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This programme contains some scenes of a sexual nature | 0:00:02 | 0:00:08 | |
HE SNEEZES | 0:00:16 | 0:00:17 | |
Oh, God. | 0:00:17 | 0:00:19 | |
Well? How do I look? | 0:00:19 | 0:00:22 | |
Look, I'm not actually going to have to kiss this guy, am I? | 0:00:22 | 0:00:25 | |
Or, do anything else? | 0:00:25 | 0:00:28 | |
You're undercover. You need to get into character. You're Charlene, a glamorous transvestite. | 0:00:28 | 0:00:31 | |
Trust me, right, it's all about the tease. | 0:00:31 | 0:00:34 | |
So, the less you let him do, the more he'll want it. | 0:00:34 | 0:00:37 | |
Great(!) We're going to go on ahead and get in position. | 0:00:37 | 0:00:41 | |
Good luck. You ready? | 0:00:41 | 0:00:43 | |
But what if he doesn't crack? I need to know where the line is, Jack. | 0:00:45 | 0:00:48 | |
I need to know what I'm signing up for. | 0:00:48 | 0:00:50 | |
The clock's ticking, Charlie. It's time to get your hands dirty. | 0:00:50 | 0:00:53 | |
Are you in or out? | 0:00:53 | 0:00:55 | |
This way, in here. | 0:01:03 | 0:01:05 | |
CHEERING AND LAUGHTER | 0:01:11 | 0:01:15 | |
WOLF WHISTLES | 0:01:15 | 0:01:17 | |
Hello, birthday boy. | 0:01:17 | 0:01:19 | |
Better looking than some I've seen you with. | 0:01:19 | 0:01:22 | |
Delivered as promised. In drag. 50 quid. | 0:01:22 | 0:01:25 | |
You bastards. | 0:01:30 | 0:01:32 | |
Kimmy, you better hurry up before your mother eats it all. | 0:02:18 | 0:02:21 | |
Yeah, well, make sure there's some... | 0:02:21 | 0:02:23 | |
MUFFLED SCREAMS | 0:02:23 | 0:02:26 | |
Kimmy? | 0:02:26 | 0:02:28 | |
Kimmy?! You still there? | 0:02:30 | 0:02:33 | |
You all right? | 0:03:21 | 0:03:23 | |
Look if it's any consolation they pulled the same stunt on me. | 0:03:26 | 0:03:29 | |
Least you can walk any time you want. | 0:03:29 | 0:03:31 | |
I've still got 160 hours of community service before they let me go. | 0:03:31 | 0:03:34 | |
Community service? | 0:03:34 | 0:03:36 | |
Yeah, Jack swung it so he could use and abuse my natural gift. | 0:03:36 | 0:03:39 | |
Shouldn't steal £2.5 million then, should you, TomTom? You naughty boy. | 0:03:39 | 0:03:43 | |
Same again? | 0:03:45 | 0:03:47 | |
Computer fraud - I stole it from some banker twats and give it | 0:03:47 | 0:03:50 | |
to charity instead - technically I should've got a medal, not arrested. | 0:03:50 | 0:03:54 | |
You gave it your granny. Yes! Exactly. Help the Aged. | 0:03:54 | 0:03:59 | |
And you would have got ten years if we hadn't stepped in, so stop moaning. | 0:03:59 | 0:04:02 | |
Made him use his dark arts in a more legitimate way. | 0:04:02 | 0:04:05 | |
Right? So is anything you lot do actually legal or...? | 0:04:05 | 0:04:11 | |
Come on, Bambi - no rules, no regulations - | 0:04:11 | 0:04:14 | |
just embrace the concept, don't question it - | 0:04:14 | 0:04:16 | |
you'll find life much more liberating that way. | 0:04:16 | 0:04:19 | |
Police. | 0:06:22 | 0:06:24 | |
Kimberley Brooks, she worked as a legal secretary | 0:07:00 | 0:07:04 | |
in the chambers of Judge Peter Hopkins. | 0:07:04 | 0:07:07 | |
She was strangled and her body was found in the boot of his car, | 0:07:07 | 0:07:10 | |
some of her personal possessions found in the glove compartment, | 0:07:10 | 0:07:14 | |
underwear found under the passenger seat. | 0:07:14 | 0:07:16 | |
His online diary suggests they were seeing each other. | 0:07:16 | 0:07:21 | |
He has no alibi and his car was seen in the area where we believe | 0:07:21 | 0:07:24 | |
the murder took place. | 0:07:24 | 0:07:26 | |
Sounds like he needs a good lawyer. | 0:07:26 | 0:07:28 | |
I know Peter, he's not a killer. | 0:07:29 | 0:07:31 | |
Looks pretty damning to me. | 0:07:31 | 0:07:33 | |
All fabricated. He's been set up. By who? | 0:07:33 | 0:07:36 | |
Joseph Tyrus. | 0:07:37 | 0:07:39 | |
Joe Tyrus is an ex-DS sent to prison | 0:07:39 | 0:07:41 | |
following Operation Gold Shield in 2009. | 0:07:41 | 0:07:44 | |
The Police Corruption thing, yeah, I remember it. Him and five others? | 0:07:44 | 0:07:48 | |
Most of the department, though Tyrus was the most senior. | 0:07:48 | 0:07:52 | |
Tyrus lost his job, his pension, his wife left him while he was inside. | 0:07:52 | 0:07:57 | |
Peter Hopkins was a barrister back then, | 0:07:57 | 0:08:00 | |
he was appointed to lead the investigation. | 0:08:00 | 0:08:02 | |
Police. | 0:08:05 | 0:08:07 | |
Tyrus was a model prisoner, released on parole five months ago, | 0:08:11 | 0:08:14 | |
serving only three years. | 0:08:14 | 0:08:15 | |
Set himself up as a private investigator. | 0:08:15 | 0:08:17 | |
You think he's framed Hopkins for revenge? | 0:08:17 | 0:08:20 | |
He believes that Hopkins and the top brass threw him to the lions. | 0:08:20 | 0:08:24 | |
I think he wants to take, from Hopkins, | 0:08:24 | 0:08:26 | |
everything that was taken from him - his job, his family, his life. | 0:08:26 | 0:08:30 | |
OK, why me? | 0:08:31 | 0:08:32 | |
The police are powerless. | 0:08:32 | 0:08:35 | |
They don't have a shred of evidence against Tyrus and the truth is | 0:08:35 | 0:08:38 | |
they're not going to find any. | 0:08:38 | 0:08:40 | |
KNOCK ON DOOR | 0:08:40 | 0:08:43 | |
You took your time. | 0:08:45 | 0:08:46 | |
You didn't seem surprised when we showed up. Expecting us, were you? | 0:08:46 | 0:08:50 | |
I heard Hopkins had been arrested. Thought you'd pay me a visit. | 0:08:50 | 0:08:53 | |
And who told you that? | 0:08:53 | 0:08:54 | |
I've still got friends. | 0:08:54 | 0:08:56 | |
Have you ever heard the name Kimberley Brooks? No. | 0:08:56 | 0:08:59 | |
Can you tell me where you were on Friday evening? | 0:08:59 | 0:09:01 | |
At home. Alone. Did you see anyone? No. | 0:09:01 | 0:09:05 | |
So you can't actually prove you were at home that night? | 0:09:05 | 0:09:08 | |
I don't have to. I think it's your job to prove I wasn't. | 0:09:08 | 0:09:11 | |
He's incredibly smart and he knows how the system works. | 0:09:11 | 0:09:14 | |
As things stand, Peter Hopkins will be sent to prison | 0:09:16 | 0:09:19 | |
and Tyrus will get away with murdering that young woman. OK. | 0:09:19 | 0:09:22 | |
There's something else. | 0:09:22 | 0:09:24 | |
If Judge Hopkins is convicted, and he will be, | 0:09:24 | 0:09:26 | |
and the media portray him as the murderer of a young girl, | 0:09:26 | 0:09:30 | |
it will open the floodgates. | 0:09:30 | 0:09:32 | |
Every case he's prosecuted will be put under a microscope, | 0:09:32 | 0:09:35 | |
there will be a raft of appeals. | 0:09:35 | 0:09:37 | |
Murderers could be released to kill again. | 0:09:39 | 0:09:41 | |
Now we have a press injunction in place, | 0:09:41 | 0:09:44 | |
but it's likely to be overturned any day. | 0:09:44 | 0:09:47 | |
No pressure then(!) | 0:09:47 | 0:09:48 | |
We can't let this happen. You have to get him, Jack. | 0:09:48 | 0:09:52 | |
'It's your job to prove I wasn't.' | 0:10:02 | 0:10:05 | |
Sir. DCI is proceeding against Hopkins. CPS agree. | 0:10:05 | 0:10:11 | |
So that's it? | 0:10:13 | 0:10:15 | |
That's it. | 0:10:15 | 0:10:17 | |
We have to let him go. | 0:10:19 | 0:10:20 | |
You know, once all this is done with, | 0:10:22 | 0:10:24 | |
maybe we could help each other out in the future. | 0:10:24 | 0:10:27 | |
I drop you the odd name here and there, you do the occasional bust for me. | 0:10:27 | 0:10:31 | |
Wow, this guy is good. Even I think Hopkins is guilty. | 0:10:37 | 0:10:40 | |
He's really good. Judge Hopkins' security system is pretty sexy. | 0:10:40 | 0:10:44 | |
If we're saying that Tyrus got in, dumped the body, hacked this | 0:10:44 | 0:10:46 | |
guy's computer, all undetected, then we might have a fight on our hands. | 0:10:46 | 0:10:49 | |
OK, but if a case looks too good to be true, I'd want to know why. Check it out for myself. | 0:10:49 | 0:10:54 | |
They did. I've seen the investigating officers report, he did a good job, | 0:10:54 | 0:10:58 | |
he pulled Tyrus in for questioning, searched his flat, | 0:10:58 | 0:11:00 | |
searched his car, a full forensic evidence sweep and came back with nothing. | 0:11:00 | 0:11:04 | |
In the end the evidence against the judge is pretty conclusive | 0:11:04 | 0:11:07 | |
so, he had to hand what he had to CPS. | 0:11:07 | 0:11:09 | |
The press seemed to get hold of it pretty quickly. | 0:11:09 | 0:11:11 | |
Tyrus used the press when he was a bent cop, he'd tip them off about raids | 0:11:11 | 0:11:14 | |
and arrests he was about to make. | 0:11:14 | 0:11:16 | |
So he'll still have those contacts now he's a private investigator. | 0:11:16 | 0:11:19 | |
There's an injunction, but the shit's about to hit the fan. | 0:11:19 | 0:11:22 | |
OK, well, I don't like him already. So how do we get this scumbag? | 0:11:22 | 0:11:25 | |
If we're going to prove the judge is innocent, | 0:11:25 | 0:11:27 | |
then we need to nail Tyrus for the murder of Kimberley Brooks. Let's get some background first. | 0:11:27 | 0:11:31 | |
TomTom - usual checks - lifestyle, financial, medical - see if he's vulnerable somewhere. | 0:11:31 | 0:11:35 | |
On it. Don't make me surveillance. I hate sitting in that van. | 0:11:35 | 0:11:39 | |
Don't worry, we can't follow this guy he'll spot a tail immediately. | 0:11:39 | 0:11:41 | |
We're going to need eyes on him somehow though. | 0:11:41 | 0:11:44 | |
Why don't I just hire him, keep tabs on him that way? | 0:11:44 | 0:11:47 | |
Hide in plain sight? Yeah, why not? | 0:11:47 | 0:11:49 | |
I could tell him I need a private investigator and he's come highly recommended. | 0:11:49 | 0:11:53 | |
It at least gets me in his office. And provides us with regular legitimate contact - good. | 0:11:53 | 0:11:57 | |
And get him to kill my ex. Hah! Yeah, not so good. | 0:11:57 | 0:12:01 | |
What? He'd get 20 years to life. It's a win-win. | 0:12:01 | 0:12:04 | |
OK, but with the right case I still say it's a great in. | 0:12:06 | 0:12:09 | |
Agreed. First. Go and speak to the parents. | 0:12:09 | 0:12:11 | |
Be sensitive, but see if you can find out more about Kimberley. Something we could use. | 0:12:11 | 0:12:15 | |
OK. Charlie? | 0:12:15 | 0:12:16 | |
Hello, Mrs Brooks? Yeah? | 0:12:19 | 0:12:21 | |
Jessica Trent, this is Charlie Hall. We're from Victim Liaison. | 0:12:21 | 0:12:25 | |
She was always a good girl. | 0:12:31 | 0:12:32 | |
No trouble, she'd never even had a boyfriend. That we knew of. | 0:12:32 | 0:12:39 | |
They said she was seeing him, her boss, the judge. | 0:12:42 | 0:12:46 | |
I don't believe that. She'd have told me. | 0:12:47 | 0:12:50 | |
We were more like sisters at times. | 0:12:51 | 0:12:53 | |
I'd always wanted a big family but Kim was all we could manage. | 0:12:55 | 0:13:02 | |
That's it, tell them how inadequate I am. | 0:13:02 | 0:13:04 | |
You were a good father. She thought the world of you. | 0:13:04 | 0:13:08 | |
She was born in this room, right there, where you're standing. | 0:13:10 | 0:13:13 | |
Best day of my life. They let me cut the cord. | 0:13:15 | 0:13:18 | |
I couldn't believe how tiny she was, how beautiful. | 0:13:20 | 0:13:27 | |
I sat by the fire, singing her songs, holding her, | 0:13:28 | 0:13:33 | |
promised her that no matter what, I'd look after her. | 0:13:33 | 0:13:36 | |
Keep her safe, protect her. | 0:13:39 | 0:13:41 | |
Don't take that road. This isn't your fault. | 0:13:41 | 0:13:46 | |
Course it's not my fault. That bastard who killed her. | 0:13:48 | 0:13:54 | |
I know, I'm just saying that you shouldn't punish yourself. | 0:13:54 | 0:13:57 | |
You put me in a cell with that animal | 0:13:58 | 0:14:00 | |
and I'll show you what punishment is. | 0:14:00 | 0:14:03 | |
He doesn't mean that. All we want is justice. | 0:14:03 | 0:14:06 | |
And you'll get it. I promise. | 0:14:06 | 0:14:08 | |
What's with the Arnie impression? | 0:14:14 | 0:14:17 | |
"You vill haff justice, ya!" It's not how Victim Liaison operate. | 0:14:17 | 0:14:20 | |
Well, it would be if I joined. You could've blown our cover. | 0:14:20 | 0:14:23 | |
Instead, I made them feel better and we've found an angle to exploit over Kimberley. | 0:14:23 | 0:14:27 | |
Hey? The father said it, without even realising. | 0:14:27 | 0:14:30 | |
I think I missed it too. | 0:14:30 | 0:14:31 | |
It's a good job I'm here then, isn't it? | 0:14:31 | 0:14:33 | |
We've got a High Court injunction so we can't mention the judge. | 0:14:38 | 0:14:40 | |
Until it's lifted let's concentrate on the family. | 0:14:40 | 0:14:43 | |
Send someone out to the house, get the parents if we can. | 0:14:43 | 0:14:46 | |
They're incredibly brave and dealing with every parent's worst nightmare. Find a picture that reflects that. | 0:14:46 | 0:14:50 | |
Joe? Why haven't you printed Hopkins's name? | 0:14:50 | 0:14:53 | |
Hmm, there's an injunction. For how long? | 0:14:53 | 0:14:55 | |
We're fighting it now, it's just a matter of time, they have no grounds. | 0:14:55 | 0:14:59 | |
So? You got anything else for me? | 0:14:59 | 0:15:01 | |
Maybe. I'll be in touch. | 0:15:02 | 0:15:06 | |
So the suggested meetings with Kimberley are obvious, | 0:15:06 | 0:15:09 | |
he just hacked into the judge's online diary. | 0:15:09 | 0:15:11 | |
He planted the evidence along with the body. | 0:15:11 | 0:15:13 | |
All the physical stuff I get. | 0:15:13 | 0:15:15 | |
But how did he know that Judge Hopkins wouldn't have an alibi? | 0:15:15 | 0:15:18 | |
At 9:30, Hopkins said he got a call from the security service | 0:15:18 | 0:15:21 | |
that monitors the alarm at his chambers. | 0:15:21 | 0:15:23 | |
He's the principal key holder, so he had to drive back to his offices. | 0:15:23 | 0:15:26 | |
There was no alarm. No. He called the security company and they had no record of any call. | 0:15:26 | 0:15:30 | |
So he went home. They checked out the phone records, right? | 0:15:30 | 0:15:33 | |
So if the call didn't come from the security company, | 0:15:33 | 0:15:35 | |
where did it come from? Kimberley Brooks' desk. | 0:15:35 | 0:15:37 | |
Oh! Damn, he's good. | 0:15:37 | 0:15:40 | |
So it looked like she called to make a meeting? Exactly. | 0:15:40 | 0:15:43 | |
Leaving him without an alibi and it puts his car on CCTV | 0:15:43 | 0:15:46 | |
at the right time in the area the murder took place. | 0:15:46 | 0:15:48 | |
So Tyrus knew where Kimberley would be and when? | 0:15:48 | 0:15:51 | |
Hmm, it seems she always went for a glass of wine with the girls | 0:15:51 | 0:15:53 | |
after the office on a Friday, before heading home. | 0:15:53 | 0:15:56 | |
It's very neat, you have to give him that. | 0:15:56 | 0:15:58 | |
So we're going to have to be just as smart to catch him. | 0:15:58 | 0:16:01 | |
This is making me very nervous, Joe. Why? | 0:16:08 | 0:16:12 | |
I'm not stupid. As tip-offs go, it was rather convenient, wouldn't you say? | 0:16:12 | 0:16:15 | |
I could always go and take my police contacts somewhere else. | 0:16:15 | 0:16:19 | |
Just please tell me you had nothing to do with this. | 0:16:19 | 0:16:21 | |
I'm just enjoying watching his fall from grace that's all, | 0:16:21 | 0:16:24 | |
the police have interviewed me and let me go. | 0:16:24 | 0:16:26 | |
That didn't answer my question. | 0:16:26 | 0:16:28 | |
No. I had nothing to do with it. | 0:16:29 | 0:16:31 | |
They've charged him, he's guilty as hell. | 0:16:32 | 0:16:35 | |
So what else have you got? | 0:16:38 | 0:16:39 | |
I was chatting to an old DI I used to work with, | 0:16:39 | 0:16:42 | |
he reckons Hopkins and the girl were seeing each other. | 0:16:42 | 0:16:45 | |
Do the police have proof of that? Yes, they do. | 0:16:45 | 0:16:48 | |
Makes their injunction look even more like a cover-up, wouldn't you say? | 0:16:48 | 0:16:51 | |
You should print it. It's not like the old days, Joe, we can't pull strokes any more. | 0:16:51 | 0:16:56 | |
We're going back to court the day after tomorrow to try and get the injunction lifted, | 0:16:56 | 0:16:59 | |
now they've charged him. After that we can go to town. | 0:16:59 | 0:17:02 | |
Right, he's a sewer rat, so what we need is bait. | 0:17:02 | 0:17:05 | |
Well, what about this journalist he's got links with? | 0:17:05 | 0:17:07 | |
Coleen Palmer, maybe we can get to him through her. | 0:17:07 | 0:17:10 | |
We can't rule out he's still got friends in the police. No. OK. Anything else? | 0:17:10 | 0:17:13 | |
He's a workaholic, lives alone, no kids, a failed marriage. | 0:17:13 | 0:17:17 | |
Could be me. Funny you should say that. | 0:17:17 | 0:17:19 | |
He's supposed to be ultra bright, so, basically we need bait for a smart arse. | 0:17:19 | 0:17:24 | |
Someone who plans everything out, who thinks he's smarter than everyone else. | 0:17:24 | 0:17:27 | |
Yeah? Well, what would rattle you? | 0:17:31 | 0:17:34 | |
I suppose if you found out you were wrong about something? Yeah, hypothetically speaking. | 0:17:34 | 0:17:38 | |
Obviously. OK, how do we use that? | 0:17:38 | 0:17:40 | |
What about what the dad said about Kimberley not having any boyfriends? | 0:17:40 | 0:17:45 | |
That they knew of. So we put a boyfriend in the mix? | 0:17:45 | 0:17:47 | |
Someone Tyrus didn't even know about. | 0:17:47 | 0:17:49 | |
If we put him on the back foot he might start making mistakes. | 0:17:49 | 0:17:52 | |
That could fizz things up a bit. | 0:17:52 | 0:17:54 | |
Right, pincer movement. You take Tyrus, I'll start with the journo. | 0:17:54 | 0:17:57 | |
I'll persuade her to take on a new PI. Me. | 0:17:57 | 0:17:59 | |
TomTom, put a wire on Jess. What about me? | 0:17:59 | 0:18:02 | |
Sometimes in order to move forward you have to take a step back. | 0:18:04 | 0:18:08 | |
I need a secret. What sort of secret? | 0:18:08 | 0:18:11 | |
One that sells papers - something she'll bite my hand off to print. | 0:18:11 | 0:18:15 | |
Make her hungry for more. OK. | 0:18:15 | 0:18:16 | |
C'mon, MI6 must have a bag full of goodies. | 0:18:16 | 0:18:19 | |
Shedloads. Oh and one more thing. | 0:18:19 | 0:18:21 | |
I need Charlie transferring back to CID. | 0:18:21 | 0:18:24 | |
Why? Is he not working out? No. Exactly the opposite, which is why I want the transfer. | 0:18:25 | 0:18:29 | |
So go on, what have you got that I can use? | 0:18:29 | 0:18:32 | |
Oh, now you come to mention it, I've got just the thing. | 0:18:32 | 0:18:36 | |
You're kidding me? I've got the photo right here. | 0:18:41 | 0:18:43 | |
A Cabinet minister's wife? Snorting cocaine. | 0:18:43 | 0:18:46 | |
Current? From the coalition? Current. Which one? | 0:18:46 | 0:18:50 | |
Let's talk money. No, no, no, no. You show me first. | 0:18:50 | 0:18:54 | |
And I can spot something photoshopped a mile off. | 0:18:54 | 0:18:56 | |
Oh, my God, her?! | 0:19:00 | 0:19:02 | |
Ah-ah-ah! | 0:19:02 | 0:19:03 | |
That's incredible. How did you get it? | 0:19:03 | 0:19:06 | |
I never reveal my sources. It must be quite high up. | 0:19:06 | 0:19:10 | |
You have no idea. | 0:19:10 | 0:19:12 | |
OK, I'm buying you lunch. Pick a restaurant. | 0:19:15 | 0:19:18 | |
Whatever you want to eat - that's fine by me. | 0:19:18 | 0:19:21 | |
Mr Tyrus? | 0:19:39 | 0:19:40 | |
Camilla Ashcroft, Hodgson Chambers, thank you for seeing me. | 0:19:40 | 0:19:43 | |
You said someone recommended me. Yes, that's right. Who? | 0:19:43 | 0:19:48 | |
A friend of a friend, a journalist, I believe, Coleen Palmer? | 0:19:48 | 0:19:51 | |
'So what can I do for you?' | 0:19:51 | 0:19:53 | |
'I need you to find someone.' 'Who?' | 0:19:53 | 0:19:58 | |
A potential witness in a case we're representing. | 0:19:58 | 0:20:01 | |
His name is Yuri Dvorak. | 0:20:02 | 0:20:04 | |
A postgraduate, he attended the same university as the girl | 0:20:04 | 0:20:08 | |
who was murdered recently, I'm not sure if you're aware of the case. | 0:20:08 | 0:20:10 | |
Kimberley Brooks. He's an ex-boyfriend. | 0:20:10 | 0:20:13 | |
Apparently he was stalking her. | 0:20:13 | 0:20:15 | |
She made a complaint to the police about him, | 0:20:15 | 0:20:18 | |
to a Detective Constable Charles O'Brien. | 0:20:18 | 0:20:20 | |
Kimberley Brooks came into my station a few weeks ago. | 0:20:20 | 0:20:24 | |
She said she didn't want to press charges, just asked | 0:20:24 | 0:20:26 | |
if we could have a word, quietly, with this Yuri guy and warn him off. | 0:20:26 | 0:20:30 | |
None of her friends or family have mentioned this. Well, they didn't know. | 0:20:30 | 0:20:33 | |
You see her old man's a bit over protective. | 0:20:33 | 0:20:36 | |
She said she'd slept with this guy once, it was a big mistake. She'd been drunk. | 0:20:36 | 0:20:40 | |
He was a bit odd, you know, | 0:20:40 | 0:20:41 | |
so she just wanted to forget about the whole thing. Only Yuri wouldn't. | 0:20:41 | 0:20:45 | |
He kept following her everywhere. And now she's dead. | 0:20:45 | 0:20:49 | |
You're representing Peter Hopkins. | 0:20:49 | 0:20:52 | |
You're aware of the charges against our client? Yes, I am. | 0:20:52 | 0:20:55 | |
Right, well then, yes. I'm part of his legal team. | 0:20:55 | 0:20:58 | |
We're convinced of his innocence | 0:20:58 | 0:21:01 | |
and this Yuri seems a more than credible alternative suspect. | 0:21:01 | 0:21:04 | |
'That is of course if you can trace him, naturally.' | 0:21:04 | 0:21:07 | |
Good luck with that. | 0:21:07 | 0:21:09 | |
There were rumours our client and Miss Brooks were in a relationship. | 0:21:11 | 0:21:15 | |
So I understand. | 0:21:15 | 0:21:17 | |
Well, if Mr Dvorak also heard the same rumours and Miss Brooks | 0:21:17 | 0:21:20 | |
continued to reject him, then we aim to propose that he | 0:21:20 | 0:21:25 | |
decided to pay them both back in the most damaging way imaginable. | 0:21:25 | 0:21:28 | |
Alternatively, if Yuri wasn't responsible, | 0:21:28 | 0:21:31 | |
but was nonetheless stalking her on the night in question... | 0:21:31 | 0:21:34 | |
He might have witnessed who did murder her. Another hopeful scenario. | 0:21:34 | 0:21:37 | |
Not if he says it was Peter Hopkins. | 0:21:37 | 0:21:39 | |
Well then why disappear? Why not come forward immediately and say so? | 0:21:39 | 0:21:44 | |
He's hiding something - either guilt or knowledge | 0:21:44 | 0:21:47 | |
and we need to know which. | 0:21:47 | 0:21:49 | |
Does Judge Hopkins know you're approaching me? | 0:21:49 | 0:21:52 | |
Why should he? So, will you find Yuri for us? | 0:21:52 | 0:21:56 | |
Yeah, sure. | 0:21:56 | 0:21:59 | |
Good. Then we should discuss your fee. | 0:21:59 | 0:22:02 | |
So, we should discuss my fee. 150K up front for this. | 0:22:05 | 0:22:10 | |
If you want more, you pay me a retainer. | 0:22:10 | 0:22:11 | |
You value yourself very highly, Mr Quinn. | 0:22:11 | 0:22:14 | |
Yes, I do. What are you paying Joe Tyrus? | 0:22:14 | 0:22:16 | |
You know Joe? I know of him. I'm current news. | 0:22:17 | 0:22:21 | |
He's the History Channel. | 0:22:21 | 0:22:22 | |
He's just given me my biggest exclusive yet or at least | 0:22:22 | 0:22:25 | |
it will be when I'm allowed to print it. | 0:22:25 | 0:22:27 | |
Judge Hopkins? I couldn't possibly comment. | 0:22:27 | 0:22:30 | |
You do know it was Hopkins that put Tyrus and his cronies in prison? | 0:22:30 | 0:22:33 | |
Of course. And that doesn't bother you? | 0:22:33 | 0:22:35 | |
We undertook due diligence, we checked our facts first. I hope so. Oh? | 0:22:35 | 0:22:39 | |
Well, just so you're not surprised by all the writs that will land on your owners desk. | 0:22:39 | 0:22:42 | |
Writs for what exactly? Wrongful arrest, defamation of character... | 0:22:42 | 0:22:45 | |
He murdered a girl. If I were you, I'd go back and re-check your sources. | 0:22:45 | 0:22:48 | |
Why? Because I'm following a lead that will prove he didn't do it. | 0:22:48 | 0:22:51 | |
What kind of a lead? | 0:22:51 | 0:22:54 | |
Sorry. Client confidentiality. | 0:22:54 | 0:22:56 | |
OK, you said make a trail, | 0:23:04 | 0:23:06 | |
so I gave Yuri some form, minor stuff, drunk and disorderly | 0:23:06 | 0:23:09 | |
but it gives Tyrus plenty to chase. | 0:23:09 | 0:23:11 | |
It's all dead ends, of course. Yuri's last known address is | 0:23:11 | 0:23:13 | |
a derelict squat, it's been boarded up for months. | 0:23:13 | 0:23:16 | |
Great. The more real Yuri becomes, the better he'll mess with Tyrus's head. | 0:23:16 | 0:23:19 | |
As sure as he can still get access to the PNC. I bet he can. | 0:23:19 | 0:23:21 | |
He thinks there's a witness out there, so he'll be desperate to track him down. | 0:23:21 | 0:23:25 | |
Red rag to a bull. Yeah, and it'll burn him right up when I find Yuri Dvorak before he does. | 0:23:25 | 0:23:29 | |
So when do I tell Tyrus he's failed? And that you are now the biggest dick in town. | 0:23:29 | 0:23:33 | |
Let's give Coleen dibs on that. You can be the confirmation once he's checked me out for himself. | 0:23:33 | 0:23:38 | |
How's the new CV coming along? Oh, impressive. | 0:23:38 | 0:23:40 | |
I just took what Tyrus had done and made yours a lot better. | 0:23:40 | 0:23:43 | |
I even gave you a police medal for acts of exceptional courage, | 0:23:43 | 0:23:46 | |
skill and conspicuous devotion to duty. | 0:23:46 | 0:23:48 | |
Nice! Mum'll be thrilled. | 0:23:48 | 0:23:50 | |
"I am the resurrection and the life," | 0:23:56 | 0:23:58 | |
sayeth the Lord. | 0:23:58 | 0:24:00 | |
"He that believes in me, though he were dead, yet shall he live | 0:24:00 | 0:24:04 | |
"and whoever lives and believes in me shall never die..." | 0:24:04 | 0:24:10 | |
If you're wrong about Hopkins... I'm not. He killed her. | 0:24:23 | 0:24:26 | |
Yeah, well, there's another private investigator called Jack Quinn who doesn't think so. | 0:24:26 | 0:24:29 | |
He said he had a lead that would blow the case wide open. | 0:24:29 | 0:24:32 | |
I mean, you're the one with the bloody contacts! Why don't you know about this? | 0:24:32 | 0:24:35 | |
I do. Well? Look, the defence team are trying to track down a witness, | 0:24:35 | 0:24:38 | |
some guy called Yuri Dvorak. But he's long gone. Gone where? | 0:24:38 | 0:24:42 | |
That's a good question. But if I can't find him, neither will this Jack Quinn. | 0:24:42 | 0:24:46 | |
Look, Hopkins killed the girl. 100%. It's just a bullshit bluff by his counsel | 0:24:46 | 0:24:50 | |
and it won't come to anything. I guarantee it. | 0:24:50 | 0:24:53 | |
I can't believe I even agreed to talk to you again. If this goes tits up, it may be actionable. | 0:24:53 | 0:24:57 | |
I will lose my job! Relax. I'm on it. Yeah. You'd better be. | 0:24:57 | 0:25:00 | |
For God's sake, not now. | 0:25:17 | 0:25:19 | |
Let them pass. | 0:25:21 | 0:25:23 | |
Woah! Watch your step. | 0:25:25 | 0:25:27 | |
Victim Support. | 0:25:28 | 0:25:30 | |
You all right with those keys? | 0:26:04 | 0:26:06 | |
Hmm. Good. | 0:26:06 | 0:26:08 | |
You holding up? Not really. | 0:26:24 | 0:26:27 | |
A father shouldn't have to bury his daughter. | 0:26:29 | 0:26:32 | |
No. | 0:26:35 | 0:26:37 | |
They never grow up, you know. Not with their dad. | 0:26:40 | 0:26:43 | |
19, she used to sit on my lap, watch the telly. | 0:26:46 | 0:26:52 | |
I used to get a dead leg. Never told her. | 0:26:54 | 0:27:00 | |
Dads are indestructible, aren't they? | 0:27:04 | 0:27:06 | |
Nice job. I'd hire me. | 0:27:34 | 0:27:36 | |
You OK? Yeah. | 0:27:44 | 0:27:48 | |
Funeral must have been tough. For Mum and Dad. | 0:27:48 | 0:27:52 | |
I know. They looked empty, hollow like. | 0:27:52 | 0:27:55 | |
Like they were looking right through you and, no matter what we do, we can't make that better, can we? | 0:27:55 | 0:28:00 | |
No. So we do what we can and we get that bastard. | 0:28:00 | 0:28:03 | |
We all set? Yeah, TomTom's left enough of a trail, | 0:28:05 | 0:28:08 | |
so if Tyrus is half as good as he's supposed to be, he'll find you. | 0:28:08 | 0:28:12 | |
Camera's up? Yep. It's all motion and audio triggered, | 0:28:12 | 0:28:15 | |
360 coverage with a live feed that will record back at base. | 0:28:15 | 0:28:18 | |
Any word from Charlie yet? He's gone through all the police evidence, | 0:28:18 | 0:28:22 | |
nothing new but he's still looking. | 0:28:22 | 0:28:24 | |
Also he's planted the Dvorak thing with his DI. | 0:28:24 | 0:28:26 | |
So he's logged on the police files. Now if Tyrus still has contacts on the inside then, | 0:28:26 | 0:28:30 | |
it's going to look legit. Great. Charlie's all right, it's TomTom I'm worried about. | 0:28:30 | 0:28:34 | |
WITH ACCENT: Oh, do not fret, pretty lady. | 0:28:34 | 0:28:36 | |
Yuri Dvorak can take care of himself. | 0:28:36 | 0:28:39 | |
What? That's still the plan, innit? No. | 0:28:42 | 0:28:48 | |
Well, she's about to tell Tyrus that we found Yuri. Yes. | 0:28:48 | 0:28:50 | |
WITH ACCENT: So we need someone to play him. | 0:28:50 | 0:28:54 | |
But don't do that accent. Why not? Because... | 0:28:54 | 0:28:57 | |
It's weird. And wrong. | 0:28:57 | 0:28:58 | |
WITH ACCENT: No, no, it is authentic. | 0:28:58 | 0:29:01 | |
My, er, grandmother, she come from Kiev. | 0:29:01 | 0:29:03 | |
Have you put him up to this? | 0:29:03 | 0:29:06 | |
No way. This is your plan. | 0:29:06 | 0:29:08 | |
OK, let me explain it again. Because there's clearly been some kind of misunderstanding. | 0:29:08 | 0:29:11 | |
You said the more real we make Yuri the better, right? | 0:29:11 | 0:29:14 | |
Yeah, real as in normal, not some third-rate Bond villain - | 0:29:14 | 0:29:17 | |
you go in there stroking a cat and the whole thing's over. | 0:29:17 | 0:29:20 | |
I'm not going to be stroking a... | 0:29:20 | 0:29:21 | |
I'm allergic to cats - make my eyes itchy. | 0:29:21 | 0:29:25 | |
We need to rethink this. I did say it was a risk. | 0:29:25 | 0:29:28 | |
I've done field work before, guys. Not like this. It's too dangerous. | 0:29:28 | 0:29:31 | |
Why, cos I'm just a backroom geek? | 0:29:31 | 0:29:35 | |
I've got other talents too - if you ever give me the chance to show you. | 0:29:35 | 0:29:39 | |
Seriously, guys. Thanks for the vote of confidence. | 0:29:39 | 0:29:43 | |
OK, troops, this is it. | 0:30:38 | 0:30:40 | |
Time for phase two. Let's start turning up the heat on Tyrus. | 0:30:41 | 0:30:44 | |
Say when. | 0:30:59 | 0:31:00 | |
Wait... | 0:31:03 | 0:31:04 | |
Wait... | 0:31:05 | 0:31:07 | |
Now! | 0:31:10 | 0:31:11 | |
HE LAUGHS | 0:31:11 | 0:31:13 | |
Oh, that's brilliant, Coleen, yeah. | 0:31:14 | 0:31:18 | |
Yeah, yeah. | 0:31:18 | 0:31:20 | |
Yeah, just call me when the contract's done. | 0:31:20 | 0:31:23 | |
We'll sign it over dinner. Yeah, your treat... | 0:31:23 | 0:31:27 | |
OK, bye-bye. | 0:31:27 | 0:31:29 | |
Nice place. I don't bother with an office myself. | 0:31:33 | 0:31:36 | |
Too many walk-ins. | 0:31:36 | 0:31:37 | |
You should try appointment only. | 0:31:37 | 0:31:39 | |
I've got one scheduled in ten minutes. | 0:31:39 | 0:31:41 | |
That's more than enough time. | 0:31:41 | 0:31:44 | |
What do you want, Tyrus? | 0:31:44 | 0:31:45 | |
So, we've checked each other out? That's good. I hate small talk. | 0:31:47 | 0:31:52 | |
Funny... I've never heard of you before. | 0:31:53 | 0:31:58 | |
No, I've heard of you. | 0:31:58 | 0:32:00 | |
And what have you heard? | 0:32:00 | 0:32:03 | |
Bent cop, done a bit of time, big opinion of himself. | 0:32:03 | 0:32:07 | |
OK. | 0:32:07 | 0:32:08 | |
So we live in different parts of the forest, I'll get over it. | 0:32:10 | 0:32:15 | |
I'm here to talk business. | 0:32:15 | 0:32:17 | |
What kind of business? | 0:32:19 | 0:32:21 | |
Yuri Dvorak. You found him yet? | 0:32:21 | 0:32:23 | |
What's that got to do with you? | 0:32:23 | 0:32:25 | |
It just occurred to me that we're both looking for him, both on a fee. | 0:32:25 | 0:32:30 | |
Maybe we should pool our resources. | 0:32:30 | 0:32:32 | |
Why? I don't need you. | 0:32:32 | 0:32:35 | |
And you haven't got anything to trade with. | 0:32:35 | 0:32:37 | |
I've got contacts. | 0:32:37 | 0:32:39 | |
Then why are you in here? | 0:32:39 | 0:32:40 | |
Don't screw me around, Jack. | 0:32:42 | 0:32:44 | |
You don't know what you're dealing with. | 0:32:44 | 0:32:47 | |
Look...you haven't got a clue where Yuri Dvorak is. | 0:32:50 | 0:32:54 | |
And I don't need anything from you. | 0:32:54 | 0:32:57 | |
So why don't you...get out before I throw you out? | 0:33:00 | 0:33:04 | |
OK, Jess? It's getting nasty in there. You ready? | 0:33:07 | 0:33:10 | |
On my way. | 0:33:10 | 0:33:12 | |
That was your one chance. | 0:33:20 | 0:33:22 | |
You should get some breath mints. There's a chemist round the corner. | 0:33:22 | 0:33:25 | |
Go for extra strong. | 0:33:25 | 0:33:27 | |
Right, TomTom, did he plant anything? | 0:33:43 | 0:33:45 | |
You didn't give him much time but, if it happened, I'd say... | 0:33:45 | 0:33:49 | |
the chair. | 0:33:49 | 0:33:50 | |
Mr Tyrus. It was a competitive tender. | 0:33:56 | 0:33:59 | |
I'm sorry if that wasn't clear. Mr Quinn has made some progress. | 0:33:59 | 0:34:04 | |
I can still find him. | 0:34:04 | 0:34:05 | |
I'm sorry. As I said, Mr Quinn has made some excellent progress. | 0:34:05 | 0:34:09 | |
So I don't think we'll be needing your services after all. | 0:34:09 | 0:34:11 | |
Thank you. | 0:34:11 | 0:34:12 | |
Ah, Ms Ashcroft, thank you for coming. Please sit down. | 0:34:24 | 0:34:28 | |
Can I get you a drink? No. Thank you. | 0:34:28 | 0:34:32 | |
It looks like a standard infinity transmitter. | 0:34:34 | 0:34:37 | |
Picks up voices only, no visuals. | 0:34:37 | 0:34:39 | |
Oh, he's dialling it now, you'll be live in a second. | 0:34:41 | 0:34:44 | |
May I ask why Mr Tyrus was here? | 0:34:51 | 0:34:54 | |
Desperation. He's out of his depth and he knows it. | 0:34:54 | 0:34:58 | |
A cretin like that would take months to find Dvorak, if ever. | 0:34:58 | 0:35:01 | |
But you've already located him? Yes. | 0:35:01 | 0:35:04 | |
And he's willing to talk? For a price. | 0:35:04 | 0:35:07 | |
The question he's asking is, what's Judge Hopkins' liberty worth? | 0:35:07 | 0:35:11 | |
We won't be party to extortion. You've got no choice. | 0:35:11 | 0:35:14 | |
Without him, your client's getting life. | 0:35:14 | 0:35:16 | |
Stick Yuri on the stand, you'll not only free an innocent man | 0:35:16 | 0:35:19 | |
but get the real killer convicted. He saw who did it. | 0:35:19 | 0:35:22 | |
And not only that. He's got photos. | 0:35:23 | 0:35:26 | |
You've seen them? | 0:35:26 | 0:35:27 | |
Not yet. But he says they're ours for a price, | 0:35:27 | 0:35:30 | |
along with his testimony. | 0:35:30 | 0:35:31 | |
Where is he now? Somewhere safe. He's scared. | 0:35:31 | 0:35:35 | |
And, when you hear his story, you'll know why. | 0:35:35 | 0:35:38 | |
Yuri. How are you doing? | 0:35:40 | 0:35:42 | |
This is Camilla. The lawyer. | 0:35:44 | 0:35:46 | |
Just tell her what you told me about Kimberley. | 0:35:48 | 0:35:51 | |
WITH ACCENT: I was following her. That night. | 0:35:51 | 0:35:54 | |
I saw who took her. | 0:35:54 | 0:35:56 | |
And it wasn't that rich prick. The judge. | 0:35:56 | 0:36:00 | |
It, it wasn't him. | 0:36:00 | 0:36:02 | |
So why didn't you come forward? | 0:36:02 | 0:36:04 | |
Because I was glad. | 0:36:04 | 0:36:06 | |
I thought, good. After the way she hurt me, | 0:36:06 | 0:36:09 | |
she deserved it. | 0:36:09 | 0:36:10 | |
Then when I... | 0:36:11 | 0:36:12 | |
stopped being so angry and that man was arrested, I was sorry. | 0:36:12 | 0:36:18 | |
I knew I owed her the truth. | 0:36:18 | 0:36:21 | |
I'm sorry, I still don't understand why you didn't go to the police. | 0:36:21 | 0:36:24 | |
I did. What? Tell her, Yuri. | 0:36:24 | 0:36:27 | |
Because when I went to the station, to see the policeman in charge... | 0:36:28 | 0:36:32 | |
DI Campbell? | 0:36:32 | 0:36:33 | |
Yes, he... He was with another man | 0:36:33 | 0:36:35 | |
outside the police station. No uniform. | 0:36:35 | 0:36:40 | |
They were together. | 0:36:40 | 0:36:42 | |
They were talking. | 0:36:43 | 0:36:45 | |
We think it must have been another detective. | 0:36:47 | 0:36:49 | |
They were laughing together. And that man... | 0:36:49 | 0:36:53 | |
he was the one in my photos. | 0:36:53 | 0:36:56 | |
The one who took Kimberley. It was him. | 0:36:56 | 0:37:00 | |
And that's why he's in hiding. | 0:37:00 | 0:37:02 | |
He thinks the killer is a serving police officer | 0:37:02 | 0:37:04 | |
or, at the very least, someone with contacts there. | 0:37:04 | 0:37:07 | |
I have to see these photos. | 0:37:07 | 0:37:09 | |
Yuri wants the man in custody. | 0:37:09 | 0:37:10 | |
Once we've got the photos, it will be easy enough to identify him. | 0:37:10 | 0:37:13 | |
From you, we want money and guaranteed protection for Yuri. | 0:37:13 | 0:37:16 | |
You'll have both. Does anyone else know about this? | 0:37:16 | 0:37:19 | |
We'll also be talking to the press. | 0:37:19 | 0:37:21 | |
I've got a reporter who'll pay you a fortune for this story. | 0:37:21 | 0:37:24 | |
OK. But no press yet. Yuri, you may need to give evidence in person. | 0:37:24 | 0:37:29 | |
You're certain you'd know this man if you saw him again? | 0:37:29 | 0:37:32 | |
Yes. | 0:37:32 | 0:37:33 | |
I would recognise him again anywhere. | 0:37:33 | 0:37:36 | |
OK, Yuri, Camilla and I will talk this through some more. | 0:37:36 | 0:37:39 | |
We'll Skype you tomorrow with an offer, then make the exchange. | 0:37:39 | 0:37:42 | |
Agreed? | 0:37:42 | 0:37:43 | |
If the offer is enough, then, yes. | 0:37:43 | 0:37:45 | |
See? | 0:37:54 | 0:37:55 | |
I told you it was dynamite. | 0:37:55 | 0:37:57 | |
A policeman? Oh, don't act so surprised. | 0:37:57 | 0:37:59 | |
If you're smart enough, you can get away with murder. | 0:37:59 | 0:38:02 | |
DEVICE BEEPS | 0:38:08 | 0:38:10 | |
Just had a call from the prison, | 0:38:26 | 0:38:28 | |
Peter Hopkins has been pretty badly beaten up. | 0:38:28 | 0:38:32 | |
That's terrible. | 0:38:32 | 0:38:34 | |
You don't think he's guilty, do you? | 0:38:34 | 0:38:37 | |
What I think doesn't matter. | 0:38:37 | 0:38:39 | |
It's about what I can and can't prove in court. | 0:38:39 | 0:38:42 | |
I'm on my way to meet Coleen. | 0:38:48 | 0:38:49 | |
She wants to make me an offer I can't refuse. | 0:38:49 | 0:38:53 | |
Lucky you. | 0:38:53 | 0:38:54 | |
I thought we could celebrate our new partnership in style. | 0:39:24 | 0:39:28 | |
We're partners now, are we? | 0:39:28 | 0:39:29 | |
We will be when you give me the new angle on the Hopkins case, | 0:39:29 | 0:39:32 | |
tell me about this new witness. | 0:39:32 | 0:39:34 | |
I could've done that on the phone, surely. | 0:39:34 | 0:39:36 | |
Yeah, but I thought it would be nice to do it somewhere we couldn't be disturbed. | 0:39:36 | 0:39:40 | |
Do what, exactly? | 0:39:40 | 0:39:41 | |
Seal the deal. | 0:39:42 | 0:39:44 | |
And I thought Leveson stopped you using underhand means to get your story. | 0:39:44 | 0:39:48 | |
Heavens no! He just taught us how not to get caught next time. | 0:39:48 | 0:39:52 | |
Cheers. Cheers. | 0:39:52 | 0:39:54 | |
So what's the story with Campbell? Good cop. Just trying to do his job. | 0:40:06 | 0:40:11 | |
I reckon he's done everything he can. Really? Yeah, I do. | 0:40:11 | 0:40:17 | |
And if the police could do any more, they wouldn't be coming to us, would they? | 0:40:17 | 0:40:22 | |
No. | 0:40:23 | 0:40:24 | |
Oi! You taking those headphones off for a reason? | 0:40:26 | 0:40:30 | |
No, it's just ... | 0:40:30 | 0:40:33 | |
There's nothing going on. | 0:40:33 | 0:40:34 | |
TomTom, I told you to keep his channel open. | 0:40:34 | 0:40:36 | |
If Jack's compromised, we need to know about it. | 0:40:36 | 0:40:39 | |
Jack's not compromised, he's... Let me have a listen. | 0:40:39 | 0:40:41 | |
He's fine... Come on! | 0:40:41 | 0:40:43 | |
Thanks. You could have warned me. | 0:40:52 | 0:40:54 | |
I did try. What? | 0:40:54 | 0:40:56 | |
PASSIONATE MOANS | 0:40:56 | 0:41:00 | |
DEVICE BEEPS | 0:41:15 | 0:41:17 | |
PASSIONATE MOANS AND GIGGLING | 0:41:19 | 0:41:21 | |
Oh, Jack! Oh! Oh, God! | 0:41:37 | 0:41:40 | |
SHE MOANS WITH PLEASURE | 0:42:30 | 0:42:33 | |
I wondered where you'd got to. | 0:43:32 | 0:43:34 | |
I was worried. | 0:43:35 | 0:43:37 | |
He's got to pay, that's all. | 0:43:39 | 0:43:41 | |
Bit of jail time's not enough for a man like Hopkins. | 0:43:41 | 0:43:44 | |
Just go to bed, all right? | 0:43:46 | 0:43:48 | |
I think I'll make a pot. | 0:43:55 | 0:43:57 | |
It's always nicer in a pot. | 0:43:58 | 0:44:00 | |
Do you want anything to eat? | 0:44:13 | 0:44:16 | |
HE SOBS | 0:44:16 | 0:44:18 | |
You got a girlfriend, Charlie? | 0:44:27 | 0:44:29 | |
No-one special. | 0:44:29 | 0:44:31 | |
Why? | 0:44:34 | 0:44:36 | |
Cos I'm a nosy bitch. | 0:44:36 | 0:44:37 | |
Oi! Are you going to share some of that wine? | 0:44:39 | 0:44:41 | |
Thank you. PHONE RINGS | 0:44:43 | 0:44:48 | |
Hello. | 0:44:48 | 0:44:49 | |
Hi, Patricia. | 0:44:50 | 0:44:53 | |
Yeah, no, no, no, of course, I said to ring any time. | 0:44:53 | 0:44:56 | |
Er, yeah, yeah, just a minute. | 0:44:56 | 0:44:57 | |
SHE WHISPERS: It's Kimberley's mum. | 0:44:57 | 0:45:00 | |
Yeah. | 0:45:00 | 0:45:01 | |
No, you can't come here but there's a cafe near where I work. | 0:45:05 | 0:45:09 | |
We can't date in-house. No team romances - it's one of Jack's rules. | 0:45:10 | 0:45:14 | |
Nah, she's a bit scary for me. | 0:45:16 | 0:45:19 | |
Actually, I was wondering what her last psyche test said. | 0:45:19 | 0:45:22 | |
Yeah... You really don't want to know that. | 0:45:23 | 0:45:26 | |
No, it's not a phone number, it's a Skype address. | 0:45:32 | 0:45:35 | |
Can you still trace it? | 0:45:35 | 0:45:36 | |
I didn't ask how hard it was, | 0:45:37 | 0:45:39 | |
I said can you get me a postal address from it? | 0:45:39 | 0:45:41 | |
How long? | 0:45:43 | 0:45:45 | |
Well, make sure you do. | 0:45:45 | 0:45:48 | |
Are you sure you won't stay for breakfast? | 0:45:56 | 0:45:59 | |
We can order room service. | 0:45:59 | 0:46:02 | |
In a while. | 0:46:02 | 0:46:03 | |
Too much to organise. | 0:46:05 | 0:46:06 | |
Hey, Dvorak's jittery as hell. | 0:46:07 | 0:46:09 | |
I'll see you at my office, though, yeah? | 0:46:10 | 0:46:13 | |
Three o'clock. Don't forget the money and Joe Tyrus. | 0:46:13 | 0:46:15 | |
I'd rather this was about me and you now. | 0:46:15 | 0:46:17 | |
Why does Tyrus have to be there? | 0:46:17 | 0:46:19 | |
It's personal. | 0:46:19 | 0:46:21 | |
You're not exactly his favourite person. What if he doesn't come? | 0:46:21 | 0:46:25 | |
Just tell him I've been talking with Dvorak | 0:46:25 | 0:46:27 | |
and that I've got the photos - he'll come. | 0:46:27 | 0:46:29 | |
You boys. | 0:46:31 | 0:46:32 | |
All set? Er, yeah! | 0:46:54 | 0:46:56 | |
Just relax. It'll be fine. You heard from Charlie? | 0:46:56 | 0:46:59 | |
All in place. What about Coleen? | 0:46:59 | 0:47:01 | |
Yeah, she's just texted, she's spoken to Tyrus, | 0:47:01 | 0:47:04 | |
he's confirmed he'll meet her at the office at three o'clock. | 0:47:04 | 0:47:06 | |
Any chance she's playing us? No. | 0:47:06 | 0:47:08 | |
She's in love? No. | 0:47:08 | 0:47:10 | |
Just lust then. It was quite a performance. | 0:47:10 | 0:47:13 | |
It's time. | 0:47:13 | 0:47:15 | |
He's right. Let's go. | 0:47:15 | 0:47:17 | |
Hey...you going to be OK? | 0:47:19 | 0:47:21 | |
Yeah, I'm cool...ish. I'm OK. | 0:47:21 | 0:47:26 | |
Just do the same as yesterday, right? Sit here, do me thing. | 0:47:26 | 0:47:30 | |
I am Yuri Dvorak. Remember, we don't actually have any photos, | 0:47:30 | 0:47:33 | |
so it's all on your reaction when you see him - that's what'll sell it. | 0:47:33 | 0:47:36 | |
You've just got to convince him that you saw him that night with Kimberley. I'll do my best. | 0:47:36 | 0:47:40 | |
I am Yuri Dvorak. | 0:47:48 | 0:47:52 | |
Just had a call, sir. Need to follow something up. | 0:48:05 | 0:48:07 | |
What? Not sure yet, let me check it out first? | 0:48:07 | 0:48:10 | |
Yeah? | 0:48:16 | 0:48:17 | |
OK, go. | 0:48:17 | 0:48:18 | |
You're sure that's the address? | 0:48:25 | 0:48:26 | |
Anything? | 0:48:45 | 0:48:47 | |
A pigeon's just done a crap on the ledge. | 0:48:48 | 0:48:50 | |
Anything interesting? It's interesting for a pigeon. | 0:48:50 | 0:48:53 | |
I meant is anyone coming yet? They'll be here soon. Don't worry. | 0:48:53 | 0:48:57 | |
Hello, Yuri. | 0:49:53 | 0:49:54 | |
WITH ACCENT: You. How did you find me? | 0:50:04 | 0:50:06 | |
Your call's been cancelled. | 0:50:07 | 0:50:09 | |
Now, you said you had some photos of me. Where are they? | 0:50:09 | 0:50:13 | |
I have them, they are safe. I know what you did. | 0:50:13 | 0:50:19 | |
I saw you. You killed Kimberley! | 0:50:20 | 0:50:24 | |
All I want is the photos, now give them to me | 0:50:24 | 0:50:26 | |
and we can both get on with our lives. | 0:50:26 | 0:50:30 | |
No, I saw you, you hurt her! | 0:50:30 | 0:50:32 | |
Why? Why would you do that? | 0:50:32 | 0:50:34 | |
I loved her! | 0:50:38 | 0:50:40 | |
Yeah, I know you did, Yuri, and I'm sorry she had to die | 0:50:40 | 0:50:42 | |
but sometimes the end justifies the means. | 0:50:42 | 0:50:44 | |
Now give me what I want. | 0:50:44 | 0:50:46 | |
No! | 0:50:46 | 0:50:48 | |
Wrong answer. | 0:50:48 | 0:50:50 | |
Last chance! | 0:50:50 | 0:50:51 | |
I won't help you. | 0:50:53 | 0:50:54 | |
What? You think you're better than me? You were stalking her! | 0:50:54 | 0:50:58 | |
For all I know, you'd have killed her yourself once you'd finished jerking off. | 0:50:58 | 0:51:02 | |
I probably saved you a job. | 0:51:02 | 0:51:03 | |
I didn't want to kill her. | 0:51:03 | 0:51:04 | |
It wasn't about her, it was about him. | 0:51:04 | 0:51:06 | |
It's his turn to rot in prison. Now give me the photos! | 0:51:06 | 0:51:10 | |
I killed your girlfriend, don't make me kill you too! | 0:51:10 | 0:51:12 | |
I wouldn't do that if I were you. | 0:51:12 | 0:51:14 | |
SHE GIGGLES | 0:51:19 | 0:51:21 | |
He thinks we're in the office. | 0:51:21 | 0:51:23 | |
Oh, that. We taped that earlier. | 0:51:24 | 0:51:27 | |
He's confused. Bless him. | 0:51:27 | 0:51:29 | |
TomTom, did we get Mr Tyrus' confession? | 0:51:29 | 0:51:32 | |
IN OWN ACCENT: You what? Oh, yeah, hang on. | 0:51:32 | 0:51:35 | |
Every word. | 0:51:36 | 0:51:37 | |
In fact, you could have come in a bit quicker guys, you know. | 0:51:37 | 0:51:40 | |
Sorry, mate, we had to be sure we had it. | 0:51:40 | 0:51:42 | |
Yeah, it's great. Don't worry about me. | 0:51:42 | 0:51:44 | |
Is he really pointing a knife at me? I'm afraid so. | 0:51:48 | 0:51:51 | |
What do you think? Paper, rock, scissors? Yeah. | 0:51:51 | 0:51:54 | |
One, two...three. | 0:51:54 | 0:51:58 | |
Drop it. | 0:51:58 | 0:52:00 | |
Have we got a first aid kit in here? | 0:52:02 | 0:52:04 | |
You set me up. | 0:52:04 | 0:52:06 | |
I think that's what they call poetic justice. | 0:52:06 | 0:52:09 | |
'We knew you thought you had a perfect plan.' | 0:52:09 | 0:52:11 | |
Camilla Ashcroft. | 0:52:11 | 0:52:13 | |
We need you to find someone, his name is Yuri Dvorak. | 0:52:13 | 0:52:17 | |
'So we had to introduce an element of doubt.' | 0:52:17 | 0:52:19 | |
He saw who did it. | 0:52:19 | 0:52:21 | |
And not only that, he's got photos. | 0:52:21 | 0:52:23 | |
'Once you were looking for Yuri...' | 0:52:23 | 0:52:25 | |
He put a tracker on your car so he'll follow you at a distance. | 0:52:25 | 0:52:28 | |
So far, so good. | 0:52:28 | 0:52:29 | |
'..we knew you'd have to follow Jack's laptop. | 0:52:29 | 0:52:31 | |
'TomTom monitored your progress remotely... | 0:52:38 | 0:52:41 | |
'and we knew Yuri's Skype address would lead you here.' | 0:52:41 | 0:52:43 | |
You OK? | 0:52:58 | 0:52:59 | |
Yeah, nothing that a clean pair of underwear | 0:52:59 | 0:53:02 | |
and a blood transfusion won't fix. | 0:53:02 | 0:53:05 | |
It's just a scratch, you big baby. | 0:53:05 | 0:53:07 | |
Jack. | 0:53:10 | 0:53:12 | |
Mrs Brooks, put the gun down, please. | 0:53:17 | 0:53:19 | |
I was outside. | 0:53:22 | 0:53:23 | |
I heard voices, I didn't know what to do, so I waited. | 0:53:24 | 0:53:28 | |
I could hear you all. | 0:53:29 | 0:53:30 | |
I heard what you said! | 0:53:32 | 0:53:33 | |
It was you that killed Kimberly, not Hopkins. | 0:53:35 | 0:53:37 | |
Please... | 0:53:37 | 0:53:39 | |
Mrs Brooks, just put the gun down, point it towards the floor, please. | 0:53:39 | 0:53:42 | |
My daughter's dead! | 0:53:42 | 0:53:44 | |
I know she is. | 0:53:44 | 0:53:46 | |
I'm sorry. | 0:53:46 | 0:53:47 | |
We all are. You don't need to do this. | 0:53:47 | 0:53:50 | |
He deserves it. | 0:53:50 | 0:53:52 | |
Yes, he does, but then we're no better than him. | 0:53:52 | 0:53:56 | |
He'll go to prison and, if you do this, so will you. | 0:53:56 | 0:53:59 | |
Keith's on his own. | 0:54:00 | 0:54:02 | |
He won't be able to do this without you, you know that, don't you? | 0:54:02 | 0:54:06 | |
I'm sorry. She called me. She wanted me to get rid of that. | 0:54:17 | 0:54:20 | |
And you told her to come here? No, of course not, the cafe... | 0:54:20 | 0:54:23 | |
I couldn't wait, I just wanted that thing out the house. | 0:54:23 | 0:54:26 | |
So I thought the cafe might be near your home or work. | 0:54:26 | 0:54:29 | |
So I went there and I saw you come here and I followed... | 0:54:29 | 0:54:31 | |
SHE BREAKS DOWN It's all right, it's all right. It's over. | 0:54:31 | 0:54:34 | |
Sir, you got a minute? | 0:54:52 | 0:54:54 | |
Yeah, what is it? | 0:54:54 | 0:54:55 | |
That lead I told you about. | 0:54:55 | 0:54:57 | |
Joe Tyrus' car. | 0:55:19 | 0:55:20 | |
You see, I've got an informant. Sort of. | 0:55:22 | 0:55:25 | |
He said get a forensics team in and check this out. | 0:55:25 | 0:55:28 | |
We did. | 0:55:28 | 0:55:29 | |
Yeah, yeah. But he said, er, you might have missed something. | 0:55:29 | 0:55:33 | |
In the boot. | 0:55:33 | 0:55:35 | |
Charlie? | 0:55:52 | 0:55:53 | |
Package delivered. New boy did good. | 0:56:01 | 0:56:04 | |
Yes, he did. | 0:56:04 | 0:56:06 | |
WITH ACCENT: We could use you in our little organisation, no? | 0:56:06 | 0:56:08 | |
Seriously, stop him doing that. | 0:56:08 | 0:56:10 | |
What?! Just drive. | 0:56:10 | 0:56:12 | |
'I killed your girlfriend, don't make me kill you too! | 0:56:17 | 0:56:19 | |
'Just give me the photos!' | 0:56:19 | 0:56:23 | |
Thank you. | 0:56:23 | 0:56:24 | |
Welcome home, darling. So good to see you. | 0:56:32 | 0:56:36 | |
CHATTER | 0:56:47 | 0:56:50 | |
TomTom, outstanding work, above and beyond. | 0:57:02 | 0:57:05 | |
I'll knock ten hours off your sentence. | 0:57:05 | 0:57:07 | |
I'm just glad we got him. | 0:57:07 | 0:57:09 | |
Hear, hear. | 0:57:09 | 0:57:10 | |
To Kimberley Brooks. | 0:57:12 | 0:57:14 | |
ALL: To Kimberley. | 0:57:14 | 0:57:16 | |
Listen, I know we're having a moment, guys, | 0:57:31 | 0:57:33 | |
but I really need a wee. Sorry. | 0:57:33 | 0:57:35 | |
I'll go the other way. | 0:57:37 | 0:57:38 | |
Excuse me, coming through. | 0:57:39 | 0:57:41 | |
TomTom! | 0:57:41 | 0:57:42 | |
I'll buy you a drink on my way back to make up for it. | 0:57:44 | 0:57:47 | |
Don't forget the crisps. Eh? Crisps! | 0:57:47 | 0:57:50 | |
Oh, seriously, that's too close, I'm walking away. | 0:57:52 | 0:57:55 | |
So, the police can't touch him. | 0:58:02 | 0:58:03 | |
As long as he's inside the embassy building, he's on foreign soil. | 0:58:03 | 0:58:06 | |
Denied the freedom to step back down onto British soil | 0:58:06 | 0:58:09 | |
for fear of being arrested for a crime I did not commit. | 0:58:09 | 0:58:12 | |
What we really need is someone on the inside. | 0:58:12 | 0:58:14 | |
Thank you! Are you OK? | 0:58:14 | 0:58:16 | |
Who's coming to this thing? | 0:58:16 | 0:58:17 | |
Oh, just some people my dad thinks are important. | 0:58:17 | 0:58:19 | |
I promised somebody that I'd get you out of here and banged up where you belong. | 0:58:19 | 0:58:23 | |
You are innocent, aren't you, Philip? | 0:58:23 | 0:58:25 | |
All the rules that we all live by, they don't apply to him. | 0:58:25 | 0:58:27 | |
This man is now under the protection of the Colombian Government. | 0:58:27 | 0:58:30 | |
Subtitles by Red Bee Media Ltd | 0:58:48 | 0:58:52 |