 0:24:44 | 0:24:47 | |
The "door people"? | 0:24:47 | 0:24:48 | |
Did you see them? | 0:24:51 | 0:24:52 | |
No, they were behind the door, | 0:24:52 | 0:24:55 | |
they were always behind the door. | 0:24:55 | 0:24:57 | |
Then why didn't you open the door? | 0:24:59 | 0:25:00 | |
Because I was frightened, I knew they were there! | 0:25:00 | 0:25:04 | |
Mummy was lying. | 0:25:06 | 0:25:07 | |
Why was she lying, Dr Hollander? | 0:25:07 | 0:25:10 | |
I could hear them. | 0:25:10 | 0:25:12 | |
They're there now! | 0:25:14 | 0:25:16 | |
Now? | 0:25:16 | 0:25:18 | |
Yes! | 0:25:18 | 0:25:20 | |
Then why don't we open the door and see? | 0:25:20 | 0:25:23 | |
No. We could do it together. | 0:25:23 | 0:25:24 | |
No! | 0:25:24 | 0:25:26 | |
You're safe, I promise. | 0:25:26 | 0:25:28 | |
Please don't leave me! No, I won't. | 0:25:34 | 0:25:36 | |
I can hear them laughing, I can hear them! | 0:25:43 | 0:25:46 | |
We'll open it, very slowly. | 0:25:46 | 0:25:49 | |
SHE GASPS | 0:25:56 | 0:25:58 | |
They're round the corner. | 0:26:00 | 0:26:02 | |
No. | 0:26:02 | 0:26:03 | |
See? There's nobody there. | 0:26:07 | 0:26:10 | |
'Darling! Darling, just relax.' | 0:26:15 | 0:26:19 | |
OK? Relax and open the door. | 0:26:19 | 0:26:20 | |
'There's no-one here, I promise!' | 0:26:20 | 0:26:23 | |
I saw them! | 0:26:23 | 0:26:24 | |
'They're gone now. Please...' | 0:26:24 | 0:26:27 | |
You can trust me. I'm a doctor. No! You'll let them in! | 0:26:27 | 0:26:30 | |
'We won't.' | 0:26:30 | 0:26:31 | |
They're still there, I can hear them! | 0:26:31 | 0:26:33 | |
'No, that's just us. We're here.' | 0:26:33 | 0:26:35 | |
What about the door people? | 0:26:35 | 0:26:37 | |
Nobody else. Just me and Doctor Hollander. | 0:26:37 | 0:26:40 | |
Why did he open the door? | 0:26:40 | 0:26:41 | |
It's all right, I won't do it again. | 0:26:41 | 0:26:43 | |
SHE PRETENDS TO SOB | 0:26:43 | 0:26:45 | |
'Darling, please...' | 0:26:45 | 0:26:46 | |
I'll take you home. | 0:26:46 | 0:26:48 | |
'There's no doors there.' | 0:26:48 | 0:26:50 | |
We took them all off. | 0:26:50 | 0:26:51 | |
SHE SOBS | 0:26:57 | 0:27:00 | |
Come here. Come here. It's OK. You're safe now. | 0:27:00 | 0:27:03 | |
Perhaps we should make another appointment. | 0:27:03 | 0:27:06 | |
Yeah, I'll give you a call. Thanks. | 0:27:06 | 0:27:08 | |
Anger management? | 0:27:20 | 0:27:21 | |
Borderline psychotic. | 0:27:21 | 0:27:23 | |
Events have reduced over the years, | 0:27:23 | 0:27:25 | |
but he's still prone to attacks with certain triggers. | 0:27:25 | 0:27:27 | |
What triggers? | 0:27:27 | 0:27:28 | |
Well, the last five have involved his wife. | 0:27:28 | 0:27:30 | |
In August last year, he had "feelings of anger" when he thought his gardener was looking at her. | 0:27:30 | 0:27:34 | |
He had to lock himself in the bathroom until it passed. | 0:27:34 | 0:27:37 | |
Sounds like he's feeling that 30-year age gap. Yeah. | 0:27:37 | 0:27:39 | |
And the last episode was three weeks ago, he found out she'd been talking to an old boyfriend on Facebook | 0:27:39 | 0:27:43 | |
and tried to flush her iPad down the toilet. | 0:27:43 | 0:27:45 | |
Right, that's what we need - a bit of red mist. | 0:27:45 | 0:27:47 | |
See if we can make him angry and force him into making a mistake. | 0:27:47 | 0:27:50 | |
Yay! Let's make the violent psychopath angry! | 0:27:50 | 0:27:52 | |
Well, we know he wants to get to Nash. | 0:27:52 | 0:27:54 | |
We also know he'll send somebody else to do his dirty work for him. | 0:27:54 | 0:27:57 | |
Maybe that's the key - we need to make him believe | 0:27:57 | 0:27:59 | |
there's something going on between Nash and his wife. | 0:27:59 | 0:28:01 | |
But first, let's really piss him off, make sure he's not thinking straight. | 0:28:01 | 0:28:04 | |
And goes after Nash in person. | 0:28:04 | 0:28:06 | |
Hmm, right, so we've got a jealous, psychotic, | 0:28:06 | 0:28:09 | |
egotistical control freak who's anal retentive about his paperwork. | 0:28:09 | 0:28:13 | |
How do we make him angry? | 0:28:13 | 0:28:15 | |
TomTom? Can you hack into the government data base? | 0:28:16 | 0:28:19 | |
My nephew could hack into the government data base. | 0:28:19 | 0:28:21 | |
He's 11. | 0:28:21 | 0:28:22 | |
Oh, that's comforting, yeah. | 0:28:22 | 0:28:24 | |
Right, well, do your stuff and let's piss him off. | 0:28:24 | 0:28:27 | |
BEEPING | 0:29:19 | 0:29:20 | |
Nice. | 0:29:25 | 0:29:26 | |
What the hell's going on? | 0:30:04 | 0:30:05 | |
We had two lots of bailiffs turn up. Non-payment of parking fines. | 0:30:05 | 0:30:08 | |
We've had the bank on too, they've been asked to release | 0:30:08 | 0:30:10 | |
statements of all our accounts to the VAT. | 0:30:10 | 0:30:13 | |
I've just paid it! It all started with the revenue. | 0:30:13 | 0:30:15 | |
PHONE RINGS | 0:30:15 | 0:30:16 | |
They said we were under investigation, hell broke loose, | 0:30:16 | 0:30:19 | |
and phones haven't stopped. Hello? How can we be under investigation? | 0:30:19 | 0:30:22 | |
If the books were any cleaner, they'd be full of blank pages. | 0:30:22 | 0:30:24 | |
It's Karen, someone's just put a brick through a window at the house. What?! | 0:30:24 | 0:30:28 | |
She's going shopping again, cos she doesn't feel safe. | 0:30:28 | 0:30:30 | |
PHONE RINGS | 0:30:30 | 0:30:31 | |
Hello, Princess? You don't feel safe? Hello? | 0:30:31 | 0:30:34 | |
Just a minute. | 0:30:36 | 0:30:38 | |
It's the accountants, they've got a team from the Revenue down there, | 0:30:38 | 0:30:41 | |
demanding access to all your paperwork. | 0:30:41 | 0:30:43 | |
Oh, yeah, yeah, I'll call you back, lock all the doors. | 0:30:43 | 0:30:46 | |
It's me, put them on! | 0:30:49 | 0:30:51 | |
Hello. Yeah, Nicholas Mason. | 0:30:53 | 0:30:56 | |
Erm...would you mind telling me why you're there? | 0:30:56 | 0:30:58 | |
No, I understand, you've already explained it to them, | 0:31:00 | 0:31:02 | |
but would you please be so kind as to explain it to me? | 0:31:02 | 0:31:06 | |
No, I don't want to phone your office, I'm... I... | 0:31:07 | 0:31:10 | |
DIALLING TONE | 0:31:10 | 0:31:12 | |
He hung up on me. | 0:31:16 | 0:31:17 | |
OK, I've just put in reports that he's been fiddling his water meter | 0:31:46 | 0:31:49 | |
and operating a terrorist cell in his garage. | 0:31:49 | 0:31:51 | |
Right, time for phase two. | 0:31:51 | 0:31:53 | |
Which is? Convince Mason that Nash is after his wife. | 0:31:53 | 0:31:55 | |
Get him so annoyed that he'll make a mistake. | 0:31:55 | 0:31:58 | |
And who's the most annoying person we know? | 0:31:58 | 0:32:00 | |
Right, if we're not back in an hour, call 999, | 0:32:02 | 0:32:04 | |
invite everyone to the party. | 0:32:04 | 0:32:06 | |
And if it does go wrong and I get killed, | 0:32:06 | 0:32:08 | |
phone my ex wife... | 0:32:08 | 0:32:09 | |
..and tell her I slept with her sister, Christmas Eve 2007. | 0:32:11 | 0:32:14 | |
Why would you do that? | 0:32:14 | 0:32:15 | |
Well, she was cute and we were doing shots. | 0:32:15 | 0:32:17 | |
Come on, let's go and pick a fight. | 0:32:20 | 0:32:21 | |
We've only got one shot at this. | 0:32:21 | 0:32:23 | |
'Somebody is behind all this.' | 0:32:41 | 0:32:42 | |
I don't care who it is, just find them. | 0:32:42 | 0:32:45 | |
Knock, knock. | 0:32:47 | 0:32:48 | |
Who are you? Does he obey instructions? | 0:32:50 | 0:32:52 | |
Or am I going to need to snap an arm off and shove it up his arse? | 0:32:52 | 0:32:54 | |
Throw him out, Frank. My pleasure. | 0:32:54 | 0:32:57 | |
Do you want to die, Frank? | 0:33:00 | 0:33:01 | |
Sit. | 0:33:03 | 0:33:04 | |
There we go. | 0:33:06 | 0:33:07 | |
And you. Sit down, you big lump. There's a good lad. | 0:33:08 | 0:33:11 | |
That's it, good boy. | 0:33:11 | 0:33:12 | |
Jack Quinn. | 0:33:15 | 0:33:16 | |
Oh, you've heard of me, that's nice. | 0:33:16 | 0:33:18 | |
You didn't mention your rank. | 0:33:19 | 0:33:21 | |
Oh, I'm sorry, how very rude. | 0:33:21 | 0:33:23 | |
I'm the officer in charge of putting your sorry arse in jail. | 0:33:23 | 0:33:25 | |
Yeah, I want to see some ID. | 0:33:25 | 0:33:27 | |
I forgot it. | 0:33:27 | 0:33:28 | |
Jess, have you got yours? | 0:33:28 | 0:33:29 | |
No, I think I've left it in the car. | 0:33:29 | 0:33:31 | |
You're armed, that makes you what? | 0:33:31 | 0:33:34 | |
Serious crime squad? | 0:33:34 | 0:33:36 | |
Think of us as more... | 0:33:36 | 0:33:37 | |
community support officers and... | 0:33:37 | 0:33:39 | |
well, strictly speaking, it's not an official visit. | 0:33:39 | 0:33:42 | |
We just came to have a whip-round, didn't we, Jess? | 0:33:42 | 0:33:45 | |
Yeah, we did. | 0:33:45 | 0:33:46 | |
For a man called Anthony Cummings. | 0:33:46 | 0:33:48 | |
Only lived round the corner from here, | 0:33:48 | 0:33:50 | |
although I doubt you'd have even noticed him. | 0:33:50 | 0:33:52 | |
Kept himself to himself. | 0:33:52 | 0:33:53 | |
You know the kind of bloke - didn't go out much, | 0:33:53 | 0:33:55 | |
just lived for his family. | 0:33:55 | 0:33:58 | |
That was until someone broke into his house | 0:33:58 | 0:34:00 | |
and took his wife and daughter hostage. | 0:34:00 | 0:34:02 | |
'Forced him to go to where he worked and open the safe. | 0:34:02 | 0:34:05 | |
'And then, when he'd done that, they killed him.' | 0:34:05 | 0:34:09 | |
What kind of man would do such a thing? | 0:34:09 | 0:34:11 | |
Worse still, what kind of scumbag would send someone else to do it? | 0:34:11 | 0:34:14 | |
Attack a family in their own home? | 0:34:14 | 0:34:16 | |
Women and children? | 0:34:16 | 0:34:18 | |
Not much of a man, really, when you think about it. | 0:34:18 | 0:34:20 | |
Maybe someone with a tiny little brain. | 0:34:20 | 0:34:22 | |
Or a teeny, weeny little willy. | 0:34:22 | 0:34:25 | |
So, like I said, we just came in for a whip-round. | 0:34:25 | 0:34:29 | |
What? You think I'm scared of you? | 0:34:29 | 0:34:31 | |
No, I think you're a moron. | 0:34:31 | 0:34:33 | |
All this. It was you, innit? | 0:34:35 | 0:34:36 | |
Yes, it was. | 0:34:36 | 0:34:37 | |
Have you been in my house? Yeah. | 0:34:37 | 0:34:39 | |
Only to throw a brick through your window. | 0:34:39 | 0:34:42 | |
And tomorrow, we thought we might pop by and sing a song that'll... | 0:34:42 | 0:34:45 | |
# ..get on your nerves | 0:34:45 | 0:34:46 | |
# Get on your nerves Get on your nerves... # | 0:34:46 | 0:34:49 | |
We know you want to get to Raymond Nash. | 0:34:50 | 0:34:52 | |
And we know why. | 0:34:52 | 0:34:54 | |
Not just the grassing-up thing, | 0:34:54 | 0:34:56 | |
although I am sure that must have pissed you off, | 0:34:56 | 0:34:58 | |
but I'm talking about the other thing - the thing with your wife. | 0:34:58 | 0:35:01 | |
What thing with my wife? | 0:35:01 | 0:35:03 | |
You do know that's why he was trying to get you locked up, don't you? | 0:35:04 | 0:35:07 | |
So he can have a go on your missus? | 0:35:07 | 0:35:09 | |
We only know about it because of this, | 0:35:09 | 0:35:11 | |
this and all the other photos we found in his flat. | 0:35:11 | 0:35:14 | |
Other photos? The point is... What other photos? | 0:35:14 | 0:35:17 | |
You really don't want to know. | 0:35:17 | 0:35:18 | |
The point is - whether you knew or not, we know you want him. | 0:35:18 | 0:35:21 | |
So I'm here to tell you that to get to him, you'll have to go through me. | 0:35:21 | 0:35:24 | |
Is that so? Yes, that's very much so. | 0:35:24 | 0:35:27 | |
I'm sensing hostility, do you think we should leave, Jess? | 0:35:29 | 0:35:32 | |
Yeah, he seems to have a lot on his mind. | 0:35:32 | 0:35:34 | |
See you later, Nicholas. | 0:35:36 | 0:35:37 | |
How was that? | 0:35:40 | 0:35:41 | |
I think he's annoyed. | 0:35:41 | 0:35:43 | |
If he was going to do anything, he'd have done it by now. | 0:36:41 | 0:36:44 | |
Put the location of the safe house up on the police system. | 0:36:49 | 0:36:51 | |
What? | 0:36:51 | 0:36:52 | |
We need to force his hand. If Mason finds the safe house, then... | 0:36:52 | 0:36:56 | |
Jack, it's not just Nash there, there's police officers too. | 0:36:56 | 0:36:59 | |
Do it. | 0:37:01 | 0:37:03 | |
'We just leaked the location to the safe house | 0:37:17 | 0:37:19 | |
'where Raymond Nash is being held. | 0:37:19 | 0:37:21 | |
'And? | 0:37:21 | 0:37:23 | |
'And I thought you should know that. So if you screw up,' | 0:37:23 | 0:37:26 | |
you can find solace in the fact that I didn't stop you? | 0:37:26 | 0:37:28 | |
Your job is to take Mason off the streets, Jack, | 0:37:28 | 0:37:31 | |
but "by any means" does not give you scope to have | 0:37:31 | 0:37:33 | |
serving police officers and witnesses under their protection murdered. | 0:37:33 | 0:37:36 | |
I'll try find a way to avoid that. | 0:37:36 | 0:37:38 | |
Please do. | 0:37:38 | 0:37:39 | |
We've got something for you. | 0:37:52 | 0:37:53 | |
We think it's worth a bonus. | 0:37:53 | 0:37:55 | |
I've got Nash's address, boss. | 0:38:00 | 0:38:02 | |
Straight from the horse's mouth. | 0:38:02 | 0:38:04 | |
Did you know? | 0:38:04 | 0:38:05 | |
Know what? | 0:38:06 | 0:38:07 | |
You spent a lot of time with him, | 0:38:10 | 0:38:12 | |
he must have mentioned that he was lusting after my Karen. | 0:38:12 | 0:38:14 | |
No. | 0:38:14 | 0:38:15 | |
Straight up, boss, we had no idea. | 0:38:18 | 0:38:21 | |
MOBILE PHONE RINGS | 0:38:37 | 0:38:39 | |
Aye? | 0:38:46 | 0:38:48 | |
'Michael, I'm going to need you tomorrow.' | 0:38:48 | 0:38:50 | |
Don't say I don't give you nothing. | 0:39:04 | 0:39:06 | |
Thank you. | 0:39:06 | 0:39:07 | |
Cheers, Jess. | 0:39:14 | 0:39:16 | |
So, did you really sleep with your wife's sister? | 0:39:16 | 0:39:18 | |
It's not as bad as it sounds. | 0:39:18 | 0:39:19 | |
Come on, then! This I've got to hear. | 0:39:19 | 0:39:22 | |
Jan had left me by then for some floppy-haired twat. | 0:39:23 | 0:39:26 | |
It's the only time in my life I've felt like Elvis. | 0:39:26 | 0:39:30 | |
You've lost me. | 0:39:30 | 0:39:32 | |
He was her karate instructor. | 0:39:32 | 0:39:34 | |
Ah. So how did you find out they were seeing each other? | 0:39:34 | 0:39:38 | |
You know, little telltale signs. | 0:39:38 | 0:39:41 | |
Such as? | 0:39:41 | 0:39:42 | |
I went to the gym to meet her after her class | 0:39:42 | 0:39:44 | |
and he had her bent over the pommel horse. | 0:39:44 | 0:39:46 | |
Oh. Turned out I'd been paying him £30 an hour to shag my wife. | 0:39:46 | 0:39:50 | |
So what did you do? | 0:39:52 | 0:39:54 | |
I was a bit annoyed. I threw a punch. | 0:39:54 | 0:39:56 | |
Forgetting he was a karate instructor? | 0:39:56 | 0:39:58 | |
I remembered while he was beating the crap out of me. | 0:39:58 | 0:40:01 | |
I crawled home and was comforted by her sister. | 0:40:01 | 0:40:03 | |
She'd always had a thing for me and didn't like Jan much, so... | 0:40:03 | 0:40:06 | |
Two birds, you were the stone? | 0:40:06 | 0:40:07 | |
Hmm, I guess. | 0:40:07 | 0:40:09 | |
Such a romantic story. | 0:40:09 | 0:40:12 | |
Mason's taken the bait. Looks like they're getting ready to move. | 0:40:12 | 0:40:15 | |
Right, put a call in to the safe house. | 0:40:15 | 0:40:18 | |
Tell them we're on our way. | 0:40:18 | 0:40:20 | |
I want Nash and the other officers ready to leave when we get there. | 0:40:20 | 0:40:23 | |
TomTom, you pick up the box. Let's get Henney brought in too. | 0:40:23 | 0:40:25 | |
I appreciate you turning up at short notice. | 0:40:29 | 0:40:31 | |
That's all right. So what's the deal? | 0:40:31 | 0:40:34 | |
Just a bit of vermin control, | 0:40:34 | 0:40:35 | |
thought it'd be right up your street. | 0:40:35 | 0:40:38 | |
PHONE BUZZES | 0:40:44 | 0:40:47 | |
I think you're expecting me. | 0:40:53 | 0:40:56 | |
Good. | 0:41:04 | 0:41:06 | |
SIREN WHOOPS | 0:41:13 | 0:41:15 | |
Chris Henney, please come with us. | 0:41:15 | 0:41:17 | |
He knows I'm here, doesn't he? | 0:41:23 | 0:41:26 | |
Just go with the police officers, sir. You're perfectly safe. | 0:41:26 | 0:41:29 | |
You two! Move back! | 0:41:41 | 0:41:43 | |
Armed police. Stay inside, please. | 0:41:47 | 0:41:49 | |
I want him dead, Frank. Understand? | 0:41:55 | 0:41:57 | |
Dead and I want him to know it was me that sent you. | 0:41:57 | 0:42:00 | |
Wait! | 0:42:02 | 0:42:03 | |
What? | 0:42:07 | 0:42:09 | |
We're in shit. | 0:42:09 | 0:42:10 | |
They found out Chris went into the police computer to get | 0:42:10 | 0:42:12 | |
the address of the safe house. | 0:42:12 | 0:42:14 | |
They've just picked him up. It's a trap. | 0:42:14 | 0:42:17 | |
If you go down to the house now, they're going to be waiting for you! | 0:42:17 | 0:42:21 | |
Get in the van, please, Mr Nash. | 0:42:27 | 0:42:29 | |
They've dispatched a security truck to pick up Nash and move him. | 0:42:44 | 0:42:46 | |
You're sure? | 0:42:46 | 0:42:48 | |
Yeah. I've got a mate in Operations, that's the reg number. | 0:42:48 | 0:42:51 | |
And where are they taking him? | 0:42:51 | 0:42:52 | |
I don't know, I couldn't get an address, | 0:42:52 | 0:42:55 | |
but Operations have got the truck headed towards Aylesbury. | 0:42:55 | 0:42:57 | |
From where they are now, they're going to have to take the A41. | 0:42:57 | 0:43:00 | |
We could cut them off, boss. | 0:43:00 | 0:43:02 | |
So while Nash is on the move, | 0:43:04 | 0:43:05 | |
all the police are up at the house waiting for us to show up? | 0:43:05 | 0:43:09 | |
Yeah, they've been needling you so you'll turn up all tooled up, | 0:43:09 | 0:43:12 | |
ready to commit murder. | 0:43:12 | 0:43:13 | |
You'll get five years just for possession of a firearm. | 0:43:13 | 0:43:16 | |
And that Quinn? Is he at the house too? | 0:43:17 | 0:43:20 | |
Yeah, I suppose so. Whole thing's probably his idea. | 0:43:20 | 0:43:24 | |
OK, good lad. | 0:43:24 | 0:43:26 | |
Trying to stitch me up? | 0:43:30 | 0:43:31 | |
Oi! Get in the back! | 0:43:40 | 0:43:42 | |
Boss? | 0:43:45 | 0:43:46 | |
Just drive! Drive! | 0:43:46 | 0:43:49 | |
GUN FIRES | 0:46:00 | 0:46:01 | |
Out! | 0:46:01 | 0:46:03 | |
Get out! Out! | 0:46:03 | 0:46:06 | |
Quick! Down! On the floor! | 0:46:06 | 0:46:08 | |
Down! Down! | 0:46:08 | 0:46:11 | |
Down! | 0:46:13 | 0:46:16 | |
Nash! You're a dead man! | 0:46:41 | 0:46:44 | |
Two pairs. | 0:46:49 | 0:46:50 | |
Flush. | 0:46:50 | 0:46:52 | |
Hello, Nick. | 0:46:53 | 0:46:55 | |
Shall we? | 0:46:57 | 0:46:59 | |
Be rude not to. | 0:46:59 | 0:47:00 | |
SIREN WAILS | 0:47:13 | 0:47:16 | |
Armed Police. Throw the weapon down! | 0:47:18 | 0:47:20 | |
On the floor! Lower the weapon! | 0:47:20 | 0:47:22 | |
Armed police, on the ground, now! | 0:47:22 | 0:47:24 | |
Put the gun down! | 0:47:24 | 0:47:26 | |
GUN CLICKS | 0:47:35 | 0:47:36 | |
PHONE RINGS | 0:47:48 | 0:47:50 | |
Guess who? | 0:47:50 | 0:47:52 | |
Piss off, Jack. I'm ill. Apparently I've got man flu. | 0:47:52 | 0:47:57 | |
Yeah, and I'm retired, remember? You bought me a clock. | 0:47:57 | 0:47:59 | |
Need a little favour. | 0:47:59 | 0:48:01 | |
How good's your Scottish accent? | 0:48:01 | 0:48:03 | |
Where? | 0:48:03 | 0:48:04 | |
Room service. | 0:48:07 | 0:48:09 | |
I didn't order any room serv... | 0:48:09 | 0:48:12 | |
Nicholas Mason, I'm arresting you on suspicion of armed robbery. | 0:48:24 | 0:48:28 | |
You do not have to say anything, but it may harm your defence | 0:48:28 | 0:48:30 | |
if you do not mention when questioned something you later rely on in court. | 0:48:30 | 0:48:34 | |
Anything you do say may be given in evidence. | 0:48:34 | 0:48:36 | |
Your job is to take Mason off the streets, Jack, but "by any means" | 0:48:36 | 0:48:39 | |
does not give you scope to have serving police officers | 0:48:39 | 0:48:42 | |
and witnesses under their protection murdered. | 0:48:42 | 0:48:44 | |
I'll try and find a way to avoid that. Please do. | 0:48:44 | 0:48:46 | |
Anything else? The cash from the Cummings factory raid. | 0:48:46 | 0:48:49 | |
You're still holding it. Yeah. | 0:48:49 | 0:48:51 | |
Then I'd like to borrow it. OK. | 0:48:51 | 0:48:53 | |
Then I'll need to move Nash, | 0:48:56 | 0:48:58 | |
so you'll need to square it with the protection unit. | 0:48:58 | 0:49:01 | |
OK, Mr Nash, would you come with us? | 0:49:06 | 0:49:09 | |
Ta-da! | 0:49:15 | 0:49:16 | |
And finally, I'll need you to send the cavalry here, tomorrow. | 0:49:26 | 0:49:30 | |
I'll let you know what time. | 0:49:30 | 0:49:32 | |
But I want lights, sirens, lots of bodies. | 0:49:32 | 0:49:34 | |
They can be armed, but give them orders not to fire. | 0:49:34 | 0:49:36 | |
You'll also have to explain who we are. | 0:49:36 | 0:49:38 | |
Oh, that should be interesting. Thanks. | 0:49:38 | 0:49:42 | |
Wait! I ain't having this! This isn't... | 0:49:48 | 0:49:50 | |
Isn't what? | 0:49:50 | 0:49:52 | |
I've been stitched up! | 0:49:52 | 0:49:54 | |
You're standing at the back of a security van with the doors | 0:49:54 | 0:49:56 | |
cut open, surrounded by cash holding a shotgun. | 0:49:56 | 0:49:58 | |
Call me old-fashioned but I'd say that was pretty much bang to rights. | 0:49:58 | 0:50:02 | |
No, wait, wait. | 0:50:02 | 0:50:05 | |
You've got it all wrong, you've got to listen to me! | 0:50:05 | 0:50:07 | |
I didn't know anything about the money! | 0:50:07 | 0:50:09 | |
If you didn't know anything about the money, what are you doing here? | 0:50:09 | 0:50:12 | |
Why don't you get out of my house? | 0:50:16 | 0:50:19 | |
Before I throw you out. | 0:50:19 | 0:50:20 | |
You know, I don't actually believe that you're taking money from Mason. | 0:50:20 | 0:50:23 | |
It's Henney, isn't it, Charlie? And I bet he's asked you to join him. | 0:50:23 | 0:50:26 | |
Told you to jump on the gravy train? | 0:50:26 | 0:50:28 | |
You don't have to be loyal to him, he's a bent cop. | 0:50:28 | 0:50:31 | |
Scum, the lowest of the low. | 0:50:31 | 0:50:33 | |
And he's trying to drag you down with him. | 0:50:33 | 0:50:35 | |
Now you can either let him, or... | 0:50:35 | 0:50:37 | |
you can help me. | 0:50:37 | 0:50:39 | |
By doing what? | 0:50:39 | 0:50:41 | |
By giving him what he wants. | 0:50:41 | 0:50:43 | |
If the offer's still there. | 0:50:43 | 0:50:44 | |
You know, do that stuff you were talking about. | 0:50:44 | 0:50:47 | |
Good lad. Jump in. | 0:50:47 | 0:50:49 | |
Who's this? | 0:50:59 | 0:51:00 | |
This is Charlie, the kid I told you about. | 0:51:00 | 0:51:02 | |
We got suspended together. | 0:51:02 | 0:51:03 | |
Which means my career's screwed anyway. | 0:51:03 | 0:51:05 | |
I can vouch for him. | 0:51:05 | 0:51:06 | |
I'm telling you, I've been stitched up. | 0:51:09 | 0:51:12 | |
All this, it's down to them! | 0:51:12 | 0:51:14 | |
Who? | 0:51:14 | 0:51:16 | |
Them! | 0:51:16 | 0:51:18 | |
See you back at the station. | 0:51:24 | 0:51:26 | |
You slags. Think I don't know where you live. | 0:51:26 | 0:51:29 | |
You think you can hold me in here! | 0:51:29 | 0:51:30 | |
Charlie, say hello to Stan. | 0:51:32 | 0:51:34 | |
Hello, son. | 0:51:34 | 0:51:35 | |
Keep away from this man, he's a bad influence. | 0:51:36 | 0:51:40 | |
What? | 0:51:40 | 0:51:41 | |
Do you mind if I get back to my sick bed now? | 0:51:41 | 0:51:44 | |
I'll stop by, bring you some grapes. | 0:51:44 | 0:51:46 | |
Please don't. | 0:51:46 | 0:51:47 | |
See you, Stan. | 0:51:47 | 0:51:48 | |
Jess. | 0:51:48 | 0:51:49 | |
Take care. See you, boys. | 0:51:51 | 0:51:53 | |
How long will he get? | 0:51:59 | 0:52:00 | |
Armed robbery? | 0:52:02 | 0:52:04 | |
Firearm discharged. | 0:52:04 | 0:52:06 | |
20 years. | 0:52:06 | 0:52:07 | |
Yeah. | 0:52:07 | 0:52:09 | |
I hear Mason's in custody. | 0:52:22 | 0:52:24 | |
Yes, he is. | 0:52:24 | 0:52:25 | |
Evidence? | 0:52:25 | 0:52:27 | |
More than you can shake a stick at. | 0:52:27 | 0:52:28 | |
And the police officers? | 0:52:28 | 0:52:29 | |
Henney's rotten, but there's enough to convict. | 0:52:29 | 0:52:32 | |
What about the other one? | 0:52:32 | 0:52:33 | |
Charlie? Yeah, he's clean. He's a good kid. | 0:52:33 | 0:52:35 | |
You can keep him if you like. Well done, Jack. | 0:52:35 | 0:52:39 | |
I'm innocent! | 0:52:53 | 0:52:55 | |
Listen to me, you big lump. | 0:52:55 | 0:52:58 | |
I haven't done anything, I'm innocent! | 0:52:58 | 0:53:01 | |
Yeah, yeah. | 0:53:01 | 0:53:03 | |
I've been fitted up here, I'm innocent! Listen to me. | 0:53:03 | 0:53:07 | |
Listen! | 0:53:07 | 0:53:08 | |
I've been fitted up! I've done nothing wrong! | 0:53:11 | 0:53:15 | |
I'm innocent! Let me out! | 0:53:15 | 0:53:20 | |
Would I still be a policeman? | 0:53:30 | 0:53:33 | |
Oh? Don't tell me. It's a grey area. | 0:53:33 | 0:53:36 | |
We're on the right side, that's all that matters. | 0:53:38 | 0:53:41 | |
The end justifies the means? | 0:53:41 | 0:53:43 | |
Every time. | 0:53:43 | 0:53:44 | |
I really liked being a copper, you know? It meant something. | 0:53:48 | 0:53:53 | |
When I was 14, I was in town with my big brother. | 0:53:56 | 0:54:00 | |
He'd had the speech off Mum, about taking care of me | 0:54:00 | 0:54:02 | |
and all that. | 0:54:02 | 0:54:04 | |
It didn't quite run into holding my hand to cross the road, | 0:54:04 | 0:54:07 | |
but I could tell that trust meant a lot to him. | 0:54:07 | 0:54:09 | |
So when a group of lads started trying to pick a fight, | 0:54:09 | 0:54:13 | |
I knew that the only thing on his mind was to take care of me. | 0:54:13 | 0:54:16 | |
That was his responsibility. | 0:54:17 | 0:54:19 | |
They did start a fight and he put himself in front of me. | 0:54:21 | 0:54:25 | |
And they stabbed him 11 times. You know what he did? | 0:54:28 | 0:54:31 | |
He held my hand and told me "not to worry". | 0:54:32 | 0:54:35 | |
So you see, Charlie, that's how the world is! | 0:54:36 | 0:54:39 | |
Whichever way you dress it up, there's good guys and bad guys. | 0:54:39 | 0:54:43 | |
White hats and black hats. Just like in the films. | 0:54:43 | 0:54:46 | |
That's what we do, we go after the bad guys. | 0:54:47 | 0:54:51 | |
We go after the bad guys and take them off the street, | 0:54:51 | 0:54:54 | |
by any means, whatever it takes, so am I a real cop? | 0:54:54 | 0:54:59 | |
Is what I do right? | 0:55:00 | 0:55:01 | |
Give me a call if you figure it out. | 0:55:04 | 0:55:07 | |
It was bang out of order, you get me? | 0:55:30 | 0:55:31 | |
Using the red love and then spiking me with it. | 0:55:31 | 0:55:33 | |
You can't use football like that, it ain't right, you know? | 0:55:33 | 0:55:36 | |
Is it? They gave me 100 hours community service! | 0:55:36 | 0:55:38 | |
A 100 hours, guy. For real? | 0:55:38 | 0:55:40 | |
What is that? Like a month or something, picking up dog poo and that. | 0:55:40 | 0:55:43 | |
Not for me, you get me? | 0:55:43 | 0:55:44 | |
I did 20 minutes, then I had it well away on my toes, innit. | 0:55:44 | 0:55:46 | |
And now my luck's changed. Things are happening for me now. | 0:55:46 | 0:55:49 | |
Good things, you get me? Yeah. | 0:55:49 | 0:55:50 | |
I woke up this morning and guess what's on my mat? | 0:55:50 | 0:55:53 | |
I've been chosen, innit? Hey, what for? | 0:55:53 | 0:55:54 | |
It's a new promotion, I get a free crate of beer and all I got to do | 0:55:54 | 0:55:57 | |
is fill in the form and tell them whether it was shit or not. | 0:55:57 | 0:55:59 | |
Based on what I say, they launch it to the whole country. | 0:55:59 | 0:56:02 | |
So happy days, innit. | 0:56:02 | 0:56:03 | |
So is it 24 bottles or 24 cans? | 0:56:09 | 0:56:11 | |
Cos the cans are much heavier, innit? | 0:56:11 | 0:56:13 | |
That's if they're the 440mls, yeah, not that that's a problem, | 0:56:13 | 0:56:16 | |
cos I got my boy to help out, | 0:56:16 | 0:56:17 | |
though maybe we can just drink a few to ease the load, you get me? | 0:56:17 | 0:56:22 | |
Hey, we could give you instant feedback, innit? | 0:56:22 | 0:56:25 | |
Aw, man! | 0:56:42 | 0:56:44 | |
Hello, Jason! | 0:56:44 | 0:56:45 | |
You did it again, is it? | 0:56:45 | 0:56:47 | |
Kimmy. Kimberley Brooks, | 0:56:54 | 0:56:56 | |
she worked as a legal secretary in the chambers of | 0:56:56 | 0:56:58 | |
Judge Peter Hopkins. | 0:56:58 | 0:57:00 | |
and her body was found in the boot of his car... | 0:57:00 | 0:57:02 | |
He's been set up. | 0:57:02 | 0:57:04 | |
By who? Joseph Tyrus. | 0:57:04 | 0:57:05 | |
This guy is good. | 0:57:05 | 0:57:06 | |
So we're going to have to be just as smart to catch him. | 0:57:06 | 0:57:09 | |
A father shouldn't have to bury his daughter. | 0:57:09 | 0:57:11 | |
You put me in a cell with that animal and I'll show you what punishment is. | 0:57:11 | 0:57:15 | |
I'm buying you lunch. Pick a restaurant. | 0:57:15 | 0:57:17 | |
Whatever you want to eat, that's fine by me. | 0:57:17 | 0:57:19 | |
ORGASMIC MOANS | 0:57:19 | 0:57:21 | |
I've done field work before, guys. Not like this. | 0:57:21 | 0:57:23 | |
You'll not only free an innocent man, | 0:57:23 | 0:57:25 | |
But get the real killer convicted. | 0:57:25 | 0:57:27 | |
He saw who did it. Don't screw me around, Jack. | 0:57:27 | 0:57:29 | |
You don't know what you're dealing with. | 0:57:29 | 0:57:31 | |
Subtitles by Red Bee Media Ltd | 0:57:53 | 0:57:56 |